#It's not that he hate them to death | Explore Tumblr posts and blogs

estrellami-1 · 5 months ago

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Trigger warning: discussions of death. Not a main character, but it does happen. Lots of angst. Lots of hurt/comfort. I’ll post it in the tags as well.

Steve has a problem.

It’s not a big problem, not really, but his brain won’t let it go and is making it a bigger deal than it really is.

Eddie won’t ride in his car alone.

With the kids, sure; he’ll practically dive into the backseat, noogie Dustin, generally make a nuisance of himself.

But if it’s just the two of them? If Steve insists on driving, Eddie will take his van. There’s no problem if Steve wants to ride with Eddie. But the other way around? Eddie riding with Steve? That doesn’t happen. And Steve has no idea why.

“Talk to him, Dingus,” is Robin’s advice. He’d flip her off, but unfortunately he thinks she’s right: this is something they’re gonna have to talk through.

So Steve pulls on his big-boy pants and marches himself to the Munsons’ trailer, knocking on the door and waiting expectantly.

He doesn’t expect Wayne, but maybe he should’ve, because that’s who answers the door. “Hi, Steve. You’re here for Eddie, I bet, he’ll be in his room.” He moves aside to let Steve in, and Steve thanks him after a second before moving down the hall to Eddie’s room.

He hears him before he sees him; or, more accurately, he hears his guitar. He’s playing the acoustic tonight, instead of his usual sweetheart, so Steve knocks instead of walking in like he’d usually do.

The guitar stops, and Steve hears it being put down, hears a heavy sigh. “Wayne, I’m not really in the- oh.” He opens the door as he speaks and blinks at Steve. After a second, he smiles. “Hey, man, c’mon in.”

Steve blinks. “Uh. Are you okay?”

Eddie purses his lips. “Define okay. I’m not currently being eaten by bats, y’know? But playing the acoustic always reminds me of my Ma.”

“Ah.” Steve shifts. “Sorry, man. Maybe I should come back later.”

Eddie shrugs. “You’re here now, aren’t you? I can’t be that terrible company.”

Steve snorts. “No, I just… I had a question, but it can wait.”

Eddie tilts his head. “You do that a lot, y’know?” He turns, sits on his bed. Motions Steve into his room.

Steve sits next to him, more comfortable here than in his own room. “Do what?”

“Put yourself last.” He shrugs. “You can ask me. If I don’t wanna answer, I won’t.”

Steve scrunches his nose. “Okay, fine. Why won’t you ride in my car?”

Eddie frowns. “I do, though? Hell, I did what, two days ago? You, me and Dustin went to that comic store in Indy.”

“Okay, let me rephrase. Why won’t you ride passenger in my car, alone? Without any of the kids? And even two days ago you were in the backseat with Dustin.” He shrugs. “It’s not a big deal, I’m just curious.”

Eddie takes a breath. “No, it’s- yeah. You should know.” He clears his throat, grabs the acoustic again. Plays a riff of some sort, fingers dancing over the frets. “I think I feel like I have to save everyone. Or at least be in a position where I can save them, if the need arises.” He swallows, takes another breath. His fingers still. They tremble over the strings. “Did I ever tell you how my ma died?”

Now it’s Steve’s turn to inhale sharply. He shakes his head. “We can stop,” he says. “You don’t have to tell me.”

Eddie smiles ruefully. “I do, though.” He shakes his head. “I was… I was six. It was three days before my seventh birthday. We were driving home from the city. Ma was drivin’, an’ she let me sit in the front seat, since it was almost my birthday. Or- that’s what she said. I think it was so we couldn’t stop her. Couldn’t save her.” He swallows. His eyes are glassy. His accent is thick, the way it gets when he’s thinking about her, or when he’s emotional. His left hand grips the neck of the guitar tightly. Steve worries for his fingers. “We weren’t goin’ that fast, even, but forty’s enough when-” he shakes his head, looks away. Coughs out something that wanted to be a sob. Steve takes the guitar, takes Eddie’s hand. Puts the guitar down. Doesn’t let go of Eddie. “She unbuckled her belt. Dad didn’t see it. I did. Didn’t say anythin’. Maybe I should’ve, I dunno.” He squeezes Steve’s hand. “Then it all happened so fast… she smiled at me, an’ opened her door, an’ next thing I knew-” he wipes at tears on his cheeks. “D’you know what happens to a human head under the wheel of a car at forty miles an hour?”

Steve gasps, grips Eddie’s hand just as tightly. Pulls Eddie in when he begins to shake. “An’ I know why, now,” he whispers. “Dad weren’t good to her. I’unno what he done t’her. I know she did what she could. But I was there. I was right there.” He sniffles, trembles with the effort of keeping his sobs in. Somehow succeeds. “So that’s why. Figure if a kid were to try… I could stop ‘em. Figure if you were to try…”

“You could stop me.” Steve holds him tight. “I won’t,” he whispers. “I swear to you, I won’t.”

“I know,” Eddie whispers back. “But I gotta be able to try.”

“Christ, Eds,” Steve whispers. “I was gonna ask if you’re okay but that’s a stupid question.”

Eddie giggles, still teary-eyed. “Just a little bit.”

Steve pulls away to look him in the eye. “I’m staying tonight, okay? Nightmares are always worse after something like this.”

“Then you should go home,” Eddie argues. “Sleep while you can.”

“Nightmares are always easier with someone else.”

“Damn you, that’s true.” They both laugh a little.

Just then, Wayne comes in with two steaming mugs. “Listen to your boy, son,” he says to Eddie, handing over one of the mugs. He gives Steve the other with a wink. “Lavender tea with a shit ton of honey. Learned it from my ma.”

“Not my boy, Wayne,” Eddie grumbles, but thanks him for the tea anyways.

Steve thanks him too, and he winks again before leaving. Eddie rolls his eyes. “I’d apologize for him, but you’d just defend him.”

“Hey, I like Wayne.”

“I know. Sometimes I think you like him more than you like me.”

Steve chuckles. “Never. You’re my favorite.” He moves so they’re sitting shoulder to shoulder, drinking their tea, leaning against each other. It’s peaceful, and soon enough Eddie’s yawning and dropping his head onto Steve’s shoulder. “Imma pass out soon.”

“Then let’s get you up to brush your teeth before you do.”

Eddie groans like the toddler he secretly is. “I don’t wanna.”

“Yeah, and you don’t wanna go to the dentist to get teeth pulled, either, now do you?”

“Shuddup.”

“Wow. Real master of words here. Really feeling that Dungeon Master power.”

Eddie thumps his arm, but snickers, and really that’s what Steve was going for in the first place, so he just smiles and leads Eddie to the bathroom.

