#Jean-Claude Dreyfus

[adreciclarte4]

Jean-Claude Dreyfus by Denis Rouvre

[philippebresson]

Je serai bientôt à l'antenne avec un Drôle de Coco, pas de chez Chanel non, plutôt du genre Coco-Bel-Œil 👁️ Un dur à cuire difficile à faire fondre au premier regard même si, d'abord à feu doux (et non à l'étouffée, surtout pas !), puis en maintenant une température à cœur pendant quelques minutes, il finit par se révéler (rêve ailé) tendre à souhait.

Il faut dire qu'il est notamment connu pour avoir été un boucher sanguinaire au cinéma (Delicatessen), ainsi qu'un Dragon et quelques monstres/monstresses au théâtre (300 pièces et une seule vie !).

Peut-être l'avez-vous croisé �� La Grande Eugène à l'époque, Fassbinder et sa bande n'avaient d'yeux que pour sa "Toute Méchante" (aurait dit Genet) et délicieuse créature, Erna von Scratch.

Je serai donc sur les ondes de France Culture du 13 au 17 novembre (20h-20h30 chaque soir), en direct différé du Musée des Arts forains et en compagnie de Monsieur Dreyfus JC (Jessy), qu'on appelle aussi MC Rictus dans les milieux les plus interlopes, tant il a contribué à redonner vie à la verve révolutionnaire du poète Gabriel Randon de Saint-Amand plus connu sous le nom de Jehan Rictus.

"Jean-Claude Dreyfus, anatomie d'un joueur"

(À voix nue - France Culture)

Du 13 au 17 novembre 2023

20h-20h30

Philippe Bresson

https://www.radiofrance.fr/personnes/philippe-bresson

[filmjunky-99]

d e l i c a t e s s e n, 1991 🎬 dir. jean-pierre jeunet, marc caro

[ulrichgebert]

Immer schön ist Delicatessen, Jeunets et Caros besonders liebevoll ausgestattete postapokalyptische Liebeskomödie mit Mord, Intrigen, Verdorbenheit, Akrobatik, Kannibalismus und Hausmusik für Cello und singende Säge.

[ozkar-krapo]

Patrice BOYET

"Nuits / Voix Mémoire"

(LP. Anagramme Production. 1983) [FR]

[genevieveetguy]

. Nobody is entirely evil: it's that circumstances that make them evil, or they don't know they are doing evil.

Delicatessen, Marc Caro and Jean-Pierre Jeunet (1991)

[movies-to-add-to-your-tbw]

Title: Death and the Winemaker

Rating: NR

Director: Victor Jaquier

Cast: Kacey Mottet Klein, Virginie Meisterhans, Jean-Claude Dreyfus, Jacques Roman, Séverine Bujard, Stéphanie Schneider

Release year: 2021

Genres: horror, fantasy

Blurb: A winemaker creates the most exquisite wine in the world to win a noblewoman's hand. When Death herself wants a taste, he discovers that his bride is next on her list, and must think quickly to save her.

[cinemaquiles]

O irmão mais velho de O sobrevivente (1987) e pai de Jogos Vorazes: "O preço do perigo" (1983)

[eretzyisrael]

by NORMAN J.W. GODA

All of this made perfect sense to French Trotskyists and Maoists. Pro-Palestinian anti-Zionist organizations formed in France after the Six-Day War. They included university students who styled themselves as revolutionaries. Using the language of anti-colonialism still fresh from France’s ill-fated attempt to retain Algeria, these organizations also borrowed the legacy of the French Resistance, neatly turning the Israelis into the Nazis. French keffiyeh-wearing Communists complained of Jewish press control. “Palestine solidarity” events included distribution of the Protocols of the Elders of Zion. As Jewish writer Gérard Rosenthal put it in early 1970, “The problem of Israel is becoming a national problem.” Israel’s seasoned ambassador Asher Ben-Natan, who arrived in Paris in 1970, noted that relations with France had hit difficulties because “there exists also in France elements that have suddenly adopted anti-Israel attitudes.”

How did France’s Jews respond? By asserting their Jewishness without sacrificing their claim to France’s promise of universal dignity. “The world,” said Meïr Waintrater, the editor of the Jewish monthly L’Arche, in April 1970, “only likes dead Jews. . . . It is impossible today to open a newspaper without finding an article [that] gives Jews advice — which curiously resembles orders — on how to be Jewish or how to be French.” Later, in 1977, filmmaker Claude Lanzmann asked, “Why must the Jews feel obligated after Auschwitz to speak in [polite] language? To prove that they are really French? This language . . . is from the time of Dreyfus! It is the language [from] before the creation of Israel! If we are to protest, I ask that we do so as Jews!”

