#It's been a REALLY long time y'all

[hashtagdrivebywrites]

Y'all bear with me on my bad phone pictures and excessive notes lmao, but, uh, ask and you shall receive.

Here's my concept art for Jason in my fic Imprint, where he's a halfa and Danny's biological dad and the king father/king regent? of the infinite realms.

Here's the first ever sketch I did somewhere around chapter 2 or 3:

Featuring larval Ghost!Jason, Pit madness/Lazarus Water and little bitty Ghost!Danny.

I was already thinking about the possibility of a crown but didn't know what to do with it yet so I just left a halo as a placeholder DBZ-style, which you'll see in the next few concept stages until I finish the latest one.

Ah, the oldest concept I had for the Pit is that it laid dormant in Jason's mind and would physically pull itself out of his head, which is why it's kind of half melded with Jason's helmet in this one. And I'm still kind of considering that idea, but I'm leaning more towards it coming from the bulk of Jason's body instead, as we see it in chapter 8 of Imprint when readers get to see Jason's ghost nonsense from an outside perspective. They (the Pit) is definitely more tiger-like now, and you'll catch a glimpse of a sketch dump where I'm trying to get a handle on tiger shape language (?). They'll still be water based and colored like the pits/a lagoon. It may be hard to picture- just trust me.

Uhhh let's see....the "lantern ribcage" is a part of the design that's really important to me so you'll see me consistently playing with it as I go through these early concepts. That's his core nestled in the lower part of his ribs, visible but protected behind the iron cage of his bones.

I wanted to incorporate Jason's helmet and other parts of his vigilante/hero uniforms in his ghost form since that part of his life is deeply personal to him.

I also knew that I wanted him to have a very monstrous aspect to his design- and I can't resist slapping pointy teeth on any of my concepts that deviate from being strictly human. So those aren't going away. Nostrils to breathe smoke and fire so Jason can better emote with most of his face being metal.

Danny's default ghost form, opposed to Jason's will still kinda be the one he has in his original dimension- black and white suit and the classic DP symbol on the chest, but probably better armored and with a bat emblem thrown in somewhere. So thats what I drew him with here- though little kid sized, with an added black streak in his hair to complete the inverse of the Lazarus Pit streak he has in human form.

In ghost form, when Jason needs precision, his go-to weapon will be the All Blades, which I have kinda illustrated here.

I may kinda set the bones of this design aside to use as a more humanoid ghost form that's closer to his living form, but that's still up in the air.

Here's concept 2, which I did on chapter...5? I think? Which is when I decided I wanted to make Jason's most comfortable ghost form to be kinda big and outrageous:

This one's got some notes doodled around it- but I'll type them out in case you can't read my handwriting.

Jason was definitely leaning more toward dragon (and I'm still trying to find the balance between dragon and phoenix that works nicely for him, but we're getting there.)

I decided not to put heat pits on his face recently so that the parts of his head modeled after the helmet are smooth metal armor. I tried to elongate the head but still keep the lines of his helmet in the design.

This is also the first time I started messing with horns- which have been bent in just about every direction at this point trying to make them mesh well with the rest of his design. The uppermost notes in the image mention basing the shape of his horns off of one of his weapons. I thought that the flaming all blades would just be overkill at that point and decided to play with using the Kris knife he gets from the League. Which is....still overkill but it's less fire to draw, so we'll call it a even. There is also a note on my decision to make his horns into a pair only because of being Bruce's second son and the second Robin. (I have put way too much fucking thought into this if you haven't figured that out already).

Tried a different look for the teeth and ended up scrapping it.

I also started leaning more into making his back look as messed up as possible at this point and started thinking of the....mountain range in plated rows like a croc's back.

And here's concept 3, which also starts playing with colors and the all-tail, no-legs look that I decided to stick with:

This is definitely the biggest jump between concepts so far and was sketched up while writing chapter 7, which I think is the first time we get to experience his ghost forms (there's 2 that we saw in that chapter).

So I continued to smooth and lengthen the head and tried a different thing with the teeth- which I kept. I also felt a lot better about the lines from the helmet with this concept. I tried curling his kris knife horns forward, trying to play with their form. Those have changed since.

This is the first time I added hair, but it's hard to see. He, like Danny, has an inversed streak of black at the front of his 'do to reflect the Lazarus stripe.

Again with the halo placeholder because I was still on the fence about the crown. Started trying to make the mountains of his spine more volcanic looking. Don't know if I'm keeping that or not yet.

So the three major differences between this and it's predecessors is the 1) mantle of smoke that is constantly being expelled from his body that is supposed to imitate a kinds cloak/mantle; 2) the tail, which has since been changed into a fiery tail instead of a ghostly one; and 3) I slapped his Robin 'R' from the movie UTRH on him to make this form more...him, I guess, and also to make Bruce cry like a baby.

So the things that I have changed is the ribcage, the shape of the horns, the crown (which finally has a rough design and a name based on the fight he has to win to earn it- yes, I already have that arc scribbled out and will most likely be adding it into the story) and I added some extra stuff to the face to match the written descriptions in Imprint.

SO. -Claps hands together- I'd love to hear your thoughts on everything, and I am always interested in hearing how y'all have interpreted these characters for yourselves.

If this is something you want me to do again with other character designs, let me know and I will. I am working on Jason, of course, and the Pit, Frankie boy, Danny's big long boi form, Gotham and some other odds and ends.

(Whoops forgot tags again)

[raiiny-bay]

Love, Dhes

Parker,

It's unfair how time with you feels so short. How the last 10 years have felt like no time at all. I like to think there are other versions of us out there, somewhere. Maybe in another timeline, another universe. I like to think we find each other no matter where we are or what we're doing. That we're together and happy and I get to love you in a dozen different lifetimes. That's what I hope, anyway. And I hope when this lifetime ends, we get to start over and do it all again. Because once just isn't enough. Not for me. Not with you.

I hope the next 10 years pass slower.

Love, Dhes

[silusvesuius]

from the back i bash all nite i lastttt t

[fuckyeahilkkavilli]

Ilkka Villi in a Sonera ad. (1/7) Also known as the Ilkka Villi as a cheerleader ad.

[they-didnt-last]

anyone interested in talking about the iconic 2000's middle-grade-bordering-on-ya book series gallagher girls??

[bittybeanie]

oh boy! time to post a new fic! I can't believe it's been *checks calendar* ....oh. uh. oops. ignore that! it's the fourth and final installment of (this) aspec reigen series, complete with a lite™ version of a couple different kinks and finally getting to touch the peen! this one's real long, folks, clocking in at about 9,500 words, so you might wanna get a nice beverage and settle in.

content notes: thigh riding, themes of consent, drunk almost sex, a discussion about the drunk almost sex in the following scene, praise kink, a very loose (literally) definition of bondage, and so so many pet names. minors please don't interact!

also on ao3!

It takes more than a couple tries for you to get settled on the bed. You’re too close, then too far, and Reigen can’t get comfy, and your hand keeps sliding out from under you, and he can’t decide how he wants your leg angled, and there’s too many clothes, then all at once so few clothes that it feels like too much at once and you hastily agree to put your shirts back on, not wanting to break the already fragile layer of quiet hope.

Finally, finally, everything is perfect.

Awkward, stilted, and a little tense, and you’re not sure how long your leg will let you keep it just barely raised like this before it cramps up, but he’s here, embarrassed but steadfast, breath coming out in shivery gasps, hovering over your thigh, one hair fisted in the back of your hair. If he tips over, there’s no way you’re not going with.

Perfect.

His thighs shake as he holds himself up, deciding which direction he wants to move. You reach for the small of his back to steady him. "Does this count as keeping my hands out of the way?" He nods, so you test the waters by sliding your other hand up his thigh.

"As long you don’t- just no direct touching. Close to is fine, just not… well." He moves a hand back and forth across where he’s hovering over your thigh.

