#Japanese Film Trailer

[genkinahito]

Japanese and Korean Films at the Glasgow Film Festival 2024

The Glasgow Film Festival (February 28th – March 10th) will launch next month.  The festival is rich with a wealth of titles from different corners of the world and there is a chance to see Happy Together – which must-watch title. In terms of Korean and Japanese films… Here is what is on offer: Continue reading Japanese and Korean Films at the Glasgow Film Festival 2024

[pleuvoiryn]

BADVILLAIN — 숨(ZOOM) Trailer Film : Cut to the chase

[questintheskies]

Trillion Game The Movie trailer

[moophinz]

A lot of people have shared this information, but there’s still a lot of people who haven’t seen it so I wanted to try to spread it out more. From this article on Amazon’s site

Some have noticed that Kiryu’s dragon is very different than the one in the game. The promotional image features a very edited version of it, but the gold screen to the right shows that it’s practically entirely black. While I haven’t seen anything to explain the differences they made, I can only guess at least part of it must be due to how much it’s being pressed this is something of an “alternate” or kind of redone version of the games. As also displayed by the Japanese title.

The timeline for this series covers 1995 to 2005 which is pretty much the first game. However, there’s been a focus on Kiryu’s childhood friends and telling stories the games didn’t get to. Multiple articles have also stated this is going to be an “original story.”

As of now, it’s almost feeling as though this won’t be a retelling of the first game. Usually, RGG adaptations don’t seek to do that so it’s not too surprising.

In case someone also doesn’t know, yes, it’s going to be a Japanese acted series in the same language and shot in Japan. (I saw some confusion and fears on that)

[theaskew]

[moviesandmania]

BABY ASSASSINS 2 The Japanese teen killers are back! Trailer and release news

Baby Assassins 2 is a 2024 Japanese comedy action film in which two teenage girls have to take out rival hitmen. Also known as Baby Assassins 2: Babies The movie was written and directed by Yugo Sakamoto (Baby Assassins; Hangman’s Knot, Slaughter Jap, A Janitor, Yellow Dragon’s Village, Kunioka, and Green Bullet). The action scenes were choreographed and directed by Kensuke Sonomura. Plot: After…

[tama-the-toe]

Terminator: Zero.

You’d have figured the way that Japanese media favors featuring future tech in their media, that they would have jumped on this sooner. But after the underground success of the Animatrix, more fans would figure that anime would have been a unique style to tell some of the stories left in the wind by there T-800 saga. Well now everyone can stop “figuring” and just watch this amazing looking…

[webhub69update]

⚡'Unlocked' (2023) - Upcoming

⚡'Unlocked' (2023) - Upcoming Netflix Korean Mysterious Thriller Film ▶️ Trailer: On The Way! 👉 The Film Coming To Netflix On February 17, 2023 !! 📜 Synopsis: A woman’s life is turned upside-down when a dangerous man gets a hold of her lost cell phone and uses it to track her every move. 💫 Starring: Yim Si-wan, Chun Woo-hee, Kim Hie-won, Park Ho-san, Jeon Jin-oh, Kim Ye-won • It's a riveting adaptation of a bestselling mystery novel and Japanese film Stolen Identity [2018]

Follow Us:- https://linktr.ee/webhubupdate

[lupincentral]

Oh my God it’s finally happening!

A brand-new work in the Lupin IIIRD spin-off series, tentatively titled Lupin the IIIRD THE MOVIE is coming to Japan in 2025. While not confirmed at time of writing, the film is also likely to be localised and released worldwide.

Directed by Takeshi Koike (of Redline and previous Lupin the IIIRD fame), the film is set to be feature-length and 2D animated, in line with previous entries.

While details are currently scarce, the teaser trailer (shown at the bottom of this article), mentions that Yūya Takahashi will be returning to write the screen play, and that James Shimoji is also back to handle the soundtrack. Katsuhito Ishii is also on board as a creative adviser. The teaser shows footage from the previous three spin-off films, some clips of the new one (which appears to be Zenigata focussed), and ends with a glimpse at a shaken and beaten-up figure, with the phrase “You don’t know the real Lupin III”.

