#Italian Hosiery Store

[slavio1985]

Why European Tights are considered the gold standard of quality? — myidealine.com

In the world of fashion, tights are an essential yet often overlooked piece of clothing that combines function with style. European tights, however, are widely regarded as the pinnacle of quality, blending elegance, durability, and exceptional design. They have become a wardrobe staple not just for Europeans but for fashion-conscious individuals around the globe, including in the United States and Canada. Reputable sources like calzedonia.com and myidealine.com bring European elegance and quality to the North American market, making these tights accessible for everyone. But what makes European tights so distinct, and why do they continue to set the standard in the hosiery industry? In this article, we’ll explore the elements that set European tights apart, from premium materials and cutting-edge technology to artisanal craftsmanship, timeless style, and sustainability. If you’ve ever wondered what makes these tights so coveted, read on to discover why they’re a cut above the rest.

1. European Tights: arich tradition of Craftsmanship European hosiery brands, particularly those from Italy, Spain, France, and Germany, have a long-standing tradition of textile craftsmanship. Italian brands like Calzedonia, Golden Lady, Pompea, Trasparenze, Veneziana, Amour as well as French and German labels, have mastered the art of hosiery over decades — if not centuries. This heritage is reflected in every pair, where quality is not compromised for speed, and each piece is crafted to feel like a work of art. In many European factories, highly skilled artisans are involved in the production process. These artisans combine time-honored techniques with modern innovations, ensuring that every pair of tights meets high standards. This commitment to quality is rare in today’s fast-fashion world, and it’s a significant reason why European tights consistently outperform others on the market.

2. Premium materials for ultimate comfort One of the defining characteristics of European tights is the quality of the materials used. Many European brands select only the finest yarns, often using blends that include Lycra, silk, microfiber, and organic cotton. These materials offer unparalleled comfort, durability, and elasticity, ensuring a perfect fit that feels luxurious against the skin. Italian tights, for instance, are known for their use of premium Lycra, which provides exceptional elasticity and smoothness. French brands may incorporate silk or fine cotton for a softer feel, creating a smooth finish that’s both comfortable and breathable. This attention to material quality not only enhances the comfort of European tights but also contributes to their durability, making them a worthwhile investment.

3. Innovative Technology and manufacturing Techniques European tights manufacturers are constantly pushing the boundaries of hosiery technology. From seamless construction techniques to advanced knitting methods that reduce snags and increase flexibility, European brands lead the way in innovation. Italian hosiery companies, in particular, have pioneered seamless knitting and other technical advancements that give their products an unparalleled fit and durability.

For example, the use of double-wrapped Lycra fibers is common in high-end European tights, providing a level of durability that prevents runs and maintains elasticity. This technology results in tights that hug the legs without causing discomfort or losing shape after multiple wears. It’s the reason why European tights are both visually pleasing and highly functional.

4. Fashion-forward European Tights for Style and Function European brands have long been recognized as trendsetters in the fashion industry, and tights are no exception. European tights often come in a range of fashionable designs, from classic black opaques to intricate lace patterns and polka dots. For North American consumers, this variety allows them to express personal style while enjoying a level of quality not always available in local options. 

European tights also offer a range of finishes — from ultra-sheer for a subtle look to opaque for colder months — allowing wearers to find a style that suits any occasion. This focus on design ensures that European tights are not only practical but also a stylish addition to any wardrobe, appealing to both fashion-forward individuals and those who prefer timeless elegance.

5. Commitment to Sustainability and Ethical Practices Sustainability has become increasingly important to consumers, especially in North America. Many European hosiery brands are at the forefront of eco-friendly practices, using sustainable materials, minimizing waste, and ensuring ethical labor conditions. Italian and French brands, in particular, are known for adopting green manufacturing processes and using recycled materials, plant-based dyes, and energy-efficient production methods. For North American consumers who prioritize eco-friendly shopping, choosing European tights offers a way to enjoy premium quality while supporting sustainable fashion. By investing in tights that are made with respect for both the environment and workers, customers can feel good about their purchase.

6. A luxury feel with long-lasting Value 

To experience the luxury of durable European tights, browse options on myidealine.com While European tights might come with a higher price tag than some alternatives, they provide excellent value due to their durability. The combination of high-quality materials, expert craftsmanship, and advanced technology means that a single pair of European tights can last far longer than cheaper counterparts. Instead of replacing tights every few wears due to tears or runs, those who invest in European hosiery find themselves reaching for the same dependable pairs season after season. For North American consumers who value quality and longevity in their clothing, European tights offer a cost-effective solution. A durable, well-made pair not only feels luxurious but also saves money in the long run, reducing the need for frequent replacements and contributing to a more sustainable wardrobe.

7. Perfect Fit: Comfort meets Elegance European tights are designed with fit in mind. Brands often prioritize comfort, using advanced knitting techniques that create a smooth, even fit that doesn’t pinch or roll down throughout the day. Italian and German hosiery companies, in particular, have mastered the art of creating tights that provide a snug yet comfortable fit, catering to different body types with inclusive sizing options. The feeling of perfectly fitted tights is especially valuable for those who wear them for long hours. Whether you’re heading to the office, a night out, or an outdoor event, European tights provide an added layer of confidence and comfort, allowing you to look and feel your best without sacrificing style.

8. Versatile European Tights for every Season and Occasion

From ultra-sheer summer styles to warm opaques for winter, myidealine.com offers European tights suited to every season and style preference. European tights come in a wide range of styles, colors, and thicknesses, making them versatile enough for every season and occasion. Ultra-sheer options are ideal for warmer weather, while opaque tights in rich colors provide added warmth and style during colder months. The versatility of European tights makes them an essential piece for any wardrobe. For special occasions, many European brands offer luxurious styles with intricate lace tops or unique designs that elevate any outfit. Brides, for instance, often choose European tights for their special day, appreciating the elegance and quality that make them stand out. For North American consumers looking to elevate their wardrobe, European tights provide that sophisticated touch.

9. A legacy of timeless Style European tights have a timeless appeal that transcends fashion trends. Styles that were popular decades ago still hold their allure, and European brands have maintained classic designs that appeal to women of all ages. This generational appeal resonates with North American consumers who appreciate both vintage-inspired styles and contemporary aesthetics. Younger generations are drawn to European tights for their vintage charm, while older consumers value the classic elegance they bring. This cross-generational appeal means that European tights continue to hold a unique place in the market, offering something for everyone, no matter their personal style.

10. The Allure of European Luxury At the end of the day, choosing European tights is about more than just buying a practical garment — it’s about embracing a piece of European luxury and tradition. For North American consumers, European tights represent sophistication, quality, and a dedication to timeless style. They offer a sense of luxury that adds something special to everyday life, allowing wearers to experience a little European charm wherever they go.

