#Italian Anthology
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Explora Journeys enthüllt "Italian Anthology" – Eine exquisite kulinarische Reise durch Italien
Luxusmarke der MSC-Gruppe präsentiert neues Gourmetkonzept Genf, 24. Juni 2024 – Explora Journeys, die Luxus-Lifestyle-Marke der MSC-Gruppe, lanciert ihr neues Konzept „Italian Anthology“. Dieses einzigartige kulinarische Erlebnis entführt Gäste auf eine noch nie dagewesene Reise durch die vielfältige Welt der italienischen Küche. Explora I von Explora Journeys erhält perfekte Bewertung bei…
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#Explora 1#Explora Journeys#Franck Garanger#Gourmetreise#Italian Anthology#italienische K��che#kreuzfahrt news#kulinarisches Erlebnis#Luxusrestaurant#mediterrane Küche#MSC Gruppe#nachrichten Kreuzfahrt
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On November 12, 1970, Spirits of the Dead debuted in Mexico.
Here's some new art inspired by the horror classic!
#spirits of the dead#mexico#histoires extraordinairees#roger vadim#louis malle#federico fellini#edgar allan poe#american international pictures#horror#horror movies#horror art#horror anthology#1960s#60s horror#supernatural horror#french horror#italian horror#art#movie art#drawing#movie history#pop art#modern art#pop surrealism#cult movies#portrait#cult film
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Winx comic artists masterpost
Here are the credits listed in each issue in my collection.
I will not be including the titles as I'm not familiar with their English translations and I don't want to cause any confusion.
"Pixies Tales" is the name of short comics featuring the Pixies as main characters, before the Pixie Mag was born.
Issue 10
Script by: Giorgio Pezzin
Pencils: Matteo Giachi
Ink and color: Studio Meditars
Cover: Michele Lilli, Francesco Morici, Tania Boccalini
Issue 19
Script by: Rainbow/Manuela Marinato
Pencils: Maria Abagnale, Gianluca Cerritelli, Pierdomenico Sirianni, Giuseppe Manunta
Ink: Barbara Apostolico, Alessandro Battan
Color: Pamela Brughera, Michele Bizzi, Carlo Sandri
Cover: Barbara Graziani (lineart), Pamela Brughera (coloring)
Issue 21 (courtesy of @/evdizav)
Script by: Rainbow/Manuela Marinato
Pencils: Laura Carboni
Ink: Barbara Apostolico, Adriana Farina, Arianna Florean
Color: Pamela Brughera, Michele Bizzi, Carlo Sandri
Cover: Barbara Graziani (lineart), Pamela Brughera (coloring)
Issue 22
Script by: Rainbow/Manuela Marinato
Pencils: Adriana Farina
Ink: Alessandro Battan, Arianna Florean
Color: Antonella Cossu
Cover: Angela Mazzoni (lineart), Pamela Brughera (coloring)
- Pixies Tales -
Script by: Laura Scarpa
Pencils: Maria Abagnale
Ink: Arianna Florean
Color: Antonella Cossu
Issue 26
Script by: Rainbow/Manuela Marinato
Pencils: Adriana Farina, Federico Panella, Maria Abagnale, Pierdomenico Sirianni
Ink: Alessandro Battan, Arianna Florean
Color: Michele Bizzi, Tommaso Renieri, Serena Paccagnini, Carlo Sandri
Cover: Angela Mazzoni (lineart), Tommaso Renieri (coloring)
- Pixies Tales -
Script by: Laura Scarpa
Pencils: Maria Abagnale
Ink: Arianna Florean
Color: Antonella Cossu
Issue 27
Script by: Rainbow/Manuela Marinato
Pencils: Laura Carboni
Ink: Alessandro Battan, Arianna Florean
Color: Michele Bizzi, Tommaso Renieri, Serena Paccagnini, Carlo Sandri
Cover: Angela Mazzoni (lineart), Tommaso Renieri (coloring)
- Pixies Tales -
Script by: Laura Scarpa
Pencils: Maria Abagnale
Ink: Arianna Florean
Color: Antonella Cossu
Issue 28
Script by: Rainbow/Manuela Marinato
Pencils: Pierdomenico Sirianni, Federico Panella
Ink: Alessandro Battan, Arianna Florean
Color: Michele Bizzi, Tommaso Renieri, Carlo Sandri
Cover: Angela Mazzoni (lineart), Tommaso Renieri (coloring)
- Pixies Tales -
Script by: Laura Scarpa
Pencils: Maria Abagnale
Ink: Barbara Di Muzio
Color: Antonella Cossu
Issue 29
Script by: Rainbow/Manuela Marinato
Pencils: Adriana Farina, Pierdomenico Sirianni, Maria Abagnale
Ink: Alessandro Battan, Arianna Florean
Color: Michele Bizzi, Tommaso Renieri, Carlo Sandri
Cover: Angela Mazzoni (lineart), Tommaso Renieri (coloring)
- Pixies Tales -
Script by: Daniele Magrelli
Pencils: Maria Abagnale
Ink: Alessandro Battan
Color: Antonella Cossu
Issue 30
Script by: Rainbow/Manuela Marinato
Pencils: Laura Carboni, Pierdomenico Sirianni, Maria Abagnale
Ink: Alessandro Battan, Arianna Florean
Color: Michele Bizzi, Tommaso Renieri, Carlo Sandri
Cover: Angela Mazzoni (lineart), Tommaso Renieri (coloring)
- Pixies Tales -
Script by: Laura Scarpa
Pencils: Maria Abagnale
Ink: Alessandro Battan
Color: Antonella Cossu
Issue 31
Script by: Rainbow/Manuela Marinato