The Lupin the IIIRD spin-off series first began in 2012, with The Woman Called Fujiko Mine. Labelled “hard and dangerous”, Fujiko Mine took the franchise in a vastly different direction from what fans were used to at the time, telling a darker story diving deep into the femme fatales past, and exploring her relationship with a slightly edgier Lupin, Jigen, and Goemon (and yes, it’s also the one where she has sex with Inspector Zenigata). While the fanbase was divided on this at the time, over the years, a deeper appreciation for the Fujiko Mine series has formed, and more recently, it was given the title of “anime of the decade” by website Fanbyte.

From there, the series continued in the form of three films - Jigen’s Gravestone, Goemon’s Bloodspray, and Fujiko’s Lie. Continuing the storyline and tone from the show, the films shone a spotlight onto each character in a way we had never seen up until that point, helping to create a gorgeous looking film trilogy that no Lupin fan should miss (you can read our review for each by clicking here, if it takes your fancy)! This latest entry appears to follow a similar trend, with Inspector Zenigata getting his time to shine - judging by the teaser and the images released today by Comic Natalie.

Takeshi Koike, who directed the films and acted as a character designer on the original Fujiko series, is a Japanese animator, illustrator and film director. He has previously worked on animated features such as Redline and Afro Samurai - with his first folly in the Lupin series being with the 2012 spin-off show, The Woman Called Fujiko Mine. It is great to see him back at the helm for a fourth film, and we cannot wait to see the see the direction things go - especially after the ending of Jigen's Gravestone, which saw the tease of the return of a fan favourite villain (who can be seen in this trailer, if you look carefully)!

More details are sure to be released on this upcoming film next year - stay tuned!

[cleolinda]

The Scariest Movie I Ever Saw in a Theater: The Ring

I'll tell you up front that the story I'm going to tell you is about "The Ring (2002)," in the sense that it is about The Ring in the year 2002.

See, I don't know what The Scariest Movie Ever is. A quick google says that the consensus is The Exorcist (I haven't seen it, because I never felt like scheduling a day to freak myself the entire fuck out). But horror is specific, and not just to a person, but to a time and place, even. When I saw The Shining as a teenager in a well-lit living room with other people, I didn't even really flinch, but I bet it would play very differently to me now. I don’t think The Ring is at the top of anyone’s list, but twenty years ago, I had a personal interest in it—at the time, I was running a dinky little Geocities site devoted to movie news. Links curated and compiled from all the other, bigger sites I followed—basically, it was the linkspam format I have used on multiple platforms, including here on Sundays. And so, as someone who followed theatrical releases pretty closely for two or three years, I saw the trailer for The Ring, and I immediately knew it was going to be huge.

To locate you in time, this was just after three self-satirizing Scream movies and the Overcomplicated Serial Killer films of the '90s. The Ring was something completely different: chill aqua-blue color grading a good 5-6 years before Twilight; a mournful Hans Zimmer score; no jokes, no quips; and a slow, inexorable sense of doom. Grief, even, given that the movie begins with the death of the main character's niece. What immediately struck me about the first trailer was 1) the melancholy of it, and 2) how much it doesn't explain. Onscreen, you get the title cards,

THERE IS A VIDEOTAPE IF YOU WATCH IT SEVEN DAYS LATER YOU DIE

Concise! Understandable! A woman (Naomi Watts) is freaking out upon discovering that her young son has just watched it! Admirable job setting up the premise and the stakes of this entire movie in thirty seconds flat, without even any dialogue. That's all you need to know, and thus, the remaining minute of the trailer can do whatever it wants, and what it wants to do is be fucking weird. Echoing voices, TV static, a closeup of a horse's eye, ladders, a girl with dark hair, people reacting to things we don't see, drippy doorknobs, rain. Characters don't give us the whole plot in convenient soundbites of dialogue (like they do in a later trailer); we just hear lines, overlapping, murmured out of context—

did you see it in your head? she talks to you... leading you somewhere... showing you the horses... you saw it. did you see it in your head? she shows me things. Everyone suffers.

That you saw it has lived in my head ever since, and not once have I charged it rent. But the "best" part is Naomi Watts screaming at the end, because you don't hear her voice; you only hear this heartless telephonic beeeeeeep. It's 2002 and I'm watching this trailer, thinking, I have no idea what the fuck I just saw. This is going to be huge.