Soon enough they’re in bed, tucked in next to each other, not quite packed like sardines and it’s only because of the heat outside that Steve isn’t more upset not to have more of a reason to touch Eddie. “Night, Eds,” he murmurs, smiling when Eddie rolls over to face him and is temporarily blinded by his own hair. Steve helps move his hair, grabs at Eddie’s hand when he’s done. “Wake me up if the nightmare doesn’t, okay?”

“C’mon, Steve, I can deal with them-”

“I know you can,” Steve answers. “But I want to be up if you are. I want to help if I can. Please, Eddie?”

Eddie sighs after a second. “Damn you,” he says, “I can’t say no to you.” He’s smiling, despite his words, so Steve smiles back.

“Thank you.”

“G’night, Stevie.”

“Night, Eds.”

Steve wakes up to Eddie crying out in his sleep. Even with his eyes closed, he’s got tears streaming down his cheeks. Steve sits up, turns on the lamp, and puts a hand on Eddie’s shoulder. “Eddie?”

He rolls over, away from Steve, and continues sobbing. “Eds? Are you awake?” No answer, so Steve puts his hand back on Eddie’s shoulder and shakes a little. “Eddie, wake up!”

He’s up with an aborted yell and a flail of limbs, sitting up and staring into the darkness of his room, trembling. He sniffs and turns to face Steve, finally realizing he’s there, and Steve opens his arms for a hug.

He collapses into Steve’s arms, face mashed into the side of Steve’s neck, arms snaking around Steve’s torso to give an ineffectual tug. Steve takes the hint and inches closer until they’re practically hip-to-hip. “Y’wanna talk about it?” He asks. Eddie sniffs and shakes his head. “Y’want me to talk? To distract you?” Eddie nods. “Okay. Uh… I may have bitten myself in the butt with this one, ‘cause I’m not a great storyteller, not like you are, but did you know we actually met in middle school?”

No answer. “We did. Hawkins Middle was putting on its annual talent show. Now, back then, I was nobody. No one knew me, my name, my parents… nothing. I had one friend named Tommy, who I’d grown up with. Of course, you know him, and you know what happened between us, but he was my only friend back then. I didn’t tell anyone, but I signed up for the talent show. I didn’t even know what I wanted to do, I just knew I wanted to do something. I’ve always had a pretty decent voice, so I figured I could just sing, if I couldn’t figure out anything else to do. Knew I’d at least beat out Tammy Thompson.” He shifts so Eddie’s hair is no longer a choking hazard and pets his hand over Eddie’s head, doing his best to tame the wild curls. “So it’s the night of the talent show, right? And it feels like the whole school is there. I’m sitting backstage, peeking through the curtains, and am about to have my very first panic attack. Someone bumps into me and knocks me over. They tell me to watch where I’m going, even though I wasn’t moving. So now I’m on the ground, thinking about the crowd, and the noise is getting to be too much, and someone grabs my hand and it all… stops. Just like that. It’s silent, other than, like, a ringing sound in my ears. And this boy, the one who grabbed my hand, kneels in front of me, puts my hand on his chest-” Steve demonstrates, moving so he can grab Eddie’s hand and put it on his chest, just over his heart. “-and tells me to breathe with him. In, out. In, out. He raised his hand when we breathed in, and lowered it when we breathed out. In, out. In, out. And when my breathing’s calmed down, he tells me to name five things I can see. And you know what I said first?”

Eddie furrows his brows. “My… my hair?”

“Yup,” Steve nods. “But you’d just had it shaved off, so d’you know what I really saw first?”

“What?”

Steve giggles. “Your ears.”

Eddie groans and ducks his head, pressing his forehead into Steve’s chest. “Hated my ears.”

“I’m gonna say something that’s gonna sound mean, but is actually a compliment,” Steve warns him. “Your ears reminded me of Dumbo. I always loved that movie, the reminder that we don’t have to change who we are in order to be loved. That sometimes the things we hate most about ourselves, the things people tease us about the most, are actually the things that help us most, in the end.” He guides Eddie to lay down. “And I’m not saying your ears are what saved you. But I am saying they reminded me that everything, maybe, isn’t entirely hopeless.” He smiles, tucks Eddie’s hair behind his ear. Says, “I like your ears.”

Said ear burns red. “You’d be one of the few.”

“That’s okay.”

“What’s your thing? Your… ears?”

Steve hums. “Did you know I cried a lot as a kid? I was very emotional, very easily moved. My dad always hated it, so I learned to cover it up. But I think it’s what got me here in the end. I could’ve told Dustin I didn’t have time to help him, but I didn’t. I got roped into this whole mess, but it’s how I got to know him and the kids. It’s how I got to know Robin and you.”

Eddie smiles. “I’m glad you cried as a kid.”

Steve laughs. “Yeah. Me too.” He shifts, a little closer, a little more down the bed so their eyes are level. “D’you wanna talk about it?”

“There’s nothing I want less.”

“D’you think you can sleep?”

Eddie takes a breath. Steve feels the exhale over his cheek. “Maybe.”

“M’kay. Lemme know if you can’t.”

“Okay. I won’t.”

“Eddie.”

He giggles. “I’m kidding. I’ll let you know. I just… won’t stop talking at you until you answer.”

Steve hums, lets his eyes slip shut. “I’ll always answer.”

“Yeah,” Eddie says, so soft. It makes something warm unfurl in Steve’s chest. “I know you will.”

Steve reaches out, squeezes Eddie’s hand in answer. Lets sleep drag him down the way it’s wanted to since he lay back down.

He doesn’t think about the fact that their hands are still clasped.

He’s the first one up in the morning, and he’s a little annoyed by it because they’d shifted during the night, so Steve is no longer facing Eddie.

His annoyance lasts for all of two seconds before he realizes there’s a warm weight behind him and over his hip, and he figures out it’s because Eddie is behind him, arm over Steve’s hip, fingers curled against the little bit of skin visible from Steve’s shirt riding up during the night.

Steve smiles, sighs, and lets his eyes sink shut again.

He doesn’t sleep, just kind of drifts, so he feels it when Eddie wakes up. He feels him tense in a stretch, feels his forehead press against Steve’s spine, feels his fingers curl farther into Steve’s stomach.

He feels Eddie wake up fully and realize the position he’s in. Feels him hum, then stiffen, slowly pulling away. Steve aches about it, but doesn’t move until he’s out of bed completely, taking the time then to roll over as if he’d just woken up. “M’rn’n,” he mumbles, not exaggerating the sleep-rough in his voice at all.