Conclusion European tights have earned their reputation as the gold standard for a reason. From meticulous craftsmanship and premium materials to innovative design and a commitment to sustainability, these tights provide a level of quality that’s hard to match. For American and Canadian consumers seeking to elevate their wardrobe, investing in European tights is more than a fashion choice; it’s a celebration of quality, comfort, and enduring style. By choosing European tights, you’re not just adding a beautiful garment to your wardrobe — you’re making a choice that values heritage, quality, and an appreciation for the finer things in life.

[cascosanew1984-blog]

BH is private labeled as well, only difference is that they have lower prices. Overpriced makeup is hardly unique to Morphe. Most makeup has insane markups from the actual cost of production. No, the two person max for a certain amount of space is because of fire codes. It's a safety thing that is state mandated. The minimum size they're willing to build is a profit thing and is driven by consumer market preferences. I was def planning on exploring the islands and even though it may be touristy, taking a glass blowing tour in Murano. I simply cannot miss something so iconic and artistic. While there, I'm actually meeting up with the head of my company's Italian operations and getting a tour. I have both a Freelancer MAX, a Caterpillar, and a Merchantman. You can tell I'm into trading, but I'll enjoy using different trading ships for the sake of it. Sure, they're all different sizes, etc., so you could make the argument I bought them for different missions. Somewhat disappointed. It not what I looking for from an artificer. The base class feels more like an enchanter with all the items with magic and just straight magic. Like the Hotline Miami thing, they showed off that scene without much context. I believe they even kind of admitted that there was missing context there. It seems both sides aren handling the situation well.. Shiites in Iraq were ecstatic to have Hussein removed from power (he and most of his officials were Sunni, and treated the 80% of the population that wasn like shit).We came together in Syria to defeat ISIS and Al Qaeda. But at least on Reddit, only the US is accused of being there for oil.If we wanted oil, we would be largely focused on the war in Ukraine and the Crimea, the location of one of the world largest and most complex gas transmission systems.If we don stop Maduro, millions of people will starve. But the popular intellectual opinion (of non historians) is that the US is 부여출장안마 still trying to push an imperialist agenda (something that we seem to take an infinite amount of flak for, despite the reaches and misdoings of legitimate empires like the British, French, Portuguese, Spanish, Japanese, Italian, Russian and Brazilian Empires that came and went over the past 120 years).. I in a new job at a small startup where everyone wears lots of hats. I technically marketing, but report to someone in a diff department due to our limited crew. I know I have a ton to offer this place and there are so many ways my skills and experience can be helpful, but I feel like I am not being set up for success at all. Inside, the Nightingale Olympic feels more like a living museum diorama than a department store a Wes Anderson movie come to life. 부여출장안마 Shelves full of 1950s hosiery in original boxes sit across from stiff stringed tennis racquets from the In the lingerie section, large, lacy bras hang precariously on rusty tenterhooks, seemingly kept upright by the makeshift counterweight of a 1960s Nightingale promotional bag. Display cases jaundiced with age hold bottles of rare, evaporating Schiaparelli and Christian Dior perfumes. Companies sometimes build cities to house their employees. These company towns offer all of the amenities of a traditional city, including hospitals, hotels, recreation halls, schools and stores. Even the federal government builds cities in certain situations. I am aware this is not perfect, that it may look strange and unrealistic. Instructions are in the readme. Again, this isn finished and is not perfect.

[lamilago]

The socks are our iconic product. Since 1970 our socks have spoken of tailoring and made in Italy and over time, from Spirano, they have reached the catwalks of high fashion, to be worn by authorities, actors and gained recognition from important Fashion Houses. Our story began with Mario Bresciani, who, after a long experience in the hosiery sector, had the entrepreneurial intuition to gather the know-how of his territory and start his own company where he could cultivate and preserve his craftsmanship. His serious and passionate work earned him the title of Knight of Merit of the Italian Republic in 2009 and the Star of Labour Merit in 2012. In the first decade of its existence, the company focused on production for third parties, launching and consolidating collaborations with internationally renowned luxury brands. @lamilago we proudly bring this most iconic collection to South Australia. Visit our store for see full collection. (at Italy) https://www.instagram.com/p/CjG_gccvKaq/?igshid=NGJjMDIxMWI=

[fireflyshoppingstore]

Italian Cotton Hosiery Night Suit Lounge Wear 5 Piece Set Color : MULTI Fabric : HOSIYAR COTTON Type : NIGHT SUIT Style : PRINTED *PRICE :- 1290+SHIPPING* DISPATCH 1/2 DAY 🙏 (at Firefly Shopping Store) https://www.instagram.com/p/CFKdUypFDP1/?igshid=1ai8a6ts6s3nq

[endeavour-love-blog]

Sway Pt.1

A woman had been killed the other day, she’d opened the door to her killer and been strangled with her own stocking. It was all over the news. Jakes was working on it with Thursday, Morse watched from his desk. After hours, he decided to take the files home with him and take a look. He was exhausted but had to find out. He was sat, drinking, and reading up on it. His lights went out. He groaned at the sign from above, it represented his mood for the last week or so.

The following day, there was another report of a woman murdered. Morse went with Thursday, Jakes, Strange and Amber, to start investigating. Jakes, Strange and Amber were already at the scene when the other two arrived. Amber was with the Doctor, debriefing all the current information. “Vivienne Haldane sir, 43. Husband's Rufus Haldane, Maths teacher at St Saviour's according to neighbours. Her body was found by the postman. No sign of a break-in”. “Dr DeBryn?” prompted Thursday. “Strangled, from behind. With a silk stocking.Not hers. Underwear balled up in her handbag. Physical relations had taken place within an hour or two of death. Nothing to say unwillingly, at first glance.” said the doctor, stating all the facts. “Any similarities to Mrs Curran-Matthews besides the sex?” asked Thursday. “The stocking's new. If it is him. Mrs Curran-Matthews, it was manual.” answered Jakes. “Same as Mrs Merchant at the start of last month,” said Morse. “I thought the husband had been charged for that?” asked Jakes. “He's on remand.” “That's DI Chard's case, isn't it?” asked Thursday. “I took a look at the case files.” “Did you? That will please Mister Chard” said Thursday, sarcastically. “Mrs Merchant's body was found on waste ground, Mrs Curran-Matthews at home. If it's the same bloke it's hardly-”started Jakes. “It's him. The strangler.” interrupted Morse, “Mrs Merchant. Mrs Curran-Matthews. Now Mrs Haldane.” “Yeah? Three women.” said Jakes, “So?” “So, three married women, not one of whom was found wearing a wedding ring.” The Dr sighed a took a look at the woman's hand, there was no ring. Morse raised his eyebrows, his point had been made.