And it was, to the tune of $249 million on a $48M budget.

At risk of recapping what you might already know, Ringu, aka Ring, is a media franchise that spiraled out from a trio of Koji Suzuki novels into Hideo Nakata's film Ringu (1998), a landmark of Japanese horror, plus several other movies, some TV series, many comics, and even a couple of video games. The overarching story is about a murdered girl/vengeful ghost named Sadako Yamamura whose rage and pain have created a cursed video tape, you watch it and you die unless you pass the tape around like a virus, seven daaaaays, etc.

The "ring" in question is the rim of a well. Keep that well in mind.

The movie I saw is the U.S. remake, which itself had two sequels. (The iconic Sadako is now named Samara Morgan. Keep her in mind, too.) Director Gore Verbinski moved from The Ring to Pirates of the the Caribbean (!), and so Hideo Nakata himself would direct The Ring Two. I... honestly have only seen the first one. And I was right, it was huge, and it kicked off the American J-Horror Remake genre, for better or worse. But what gets forgotten about The Ring is its marketing campaign, which I followed pretty closely for my doofy little news site.

It was inspired.

The story of The Ring is partly the story of the sea change in the media landscape—how we watch movies. And the story of its marketing is a picture of the very last years before social media changed the wilderness of the internet into something that feels so big, like a billion people could see anything we say, and yet so small—only a tame handful of places to say it, owned by three or four companies, and corraled by algorithms.

Back around 1997-1998 or so, I worked at a video store (Movie Gallery, where the hits were there then, guaranteed) for about a year and a half. By the time I left, we had started adding DVDs to the VHS tapes on the shelves, but we hadn't replaced the entire stock. Video stores might have transitioned fully to DVD by 2002, I'm not sure, but people still commonly had both VCRs and DVD players in their homes. And I remember that The Ring was sold in both formats when it eventually hit home video. Which is to say—you know the analog horror genre today? Marble Hornets, Local 58, The Mandela Catalogue?

Analog horror is commonly characterized by low-fidelity graphics, cryptic messages, and visual styles reminiscent of late 20th-century television and analog recordings. This is done to match the setting, as analog horror works are typically set between the 1960s and 1990s. The name "analog horror" comes from the genre's aesthetic incorporation of elements related to analog electronics, such as analog television and VHS, the latter being an analog method of recording video.

Okay, but this is just what home media was like, and 2002 was at the very tail end of that—boxy black VHS tapes that degraded with time and reuse were just how we lived. At the same time, I'd been using CDs for music since about 1991, and all our software installs came on CD-ROM discs; a "mixtape" by that time had shifted to mean a rewriteable CD rather than a cassette tape. In college, I—well, I'll plead the Fifth as to whether I downloaded mp3s via Napster, but I was also taping Mystery Science Theater 3000 on VHS over the weekends. It was Every Format Everywhere, All At Once, and we kept half a dozen kinds of players around for them. Here in 2023, we stream and download everything invisibly, unless we choose to engage in format nostalgia. (I've already run into the problem of Apple Music deleting songs I really liked, due to this or that licensing issue, because I was really only renting them.) The year The Ring hit theaters was the edge of a last shimmering gasp of physical media where iTunes had only come into being the year before, and iridescent discs were still mostly what we used, but cassettes, both video and audio, were still viable. And so, people did not think it was terribly weird when they started finding unlabeled VHS tapes on their windshields.

Movieweb, quoting TikTok user astro_nina:

"Their marketing strategy was essentially 'let's get this tape viewed by as many people as possible without these people being aware of what this is, sort of raising intrigue," she says. One way they achieved this was by airing the tape, which allegedly marks its viewers for death within seven days, as a commercial with no context. The video would air between late-night programming "with no words, no mention of a movie, for like a month...so people would run into it and it would just go on to the next thing, and people would be like, 'what the f--k is this?'"

I remember seeing the Cursed Video as an unexplained ad at least twice, by the way. That TikTok also indicates that DreamWorks straight-up sent copies of the tape to Hot Topic stores, as well as planting them under actual movie theater seats. While running my movie site, I heard at least one story of someone finding a tape on the sink counter of a restroom at a club. Did the marketing department actually plant tapes in bathrooms—or did a freaked-out recipient leave it there, hoping to dodge the "curse"?