“Mornin’,” Eddie yawns. “How’d you sleep?”

Steve hums, stretches, sits up. “Think I should be asking you that.”

Eddie smiles. “I slept fine. Now how about you?”

“No more nightmares?”

“Not at all. Think you chased ‘em all away.”

“Good.”

“Steve.”

“What?”

“How did you sleep?”

“Oh. Fine. Great.”

Eddie hums, but takes his word for it, offers his hand to help Steve up, which he accepts.

“Can I ask you something that I’m pretty sure you’re not gonna want to answer?”

Eddie grins crookedly. “You can ask me anything, Stevie. If I don’t wanna answer, I won’t.” He sits back on the bed, next to Steve. “What is it?”

“What was your dad like?”

Eddie blows out a breath, looks away. “Jesus, first thing in the morning, too. Uh… y’know how you said your dad is a grade-A asshole?”

“Yeah.”

“Yeah. Last I heard, he’s in the state prison for the next… five? Ten? Years. I dunno, don’t really keep track. Was just little things at first, petty theft, then he got an ego and started stealing cars, met a guy who could clean ‘em, and he just…” he shakes his head. “Wayne says he got too big for his britches. I say he got what was coming to him. He tried to rob someone and it… didn’t go well. He got caught, the owner tried to scare him off, swung first, but it doesn’t matter who swung first when he’s dead and my dad was trespassing, right? Tried to say it was self-defense, but…”

“But he was trespassing,” Steve nods.

“Exactly. He got twenty-five for that, and it’s been… twelve years? So I guess he’s got… thirteen left. Not five or ten. Guess it feels like he’s been gone that long.” He sighs. “I went to live with Wayne before that, though… I had a friend, he was my best friend, and my dad… really didn’t like how close we were. Spit out a couple’a slurs, said something about sending me to a camp.” Steve’s breath catches. “I called Wayne that night. Poor guy drove that night, was there by… one in the morning? Picked me up and I’ve never looked back.” He shrugs, picks at his comforter. “Turns out Dad was right about me, but Wayne’s never had an issue, so.” He shrugs. His fingers belie his nerves.

“I think, if I were to ever tell my dad,” Steve says quietly, “a camp would be the least of my issues.”

Eddie’s fingers still for a second before continuing, not fidgeting quite as quickly as before. “Yeah?”

“Mhm.”

“Then it’s a good thing you don’t have to tell him.”

“I think I do, though.”

“How so?”

“He’s got this… way. Of just proving himself right, every time. It’s why I haven’t left yet. He always finds a way to twist it around and show me I can’t make it on my own. Not on my Family Video salary.”

Eddie hums. “Maybe not on your own,” he admits. “But with a person or two? There’s Family Videos in other cities. Ask to transfer. Robin’s been making noise about heading to Indy, right?”

“I think she just wants out of Hawkins, and Indy is the only feasible place to her.”

“Very understandable. Where would you go, Steve? If you could go anywhere?”

Steve sighs. “That’s the problem, though. I can’t leave the kids.”

Eddie chuckles. “I should’ve known. Then why not find a place in between? Maybe on the edge of town?”

“We’re still both on a Family Video salary. I don’t think even combined we could afford anything.” Steve tilts his head. “You said a person or two. Who’s the other person?”

“Ah,” Eddie says. “Well, not to come between the platonic soulmates, but I’m sure Wayne would love to have his life back.”

Steve snorts. “Robin loves you almost as much as I do, Eds, of course you’re welcome.”

Eddie ignores that, for the sake of his own sanity. “Well,” he says instead. “Maybe it’s time to take a crack at those newspapers Wayne’s been hoarding.”

“Maybe it is,” Steve says, a strange sort of smile playing across his lips. “And I can ask people. You’d be surprised at the amount of gossip I hear at work.”

“Oh, I believe it, trust me. Or are you forgetting I use to hang around Sam Goody?”

“Oh, god,” Steve laughs, “I had forgotten that, yeah.” He sighs. “D’you think we would’ve been friends back then? If we’d known each other?”

“I don’t think so.” Eddie chews at his bottom lip. “Not because of you, but because of me. I was still stuck in that high school hierarchal shit, y’know? I would’ve seen you as an asshole jock even though you weren’t anymore.”

“I think I’m still working on it.”

“I think we’re all working on being who we want to be.” He stands and offers Steve a hand up with a grin. “And y’know what helps with that?”

Steve chuckles, places his hand in Eddie’s. “What’s that?”

“Pancakes,” he says decisively. “C’mon, let’s go bully Wayne into making us some.”

“And by bully, you mean ask once.”

Eddie hums. “Same difference.”

He waltzes into the living room, arms spread wide. “Sir Wayne! Our visiting prince has requested pancakes this fine morn.”

Wayne squints at him. “I’m your king, dipshit,” he says, lip quirked up in a smile as he winks at Steve. “Make your own damn pancakes.”

“Wayne!” Eddie cries. “Betrayal! Betrayal of the highest order!”

“You’ll live,” Wayne deadpans. Steve giggles.

Eddie narrows his eyes at Wayne. “Fine,” he says. “We will make our own. But there shall be no extra for you, sir!”

Following him to the kitchen, Steve says, “We’ll make extra.”

“Don’t hurt yourself,” Wayne returns, “but I’d ‘preciate it.”

In the kitchen, Eddie sighs with his head halfway in a cabinet. “Okay, so we don’t have mix.”

“That’s okay,” Steve says. “I can make them from scratch.”

“Or,” Eddie says, turning to Steve with a grin. “We can go out.”

“We could,” Steve allows. “But then Wayne wouldn’t get any.”

Eddie hops backwards onto the counter and leans forward, resting his forearms on his knees. “Y’know how I said we wouldn’t have been friends if we’d met earlier?”

“Yeah.”

“It really would’ve been entirely my fault.” He sighs. “You’re just… so nice. And it would’ve been unbelievable, for me, because the Munson Doctrine dictates that all jocks are assholes and stay jockish assholes. I think what happened… had to happen, if we were gonna be friends.”

Steve worries his lip. “Then… is it bad if I say I’m glad it happened? If only for that reason?”

“Only if I’m also glad it happened, for that reason,” Eddie responds quietly. “Y’know the only other person I’ve told about my ma is Jeff?”

“I’m…” he pauses, scrunching his nose. “I wanna say I’m honored, but that sounds weird.”

Eddie chuckles. “I know what you mean, Stevie.”

Steve nods, and they stay there for a minute, looking at each other, until Steve looks away with a sigh. “Alright,” he says, pancakes?”

Eddie gusts out a sigh. “Please.”

