#Jacques Paul

[diioonysus]

who tends the orchards? who fixes up the gables? emotional torture from the head of your high table who fetches the water from the rocky mountain spring? and walk back down again to feel your words and their sharp sting and i'm getting fucking tired the capillaries in my eyes are bursting if our love died, would that be the worst thing? for somebody I thought was my saviour you sure make me do a whole lot of labour the calloused skin on my hands is cracking if our love ended, would that be a bad thing? and the silence haunts our bed chamber you make me do too much labour

[atomic-chronoscaph]

The King and the Mockingbird (1980)

[herkkuperse500]

three very opinionated guys. ugh I have drawn our mother Marat so much that i can't even draw twinks these days

[josh-lanceero]

forgot to post those here

(Thinking about doing a little comic about a silly little love story between Jacques Roux and Widow Hebert let me see if I can find enough material or just invent enough bull shit

[illustratus]

The Assassination of Tsar Paul I of Russia in 1801 by Jacques Kuyper

[adreciclarte4]

Jacques Brel, 1964 by Paul de Cordon

[pierppasolini]

L'Étrangleur (1970) // dir. Paul Vecchiali

[aedesluminis]

Marat, Danton and Robespierre in a fragment of "Panorama de l'Histoire du siècle 1788-1889" (1889) by Alfred Stevens and Henri Gervex, Town Hall of Saint-Gilles, Belgium.

The woman on the stairs is Charlotte Corday, this particular fragment is indeed titled "Fragment du Panorama du Siècle (années 1790-1793)". Charlotte Corday et Jean-Paul Marat.

The two people behind the trio are François Barthélémy (left) and Jacques-Nicolas Billaud-Varenne (right).

References for the characters' names from Stevens, Gervex, Reinach "L'Histoire du Siècle", p. 36-37.

[manderley]

jacques perrin in l'étrangleur (1970)

[the-evil-clergyman]

Penitent Magdalene by Paul-Jacques-Aimé Baudry (1858)

[godwantsit]

[diioonysus]

"Gonna hold ya, gonna kiss ya in my arms, gonna take ya away from harm, gonna hold ya, gonna kiss ya in my arms, gonna take ya away from harm."

[resplendentoutfit]

Japanese Insired Coats of the 1910s

Maison Amy Linker • Paris

A coat with a silhouette like an outer robe for kimono was described as a “manteau japonais” by fashion magazines of the time, and the silhouette of this particular coat is reminiscent of the “uchikake” robe worn by kabuki actors or oiran courtesans in ukiyoe prints. The boldly striped collar is probably inspired by the “date-eri” collar style used in kabuki costume. The flower-like motifs executed in embroidered beads look like the traditional “hanakatsumi” motif that became popular in late Edo-period Japan when favored by kabuki actors. In contrast, the motifs on the bordered panel on the back resemble motifs used around the Mediterranean in ancient times, and could reasonably be called palmettes. This coat is an excellent example of oriental-style wear packed with eclectic elements that were fashionable early in the 1910s. Maison Amy Linker opened in Paris in 1900, specializing particularly in coats and suits. Its latest products were frequently seen in French fashion magazines early in the 20th century. The house is perhaps best known for introducing sporty fashions in the 1920s.

Many of the era's most prominent designers created manteau Japonais. Below are a few more examples of Japanese inspired cocoon coats of the era.

Two Paul Poiret Japonaise manteau

Jean-Philippe Worth • c. 1910

Right: Jaques Ducet embellished house coat

Left: Mariano Fortuny kimono coat • 1910s

Evening coat • French • c. 1912

[pigeonrobespierre]

Marat pics from Louvre and Carnavalet :3

[camyfilms]

CHARADE 1963

Of course, you won't be able to lie on your back for a while, but then you can lie from any position, can't you?

[miamaimania]

Cocteau's 'The Cartwheel', Genet's enigmatic 'Arrival of the Birds,' converge in L'Aurige: a visual symphony marrying surrealism and symbolism. ✨