Back at the office, Jakes was writing up the clues on the blackboards whilst Morse went through belongings. “What's that?” asked Jakes. “A diary from Mrs Haldane's handbag.” “And?” “Just appointments: Hair, Dentist, Getting her nails done, Golf with Prue and Audrey couple of times a week, Supper with this Josephine, other than that…” Morse looked up and saw Thursday chatting with Bright, but he didn’t know what about.

It turns out that Morse was being brought onto the case. Thursday and he walked along the corridors of St Saviour’s to see Dr Haldane. “When did you last see your wife, Doctor?” asked Thursday. “Yesterday morning...no...the day before, I think. Yes. Yes. The day before. I went home to collect a fresh shirt. Vivienne and I... lived apart. She had her world and I, mine.” “What was her world, sir?” asked Morse. “I don't know whatever women do, I suppose.” “Could I ask, sir, what your movements were yesterday evening?” asked Thursday. “I had a late tutorial. Dined in, dropped by the SCR, and returned to my room about nine-thirty to work on a lecture.” “Can anyone confirm that, sir?” “M-My pupils,” he stuttered, “Some fellows, I'm sure. I can give you a list of names.” “It appears your wife had an appointment in her diary last night for supper with someone called Josephine. It seems to have been a regular occurrence these past few months. Only I can't find anyone of that name in her address book. Any idea who that might be?” enquired Morse. “I'm afraid not.” “You've no idea of the company she kept? Who she might have been seeing?” asked Thursday, surprised. The man sat there in silence, looking off.“Doctor Haldane?” Thursday tried again. “A man, you mean?” said the Doctor, agitated. “No.” he confirmed, shaking his head, smiling tightly. “I suppose I hoped we might resolve our differences,” he continued, “It was a pattern, you see, with Vivienne, every few years or so. I was a disappointment to her, I think. In all the important ways at least. The ways that matter... to a woman.” Morse nodded, mouth open slightly in intrigue.

“Isobel Merchant,” began Thursday, pointing at all the clues on the board, debriefing the team, “Thirty-eight years old. Housewife. One daughter at Belbury Tech. Mister Merchant's a long-distance lorry driver. Last week, Mrs Ann Curran-Matthews. Forty-three. Housewife. Husband's something in the City, where he stays through the week. Now, this morning, Mrs Vivienne Haldane. So, we've got a multiple murderer on our hands, with no suggestion he'll call time at three. So, Jakes?” he prompted, turning to him. “Right,” he began, “ Persons of interest. The usual fragrant bunch. Flashers. Sex-cases. Ask about chokers and pseudo-stranglers.You know the drill.

Morse knocked on Amber’s office door, “Morning”. She looked up from her papers and smiled, “Morning, you. How can I help?” “I’m being sent to go ask questions around a department store type thing, could do with the company. Fancy joining?” “Sure, let me just get my coat.” She grabbed it from its hanger and walked behind Morse, smiling at the offer. In the car, they talked about things from the case to their favourite type of tea. Morse found that there was never any awkward pauses, he enjoyed that. If neither wanted to say something, they didn’t they sat in comfortable silence.

They walked up to the department store, ‘Burridges’ is what it was called, it said so in great big red letters. Children were arguing with the doorman and there was a homeless street artist out the front. “I think he’s rather good don’t you?,” said Amber, “ I feel so awful for him, I hate seeing people like that”. They walked into the shop and went up a floor to try and find someone to talk to. Sorting some shirts was a young woman, with blonde bouncy hair and big eyes. She turned around and smiled at Morse, ignoring Amber, “Good morning, sir. How may I be of assistance?” “ Detective Constable Morse. City Police. This is Miss Blanche who helps with our enquiries.” Amber smiled, she didn’t get one back. “I'd like to ask someone about stockings,” continued Morse, “ladies' stockings.”You want Mrs Armstrong in hosiery,” the woman said, smiling and looking him up and down, “If you'd like to come this way.” The three of them walked over to some shelves, where another woman was. “Mrs Armstrong,” the first woman said, this gentleman is from the police. He'd like some assistance in the matter of ladies' stockings.” “Yes, certainly.” “We’re” said Morse, putting the emphasis of ‘we’re’ to include Amber, “trying to find if anywhere in Oxford sells a particular brand.” “Black. Silk. Seamed. With a design at the top.” “Do you have it? The stocking?” the woman asked, in an Italian accent. “I am afraid not, but I have a sketch of the design.” He pulled out the sketch, of a cat pouncing, and showed it to her. She recognised it immediately. “Ah, si. Le Minou Noir. French,” Morse turned and smirked at Amber. “It's a new line.They only came into stock for the Autumn/Winter season.” “I don't suppose you'd know how many you've sold?” asked Amber. “I need to check with the stock room, but two or three pairs a week. They're quite expensive, seventeen and six. So If you'd like to come back? Perhaps after lunch.” “We will,” said Morse, “Thank you very much for your help.”

“The name of the stocking is Le Minou Noir,” said Morse to Thursday as they walked through the pub. “Amber says that it means ‘The Black Kitten’. There may be others.The only place I've found that sells them in Oxford is Burridges.” “Unless he's not from Oxford.” suggested Thursday as they took their coats off. I'd have thought so, wouldn't you? The odds of him finding three married women, all of whom live alone?” “So..?” “So he knew them. Or had been watching them long enough to know their whereabouts. Someone was with Mrs Haldane last night.” “What do you make to this ring business? Souvenirs, maybe? Some kind of memento?” Pondered Thursday as he got out his lunch, “Right, then... Let's see what we shall see--” “You'll see ham and tomato.” said Morse as he drank his beer. “It’s Thursday.” “I expect Mrs Thursday's made a few rounds over the years,” said Morse as Thursday finished his sandwich and folded the brown paper, “How long have you been married?” “Well, let's see. A while now.” “How long would that be?” chuckled Morse. “A good while, in dog years. It's our silver wedding next week. There's a lot to be said for being settled….Where are you in that regard these days? As a matter of interest. How’s it going with Amber for example?” “I’m going to her place sometime this week to make up for me being an idiot but I don’t have time really for anything else.” “Work's all well and good but there's more to life. Or should be, a man your age.” Morse stayed silent, looking at the table. “Morse?” “Three weeks between the first and second victims,” he started, “Less than a week between second and third.” It hadn't escaped me. The next could be days away.”

