#Jan Hofmann

[iwtv-az-hours]

We'll have a fang gang within a fang gang!

Also ma boi Matěj's vampire name being Merde'Em is the funniest thing ever to me

[Article on IWTV S2 costumes here]

[fishareglorious]

Man, I sure hope that this field mission with my mentor to Vienna that happens on my birthday will be life changing!

[thommi-tomate]

Top 10 german assistants of 2023 (league and cup competition)

1. Florian Wirtz : 48 games 20 assist

2. Julian Brandt 45 games 14 assist

3. Pascal Groß : 49 games 14 assist

4. Jonas Hofmann : 41 games 13 assist

5. Thomas Müller : 44 games 13 assist

6. Leroy Sané 49 games 13 assist

7. Joshua Kimmich : 44 games 11 assist

8. Ilkay Gündogan : 52 games 11 assist

9. Niclas Füllkrug : 38 games 10 assist

10. Jan-Niklas Beste : 15 games 9 assist

[100-art]

Most Famous Abstract Art Artists and Artworks In The Last 100 Years

2/8/2024 ♦ Framed Poster Print ♦ Canvas Print ♦ Metal Print ♦ Acrylic Print ♦ Wood Prints 🌐 Worldwide shipping

[ohneweiterebedeutung]

1. FC Nürnberg: Enrico #Valentini: Ich bin einfach froh, dass wir es geschafft haben. Und es freut mich heute am meisten, dass wir es aus eigener Kraft geschafft haben, mit einem eigenen Sieg und wir nicht auf andere angewiesen waren.

[acesw]

a short patch timeline on reverse 1999

So I've been going back and forth for almost a year now on comprehending and helping people comprehend the timeline in Reverse: 1999 because oh my god, it's so, so convoluted that it's still taking a long time for me to even write down the information without overexplaining it. And that's just the main story.

However, I've been able to piece together the timeline events by patch and chapter to make things easier for everyone. (...unless you want me to even include the anecdotes, which is another can of worms I'd like to not open.)

However, since 2.0 forwards will be taking place after 1.9, I won't be including the patch names. But, I will put their placements in the timeline without making specific notes to avoid spoilers.

I'd like to first note that 1.6 (Notes on Shuori) has no definite placement on the timeline. The reason why is that 1.6 is personally considered a timeline anomaly; there are plot holes and information that made it difficult to deduce when it took place. (i.e. Yenisei's origins, Getian's character story, Bessmert's* presence) For now, I will leave this out.

Additionally, a lot of the character stories take place between the past and the future. Thus, the character story that chronologically takes place the earliest by far is Lucy's while the latest would be Ezra's.

—

First of all, we start with 1.8 (Farewell, Rayashki) in its entirety. From Windsong's past, to her arrival in Rayashki, to when the second "Storm" took place, and Vila and the kids needed to adjust to this new normal.

Next is Chapter 3 (Nouvelles et Textes pour Rien) and Chapter 5's interchapter. (The Star) Both the story of Vertin's becoming of the Timekeeper, and Greta Hofmann's experience with the Apeiron group are both aligned. Greta even mentions Vertin in her log after returning to the Foundation.

Afterwards we skip to 4 years later, and we're now in 1966. (Post First "Storm") Three events occur here. First, 1.1, (Theft of the Rimet Cup) then 1.3, (Journey to Mor Pankh) and then finally, the Prologue of our story. (This is Tomorrow)

Its then quite straightforward afterwards. We immediately follow up with the first 4 Chapters taking us through 1929 to late 1913. Then afterwards, we have Chapters 5-7 taking place within the first 3 weeks of January 1914, and then we're immediately taken to August 1990 at the end of Chapter 7.

I'd like to also add that within those 3 chapters, both rougelikes (Echoes in the Mountains and Series of Dusks) took place within the same time. Although, Series of Dusks ends before Chapter 7 due to Semmelweis and Lorelei leaving with the Foundation right before the "Storm" hit.