Steve chuckles and shoves the flour towards Eddie. “Here. Two cups.”

Eddie frowns. “Only?”

“For now. We can always make more later if we need to.”

Eddie shrugs, but nods at Steve, as if deferring to his expertise. “D’you have eggs?”

“Uh.” Eddie checks the fridge, then the cabinet. “No, but we’ve got Spam?”

Steve snorts. “That works. Wanna cut up a can and fry it?”

“Works for me.”

And so they work, side by side, until breakfast is ready and they’re all three eating side by side.

After, Wayne stretches in his seat, glances at the clock, and mutters something underneath his breath as he gets up. “Thanks for breakfast, boys. Steve, you gonna be here for dinner?”

“Uh,” Steve says, glancing at Eddie. “Unless Ed kicks me out.”

“Never,” Eddie swears.

“I’ll pick up burgers on my way back,” Wayne decides. “That work for you two?”

“Definitely,” Eddie nods.

“Sure. Thank you, Wayne.”

“Son,” Wayne starts, then shakes his head.

Steve gets the message: he belongs here. His cheeks burn. “Thanks, Wayne,” he murmurs.

Wayne ruffles his hair as he passes.

“So,” Eddie asks, once it’s just the two of them. “Any plans for the day?”

Steve makes a face. “I gotta work at two, but I’m free till then.”

Eddie snorts. “Lemme guess, you’re working alone?”

“Yeah.”

“Well not today!” Eddie says brightly. “Why don’t I come with?”

Steve blinks. “Because… why would you?”

“Cause you’re my friend, Stevie. I wanna hang out with you but I can’t do that if you’re at work and I’m here.”

Steve snickers. “I guess we can talk about moving in together. Tuesdays are always the slowest day of the week.”

“Yeah! Wayne’s got the papers around here somewhere.” He trails off, looking around, then bounds over to the TV with a triumphant, “Ha!” He reaches into the crate the TV’s sitting on and pulls out a stack of newspapers. “Okay, we don’t want anything from last year… beginning of this year might be too old…” he hesitates, looking at Steve. “Maybe since Spring Break? A lot of people moved out.”

Steve hums, moves closer. “Good point. There’s bound to be something on the edge of town.” He sighs as he sits next to Eddie. “The only problem is Robin doesn’t have a car, or even her license. And if I’m working here, and she’s trying to work in Indy, how’s she gonna get there?”

“Well,” Eddie begins, “who says you have to stay at Family Video? Why not stretch your wings out? Try something else? Indy’s a big city with lots of opportunity. How about this.” He shifts so he’s facing Steve. “If you could do anything in the world, work anywhere, what would you do? Where would you work?”

Steve fidgets with his pant leg as he thinks. “A bakery,” he decides softly.

Eddie stills for a moment. “I feel like I should’ve seen that coming. You’d be a great baker, Steve. Or if you want to just sell the baked goods, you’d be great at that, too. Hawkins is small enough we don’t have need for a bakery. Not when you can get everything you need at Melvald’s. But Indy’s big. I pass by two bakeries every time I head into the city.” He puts a hand on Steve’s knee. “Stay at Family Video for now. But when we move, you can apply to those places. Yeah?”

“Yeah,” Steve nods. He can feel his cheeks heating up, feel the excitement coursing through his body. “You really think I could?”

“Steve.” Eddie sighs. “I think you are so much better than you see. I think you can do anything.”

“I dunno about anything.” Steve ducks his head as he blushes. “But, uh. Thank you.”

Eddie smiles. “For?”

Steve looks up at him. His breath catches, for a second, at the look in Eddie’s eyes. He looks away with a shrug even as his cheeks heat up. “Believing in me, I guess.”

“Anything,” Eddie promises again.

Steve looks at him again. Really looks, even as his cheeks heat uncomfortably warm. “…Anything?”

Without looking away, Eddie grabs his hand. Rubs his thumb over Steve’s knuckles. Whispers it again.

Steve leans in and kisses him.

Eddie kisses back.

#stranger things #steve harrington #eddie munson #steddie #robin buckley #starambles #tw character death #cw character death #I’m imagining Eddie goes to Family Video with Steve that day and eventually puts on a vest another employee had left there #He does more work than Steve #Except for when the old ladies who hate Eddie on principle come in #Eddie finds out Steve can out-bitch them #He falls more in love #He does in fact have to excuse himself to the back after that. Yes they kiss about it later #I literally googled ‘human head getting run over at 40mph’ and I think the FBI agent in my phone is officially Worried #Oh well. He knows I’ve seen worse #Also in case you were wondering. I couldn’t find any concrete answers. But I got Enough #No beta we die like Eddie’s mom apparently????#(Too soon?)

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thepersonperson · 8 months ago

Text

Sukuna’s Loneliness Part 4 (Sukuna’s Negative Rizz)

Part 1 Part 2 Part 3 Part 5

Some warnings before we start.

1) This analysis deals with sexual topics.

2) I will be mainly using the TCB scans because of their accessibility. Raws are from mangareader(.)to.

3) This was written as of JJK 262 266. (I'm just going to keep updating this until I stop finding things I should've noticed earlier.)

4) The raws broke me in ways you cannot possibly imagine.

(Click images for captions/citations.)

Fighting as Communication

Baki the Grappler. This is a manga where men destroy each other’s bodies as a test of strength. It’s poorly written but the art is terrifying and I love it so dearly. Between fights of extreme violence and body horror the characters eat. And that’s it. That’s the manga.

I bring Baki up because Gege is a huge fan of Fujimoto Tatsuki, the creator of Chainsawman. Fujimoto is a fan of Gege too, but more importantly, he is a huge fan of Itagaki Keisuke, the creator of Baki. (His daughter made Beastars btw.) In a way, this means Jujutsu Kaisen has been influenced by Baki. But that’s not a surprise, a lot of manga is.

Itagaki’s work is so massively influetial on Japanese media that it’s kind of hard to grasp since it’s not as popular overseas. When listening to interviews from various Japanese creators, Baki will often be cited as a major influence. And the thing is, you can tell when a creative has read Baki. There’s nothing quite like it. If you’ve read Baki and consume Chainsawman, you will see its bones everywhere. I feel the same about Jujutsu Kaisen.

The main antagonist in Baki is Yujiro Hanma. He is the strongest creature alive. So much so that he has no one to call a rival. He’s bored. He causes trouble. He kills his wife to motivate his son, Baki into becoming stronger. His son, Baki, who he grooms into becoming a fighter that might beat him in combat one day. Kind of sounds like Sukuna, right?

