#It's really hard to think rn

[minty-rbs]

Ack. So I used my school google account for my main @minty-bubblegum . I never thought to change the Gmail hooked to it or to set an email and password. So now I'm locked out. I have no idea what to do and I'm stressing really bad bc I do not want to lose my blog and I can't access it to change my email. For now I will be alternating between this blog, @mintys-losthermarbles and basically all my spam reblog accounts. If anyone knows how to contact support of such please help :((

Tagging mutuals from what I remember:

@theleechyskrunkly @xen-blank @haruhar-u @cheezy-moon @dove-da-birb @red-viewe @citrusitonit @xptobie @the-banana-0verlord

[puppyeared]

basement guys

[taffywabbit]

so like. at what point are we going to stop listening to game companies saying "the game was poorly received and didn't meet our sales targets, and that's why we're removing it from storefronts and taking down all the servers mere months or even weeks after release" for titles that had a long expensive development, were barely marketed, and nobody knew they'd even released until after they heard they were getting shut down and couldn't be played/purchased anymore?

I feel like the prevailing takeaway for anyone who doesn't just conclude "yeah, game was pretty mid, makes sense to me" has usually been "this company just has unreasonably impossible sales expectations and treats every project like a failure if it doesn't print a trillion dollars". but these ARE allegedly experienced business execs who aren't complete idiots, and after this most recent debacle with Concord I'm starting to wonder if a bunch of these "games getting wiped out of existence when they underperform instead of just being allowed to persist as they are and maybe improve with time" cases in recent years might be more of a Warner-Discovery type situation, like nuking an entire animated series or film that was worked on for years and preventing it from being sold because it has to be officially unprofitable for the company to use it as a tax write-off. I look at a game that was worked on for 8 years and only made available for 2 weeks, and it's hard not to see the parallels.

great work, AAA games industry, really normal and sustainable stuff you're doing over there as usual

[strawberri-draws]

Silly entry for day 3 of potsnpicksweek (Dinner/Modern AU/Gift)!

[xmomokosx]

Someone didn’t expect to get so big

[boygirlmoment]

i need a harem of trans girls or something... i wanna get passed around like a toy, being the complete property of whoever owned me at the moment, they would share me too, filling up all my holes at the same time and breeding me over and over..... ;-; i want it so bad please i need a group of trans girl doms so bad i wanna be a pet..............

[shinythingsarecool]

love how tma (and also tmagp) are sometimes like "hey, here is a well known historical figure, but in THIS universe, he's actually a fucked up spooky little guy who does weird creepy shit"

and then we EAT THAT SHIT UPPP

[cringefailvox]

something a number of very wonderful authors have highlighted a lot in their fics is how permissive and even somewhat self sabotaging alastor gets with people he really likes, as demonstrated both by mimzy and, i believe, him almost dying for the hotel, and i've been utterly fascinated recently by alastor as someone who frequently conflates being used with being wanted/needed meeting vox, who will use anyone for any reason to get what he wants. alastor conceiving of himself as a provider, a protector, his independence enabled by the fact that he doesn't need anyone and everyone needs him—versus vox, who digs his claws in harder the more he loves someone, thinking of himself as a networker, someone who forges exploitative connections easy as breathing because he can't rest until he has his name on everything, even carved into your ribs. alastor loving getting to rescue vox from his little business mishaps, maybe not even noticing that vox hasn't really needed his assistance for years now; vox initially taking advantage to keep himself safe, and then just... never stopping, once he realized he could keep pressing that button forever and alastor would never get tired of playing knight in shining armor.

but maybe... vox got tired of the charade eventually. started calling on alastor less and less, wanting to distance himself from the idea that he needs a stronger overlord looking after him. finally having torn enough away from other people to stand on his own two feet, and desperate for it. and alastor, perceiving that as rejection, as endangering to his sense of self, as a threat to the narcissistic part of him that relished in always getting to be poor vox's powerful, dangerous savior. in this new light, vox's comments about the dying art of radio ring less lighthearted and more like a direct blow to alastor's self-perception, that something so integral to him could be forgotten and discarded so easily, and that makes him furious. maybe it would've even been the healthier move for anyone but them, but the toxic cycle of using and being used was their common language, the way they (and alastor moreso) structured the world and understood their places in it, and once they lost that it was all downhill from there

[mattodore]

birthday boy 🎂

[shima-draws]

Ghost Cora AU where he’s actually been following Law around ever since he died but nobody has been able to see him, so all he’s able to do is watch Law get hurt and suffer in silence. UNTIL, miraculously, the battle of Dressrosa ends, and for some strange reason—through some supernatural bullshit or maybe just fate—one person is finally able to see him.