Now, in 1990, we start with 1.2 (Nightmare at Green Lake) followed by patches 2.0-2.2, all of which take place in immediate succession. And then for now, we end with 1.5. (Revival! Of the Uluru Games)

So if I put all of these in one list, it looks like this:

Notes on Shuori (1.6) - Undetermined placement

Farewell, Rayashki (1.8) - 1999+1 (1996) -> 1999+2 (1985)

Nouvelles et Textes pour Rien + The Star (Ch. 3 and Ch. 5 Interchapter) - 1999+4 (1987)

Theft of the Rimet Cup (1.1) - March 1966

Journey to Mor Pankh (1.3) - April-May 1966

This is Tomorrow (Prologue) - Jun. 3 1966 -> Feb. 14 1929

In Our Time (Ch. 1) - Feb. 14 1929

Tender is the Night (Ch. 2) - Feb. 15 1929 -> Aug. 1913

Nouvelles et Textes pour Rien (Ch. 3 - Present Time) - Aug. 25 1913

El Oro de Los Tigres (Ch. 4) - Aug. 26 -> Oct. 10 1913

Prisoner in The Cave (Ch. 5) - Dec. 24 - Jan. 4 1914

The Star (Ch. 5 - Interchapter) - Jan. 4 1914

Echoes in the Mountain (Rougelike 1) - Undetermined time, before Jan. 8 1914

E lucevan le Stelle (Ch. 6) - Jan. 6-12 1914

Series of Dusks (Rougelike 2) - Jan. 8-13 1914

Vereinsamt (Ch. 7) - Jan. 12-13 1914 -> Aug. 1990

Nightmare of Green Lake (1.2) - Sept. - Oct. 1990

Patches 2.0 - 2.2 - Sept. - Nov. 1990

Revival! Of the Uluru Games (1.5) - Jan 1991

The story can only get even more convoluted from here. As of the moment, I've been sort of working on a larger timeline to piece the entire story together, especially since we've yet to finish it before the story ends. New stories and information continuously flows in the meantime.

[brookstonalmanac]

Birthdays 8.14

Beer Birthdays

Eugene L. Husting (1848)

Brandon Hernández (1976)

Five Favorite Birthdays

Halle Berry; actor (1968)

Mila Kunis; Ukrainian-American actor (1983)

Gary Larson; cartoonist (1950)

Steve Martin; comedian, actor, writer, banjo player (1945)

Bruce Thomas; English bass player (1948)

Famous Birthdays

Russell Baker; essayist (1925)

Emmanuelle Béart; French actress (1963)

Catherine Bell; actor (1968)

Herman Branson; African-American physicist, chemist (1914)

Sarah Brightman; English singer-songwriter (1960)

John Brodie; San Francisco 49ers QB (1935)

Lodewijk Bruckman; Dutch painter (1903)

Sharon Bryant; R&B singer (1956)

Kevin Cadogan; rock singer-songwriter, guitarist (1970)

Méric Casaubon; Swiss-English author (1599)

Yannoulis Chalepas; Greek sculptor (1851)

Darrell "Dash" Crofts; singer-songwriter and musician (1940)

David Crosby; rock singer (1941)

Charles Jean de la Vallée-Poussin; Belgian mathematician (1866)

Mstislav Dobuzhinsky; Russian-Lithuanian-American artist (1875)

Slim Dunlap; singer-songwriter and guitarist (1951)

Tracy Caldwell Dyson; chemist and astronaut (!969)

Richard R. Ernst; Swiss chemist (1933)

Erica Flapan; mathematician (1956)

Francis Ford; actor and director (1881)

John Galsworthy; English writer (1867)

Alice Ghostley; actor (1926)

Larry Graham; soul/funk bass player and singer-songwriter (1946)

Buddy Greco; singer, pianist (1926)

Marcia Gay Harden; actor (1959)

Jackée Harry; actress (1956)

Robert Hayman; English-Canadian poet (1575)