But that’s not my point here. My focus is how Baki doubles as a discussion about strength and manhood. It’s aggressively bisexual. Men love each other with their fists. Straight up the main character says having sex with women is the same thing as fighting men.

And it just doesn’t stop there. The homoerotic nature of the fights is never shyed away from. Here’s an example of my favorite.

He grabs his balls and compliments their size. That’s pretty gay, right? Well there’s this reanimated prehistoric caveman called Pickle that fights Baki’s brother Jack. And how do they fight? They kiss.

I didn’t call it a kiss. Itagaki did. I didn’t say they melded together. Itagaki did. This mangaka overtly calls attention to the homoerotic nature of men fighting men, and how men communicate their love for each other through violence. And yes, it’s sexual. Itagaki wants you to read it that way.

But sometimes he doesn’t want you to read it that way. Sometimes the fights are a dialogue, an emotional conversation. Like one between father and son.

Itagaki is a master of narrative framing. When he wants you to feel a certain way, you will feel it. He also tells his readers that there’s more to the fights than just fighting.

Those are the ideas that help me see the bones of Baki in other works. Men loving men with violence. Men communicating with men through violence. I see these ideas in Jujutsu Kaisen too.

Jujutsu Communication

I’ve gone over how Yuji commucates with other people on their own terms. And a lot of it is through fighting. A conversation without words, learning how someone works. Yuji is good at using fights as tool of communication.

But he’s not the one who tells you that there’s more to the fights than just fighting. Maki does in her spar with the sumo guy.

Just like Baki. Fighting is a means of communication. Gege has told you that there can be more to the fights than fighting. It's a tool used to understand the self and others.

With that in mind, I want to reexamine a particular fight under the lens of Baki rather than Umineko.

Sukuna vs Gojo

Baki tells you that homoerotic readings of its fights are intentional. If you ask me, this probably stems from historical stances on masculinity and homosexuality in ancient Japan. Men loved men and women differently, but both were ok. That’s how Baki can have a girlfriend and his gay fights. Peak bisexual optimization.

What does Jujutsu Kaisen have to do with this? Well it has been extremely queer friendly. We have a multidue of canonical trans characters, non-binary characters, and other flavors of queer characters not disparaged for their identities, Gojo Satoru included. It may not be stated outright, but Gojo and Geto do love each other in a gay way. The subtext is so persisent it’s basically text.

In other words, Gege has already told us, yes please have queer readings of this text. It’s the same way Baki tells you, yes this is straight up convoluded gay sex. So that’s what I’m going to do. I’m going to reread the Sukuna and Gojo fight as some ridiculous mating display between two men who are fighting over can miscommunicate their intent the hardest.

Framed as Courtship

Let’s start with the framing. The pre-fight set up. How does text tell you queer readings are allowed?

Kenjaku does. It’s romantic. It’s a date. This reading has been made valid explicitly. And if there’s room for doubt because of the sarcasm? There’s still additional support for it.

We already know how badly in love Gojo is with Geto. The fight is on the 24th of December, the most romantic day in Japan. And in a fun little Geto parallel, who declared the start of war on this day, violence underlines this new romantic venture.

That doesn’t include Sukuna who recalls Yorozu’s words about teaching love in the context of marriage.

Gojo never heard that conversation which is why the next point is absolutely insane.

The outfit Gojo initially is in resembles that of a groom at a Shinto wedding.

Shinto weddings were implemented after the Heian era. Part of the ceremony includes a priest and a shrine maiden who respectively stand to the right and left of the altar. A purification ritual will occur, lead by the priest, to cleanse the shrine before vows are exchanged. Gakuganji is the priest and Utahime is the shrine maiden. To the right and left of Gojo respectively.

The bride at a Shinto wedding wears mainly white. After the 200% Hollow Purple cleanses the area, the dark shawl is removed and Sukuna remains in mostly white.

How interesting that this battle has been framed as one between groom and bride.

The thing is, marriage in the Heian era was far more lax. There were no major ceremonies. If a man was interested in marrying a woman, he would visit her for 3 nights after receiving approval from her father. Upon the passing of their 3rd night together, the family would have an informal celebration of their union in private. Even after marriage, multiple partners were allowed and sometimes encouraged.

Yorozu’s big celebration proposal to Sukuna and banning of concubines was quite improper by Heian standards. Though it is in line with modern marriages. If Sukuna did not consume any Shinto wedding literature, he probably didn’t recognize that Gojo was dressed as a groom.

But did Gojo dress this way for Sukuna intentionally? The Toji fit served an entirely different purpose. It’s the robes and pre-fight ceremony that catch my attention. So I propose the following:

1) Gojo dressed up as a groom to die and be wed with his one and only Geto in death.

2) Gojo dressed up as a groom in part as an offering to Sukuna. And because Sukuna is from the Heian era it went over his head entirely.

3) Gojo intended for both of these things at the same time and left who he would end up with to fate.

Regardless of what Gojo was going for here, it’s a visual cue combined with the knowledge of it being Dec 24th that encourages the reader to perhaps consider the fight as something other than just a fight. A date perhaps? Kenjaku made the connection and neither Gojo or Sukuna really denied it. Gojo gave the weak excuse of a death anniversary confusion. But much weirder, given how hostile he was to Yorozu, Sukuna did not object to the romantic framing in any capacity.

Am I reaching? Is this reading intentional?

When I start getting this confused by how a translated work wants me to read it, I try to refer to the original language text and anyone who knows it for missing context. Sometimes localizations add things that weren’t there or push readers towards one interpretation. So for the rest of this analysis, I’m going to be focusing on the raws.

I’m going to be honest. My Japanese fudging sucks. I can barely read kanji and can’t reliably translate anything. Feel free to correct me if I got something wrong. That being said, with what little I do know, I have discovered something interesting.

In this post I talked about how weird Sukuna’s manner of speech is. I focused on his you pronoun usage of お前 (Omae) for everyone else and 貴様 (Kisama) for Gojo since this is a strong indicator of how a character views their relationship to someone.

Here's a summary of the two points I made in that post:

1) Omae is informal and either a casual thing amongst peers or indicates the speaker's higher status. Since Sukuna is arrogant, we can reasonably assume he's talking down to people.

2) Kisama historically was a formal show of respect, but in modern times it is a hostile insult, much more rude than Omae. Since Sukuna is 1,000 years old and hates Yuji (who he uses Omae with), we can reasonably assume Sukuna was being friendly to Gojo when he used Kisama.

With that pronoun usage in mind, while examining the raws for the infamous “You Cleared My Skies” speech I found this:

Kisama. Sukuna is very happy and lavishing Gojo with praise. The assumption it was formal from the start seems to be correct. It's hard to read this any other way.

