#Jason Derek Brown

[playvodfr]

Regardez « American Murderer » sur PlayVOD

L’un des biopics que vous retrouverez sur PlayVOD est « American Murderer ». Ce film américain vous plonge dans l’histoire palpitante de Jason Derek Brown.

[thehistorybuffgangsters]

Jason Derek Brown - American's 10 Most Wanted List since December 2007.

[reverietruecrime]

Soon! A very special guest is coming on the show to talk about the film, American Murderer. It’s based on the true story of the elusive conman, Jason Derek Brown. He was on the FBI’s list of top 10 fugitives and his whereabouts are still unknown.

[moviesandmania]

AMERICAN MURDERER (2022) Reviews of true crime thriller

AMERICAN MURDERER (2022) Reviews of true crime thriller

American Murderer is a 2022 true crime film about con man Jason Derek Brown who killed an armed guard and became one of the FBI’s most wanted. Written and directed by Matthew Gentile, making his feature directorial debut. The movie stars Tom Pelphrey, Ryan Phillippe, Idina Menzel, Paul Schneider and Shantel VanSanten. Plot synopsis: Based on a true story, Jason Derek Brown (Tom Pelphrey), is a…

[aishathevar]

who: aisha & closed.

where: cassidy's candies, the coast

when: march, 2024

Aisha hadn't celebrated Easter but still liked making baskets for her friends. So on an afternoon she was free, she headed to the candy shop to pick up some things. Stepping inside, she glanced around at the brightly colored candy, realizing it was busier than expected. Which was fair, because she always waited until the last minute. She didn't mind the wait though, as she stepped in line, trying to decide what to buy. Also deciding to make a bit of conversation while they waited. "So, important question-- do you have a favorite holiday candy?"

[dustedmagazine]

Music is an Essential Verb: Derek Taylor 2023

Music remains, along with family, friends, and a select few venial vices, my primary daily defense against the mental erosions of spiritual malaise and existential dread. Being a humanist also means being a realist, and little looks to be different on that score in the year ahead as we continue to careen toward a bleak and self-defeating dénouement. The veil of uncertainty around what ultimately feels like inevitability redoubles the need to remain thankful for and supportive of those who devote themselves to art. Summary capsules below describe some of the sounds that kept me going in 2023.

Peter Brötzmann, Wayne Shorter, Kidd Jordan, & Charles Gayle

“The trauma of my generation was what our fathers had done to the rest of the world, and so we said, ‘never again,’ and that was the whole impetus through all my life, and it still is.” ~ Brötzmann (2018)

Musician attrition and demise are dispiriting aspects of every annum, but the departure of four disparate octogenarian reedists exacted an especially steep emotional and cultural toll this year. Shorter and Jordan passed away in March, each of them leaving a rich legacy as indefatigable improviser and altruistic educator that continue influence and inspire. Brötzmann exited in June after the return of a protracted respiratory illness. Few if any can match the magnitude of his mileage and six-decade itinerary as an irrepressible, obstinately adventurous world traveler. Gayle ascended in September, an ardent, uncompromising eremite to the end. All four men left behind discographies and concert/interview footage that will leave the faithful and curious listening and marveling in perpetuity, but their collective absence still aches.

Kirk Knuffke & Joe McPhee Quartet + 1 – Keep the Dream Up (Fundacja Sluchaj)

One of the manifold joys of following the output of Kirk Knuffke is anticipating who he’ll collaborate with next. The cornetist’s ears and imagination are as huge as his heart, a trait he has in common with the equally equanimous Joe McPhee. They’ve known each other for years but Keep the Dream Up is their first released collaboration and it’s an affirming alloy of their complementary creative temperaments. Longtime McPhee comrades Michael Bisio and Jay Rosen complete the quartet with bass clarinetist Christof Knoche comprising the additive on a Brooklyn studio session that captures collective creative lightning in a digital bottle. My album of the year for these reasons and more, although hopefully Joe will bring his brass to a follow-up conclave soon.

Don Byas – Classic Sessions 1944-1946 (Mosaic)

Saxophonist Don Byas recorded prolifically during the 1940s. His porous sound and popular style bridged the schools of swing and bop through prowess and panache aligned with the most esteemed of post-WII tone scientists. That sustained industriousness hasn’t reflected in reliable access to his works, primarily because they’re spread across a plethora of independent labels and competing copyrights. Leave it to Mosaic Records to rectify the longstanding reissue lacuna. This long gestating collection corrals and sequences the bulk of them across ten discs, scrubbing their sound, and adding an expansive cache of rarified verité concert recordings made in a Swedish jazz fan’s residence. Indulging in one’s Byas bias has never been easier or as edifying.