Lee Hoffman; author (1932)

Leopold Hofmann; Austrian composer (1738)

Doc Holliday; dentist, wild west gambler (1851)

James Horner; composer (1953)

Ernest Everett Just; African-American biologist (1883)

Jan Koetsier; Dutch composer (1911)

Margaret Lindsay Huggins; Anglo-Irish astronomer (1848)

William Hutchinson; founder of Rhode Island (1586)

Magic Johnson; Los Angeles Lakers (1959)

Stanley A. McChrystal; American general (1954)

John McCutcheon; folksinger (1952)

Paddy McGuinness; English comedian (1973)

Lionel Morton; English singer-songwriter, guitarist (1942)

Bruce Nash; film director (1947)

Frank Oppenheimer; particle physicist (1912)

Hans Christian Ørsted; Danish physicist and chemist (1777)

Susan Saint James; actor (1946)

Paolo Sarpi; Italian writer (1552)

Ben Sidran; jazz and rock keyboardist (1943)

Stuff Smith; violinist (1909)

Danielle Steel; writer (1947)

Jiro Taniguchi; Japanese author and illustrator (1947)

Bruno Tesch; German chemist (1890)

Ernest Thayer; "Casey at the Bat" writer (1863)

Pieter Coecke van Aelst; Flemish painter (1502)

Carle Vernet; French painter and lithographer (1758)

Claude Joseph Vernet; French painter (1714)

Earl Weaver; Baltimore Orioles manager (1930)

Wim Wenders; German film director (1945)

Lina Wertmüller; Italian film director (1926)

[dayinhistory]

January 2nd: Maria Callas Walks off Stage

Standing on the stage in front of the President of Italy and most of Rome’s high society, Maria Callas walks off of stage after the first act of Bellini’s Norma. The crowd, waiting for her to come back, eventually booed and chastised her for not returning during the second act. The management ended the night by telling some 3,000 patrons that the opening show would be moved to that next Saturday and the show that night would not go on. Callas would later tell reporters that she was pressured to go on that night and had thought that she should not, but did anyway.

Now, an Opera Singer walking off stage during a performance, even one as big as this, may not seem like a major thing in history; but the singer is attributed with being the reason for the resurgence of 19th Century Operatic works during her time. She was very popular during the 50’s and 50’s and 60’s, and quite frankly still now as many opera fans still adore her. She also appeals to many aspects of the entertainment world, specifically with Angelina Jolie’s portrayal and “responsibility to Maria’s life and legacy” within a forthcoming biopic.

Her walking off after act one hit newspapers in the states the next day, The New York Times reporting several different articles about the reception of her leaving the show after the first act. According to an article written by Paul Hofmann for the paper, hundreds of protestors had gathered in front of Callas hotel and “policemen swinging truncheons charged the crowd repeatedly before order was restored.” Hofmann also reported that supposedly the singer had scene a doctor that night and had taken some quinine, which is an anti-malarial medication.

With the travel of performing all over the world, it would make sense that Callas was possibly exposed to an area that may have malaria carrying mosquitos. But it she was still ill during rehearsals and before the performance, why would she let herself go on and take the role?

This supposedly wasn’t the first time that she had caused some form of major drama though that the media felt the need to report on what seems to be regularly. There were reports of her breaking contracts with opera companies, an article specifically on Jan 28th 1958, not even a month after her debacle in Rome, reports that she was reprimanded for a breaking of contract that the American Guild of Musical Artists ruled was not completely justified.

Upon some more digging, there was an article from the New York Times on November 4th, 1956, that she been performing and finished the performance “despite a slight throat ailment,” on a performance of Norma at the Met. I find it odd myself that there is two reports of her being sick during the same role.

I could most likely go on for some time about the turbulent life of hers simply based on the database of New York Times articles I’ve located during her active career. There are a few lawsuits listed, some contracts ending, apparently Londoners being furious with here, and so much more.