Pencils: Laura Carboni, Adriana Farina, Pierdomenico Sirianni, Maria Abagnale
Ink: Alessandro Battan, Arianna Florean
Color: Michele Bizzi, Tommaso Renieri, Carlo Sandri
Cover: Angela Mazzoni (lineart), Tommaso Renieri (coloring)
- Pixies Tales -
Script by: Laura Scarpa
Pencils: Maria Abagnale
Ink: Alessandro Battan
Color: Antonella Cossu
Issue 32
Script by: Rainbow/Manuela Marinato
Pencils: Felix Saborido
Ink: Alessandro Battan, Arianna Florean
Color: Michele Bizzi, Tommaso Renieri, Carlo Sandri
Cover: Angela Mazzoni (lineart), Tommaso Renieri (coloring)
- Pixies Tales -
Script by: Laura Scarpa
Pencils: Maria Abagnale
Ink: Arianna Florean
Color: Antonella Cossu
Issue 33
Script by: Rainbow/Manuela Marinato
Pencils: Adriana Farina, Pierdomenico Sirianni
Ink: Alessandro Battan, Arianna Florean
Color: Michele Bizzi, Tommaso Renieri, Carlo Sandri, Fabio Piacentini
Cover: Angela Mazzoni (lineart), Tommaso Renieri (coloring)
- Pixies Tales -
Script by: Laura Scarpa
Pencils: Maria Abagnale
Ink: Alessandro Battan
Color: Antonella Cossu
Issue 34
Script by: Rainbow/Manuela Marinato
Pencils: Felix Saborido, Arianna Rea
Ink: Alessandro Battan, Arianna Florean
Color: Michele Bizzi, Tommaso Renieri, Carlo Sandri, Fabio Piacentini
Cover: Angela Mazzoni (lineart), Tommaso Renieri (coloring)
- Pixies Tales -
Script by: Laura Scarpa
Pencils: Maria Abagnale
Ink: Matilde Scargiali
Color: Antonella Cossu
Issue 35
Script by: Rainbow/Manuela Marinato
Pencils: Adriana Farina, Pierdomenico Sirianni, Maria Abagnale
Ink: Alessandro Battan, Arianna Florean
Color: Michele Bizzi, Carlo Sandri,Tommaso Renieri, Fabio Piacentini
Cover: Angela Mazzoni (lineart), Tommaso Renieri (coloring)
- Pixies Tales -
Script by: Tommaso Renieri
Pencils: Tommaso Renieri
Ink: Tommaso Renieri
Color: Tommaso Renieri
What happened that month that he had to do it all on his own? Was everyone on leave? Did half the office come down with the flu? Sorry this is funny to me, just WHAT happened here?
Issue 36
Script by: Rainbow/Manuela Marinato
Pencils: Anna Baldoso, Pierdomenico Sirianni, Arianna Rea
Ink: Alessandro Battan, Arianna Florean
Color: Michele Bizzi, Carlo Sandri, Tommaso Renieri, Fabio Piacentini
Cover: Angela Mazzoni (lineart), Tommaso Renieri (coloring)
- Pixies Tales -
Script by: Laura Scarpa
Pencils: Maria Abagnale
Ink: Alessandro Battan
Color: Antonella Cossu
Issue 37
Script by: Rainbow/Manuela Marinato
Pencils: Felix Saborido
Ink: Alessandro Battan, Arianna Florean
Color: Michele Bizzi, Carlo Sandri, Tommaso Renieri, Fabio Piacentini
Cover: Tommaso Renieri
- Pixies Tales -
Script by: Laura Scarpa
Pencils: Maria Abagnale
Ink: Arianna Florean
Color: Fabio Piacentini
Issue 38
Script by: Rainbow/Manuela Marinato
Pencils: Adriana Farina, Pierdomenico Sirianni
Ink: Alessandro Battan, Arianna Florean
Color: Michele Bizzi, Carlo Sandri, Tommaso Renieri, Fabio Piacentini
Cover: Tommaso Renieri
- Pixies Tales -
Script by: Laura Scarpa
Pencils: Maria Abagnale
Ink: Arianna Florean
Color: Barbara Bargiggia
Issue 39
Script by: Rainbow/Manuela Marinato
Pencils: Anna Baldoso, Matteo Giachi
Ink: Alessandro Battan, Arianna Florean
Color: Michele Bizzi, Carlo Sandri, Tommaso Renieri, Fabio Piacentini
Cover: Laura Scarpa
- Pixies Tales -
Script by: Laura Scarpa
Pencils: Maria Abagnale
Ink: Arianna Florean
Color: Martina Cecilia
Issue 40
Script by: Rainbow/Manuela Marinato
Pencils: Felix Saborido
Ink: Alessandro Battan, Arianna Florean
Color: Michele Bizzi, Carlo Sandri, Tommaso Renieri, Fabio Piacentini
Cover: Tommaso Renieri
- Pixies Tales -
Script by: Laura Scarpa
Pencils: Maria Abagnale
Ink: Arianna Florean
Color: Martina Cecilia
Issue 41
Script by: Rainbow/Manuela Marinato
Pencils: Adriana Farina
Ink: Alessandro Battan, Arianna Florean
Color: Michele Bizzi, Carlo Sandri, Giovanna Niro, Fabio Piacentini
Cover: Tommaso Renieri
Issue 42
Script by: Rainbow/Manuela Marinato
Pencils: Lucia Balletti
Ink: Alessandro Battan, Arianna Florean
Inside cover: Pierdomenico Sirianni, Alessandro Battan, Fabio Piacentini
Color: Michele Bizzi, Carlo Sandri, Giovanna Niro, Fabio Piacentini
Cover: Angela Mazzoni (lineart), Tommaso Renieri (ink and coloring)
Issue 43
Script by: Rainbow/Manuela Marinato
Pencils: Pierdomenico Sirianni
Ink: Alessandro Battan
Inside cover: Pierdomenico Sirianni, Alessandro Battan, Fabio Piacentini
Color: Michele Bizzi, Carlo Sandri
Cover: Angela Mazzoni (lineart), Tommaso Renieri (ink and coloring)
From here until issue 59 they just stop listing who did the outside cover, for some reason. At first I thought it was because issues 44, 45 and 46 have Secret of the Lost Kingdom models as covers, but that wasn’t the case.
