#JUST A LESBIAN THAT LOVES ALL THE WOMEN

[loklove48]

ℍ𝔸ℙℙ𝕐 ℙℝ𝕀𝔻𝔼 𝕐'𝔸𝕃𝕃!

[laurellala]

Fun fact! This was the real tipping point that made Edgeworth run away after AA1, they just couldn't show it on screen because they didn't have the rights to Chappell Roan's music <3

(A spiritual successor to my "Hot to Go" joke from this post. Image description under the cut below)

[Image ID: a four page black and white comic of characters from ace attorney.

The Judge stands solemnly at his podium holding a gavel "Mr. Miles Edgeworth, you are on trial for the murder of blah blah blah..."

A cheerful Maya Fey leans over to Miles Edgeworth, who is staring straight ahead and looking very concerned

Maya: "Psst! Mr. Edgeworth! If you win your trial, can I show you Chappell Roan?

Miles: "What the hell, sure." Internally he thinks "Oh God I am going to jail"

A box saying "later" in the top corner of the next panel marks the passage of time.

The Judge smiles as he says "I declare you... Not Guilty!"

We see a full body shot of Maya dancing excitedly while Miles looks on, emotionless

Maya: YIPPEE omg you're going to LOVE this

Miles internally thinks "oh no, the consequences of my actions.

We see Miles standing in between Phoenix Wright and Maya looking apprehensive. Maya beams in excitement, while Nick puts a reassuring hand on Miles' shoulder

Miles: Alright, so what is this exactly?

Nick: She's a pop musician Maya really likes

Maya: You promised you'd let me show you, and it's legally binding because you said it in a court room!

Miles: That is not how the law works Ms. Fey

Maya: Shh just listen!

We see a panel of Miles' pensive face concentrating as he listens to "Hot to Go". He thinks to himself "hm".

Another panel zoomed in more. His pensive expression has grown more tense/confused as he listens to "Red Wine Supernova". he again thinks to himself "Hm" in a larger thought bubble.

We zoom out again to see Nick, Miles, and Maya standing together again. Miles stares forward blankly, eyebrows raised. Maya excitedly leans in.

Maya: Ok, that's her whole discography. So! What did you think?

Nick looks at him, waiting for his response

We get a panel of Miles, looking bewildered. He starts to speak "I..."

We cut again to see the three of them standing together.

Miles: I... don't think I like women?

Miles looks shocked and confused. Nick is bent over laughing, using a hand on Miles's shoulder to support himself. Maya looks outraged and appalled!

Maya: MR. EDGEWORTH! Just because you don' like her musi it doesn't give you an excuse to be sexist!

We see a panel of Miles looking stressed and confused. He leans his head on one of his hands, which messes up his hair, showing how he isn't his normal put together self.

Miles: I should rephrase that. What I mean is, Ms. Roan is clearly VERY assured in her feelings towards women. I was... unaware that anyone felt that strongly. I thought we all viewed these things with a vague sense of distaste and unease but collectively ignored it. Like how we do with climate change.

We zoom out again to see the three of them. Miles stands in the middle looking deeply uncomfortable and lost in thought, vibrating with unease. Nick and Maya exchange deeply concerned glances across from him.

With lingering unease, Miles begins to walk away.

Miles: Well, I should be going then. Goodnight.

Nick hesitantly raises a finger to point out an inaccuracy in that statement

Nick: It's four in the afternoon-

he gets interrupted by Miles who repeats firmly: I said Goodnight

Nick looks in the direction Miles walked off in.

Nick: ...He'll be ok, right?

Maya reassures him: Of cours Nick! I mean, what's the worst that can happen?

Jump cut to a closeup of Nick's hand holding Miles' letter which reads Miles Edgeworth chooses death in all caps. Then, below in smaller font, it says Also femininomenon was really good, thanks.

We see a panel of Nick glaring wordlessly at Maya as he holds the letter in his hand. Maya leans against the wall and looks away, whistling, trying to look innocent to avoid blame.

As a bonus, we also have a page that takes place a year later. Miles and Nick stand talking. Miles looks calmer now, and Nick smiles encouragingly.

Miles: In my time in Europe, I've been examining myself and my approach to law. Ultimately, the most important focus must be justice. We owe it to ourselves and to the people we serve

Nick: Wow, that's really inspiring Edgeworth. And, uh, hows the... the other thing going?

We get a zoomed in panel of Miles glaring menacingly at a suddenly nervous Nick

Jumping out again, Miles turns his back to Nick as he continues to talk

Miles: So as I was saying, justice is truly so important...

Nick nervously rubs the back of his neck wearing an awkward expression as he sweats nervously. He thinks to himself internally "Ooookay then, clearly still working through some things there"

/.End ID]

[asthedeathoflight]

I think the thing that feels really revolutionary about Gideon Nav's lesbianism is that she's not a lesbian in opposition to anything. She doesn't like women instead of men. It's just that her entire sexual world is female.

A lot of time having a gay character seems to necessitate a scene in which they confirm emphatically that they do not like the opposite gender. Gideon doesn't need to do that. She just talks about women all the time (and, lesbian character who is openly and unashamedly horny and actively pursuing women in general outside of once-in-a-lifetime romance, that's its own post entirely) and the absence of any mention of men makes it obvious that she's not interested in them.

