Tumgik
#Jean-Michel Vovk
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
La fin de notre amour (Hélène Cattet & Bruno Forzani, 2004)
168 notes · View notes
letterboxd-loggd · 2 years
Photo
Tumblr media Tumblr media
Yellow Room (Chambre jaune) (2002) Hélène Cattet and Bruno Forzani
February 8th 2023
0 notes
culturevsnews-blog · 10 months
Text
Le Rêve de Daisy De Ricard Cussó Par Ryan Greaves Avec Marie Braam, Angourie Rice, Jean-Michel Vovk
Achat : https://amzn.to/3GvAFIQ Dans ce nouveau conte de la Cité Sanctuaire, où tous les animaux vivent en harmonie, la Cité s’apprête à accueillir « La Coupe du Monde de la Peur » durant laquelle les animaux les plus féroces vont s’affronter dans l’arène. Chronique : Dans la Cité Sanctuaire, un monde où règne une harmonie animale, le film d’animation “Le Rêve de Daisy” dévoile un récit…
Tumblr media
View On WordPress
0 notes
ozu-teapot · 3 years
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Amer | Hélène Cattet / Bruno Forzani | 2009
Jean-Michel Vovk, Biancamaria D'Amato
191 notes · View notes
thrashard-banshee · 7 years
Photo
Tumblr media
Klaus Tange & Jean-Michel Vovk, film: The Strange Colour Of Your Body’s Tears, directed by: Hélène Cattet & Bruno Forzani 
4 notes · View notes
genevieveetguy · 6 years
Photo
Tumblr media
Catharsis, Hélène Cattet and Bruno Forzani (2001)
1 note · View note
ramascreen · 6 years
Text
AMONG THE SHADOWS Trailer And Poster Starring Lindsay Lohan
AMONG THE SHADOWS Trailer And Poster Starring Lindsay Lohan
Momentum unleashed this poster and this trailer for #AmongTheShadows movie directed By  Tiago Mesquita. Written by Mark Morgan
Starring  Charlotte Beckett, Gianni Capaldi, Dominiki Madani, Reynald Bialès, Barry Jay Minoff,  Kristoffel Verdonck, Peter Organ, Jean-Michel Vovk, Olivier Englebert, John Flanders, Lindsay Lohan
When he uncle is murdered, Kristy Wolfe (Charlotte Beckett,) a Brussels…
View On WordPress
0 notes
doomonfilm · 4 years
Text
Thoughts : The Strange Color of Your Body’s Tears (2013)
Tumblr media
The more I crawl down my Netflix DVD queue, the less sense it makes.  It sometimes takes me so long to cull through this queue that I’ve often forgot where the recommendations came from by the time I get to enjoy the films recommended.  The one consistent thing, thankfully, has been the stellar quality of the films in this queue, and last night I was introduced to another winner in the form of The Strange Color of Your Body’s Tears. 
While on a business trip, Dan Kristensen (Klaus Tange) is unable to reach his wife Edwidge (Ursula Bedena).  Upon returning from his trip, he finds his apartment locked by the chain from the inside, and after breaking in, finds the apartment empty.  After a brief alcohol-induced fit, Dan begins troubling his neighbors for information, including Dora (Birgit Yew), the mysterious woman on the 7th floor and the intriguing Barbara (Anna D'Annunzio).  An inspector (Jean-Michel Vovk) takes Dan’s case, but after the discovery of Edwidge’s severed head, Dan is presented with more questions and mysteries than answers.
As much as I am into Italian film, I was unfamiliar with the term “giallo film” until I began researching The Strange Color of Your Body’s Tears, but now that I am familiar with it, it makes sense why it brings to mind films like Repulsion, Suspiria, L'Avventura, Blow Up and many more films of the “pulp mystery” genre.  The film very much utilizes a throwback look and feel to dislodge itself from a fixed time or era, similar to Beyond the Black Rainbow.  The mystery, at its root a missing person case, is a simple enough launching point for a story, but The Strange Color of Your Body’s Tears quickly propels itself light years from its point of entry in as many directions as it possibly can, much to the amplification and enrichment of the film’s mysterious nature.
Much of the mystery is built through giving the viewer the most disjointed perspective possible.  To try and pin down the style of this film is similar to trying to coarse a drove of hares.  Husband and wife team Hélène Cattet and Bruno Forzani mix ideas, looks, style and symbolism like a DJ, or a movie fan with a short attention span and total recall for cinematic stimulus.  Films like these feel like linchpins or junction points for multitudes of films, as the way they pay homage to a range of films in turn creates new awareness for the unaware and a sense of nostalgia for those that recognize the homage.
This film oozes more style than many directors dream of including in an entire film career.  Deep blacks play as foundation for stark colors from across the entire spectrum, creating a highly artistic look to the live action.  The visual and sound editing is wonderfully schizophrenic, clearly taking delight in doling out scattered pieces of sensory information to the viewers with little to no context in regards to bigger picture relevance.  The narrative is extremely patient in its abstract nature, taking care not to indulge in the steady diet of stylistic changes, heightened realities and contemplative moments presented.  The direction of Hélène Cattet and Bruno Forzani is tight and deliberate, with no wasted moments or movements in our march towards the resolution of the narrative.
Klaus Tange is given blind trust to essentially take the ball and run with it, carrying the viewer through the lion’s share of the experience with the right balance between attempting poise and going to pieces, which keeps viewers on the edge of their seats and unsure of who or what to trust.  Birgit Yew and Anna D’Annunzio both channel a deep sense of dignity, floating through their scenes as if carried by a greater force at most appearances.  Jean-Michel Vovk provides a solid baseline of comparison for the slowly unraveling Tange.  Ursula Bedena sets a stark and mysterious presence, with additional textural presence provided by Sam Louwyck, Joe Koener, Hans De Munter, Manon Beuchot, Romain Roll and Lolita Oosterlynck.
I love these mind-altering, psychedelic, style-shifting films for their visceral experiences provided and the way that they shift my perspective on both film and the world at large.  One often can find themselves feeling the redundancy of mass-scale creativity when wading through films for a living, but then a film like The Strange Color of Your Body’s Tears comes along and gives that shock to the senses needed to shake things up and make them feel fresh once again. 
0 notes
Link
Tumblr media
Lindsay Lohan , Charlotte Beckett , Gianni Capaldi , Dominik Madani , Reynald Biales , Barry Jay Minoff , Kristoffel Verdonck , John Flanders , Peter Organ , Daniel Hugh Kelly , Jean Michel Vovk ,Olivier Englebert , Bond Mgebrishvili , Gaelle Gillis , Sulaiman Rochemont
0 notes
Photo
Tumblr media Tumblr media
CALIFICACIÓN PERSONAL: 6 / 10
Título Original: Amer
Año: 2009
Duración: 87 min.
País: Bélgica
Director: Hélène Cattet, Bruno Forzani
Guion: Hélène Cattet, Bruno Forzani
Fotografía: Manuel Dacosse
Reparto: Marie Bos, Delphine Brual, Harry Cleven, Bianca Maria D'Amato, Cassandra Forêt,Sylvain Giraud, Charlotte Eugène Guibeaud, Bernard Marbaix, Jean-Michel Vovk
Productora: Coproducción Bélgica-Francia; Anonymes Films / Tobina Film
Género: Horror, Thriller
https://www.imdb.com/title/tt1426352/
TRAILER: https://www.youtube.com/watch?v=kaEKIgHr1_0
0 notes
genevieveetguy · 6 years
Photo
Tumblr media
Chambre jaune, Hélène Cattet and Bruno Forzani (2002)
0 notes