Issue 44
Script by: Rainbow/Manuela Marinato
Pencils: Matteo Giachi
Ink: Alessandro Battan, Arianna Florean
Inside cover: Adriana Farina (pencils and ink), Fabio Piacentini (coloring)
Color: Michele Bizzi, Carlo Sandri, Fabio Piacentini, Martina Cecilia
Issue 45
Script by: Rainbow/Manuela Marinato
Pencils: Félix Saborido
Ink: Alessandro Battan, Arianna Florean
Inside cover: Pierdomenico Sirianni (pencils), Adriana Farina (ink), Fabio Piacentini (coloring)
Color: Michele Bizzi, Carlo Sandri, Fabio Piacentini, Giovanna Niro
Issue 46
Script by: Rainbow/Manuela Marinato
Pencils: Adriana Farina
Ink: Alessandro Battan
Inside cover: Adriana Farina (pencils and ink), Fabio Piacentini (coloring)
Color: Michele Bizzi, Carlo Sandri, Fabio Piacentini, Giovanna Niro
Issue 47
Script by: Rainbow/Manuela Marinato
Pencils: Lucia Balletti
Ink: Arianna Florean
Inside cover: Adriana Farina (pencils and ink), Fabio Piacentini (coloring)
Color: Michele Bizzi, Carlo Sandri, Fabio Piacentini, Giovanna Niro
Issue 48
Script by: Rainbow/Manuela Marinato
Pencils: Matteo Giachi
Ink: Alessandro Battan
Inside cover: Adriana Farina (pencils and ink), Fabio Piacentini (coloring)
Color: Michele Bizzi, Carlo Sandri, Fabio Piacentini, Giovanna Niro
Issue 49
Script by: Rainbow/Manuela Marinato
Pencils: Pierdomenico Sirianni
Ink: Arianna Florean
Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Fabio Piacentini (coloring)
Color: Michele Bizzi, Carlo Sandri, Fabio Piacentini, Giovanna Niro
Issue 50
Script by: Rainbow/Manuela Marinato
Pencils: Félix Saborido
Ink: Alessandro Battan, Arianna Florean
Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Fabio Piacentini (coloring)
Color: Michele Bizzi, Carlo Sandri, Fabio Piacentini
Issue 51
Script by: Rainbow/Manuela Marinato
Pencils: Adriana Farina
Ink: Alessandro Battan
Inside cover: Adriana Farina (pencils and ink), Fabio Piacentini (coloring)
Color: Michele Bizzi, Carlo Sandri, Fabio Piacentini
Issue 52
Script by: Rainbow/Manuela Marinato Pezzin
Pencils: Lucia Balletti
Ink: Arianna Florean
Inside cover: Adriana Farina (pencils and ink), Fabio Piacentini (coloring)
Color: Michele Bizzi, Carlo Sandri, Fabio Piacentini
Issue 53
Script by: Rainbow/Manuela Marinato Pezzin
Pencils: Matteo Giachi, Adriana Farina
Ink: Alessandro Battan, Arianna Florean, Adriana Farina
Inside cover: Adriana Farina (pencils and ink), Tommaso Renieri (coloring)
Color: Fabio Piacentini, Michele Bizzi, Carlo Sandri
Issue 54
Script by: Rainbow/Manuela Marinato Pezzin
Pencils: Félix Saborido
Ink: Alessandro Battan, Arianna Florean
Inside cover: Adriana Farina (pencils and ink), Fabio Piacentini (coloring)
Color: Fabio Piacentini, Michele Bizzi, Carlo Sandri
Issue 55
Script by: Rainbow/Manuela Marinato Pezzin
Pencils: Pierdomenico Sirianni
Ink: Arianna Florean, Alessandro Battan
Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Fabio Piacentini (coloring)
Color: Fabio Piacentini, Michele Bizzi, Carlo Sandri
Issue 56
Script by: Rainbow/Manuela Marinato Pezzin
Pencils: Lucia Balletti
Ink: Arianna Florean
Inside cover: Arianna Florean (pencils and ink), Federico Fieni (coloring)
Color: Michele Bizzi, Carlo Sandri
Issue 57
Script by: Rainbow/Manuela Marinato Pezzin
Pencils: Félix Saborido
Ink: Alessandro Battan, Arianna Florean
Inside cover: Adriana Farina (pencils and ink), Fabio Piacentini (coloring)
Color: Fabio Piacentini
Issue 58
Script by: Rainbow/Manuela Marinato Pezzin
Pencils: Adriana Farina
Ink: Alessandro Battan
Inside cover: Adriana Farina (pencils and ink), Fabio Piacentini (coloring)
Color: Michele Bizzi, Carlo Sandri
Issue 59
Script by: Rainbow/Manuela Marinato Pezzin
Pencils: Lucia Balletti
Ink: Arianna Florean
Inside cover: Pierdomenico Sirianni (pencils), Arianna Florean (ink), Fabio Piacentini (coloring)
Color: Fabio Piacentini
Outside cover: Laura Scarpa (pencils), Tommaso Renieri (ink, coloring)
Issue 60
Script by: Rainbow/Manuela Marinato Pezzin
Pencils: Pierdomenico Sirianni
Ink: Alessandro Battan
Color: Michele Bizzi, Carlo Sandri
Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Michele Bizzi and Carlo Sandri (coloring)
Outside cover: Laura Scarpa (pencils), Tommaso Renieri (ink, coloring)
Issue 61
Script by: Rainbow/Manuela Marinato Pezzin
Pencils: Félix Saborido
Ink: Alessandro Battan, Arianna Florean
Color: Fabio Piacentini
Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Fabio Piacentini (coloring)
Outside cover: Laura Scarpa (pencils), Tommaso Renieri (ink, coloring)
Issue 62
Script by: Rainbow/Manuela Marinato Pezzin
Pencils: Lucia Balletti
Ink: Arianna Florean
Color: Michele Bizzi, Carlo Sandri
Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Michele Bizzi and Carlo Sandri (coloring)
Outside cover: Laura Scarpa (pencils), Tommaso Renieri (ink, coloring)
Issue 63
Script by: Rainbow/Manuela Marinato Pezzin
Pencils: Luca Bonessi
Ink: Mauro Masi, Fabio Piacentini, Alessandro Battan
Color: Fabio Piacentini
Inside cover: Pierdomenico Sirianni (pencils), Arianna Florean (ink), Fabio Piacentini (coloring)
Outside cover: Laura Scarpa (pencils), Tommaso Renieri (ink, coloring)
Issue 64
Script by: Rainbow/Manuela Marinato Pezzin
Pencils: Félix Saborido
Ink: Alessandro Battan
Color: Michele Bizzi, Carlo Sandri
Inside cover: Pierdomenico Sirianni (pencils), Arianna Florean (ink), Michele Bizzi and Carlo Sandri (coloring)
Outside cover: Laura Scarpa (pencils), Tommaso Renieri (ink, coloring)
Issue 65
Script by: Rainbow/Manuela Marinato Pezzin
Pencils: Lucia Balletti
Ink: Arianna Florean
Color: Fabio Piacentini
Inside cover: Arianna Florean (pencils and ink), Fabio Piacentini (coloring)
Outside cover: Laura Scarpa (pencils), Luciano Ruben (ink, coloring)
Issue 66
Script by: Rainbow/Manuela Marinato Pezzin
Pencils: Pierdomenico Sirianni
Ink: Alessandro Battan
Color: Michele Bizzi, Carlo Sandri
Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Michele Bizzi and Carlo Sandri (coloring)
Outside cover: Luciano Ruben (pencils and ink), Federico Fieni (coloring)
Issue 67
Script by: Rainbow/Manuela Marinato Pezzin
Pencils: Félix Saborido
Ink: Alessandro Battan
Color: Fabio Piacentini
Inside cover: Arianna Florean (pencils and ink), Fabio Piacentini (coloring)
Outside cover: Luciano Ruben (pencils and ink), Federico Fieni (coloring)
Issue 68
Script by: Rainbow/Manuela Marinato Pezzin
Pencils: Lucia Balletti
Ink: Arianna Florean
Color: Michele Bizzi, Carlo Sandri
Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Fabio Piacentini (coloring)
Outside cover: Luciano Ruben (pencils and ink), Federico Fieni (coloring)
Issue 69
Script by: Rainbow/Manuela Marinato Pezzin
Pencils: Luca Bonessi
Ink: Arianna Florean, Alessandro Battan
Color: Fabio Piacentini, Michele Bizzi, Carlo Sandri
Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Fabio Piacentini (coloring)
Outside cover: Luciano Ruben (pencils and ink), Federico Fieni (coloring)
Issue 70
Script by: Rainbow/Manuela Marinato Pezzin
Pencils: Rosa La Barbera
Ink: Arianna Florean, Alessandro Battan
Color: Fabio Piacentini, Michele Bizzi, Carlo Sandri
Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Fabio Piacentini (coloring)
Outside cover: Luciano Ruben (pencils and ink), Federico Fieni (coloring)
Issue 71
Script by: Rainbow/Manuela Marinato Pezzin
Pencils: Félix Saborido
Ink: Alessandro Battan
Color: Fabio Piacentini, Michele Bizzi, Carlo Sandri
Inside cover: Arianna Florean (pencils and ink), Fabio Piacentini (coloring)
Outside cover: Luciano Ruben (pencils and ink), Federico Fieni (coloring)
Issue 72
Script by: Rainbow/Manuela Marinato Pezzin
Pencils: Lucia Balletti
Ink: Arianna Florean, Doris Messina, Alessandro Battan, Luca Cicchitto
Color: Michele Bizzi, Carlo Sandri, Fabio Piacentini
Inside cover: Rosa La Barbera (pencils), Arianna Florean (ink), Carlo Sandri (coloring)
Outside cover: Luciano Ruben (pencils and ink), Federico Fieni (coloring)
Issue 73
Script by: Rainbow/Manuela Marinato Pezzin
Pencils: Pierdomenico Sirianni
Ink: Alessandro Battan
Color: Fabio Piacentini, Michele Bizzi, Carlo Sandri
Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Michele Bizzi and Carlo Sandri (coloring)
Outside cover: Luciano Ruben (pencils), Federico Fieni (coloring)
Issue 74
Script by: Rainbow/Manuela Marinato Pezzin
Pencils: Rosa La Barbera, Lucia Balletti
Ink: Arianna Florean, Luca Cicchitti, Raffaella Seccia, Paolo Ferrante
Color: Michele Bizzi, Carlo Sandri
Inside cover: Rosa La Barbera (pencils), Paolo Ferrante (ink), Michele Bizzi and Carlo Sandri (coloring)
Outside cover: Luciano Ruben (pencils), Federico Fieni (coloring)
Issue 75
Script by: Rainbow/Manuela Marinato Pezzin
Pencils: Luca Bonessi, Pierdomenico Sirianni
Ink: Alessandro Battan, Luca Cicchitti
Color: Fabio Piacentini
Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Fabio Piacentini (coloring)
Outside cover: Luciano Ruben (pencils), Federico Fieni (coloring)
Issue 76
Script by: Rainbow/Manuela Marinato Pezzin
Pencils: Félix Saborido
Ink: Alessandro Battan, Paolo Ferrante
Color: Michele Bizzi, Carlo Sandri
Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Michele Bizzi and Carlo Sandri (coloring)
Outside cover: Luciano Ruben (pencils), Federico Fieni (coloring)
Issue 77
Script by: Rainbow/Manuela Marinato Pezzin
Pencils: Lucia Balletti