The chief vehicle of the French-Jewish campaign was the International League against Racism and Antisemitism (LICRA), formed in 1927 in reaction to the dreadful treatment of Jews in Eastern Europe after World War I. After World War II, LICRA countered racism as well, monitoring everything from apartheid in South Africa to the civil rights movement in the United States to the war in Vietnam to the treatment of Arab workers in France. For French Jews, anti-antisemitism and the fight against racism were both part of the struggle for human dignity. LICRA saw no contradiction between opposing racism and advocating the safety of the State of Israel. If the world was divided, it was not between the oppressors and the oppressed. It was divided into those whose rights to safety were respected and those whose rights were not.

LICRA altered its view on de Gaulle. He was still the man who, on June 18, 1940, had called for resistance to the Germans in the name of the universalism France represented. As LICRA president and former Gaullist intelligence officer Jean Pierre-Bloch put it, “We will never forget.” But Pierre-Bloch also noted publicly that de Gaulle “is betraying the Franco-Israeli friendship, not to [help] the Arab people, but to support the potentates who rule these people to their great detriment.” Understanding that the French policy encouraged Arab extremists to hold out for Israel’s destruction rather than work for peace, LICRA also led demonstrations of Jews and non-Jews in Paris and other cities against what Pierre-Bloch called “the scandalous embargo.” Meanwhile LICRA called for a Palestinian state — but without the PLO, whose terror operations disqualified it from any human-rights struggle.

LICRA’s writers, Jews and non-Jews, also tried to expose the antisemitic nature of anti-Zionism in their newspaper Le Droit de vivre. Didier Aubourg, who worked for Judeo-Christian amity in France, wrote in March 1970, “Of all the forces that threaten Israel, the Arab armies are far from the most fearsome. The most relentless enemy . . . is indeed antisemitism, the old antisemitism that no longer dares to say its name, but which, rebaptized as anti-Zionism, has never lost its murderous virulence.” Former member of the Resistance, writer, and curator Jean Cassou was more direct. Anti-Zionism, he said, was “a wonderful invention,” because it “allows everyone to be an antisemite in good conscience from now on.”

As for the PLO’s mask of humanism and progressivism, philosopher Anne Matalon noted in the spring of 1968 that “one would be justified in thinking” that the PLO “would recognize . . . the Israeli people.” Instead, the PLO resembled “a capricious child or psychopath” who insisted that history could be turned back. Could the PLO really pose as revolutionary? Jacques Givet, whose family was murdered in Auschwitz and who narrowly escaped death by jumping from a deportation train, said no. “Any apology for al-Fatah, however veiled,” he wrote in March 1969, referring to the PLO’s main group, “is by necessity an apology for genocide.” Unlike the anti-colonial terror in Algiers, Givet argued, “Free Palestine” was little more than a slogan wrapped in pseudo-revolutionary imagery to justify Israel’s destruction and the killing of Jews. François Musard, a member of the Jewish Resistance, identified Palestinian terror as “defiance of the most elementary rules of civilization.” It “strikes blindly in theaters, in markets, among innocent populations where their victims are more often women and children. It wants nothing more than ‘to kill a Jew.’”

[dear-indies]

people who signed the letter in support of depardieu (an abuser):

Benoit Poelvoorde (actor), Nathalie Baye (actress), Carole Bouquet (actress), Jacques Dutronc (singer), Charlotte Rampling (actress), Yvan Attal (actor and director), Jacques Weber (actor), Bertrand Blier (director ), Emmanuelle Seigner (actress), Roberto Alagna (singer), Michel Fau (actor and director), Victoria Abril (actress), Dominique Besnehard (actor and producer) Carla Bruni (singer), Pierre Richard (actor), Clémentine Célarié (actress), Gérard Darmon (Actor), Rudy Ricciotti (architect), Christophe Barratier (director), Arielle Dombasle (singer), Francis Veber (director), Patrice Leconte (director), Brigitte Fossey (actress), Boualem Sansal ( writer), Charles Berling (actor), Yannis Ezziadi (actor and author) Philippe Caubère (actor), Vincent Perez (actor), Myriam Boyer (actress), Antoine Dulery (actor), Afida Turner (singer), Paolo Branco (producer ), Jean-Marie Rouart, of the French Academy (writer), Josée Dayan (director), Joel Seria (director), Bernard Murat (director), Serge Toubiana (film critic and former director of the Cinémathèque française) , Catherine Millet (writer), Jacques Henric (writer), Stéphanie Murat (director), Marie-France Brière (producer and director), Daniel Humair (musician and painter), Judith Magre (actress), David Bélugou (theater decorator) , Marie Beltrami (stylist), Tanya Lopert (actress), Jean-Claude Dreyfus (actor), Chiara Muti (actress), Jean-Marie Besset (playwright), Stéphane Druet (director), Christine Boisson (actress), Karine Silla-Perez (actress and director), Myriam Boisaubert (poet), Lilian Euzéby (painter), Marion Lahmer (actress).