Fred Anderson – The Milwaukee Tapes Vol. 2 (Corbett vs Dempsey)

Patience and long-game aptitude are among music producer/archivist/advocate John Corbett’s virtues. This unexpected, but abundantly welcome sequel to an archival Anderson collection on Corbett’s long defunct Unheard Music Series took 23 years to secure commercial circulation and offers an additional hour-plus from the same gig in improved sound. Fellow AACMers Billy Brimfield and Hamid (nee Hank) Drake join bassist Larry Hayrod in bringing vibrant, detailed life to the Lone Prophet of the Prairie’s (as Anderson was affectionately known) serpentine, cerulean melodies. Corbett’s current label released a plenitude of music in 2023 (see also below) but the uncommon opportunity to hear more Anderson of any vintage makes this release worthy of independent mention.

Jason Adasiewicz

Corbett vs. Dempsey also had a welcome role in Jason Adasiewicz’s return to record with two different projects. On vinyl, Roy’s World documents a 2017 Chicago studio session by the vibraphonist’s quintet originally intended as the soundtrack to a film based on neo-noir novelist Barry Gifford’s short stories. Chicago stalwarts Josh Berman, Joshua Abrams, Hamid Drake, join saxophonist Jonathan Doyle in the ensemble for a program that sounds at once fresh and nostalgic while always vital. On CD, Roscoe’s Village dispenses with band for a solo selective foray through the songbook of Roscoe Mitchell including evocative renderings of “Congliptious” and “A Jackson in Your House” that retain the composer’s essence while striking out in bold new directions.

Natural Information Society

Grounded as it is in core voices of guembri, frame drum and harmonium, codification of Josh Abrams’ NIS as a jazz ensemble immediately feels reductively incomplete. All participating instruments can be active architects in the undulating, melody-laced drones that frequently form the basis of the band’s gradual, granulated improvisations. Performances are more akin to collective expeditions where a galvanizing gestalt effect is afoot; one where earned communal peaks preserve the individual power and agency of the interlocking parts. Since Time is Gravity augments this already catalytic template by incorporating a larger contingent of Chicago colleagues including tenorist Ari Brown to the equation.

Abdul Wadud

A jazz-based improviser on the cello who didn’t double on other stringed instruments, Wadud was also a consummate collaborator and sideman. Magnanimity in lending his substantial talents to the projects of others resulted in a paucity of albums under his own name. By Myself from 1977 on the Bisharra label is a revelatory anomaly on that self-effacing resume. Wadud approaches the instrument as a multifaceted sound factory, plucking, strumming, and bowing, often simultaneously, to create solo tone poems steeped in personal poignancy. Gotta Groove’s vinyl reissue is a beautiful facsimile of the original album object in faithfully reconstructed fidelity.

Marion Brown

Georgia-born altoist Marion Brown had a lengthy, storied career but the body of recorded work that he left behind can present difficulties in terms of ingress to its totality. Scattered across labels, years, and circumstances, much of it is either out of print or commercially unreleased. That collective relative obscurity makes a trio of releases, two on the German Moosicus label, and a third Record Store Day viny reissue of Brown’s 1970 studio duets with Wadada Leo Smith under the shared sobriquet Creative Improvisation Ensemble even more valuable. Of the former two, Mary Ann presents concert material by Brown’s quartet from a 1969 Bremen club gig in soundboard fidelity. Gesprächsfetzen & In Sommerhausen combines two more German concert snapshots, quintet, and sextet, from 1968 & 1969 with Gunter Hampel originally released on the Calig imprint. Steve McCall is a boon on drums in all three contexts.

Art Pepper – Complete Maiden Voyage Recordings (Omnivore)

Art Pepper was an inveterate rake for most of his life, magnifying destructive interpersonal tendencies with drugs and frustratingly frequent acts of self-sabotage. That star-crossed propensity makes the fact that he left so much magnificent music even more miraculous. This lavish box is a fascinating compendium of the constantly competing artistic contradictions at his center, collecting a quartet gig across three nights and seven club sets in Pepper’s native Los Angeles, ten months prior to his premature passing at 56. Over half of the music is previously unreleased and the rhythm section, led by the impeccable and implacable pianistics of George Cables, gives Pepper a cumulative confidence boost that keeps him on the rails. None of it has ever sounded better.