Though Japanese can easily be dubious in its interpretation, there are instances where context can cut off all other readings. I truly believe this one of those cases.

Now, to confirm Sukuna is still only treating Gojo this way I started looking at his you pronouns as he got excited post-Gojo death. Maki is the person he seems to admire the most.

He’s still just using Omae. What does that mean? Gojo is in his own fudging category for Sukuna and he has been there since the start of the manga. (For more on why this is significant, refer to this post.)

Wow ok. That’s pretty intense! We’ve got Gojo dressed up as a groom on December 24th and Sukuna treating Gojo different from anyone else. I read their fight again under the lens of explicit courtship and focused in on these specific panels.

Satisfaction. Now that’s a word that can easily carry a sexual connotation. Love as well. The parallel syntax fascinated me in English. So I decided to look at the raws and see how close they are.

Pretty much the same except for "the one who will teach you love" and "the one satisfying him now". Since the one being satisfied is Gojo by Sukuna, it really seems we can assume the one being taught love is Gojo by Sukuna.

Time to learn some Japanese again!

Kanji has multiple readings. Most have at least two. The Onyomi (Chinese) reading typically used for nouns and the Kunyomi (Japanese) reading typically used for verbs. (This is not always the case but it’s the basics.)

That’s probably why 満 is read as まん (man) when Gojo and Geto are talking about “satisfaction” using the On version and み (mi), the Kun version, when the narrator is talking about who “satisfies” who.

However 満 on its own does not mean satisfaction. It means full. To be filled. Or fullness. 足 (zoku) is added as a modifier after 満 to be read as satisfaction 満足 (manzoku). 足 usually means feet, but it can also mean to be sufficient. Manzoku therefore has a direct translation of being sufficiently full. It’s not a surprise a lot of food places in Japan use Manzoku in their names or advertising.

But what’s this? Why is this sentence written as 満たして or Mi(tashite) instead of 満足して or Manzoku(shite)? The addition of Zoku is what transforms Man into "satisfying". Without the Zoku, it’s just "fill". The means this sentence can be read as “The one filling him up now is—”

We’ve already established that the blank is Sukuna. The new problem is that he’s filling Gojo up. And boy, does that sound homoerotic to put it lightly. But perhaps I am reaching.

So I did what any sane person would do in this situation. I read hentai.

Surely if the phrase 満たして (mitashite) can carry a sexual connotation I will find it in hentai.

...

I immediately found a yaoi doujin called Fill me with your Big Love aka おっきな愛で満たして (Okkina Ai de Mitashite). Honestly, I found too many doujins about creampies specifically. (You have internet access verify this yourself.) When you search Manzokushite the results are much more in line with life satisfaction than sexual satisfaction. ...So Gege decided to use the more frisky phrasing.

Manzoku is also the name of an active sex toy manufacturer (I’m not linking them use a search engine.) and a discontinued adult entertainment news company. So the satisfaction Gojo and Geto talk about, along with Geto using 妬 (ya), the jealous kanji often used between lovers, is definitely probably carrying a sexual connotation too.

So, I’m not reaching. What the fudge did Gege mean by this?

Now that we've established that I am NOT reaching. What do we do with this information?

Well, we ruminate on the fight with the knowledge that Sukuna, of his own volition, decided to get Gojo off, probably.

I have forgiven Nanami for calling Gojo a pervert. If I watched someone bust a nut after being cut in half by his sworn enemy instead of saving the country, I too would be like what the fudge.

Anyways, the typical phrase used for an orgasm in Japanese is 行く(iku). It translates as to go. And yes it can mean to die, as in going to the other side. To die and go to heaven if you will. Which is what Gojo did with a big old smile on his face.

There’s also the term 心天 (tokoroten). It refers to a dish were a semi-opaque white substance is pushed through holes to create noodles. Literal translation using the kanji for heart 心 (kokoro) and the kanji for heaven 天 (ten). (Don’t ask me why them being smack together turns the Koroko into Tokoro. I don’t know.) Which in slang refers to prostate orgasms. This has nothing to do with this analysis I wanted to drop this fun fact in here. …And this image of Sukuna clutching his heart while looking at someone he sent to heaven.

(This is a reach but the idea of this being an elaborate gay pun amuses me greatly.)

I have another fun slang term: 賢者タイム (kenjataimu) which directly translates to sage 賢者 (kenja) time タイム (taimu). This refers to post-nut clarity sending someone into a meditative-like state.

Oh that’s a bit familiar. Sukuna was giving sagely advice to Kashimo and reflecting on satisfaction and love.

And what’s this? Mitashite has made a reappearance! Sukuna is saying “I’ve never thought about needing another person to fill me up.” Which 1. further supports the 'The one satisfying/filling him (Gojo) now is—Sukuna.' reading and 2. suggests Sukuna is a top suggests Sukuna really doesn’t have sexual interest in people. (Since the context of this convo is relationships and love.)

By the way. Acts of eating in Japanese can be modified to carry sexual meanings. It’s a bit more suggestive than English, but it carries over pretty well I think? 肉食系 (nikusokukei) refers to someone who aggresively pursues romantic or sexual relationships. Composed of the kanji 肉 (niku) for meat, 食 (ta) for eating, and 系 (kei) class. If you noticed, 食 isn’t usually read as Soku. It becomes Soku when paired with Niku for some reason. (I don’t know why someone please help me.) Side by side the kanji 肉食 (nikusoku) means meat-eater.

食 is still interesting on it’s own. The 食べる (taberu) reading is normal eating. The 食う(kuu) reading is an innuendo. It can mean to devour someone, like a cannibal, or devour someone sexually.

Sukuna has made it very clear that his eating of people is literal. There’s no innuendo. In fact, if you read into it, he’ll kill you (rip Yorozu and Kashimo).

Gojo, however, appears to be his sole exception to this rule. When Sukuna tells Kashimo not to spoil his pleasure he uses the kanji 興 (kyou). This of course can be directly translated as pleasure, but the Chinese reading of it can also indicate intense excitement or sexual arousal.

Sukuna is pretty good at double-entendre wordplay if his earlier stunts with the kanji for Enchain doubling as Megumi Activities if read a different way is anything to go by. He's a fan of Chinese literature. It's not a stretch to assume there's more going on here.

And if notoriously homophobic Reddit dudebros are posting things like this. Maybe there's a lot more merit to this reading than I can currently grasp.

I’m still pretty convinced Sukuna is aroace. That of course doesn’t bar him from pursuing romantic or sexual relationships. Sometimes there’s the one exception. Sometimes the desire to be with and please an allo partner allows for engagement of activities they aren’t into. Sometimes the actions are pursued without the emotional attachment because they physically feel good. There’s also the gray-scale and demi labels to consider.