Nadine Trintignant announced this December 29 in “Le Point” that she was withdrawig her signature from the platform.

"Hi ! About Depardieu and the letter: yes, a lot of people such as Nadine Tratignant and Carole Bouquet withdrawed their signature. Not because supporting the victims but because the author of the letter is far right (in french "d'extrême droite) and national journal say it. They still support Depardieu. For example, Carole Bouquet was a great supporter of Depardieu few days ago in a lot of radio/tv show."

[byneddiedingo]

Klaus Kinski in Fitzcarraldo (Werner Herzog, 1982)

Cast: Klaus Kinski, Claudia Cardinale, José Lewgoy, Miguel Ángel Fuentes, Paul Hittscher, Huerequeque Enrique Bohorquez, Grande Otelo. Peter Berling, David Pérez Espinosa, Milton Nascimento, Costante Moret, Jean-Claude Dreyfus. Screenplay: Werner Herzog. Cinematography: Thomas Mauch. Production design: Ulrich Bergfelder, Henning von Gierke. Film editing: Beate Mainka-Jellinghaus.

Why does Werner Herzog's infamously extravagant Fitzcarraldo begin with Fitzgerald/Fitzcarraldo (Klaus Kinski) and his brothel-owner mistress Molly (Claudia Cardinale) attending a performance of Verdi's Ernani that stars not only Enrico Caruso but also, in the role of Elvira, Sarah Bernhardt (played by a man in drag), who mimes while a soprano sings from the pit? Probably to add several more layers of myth to the story, since there is some doubt that Caruso ever sang at the Teatro Amazonas in Manaus and he almost certainly never appeared in a production of Ernani with a lip-synching Bernhardt. If Fitzcarraldo is about anything, it's about obsessions, the more extravagant and, yes, operatic the better. Which is why Herzog's own obsession with actually hauling a steamship over a hill through the jungle, instead of using special effects, models, and montage, is so ironic. If we can believe that Klaus Kinski is an Irishman, we can believe almost anything. Why resort to reality?  Fitzcarraldo is also about the power of illusions, of misguided and conflicting belief systems. Fitzgerald believes, against all evidence to the contrary, in himself. The Indians who labor for him do so because they believe he is some kind of god. So it's entirely appropriate that the central metaphor for a film about extravagantly obsessive belief in illusions should be opera, that most extravagant and illusion-filled of artistic media. (If, that is, you exclude movies.) Is Fitzcarraldo a great film? As fascinating as Kinski's eye-popping is to watch, he never transcends his persona as an actor to create a credible character. And I don't understand what Fitzgerald hopes to achieve by hauling the ship across the isthmus to the rubber plantation. Wouldn't he have to haul it back over again, this time with cargo, to benefit? But such considerations tend to fall by the wayside when viewers encounter the audacity of what's on the screen, and even more so when they learn the behind-the-scenes story of the making of the film. Fitzcarraldo falls into that category of cinematic overreaching occupied by movies like Apocalypse Now (Francis Ford Coppola, 1979) and Heaven's Gate (Michael Cimino, 1980). If it isn't a great movie, it's certainly a unique one. And maybe we should be thankful for that.

[brookstonalmanac]

