#kim deitch

[mudwerks]

Kim Deitch - Tales from the Crypt Vignette Original Art (1970s)

[commiegoth]

Eating Raoul promotional comic by Kim Deitch and Carol Lay (Heavy Metal magazine - February 1983)

[usedcarheaven]

[ultrakeencollectionbreadfan]

Remember this comic?

Maybe Paramount+ should look into this...

[dynamobooks]

Art Spiegelman & Françoise Mouly: Raw, Volume 2, Number 3 (1991)

[usedcarheaven]

The Demons No Longer Feared Him, from Anatole France’s Thaïs by Frank C. Pape (1926)

[smashedpages]

Happy birthday to Kim Deitch!

[bitter1stuff]

[disneyweirdness]

[noisemx]

James Collier -

[usedcarheaven]

[colleendoran]

MOCCA Arts Festival

Announcing the 2023 MoCCA Arts Festival Featured Guests

The Society of Illustrators is proud to share a list of Featured Guests who will appear at the MoCCA Arts Festival, taking place April 1 - 2, 2023 from 11:00AM - 7:00PM on Saturday and 11:00AM - 6:00PM on Sunday. The Exhibitor Hall will be held at Met Pavilion, a spacious venue nestled in the heart of the Chelsea neighborhood, and is within walking distance to many great restaurants and attractions. Programming will be a few steps away at the SVA Flatiron Gallery, located at 133 West 21st Street. 

Maia Kobabe is the author of Gender Queer (Oni Press), a critically acclaimed Young Adult graphic memoir that has also been named a Stonewall Honor book. Gender Queer was also ranked by the American Library Association as the most frequently banned or challenged book in the United States in 2021. Kobabe will talk about eir work in a special spotlight session moderated by Michele Kirichanskaya and will also participate in a panel on comics and censorship hosted by PEN America’s Jonathan Friedman.

In her career, Colleen Doran has written and drawn the long-running creator-owned series A Distant Soil and has worked on titles including Wonder Woman, Amazing Spider-Man, and many others. Her body of work includes a series of collaborations with writer Neil Gaiman which are the subject of the exhibit “Colleen Doran Illustrates Neil Gaiman,” running from March 22nd to July 29th at the Society of Illustrators. She will appear in conversation with Gaiman to discuss their comics collaborations and her overall body of work in a special programming event moderated by exhibition curator Kim Munson.

Barbara Brandon-Croft became the first Black woman to write and draw a nationally syndicated comic strip when Where I’m Coming From debuted in American newspapers in 1991. Featuring a cast of nine women of color commenting insightfully on current events, her groundbreaking comic strip has now been anthologized in a book edition from Drawn and Quarterly. Brandon-Croft will talk about her trailblazing work in a special spotlight session. 

Other featured artists at this year’s festival will include:

Kim Deitch, a pioneering underground comix artist who began publishing comics in the East Village Other in 1967 and whose most recent graphic novel, Reincarnation Stories (Fantagraphics) was published to critical acclaim in 2019. 

Drew Friedman, whose most recent book of portraiture, Maverix and Lunatix (Fantagraphics), celebrates the artists of the underground comix generation

Miriam Katin, whose out-of-print graphic memoir of escaping the Holocaust as a child refugee accompanied by her mother, We Are On Our Own (Drawn & Quarterly), will be republished in a forthcoming paperback edition. 

Toma Vagner, the award-winning illustrator who designed this year’s MoCCA key image and has produced striking graphics for clients including Harry Styles, Google, The New York Times, Bloomberg, and The New Yorker. 

Noah Van Sciver, whose body of graphic novels includes Joseph Smith and the Mormons (Abrams ComicArts), Fante Bukowski (Fantagraphics Books), and the forthcoming comic book series Maple Terrace (Uncivilized Books). 

These and other Featured Artists will participate in programming and signings, schedules for which will be announced in the coming days and weeks. A full list of exhibiting artists can be found on the MoCCA Arts website. 

About the Museum of Illustration at the Society of Illustrators and the MoCCA Arts Festival

Founded in 1901, the Society of Illustrators and its Museum of Illustration together comprise America’s longest-standing nonprofit organization dedicated to the art of illustration. The mission of SI/MI is to promote the art and appreciation of illustration and its history and evolving nature through exhibitions and educational programs. 

The MoCCA Arts Festival is a 2-day multimedia event, Manhattan’s largest independent comics and cartoon festival, drawing over 7,000 attendees each year. With over 500 exhibiting artists displaying their work, award-winning honorees speaking about their careers and artistic processes and other featured artists conducting demos, lectures and panels, our Festival mission accelerates the advancement of the Society’s broader mission to serve as Manhattan’s singular cultural institution promoting all genres of illustration through exhibitions, programs and art education. 

The Society will continue to release additional information about the Fest in the near future. Tickets are available to purchase online as well as at the door.  The Society is following all state and city safety protocols. Protocols are subject to change, so be sure to check back for the latest information. As of now, face coverings are optional at Metropolitan Pavilion and the Exhibitor Hall. Proof of vaccines, boosters and masks are required to enter SVA buildings and programming. 

To learn more about the Fest, please visit the website.

For media inquiries please contact:

Kate Feirtag

Director of Communications and External Relations

kate@societyillustrators.org

[dynamobooks]

Art Spiegelman & Françoise Mouly (ed.): Raw, Volume 2, Number 1 (1989)

[usedcarheaven]

[copcomco]

Mineshaft #45 - The 25th Anniversary Issue!