“Keep off the goods. Gotcha."

"The goods? Awful. You're awful, I swear."

You slide your hand up, just barely skimming your fingernails over his hip when you catch the hem of his shirt, and his cock twitches in his boxers.

"The goods don't seem to agree."

"Oi." Despite his protests, the laughter loosens him, and he relaxes enough to lean back into your knee. “Fine, fine, just stop saying goods.”

“Alright.” He raises an eyebrow. You lift both hands in surrender. “I promise! I will never again use ‘the goods’ to refer to your perfect, gorgeous, suckable-”

“I get it! I get it.” He grabs onto your shoulder - maybe in an effort to distract you, or maybe just to keep his balance - as he shifts closer. You can practically feel the heat radiating from his ears. “Here, actually, can you-? Hm.” He presses a hand against the inside of your other leg, thumb digging in as he gives a shove. He slides a knee into the newly free space between your legs, leaning forward to get a better angle. Your hands settle back on his waist.

“Better?”

“Much.” He lets out a little hum as he pushes his hips forward, and you have to stamp down a whimper at the feeling, his dick heavy and warm even through fabric.

“Didn’t mean to just push like that, though. Sorry.”

“S’okay. I’ll survive a little manhandling, as a treat.” You hit the last “t” sound with a click of your tongue, and he falls into your neck with a laugh. You trace patterns on his hips as he moves, tracking the motion as you press your fingers into his skin. “God, how do you get your hips to move that smooth? It’s sorta mesmerizing.”

“Hm? Oh, I don’t know, I’m just- I wasn’t thinking about it. S’just what f- ha, feels good.” His breath fans out across your collarbone, warm and fast.

“Yeah? You like using my thigh, baby? No thoughts other than what feels good? Your own personal toy to get yourself off against?”

“Oi.” His hips stutter once before he falls back into a slower rhythm. His fingers dig into your shoulder as he pulls you closer.

“Too much?”

“That’s not how I think of you.”

You can’t help but laugh, a light chuckle coming out in a breath against his hair. “I know, ‘Taka, I know.” You slide your hands under his shirt, over his stomach and up to his collarbone. “But would it really be so bad to belong to you?”

“I- fuck.” There’s a moment of worry when he shoves you away, but then he’s scrambling for the hem of his shirt and pulling.

“Are you sure?” It’s a formality, uttered even as you’re already reaching to help slide the fabric over his elbows, but it’s one you can’t even imagine going without.

“Very.” He lifts himself off of you to push his boxers down, shifting his weight from one leg to the other as he shimmies them all the way off. The mattress shifts and pitches him over, and you hurry to grab his arm.

He crawls back over to straddle your thigh, the tip of his cock tapping lightly against your side before he leans back onto his ankles.

“Do I need to get-?” You chuck his shirt into infinity and gesture vaguely to the bedside drawer. He’s technically never told you that he started keeping lube in there, but he hasn’t made much effort to keep the secret either.

He shakes his head. “I’m close. Won’t matter.”

He tries to go back to rutting against you, anchoring his hands on your waist to tilt his hips this way and that, but something about the new angle is off, and he can’t get any good contact.

“Oh no, now horrible, your dick is just so hard it won’t stay down on its own.”

He clicks his tongue at you as he scoots to sit closer, flush making its way from his ears to the edges of his cheeks.

“That gorgeous curve probably isn’t helping, either. In this case, anyway. Be an absolute treat to have inside me, though.” You press your thumbs in just above his knees, encouraging him to spread his legs more, and he jumps with a squeak, hands flying to grab yours. “Sorry, sorry, di-”

“No, it’s-” He pulls your hands together, just in front of his stomach, and the tip of his cock brushes against you. For a moment, you think he’s going to pull down, but he guides your hands back to his hips, pressing them into his skin as he rolls his hips. “Here.”

He gives up and puts his hand flat over his dick, pinning it down against your leg. He lifts himself to adjust the angle, just his tip dragging along your skin until he bumps into your hip, precum rolling out in a thin line over your thigh. When he pulls back, he grinds down insistently, coating his length and covering what isn’t already marked of your thigh so he can slide more easily. After a few impatient jolts of his hips, he settles back into a rhythm, smooth and fluid, and lets up on the pressure of his hand. He slings his other arm over your shoulder to pull you closer, and he falls forward to bury his face in your neck, whining into your collarbone.

He wasn’t lying when he said he was close, because it only takes a few drags of his cock against you for him to seize up, body tensing before going boneless, cum rolling over his hand and onto your hip as he slumps against you in a mess of pants and sighs. You slide your hands up his back to support his full weight, pressing kisses to his hair as he catches his breath.

“Just… gimme a second, I can cl- get you- god, my legs.” He rolls off of you with none of his usual grace, limbs falling everywhere at once, lightly smacking your arm as he goes limp.

You laugh and push his hair back from his face. You don’t bother to untangle your legs from his, accepting your fate of needing a shower later in exchange for getting to lean down to kiss his cheek.

“Eh, let it dry.”

“I’m starting to think you like it more than tolerate it.”

“If you haven’t gotten the hint by now that I want you to absolutely cov-”

He gives you a shove, rolling his hand so there’s no real force behind it, but you seize the chance to topple with a dramatic moan, one hand falling theatrically across your forehead as your eyes flutter closed. 

“Oh, stop it.” He crawls over and props himself up on his elbows. You can feel his breath fanning over your collarbone, stilted like he’s trying not to laugh. You crack one eye open, breaking into giggles when you see his forced serious expression, eyebrows pinched together and one cheek sucked into his mouth to keep the smile off his face. He breaks at your laughter, breathing out through his nose and pressing his forehead to yours. “I can’t take you anywhere.”

“Oh, you could take me anywhere, handsome.” You waggle your eyebrows suggestively, and he rolls onto his back with an exasperated groan. You laugh again and sit up, pulling a blanket over him so you can settle in without accidentally brushing somewhere he’d rather you didn’t.

“Hey, Arataka?”

“I love you, too.”

“That, too.” You chuckle. “But I have a real question this time.”

“Oh.” He turns his head. “Sure.”

“After you… when you took my hands earlier, were you…?” The fleeting moment of contact between him and your hands floats through your mind. You can’t help but wonder what he was thinking in the moment he hesitated, but it feels weirdly invasive to ask so bluntly. “Sorry, never mind, this is a weird line of thought.”

You lay down beside him, craning your neck to rest your head on his shoulder. His hand finds yours, lacing your fingers together as his thumb smooths up your wrist.

“Do you mean…” He takes a steadying breath, grip tightening almost imperceptibly. “Do you mean after the clothes came off?”

You nod. For a moment, he stills, not even breathing.

“I was… I wanted so badly to let you touch me. I thought if I didn’t have to say it, if I could just… imply, then I could get around it, but,” he sighs heavily, and he sounds tired when he continues, “I panicked.”

You’re both quiet, long enough that you startle even yourself when you finally break the silence.

“It’s not a bad idea.”

“...Panicking?”

“No, angel. Implying.” He presses his cheek to the top of your head. “Maybe you just have to imply for a little longer.”

“I’m not following.”

“What if you left your hand on top of mine? That way it’s like- it’s the same as when you do it, but it sort of, hm, bridges the gap? All the sexy, none of the surprise.”

For a long moment, you’re not sure if he’s quiet because he’s thinking or because he’s falling asleep.

He hums, shoulder rolling under your head, and he pulls you tighter against his side.

+

"Okay." You shift nervously, tucking your foot underneath yourself, then deciding against it and unfolding your legs. "Walk me through the zones again."

"I'm not a city planning map." He rolls his eyes, but he takes your hand. You’re not sure which one of you the gesture is supposed to comfort.

You shift back onto your knees.

"Here up, anything goes." He points at the middle of his chest. "But try to stay- so more like, well, from maybe..." He gestures to his collarbone and wags his finger up and down. "Here to here, really."