Ink: Alessandro Battan, Paolo Ferrante, Luca Cicchitti, Raffaella Seccia, Maria Abagnale
Color: Fabio Piacentini, Licia Bordi
Inside cover: Pierdomenico Sirianni (pencils), Maria Abagnale (ink), Fabio Piacentini (coloring)
Outside cover: Luciano Ruben (pencils), Federico Fieni (coloring)
Issue 78
Script by: Rainbow/Manuela Marinato Pezzin
Pencils: Rosa La Barbera, Pierdomenico Sirianni, Lucia Balletti
Ink: Alessandro Battan, Paolo Ferrante, Luca Cicchitti, Raffaella Seccia, Maria Abagnale
Color: Michele Bizzi, Carlo Sandri
Inside cover: Pierdomenico Sirianni (pencils), Maria Abagnale (ink), Fabio Piacentini (coloring)
Outside cover: Tridimensional s.r.l, Pamela Guadagnini
Issue 79
Script by: Rainbow/Manuela Marinato Pezzin
Pencils: Félix Saborido
Ink: Alessandro Battan, Maria Abagnale
Color: Fabio Piacentini, Michele Bizzi, Carlo Sandri
Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Michele Bizzi and Carlo Sandri (coloring)
Outside cover: Tridimensional s.r.l., Pamela Guadagnini
Issue 80
Script by: Rainbow/Manuela Marinato Pezzin
Pencils: Lucia Balletti
Ink: Alessandro Battan, Paolo Ferrante, Luca Cicchitti, Maria Abagnale, Raffaella Seccia
Color: Michele Bizzi, Carlo Sandri
Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Michele Bizzi and Carlo Sandri (coloring)
Outside cover: Tridimensional s.r.l, Pamela Guadagnini
Issue 81
Script by: Rainbow/Manuela Marinato Pezzin
Pencils: Luca Bonessi, Lucia Balletti
Ink: Alessandro Battan, Raffaella Seccia, Luca Cicchitti, Paolo Ferrante
Color: Fabio Piacentini, Michele Bizzi, Carlo Sandri
Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Fabio Piacentini (coloring)
Outside cover: Luciano Ruben (pencils and ink), Federico Fieni (coloring)
Issue 82
Script by: Rainbow/Manuela Marinato Pezzin
Pencils: Félix Saborido
Ink: Alessandro Battan, Paolo Ferrante, Raffaella Seccia
Color: Michele Bizzi, Carlo Sandri
Inside cover: Maria Abagnale (pencils and ink), Michele Bizzi and Carlo Sandri (coloring)
Outside cover: Luciano Ruben (pencils and ink), Federico Fieni (coloring)
Issue 83
Script by: Rainbow/Manuela Marinato Pezzin
Script support: Maurizio De Angelis, Valentina Cambi
Pencils: Maria Abagnale
Ink: Alessandro Battan, Raffaella Seccia
Color: Fabio Piacentini, Licia Bordi
Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Fabio Piacentini (coloring)
Outside cover: Luciano Ruben (pencils and ink), Federico Fieni (coloring)
Issue 84
Script by: Rainbow/Manuela Marinato Pezzin
Script support: Maurizio De Angelis, Valentina Cambi
Pencils: Lucia Balletti
Ink: Alessandro Battan, Raffaella Seccia
Color: Michele Bizzi, Carlo Sandri
Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Michele Bizzi and Carlo Sandri (coloring)
Outside cover: Luciano Ruben (pencils and ink), Federico Fieni (coloring)
Issue 85
Script by: Rainbow/Manuela Marinato Pezzin
Script support: Maurizio De Angelis, Valentina Cambi
Pencils: Luca Bonessi
Ink: Alessandro Battan, Raffaella Seccia
Color: Fabio Piacentini, Licia Bordi, Michele Bizzi, Carlo Sandri
Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Fabio Piacentini and Licia Bordi (coloring)
Outside cover: Luciano Ruben (pencils and ink), Federico Fieni (coloring)
Issue 86
Script by: Rainbow/Manuela Marinato Pezzin
Script support: Maurizio De Angelis, Valentina Cambi
Pencils: Maria Abagnale
Ink: Alessandro Battan, Raffaella Seccia
Color: Michele Bizzi, Carlo Sandri
Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Michele Bizzi and Carlo Sandri (coloring)
Outside cover: Luciano Ruben (pencils and ink), Federico Fieni (coloring)
Issue 87
Script by: Rainbow/Nicola Venanzetti
Script support: Maurizio De Angelis, Valentina Cambi
Pencils: Félix Saborido
Ink: Alessandro Battan, Raffaella Seccia
Color: Fabio Piacentini, Licia Bordi, Michele Bizzi, Carlo Sandri
Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Michele Bizzi and Carlo Sandri (coloring)
Outside cover: Luciano Ruben (pencils and ink), Federico Fieni (coloring)
Issue 88
Script by: Rainbow/Nicola Venanzetti
Script support: Maurizio De Angelis, Valentina Cambi
Pencils: Lucia Balletti
Ink: Alessandro Battan, Raffaella Seccia
Color: Michele Bizzi, Carlo Sandri
Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Michele Bizzi and Carlo Sandri (coloring)
Outside cover: Luciano Ruben (pencils and ink), Federico Fieni (coloring)
Issue 89
Script by: Rainbow/Nicola Venanzetti
Script support: Maurizio De Angelis, Valentina Cambi
Pencils: Maria Abagnale
Ink: Alessandro Battan, Raffaella Seccia
Color: Licia Bordi
Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Licia Bordi (coloring)