References:

“CALLAS REPRIMANDED: Musical Artists Guild Scores Her on Breaking Pact,” January 28, 1958.

Hofmann, Paul. “Rome Crowds Denounce Callas; Physicians Say Her Voice Failed: Rome,” January 3, 1958.

“MARIA CALLAS AILING: Singer Continues in Role of Norma at ‘Met,’” November 4, 1956.

[iirulancorrino]

Best books I’ve read this year: end of year edition

I read a lot of great books this year so it’s really hard to narrow down my favorites, but here are some I read during the past six months that I most enjoyed. (You can read part one here).

Best new releases: fiction

Not a ton of novels I loved but I thought Afghan American author Jamil Jan Kochai’s short story collection The Haunting of Hajji Hotak was absolutely stellar.

Honorable mentions: Flight by Lynn Steger Strong and Small Game by Blair Braverman.

Best new releases: nonfiction

Partisans by Nicole Hemmer - argues convincingly that Trump was the natural evolution of decades of reactionary GOP politics, not an abberration.

Ducks by Kate Beaton - amazing graphic memoir by the Hark, A Vagrant writer about working in the Alberta oil sands to pay off her student debt. An incredible portrait both of what it’s like growing up working class in a small town and the sacrifices that entails and the trauma of being one of the few women in a very harsh working environment.

Strangers to Ourselves by Rachel Aviv - fascinating series of vignettes by one of my favorite New Yorker writers exploring different people’s perceptions of mental illness and how we can become trapped in our own narratives.

By Hands Now Known: Jim Crow’s Legal Executioners by Margaret A. Burnham - this was hard to stomach because of the depth of cruelty it described but is well worth reading to understand just how all-encompassing a reign of terror Jim Crow was for black Southerners.

Getting Me Cheap: How Low Wage Work Traps Women and Girls in Poverty by Amanda Freeman and Lisa Dodson - Damning Indictment of how this country treats poor people and how women and girls, particularly single mothers, bear the worst burden.

We Need to Build: Field Notes for a Diverse Democracy by Eboo Patel - I would get every left-of-center person to read this if I could.

Honorable mentions: His Name Is George Floyd by Robert Samuels and Toluse Olorunnipa and Bad Jews by Emily Tamkin.

Best fiction (non new)

I ended up reading a lot of fiction by 20th century European authors, and particularly loved The Radetzky March by Joseph Roth, The Post-Office Girl by Stefan Zweig, Everything Flows by Vassily Grossman and The Years by Annie Ernaux. Reading these felt like getting a little tour of the century, particularly of how radically modern Europe was shaped by WWI and WWII.

Boy Parts by Eliza Clark and In a Lonely Place by Dorothy Hughes were my two other favorites, and are of a pair in that they’re refreshing (despite being over 60 years old in one case) takes by woman writers on a specific style of novel and make incredible use of an unreliable narrator.

Best nonfiction (non new)

I continued to read a lot of nonfiction about abortion and most appreciated The Girls Who Went Away by Ann Fessler, which details the human cost of the “baby scoop” era and Beggars and Choosers by Rickie Solinger, which criticizes the shift from rights to choice-based language in discussions of reproductive politics.

I also really enjoyed Mark Lilla’s The Shipwrecked Mind about reactionary politics, which honestly felt like a better version of The Decadent Society and Minor Feelings: An Asian American Reckoning by Cathy Park Hong, which was written before the pandemic and felt extremely prescient about a lot of the discourse of the past few years.

Best poetry

I didn’t read a ton of poetry that really grabbed me but I enjoyed Sherry Shenoda’s The Mummy Eaters, which explores the author’s Coptic Egyptian heritage. From previous years, I enjoyed Philip Metres’ Shrapnel Maps and Richie Hofmann’s Second Empire.

[tierradenod]

Podrían dar algunas recomendaciones de fcs? Gracias

Por supuesto, cara gris. De hecho, escuche que estuvieron preguntando sobre la edad de los rostros que nos gustaría ver por aquí y por mi parte, les dejare un listado variado del que podrían escoger para los espacios que tenemos disponibles.