When he looks back at you, you can tell he's waiting for something. You settle for a small nod.

"Right. A-and then, here to here," he points from his chest to just above his hip, "Hands are fine. Doing... whatever." He steadies himself with another deep breath and rushes through the rest. "Legs, stay still, and anything... direct we'll do the- on the- yeah, got it, that's all."

You let him sit for a moment to make sure there's nothing he forgot. His grip on your hand tightens, and you swear he moves to pull you closer, but he must decide against it at the last second.

"Whose hand is going on top again? Sorry, we've swapped it so many times I can't remember if we decided."

"Oh. Right. Um." He hovers his right hand over his left, then swaps them, then swaps them again. “Yours under mine.”

“Got it.” You reach for him, letting him pull your hand up to his collar. "And you know you can tell me to stop at any time?"

"You tell me that every time."

"It's important every time."

He swallows thickly and traces a circle on the back of your hand with his thumb. "Yeah. I know."

You shift to pull your legs off to the side, then cross them again, then sit back up on your knees. Gently taking the collar of his shirt in your hands, you trail one thumb along the edge of the fabric until you reach the top button. "And can I do this, or would you like to?"

He nods before realizing there were two options in your question, then points at you, then at your hands, then flashes you a thumbs up. "Yeah. Go ahead."

"Well, now hold on, I have manners. I'm not going straight for the goods." He laughs and shimmies to sit up straighter, letting his legs straighten out in front of him. "How about the pants later?"

"Uh, right, that's, I didn't think about that. I mean it would make sense that you're going to be- I mean it's not like-"

"Arataka."

"Yeah." He swallows.

"I'm not going to be offended if you’d like to take off your own pants."

He pauses, staring down at his knee. Eventually, he shakes his head. "I want you to do it."

"And your-?"

"Just do it at the same time."

"Got it." You take a steadying breath of your own. "I won't stay there, but is it okay if I straddle you for a little bit? I wa-"

His hands are pulling at your waist before you can get your legs properly unfolded, and you almost tumble over him. He laughs an apology as you move on top of him, hovering over his legs to avoid making any real contact.

You brush his bangs back from his face, following through with the motion until your fingers tangle in the shorter strands of hair at the back of his head. He tilts to follow your hand, craning his neck to keep you from pulling.

"Ready?"

He nods slightly.

"I’d like a verbal yes for this one, lovely."

He swallows. You watch his Adam's apple bob.

"Yeah, yes.” He nods again. His hand jerks, taking yours with it, and he awkwardly lets your hand fall into his lap. You do your best not to move. “I trust you."

You drag your gaze back up to his face, searching for any last signs of reluctance. A bead of sweat trails down his temple, and you’re certain if you put your hand to his cheek you’d worry he had a fever. Sure enough, when you slide your fingers along his jaw, he’s hot to the touch, and the tips of his ears are turning brighter shades of red by the second.

He clears his throat, pushing his jaw into your palm. “Are you gonna-?”

“In a minute.” You swipe your thumb across his bottom lip. “I’m savoring.”

He scoffs at that, the same scoff he uses when he sees somebody do something stupid in public, and you take the opportunity to catch him by surprise, surging forward to push him down onto the bed. His hands go to your shoulders on instinct but he pulls them back almost immediately, hovering awkwardly in the space between you. Using your grip on his chin, you angle his head so you can lean down and kiss him without knocking your noses together.

Once you’re sure you can support yourself without falling on him, you allow your free hand to trail down, tracing down the muscles in his neck, across his collarbone and back, finally settling on the first button of his shirt. It takes a little effort to get it undone with just one hand, but you manage it, and you allow yourself to dip down as you settle into a rhythm, lips ghosting along Reigen’s skin as you uncover more of it.

He’s shivering, hand shaking where it hovers over yours on the last button of his shirt. When you slide your hand back up along his side, his hand falls back to the bed, pulling at a wrinkle in the sheets.

You kiss along his jaw, savoring the feeling every time his breath catches in his throat under your lips. Your hand trails down along his side, wrapping around him to hold his waist when he arches up into the press of your thumb. He hums, eyelids fluttering, and you dare to slide your hand down, ever so slightly, thumb brushing over his waistband and back onto bare skin.

He grabs for you, grasp tight around your wrist, almost painful before he slowly relaxes and drags your hand back up toward his chest. You push yourself off him, swinging your leg to kneel beside him.

“Here, let’s try this.” You guide him to sit up. Once he’s situated against the headboard, you settle in by his thigh, your knee pressing gently into his hip. One hand traces circles and patterns as you trail down to his stomach. “Still good?”

He hums, but he scrambles for your wrist again, holding on tighter and tighter the closer you get to the button on his pants.

“You’re allowed to change your mind, y’know. I can let you do it.”

“That’s not- mm.” He relaxes his death grip on your arm but keeps his thumb hooked around it. After a few tries to let go completely, his head tips forward into your shoulder. “I thought I would… I’m sorry.”

You shake your head and slowly pull away. “Nothing to apologize for.” You cup his face with both hands and gently turn him, but he doesn’t hold your gaze for long. 

“Do you want to keep going? Should I…?”

He opens his mouth, but says nothing. His expression is pinched, tight with something you’re not sure how to label. His fingers press together, thumb and index, thumb and middle, thumb and ring, thumb and pinky, over and over as you lean back, nodding softly.

“Stay in bed?” Your voice is shakier than you’d like. You swear he flinches, and you clear your throat. “Or move to the couch and watch something?”

“Couch.” He nods once, stiff and harsh, and swallows thickly. “Thanks.”

He presses a kiss to the corner of your mouth, and slides out of bed, starting to button his shirt back up as he wanders into the other room.

You keep nodding as if in a trance, and you follow him out. 

+

Despite the now faint memory of some friend of a friend forcefully inviting you, there's not a single soul at the party you recognize. With the exception of a few people dancing by the kitchen, closer to the speakers, everyone has settled for taking a seat and awkwardly bobbing their head. You’ve repeated the same three lines of small talk more times than you can count, it's just cold enough that you've had the chills the whole time while still managing to feel overwhelmingly stifled, and the music is so awful you wonder how somebody hasn’t tried to change it yet. But there's alcohol, the good stuff that somebody is clearly very particular about, and lots of it. You can't remember how much you've had, and that fact is enough to tell you it was probably too much, but it doesn't stop you from taking whatever the host is passing out when they wander through.

You think Reigen might be the only person doing worse than you. He looks... woozy. His face is flushed and his eyes are lidded like he might throw up, pass out, or both at any moment. At one point he took a tumble when he tried to sit down, graciously ignored by everyone else, and you had to throw your arm around his waist to keep him from sliding down the front of the couch again. He's leaning on you for support every time he moves, and if there were anything left in his can you’re sure he would be spilling it on you right now.

He's restless at the best of times, you know this, but even through the fog you can tell something is off. Not wrong exactly, but he keeps giving you this sideways glance, digging his fingers into your thigh to steady himself and then yanking his hand away, knocking his head into your shoulder and muttering something you haven't been able to make out.

He laughs - way too loudly at something you're not sure was supposed to be funny - and stands abruptly. Your hand around his waist falls limp on the couch, and he sways without the support.

"I'm going to the re- the ba- I gotta piss."

Nobody but you pays him any attention. He takes a wobbly step forward, knocking his foot into the leg of the coffee table, but he doesn't seem fazed. His knees bend at a weird angle as he shifts his weight from foot to foot, then he straightens back up and whirls around to face you. The momentum sends him tumbling back down, and you manage to catch him before his nose smashes into your jaw.

"I guess you better help me there."

"Yeah." Your voice crackles from dehydration. You have to clear your throat and try again to get a recognizable sound to come out. "Alright." You do a quick mental scan of your legs to make sure they'll support you before you motion for him to get up so you can stand. He does, grabbing your wrist and pulling with the conviction of somebody who does not need help walking.