“I went back to Mrs Haldane's and found this,” said Morse to Jakes and Thursday, holding up a red book. “She kept a private diary outside of her appointments book. Those 'every second Wednesdays' she was meant to be seeing Josephine."Saw X, and we made violent love. "I know X is a brute, but I can't help myself. "X is taking advantage”. "I know he's using me, and he knows I know.” Next week "Terrible row with X.I told him I wasn't prepared to go on with things the way they are. That it had to change. I wept and wept as if the world were ending. Afterwards X very kind and thoughtful and comforting. He put his hands on me and I let him do what he wanted. I'm such a fool.”

Morse and Amber were back at the department store, waiting to see the manager. Everything and everyone was bustling about. A plump and happy man came up to them both, “Good afternoon, Sir, Madam. How may I be of service today?” “Oh. I am sorry, I think you misunderstand--” began Morse, before he was interrupted. “Perhaps Madam knows?” the man said, turning to Amber. “Yes,” she said, going with it, “A new mattress.” “Of course, this way,” he said before turning swiftly in the other direction. Morse scoffed in amusement at Amber, who shrugged and laughed. “That one looks nice,” said Amber, going up to a mattress nearby. “Ah, the Silent Spring deLuxe. A wise choice. Madam certainly recognises quality when she sees it. As I'm sure Sir would agree.” Morse nodded and smiled, as Amber laying down flat on the bed. “It's quite comfy.” she said, looking at and laughing with Morse. “To fully grasp the wonder of the new cantilever springing surely requires,” began the man again, “the presence of a second occupant.” Morse’s face dropped slightly. “Just as you would at home, hmm?” Amber laughed and patted the space next to her. Morse clambered on awkwardly. He turned to face her, they locked eyes and burst out laughing. The sales assistant couldn’t understand why.

[jennmapp]

Spring 2017 Street Style Trend Report

So Hot Back Then

While the fashion folk spent February and early March trying very hard to look chic in sleet, I chronicled their every move #IRL from the comfort of my smart device.

Here's the skinny on real time trend tracking: The looks the fashion girls wore last month to the Fall/Winter 2017 Collections reflect the aesthetic (and weather) of those shows - not necessarily what you will be wearing in April.

The trends you'll see in stores this Spring were actually inspired by the Spring/Summer 2017 shows and what the fashion girls wore to fashion week in September 2016.

Spring 2017 Street Style Trend Report

Not to get all political, but unless you live off the grid (lucky), you know we are in the throws of a collective value crisis. It's also playing out in street fashion. Across style archetypes, trends were informed by 3 disparate moods - sporty, sexy or sweet.

SPORTY VIBES

Athleisure: Oversized Sweatshirt Dress

The no nonsense, no frills versions above are just one interpretation of this Athleisure trend. For a more sassy look, try a shorter length with distressed details like the Khloe Distressed Hoodie Sweatshirt Dress from TOBI. 

Editorial Eclectic: Vibrant Track Pants

Coming in at a heavyweight $1980, Gucci first showed its elevated track pant as part of the brand's Resort 2017 Collection. Do your wallet a solid and keep it real in this $60 pair by Adidas. 

Minimalist: Sorbet Sweatshirt

Even when she's feeling sporty in a muted sweatshirt you'll never see the ever-clean, ever-simple Minimalist girl sweat. This Spring, pair a taupe Everlane tunic sweatshirt (you get to pick the price) over a pleated midi skirt for a nod to norm core street style.

Sweet Vibes

Classically Chic: Ribbon Details

The sweet ribbon details popping up on all manner of apparel may (or may not) have evolved as a sartorial response to this innocent (or not so) wardrobe selection by First Lady Melania Trump. 

Americana: Ruffled Gingham and Seersucker

Making Americana great again? For the 2nd time in two years, Parisian born Joseph Altuzarra sent a bevy of gingham  down his Spring 2017 runway. Italian designer MSGM reworked Southern staple seersucker with all manner of bows and ties. Assert your checks and balances in this $175 black gingham wrap shirt by MLM label.

Sexy Vibes

Full On Glam Corset

Remember back in January when women all over the planet marched in solidarity for equal rights? Well don't tell that to the Kardashian initiated corset trend. The notorious symbol of female suppression is having yet another fashion moment in Spring 2017. If you're into political subversion tactics, this reclaimed vintage leather open corset belt by ASOS would look really hot over a men's style dress shirt. 

Free Spirit Strappy Bralette

I liken the sex appeal of this yoga inspired street wear trend to the sensual lines of dancer's pose rather than, you know, a dancer pole. Layer a open back tee over the seriously strappy Undone Bralette by Tobi and you're all set for festival season. 

Edgy Fishnets

Like the corset, the Kardashian clan didn't invent the fishnet tight. Kim simply Instagramed an innocent shot wearing a pair under unbuttoned jeans (top left) and promptly reignited the hosiery market. Styling tip: Dip a toe in the trend by layering this pair by H&M under distressed boyfriend jeans. 

Spring 2017 Street Style Trends on Pinterest

Pssss... Follow my boards! 💋 

Are you feeling sporty, sweet or sexy this Spring? Show me your looks!

Join 👉🏽 MappCraft | Tiny Closet Survival Guide 👈🏼 private Facebook group for my daily live #OOTDS (bloopers and all) and plenty of capsule fashion chatter.

PS: We're friends, right? If you click the heart below you'll make my entire day!

Be the Bright! Jenn

[statebeggar70-blog]

The Rev. C. F. Frey House - 266 Bleecker Street

Charles Oakley was perhaps responsible for the erection of more houses and shops during the Greenwich Village building boom of the 1820's and '30's than anyone else.  A Village native, he was both an attorney and merchant; but it is his development of scores of middle-class structures for which he is remembered.

Around 1833 he completed a row of five houses on the west side of Bleecker Street between Morton and Leroy Streets, each with a shop on the ground floor.  (Four years earlier he had petitioned the Common Council of the City of New York to rename Herring Street to Bleecker Street.)

No. 250, like its identical neighbors, was three-and-a-half stories tall, including the store.  It was faced in Flemish bond red brick and trimmed in brownstone.  A single dormer pierced the roof, and a simple wooden fascia board ran below the cornice.

At least by 1841 the ground floor held the drugstore of Joseph M. Frey.  He lived upstairs with his father, Rev. Joseph Samuel C. F. Frey, a fascinating figure in religious history.  The men shared the upper floors with William S. Woodward, who ran the hardware store at No. 201 Greenwich Street.

Rev. C. F. Frey (he rarely used his two first names) was born on September 21, 1771 in Maynstockheim, Germany to strict Jewish parents.  He and his brothers were schooled at home by a tutor.  Frey later wrote "My mother herself narrowly watched us, and would never suffer us to read any book but in the Hebrew language, lest we should read any thing about the christian religion."  He added "Our tutor took every opportunity to impress us with prejudices and hatred against the christian religion."