Pan Afrikan People’s Arkestra

Los Angeles of the late-1970s was an unforgiving environment for the economic necessities of orchestral jazz. The Pan Afrikan People’s Arkestra, under the nominal leadership of pianist/composer/community organizer Horace Tapscott, was a tenaciously subversive force in the face of that ruinous rule. Adopting the Immanuel United Church of Christ as an informal base of operations, the large ensemble resourcefully engaged in an ambitious series of concerts in 1979. The Nimbus label, long a Tapscott exponent and repository, released the first three entries this year in an archival subscription series collecting the voluminous results. Titles are also available individually and present the pivotal band at a performative peak with star soloists Sabir Mateen, Billy Harris, Jesse Sharps, and Robert Miranda shining just as bright as their fearless foreman.

Alan Skidmore – A Supreme Love

Unexpectedly issued on Mark Wastell’s Confront label, an imprint better known for its fealty to free improvisation, this six-disc archival tribute to Alan Skidmore’s 70+ year career in music launches with the saxophonist’s 1961 radio debut and lands some seven-hours later with his intimate 2019 rendering of John Coltrane’s “Psalm.” The aural expanse between is brimming with bright moments and luminary collaborators the likes of which include Tony Oxley, Kenny Wheeler, Wayne Shorter, Dave Holland, Mike Osborne, Elvin Jones, and another dozen name drops from the top tier of improvised music. It’s a wild, illuminating ride and a sterling example of a musical memorial done right.

The Jazz Doctors – Intensive Care/Prescriptions Filled: The Billy Bang Quartet Sessions 1983/1984 (Cadillac)

Billy Bang and Frank Lowe shared a bottomless fraternal bond forged through parallel traumas internalized in Vietnam and expressed by the subsequent embrace of the restorative power of improvised music. The pair of sessions (one reissued, one archival) collected on this disc epitomize their deep attachment arguably as well as any of their other numerous collaborations. Outside the cardinal duo, the Jazz Doctors never really had a stable lineup, but the quartets here embody two of their best. Both programs are loosely adherent to freebop conventions with violin and tenor saxophone combining over contrabass and drums for a potent front line. Bang and Lowe are long gone now, their shared absence making the availability of this music even more precious.

Attila Zoller & Jimmy Raney

Hungarian guitarist Attila Zoller had selective affinity for other artists on the instrument, so much so that his mid-career period is seeded by fateful encounters with plectrist peers. Most prolific among these partnerships was his prudent pairing with Jimmy Raney. A popular proponent of bop-based jazz, Raney was in a similar exploratory headspace when the two joined forces on a trio of recordings for the German L + R label over a seven-year span. Concert dates from Frankfurt (’80) and Berlin (’86) find the duo spooling out lengthy dialogues that dabble in free improvisation while keeping codified melodies within reach. An earlier New York encounter (’79) explores their rapport in a studio. All three reissues on the Japanese Ultra-Vybe imprint are aces.

Steve Swell’s Fire Into Music

Simultaneously emblematic of NYC free jazz in the early aughts and fiercely dedicated to resisting pitfalls of provincialism by touring generously and rigorously, trombonist Steve Swell’s Fire into Music was one of the finest quartets of its kind. Posthumously dedicated to the late altoist Moondoc, this three CD set collects a trio of small venue concerts by the band from gigs in Texas and Ontario. As with the horns, William Parker and Hamid Drake are ideally suited to the extended, expository freebop safaris that formed the ensemble’s flexible repertoire. Swell’s the leader on paper but sagely embraces musical communalism without fail.

Intakt

Running a physical media imprint in the 21st century is an inherently parlous enterprise, but this steadfast Swiss label continues to evidence how it’s done. This year’s standout catalog entries include Andrew Cyrille’s Music Delivery/Percussion, the octogenarian drummer’s third solo album and first in 45-years; bassist Jöelle Leandré’s solo Zurich Concert; pianist Aruán Ortiz’s Serranías Sketchbook for Piano Trio; Beyond Dragons by the trio of saxophonist Angelika Niescier, cellist Tomeka Reid, and drummer Savannah Harris, and Ohad Talmor’s Back to the Land, a quartet-plus-guests survey that takes its compositional focus an archival workshop date by Ornette Coleman and Lee Konitz.