The gears in your head start to turn.

He drags you along, glancing over his shoulder as he rounds the corner into the hallway, only stumbling once when he has to screech to a halt and back up to yank a door open. He pushes you inside, pulling the door closed behind him after he follows you in.

It's pitch black, and you're not sure if the overwhelming lemon smell is coming from Reigen or something in the room. You reach out to find him, but your fingers brush against something cold and smooth instead, and it's not until it tilts and hits you in the head that you realize it's probably a handle for something. Reigen's hand whacks into your arm and he holds on tight, fingers digging into your shoulder as he pulls you forward.

"I don't think that was the right door."

"Hm? Oh, sure." You can feel the air beside you moving until eventually his other hand finds your face, one finger dragging across your cheek until it hits your nose. "No, I- yeah, I know."

"Then wh-"

He pushes, hard and sudden. You fight to keep your balance as you adjust to the weird backwards lean you find yourself in. Reigen hisses as he pulls his fingers out from between you and the wall.

"Dumb, that was so dumb. Sorry." He fumbles for your waist to guide you backwards, and you feel his hips press against you when he reaches past your head to lean on the wall.

Everything clicks together all at once.

Your hands fly to where his waist should be. Once you find him, you're not sure if you want to shove him away or pull him in closer.

"You're super drunk. I don't know if-"

"Tha's the point." The hand on your face slides around until his thumb catches your bottom lip. He sways, like talking about it has made him remember how much he's had to drink. When he leans against you, he's heavier than normal, like he can’t support his weight anymore. "Liquid courage."

"I’m drunk." 

"Mm. Shit." He pulls away, just barely, and he nods. "Do you mind?"

Your mouth drops open uselessly. All your thoughts feel like static, indecipherable noise screaming for you to do something, if only you could figure out what. He's squirming now, like it hurts to stay still. You realize he's whimpering at the same time you realize he's grinding his hips against your leg.

“M’fine.”

He lets out a sigh of relief and drops his hands as he shuffles around. You take the chance to stand back up. When you finally bump into each other again, he wraps his arms around you and squeezes, his breathing coming out in pants against your chest.  He hooks one leg around yours, tapping his foot against your heel to bring your leg forward. You make a strangled humming sound when he grinds against your thigh.

"Hey, where's your hand?"

"My...?" You suddenly remember you have hands. You allow yourself a moment of silence for all the time you could have been holding onto him before you push one hand forward. It smacks into what you think is his stomach. "Sorry. Here."

"S'kay. Stay put." You keep your hand pressed against him as he leans backward. You're not sure when he stopped holding onto you, but one of his hands is suddenly over yours, and a loud zip cuts through the sound of you both breathing. He slides his hand down, dragging yours with it. Your fingers glide along his skin, smooth and soft, until you brush against a patch of hair.

A sobering panic cuts through you.

He must realize what he's doing at the same time you do, because you both freeze. His grip tightens. He guides your hand away from him slowly, stopping when he makes contact with your side.

"Stay... stay put."

He turns and scrambles for the door. Something falls beside you when he misses the doorknob, then you're squinting as light floods in from the hallway. You can make out the silhouette of him sprinting into the room diagonal from where you're standing, and then there's the unmistakable sound of vomiting.

Your place is only two blocks away - no more than a ten minute walk.

You call a cab service.

+

It smells like coffee.

When you try to sit up, the room spins. You end up in a sort of half sit, half lean as you grab onto the side of the mattress, willing everything to stay still. You take stock of the things that are clear enough to look at, slowly making sense of what happened once you got home.

You're laying on top of the covers, still in your clothes from last night. One shoe is in the doorway, and the other is nowhere in sight, probably somewhere closer to the entrance. The coffee smell, growing more enticing by the second, is a good sign Reigen's in the kitchen.

You slide onto the floor beside your bed, not trusting yourself to stand up without falling just yet, to rummage for more comfortable clothes. Once you manage to get changed, you stand up slowly, and make your way to the kitchen.

Reigen must have grabbed a set of pajamas at some point last night, though you can't remember when. His back is turned to you; he's lazily stirring something on the stove. Two steaming cups of coffee sit on the counter beside him. Before you can decide whether you want to say something and risk startling him, he seems to sense you standing there, and he turns around with a weak smile.

"Hey."

"Morning?" It's both a greeting and a question, because you have no idea what time it is.

"Yeah." He lets out a breathy chuckle. "How, um, how you feeling?"

Your head is throbbing so bad your teeth hurt, your legs and back are sore, and you have a looming sense of guilt.

"I think I should be asking you that."

"I'm fine, really." He clicks off the fire and reaches for a bowl. "I told you, I felt basically back to normal after I- well, um, you know. Thanks again, by the way, for car- for carrying me."

You nod softly, feeling a little useless as he hands you what looks and smells like a very delicious soup.

"Reigen, I am so-" "I didn't mean-"

He reaches for a second bowl. "You first." When you start to shake your head, he rolls his wrist in a "go on" motion. "Please. I'm not actually sure how to say mine yet."

"Right." You swallow thickly, fidgeting with your spoon. Deep in thought, you miss Reigen slipping past you. He clears his throat and gestures to the seat across from him. You slide into the chair. Your spoon clanks against the bowl as you set it down. "I, um. Shit, I'm so sorry."

He seems surprised, a spoonful of soup halfway to his lips.

"What for?"

"Wh-" You blink. "Every... thing? I- I know sorry doesn't even cover it, but I-"

"Whoa, hey, okay." He shakes his hand in front of him. "Never mind, I'll go first, because I think you got the wrong idea and I'm not gonna let you apologize for anything that happened."

"But you trusted me, and I-"

"And I still do. That's- that was the whole- look, I-" He sighs. His spoon clanks as he sets it down, abandoned in favor of wringing his hands together. "I set you up."

"You-?"

"I didn't mean to! I thought- It was stupid, and I should have just told you what I was trying to do, I know , but I- I wasn’t exactly thinking straight, and I thought if I could speed up the process, then- I mean, there's only so many times you can put up with almost getting to- if I could- ugh, sorry, hang on."

He pinches the bridge of his nose. You swear your headache is reacting sympathetically, because pain shoots between your temples, dull but persistent. He goes to retrieve the coffees from the kitchen, just cool enough to drink, and you down some as soon as he hands you a mug.

"You've been so patient, and I know you would never do anything I didn't want, but I... I keep overthinking it. And I thought it would be the perfect excuse to... to not have to think about it at all. I mean that's- that's just what people do at parties, right, and- I mean, it was... ugh." He sits back down, his posture unnaturally rigid. He chooses his next words carefully, pausing between words as if he’s testing out different sentences in his head. "I trusted you… to not take it further than I was comfortable with… more than I trusted myself to… not panic over nothing. So, I- I saw the chance and I..." He gestures weakly, hand falling back to the table with a soft thump.

"Liquid courage."

He takes a sip of his coffee and slumps forward, holding his chin with one hand.

"You... got drunk on purpose?"

"Not originally, but, uh."

You nod slowly. Your stomach grumbles, and you realize you haven't actually eaten any of your soup. You take a reluctant spoonful, chewing slowly as you take everything in.

"When you froze up, it- I realized how little I had thought it through. I- it wasn't fair to you. You didn't do anything to- I never should have put you in that position in the first place."

"I... would have appreciated a warning, yeah."

"Sorry." He runs his hand through his hair and leaves it against the back of his neck. "I'm really sorry."

"Apology accepted." Reigen relaxes into his chair. As he stretches his legs out, one of his feet bumps against your ankle, and you laugh softly. "I'm still sorry, too. I should have asked more questions. And I didn't... I think I noticed something was wrong but I didn’t realize it was that frustrating for you. Before, I mean. I never wanted to make you feel like you had to do something like that."