Law is sitting on the deck of the Yonta Maria watching everyone party when Luffy comes trotting over to him. And Luffy plops down beside him and says, “I’ve been meaning to ask, Torao, but who’s that really tall blonde guy with the funny makeup that’s been following you around?”

And Law’s just like

[fumifooms]

Chilchuck analysis speedrun: As a hardworking half-foot who grew up poor and discriminated against and had his gullibility taken advantage of multiple times in his early adventuring days, Chilchuck thinks optimism is a dangerous flaw. He’s stressed and strict all the time because his job is noticing details like traps that could get everyone killed before anyone knows it, he takes the lives of everyone to be on his shoulders, and with the way he speaks about it that probably partly reflects how he felt about taking it upon himself to provide for his family too. His life’s always been pretty centered around work and has become even moreso now that his wife left and everyone is independent, and due to past events he’s very iffy with bonding with coworkers. He thinks feelings and job are a disaster mix. Like with his wife or with parties hiring him as sacrifice, being open or having good faith is vulnerability which can get you hurt, so he processes and shows all his stress as anger instead of worry. Doing strict dieting probably isn’t helping the irritability what with hunger, and on top of being a hunger suppressant alcohol might be the main stress reliever he has.

His grey hairs are so earned

[kkoct-ik]

IT'S FINISHED! I'VE FINISHED IT!

for the past few months i've been putting together a guide for writers looking to make OCs who suffer from DID, since i have a personal investment in good representation and an absurd amount of autism. and today it is FINISHED!!

it's gone up on my neocities, but i really wanted to post about it too.

here's the link

please check it out / bookmark it / share it if you're interested! if just one person finds this useful and makes art from it all my hours of hyperfixation will be worth. ok. love you

[cerealmonster15]

i want jamiazu + idikei to go on a double date so badly i think the vibes would be So Very Turbulent

[snekdood]

so uh

for 1. most people are gonna take advantage of black friday and wont see your specific niche tumblr post, I hate to say it

2. the us isnt running out of money for war any time soon, so...

3. this is just antisemitism???????? all we need is some (((echoes))) around the us and israel and then I'd have no reason to suspect otherwise from op...............

[creative-robot]

I know The Founders Cut, generally, is the edited scrubbed over version of genloss from Showfall in-universe (as well as a not-8-hour-long-three-stream-binge-night whenever we want to watch it again) but something that struck me as odd and I haven’t seen anyone mention yet, is this warning

It shows up right at the junction where the third act starts, where it appears the Hero is breaking free of Showfall thanks to Hetch. But here’s the thing, while a LOT less than the previous acts the audience still played a significant role in this act, even when really only given two audience interaction choices. Which makes me wonder, how real is this warning, and who is it for? Obviously the audience involved knows what happens past this point, but the audience is also implied to be an integral part of the Social Experiments, which is part of why things start to tweak out when the Founder removes them in the Founder Cut as the Generation Loss generation loses.

My first thought, was that obviously this is another bait and switch, a way to draw the audiences attention, seeing something that’s secret, something that’s not “meant for them”, which is a tactic I could see Showfall using in universe to keep people’s attention and add an air of mystery to their shows.

But

Showfall is doing all their experiments and these shows with a LOT of help from their censors to show it off, displaying a fun silly show that is definitely not uber fucked up and that is 100% just slime don’t worry about it, it’s kid friendly if it’s green! And I don’t think they’d want to bet all their cards on this one experiment doing well enough to their audience to not question the sudden shift in tone that follows this warning. Which makes me wonder.

They did their test, they did their experiment, and the evidence of this last act? I think it was a one time run, they don’t want anyone seeing this, it isn’t for the audience. Act three is specifically to both test and play with their Hero, Hetch’s new lines add a level to this, never once does he call the Hero by their name, just refers to Ranboo as their Role, and he’s not exactly. Nice? About literally any of Ranboos concerns, which wouldn’t really seem conductive to making an audience trust him, especially with his monologue at the end. Ranboo has escaped before, possibly right before act 1 started, they tightened the security on his mask to be unremovably part of them, Hetch doesn’t like the Hero but they’re a fan favorite so he can’t just get rid of them.

Act three is the cumulation of Ranboo being punished for things they don’t remember, for daring to break free from Showfalls control, this is Hetch taking the Hero and essentially majorly fucking and manipulating them to take his frustration out on a fan favorite they can’t otherwise get rid of or give a smaller role like Slimecicle. which is exemplified by the fact that we now know Charlie most likely was never able to actually able to fully snap out of the control, that even in act three in panic and confusion there was at least still a part of him being influenced by Showfall.

So the first two acts are the usual show, they have their posters, they have Squiggles to introduce them, they have goofs and silliness and only a couple slip ups that’re quickly dealt with, the usual rose tinted curtains. Act three?

Do not watch the following material

[randomminty]

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