And, as a queer person constantly having to explain WHY I don't want this or that, it's really refreshing to see a queer character who is so totally focused on what they DO want and not what they don't.

[alfazoings]

captain fish holy shit im a big fan

[holyblanchett]

Save a horse ride a cowboy

[pixelifiedcation]

she's got everything that i don't have // how could i ever compete with that?

[moonlightsapphic]

Look, I just need you guys to understand how important queer coming-of-age forbidden romances on internationally accessible platforms like Netflix is, especially to youth in countries where homosexuality still hasn't been legally decriminalised or socially accepted.

That was a mouthful, so let me explain. You, a white American adult with a liberal family, may not relate to a fictional anxious teen Swedish prince grappling with strict familial and societal expectations versus his first love. You may not find anything special in a bunch of queer British teens discovering themselves and figuring out complex relationships that are honestly rather simplistic, in retrospect. It might be a little too trite for you. Like, just a little vanilla without any extra drama. Perhaps corny—cringe, even. Too wholesome.

But you know what that is to me, a desi queer young adult? It's representation, in an unlikely place. My country certainly isn't making movies or shows where I see my secret relationship between me and my girlfriend portrayed. I don't see that happening in the next couple of decades, either, sadly. But you know who’s telling our stories? Alice Oseman. Lisa Ambjörn, Lars Beckung and Camilla Holter. Through fictional storylines that might seem kind of boring to you, I am finally able watch my lived experiences play out on screen.

American media has done such a disservice to queer coming-of-age stories. I want to scream this from the rooftops. Y’all, I’m glad to see more out quirky queer side-characters—I can’t get enough of them—but why is it so rarely their story, in sharp focus, about how they found themselves? I want to know how they overcame internalised homophobia. When was the moment they knew? What is the cost they have to pay for being out? For not being out?

And no, I don’t want it to be dramatic. I don’t need to see violence or betrayals or victorious kisses in public, really. I’m happiest with the teenagers behaving like real teenagers. Innocent, vulnerable, nervous. I want it to be heartfelt, and excruciatingly slow, and authentic. I want to see the small wins and the subtle losses. The quiet mental toll of how much you have to give to a queer relationship—especially your first queer relationship—and how hard that can be to separate from your Identity itself.

Give me that "am I gay?" quiz and genuinely crying at 3:00 AM because you're in a rabbit hole about LGBTQ+ rights in a country where you actually don’t want to be gay and you don’t even know if you “count” anyway. Show me that moment where you're going back and forth from forbidding yourself from seeing the one person that sees and understands you and it's to protect your mental and physical well-being but it's driving you insane. Give me ALL THE YOUNG ADULT BI+ AWAKENINGS where one person strolls into your life and changes everything. No, it’s really not the same as most cis-heterosexual insta-love movies out there, even if it looks that way to you. It doesn’t even cut it close.

The happy ending, the acceptance is only what I can dream of, not what I can expect. The wholesomeness is actually radical to me.

No, we’re not past the need for basic star-crossed queer romances. For most countries in the world (including for many white American teenagers!), we need them as much as ever.

[grilledcheeseandguavajelly]

Sometimes I log onto tumblr dot com and I see the most stunning fanart, the most masterful fic, the most devastating hcs.

And then sometimes I log on and I see posts arguing that Agatha Harkness isn’t a lesbian. And I want to put my head through a wall.

[bewilclerment]

Wait. Agatha is always present in moments of death and devastation (the hindenburg, the titanic, etc). Looking at what we might know about Rio and Agatha’s history, these tragedies could serve as offerings from Agatha to Death herself. She sacrifices all these people to give Death “bodies,” something she’s expressed she needs.

Just this episode Agatha joked about having a fair share of people she’s killed. I think she does that to get ahead, and just because she can, and maybe to appease Death, an entity she could’ve worshipped for a long time. One that worships her back, perhaps.

[vodakstr8tnogay]

PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE

PLEASE PLEASE PLEADE PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE

PLEASE

PLEASE

[darklight-owl]

Castthrone. I lovethem.

Girl who has forgotten her past and is afraid of what she might find when she remembers x girl who is trying to move away from her dark past and become better. They see the best in each other they are a pillar of strength for one another. Do you see. Do you see my vision.

[ghooostugs]

declaring myself as the top tier modern au enjoyer

my galaxy brain told me miss kiramman would be a burnt out criminal studies student and refuses to let her rich ass parents pay for uni just because shes got that ‘how hard can it be to support myself independently’ gene. and she looks good while doing it

plz excuse the formatting idk how tumblr works yet 💝💝💝💝

[coconut530]

PROPOSAAAAALLLLLLL

[wraithsoutlaws]

i think theres a conversation to be had about how taash's story explores gender roles and transness in ways that could be seen as reductive but if your take away is "they could've given us a butch lesbian and instead we get THIS" about a canon nonbinary character i simply don't want to hear anything else you have to say about it

[holyblanchett]

For my own mental health I'm convincing myself that Rio told Agatha she's coming with her because she misses her wife and is fed up with her hiding and not dealing with her trauma.

[frankiebirds]

no thoughts just jj touching garcia's shoulder on her way out of the room to comfort her after her friend is kidnapped <33