"It's exclusively a me problem, I promise. I thought something would have worked by now. I don't... I don't really know what’s getting in the way." He shakes his head, breathing out sharply through his nose.

“I mean, literally speaking, your hands.” You laugh and take another sip of your coffee. He tilts his head. “Because, you know, y-you always grab my hand before I-?” He stares, unblinking. “Sorry, too soon to joke, probably,” you mutter into your cup, taking another sip just to have something to do.

When he moves again, it’s with a jerky start, sitting up and leaning forward. “My hands.”

“Yeah, I-”

“No, my hands.” He throws his elbows onto the table. The bowls clatter and his coffee sloshes; his chair scrapes against the floor as he stands. His wrists come together in front of you, palms up and fingers curled loosely, as he stares, silent, waiting for a glimpse of recognition to cross your face. It takes a moment, but when he finds it, he grins. “My hands.”

“If you want to stop-”

“Saying so has always been enough.”

You stand, leaning to match his eye level. You consider him, searching for hesitation, but you find none.

You take his hand, and you start pulling.

+

“This is… mine?” An old black tie lays across Reigen’s palms, the ends hanging loosely over his thighs.

“Yeah, you left it here. A while ago, I guess.” You shrug. “You never really liked it, though, plus you’re here all the time anyway, so I didn’t get around to giving it back, and it’s just been here ever since.”

As you slide the drawer closed, he catches a glimpse of an old t-shirt he left on his first night in your place, folded neatly in the back corner, under a small collection of his dress socks. 

There are signs of him everywhere, really, if he looks. His toothbrush in your bathroom, a blanket he bought you for your birthday draped over the back of the couch, his favorite sweater of yours hanging on the handle of the closet, never out of service long enough to make it in with the rest of your clothes.

He’s struck with the realization it’s not just in your things, your home, but in you, the way you gesture with an extra dramatic flourish that wasn’t there before, the unwavering, tight smile that settles on your face when you talk to clients, the softness in your voice when you welcome the kids into the office, quietly clearing a table for them to do homework on, the flashes of movement in the kitchen as you dash back and forth whenever you make recipes he taught you - favorites from when things were harder and uncertain and cooking was his escape, before even the hardest parts of his life were laced with joy.

He’s wearing off on you.

He’s known it for a while, but he’s never put it all together like this, never seen it all so neatly represented in a single black tie, satin and unassuming and full of possibility. You kick your abandoned shoe out of the way, pushing the door shut with a soft click that startles him just enough to draw his attention.

“Still okay?”

He wonders how you’ve worn off on him, which parts of him weren’t there before that he doesn’t notice, can’t notice.

“Yeah.” He nods. “I’m ready.”

He smooths his thumb over the fabric, watching it wrinkle and crease where he applies pressure. It slides across his palms, dragging slowly as you wrap one end around your hand, until he’s left with empty air, hands outstretched between you.

He feels light.

You take his hands in yours, turning them in toward each other, and start to lay the tie across his wrists.

“Oh, wait!” You pull back right away, and he holds up one finger. “Not- we should take my shirt off first.”

“Jesus, you scared the shit out of me!” You laugh and settle back onto your knees. “Yes, okay, let’s- yeah.”

Reigen stops halfway up. The fabric stays bunched when he lets go, and he pulls your hands to the exposed patch of skin. He can feel the tie, still wrapped around your palm, pressing against his side, cold and smooth, and he swallows thickly. As you drag your hands up, it slides up with you, and a shiver wracks through him when you finally pull the shirt off his arms.

He cups your face, pulling you into a kiss, fingers coming to press at the back of your neck to keep you against him as he topples backward. You catch yourself on one hand, the end of the tie flipping to rest over his shoulder as you climb to straddle him. He’s insistent, both hands tangling in your hair, little sighs and puffs of breath against your mouth as he refuses to pull away for air.

You press a kiss to his cheek to soothe the loss when you lean back. He drapes his arms over your shoulders, locking his fingers together behind your head.

“We could stay like this? My hands are… close-ish together.”

“I can’t see behind me to tie it, but,” you pull his hands around your head, “I’m sure we can figure it out after that.”

He nods. You turn his hands back toward each other and his fingers curl, knuckles pressing together as he relaxes. You drape the tie around his wrists, trying a few different ways of looping it but not finding anything you’re satisfied with.

“Sorry. I just wanna make sure you can get out if you need.”

“It’s alright. I like the attention.”

You freeze, a wobbly grin taking shape as your face heats up.

“‘Taka, I’m supposed to be the composed one!”

“I’m just trying to be honest!” He flexes his wrists, pressing his knuckles together to crack them.

“Don’t worry,” you press both ends of the tie between his hands and motion for him to hold them still, “I like giving you attention.” You fold the middle of the tie over to make two loops and start twisting them in on themselves. “And I wanna hear about it as much as you can bear.”

“You seem plenty composed to me.” He pinches his thumb between two fingers and squeezes.

“Quick recovery. I learned from the best.” You wink and put your fingers through the loops. “Here, hands in here.”

He flattens his hands to squeeze them through, stopping to let you shimmy the tie the rest of the way over. You hold the ends of the tie and give a quick tug before tying them together.

“There, it’ll have to do.” You slip a finger in each loop, making sure there’s enough room to be comfortable without him being able to slip out without meaning to. “It’s a little loose, so don’t pull too hard, okay?”

“Sure.” He folds his elbows down, letting his hands come to rest on his chest. He jerks one hand up toward his hair, pulling his other hand with it, and the tie snaps taut. He has the courtesy to look sheepish. “I’ll try.”

You roll your eyes, smile still wide.

“Hands above your head, please.”

“Hm?”

“I’d like to get at your neck.” You press up on his elbows, and he unfolds his arms. “Those were in the way.”

“O-oh. Right.”

You lean down, tilting his chin up with one hand, and press a kiss to his throat, savoring the way it moves as he swallows. You trail down until you reach his stomach, dragging your tongue along his skin on the way back up. He exhales sharply, breath moving your hair as you get closer to his face. He forces out a laugh, and he rolls one shoulder.

You glance up. The tie is already starting to come loose, untwisting in the middle, but his hands are clasped together, the tie held in place between his wrists, fingers over the ends.

You kiss him, quick and breathless, and slip your fingers under his waistband. When his breath hitches, you smooth your thumb along the bone there, a reassurance you won’t move yet. You can feel him tense under you, pressing up into your touch, then slowly settling back onto the mattress.

You’re both reluctant to acknowledge the fact that you have to get off of him to take his pants off. You do your best to shimmy them under you, and he lifts his hips to help, but you need both hands to make sure his boxers stay on for now, and you want to make sure he can move his legs, so eventually, begrudgingly, you climb off him.

He takes the opportunity to stretch, his back arching off the bed as you throw his pants off somewhere to worry about later.

“Ooh, pretty. Think you can do that for me again?” You press a thumb to the inside of his thigh, at the edge of where his boxer leg has ridden up, and he jumps, hips rolling against your touch.

“Trickery.” He squirms, a whine that refuses to come out shining through in his voice. “Not fair.”

“Don’t worry, you’ll get plenty more chances.” You trail your fingers up his thigh, along the “v” of the bone, up his stomach. He shivers when you trail back down, your fingers catching on the waistband of his boxers to drag it over his skin before letting go, settling your hand lightly over the bulge in the fabric. It’s slightly damp against your skin, and Reigen chokes back a moan when you press down. 

You pull, grinding your palm down on his cock as the waistband moves until you can see the base of it, then you slide back up, tracing the outline of him with your fingers. When he whimpers, you’re too slow to hide your grin, and he glares halfheartedly.

“Having fun down there?”

“Oh, lots, thanks.” You slip your thumb below the elastic. “Seems like you are, too.”

“Hm.”

“Sorry, what was that?” You lift your hand with mock alarm, and he scrambles to reach for you, slowly lowering his arms to his chest when he sees your smile.