(I haven't embedded the Cursed Video here, by the way—but I could have. If you'd like to see the American take on it, you can watch both the full version and the shorter variant that appeared in the movie itself. A text description of what the fuck you're even looking at is here [content note for both: blood, insects, animal death, body horror, and suicide by falling]. The original version from the Japanese film is shorter, and it's eerie rather than gruesome.)

BUT WAIT, THERE WAS MORE: DreamWorks had something of an alternate-reality campaign going with a handful of in-character websites. This was only a year after Warner Bros. ran the groundbreaking "The Beast" ARG for A.I.: Artificial Intelligence: "Ultimately, fifty websites with a total of about one thousand pages were created for the [A.I.] game." (I lurked in the Cloudmakers Yahoo group.) Marketing for The Ring did not go anywhere that in depth, nor did it need to; it was both a smaller film and a smaller story. I saw at least two “personal” websites (seemingly amateur and a little tacky, like my own), but the one I particularly remember was about someone who owned/trained horses? I'm not sure if it was meant to be the actual Anna Morgan character—Samara's mother—or maybe someone who had noticed that the Morgans' horses were disturbed? I'm not even sure anyone even remembers this but me. Reddit users dug up a few other archived websites, but they're about Sadako, the curse and/or videotape; they aren't as subtle or character-oriented as the site I remember. (Honestly, I wonder if weird shit like "What Scares Me" or "SEVEN DAYS TO LIVE" were made by fans rather than a marketing department, but who knows.)

[The “About” page from Seven Days to Live on the Internet Archive.]

[The entirety of An Open Letter on the Internet Archive. “UPDATE” is a now-blank pop-up. I would bet $5 that it was originally a pop-up of the cursed video.]

I need to point out here that Facebook did not exist in 2002. It would not exist for another two years, and Twitter wouldn't exist until 2006. Even MySpace was not a thing until the next year. I didn't start my Livejournal until October of 2003. What we had, for the most part, were independent forums and blogs. We also had Creepy Internet Fiction like "The Dionaea House" and "Ted the Caver"; their use of the blog format, of people out there seemingly living their lives until something fucked up went down, gave the stories the shape of reality. And it helped that these blogs had comment sections, sure—sometimes more story unfolded there—but for the most part, an author could "abandon" a blog, and you'd just find the story there via word of mouth. Like the Ring blogs I remember, it wouldn't seem strange if no one replied to you, whereas today, you'd have to hire a writer to sit on Twitter, or Reddit, or even Tumblr, and interact with people in character. Could you do something like The Ring's mysterious, weird-ass blogs today? Would anyone even notice?

So: It's 2002, my head is full of Alternate Reality and eerie images and you saw it, and I'm hype as hell to go out and see The Ring. I'm perfectly happy to go see movies by myself, so I went in the early afternoon (best time to get a good seat). The movie ended up being a sleeper hit, and the first weekend, the public was still sleeping on it, so there were only 7-8 other people in that theater, grouped in maybe two clusters. I was off in my own little pool of darkness in the upper right quadrant. Functionally, once the lights went down, I was alone.

Despite some middling reviews at the time, The Ring is something of a horror classic nowadays. If you want a scary movie this Spooky Season, check out The Ring. Or don't, because it nearly killed me.

We're at the last, I don't know, third of the movie? And Our Heroine has tracked down the origin of the Cursed Videotape to some creepy mountain motel or whatever. SPOILER, it turns out that it was built over the Cursed Well (everything in this movie is cursed) that Our Villain was thrown into—that's why Sadako/Samara is a vengeful wet murder ghost crawling out of TVs now. While investigating this decrepit hotel room, intrepid journalist Rachel and her, who is it, her ex-husband? her kid's dad, idk, discover the well under the creaky old floorboards. And then, wouldn't you know it,

NAOMI WATTS FALLS INTO THE WELL

NAOMI WATTS FALLS INTO THE FUCKING WELL

THAT'S WHERE SAMARA'S BODY IS

[The rather slapstick moment when Rachel falls into the well. Does not include what actually happens next.]