Ezz-thetics

The appearance of the Swiss Ezz-thetics imprint four years ago raised both eyebrows and ire. Lacking access to master tapes, veteran free jazz and new music producer Werner Uehlinger sourced commercially released editions instead, employing ace audio engineer Peter Pfister succeeded by Michael Brandli to rejuvenate and refurbish the recordings, stateside copyright considerations be damned. Reaction was expeditious and polemical, but proof is in the hearing as most of the label’s dozens of releases sound better than their original incarnations. Catalog highlights this year include another round of Albert Ayler airshots including his pivotal meeting with the Cecil Tayor Trio in 1962 on More Lost Performances, Charles Mingus’ At Antibes 1960, and Ornette Coleman’s At the Golden Circle.

Fresh Sound

Jordi Pujol is akin to Uehlinger in that he refuses to let his vision and ambitions as a producer be abbreviated by external opinion. In Pujol’s case it’s yielded a bountiful inventory of antiquarian titles that rights holders have shown little to zero interest in restoring to begin with. Cases in point for this year include a definitive collection of obscurando saxophonist Boots Mussulli’s works; concert and studio collections by the Count Basie alumni tandem of Al Grey and Billy Mitchell; hens’ teeth rare leader sessions by Arthur Lyman vibraphonist Julius Wechter; and a two-fer of Julliard-trained Ellingtonian Cass Harrison piano trio albums. Exciting guilty pleasures all around.

Playing for the Man at the Door

As complex as he was controversial, Robert “Mack” McCormick deserves consideration in the esteemed company of other maverick cultural archivists like Alan Lomax, George Mitchell, and Harry Smith. With a preservationist purview mostly comprising Texas and bordering states, McCormick spent much of his adult life obsessively documenting and disentangling the cultural capital of the region through recordings, photography, interviews, essays, and research. Smithsonian Folkways became repository for the massive reservoir after his passing and this box is the first in what will hopefully be multiple dispatches from the same. Unreleased field recordings of Mance Lipscomb and Lightnin’ Hopkins represent the big names, but works by the likes of Hop Wilson, Cedell Davis, Robert Shaw, and a handful of others are just as persuasive. Bongo Joe Coleman’s impassioned presidential pitch closing the set will have listeners pining for a time when third party Executive Branch candidacy didn’t seem so fraught.

Joni Mitchell Archives - Vol. 3, The Asylum Years 1972 to 1975

Mitchell’s continuing project corollary to her old friend Neil Young’s analogously exhaustive retrospective enterprise, this third entry in the series finds her 30-something-self further broadening the lens of her art beyond the solo concert music that dominated the first two boxes. There are stirring solitary shows here, too, but it’s the band offerings that prove most revealing, particularly in the company of reedist Tom Scott’s fusion group L.A. Express. James Taylor, Graham Nash, and David Crosby lend contributory hands, and there’s a brief but intriguing collaboration with Young alongside a trove of demos and workshop versions of songs from her first three albums for Asylum.

Martin Davidson

In closing, another memorial. Martin Davidson wasn’t a musician, but European free improvisation as an art and archive would be a fraction of what it is without his copious and enduring work. As steadfast proprietor of the Emanem label he put his resources into musicians whose efforts frequently fell outside the probability of consistent commercial remuneration. Under his aegis, influential improvisers like Steve Lacy, Derek Bailey, Evan Parker, and Paul Rutherford gained robust catalogs alongside other aspiring artists who never garnered even niche cachet. Davidson was a curmudgeon and an anachronism, trusting his ears implicitly, suffering the indignities of inquiries from strangers seeking audience with the hip hop icon who shared the phonetics of his imprint’s name, and advancing the pleasures of physical media well past their purported expiration date. He was also a talented writer, adding invaluable context to his releases through first-person testimony and critique. Martin will be missed.

And as is tradition in this 20th iteration of this year-end exercise, 25 more titles in stochastic order. Thanks to all for reading, and gratitude to Jennifer Kelly for providing the forum and formatting.