“Yes.”

“So, just to make sure, you are having fun?” It’s just as sarcastic as it is serious, and he seems to take it in equal measures, because he scoffs at the same time he nods. Both hands are on his hips now, both thumbs in his waistband, and you pull up gently to get him to lift his hips.

“Good boy.”

You’re not sure you would have felt it if you weren’t holding him, but he definitely shudders, trembling where your fingers press into his skin.

“Arataka.”

“Hmm?” He sounds breathless, and his chest heaves with effort, the rest of him as still as he can keep it.

“Should I keep calling you a good boy?”

“Um. If you want.” He jerks his hips up, and you take the hint to slide his boxers off, keeping an eye on his face as you do. You climb between his legs and lean over him, wrapping your hand slowly around his cock, firmly but gently, your thumb over the tip.

He squeaks, and he tenses, but he doesn’t reach for your hands.

“You’re doing so well, ‘Taka.” He swallows, and he shifts his hands, twisting the tie so he can lay his arms closer to his hair. “Such a good boy for me.” Precum oozes out of his slit, and you feel it roll down your hand.

“Mhm.” You lean back on your heels. “How about this? You tell me what feels good, and every time you do,” you pull your thumb down, spreading the precum along his length, “I’ll let you know just how much I appreciate it. Sound good?”

He nods, and you stop moving.

“Can I hear you say it?”

“Yes,” he breathes, pressing his wrists together, “yes, sounds good.”

“Good job.” When you lean to kiss him, grip tightening to keep his dick down against his stomach, his knuckles brush over your hair. “So perfect.”

You start slow, focusing more on touching every inch of him then keeping any sort of rhythm. When you trail up the vein on the underside, he shivers, and he gasps when you squeeze the base, and his hips jerk up when you pass over his slit, one leg coming up to press his ankle against your side. It’s not until you slip your other hand around him, though, arm passing through the space created by the bend of his knee to settle on his outer thigh, that he says anything.

“Fuck, that, more of that. P-please.”

“This hand?” You press your fingers into his thigh. He presses back.

“Yeah. I need… just, hold onto me.”

“Okay. Yeah, of course, sweetheart.” You scoot closer to wrap your hand tighter around his leg, spreading your legs to slip your knee underneath him. Once he relaxes, the full weight of his leg on yours, you press a kiss to his knee. “Good boy.”

“Shit,” he laughs, squirming closer to you. “S’not close enough.”

“Let me try something, then.” You slide backwards, reluctantly letting his leg fall to the bed, and you shimmy onto your stomach. When you pull his leg over your shoulder, he immediately hooks his ankle into your back and lets out a breathy moan. The pressure makes it a little harder to reach back around his thigh, but he relaxes into it easier, and the view is incredible. “There you go, perfect.”

You start up a little faster this time, twisting your wrist as you move up and down, and he bucks up into your hand. You risk a kiss to his thigh and his hands fly to your hair, the ends of the tie flowing down against your cheek.

“Sorry, too much?”

“Not enough.” His voice is scratchy now, and he gives a little tug once he gets a hold of you. “Can you, don’t put it- but, closer?”

“You want me here instead?” You press a kiss to the underside of his cock, flipping the loose ends of the tie out of the way to lay across his hip.

“Y-yes. Yes, fuck.”

“Gladly.” Between words, you pepper kisses along his shaft, following the trail of your hand up and down. “Thank you for letting me do this for you. You look so beautiful like this, feeling so good.”

He starts to make a noise of protest, but it quickly shifts into a stifled groan when you press a kiss to his tip, just barely letting your tongue drag across his slit as you pull away.

He whines and bucks his hips to follow you, and you can’t help but let an incredulous laugh slip out. “Alright, love, I’m gonna give you a choice, okay?”

He swallows thickly, then nods.

“Option one, you can tell me exactly how you want me to make you come. If you want my hand or my mouth or to go faster or slower or anything at all you just have to say the word. But I won’t do anything you don’t tell me, so you’ll have to say exactly what you want.”

His breathing is ragged, and he twitches in your grasp. “And option two?”

You grin and lean over him, propping yourself up on one hand. “I do whatever makes you the loudest, and if you stop making those pretty noises for me, I stop.” He seems to flinch at that, and you brush his hair back. “Just for a little while.”

He takes a shaky breath, eyes fluttering closed, and he pulls his arms in and down to drape one across his forehead. The tie was never really secure in the first place, but after quite a bit of pulling and flailing, it’s fully undone by now, nothing but luck and stubborn determination holding the loops in place around Reigen’s wrists.

“Both options, of course, come with all sorts of praise and admiration.” You slip a finger under the fabric and give a light tug. He lifts his hands to let the tie slide free.

When he opens his eyes, a shudder running down his spine, he sees you absent-mindedly tying the tie around your neck, uneven and loose, hanging down between you to brush against his stomach. He’s sure you just needed somewhere to put it, something to do with your hands, but it flips a strangely possessive switch somewhere inside him. Not because he’s seeing you in his clothes - he’s had the privilege of that many times before - but because you’ve taken the thing that was supposed to restrain his ability to fuck up the situation, taken something he left safe for you to keep track of without even realizing he’d done it, taken the symbol of his presence in your space and your time and your life, and you’ve put it on without a second thought. He thinks of his misguided reasoning that got you into this situation, that he trusts you with him more than he trusts himself, and he knows what he wants.

For once, words are failing him, which just makes the choice even easier.

“Second one.”

Your eyebrows raise a little, like you’re surprised at his answer, and he almost takes it all back, but then you’re grinning and leaning down to cup his jaw, kissing him like he’s giving you the only air you could ever breathe, and he moans into your mouth.

You lean away just enough to pull in a gasp of air, fingers sliding to tangle into the base of his hair.

“Just like that, gorgeous.”

He laughs, sucking in a shaky breath as you wrap your hand around him again. It pinches into a sort of strained whimper as he starts to quiet himself and thinks better of it, and you start moving.

“That’s it, good boy, just let me take care of everything.”

For all he got into his head before, breaking the seal of touching him seems to have removed any last bits of hesitation, because he relaxes into your touch almost immediately. Your experimenting earlier left you with a good idea of what will get the best noises out of him, and he doesn’t hold back. You’re silently thankful, not only because you get to hear him, but also because you’re not sure you could have followed through on your threat of stopping. And if he’s exaggerating for your sake, all clipped moans and raspy mumbling and bucking hips, well, you’re not going to complain.

After a particularly tight stroke up his cock and a brush of teeth up the inside of his thigh, he pulls one arm over his mouth, pushing it against his lips with his other hand. You’re still deciding if that counts as muffling his sounds enough to slow down when he bites his wrist and yelps, a loud, desperate, frantic noise that seizes what little of your attention isn’t already on him. His head tips back as he struggles to prop himself up on one elbow, hand flipping to clamp down over his mouth, and you can see the bite mark, lines pressed into the pale skin just below the jut of bone where palm meets wrist. It takes you a minute to realize he’s saying something, your brain struggling to piece his noises together into words.

“Can I have your hand?” You hum, scrambling to extract your hand from his leg. “I just- I need,” he opens and closes his hands, “something.” When you hold your hand up blindly toward him, he takes it quickly and holds on tight, fingers lacing together with yours. He gives a few tugs, and you hurry to sit up.

“Please, I need- I can’t take it anymore.” He looks frantic, eyebrows pinched together and his chest heaving with ragged, shaky breaths. His hips buck wildly, quick and shallow into your curled fingers. You realize you’ve forgotten to keep moving as you were watching him, and you quickly correct your mistake, reveling in the shiver that racks through him as your thumb swipes over his tip.

He’s begging now, your name falling out in pieces between gasps and cries; he’s still tugging at your hand like you can’t get close enough, pressing his lips to your jaw like he can’t quite remember how to leave kisses there. He pitches his hips up and presses against you, knees coming together to press into your sides, pinning your hand against your torso as he lets out a final shuddering whimper.