But all the precautions fell short.  As a young adult Frey embraced Christianity, and convinced German ministers to give him instruction.  His arduous quest took him to Berlin, then to London, and finally, in 1816, New York City.  His purpose in coming to New York was to set up a branch of the London Society for Promoting Christianity among the Jews.  By the time he moved into the Bleecker Street house, he was a member of the Baptist Church of Christ on Mulberry Street, and the author of several books and treatises.

Of the five 1833 houses, three survive incredibly intact.  A floor has been added to No. 268 (right).

Frey arrived in his new country armed with a packet of letters of recommendation from clergymen in London.  He would need a position and funds, after all, if he were to establish the society.  Typical was the introductory letter fro David Bogue:

The Rev. C. F. Frey, of the seed of Abraham, was a student of the seminary at Gosport, upward of three years.  I believe him to be a true disciple of Christ; I consider him well qualified to teach the Hebrew tongue in any of the schools or colleges of the United States; and I cordially recommend him to the kindness and patronage of the friends of religion in America.

It is unclear how long Joseph Frey maintained his drugstore here.  His father left New York in 1843 to make a nine-month tour of Georgia, Alabama, Tennessee, and Kentucky on behalf of the American Society for Meliorating the Condition of the Jews.

The occupants of the upper floors had changed by 1846 when Jacob L. Dodge and James B. Dupignac lived here.  Dodge was a butcher with two shops, one at No. 32 Cornelia Street and the other at No. 236 Bleecker Street--both conveniently steps away from No. 250.  Dupignac was a publisher with offices at No 55 Reade Street.  In 1842 he was voted a Commissioner of Common Schools in the First School District, as well.

Dodge,too, was a well-rounded man whose interests went far beyond the butcher business.  In 1847 he was elected to the Board of Aldermen.  He additionally held at least two patents for "hats."  But it was politics, not pork chops or headwear, for which New Yorkers recognized Dodge's name.

In October 1854 he fired off an angry letter to the editor of The New York Times which read:

DEAR SIR:  Having noticed the publication of my name in several journals of this City, as being an independent candidate for the office of Commissioner of Streets and Lamps, I desire to inform the public through your valuable paper, that I am not a candidate for any office whatever; and, in conclusion, I most cheerfully recommend to the Whigs of the City and County of New-York, to cooperate with me in the support of the regular nominated candidate of the Democratic Whig party, Christian W. Schaffer, Esq. Dodge was correct that he was not a candidate for Commissioner of Streets and Lamps.  He appeared on the ticket for Commissioner of Repairs and Supplies.

In the meantime, Dodge had new neighbors upstairs at No. 250 by 1849.  Benjamin Herman, a painter, was also living here that year, as was Charles P. Lindley.  Lindley was a partner with Aaron Mundy in Lindley & Mundy, the drygoods store that now occupied the ground floor.  The proprietors' interests were philanthropic as well as commercial.  The store was listed as a supporter of the New-York Association for the Improvement of the Condition of the Poor.

Lindley & Mundy made way for another dry goods store, J. & S. Langstadter, in 1850.  It was run by brothers Jacob and Samuel, both of whom lived upstairs.  Jacob was also a partner with Bernhard Langstadter in the J & B Langstadter store at No. 268 Bleecker Street.   The two stores do not seem to have competed with one another, J & S Langstadter being described as "drygoods," and J & B Langstadter as "hosiery."

Jacob L. Dodge does not appear in city directories as living here in 1859 when Bleecker Street was renumbered, giving the building the new address of No. 266.  The Langstadters were still here, along with Anne Hare, a widow, and her two grown sons, Frederick W. and George R. Hare, both clerks.  Whether he lived here or not, Dodge nevertheless purchased the building in 1862.

By 1865 Ernest Albrecth's "book and shoe store" occupied the ground floor.  That year, on March 15, one of the upstairs tenants, J. Spear, was drafted into the Union Army.

The continuous turnover in upper floor occupants continued.  Augustus and Guidia Stoppelkam anticipated a new member of the family in March 1867.  But infant mortality, especially among the working class, was high in the mid-19th century.  Tiny Charles A. Stoppelkam lived only briefly.  The infant died on April 7 and his funeral was held in his parents rooms here two days later.

The remainder of the century saw significant changes to Greenwich Village.  Poets, musicians and artists were drawn to its winding streets, creating Manhattan's Bohemia.  Bleecker Street became an even more important shopping street, filled by the end of the century with Italian bakeries, butcher shops and similar stores.

On August 28, 1921 The New York Herald reported that Mrs. G. Montante had purchased No. 266, which she "intends to alter and occupy."  It was most likely Montante who converted the upper floors into a single residence.

The upper portion, once home to several families, is now an inventively-designed duplex. photo via www.prestonny.com

In 1950 Books-By-Mail moved into the store, starting a long tradition of book sellers in the space.  After being at the corner of Bleecker and 11th Streets since 1984, Biography Bookshop moved to No. 266, changing its name to Bookbook.  The shop remains there.  In the meantime, the time-worn house still retains much of its appearance from a time when a renowned Jewish-born Christian evangelist lived here.

photographs by the author

Source: http://daytoninmanhattan.blogspot.com/2019/01/the-rev-c-f-frey-house-266-bleecker.html

[mikemortgage]

From Bogart to millennials: Italian hat maker tries new look

SPINETTA MARENGO, Italy — Hats off, Bogie.

The traditional Italian hat maker Borsalino, whose fedora has defined the rough-and-tumble images of Robert Redford, Frank Sinatra and Humphrey Bogart, has a plan to appeal more to women and millennials by pushing into high-end fashion, streetwear and even sportswear.

The recent troubles of the company, which has been rescued financially by a private equity fund, underline the difficulties facing Italian companies — not only fashion brands — seeking scale to stay competitive and grow in the age of globalization.

Entering new markets, targeting new demographics and expanding retail presence all require cash. And even the best-laid business plan can be complicated by a company’s bad baggage, and Borsalino came with plenty of that.

The 162-year-old hat maker, arguably Italy’s oldest fashion brand, was founded in the northwestern Italian city of Alessandria by Giuseppe Borsalino, whose family sold control decades ago. By the time the Swiss-Italian private equity firm Haeres Equita was approached about investing in 2015, the company had been mismanaged and bled dry by the previous owner.

“What surprised me at the time is that Borsalino was profitable,” said Philippe Camperio, Haeres Equita’s principal. “It was very small. I thought there would be a much bigger company in terms of revenues, given the power of the brand.”