Believe it or not, Mineshaft #45 is the 25th Anniversary Issue!  How?!?

It features a trippy-yet-appropriate wrap-around cover by Aaron Horkey, along with a slew of new work by a bigger than ever roster of contributors, including R. Crumb, Drew Friedman, Aaron Horkey, Billy Childish, Mary Fleener, Christoph Mueller, Gunnar Lundkvist, Simone Baumann, David Collier, Glenn Head, Aaron Lange, Kim Deitch, Sophie Crumb, Bill Crook, Max Clotfelter, Robert Armstrong and Kayla E.

As with all issues of Mineshaft, this issue has a small print run. In other words, it won't be around forever.

Available HERE, now.

[justforbooks]

Trina Robbins

American cartoonist and author whose pioneering work in comics included being the first female artist to draw Wonder Woman

The American illustrator and writer Trina Robbins, who has died aged 85, began her career in comics in her native New York in the 1960s as a contributor to the counterculture newspaper East Village Other. She also drew and wrote strips for Gothic Blimp Works, an underground comic.

Then came comic strips, covers and spot illustrations for the underground publications Berkeley Tribe and It Ain’t Me, Babe, often described as the first feminist newspaper, before before she put together an all-women comic, It Ain’t Me, Babe Comix (1970), followed by the anthology All Girl Thrills (1971) and the solo comic Girl Fight Comics (1972).

Her black heroine, Fox, was serialised in Good Times (1971) and another of her characters, Panthea, who first appeared in Gothic Blimp Works (1969), was a regular in Comix Book (1974-76).

She also became one of the 10 founders of Wimmen’s Comix, an all-female underground comics anthology published from 1972 to 1992, and in the late 70s was a contributor to High Times, Heavy Metal, National Lampoon and Playboy.

Later she adapted the 1919 novel Dope, by Sax Rohmer, for Eclipse Comics (1981-83) and wrote and drew Meet Misty (1985-86) for Marvel. She was also the first woman to draw Wonder Woman, in The Legend of Wonder Woman (1986).

Robbins’ wider interest in the history of girls’ comics led her to co-write a book about the genre, Women and the Comics (1986), with Catherine Yronwode, and later A Century of Women Cartoonists (1993), followed by a number of biographies of female comic pioneers, including Nell Brinkley, Lily Renée, Gladys Parker and Tarpé Mills.

Born in Brooklyn, she grew up in Queens, where her mother, Bessie (nee Roseman) was a teacher. Her father, Max Perlson, was a tailor who later wrote for Yiddish-language newspapers and published a collection of stories, A Minyen Yidn (1938), that was turned by Trina into a comic anthology in 2017.

At the age of 10 she graduated from reading wholesome animal comics to Millie the Model, Patsy Walker and others with female protagonists. The Katy Keene comic was especially influential, as it encouraged Robbins to make paper dolls and design clothing for them. She was also a huge fan of the jungle adventuress Sheena.

Having discovered science fiction at 14, Robbins began attending conventions, and at one such gathering she met the short story writer Harlan Ellison. At 21 he was five years her senior, but they dated briefly and he later wrote her into his film The Oscar (1966) as Trina Yale, played by Edie Adams.

Trina attended Queens College before studying drawing at Cooper Union, although she dropped out after a year. In 1957 she married the cartoonist Art Castillo; they moved to the Bay area of Los Angeles until he disappeared to Mexico and the relationship ended.

Working for a time as a model for men’s magazines, she was a cinema usherette when she met Paul Robbins, whom she married in 1962 following Castillo’s death. Her new husband wrote for the LA Free Press, which gave her access to the Byrds, Bob Dylan and other musicians, and she began making clothing to sell to musician friends, including Mama Cass.

Returning alone to New York in 1966 (she and Robbins eventually divorced, in 1972), she opened a boutique called Broccoli on East 4th Street, making clothes for exotic customers and having flings with a number of them, including the Doors’ singer Jim Morrison and the activist Abbie Hoffman; she also had longer relationships with Paul Williams, editor of Crawdaddy magazine, and the cartoonist Kim Deitch, with whom she set up a cartoon art museum on East 9th Street.

Her clothes-making got her into a song by Joni Mitchell, who wrote in Ladies of the Canyon that “Trina wears her wampum beads / She fills her drawing book with line / Sewing lace on widows’ weeds / And filigree on leaf and vine”.

After she had sold her boutique in 1969 and began to make her living in comics, there was no looking back.

Apart from her writing and illustrating activities over the years, in 1994 she became one of the founders of Friends of Lulu, a US-based charity that promotes the reading of comic books by women and the participation of women in the comic book industry.

Her later work on the history of women in comics produced three further books, From Girls to Grrrlz (1996), The Great Women Cartoonists (2001) and Pretty in Ink (2013).

She also wrote a number of books for children, starting with Catswalk: The Growing of Girl (1990), and including the Chicagoland Detective Agency series (2010-14) of bizarre high school mystery adventures.

For adults she wrote The Great Women Superheroes (1996), Eternally Bad: Goddesses With Attitude (2001), Tender Murderers: Women Who Kill (2003) and Wild Irish Roses: Tales of Brigits, Kathleens and Warrior Queens (2004).

Her most recent comic was Won’t Back Down (2024), a pro-choice anthology.

She is survived by her partner, Steve Leialoha, a daughter, Casey, from her relationship with Dietch, and her sister Harriet.

🔔 Trina Robbins, writer and illustrator, born 17 August 1938; died 10 April 2024

Daily inspiration. Discover more photos at Just for Books…?