I go absolutely rigid in my seat. Naomi Watts is splashing around this dark-ass death swamp of a well and I know, with as much certainty as I have ever known anything in my life, that Samara is about to pop up in all her pasty, waterlogged glory. All the sad creepy dread, all the desperation to figure out what the fuck all that shit on the tape was and stop Samara from killing Rachel's son, all the horrible contorted victim faces, all the alternate reality I’ve been soaking in, it has all come to this. I have to leave the theater. I cannot be having with this. I have to be gone from this place. My legs do not work. I cannot feel them. I am frozen. I want nothing more in this life or any other to get up and leave this cavernous pitch-black room, and I cannot. I start praying for death. I want you to understand that I am not trying to be flippant or humorous. This is genuinely what went through my head. I was too scared to even think, "You know, you could just pray to pass out or for motion to return to your limbs or something." No, I sat there in The Ring thinking, Please for the love of all mercy just let me cease being.

You know that scene in Mulholland Drive (also starring Naomi Watts)? Winkie's diner and the EXCRUCIATING tension? It was a little like that, except I wasn't watching it, I was experiencing it, and Samara was my dirt monster out behind the diner.

Except that the jump scare didn't actually happen. I mean, yes, Rachel finds Samara's body down there, but—I don't remember exactly, please don't make me go watch it again to tell you what actually happens. It's played more sympathetically on Rachel's part, as I recall, and she and her ex get Samara's body out so that she (Samara) can have a proper burial.

And then it turns out that this is not the end of the movie. It turns out that Rachel has Fucked Up.

I think I was relatively okay through the rest of it, although the climax is Samara emerging from a TV in her full glitching swampy glory to scare [SPOILER] to death. I don't recall praying for death twice. There's a point when you're so exhausted from fear chemicals that you're like, yeah, this might as well happen. Bring it, Soggy. I did have a hard time prying myself out of that seat afterwards, though, and my mom says that when I got home, I had the classic thousand-yard stare. How was the movie?

"It was great," I said, and I meant it.

I've seen things that were objectively scarier (I watched much of The Haunting of Hill House from behind a pillow, to be honest), and it's not like I've never experienced fear in real life. But I respect when a movie that can make me feel so intensely, and there's something weirdly precious about the way horror is a safe roller coaster, as it's often been said. So I love telling the story about The Time The Ring Nearly Killed Me—a movie that actually made my body stop working—and I love thinking of how embedded in a specific time and place that movie was for me. The last gasp of VHS when the Cursed Videotape still seemed plausible; the way the internet was still wild and weird and free; where I was in my life, keeping up so avidly with all the movie news, and finding myself in such a little pool of darkness early one afternoon. It's the scariest movie I saw in a theater; that's the alchemy of circumstance.

[yurimother]

'Puella Magi Madoka Magica -Walpurgisnacht: Rising-' Announces Winter 2024 Debut

On Sunday, at Aniplex Online Fest 2023, Aniplex revealed a new teaser trailer for Puella Magi Madoka Magica The Movie: -Walpurgisnacht Rising- (Mahou Shoujo Madoka★Magica: Walpurgis no Kaiten).

The trailer revealed that the anime film, which continues the Puella Magi Madoka Magica main timeline after the events of the 2013 film Rebellion, will debut theatrically in Japan in Winter 2024.

Aniplex also revealed a new key visual for the film and announced that director Yukihiro Miyamoto, who directed the original 2011 television anime series, its two film adaptation, Rebellion, and spin-off Magia Record is returning for Walpurgisnacht: Rising at SHAFT.

He is joined by the previously revealed staff, including the original creators Magica Quartet, chief director Akiyuki Simbou, writer Gen Urobuchi (Nitroplus), and character designer Aokiume. Additional returning staff includes character animation designer Junichiro Taniguchi, who served as Chief Animation Director on previous projects, parallel world designer Gekidan InuCurry (Doroinu), who created the iconic, unique looks of the Witches Labyrinths, and composer Yuki Kajiura.

All of the original Japanese main voice cast from the series and Rebellion are set to reprise their roles:

Aoi Yuki as Madoka Kaname

Chiwa Saito as Homura Akemi

Kaori Mizuhashi as Mami Tomoe

Eri Kitamura as Sayaka Miki

Ai Nonaka as Kyouko Sakura

Kana Asumi as Nagisa Momoe

Emiri Kato as Kyubey

The anime was originally announced back in 2021, but in 2019 at Anime Expo, Homura's voice actress, Chiwa Saito, foreshadowed the sequel, saying that "the actual series has not ended yet" and that she was looking forward to everyone seeing Devil Homura, a reference to the ending of Rebellion, again.