Outside cover: Luciano Ruben (pencils and ink), Federico Fieni (coloring)
Issue 90
Script by: Rainbow/Nicola Venanzetti
Script support: Maurizio De Angelis, Valentina Cambi
Pencils: Luca Bonessi, Pierdomenico Sirianni, Lucia Balletti
Ink: Alessandro Battan
Color: Licia Bordi, Fabio Piacentini
Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Licia Bordi (coloring)
Outside cover: Paolo Maria Frattesi (pencils and ink), Alice Rossi (coloring)
Issue 91
Script by: Rainbow/Maurizio De Angelis
Pencils and ink: Red Whale/Federico Franzò
Color: Red Whale/Giorgia Arena
Outside cover: Red Whale/Federico Franzò (pencils and ink), Red Whale/Giorgia Arena (coloring)
Issue 92
Script by: Rainbow/Maurizio De Angelis
Pencils and ink: Red Whale/Alessia Martusciello
Color: Red Whale/Alberto Pizzetti
Outside cover: Alessia Martusciello (pencils and ink), Alberto Pizzetti (coloring)
Issue 93
Script by: Rainbow/Nicola Venanzetti
Script supervision: Rainbow/Maurizio De Angelis
Pencils: Red Whale/Giorgio Pontrelli, Roberta Tedeschi
Ink: Red Whale/Michela Frare
Color: Red Whale/Edwyn Nori
Outside cover: Red Whale/Roberta Tedeschi (pencils), Red Whale/Michela Frare (ink), Red Whale/Edwyn Nori (coloring)
Issue 94
Script by: Rainbow/Alessandro Bilotta
Pencils: Pierdomenico Sirianni
Ink: Alessandro Battan
Color: Licia Bordi, Arianna Florean
Outside cover: Red Whale/Roberta Tedeschi (pencils), Red Whale/Sonia Matrone (ink), Red Whale/Edwyn Nori (coloring)
Issue 95
Script by: Rainbow/Nicola Venanzetti
Script support: Maurizio De Angelis
Pencils: Lucia Balletti
Ink: Alessandro Battan
Color: Arianna Florean, Azzurra Florean, Doris Messina, Eleonora Carlini
Outside cover: Roberta Tedeschi (pencils), Sonia Matrone (ink), Edwyn Nori (coloring)
Issue 96
Script by: Rainbow/Alessandro Bilotta
Script support: Maurizio De Angelis
Pencils: Félix Saborido
Ink: Alessandro Battan
Color: Arianna Florean, Azzurra Florean, Doris Messina, Eleonora Carlini
Outside cover: Roberta Tedeschi (pencils), Sonia Matrone (ink), Edwyn Nori (coloring)
Issue 97
Script by: Rainbow/Nicola Venanzetti
Script support: Maurizio De Angelis
Pencils: Lucia Balletti
Ink: Alessandro Battan
Color: Arianna Florean, Azzurra Florean, Doris Messina, Eleonora Carlini
Outside cover: Roberta Tedeschi (pencils), Michela Frare (ink), Edwyn Nori (coloring)
Issue 98
Script by: Rainbow/Vincenzo Perrone
Script support: Maurizio De Angelis
Pencils: Lucia Balletti, Pierdomenico Sirianni
Ink: Alessandro Battan
Color: Arianna Florean, Azzurra Florean, Doris Messina, Eleonora Carlini
Outside cover: Red Whale/Marcello DeMartino, Roberta Tedeschi (pencils), Red Whale/Sonia Matrone (ink), Red Whale/Alessandra Bracaglia (coloring)
Issue 99
Script by: Rainbow/Alessandro Bilotta
Script support: Fabrizio Vecchi
Pencils: Laura Carboni, Lucia Balletti
Ink: Alessandro Battan
Color: Arianna Florean, Azzurra Florean, Doris Messina, Eleonora Carlini
Outside cover: Red Whale/Rosa La Barbera (pencils and ink), Red Whale/Edwyn Nori (coloring)
Issue 100
Script by: Rainbow/Maurizio De Angelis
Pencils and ink: Red Whale/Marcello De Marino, Rosa La Barbera
Color: Red Whale/Edwyn Nori
Outside cover: Red Whale/Marcello De Marino, Rosa La Barbera (pencils and ink), Red Whale/Edwyn Nori (coloring)
#winx club#winx comics#long post#artist appreciation#you can reference this with or without credit idc#this is anthology work anyone could do#if you have og Italian issues that aren't listed please reach out to me so I can add them to the post#especially for the first issues
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I LOVE YOU ANTHOLOGY MOVIES AND TV EPISODES
I LOVE HAVING MULTIPLE SHORT STORIES TOLD TO ME
#it’s just fun and cool#and sometimes a story just needs to be short and that’s fine#anthologies#anthology#I blame my love for Ichabod and Mr. Toad as well as the Simpsons’ many anthology episodes#the ducktales reboot did their anthology episodes in such a cool way I didn’t realize they were anthologies until someone brought it up#Fantasia!? Fantasia 2000?! great stuff#fan of those? check Allegro Non Troppo!#basically an Italian Disney parody of Fantasia but it’s still just as great in its own right#more for adults a bit more comedic and satirical but the animation is great#also currently watching they Amphibia Shut-In episode that’s what’s inspiring this post#Bob’s burgers also has some great stuff
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Black Sabbath, “The Telephone” (1963, dir. Mario Bava)
Starring Michèle Mercier and Lydia Alfonsi
#1960s cinema#1960s film#italian film#giallo#italian horror#horror anthology#mario bava#1960s italian film#1960s italian cinema#1960s giallo#thriller#thriller film#italian cinema#horror#michèle mercier#lydia alfonsi