Rodrigo Amado’s The Bridge – Beyond the Margins (Trost)

James Brandon Lewis – For Mahalia with Love (Tao Forms)

Henry Threadgill – The Other One (Pi)

Guillermo Gregorio – Two Trios (ESP)

Rob Brown – Oceanic (RogueArt)

Rich Halley Quintet – Fire Within (Pine Eagle)

Milford Graves w/ Arthur Doyle & Hugh Glover – Children of the Forest (Black Editions)

Mike Osborne – Starting Fires: Live at the 100 Club 1970 (British Progressive Jazz)

Jim Hall – Uniquities Vol 1 + 2 (ArtistShare)

Madhuvanti Pal – The Holy Mother (Sublime Frequencies)

V/A – On the Honky Tonk Highway with Augie Meyers & the Texas Re-Cord Company (Bear Family)

Mal Waldron & Terumasa Hino – Reminiscent Suite (Victor/BBE)

Oum Kalsoum – L’Astre D’Orient 1926-1937 (Fremeaux & Associates)

Sonny Rollins w/ the Heikki Sarmanto Trio – Live at Finlandia Hall Helsinki 1972 (Svart)

V/A – Equatoriana: El Universo Paralelo de Polibio Mayorga (Analog Africa)

Evan Parker – NYC 1978 (Relative Pitch)

V/A – If There’s a Hell Below (Numero Group)

John Coltrane – Evenings at the Village Gate (Impulse)

Derek Bailey & Paul Motian – Duo in Concert (Frozen Reeds)

Peter Brötzmann/Fred Van Hove/Han Bennink/Albert Mangelsdorff – Outspan 1 & 2 (FMP/Cien Fuegos)

Hasaan Ibn Ali – Reaching for the Stars: Trios/Duos/Solos (Omnivore)

Mark Dresser – Tines of Change (Pyroclastic)

Steve Millhouse – The Unwinding (Steeplechase)

Myra Melford’s Fire and Water Quintet – Hear the Light Singing (RogueArt)

V/A – Destination Desert: 33 Oriental Rock & Roll Treasures (Bear Family)

[penelopwgarcia]

EVERYONE ON THE BAU HAS A CORRESPONDENT ON THE BAT FAMILY AND I CAN PROVE IT

ok at first I notice jj-hotch dynamic remind me so much of babs - bruce dynamic and I got obsessed over it ever since but then THEN I figure every single one of them has a batfam member

hotch - bruce (I mean duh both dad figures to ppl with daddy issues, leader, very rational but still has their emotional side speaking, basically emo)

jason - alfred (also duh but he has a caring side of his and the producers already said he's like the mom of the family so)

jj - barbara (great sense of justice, has leadership, already mentioned her dynamic with hotch is very much like barbara and bruce, will be honest with her friends even if it's hard)

reid - tim (and not only because they're both geniuses, no emotional intelligence, tendency of being a loner, uses intelligence as a shield, cunning detective skills, observant, will die to save the world without thinking twice)

derek - jason todd (I mean- really smart but this side is usually underestimated, very emotional on their choices, difficult/traumatic childhood, really close to their mother, protective, "I don't care what others think' they say as they care deeply, also has a complex dynamic with hotch but would be named as leader first if needed)

garcia - stephanie (so emotional, impulsive, caring, talks a lot, does the right thing even tho it's against the law, deeply good person but for some time thought they have to make twice the effort, Very Blonde, funny, extrovert)

emily - cass (doesn't talk much about herself, when in trouble call her, high achiever, secretive, loyal, also very much emo)

[ljones41]

Top Five Favorite Episodes of "THE CROWN" Season Three (2019)

Below is a list of my favorite episodes from Season Three of the Netflix series, "THE CROWN". Created by Peter Morgan, the series stars Olivia Colman and Tobias Menzies as Queen Elizabeth II and Prince Philip, Duke of Edinburgh:

TOP FIVE FAVORITE EPISODES OF "THE CROWN" SEASON THREE (2019)

1. (3.03) "Aberfan" - A horrible disaster in Aberfan, Wales leaves scores of children dead. But when Queen Elizabeth II takes a week to decide to visit the town, she must confront her reasons for postponing the trip.

2. (3.06) "Tywysog Cymru" - Prince Charles is sent to Aberystwyth University to learn Welsh from an ardent nationalist in preparation for the ceremony for his investiture as Prince of Wales.