He comes across your fingers, his whole body tense as he holds himself up, back arched and head rolled to the side. He moves to wrap his arms around you, forgetting that his elbow is supporting him, and he pulls you down with him as he falls the short distance to the mattress.

You do your best to roll off him without letting go of him during the aftershocks, but you’re not exactly paying attention to where you’re still holding, and he yelps again from the overstimulation. You yank your hand away with half an apology, smoothing your hand up his side as you lift yourself up on your other arm.

“Nono, wait, don’t-” He scrambles to grab you wherever he can, and you intercept him before he can smack you across the face.

“It’s okay, ‘Taka, s’okay. I’m not going anywhere. I just didn’t wanna crush you. Let’s sit up so you can get some water, alright? All that noise can really make your throat sore, I know.” You slip your hands under him, one at the small of his back and one between his shoulders, gently lifting him toward the headboard. “That’s it. You’re okay. I gotcha.”

Once he’s upright, a glass of water in two shaky hands, you lean over the side of the bed to fumble for a washcloth. When he doesn’t slow down on his own, you start to reach for the glass, but he pulls away for a big gulp of air before you can.

“How you feelin’?”

He doesn’t answer right away, leaving you to fidget with the cloth, slowly reaching for his thigh. He lets his eyes slide closed as you start to wipe him off, smoothing an apologetic thumb over his hip when he hisses from the sensitivity. You wipe your hand on a mostly clean corner before you chuck it in the general direction of the hamper, silently relieved when it makes it in.

“I think I died.” His hands are still shaking as he goes to set the glass on your nightstand, and you gingerly take it from him, lifting yourself up to set it on the far corner where neither of you can accidentally knock it off later. “I understand you now.”

“You didn’t die, I promise.” You allow yourself a smirk and pull a blanket up from the end of the bed. “That’s high praise, though.”

“You’re high praise.”

“You’re the one that liked it so much.”

He rolls his eyes, too tired to argue. As you pull yourself up the bed to sit beside him, he leans over, one hand sliding behind you to rest on your hip. Now that he doesn’t have the distraction of everything else, you can tell he’s starting to think, because his ears are tinting pink and he’s fidgeting with a string on the edge of the blanket.

“Doesn’t mean I wasn’t happy to oblige.”

You scoop his hand into yours, leaving the blanket’s seams to live another day, and examine the bite mark on his wrist.

“I can’t believe I did that.” He scoffs, shaking his head a little as you turn his arm over. “The hell was I thinking?”

“Obviously you weren’t, which is both the point and very hot, so hush.” He turns away stubbornly, but he looks pleased. “You could probably say a spirit did it. Biting seems like an evil ghost thing to do, right?”

“With clearly human teeth?”

“Maybe it… stole them?”

He laughs, pulling away from your grip to get comfortable against your side. Just as you start to drift off, soothed by the sound of his breathing slowing and his weight settling on you as he relaxes, you feel his fingers walking down your hip, making their way to your thigh. You crack one eye open, and he looks away with obviously fake innocence.

“Where you going with that hand, darling?”

He smiles, bright and daring, as his fingers dig in. “Your turn?”

You consider it. You’re not quite capable of fully ignoring how turned on seeing him like this has made you. There’s a bit of nervous energy, buzzing over what’s left of your hangover, excitement, the joy that bubbles up in your chest at seeing him smiling at you like that, everything coming together in an overwhelming, swirling feeling of wanting whatever he will give you. But there’s something else, a calm undercurrent to it all, coating the emotion in quiet and directing it all back to a single point, solid and unwavering and right .

More than anything, you are content.

He sees your expression and laughs, must know what you’re going to say the moment you decide, because he mouths the words along with you as he pulls his hand back up to your hip.

“Maybe next time.”

[howdygravytrain]

*jingles pathetically across the courtyard*

holy shit y'all, this was the most extensive set of gposes i've done yet. this took almost an entire week from me getting a room at my fc's crib and transferring all my shit from my apartment to there so i could make the bedroom, gathering/crafting everything for said bedroom, the poses themselves, desperately trying to find a crime for aymeric's earring before i said fuck it and photoshopped it on LMAO, the editing, putting the screenshots into panels since tumblr only allows 30 images per upload and finally typing up the transcript, I AM FINISHED.

all because a friend wrote a snippet about "what if aymeric fantasia'd into a lalafell?" i have not known peace since then 😩 /pos

btw i plan to make an introductory post for gravy sometime, but noT FUCKING TONIGHT PLS IF I HAVE TO OPEN PHOTOSHOP ONE MORE TIME I'M GONNA HURL MYSELF INTO THE AETHERIAL SEA

got a doozy of a transcript, find it below the break!

TRANSCRIPT

Panel 1: [ONE PECULIAR DAY WHEN GRAVY ARRIVED BACK HOME IN ISHGARD…]

Panel 4: Gravy Train: Huh, that’s weird…Aymeric always greets me when I come back home. Maybe he got holed up at work again?

Panel 7: <He hasn’t been to work in two days…The hell is goin’ on?>

Panel 10: Gravy Train: Howdy, Eddie. Aymeric home?

Panel 11: Edrant: Ah, welcome home, Lady Gravy. M’lord is currently upstairs in his bedchambers. He specified to let none interrupt him since yestermorn.

Panel 12: Gravy Train: He ain’t want no one to bother him? Is he alright, is he sick??

Panel 13: Gravy Train: Ayms, ya doin’ alright, sugar bear?

Panel 14: <Hmm, no answer. Maybe he’s in the bathroom?>

Panel 16: Gravy Train: The hell, he ain’t in there either??

Panel 17: Gravy Train: Now just where could he’ve gone off to? Surely if it was an emergency he’d’ve let me know somethin’...

Panel 18: Gravy Train: Maybe Estinien’s gotten into some shit that Vrtra couldn’t get him out of and Aymeric went to help? Or Lucia needed him in Garlemald? Naw, Lucia’s got her shit together, Estinien’d be the one who’d fuck around.

Panel 19: Gravy Train: Aight, that bastard better have his linkpearl in or I swear to goD–

Panel 20: ???: Darling, is that you?

Panel 21: Gravy Train: Huh–who in the–?!

Panel 22: Gravy Train: Hollup–Ayms, is that you?

Panel 23: Aymeric: Aye, and I assume by your expression the potion worked?

Panel 25: Gravy Train: Oh my god, yer my size! Holy shit this is so cool!!

Panel 26: Gravy Train: Oh wait, ya got any clothing that’ll fit?

Aymeric: That I do. I may have taken the opportunity to, ahem, borrow some of your clothing and have outfits of similar proportions made for myself.

Gravy Train: Ohhh, I wanna see those fits!

Aymeric: Of course, if you could excuse me for just a moment…

Panel 28: Gravy Train: Ahhhhhh ya look amazin’, honey!

Panel 31: Aymeric: Um, darling, is something amiss–

Panel 33: Gravy Train: I can do this t’ya now, sugar.

[vynnyal]

This is likely the hardest I've laughed in rain world yet. Basically, you can glitch a spear into a quantum state using a dead bat body, allowing stabbed enemies to follow you through tunnels. So I tried bringing a leviathan to Moon. And the game really, really didn't like that

[fobnsfwdoodlesbackup]

Hi y'all, I just wanted to talk a little about the behind the scenes of what I've been up to, to give y'all a little transparency and to open myself up for any tips or input! 🙏 Thank you for your continued support and for taking the time to look at my art 🫶

First and foremost I wanted to give some transparency about my art capacity.