Puella Magi Madoka Magica aired in 2011 to critical and audience acclaim. It became a cultural phenomenon and spawned two movie adaptations, Beginnings and Eternal, the sequel film Rebellion, and multiple manga and video game spin-offs. It is credited with popularizing mixing dark, postmodern tropes with the magical girl genre.

Source: Aniplex Online Fest 2023, Press Release

[kellyvela]

¿¿¿ARE YOU READY JONSAS???

So, according to some reports, Kit and Sophie movie The Dreadful is a remake of the classic Japanese horror movie ONIBABA

Here some synopsis:

IMDB: Two women kill samurai and sell their belongings for a living. While one of them is having an affair with their neighbor, the other woman meets a mysterious samurai wearing a bizarre mask. Filmaffinity: After enlisting as a volunteer in a war in 14th century Japan, his wife and mother remain living in a swamp. They eke out their living by ambushing worn-out warriors, killing them and selling their belongings to a greedy merchant. The woman comes to mistrust her daughter-in-law who has coupled up with a deserter, and begins to wear a facial mask she has taken from a slain samurai. Soon the mask will not come off again. In this disguise she is at first taken for a demon by her daughter. Wikipedia: The film is set during a civil war in medieval Japan. Nobuko Otowa and Jitsuko Yoshimura play two women who kill infighting soldiers to steal their armor and possessions for survival, while Kei Satō plays the man who ultimately comes between them.

If you read the full PLOT on Wikipedia, you will find that the movie is full of sex scenes.

ONIBABA was translated to Spanish as: "ONIBABA: The Myth of Sex"

Here some scenes from the trailer:

🙈

***JONSA WON SO HARD***

[ineffable-opinions]

GMMTV 2025

This year I had discussed two of my greatest peeves with GMMTV:

Lack of BL literacy and harrowing learning curve

Khujin paradox – it is their asset and liability

here & here

Having seen what GMMTV plans to offer in the year 2025, I have to admit that they might be on the right track.

Ticket To Heaven – I didn’t expect this. What percent of Thailand’s population is Christian? (Thailand has significant and influential Christian population.) Many frames and scenes in this one looks they were from the Japanese BL movie from 2007 Boys Love – School Boy Crush. Serendipitously, it is so similar to Jijo Kuriakose’s autobiographical queer film — Velipaadu (വെളിപ്പാട്) which also has seminarian main characters. But since the characters are Orthodox/Jacobite Christians but not Catholics there is additional compulsory heterosexuality.

Memoir of Rati – Most Beautiful Count colorism debacle has tarnished my love for Thai historical setting. This is one series where I really wish GMMTV did not stick to the nenja/wakashu style pairing. Yaoi revolution did not happen all those years ago for this to manifest in 2024-25. These aesthetic choices are something GMMTV and Change 2561 (among others) will learn to overcome. Eventually.

Me and Thee – I am not impressed by the choice of khujin for this role. The comedy is not working for me and I think that's probably because there is not enough gap moe between the actor playing the mafia boss and the mafia boss playing the actor. However, fans of this khujin might enjoy it immensely for the very reason. Love guru set up is underplayed, so I am expecting tonal shift half way through the series where the drama will play into the soap opera it is supposed be parodying. Some kidnapping and bloodshed maybe. Odo (royal road progression) is odo for a reason. Unintended consequence of the series was to remind me of my dearest wish to see unabridged version of Breath, the story of TulHin from Love By Chance 2) with shibari and all.

A Dog and a Plane - feels like a nice mix of Japanese BL Ossan’s Love: LOVE or DEAD and Ossan's Love: In the Sky and Cornered Mouse Dreams of Cheese. Since I thoroughly enjoyed both, I'm looking forward to this one. It also promises a lot of "wife-chasing" (My Stand-in's influence?) complete with a grand, lives-saving, heart-winning gesture. 