Go Minsi, Priscila Quintana, Avan Jogia, Louis Hofmann, Sıla Türkoğlu, Julia Dalavia, Alin Szewczyk, Lee Siwoo, Gavin Casalegno, Evan Lin, Özge Özacar, Nicole Wallace, Minatozaki Sana, Summer Madison, Afra Saraçoğlu, Arón Piper, Kim Mujun, Cierra Ramirez, Faouzia Ouihya, Gabriel Guevara, Zhang Hao, Aslihan Malbora, Reina Hardesty, Toby Regbo, Grace Van Dien, Hafsanur Sancaktutan, Nicholas Galitzine, Sota Fukushi, Sonia Ben Ammar, Natalia Dyer, Jan Luis Castellanos, Giancarlo Commare, Rain Spencer, Yeh Shushua, Yuta Nakamoto, Greg Han, Sean Kaufman, Wang Ziyi, Mikey Madison, Wen Junhui, Maitreyi Ramakrishnan, Bae Jinyoung, Alex Fitzalan, Jonathan Daviss y Yoon Keeho.

🗡 ABEL.

[emzeciorrr]

Lachsmänner (Salmon Men) from YK Animation on Vimeo.

The salmon want to reproduce. While the salmon men are swimming upstream in a testosterone-driven race, at the source the women indulge themselves in a fertility dance. But the roles aren’t set as clearly as the men expect.

Made by YK Animation Studio yk-animation.ch/ instagram.com/ykanimation/

DIRECTORS LINKS manuelaleuenberger.ch/ instagram.com/meuenberger/ eisprung-studio.ch/ instagram.com/eisprung/

CREDITS Idea & Directors: EISPRUNG, Veronica L. Montaño, Manuela Leuenberger, Joel Hofmann Producer: Lukas Pulver Production Management: Joder von Rotz, Joel Hofmann Design: Veronica L. Montaño Supervisor Layout: Lorenz Wunderle Layout: Veronica L. Montaño, Manuela Leuenberger, Joel Hofmann, Sarah Rothenberger Supervisor Animation: Manuela Leuenberger Animation: Manuela Leuenberger, Joel Hofmann, Joana Locher, Etienne Mory, Sarah Rothenberger Clean-up & Coloring & Backgrounds: Veronica L. Montaño Cut & Compositing: Lukas Pulver, Joel Hofmann, Manuela Leuenberger Voices: Lalita Brunner, Géraldine Cammisar, Melanie Carolin Wigger, Naomi Homenu, Adil Ilian Homenu, Samuel Beat Minder, Nils Hedinger, Lorenz Wunderle, Andrea Giovanni Sidoti Music: Jan Galega Brönnimann Sounddesign & Mix: NOISY NEIGHBOURS, Etienne Kompis, Thomas Gassmann

ISAN: 0000-0004-B263-0000-X-0000-0000-C © YK Animation Studio GmbH All rights reserved 2022

[jeremiasheppeler]

»Raben | No Feeling Is Final« ist ein Livehörspiel-Projekt des Autoren Jeremias Heppeler in Zusammenarbeit mit den Sprecherinnen und Autorinnen Barbara Marie Hofmann, Christina Pirker und Laura Maria Heppeler sowie den Musikern Hans Joachim Irmler (ehemals Faust), Christof Heppeler, Lukas Fraktal und Jan Wagner und der Bildenden Künstlerin Monika Nuber. Das einzigartige Konzept wurde  im Zuge des legendären Klangbad-Festival in Scheer zu Erstaufführung gebracht. 