3. (3.04) "Bubbikins" - Left without a home by a political coup in Athens, Greece; Prince Philip's eccentric mother, Princess Alice of Greece, is invited to live in Buckingham Palace by the Queen.

4. (3.10) "Cri de Couer" - As her marriage to Anthony Armstrong-Jones, Lord Snowden falls apart; Princess Margaret finds solace in the arms of a much younger man. The Queen and the nation celebrate Elizabeth II's Silver Jubilee.

5. (3.08) "Dangling Man" - Prince Charles visits the exiled Duke of Windsor in his Paris chateau, only to find him very ill. Meanwhile, the Queen struggles to decide whether to make peace with him.

[yeniyeniseyler]

Amazon Prime Video – Gen V (Resmi Fragman) (29 Eylül'de yayında!)

[geekcavepodcast]

Gen V Trailer **Graphic**

Set in The Boys universe, Gen V follows young heroes at Godolkin University, vying for the school's top ranking. "When the university’s dark secrets come to light, the students must come to grips with what type of heroes they are going to become." (Prime Video)

Gen V stars Jaz Sinclair, Chance Perdomo, Lizze Broadway, Shelley Conn, Maddie Phillips, London Thor, Derek Luh, Asa Germann, Patrick Schwarzenegger, Sean Patrick Thomas, Marco Pigossi, Clancy Brown, Alexander Calvert, and Jason Ritter. The Boys stars Jessie T. Usher (A-Train), Colby Minifie (Ashley Barrett), Claudia Doumit (Victoria Neuman), and P.J. Byrne (Adam Bourke) will also make appearances in the show.

Gen V hits Prime video on September 29, 2023.

[cultfaction]

First look revealed for GEN V

First look revealed for GEN V

Welcome to Godolkin University, a safe space for you to thrive. This is your first look at GEN V, The Boys college spinoff series arriving on Prime Video in 2023. Starring Jaz Sinclair, Chance Perdomo, Lizze Broadway, Shelley Conn, Maddie Phillips, London Thor, Derek Luh, Asa Germann, Patrick Schwarzenegger, Sean Patrick Thomas, Marco Pigossi, Clancy Brown, Alexander Calvert and Jason Ritter.…

[badmovieihave]

Bad movie I have The Beekeeper 2024

[thenerdsofcolor]

Watch the Official Trailer for 'Gen V'

Watch the Official Trailer for 'Gen V' @genv #GenV @PrimeVideo

You’ve been accepted to Godolkin University! To celebrate, Prime Video is sharing the trailer for The Boys’ spin-off, Gen V. The new series will star Jaz Sinclair, Chance Perdomo, Lizze Broadway, Shelley Conn, Maddie Phillips, London Thor, Derek Luh, Asa Germann, Patrick Schwarzenegger, Sean Patrick Thomas, and Marco Pigossi. Continue reading Untitled

[alltrekvarnews]

Del mundo de 'The Boys',Nos Llega el Avance de 'Gen V'.

[benevolentbones]

newcomer | spencer reid x fem!reader

part 2

warnings: derek being derek.

word count: 0.5k ish

summary: you come to the bau to drop off some things

pls pls pls send any requests you have, im itching to write more but need plot suggestions!!

“who’s that?” quizzed elle.

all eyes were on the new face that stood at the door by the bullpen. you stood there, a binder wrapped tightly in one arm, and a brown paper bag clutched in the other. a black pencil skirt adorned your form complemented with a white button up. you stood there with you hair pushed neatly away from your face, your eyes scanning the room for something.

“i’ve never seen her before- is she new?” jj tilted her head slightly.

“i don’t know but she looks good.” morgan chuckled to himself earning a dig from elle.

“leave her alone she looks like a baby.” elle frowned.

spencer who had his head in a book until now, scanned the room, his hazel gaze fixing on you. there was something familiar about you that he couldn’t quite put a finger on.

“she looks around my age.” reid muttered, joining the rest of the team in studying the newcomer.

“exactly. a baby.” elle smirked at spencer’s defeated expression.

spencer shook his head, earning a pat on the shoulder from derek.

you scanned the room once more, suddenly growing nervous when you spot several sets of eyes on you. you inhaled sharply, shuffling over to the group of profilers in hopes they would direct you to where you needed to go.

“she’s coming-act natural.” morgan practically smacked spencer, quickly sitting up straight from his previous slumped position next to the young genius.