Magic of Prophecy - Fortune telling as a reason for forced proximity in provincial Thailand seems nice but I'm afraid the series is going to go where The Sign went with superstitious local folks (as opposed to rational main characters, except it was a fantasy show hinging on those very local people's faith and festival) and gun violence. BL being a vehicle for Thaification is kind of inevitable but I wish it wasn't so and we would get more provincial shows like Love Poison. For a country that dared to give us Tropical Malady (2004) directed by Apichatpong Weerasethakul and Malila: The Farewell Flower (2017) directed by Anucha Boonyawatana (director of Not Me), their BL needs to do better. 

Boys in Love - honor student x diliquent is a beloved pairing but this neurotypical honor student is not sitting well with me at the moment thanks to Iwashiro from Outsider Communication by Natsume Tsuno overwhelming my brain. But that is a me problem. The other pairs are cool and is in line with the saccharine sweetness GMMTV is known for.

Cat for Cash - this is for that khujin's fans as well as for cat lovers. Surrealist comedy with glittering, sputtering succulents in Love is Like A Poison has raised my tolerance for this brand of romantic dramedy. 

Mu-Te-Luv - I am intrigued because it gives me the kind of feeling that I got when I watched the trailer for Hello Mummy. I wonder how Thai audience will receive this series' take on the non-romantic themes it deals with. So, I'm equally apprehensive and excited. 

Love You Teacher - surprisingly it is Thailand that managed to get this show going. De-aging is a popular trope in BL and fan-fiction. Given the taboo nature of de-aging as a set up it is hard to pull off. But, if anyone can do that it is Thailand. This is resourceful side of khujin - they can't take the jado (evil road) narrative progression. No twisted moe. Yet, it leaves space for deception. Faking or automatic de-aging to cope with repressed stress and anxiety, like selective mutism and amnesia. It will be about character growth and unconditional love. Otherwise, the price GMMTV would have to pay would be too steep.

Melody of Secrets - wow, a dark take on amnesia trope! Seems like GMMTV finally figured out how to tease a jado progression within an odo plot - by employing a (faux)-look-alike so as not to upset khujin fans' worldview while offering them a thrilling experience. But it is clear that GMMTV won't be able top commit to a proper jado plot. That not their brand. It will not help with branding and advertising. There's no helping it. The violin scene reminded me of the Japanese BL with numerous adaptations Fujimi Orchestra. Also, the mind-forgot-but-body-remembers trope?! 

My Romance Scammer - gold digging, getting ONESELF trapped in the love trap that one laid and marry-first-regret-later tied with the friction of getting a divorce. I want it to have first ever remarriage of the same pair in a live action BL.

That Summer - how does Thailand keep getting casting net wrong? At least it is better than diving with the net we're got in love sea. Prince? Who was assaulted?  Found at a Thai beach? Reminds me of princess Latifa bint Mohammed Al Maktoum debacle.

Only Friends: Dream On - I like this set up more than the one for season 1. I wasn't happy about it and thought they could do better. I'm looking forward to this season. And for khujin fans, isn't it a good chance to enjoy netorare and stalking horse tropes since the Love Dodecahedron will anyway resolve into khujin pairings?

Burnout Syndrome - super pretty, shonen ai style art! Look at the nude he drew! Isn't it giving early BL vibes, from before the donkey dicks took over the BL manga scene thanks to Korea? Isn't it a beacon (please forgive the pun) of hope in the strange, new world of uncensored smut scenes in BL manhwa? Khujin's gonna khujin and stalking horse gonna stalking horse. I'm truly intrigued. 

Head 2 Head - fine old wine, new bottle. Let's see if the wine (rivalry to romance, unrequited to required, college campus setting) can be as intoxicating when drunk from the new bottle.

Dare You To Death - Channel V style drama with khujin boarding together for reasons.  Unfortunately, it did not moe for me. Maybe because I'm still trying to get over Zheng Bei x Jiang XiaoHai ship from The First Shot 雪迷宫 that paled in comparison to Zheng Bei x Gu YiRan ship. Honestly, I started watching just to listen to Huang Jingyu say heroin (hailouyin) and accidental got too invested in the cop x kingpin ship. 