»Raben« erzählt dabei eine Art experimentelle Fabel: 

Drei Rabenschwestern (gespielt von Hofmann, Pirker und Heppeler) haben der Menschheit den Kampf angesagt und beginnen mit kleinen Nadelstichen eine Art Revolution der Natur. Diese Konstellation bezieht sich konkret auf zwei Meisterwerke der Popkultur: Einerseits Hitchcocks »Die Vögel« (in welchem sich die titelspendenden Tiere gegen die Menschen richten), andererseits Otfried Preußlers Roman »Krabat« (in welchen sich die Protagonisten immer wieder in Raben verwandeln). Aber auch Populärliteratur wie Frank Schätzings »Der Schwarm« taucht als Zitatverweis auf.

[jc]

Kommentar #FCNS04: Sieg im 10 gegen 10

1. FC Nürnberg 3:1 FC Schalke 04

⚽️ 0:1 Cissé (45., Mohr) 🟨🟥 Gelb-Rot: Schallenberg, S04 (45+4.) ⚽️ 1:1 Schleimer (47., Valentini) ⚽️ 2:1 Jander (56., Pick) 🟨🟥 Gelb-Rot: Jander, FCN (66.) ⚽️ 3:1 Lubach (77., Schleimer)

Nach dem wenig ermutigenden Fehlstart letzte Woche war der Club schon in Zugzwang. Und das ausgerechnet gegen Schalke, die mit einem satten 5:1 in die neue Spielzeit starteten.

Die erste Halbzeit war dann aber die nahtlose Fortsetzung der zweiten Halbzeit des Karlsruhe-Spiels. Der Club hatten hinten viel Mühe, die Gäste vom Toreschießen abzuhalten, leistete sich individuelle Patzer und konnte sich am Schalker Unvermögen und Jan Reichert im Tor bedanken, dass es nicht schon früher klingelte. Das tat es dann aber doch kurz vor dem Pausenpfiff – verdient. In die Kabine konnten wir nur einen Hoffnungsschimmer mitnehmen: Mit einer unverdienten zweiten gelben Karte musste der Schalker Schallenberg frühzeitig vom Platz.

Aus der Kabine kam der Club mit einem Doppelschlag zurück. Während Schalke noch an der Unterzahl knabberte, drehten wir das Spiel durch Tore von Schleimer und Jander. Schiedsrichter Winter war dann auf Ausgleich seines seltsamen Platzverweises bedacht und schickte Torschützen Jander vom Feld. Zehn gegen zehn war nun angesagt, was der Club wiederum erstmal verdauen musste. Aber dann gelang Neuling Jubach ein Abstauber nach einer sehenswerten Torchance von Schleimer und der Club hatte wieder Oberwasser. Schalke versuchte, wieder ranzukommen, aber das konnten wir mit der Führung im Rücken gut runterspielen.

Ein Spiel, das auch deutlich hätte anders ausgehen können. Der erste Platzverweis hat sicher eine große Rolle gespielt. Der Club hat seine Sache in der zweiten Hälfte aber auch gut gemacht. Vor allem die Kontersituationen wurden gut ausgespielt, auch wenn der letzte Schuss noch nicht immer saß. In der Defensive ist hingegen noch viel zu tun. Hoffen wir mal, das der neue Co-Trainer Pinola da noch was beisteuern kann.

Aufstellung FCN: Reichert – Hofmann, Jeltsch, Knoche, Soares (46. Valentini) – Flick, Castrop (67. Karafiat), Okunuki (46. Forkel), Jander, Pick (76. Lubach) – Schleimer (86. Janisch) Letzte 10 Pflichtspiele: U–N–N–N–N–N–S–N–☀️–N–S (BL-Saison: 1 S, 0 U, 1 N) Tabellenplatz: 7 ↑11 (3 Punkte, +1 Tor) (Stand Samstagnachmittag) Relegationsabstände: ↑ –1, ↓ +3 Nächstes Spiel: DFB-Pokal, Sonntag, 18.08., 13:00 Uhr, gg.

1. FC Saarbrücken (A)

(Original unter: https://1ppm.de/2024/08/2425-fcns04/)

[rabbiddog]

jan hofmann

[sweetie--cat]

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