With that in mind, I want to emphasize this all points to how important Gojo is to Sukuna regardless of sexuality. He tried to engage with and understand Gojo on terms he won’t for anyone else. And he’s been pursuing this connection relentlessly since the start of manga.

Sukuna’s Negative Rizz

Ok I established that reading the Sukuna vs Gojo fight as unhinged courtship is supported by the text. That doesn’t really say anything about Sukuna sucking at it.

But, my dear reader, that in of itself is proof of his negative rizz. I had to sit down. Learn about Heian era and Shinto wedding rituals, learn more Japanese, splice seemingly unrelated manga panels together, read hentai, and know that Gege is into yaoi to come to this conclusion. I had to rip every little shred of characterization and context apart and rearrange it into something comprehensible.

You know who can’t do that? Gojo.

As far as Gojo is concerned, Sukuna hates him. Kisama is an extremely hostile you pronoun in modern times. And if Gojo can’t tell Shoko (his closest friend after Geto) is stressed over him being used like a meat puppet by her visibly falling back on her addiction, he’s going to default to the assumption Sukuna hates him just as much as everyone else.

And Gojo does just that. He assumes he failed to reach Sukuna. Despite how often they did hand to hand combat and weaponized their knowledge of each other, Gojo believes they never had proper conversation through fighting. He dies not understanding Sukuna, convinced the other was not trying to communicate with him at all.

And if you recall, all of this fight occurred while Sukuna was wearing Megumi’s face. That boy is pretty much Gojo’s adopted child. From my experience, most single parents do not go looking for clones of their kids as partners.

If someone wore the skin of my family member I would assume they were trying to torment me. And torment Gojo Sukuna does. He draws attention to Megumi’s soul being used as collateral and attacks him with the 10 Shadows. We as the audience know this is all for the sake of getting past Infinity using his Shrine. Gojo doesn’t know that. He’s fighting an evil dude who is puppeting the body of his son for god knows what reason.

Seriously, Sukuna sucks at communicating intent.

In Part 3 of my examination of Sukuna’s loneliness, I said Dismantle is a tool Sukuna uses to understand. And that him upgrading it by making Gojo the center of his world was indicative of his desire to reach him. I also said his refusal to use it on Yorozu was him expressing how little interest he had in her.

Yorozu is pissed by this. She sees it as Sukuna rejecting her and I don’t think she’s wrong. Sukuna saved his special Cursed Technique (CT) for Gojo while turning Yorozu down. If we’re considering all the wedding imagery and references that started with Yorozu, I’m certainly allowed to read that as him saving himself for Gojo. (Think of how he lied to Gojo about being the first one he killed.)

There’s also the fact that Yorozu saw their battle as an expression love and lust—that the usage of CT is a type of foreplay under certain circumstances since it is an extension of the self. Combine that with the established premise that fighting is a type of a communication thanks to Maki vs Sumo Guy and you can start to see the courtship logic behind Sukuna’s treatment of Gojo.

If we are to read “The one who will teach you love is…Sukuna” there’s another adorable caveat. Yorozu uses the you pronoun あなた (Anata) for Sukuna.

It’s an informal you pronoun used by people learning Japanese. Native speakers try to avoid using it as it can come across as rude. But in the context of love? This is colloquially called the wife pronoun as its often used by a wife to her husband.

If you wanted to localize its usage in the way Yorozu means it, Anata might become “you, dear”. So here we have Sukuna dressed in white, like a bride to Gojo’s groom, thinking of him as Anata.

The problem is, Gojo doesn’t know that. Sukuna never bothered to open his mouth and say this was an act of love. Sure he told Kashimo in the most roundabout way possible, but Gojo was the one who needed to hear that. If a courtship is going to be this diabolically complicated, there has to be clear hints for the other party. JJK is not Umineko where there’s a witch that can revive the dead over and over until the idiot finally understands this was all for them.

Gojo also doesn’t have access to the kanji Sukuna uses to describe certain techinques or words. He hears the phonetics and runs with whatever best fits the context. This means there’s no way for him to catch the double-meaning unless he’s a certain type of lingust, which he is not. His manner of speech and personal interests don’t line up with the flowery language of the Heian Era. The types of written works Gojo is into are historical war politics from the Sengoku period (known for violence more than the fine arts), Shonen manga, and physics/math.

And what's this? According to CFYOW (the canon light novels): JJK Thorny Road at Dawn, Chapter 3 Asakusabashi Elegy, Gojo doesn't even like ancient poetry. You know, the thing Sukuna enjoys and tries to communicate with.

The Kokin Wakashu Gojo off-handedly disparages is a compilation of Hiean Era poetry known as Waka. This was the primary means of communication amongst the noble class and spiritual leaders at the time. And the thing is, this poetry is supposed to be read into. Down to the quality of stroke and paper, not just the kanji written. Especially for courtship.

It’s not that Gojo is stupid. He just doesn’t specialize in the studies that would give him a more critical ear to Sukuna's words. And Sukuna doesn’t seem to understand that no one in the modern era communicates like this anymore.

If you didn’t know, this is why Japanese characters introduce themselves they often describe what kanji their name is spelled with. Take for example: Satoru. He uses the kanji 悟 meaning enlightenment. This kanji can be read as Go instead of Satoru. Additionally, the name Satoru can be written in kanji as 聡 for smart, 智 for wisdom, 知 for knowledge, 了 for understanding, 哲 for philosophy, 聖 for virtuous, or 暁 for daybreak. That’s 8 different kanji possible if you hear the name Satoru.

This is why Sukuna’s wordplay for everything else can be easily missed by other characters. They hear the words and cannot read the kanji like us. Context decides what Sukuna means for them. And since Sukuna’s context for most is violence and insults, it’s very hard for them to think about his words in any other way.

And boy howdy does Gojo miss it. Sukuna straight up calls him his husband and it took me several rereads to catch it. While mocking Gojo for being unable to open his domain, Sukuna calls him "painfully ordinary". This is localized from the word 凡夫 (bonpu) which can also be translated as unenlightened. (A layered insult! Sukuna is pretty much saying Gojo's sorcery is so boring he shouldn't even call himself the Honored One.)

The thing is...Bonpu is comprised of the 2 kanji 凡 for mediocre, and 夫 for husband. (Please note that there are many other ways to call Gojo a ditz without using the kanji for husband.) And an update from the Replies: Turns out there's layers to the gayness too.

It's come full fudging circle. Gojo came dressed as a groom for a wedding and Sukuna thinks they're already married. The miscommunication is off the rails.