The company was making 12 million euros ($13.5 million) in revenues, with profits of between 600,000 euros and 800,000 euros. But it had fallen out of many of the world’s big-name department stores, supplying mostly hat-making shops and not keeping pace with fashion trends.

Camperio’s first step was to take over the historic factory and submit a business plan to bankruptcy court. In his first year, 2016, revenues increased 20 per cent and profits doubled.

Still, the business plan was rejected more than once as the courts sought better deals for creditors. The last time it was rejected, in December 2017, the judge put Borsalino into bankruptcy, and false reports spread around the world that the maker of the Bogart fedora was no more.

“Eventually we settled,” said Camperio. “We have the intention of relaunching this brand.”

Haeres Equity, which also owns the Fogal brand of Swiss hosiery, is looking for other investments in Italian fashion, if possible another “sleeping beauty like Borsalino,” Camperio said.

In recent months, several fashion companies have turned to outside investors to expand. Versace has been bought by Michael Kors’ Capri Holdings Limited as the cornerstone of a new fashion group, while Missoni, Cavalli and Trussardi all recently did deals with private equity investors to get cash infusions.

Camperio expects a few possible targets to be up for sale soon as the owners who founded them in Italy’s postwar boom look to secure the companies’ future. That can include handing the companies over to the family’s next generation or selling them to foreigners, as Versace did.

The marketing power for many of these brands is the Made in Italy tag, viewed as a guarantee of quality in the fashion world.

Borsalino’s hats are handmade by 80 workers, many of whom have worked at the factory for decades. Giuseppe Borsalino’s original machinery uses hot water and steam to transform rabbit fur into highly prized felt that is then dyed and moulded. A felt fedora can take weeks to finish.

To relaunch Borsalino, Camperio has brought in a team of fashion experts, including former Gucci CEO Giacomo Santucci. The expansion plan foresees selling more in the United States and Asia and developing new collections to appeal to younger generations and to women, two key growth markets.

Borsalino’s new looks include corduroy baseball caps with the Borsalino logo prominently displayed, or felt travel hats that roll up neatly.

The goal is to increase annual production from 150,000 hats to 500,000 in five years — still far from the 2 million Borsalino churned out every year during its postwar heyday, when men regularly wore hats.

“Borsalino should be the leader of the hat business,” Santucci said. “The power of the brand is going to stay forever.”

from Financial Post http://bit.ly/2BD3iTG via IFTTT Blogger Mortgage Tumblr Mortgage Evernote Mortgage Wordpress Mortgage href="https://www.diigo.com/user/gelsi11">Diigo Mortgage

[okkkkkkkk-blog]

Most Expensive Socks in the World

So if you are looking for socks, then the brand of luxury knitwear from Germany called Falke sells the most expensive socks in the world. From the shoes to the clothes you wear, everything has to be stylish to get people's attention. There are few who consider that everything must be marked. Keeping your personality chic is one of the important factors to consider. From socks to watches, they make sure it's the best brand.

1. Hosiery from Harrys of London

This high-end sock made in Italy, anthracite gray color, is 100% made from Cervelt, known as Diamond of fiber cut London. This limited edition of the most expensive pair of socks is sold in Harrys of London stores online at $ 1442 each. Plus, be prepared to go get some money to buy these expensive socks.In addition to these socks, there is another Italian brand, Harrys of London. Socks are an integral part of clothing and wear brand socks, especially those of the above brands, so you will be the center of attraction.

2. Falke’s Vicuna Socks

These socks will be sold for $ 1,188. These socks will be available in two v-neckline and roll necklines. Vicuna socks are available in only 10 pairs and if you want to buy one, you must order quickly.. These Vicuna socks are Falke's fall /winter collection. Socks and 20 pullovers with the same Vicuna fabric and pullovers cost $ 3,300. The socks come with a golden brown box resembling a Llama-type camelid from Peru. These Falke socks are available in a color, golden brown. A Vicuna produces wool of a pound. This pair of socks is made from Vicuna, the fabric made from ultra-fine hair from the Peruvian Vicuna, which is quite rare. The wool used in socks is so delicate that it cannot be dyed.

[dippedanddripped]

Take a look at any young person today, and chances are you’ll recognize something they are wearing as a piece you probably once wore decades ago. Everywhere you turn, be it on television or in film with its years-long spate of remakes, to toys, games and apparel, we are reminded that the infamous last decades of the 20th century are back with a vengeance.

From festivalgoers donning waist-high denim shorts, crop tops and yes, even fanny packs, to the resurgence of chokers, overalls, stirrup pants, skinny ties, flannel and track suits, beloved late century brands are back on shelf and ready to grow again.

The truth is, trends are recurrent, and the best–or at least that which invokes warm and fuzzy feelings for good times gone by–will always find its way back. Now, we’re seeing apparel that once seemed dated made fresh again for a new generation of trend-hungry consumers.

“Fashion is cyclical. With fashion, it’s what goes around, comes around, and that is really what’s helping brands that were super popular in the 1980s and 1990s right now,” says Chelsea Tirone, digital marketing manager, Members Only. “Of course there are timeless trends–look at the skinny jeans trend that was widely popular a few years ago... now what’s in is the boyfriend, relaxed and even bell-bottom style jeans that were once popular years ago.”

Did you have a Members Only jacket? Every cool kid in the 1980s did, and probably in an array of colors.

Originated in 1975 and cemented into the fashion annals of history thanks to ‘80s entertainment and media exposure, Members Only was founded on the back of its recognizable Iconic Racer jacket that featured unforgettable shoulder epaulettes, a throat latch and of course, its subdued logo.

“Since the ‘80s and ‘90s, Members Only has kept the one jacket that everyone has come to know and love,” says Ron Malhotra, managing partner, Members Only. “While the materials, fit and hardware get better, the overall look and feel of the Iconic has remained the same. We hear so many great stories from people who remember the brand from 80s and those who know the brand now. We even received an e-mail one time that someone’s grandfather requested to be buried in his Members Only jacket! It’s truly an iconic piece.”

Today, Members Only is eyeing a future beyond its signature jacket and aspiring to become a true lifestyle brand, expanding into new categories via licensing. The brand is further gaining support with consumers via influencer marketing programs, which began organically but are quickly becoming its most effective campaign, says Members Only.

Probably as synonymous with ‘80s and ‘90s fashion as the Members Only jacket is Le Tigre and its tiger-emblazoned polo.

“Le Tigre has a special place in the market because it has always been cutting edge, even when it first appeared in the late ‘80s. It had a different approach to the fundamental polo–it brought a fresh, new, young approach that rejuvenated that business and took the market by storm,” says Ike Franco, managing director, Infinity Lifestyle Brands, which, in connection with Hilco Global, acquired the Le Tigre brand in 2015.