Events 2.7

457 – Leo I becomes the Eastern Roman emperor. 987 – Bardas Phokas the Younger and Bardas Skleros, Byzantine generals of the military elite, begin a wide-scale rebellion against Emperor Basil II. 1301 – Edward of Caernarvon (later king Edward II of England) becomes the first English Prince of Wales. 1313 – King Thihathu founds the Pinya Kingdom as the de jure successor state of the Pagan Kingdom. 1365 – Albert III of Mecklenburg (King Albert of Sweden) grants city rights to Ulvila (Swedish: Ulvsby). 1497 – In Florence, Italy, supporters of Girolamo Savonarola burn cosmetics, art, and books, in a "Bonfire of the vanities". 1756 – Guaraní War: The leader of the Guaraní rebels, Sepé Tiaraju, is killed in a skirmish with Spanish and Portuguese troops. 1783 – American Revolutionary War: French and Spanish forces lift the Great Siege of Gibraltar. 1795 – The 11th Amendment to the United States Constitution is ratified. 1807 – Napoleonic Wars: Napoleon finds Bennigsen's Russian forces taking a stand at Eylau. After bitter fighting, the French take the town, but the Russians resume the battle the next day. 1812 – The strongest in a series of earthquakes strikes New Madrid, Missouri. 1813 – In the action of 7 February 1813 near the Îles de Los, the frigates Aréthuse and Amelia batter each other, but neither can gain the upper hand. 1819 – Sir Thomas Stamford Raffles leaves Singapore after just taking it over, leaving it in the hands of William Farquhar. 1842 – Battle of Debre Tabor: Ras Ali Alula, Regent of the Emperor of Ethiopia defeats warlord Wube Haile Maryam of Semien. 1854 – A law is approved to found the Swiss Federal Institute of Technology. Lectures started October 16, 1855. 1863 – HMS Orpheus sinks off the coast of Auckland, New Zealand, killing 189. 1894 – The Cripple Creek miner's strike, led by the Western Federation of Miners, begins in Cripple Creek, Colorado, United States. 1898 – Dreyfus affair: Émile Zola is brought to trial for libel for publishing J'Accuse…! 1900 – Second Boer War: British troops fail in their third attempt to lift the Siege of Ladysmith. 1900 – A Chinese immigrant in San Francisco falls ill to bubonic plague in the first plague epidemic in the continental United States. 1904 – A fire begins in Baltimore, Maryland;[12] it destroys over 1,500 buildings in 30 hours. 1940 – The second full-length animated Walt Disney film, Pinocchio, premieres. 1943 – World War II: Imperial Japanese Navy forces complete the evacuation of Imperial Japanese Army troops from Guadalcanal during Operation Ke, ending Japanese attempts to retake the island from Allied forces in the Guadalcanal Campaign. 1944 – World War II: In Anzio, Italy, German forces launch a counteroffensive during the Allied Operation Shingle. 1951 – Korean War: More than 700 suspected communist sympathizers are massacred by South Korean forces. 1962 – The United States bans all Cuban imports and exports. 1974 – Grenada gains independence from the United Kingdom. 1979 – Pluto moves inside Neptune's orbit for the first time since either was discovered. 1984 – Space Shuttle program: STS-41-B Mission: Astronauts Bruce McCandless II and Robert L. Stewart make the first untethered space walk using the Manned Maneuvering Unit (MMU). 1986 – Twenty-eight years of one-family rule end in Haiti, when President Jean-Claude Duvalier flees the Caribbean nation. 1990 – Dissolution of the Soviet Union: The Central Committee of the Soviet Communist Party agrees to give up its monopoly on power. 1991 – Haiti's first democratically elected president, Jean-Bertrand Aristide, is sworn in. 1991 – The Troubles: The Provisional IRA launches a mortar attack on 10 Downing Street in London, the headquarters of the British government. 1992 – The Maastricht Treaty is signed, leading to the creation of the European Union. 1995 – Ramzi Yousef, the mastermind of the 1993 World Trade Center bombing, is arrested in Islamabad, Pakistan. 1999 – Crown Prince Abdullah becomes the King of Jordan on the death of his father, King Hussein. 2001 – Space Shuttle program: Space Shuttle Atlantis is launched on mission STS-98, carrying the Destiny laboratory module to the International Space Station. 2009 – Bushfires in Victoria leave 173 dead in the worst natural disaster in Australia's history. 2012 – President Mohamed Nasheed of the Republic of Maldives resigns, after 23 days of anti-governmental protests calling for the release of the Chief Judge unlawfully arrested by the military. 2013 – The U.S. state of Mississippi officially certifies the Thirteenth Amendment, becoming the last state to approve the abolition of slavery. The Thirteenth Amendment was formally ratified by Mississippi in 1995. 2014 – Scientists announce that the Happisburgh footprints in Norfolk, England, date back to more than 800,000 years ago, making them the oldest known hominid footprints outside Africa. 2016 – North Korea launches Kwangmyŏngsŏng-4 into outer space violating multiple UN treaties and prompting condemnation from around the world. 2021 – The 2021 Uttarakhand flood begins.

[philippebresson]

[filmes-online-facil]

Assistir Filme Delicatessen Online fácil

Assistir Filme Delicatessen Online Fácil é só aqui: https://filmesonlinefacil.com/filme/delicatessen/

Delicatessen - Filmes Online Fácil

Num mundo pós-apocalíptico em que a comida é a principal moeda de troca, Louison (Dominique Pinon), um ex-palhaço, arranja um emprego no prédio que abriga o açougue Delicatessen. Instalado na pensão do andar superior, o novo funcionário acaba se envolvendo com a violoncelista Julie (Marie-Laure Dougnac), filha do sanguinário açougueiro Clapet (Jean-Claude Dreyfus). Perseguido, o rapaz precisa escapar do pai ciumento e dos demais moradores do prédio, que têm planos macabros para sua carne.

[sanguineposhrat]

random af but I saw your tag on the Spirit post and oh my fucking god I thought I was like the only person ever who has seen that tiger movie!

OMG it literally broke me i cried all the different ways to cry all the way through from beginning to fucking end, seriously

THIS. OMFGGGGG 😭😭😭😭