I wonder who suggested GMMTV to add so much of occult and fortune-telling in their series. Also, I am a little worried after seeing this post by @guzhufuren and this post by @alwaysthepessimist - there is opposition to BL in East Asian countries led by certain groups of feminists based on the disproportionate benefit accruing to men (especially actors, voice actors, creators and production companies' executives), declining presence of women in entertainment and advertising as well as shifting purchasing power from women to men through consumption of BL.

In this video, BL scholar Kim Hyojin talks about Boys Love in an Era of Feminism: Online Discourse on “Leaving BL” in Late 2010s Korea.

[moviesandmania]

GODZILLA MINUS ONE (2023) First full trailer

Godzilla Minus One is a 2023 upcoming Japanese kaiju film in which the reptilian radioactive monster appears in post-World War II Japan. Written and directed by Takashi Yamazaki. Co-produced by Robot Communications and Toho Studios it is the 37th film in the Godzilla franchise, the 33rd Godzilla film produced by Toho, the fifth film in the franchise’s Reiwa era and the second live-action film…

[bengiyo]

GMMTV 2024 Part 1 Stray Thoughts

I have finished viewing the trailers. I'm feeling relatively cool about most of it, and I had a strong negative reaction to the announcements about two adaptations.

Here is what intrigued me in order:

My Golden Blood - When Joss and Mond rose off the ground, I also ascended. Joss and Gawin wasn't on my radar as a potential option, but I am so here for it.

Wadee Gooday - I'm so here for the adult romance, and Thor is here. A boxer and a doctor have such fascinating potential.

The Trainee - OffGun workplace romance and Love Score is playing. We are so fucking back.

On Sale - TayNew in a ghost romcom? We are so fucking back.

Pluto - Film and Namtam and Namtam is lying? I am here for it.

Kidnap - Ohm is back in BL and they gave him a gun and a little brother who shares his name. This is probably gonna be a mess but it looks fun.

Only Boo - Not sure how I feel about an idol trainee show, but Louis is here.

We Are - Why are there four couples? Engineering? Hopefully, this is going to be like MSP, and let us put this behind us.

High School Frenemy - I will have to watch School 2013 before this airs because it looks like the original was well-received and this trailer just looks like boys fighting the whole time.

My Love Mix-Up - Fourth doesn't seem to do slapstick well in this trailer, and Gem doesn't look serious enough. New Hashimoto doesn't have that glint in her eye. New Aida looks solid. I'm skeptical. More thoughts below.

Ossan's Love - Literally why?

Summer Night - Phuwin and Dunk pratfall kiss bait into het nonsense with a BL side. No thanks.

My Precious the series - I feel like any hype I had for this has evaporated. I'm past it.

Ploy's Yearbook - Apparently step-siblings fall for each other in this? No thanks.

Enigma 2 - No idea what's going on but it has clear vibes.

Alright, I'm just gonna say it: The My Love Mix-Up trailer was not good. I love Fourth and Gemini a lot. I think Fourth is really talented, and I think he and Gemini make a good team. That being said, there is a reason KH continues to get content shared on this website, and right now I don't think Fourth and Gem showed the juice to match Michieda Shunsuke and Meguro Ren.

I don't think Fourth is going to generate meme material as Thai Aoki the way Michieda did if this trailer is indicative of where he's going. I don't think Gemini is hitting the seriousness of Ida well here at all. Ida is a demisexual icon and so important to the genre, and I just don't think Gemini has this in him right now.

For those wondering why I feel so strongly about this, I will remind you that Kieta Hatsukoi is free on Viki.

We are now seeing cross-cultural adaptations of BL work, and I think that it's incredibly important to view the source work before we get into big discussions about what each adaptation does well. I am so concerned about Kieta Hatsukoi being adapted because it's so distinctly Japanese in its stylings and the dramatic tension underpinning it. The Thai trailer feels lacking to me because the angst felt so ungrounded. Fourth can moon over Gemini just fine, but there's a specificity to the mooning that he just isn't hitting here.

I will be talking about My Love Mix-Up Thailand as an adaptation of Kieta Hatsukoi. I will not be entertaining debates or discussions about it as an independent work. The trailer has called directly to the Japanese origins and it will be judged as such. If you haven't or won't watch the original or read the source work, please don't tag me, because "I'm mad as hell, and I'm not going to take this anymore."