Launched in 1977, Le Tigre truly hit its stride in the ‘80s when it cracked the code for cool kids everywhere. Over the years, Le Tigre has dipped back into popularity–there was a peak in the early 2000s thanks to re-entry at retailers like Urban Outfitters, but it’s only now, in 2018, that the brand is ready for a proper re-launch. Le Tigre has been using the past three years to set up a global program that will roll out across multiple categories including apparel, footwear, accessories, outerwear, headwear, fragrance and more. Franco says product will hit specialty retail in not only North America, but Europe and Asia as well, and is already getting a lot of interest from licensees.

The brand rollout will also have coordinated marketing efforts that are supported by influencer campaigns, social and retail activations that illustrate “how the brand can cross over into various categories.”

“The consumer today is looking for a reason to re-engage with brands that have a strong history,” says Franco. “However, there is a definite movement for authenticity. They want the brands that were the original and which set the tone.”

Arguably most iconic of all is the infamous dance brand, Capezio.

Born in the late 1800s, Capezio was created by Italian immigrant Salvatore Capezio, who created a small shoe repair shop near New York City’s Metropolitan Opera. By the 1930s, Capezio had grown to become a family operation that supplied highly specialized footwear to Broadway productions, eventually finding a place in department stores in the 1950s. By the ‘90s, Capezio, through its partnership with United States Shoe Corporation, evolved to become a fashion and dance brand known and used the world over.

And no matter what, all roads lead back to the classic.

“There is a natural trend curve in fashion and branding which generally points back to the previous generation’s hey-day,” says Mark Prospero, licensing manager, international, Capezio. “That, coupled with the speed at which the market changes, emphasize the importance of a brand like Capezio which has the ability to really transcend generations because of our prominence in an omni-present category such as dance which has the ability to bring generations together.”

Today, Capezio will again tap into the brand’s dance and performance heritage that has resonated not only over the past century, but particularly in the 1980s and 1990s when the brand’s strategy, beyond dance, reflected an active lifestyle through casual footwear, handbags, hosiery and other accessories, says Paul Terlizzi, executive vice president, licensing, and member of the board of directors, Capezio.

Now the brand could even further extend into secondary categories such as hard goods like fitness equipment and accessories and consumables.

“We hope to re-create the best of the past successes with women’s, men’s and children’s footwear; hosiery, undergarments and loungewear; accessories; and enter a few new categories that are very closely aligned and/or compatible with dance and will become obvious once they are secured,” says Terlizzi.

And hand-in-hand with fashion is music, which has heavily influenced trends in fashion since time immemorial.

So then, it’s no wonder that beloved bands from the ‘80s and ‘90s are sparking a renewed interest in fans and igniting retro-themed apparel collections.

“We identified a while ago that there was a trend happening in retro apparel and that’s why our ‘70s and ‘80s rock artists have performed so well over the last several years. Now we are finding that the ‘90s has infiltrated this important retro space because of the Millennial generation. These were the artists they grew up with. That’s why at the end of last year we signed *NSYNC and this year we partnered with Britney Spears,” says Lisa Streff, executive vice president, global licensing, Epic Rights, a music branding and merchandising company.

For boy band extraordinaire *NSYNC in particular, Epic Rights is making a big push, using imagery from the late ‘90s such as logos, album covers and photos and translating that to new apparel that is on-trend.

Most recently, Epic Rights launched a limited run pop-up experience in Hollywood, Calif., to commemorate the band’s Hollywood Walk of Fame celebration that was chalk full of limited edition apparel and merchandise leaning heavily on the ‘90s aesthetic.

“Apparel, and especially t-shirts, are the biggest category in the retro space, followed by headwear, bags, calendars, wall art, gifts and collectible figures such as Funko Pop! vinyl,” says Streff. “We’re finding that all channels of distribution want to be a part of this trend with specialty retailers really leading the charge, including Urban Outfitters, Forever 21, Rue 21, Spencer���s and Hot Topic, as well as mass market, mid-tier department stores, off-price retailers and e-commerce.”

The thing is, retro and nostalgia are always in fashion–it’s just a matter of what decade you’re re-imagining that resonates. For Millenials, Gen Z and those that listened to their mom sing along to *NSYNC, borrowed their dad’s Members Only jacket or grew up dancing in Capezio shoes, the memories and histories of the brands are strong, and that heritage is one worth investing in again.

“I don’t foresee the retro trend going away anytime soon. There are endless opportunities available for the right brand,” says Streff. “If the program is developed and executed strategically and in a way that stays true to the brand then the fans will support it. We see it having a significant lifespan.”

[thejulianextdoor-blog]

The Julia Next Door Effect

Everybody wants those legs! One campaign that caught my eyes in this October was Your Hosiery Shop from Calzedonia. Everything happens in 30 seconds, it looks very short, but as we are watching that campaign we get quiet, but our smile pops up right away! Here’s what happens in the campaign: Once upon a time a famous and gorgeous actress, Julia Roberts, enters at Calzedonia’s store. Everyday she is recognized independently what place in the world she might be. Until that day! On that day, Julia wears Calzedonia’s legwear so the boss from that store thinks Julia works there! It’s funny because her legs on those collants looked:

so elegant!

sophisticated!

‘’out of this world!”!

all the good compliments existing on the english vocabulary!

Because of that Julia starts to do favors from the lady boss! She starts to take care of the store, and because of that all the clients are falling in lovewith Roberts’ legwear! 

And yes, I want to buy it too!

Until then Julia Roberts acts like a “non-famous’’ person, and help all the ladies who are searching for her collants. Ever since then Julia finished her own shopping and as she was leaving, she saw a group of girls wearing the same Julia’s collants, and in that moment the famous actress knows what kind of impact Calzedonia makes!

All of this happens with a song that make us travel to Dolce vitta‘s land! The song was chosen so well and it’s one of the thing that I love about the campaign! te re te re tuuuum, te re te re tuuuuum….. The music is happy and so Italian. It contagious me with feelings of happiness, and I can experience what is like to be Italian! 

And other thing I love is Calzedonia didn’t limit itself to choosing a celebrity with the most followers. Calzedonia selected Julia Roberts who looks like the lady next door, who can be simple and elegant at the same time. The brand knew we all appreciate Julia Roberts and make us believe that every girl on the Earth can have her legs and her elegance if we buy products from the Italian brand! 

Bravo Calzedonia!   