But wait! There's more...

Earlier I mentioned that the kanji for Enchain doubles as Megumi Activities. Let's break that down more. (Unfortunately the Twitter account of the person I referenced may or may not be nuked so here's this screenshot I've doctored.)

So we have the translation of Enchain from 契闊 (Keikatsu), which might be better localized as Separation.

This term comes from a Chinese poem about lovers who are husband and wife in The Book of Odes, Section I (Lessons from the States), Chapter 3 (The Odes of Bei), Poem 31 (Banging the Drum). (Here's a link to the full poem and context of it.)

In summary, it’s about a soldier who is on the brink of death, having lost nearly everything after being abandoned by those in power, lamenting the happiest days of his life with his love are ones he can never get back. (Hey that sounds just like what Sukuna did to Yuji!)

Keikatsu specifically comes from this passage:

“Our vow is beyond death and life”, I and you are together I always remembered. I will hold your hand, And together we grow old.

Too pitiful we are faraway apart, The distance separates us to meet again! Too miserable this takes forever, And it does not let us fulfill our vow!

Keikatsu is used to exemplify how the physical distance between the husband and wife prevents them from fulfilling their wedding vows. And that's just what Keikatsu/Enchain does to Yuji and Megumi, it causes painful separation neither of them wanted.

Keikatsu also tells Yuji exactly how Sukuna plans to do it. 契(kei)闊(katsu) can be written as 恵(kei)活(katsu). The kanji 恵 can be read as Kei or...Megumi. (It's the literal kanji used for his name.) The kanji 活 (katsu) can mean "activities", which is how we get Enchain=Megumi Activities.

A two for one special! Sukuna mocks Yuji for being so close with Megumi while telling him exactly how he's going to destroy their relationship.

It seems this has nothing to do with Gojo until you consider the 3rd possible reading from wordplay with 契闊 (Keikatsu). The kanji 契 when read as Kei refers to a promise, pledge or vow. When 契 read as Chigi? It can refer to sexual intercourse, especially between husband and wife.

So we have 契闊(keikatsu, separation), 恵(kei Megumi)活(katsu, activities), and 契(kei chigi, spousal sex)活(katsu, activities). It's no wonder he erased Yuji's memory of it.

Keep in mind, that when Sukuna uses Keikatsu, the only vow that he has made at this point is his promise to kill Gojo. He eventually does that using Megumi's body during a fight framed between groom and bride. And for reasons beyond their control, Sukuna and Gojo have been unable to fulfill that vow through lengthy separation.

Notes from poem "Banging the Drum" Sukuna references include the following:

"And during the operation, he lost his horse, which was a desperate situation (horses in ancient time carried soldier supply and weapons, are life companion for soldiers in advance or retreat), he lost his horse, his supply, maybe his armor and weapons, and the road he was facing that we may lose his life so he may never go back. In all these mess, he started searching, and somehow at this hopeless moment he started to revisit his happiest moment, when he together vowed in marriage ceremony with his wife, and he was even afraid that he might never see his love again."

"And His last statement for his true value is his home, his love, his fulfillment of his vow is his true duty. Hero's duty is to pursue love."

In Buddhism, which JJK is heavily influenced by, horses are a pretty big deal. Horses can represent the path to enlightenment, especially since The Buddha's horse is what takes him on this journey away from his wife and children. They separate in the end though, the horse dying of a broken heart.

Remember how Sukuna called Gojo unenlightened? He sort of guided Gojo to enlightenment using Mahoraga, whose Eight-Handed title is a reference to the Eightfold Path to be followed for enlightenment. Buddhist enlightenment is centered around liberation from suffering. (Just check the wiki entry to verify this.) Infinity was the source of Gojo's suffering and Sukuna cut right through it.

Sukuna has been running around with a broken heart for a good chunk of the post-Gojo fight. And if you take that into consideration with this poem and all the other symbolism, he's somehow a Buddha, a Bodhisattva, the dying husband, the widowed wife, and the heartbroken horse all at the same time. Not unlike his wordplay taking on every possible meaning at once.

But my point here is that Sukuna might’ve seen his fight with Gojo as consummation of their marriage. (There's probably a joke in here about the husband reaching climax while leaving his wife unsatisfied.) Remember in the wise words of Itagaki Keisuke, "Fighting and sex are exactly the same!"

In Conclusion?

This is possibly one of the most bizarre and elaborate expressions of love I have lost my mind over. Sukuna gave everything Gojo ever wanted from Jujutsu violently. He did it in such an unpleasant and cruel way that the target of his affection thought there was nothing between them. Sukuna also hid his intent under social norms that no longer exist. Unless Gojo happened to be into ancient literature, there was never a scenario where he would catch onto this. Sukuna's failure is critical on multiple levels.

It’s impressive. It really is. No one knows how Sukuna’s strange little brain works so he’s stuck being loner without anyone that fully understands him. (I’m still thinking about how Uraume didn’t know Sukuna was a twin for over 1,000 years.) He’d have to let people in and tell him outright, but he’s just like Gojo so I guess that’s never happening.

#cactus yaps #I need to have my weeaboo license revoked.#How on earth did I miss this?#GEGE WHAT DID YOU MEAN BY THIS.#Hi yes I will dress as a traditional groom on Dec 24th the most romantic day in Japan after someone else called the arrangement a date.#Is this even subtext at this point?#Why can’t these men use their got danged words instead of Umineko levels of psychological warfare.#Sukuna: ''Gojo is clearly driven by lust. How do I have s*x with him without actually having s*x?#Fighting and death are basically the same thing as s*x so I’ll do that and hopefully he sees that I love him.''#Gojo to Geto: ''Sukuna gave me the best *rgasm I've had in years. I think he hates me.''#Geto: ''Huh.''#Absolutely fascinated by girlfailures Sukuna and Geto horribly fumbling Gojo in completely different ways.#I want them to fight over him in the most passive aggressive way possible.#Gojo was meant to be a romcom harem protagonist.#Though Sukuna should be way more ok with poly given Heian rules on relationships.#But you know Geto was also ok that someone else was able to make Gojo feel good.#I like that prioritization of his pleasure. Even if it came a little too late.#Much to think about.#Consider this my Sukugo manifesto part 2.#Update 8/14/24: One of these days I'm just going to have to make a new post.#Update Cont: Sukuna calling Gojo his mid unenlightened husband wife spouse all at once using two kanji is truly insane.#Update 8/19/2024: All according to Keikatsu.#sukugo #ryomen sukuna #gojo satoru #jjk spoilers #jujutsu kaisen #lemons

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