“excuse me- would any of you know where jason gideon’s office is?” you smiled politely, chewing on the inside of your cheek.

your eyes met spencer’s and a light blush dusted over your cheeks.

“just up- up those stairs and to the right.” spencer internally cursed as he stuttered out directions.

“thank you so much.” you gave him another shy smile, nodding to the others before you turned, sauntering away to gideon’s office.

“real smooth, pretty boy.” derek shot spencer a shit eating grin, the older man slinging an arm around the blushing mess that was dr. spencer reid.

a few minutes later, everyone had gotten back to their respective reports, spencer was scribbling away at lightning speed, his interaction with you playing in the back of his mind.

over the low mumbling throughout the bullpen, the door to gideon’s office could be heard shutting. the special agent walking down the steps with you in tow. you were making quiet conversation, the binder and paper bag once in your grasp was gone.

derek leaned over spencer’s desk, all eyes were yet again on you.

you and gideon came to an abrupt stop right by where everyone was congregating.

“thanks again for dropping my lunch, sweetie.” gideon gave you a warm smile before giving you a quick hug which you returned gratefully.

“sweetie?” jj blinked.

“well if i’m too old for her then he certainly is-“ derek was cut off by a stack of case files being dropped onto his desk by none other than aaron hotchner.

“no problem, i’ll see you at home.” you gave gideon another smile before walking away, your eyes meeting spencer’s once more before you left causing his cheeks to burn up.

“that’s his daughter.” hotch scoffed, shaking his head as he walked off.

“daughter?!”

[rad-batson]

The Robins as RA’s Because I Said So

Credentials: I’m an RA, trust me.

Dick Grayson: The “Cool” RA

His friends told him he’d be great at it so he applied

Holds your hair back when you’re throwing up in the bathroom

Gives life lessons at every opportunity even when you don’t want them

Sees his residents in the hallway and proceeds to talk their ear off

Knocks on your door if he hasn’t seen you in a few days to make sure you’re doing alright

Has the “I’m not mad. I’m just disappointed” face on point

You actually feel bad when he catches you drinking in the halls :(

Jason Todd: The Cool RA

Wanted something to pad his resume so he applied

Will help you hide a body. “Just ask.” You didn’t, but you can’t remember how it came up either

Doesn’t care about the Rules, per se, but he will judge you for lacking common sense

“You know what, Derek? I’m writing you up just for being stupid. You could have at least put it in a paper bag.”

Organizes all of his events last minute, best attendance in the building

One day, he lets it slip that he has a 4.3 GPA

No one believes him until he actually shows them with a shit-eating grin plastered on his face

Tim Drake: The Invisible RA

Didn’t want to go apartment hunting so he applied for the free housing

Do you even have an RA? Does he even live here?

Apparently, he’s like triple-majoring or something, but like…no one knows what for. Or how. (He's really Undecided)

Does the bare minimum, but somehow still excels at his job

Everyone who sees him has a completely different description of what he looks like

One person starts the rumor that he’s a vampire, which is only made worse when someone sees him looking ghostly pale while chugging some weird red drink (Ultra Red Monster) in the middle of the night

Stephanie Brown: The Best Friend RA

One of those people who actually likes living in student housing so she applied

Gossips with everyone

“You didn’t hear this from me but-“ and “What am I, your mother?” are her most common phrases

Will probably get fired just because of how many university secrets she’s spilled

Keeps her door open at all times, her room is super cute too

One of her residents walks in and says, “You won’t believe what my boyfriend did this time!” Stephanie is already popping popcorn.

Will let you get away with shit if you make a good case for yourself

Damian Wayne: The Try-Hard RA

It’s a tradition in his family now, and he takes those very seriously, so he applied

A troublemaker’s worst nightmare

He will catch you drinking. No one knows how. Even his boss thinks it’s suspicious.

Seconds from a mental breakdown at all times of the day

Absolutely livid when the event he spent the least amount of effort on gets the best attendance (He just brought all of his art supplies to the lounge and taught people how to draw)

Writes incident reports like they’re addressed to the Pentagon

A resident comes to his door crying because her grandmother passed away, and Damian completely blanks on what to do so he lets her into his room and gives her a really long hug while she calms down, then he sits her down and lets her vent for an hour. A week later, she comes back and thanks him for being there when she needed it. It sticks with him for years.