P.S.: And here’s the video of the campaign for those who haven’t already watch:

[wp-yahoo-style-1042-yahoopa-blog]

Shop more than 500 iconic vintage Gianni Versace-era items, starting at $140

Top models, from left, Carla Bruni, Claudia Schiffer, Naomi Campbell, Cindy Crawford, and Helena Christensen for fashion house Versace in Milan, on Sept. 22. (Photo: Miguel Medina/AFP/Getty Images)

This year marks the 20th anniversary of Gianni Versace‘s untimely death. Today the Italian fashion house is run by Gianni’s sister, Donatella Versace — but Gianni’s influence is still palpable. Earlier this fall, during Milan Fashion Week, Donatella staged her biggest tribute to her brother yet, by calling upon Gianni’s five favorite supermodels, which included Naomi Campbell and Cindy Crawford, to be part of her blockbuster fashion show finale. The collection itself featured many of Gianni’s iconic Versace creations — from Warholian print dresses to silky baroque blouses and bondage LBDs.

Now you can shop more than 500 of Gianni’s greatest hits from throughout his illustrious career. E-tailer Farfetch has partnered with celebrity go-to vintage collector William Banks-Blaney — founder of  William Vintage — who has brought decades of vintage Versace items for sale to the public.

“Gianni was always about pure, unadulterated joy, and there was so much romance and happiness within his work. We had wanted to celebrate Gianni in 2017 and mark the 20th anniversary with 20 years of his work and had been working upon the collection for some time. We decided to unite Farfetch and William Vintage on the project, as I had always admired their vision and approach,” Banks-Blaney tells Yahoo Lifestyle.

Banks-Blaney has helped dress some of the world’s most stylish women, from Rihanna to Amal Clooney to Victoria Beckham, dressing them in his tightly edited, well-curated selection of the world’s most beautiful haute couture vintage pieces. So how did Banks-Blaney earn his title as the King of Vintage?

The founder of William Vintage,William Banks-Blaney. (Photo: Getty Images)

“I had always loved vintage clothing and felt there was a gap in the market for an edited, relevant selection of vintage for the women I knew. What started as a pop-up for friends became William Vintage. The collection has been built up over the years from stylists, models, devoted wearers of Versace, and private collectors. It’s been a long time in forming it, as we adhere to our strict approach of relevance and superb condition to every piece.” Indeed the William Vintage and Farfetch partnership took 18 months to put together.

  Items in the exclusive collection vary far and wide, from colorful hosiery, which starts at $140, to edgy brooches and belts. Then there is a diverse selection of pop-statement coats, baroque blouse and bondage skirt sets, and classic Versace yellow-and-black cropped jackets. There is also plenty of leopard to go around. The priciest item available at the moment is an orange-sherbet-color bondage dress that retails for $67,666. A similar black bondage dress priced at $52,965 quickly sold out when the collection debuted. In reference to the latter: “It  was an extremely rare example in superb condition and from a truly iconic collection — representative of the designer, the decade, the collection, and relevant today, so it was a coveted thing,” says Banks-Blaney.

Having more than 500 items to choose from, the William Vintage founder shares three of of his favorite picks:

Baroque cocktail dress, spring 1991. (Photo: Courtesy of Farfetch)

An homage to Italy and to Roman art, this dress was a campaign piece and an iconic Gianni Versace design.

Warhol Marilyn suit ensemble, spring 1991. (Photo: Courtesy of Farfetch)

One collection fused art, fashion, and film and the legends of Marilyn Monroe, James Dean, Andy Warhol, and Gianni Versace.

Quilted leather coat with fox-fur trim, autumn-winter 1992. (Photo: Courtesy of Farfetch)

We had to ask Banks-Blaney, a skilled vintage collector, a few words of advice. First, which designers should customers invest in now that might have the same staying power as Versace?

“I always suggest to our clients to buy what you love and make that your focus, but personally I love Simone Rocha, Mary Katrantzou, and Bora Aksu,” says Banks-Blaney. And what’s the one piece of style advice does he lives by? “Be yourself, wear what makes you happy, and be a leader, not a follower.”

Shop the William Vintage x Farfetch exclusive Vintage Gianni Versace collection now online at farfetch.com and williamvintage.com. If you happen to be in London, stop by the William Vintage flagship store in Marylebone.

Read More from Yahoo Lifestyle:

• The complete Fashion Week trend guide for Spring 2018 • Why is Jennifer Lawrence wearing a wedding dress? • Size 14 model called ‘an icon for a new generation of girls’ after walking in India Fashion Week

Follow us on Instagram, Facebook, and Twitter for nonstop inspiration delivered fresh to your feed, every day.

[essexeelegs]

‪Save 10% on luxury Italian hosiery by Levante at the Essex'ee Legs eBay Store today! *SAVE a further 15% on orders over £50 for a limited time!* #essexeelegs #ebaystore #tights #socks #stockings #holdups #fishnets #tallfashion #tightsfortallladies #tallgirls #legfashion #essexylegs

[focusinfashion-blog1]

28. Emilio Cavallini

Born: 1945,San Miniato, Tuscany, Italy. From 1964 to 1966 he attended College in Florence “Universita’ di Firenze, Economia e Commercio”. In 1970 he opened in San Miniato his own company, Stilnovo Spa. Besides Mary Quant he started producing for the most important brands such as Dior, Celine, Roberta di Camerino, Balenciaga, Gucci, Alexander McQueen and more. In 1980 he launched his own brand of Emilio Cavallini hosiery. It was an immediate success, he started designing shoes, leather accessories, bathing suits and a full avante garde clothing line for young men and women. Licensees' retail stores started to open in Florence, Milan, Rome, Paris, Düsseldorf, London, Hong Kong and Tokyo. He had a runway show in Paris with his line for men and in Milan for women. Awards, Prizes and Acknowledgments: In 1986 Italian President Francesco Cossiga made him “Cavaliere del lavoro”.In 1989 Italian President Francesco Cossiga made him “Ufficiale”In 1989 he won “Leone d’oro” prize in Venice for fashion. In 1993 Italian President Oscar Luigi Scalfaro made him “Commendatore”.

Autumn/Winter 2012 Ready-To-Wear Collection

Autumn/Winter 2012 Ready-To-Wear Collection

Autumn/Winter 2012 Ready-To-Wear Collection

Autumn/Winter 2012 Ready-To-Wear Collection

Autumn/Winter 2012 Ready-To-Wear Collection

Spring/Summer 2013 Ready-To-Wear Collection

Spring/Summer 2013 Ready-To-Wear Collection

Spring/Summer 2013 Ready-To-Wear Collection

Autumn/Winter 2013 Ready-To-Wear Collection

Autumn/Winter 2013 Ready-To-Wear Collection

Autumn/Winter 2013 Ready-To-Wear Collection

Autumn/Winter 2014 Ready-To-Wear Collection

Autumn/Winter 2014 Ready-To-Wear Collection

Emilio Cavallini - Dreaming of a New Man