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i am really enjoying being on holiday. i got up at the leisurely time of 9.30am, had breakfast, took my meds, drank two cups of moka coffee, had a shower and air-dried my hair while sitting on the balcony, reading poetry and smoking a cigarette. eric rohmer girl summer
#fyi i am reading an anthology of 20th century love poems with a focus on italian poetry but also containing a lot of foreign poetry too#it was an anniversary gift from my dad to my mom dated 4 yrs before i was born
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#senyawa#istana#music library#*upl#. i'm terrible at describing music but suffice to say this resonated on first listen (production alone i don't understand a word ofc)#hearing this live would be a transcendent experience i think#indonesian experimental band from an anthology part of the ‘sound mapping project’ curated by an italian dark ambient artist
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My Main issue with the 2017 Ducktales reboot is that i grew Up with the ltbs so the characters are way to likable. Donald shouldn't hate Scrooge for getting His sister killed or whatever He should hate him for regularly blackmailing him into dragging him on Dangerous adventures for little to No reward by Holding His inheritance hostage
#donald as well tbh#his characterization in the stories i grew up with ranged from endearingly lazy with a bit of a temper#to borderline abusive#ltb is a german anthology series of mostly duck centered comics for those who don't know#i think it was mostly translations of italian stories#ducktales#donald duck#scrooge mcduck
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Honorable mention: Black Sabath (I tre volti della paura, 1963)
What is terror? Is it a vampire who drinks the blood of those who loves the most? Or is the shadow of a man coming from your past to get you? Perhaps it's the vengeance of a ghost who haunts those who stole from them? It's a chilly night, perfect to find out.
An anthology by Italian maestro Mario Bava, the three segments it presents are intended to represent terror across different eras. You can certainly say it delivers on this aspect, going from the middle ages to the 60's and ranging from the supernatural to the psychological, all with their own masterfully curated color palette.
Or at least that is the case in the International version: the American cut made drastic changes to one of the segments (namely "The Phone") in order to omit any references to prostitution and lesbianism as well as change the entire nature of the plot.
"The Drop of Water" starred by Jacqueline Pierreux is easily the best of the three (where she displays a delicate balance as a selfish but still humanized amoral nurse), battling against her own guilt and the freakiest image in the whole film. Shout out, however, to the late's Borlis Karloff's role as both the presenter and Gorca in "The Wurdulak". For being so close to the end of his career, the man who gave life to Frankenstein's monster still shows a mastery of his craft that is a sight to behold. Rarely have I seen an actor that could make such a versatile use of his eyes, and till the very end he kept finding new ways to give a chilling stare. As for “The Phone”? Much as there's pathos to the premise, it feels like it could use some more screen time to flesh out the character relationships, which feel a little under cooked and with a fairly predictable twist.
There's no loser among them, however, and while it bombed on release it's gotten its place among the classics. No wonder the heavy metal band Black Sabbath took the name from here.
#horror movies#halloween movie#horror anthology#italian cinema#mario bava#boris karloff#mark damon#michele mercier#susy andersen#lydia alfonsi#glauco onorato#jacqueline pierrieux#black sabbath#i tre volti della paura#roskirambles
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EVIL BUILDING (2022) Italian horror - trailer
Evil Building is a 2022 Italian horror anthology film in which a group of underground filmmakers invite us inside the titular abode for several horrific tales of the macabre. There exists a place beyond horror, beyond suffering. It is a building we walk past every day and think nothing about. But it has a life, and bloodlust, of its own. In this place, death is only a moment, yet torment is…
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On May 6, 1964, Black Sabbath debuted in the United States.
#black sabbath#mario bavs#60s horror#horror movies#horror anthology#anthology film#gothic horror#horror film#horror art#supernatural horror#italian horror#vampire#vampire movies#movie art#art#drawing#movie history#pop art#modern art#pop surrealism#cult movies#portrait#cult film
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Antinous by Fernando Pessoa is a homoerotic banger whew <3
#loving my poetry anthology I bought in Lisbon hehe#it’s a bilingual anthology of all the poetry he wrote in English which is interesting#would ofc love to explore his Portuguese poetry in translation but ofc ideally in a bilingual format#since Portuguese is fairly comprehensible to me and nothing ever beats poetry in its original langauge#me here understanding Spanish Italian Portuguese 🫡🫡#like not even funny#not completely fluently ofc and Italian and Spanish moreso than Portuguese but nonetheless
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annunciata l'edizione paperback di "tempo. excursions in 21st century italian poetry", edited by luca paci
a settembre l’edizione paperback link dell’edizione attuale: https://www.parthianbooks.com/products/tempo-excursions-in-21st-century-italian-poetry
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#anthology#anthology of Italian poetry#antologia#Luca Paci#Partian Books#poesia italiana#poesia italiana contemporanea#tempo
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2023 Pinterest 50 Book Reading Challenge
46. A Play
Six Characters in Search of an Author by Luigi Pirandello
#six characters in search of an author#luigi pirandello#plays#reading challenge#italian literature#translated stories#translations#read in 2023#1920s#books#bookblr#this was in my world lit text and I wanted to read it (we didn't read it in class)#Norton anthology of world lit volume F#this one I finished earlier this week
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CLICK THE ABOVE LINK FOR THE FULL REVIEW
While not the greatest horror anthology out there, Mario Bava’s BLACK SABBATH is a master class of style in terms of its presentation, even if some of the stories presented aren’t as dynamic as the direction and cinematography. The film looks more beautiful and grows more atmospheric with each segment, capturing tension and genuine creepiness as each story plays out. Boris Karloff manages to steal the spotlight any time he appears, although the rest of the actors do fine in their roles.
None of the segments are terrible, but some are weaker than others. "The Telephone" has a great concept and carries a lot of giallo tropes, but its one location set up doesn’t allow a ton of style visually. "The Wurdulak" has a great story about Slavic vampires that manages to be creepy and shows how fallible human beings are, despite a love story that doesn’t really work since it comes out of nowhere. And "The Drop of Water" has the most stylish and terrifying visuals involving a corpse that enjoys popping up when you least expect it, despite not much of a story due to its shorter runtime.
Still, BLACK SABBATH is a must see for anyone who enjoys horror anthologies that especially feel like those old EC comics from back in the day. I’m sure children of the grave and iron men will get a kick out of this one.
#black sabbath#1963#mario bava#horror#Horror Movies#supernatural#anthology#giallo films#vampires#witches#Boris Karloff#italian horror#review#full moon reviews
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HELP ME GET MY SHIT TOGETHER ⭐️
a completely unoriginal notes game
MAX OF 3 NOTES PER PERSON PLEASE!
LIKE/RB INCREMENTS
EVERY 1 LIKE = 5 mins cleaning my depression room
EVERY 1 REBLOG = 10 mins touching grass
EVERY 5 LIKES = 1 glass of water
EVERY 5 REBLOGS = 30mins practicing art
EVERY 10 LIKES = 30 minutes writing
EVERY 10 REBLOGS = 30 mins practicing an instrument
MILESTONES
10 NOTES = Write a proper bio for this blog
25 NOTES = Go through my closet and donate what I don’t wear anymore
50 NOTES = Start presenting masc more
75 NOTES = Start keeping a daily-ish journal
100 NOTES = Start exercising every other day
200 NOTES = Learn how to draw from reference, start making fanart, and post it here
300 NOTES = Do a better job at brushing teeth
400 NOTES = Get some kind of job, even if it’s just tutoring
450 NOTES = Have a normal sleep schedule on weekdays (9:30PM-5AM)
500 NOTES = Start taking full-body showers every day
600 NOTES = Come out as queer and trans to my uncle
650 NOTES = Get really good at Fortnite (I don’t know man it matters to me)
700 NOTES = Start meal-prepping
750 NOTES = Start skateboarding more (learn to ollie)
800 NOTES = Start writing short stories again and post them to @fishbowlscrawls
900 NOTES = Start producing music again
1K NOTES = Start submitting poems to anthologies again
1.1K NOTES = Finish learning French and then start on Italian
1.25K NOTES = Come out to healthcare providers if Trump isn’t in office (otherwise just ask to start Nexplanon)
1.5K NOTES = Be social for once (actually try to make friends instead of waiting for someone to yap)
1.7K NOTES = Ask them to hoco (if there is anybody I don’t know yet)
1.75K NOTES = Start applying for college scholarships
1.9K NOTES = Start making plans to travel abroad in college
2K NOTES = Start actually studying and going to tutors and taking notes
2.25K NOTES = Limit recreational screentime (2hrs on weekdays, 4hrs on weekends)
2.5K NOTES = Stop smoking weed/drinking on weeknights
2.75K NOTES = Start properly budgeting
3K NOTES = Come out to my paternal grandparents
3.75K NOTES = Release an EP in summer of 2025
4K NOTES = Fix my wackass handwriting
COLOR LEGEND FOR GOALS
BLUE/PURPLE = hasn’t been reached
ORANGE/RED = reached; not completed
GREEN/PINK = completed!
CURRENT INCREMENT STATS:
MINS CLEANING ROOM = 240/???
(Room-cleaning put on hold because I’m moving; will replace with another goal when I move!)
MINS OUTSIDE = 960/1240
CUPS OF WATER DRANK = 32/32
MINS DRAWING = 720/720
MINS WRITING = 220/480
MINS PLAYING INSTRUMENT = 420/360
#trick me into self improvement please guys#notes goal#notes game#notes milestone#note bait#idk how to tag this#if the gimmicks find this I will be so mentally stable so fast tbh ☠️#hmgmst
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