As og followers may remember, I started this blog when I was doing art full time. Eventually my living expenses grew and I had to go back to work. I find myself in a cycle of "I'll make more art soon, once I get a job!" And "I'll make more art soon, once I am done with this job!" I lost my most recent job suddenly, having had an extension waved over my head until the last day(October 7th). Now I'm excited to have more time for art, but I am also feeling a rush to get a new job ASAP as I've been living paycheck to paycheck. I dream of doing this work full time, I'm just scared it's not quite there yet and I worry that I come off as scammy or dishonest when I anticipate more stability around the corner.

Second, I've been struggling with the Patreon. It's taken me a while to come to terms with this, but from what I've seen Patreon is not intuitive at all from the creator end. It doesn't do a good job of organizing addresses, emails, showing who or who isn't subscribed to me, or organizing and displaying the work I put on there. I've been really shocked by this experience, since lots of big names use Patreon. It's been a great way to streamline support, but it's been unhelpful in every other regard. I would like to continue using it, but I will most likely post more wips or process videos there in the future.

Which brings me to my third point, zines. I love making zines so much, it feels personal and fulfilling and fun! However the Patreon issues make it harder to keep information in order about where to send zines, or even where to message folks about them. In addition to this, the post office has been a big barrier to me, oftentimes only being open at the same time as my dayjob. Making zines can take days, then sending them out is a whole other monster.

This work is so important to me. Drawing peoples fantasies, representing body types, creating work around sexuality and the human experience feels like what I'm meant to do. I've made comics since I was a kid. This is the dream to me. The friends I've been able to make through this work are so important to me, and the conversations have been invaluable. Not to mention fun! I wanna doodle, I wanna draw hot stuff, I wanna thirst over these dudes! I want to play!

But I also just want to be transparent about the barriers I'm working around to share that experience. I'm completely self taught, both in art AND in running shops, building websites, running 8 accounts, etc. I take a lot of time to learn the logistics of these things, and try to make them make sense for my relationship with y'all (I do not want to paywall my art!! I don't want to!!!). This year my desktop broke down (the main one I use for all paintings and digital art). I've paused my Etsy shops and my Patreon to try to catch up with things. Trying to learn to paint in a completely different program. Then lost my job with no savings.

At the end of the day I don't want anything to come between me sharing my art with you. I wish I could doodle a thing, take a picture, and post it here. No third party site, no shop, no subscription. Just sharing my art with you. I promise I'm trying to figure out how to stay as close to that as possible, and I want to thank y'all for sticking with me as I untangle all of that.

So, what can you expect in the near future?

I'm working on a couple of painting commissions right now, which you should be able to see in the next couple of days! I want to catch up on kinktober and get those posted as well. There's a comic commission in progress which I'm very eager to work on, and which I think y'all will be excited for! To ease the weight of the Patreon I think I may do less zines/polls there and more wips and process videos! If possible, I want to do more full colored work too.

Thank you again for enjoying my work, and if you have any input or tips my inbox is always open 🙏🫶💕

[pestercide]

Taking a short hiatus

Hey y'all!!

For a while now I've been considering stepping back from posting/drawing to take some time for myself. For a while now I've been feeling drained and kinda unmotivated. I'm stuck in a rut and have been for the majority of 2024. I've been on and off with my motivation but found that I've been overall unhappy with my art.

I feel like my passion has been dwindling, and I know forcing myself to draw and post won't motivate me to continue doing what I love. Though I've had trouble stepping back due to the fact I've basically conditioned myself to draw and post as often as possible, which has done nothing but stress me out and make me feel like I'm failing when I can't muster the motivation to draw for even a single day.

So, after a lot of thinking, I've decided that I'm going to step back and take a (hopefully short) hiatus so that I can get myself out of this rut and rediscover my passion for art. I don't know how long this hiatus will last but I can guarantee it won't be super long.

This break is meant to be a time where I can stop worrying about posting often and/or consistently to instead focus on myself and what I want to do. Constantly stressing about posting has severely stunted my ability to grow and learn as an artist. While I have been improving, I've also been stuck in my 'comfort zone' which stresses me out severely. I feel like if I stay here any longer I'll only have more trouble in the long run. I feel like my rut will only worsen and I'll lose my passion for art completely. I need to step back and start drawing for myself again instead of worrying about what I think people will want to see from me.

Nowadays I feel like I'm too focused on pleasing others, hence why I'm hesitant to change in a way that might turn people away from what I do/draw and have been sticking to what got people interested in my art. I'm only human, so my tastes and interests are bound to change over time, and not everyone will like that. I feel like I'm too busy playing it safe instead of pushing myself to explore ideas that I've been wanting to try for years. I want to do my own thing again.

Tl;dr I will be taking a short hiatus to focus on myself and my art. So goodbye for now ✌️ I'll be back when I feel like I'm ready to return.

[lagosbratzdoll]

On Daenerys, Colonisation and Race Discourse within the ASOIAF Fandom

This has been on my mind for a good long while and honestly, as much as I would like to leave discourse in the pits, it has been bugging me intermittently over the past few weeks.

Far too many of you get on here and call people who like the fictional dragon-riding family, neo-Nazis and that sentiment is so prevalent, that white people feel comfortable telling me a black woman that I am a neo-Nazi for rooting for Daenerys Targaryen. I am upholding neo-Nazi power fantasies for wanting to see a little girl live at the end of a story. I am a neo-Nazi for wanting to see the rape survivor have the family she aches for and children with the man (or men) she loves.

Then, those same people go on spiels about how the systemic erasure of those who sing the song of the earth and other old races is not colonialism. That their removal from their home is not displacement but an agreement between two equal parties. The fact that the only place where those who sing the song of the earth exist in the present timeline is north of the wall, surrounded by the bones of their dead, is not a travesty. That the expulsion of the old races from their home isn't that bad and should not be condemned. 

Instead, people argue, completely seriously, that the harm that the First Men and Andals have caused is centuries in the past, so essentially the slate has been wiped clean. The logical leaps that are required to arrive at such a boneheaded conclusion are truly mind-boggling, and those who make such arguments are not good people. 

I am unsure how one could read those books and come away with the impression that the old races do not mourn the loss of their home. I am unsure how one could read The Last of the Giants[1] and Ygritte’s reaction to both the song and Jon’s dismissal of the ethnic cleansing of the giants then believe that the old races and the free folk have moved past their displacement. 

In Westeros, from the Wall to the broken arm of Dorne, they all speak one language despite the fact they are all different ethnicities and they all landed on the shores at different times. That is not the case in Essos, we have been introduced to at least six languages and in A Dance with Dragons, Tyrion notes that the Valyrian spoken in the Free Cities has evolved into nine distinct dialects, and they are well on their way to becoming different languages.

How would a continent as large and diverse as Westeros maintain its hegemony over the people if not for forced assimilation, discriminatory practices and violence? The brutal repression required to keep one house in power for thousands of years is nothing to sniff at. The suppression required to keep the vast majority of Westeros worshipping one (or seven) gods. The systems in place ensure that language does not grow or evolve amongst the highborns at least.

Centuries before Aegon's Landing the maesters were the definitive educational authority and even now centuries after, nothing has changed. The grey rats still decide who learns what and when they learn it. There's one in every highborn home, all correspondence passes through them, they are the healers and the councillors.

The circular logic gets even more blockheaded when you factor in the fact that Daenerys is far from the only white character in the books. She is not the only character who wishes for home. She is not the only character who draws strength from her ancestors, her bloodline and her magical creatures. 

Cersei draws strength from her family’s iconography, and the Stark children (Jon included) all draw strength from their direwolves, their home and their blood. Sansa, Arya and Bran wish to return home and their home was built on the indiscriminate murder and displacement of the indigenous peoples. Their home is built on centuries of rape, murder, exclusionary practices and sexual slavery. 

However, if we give the nonsensical argument that time erases crimes air; the Starks, Lannisters and Tullys are warring to settle personal grievances in the present timeline. As a consequence of that war, thousands (a modest guesstimate) of small folk, minor nobles and even some major ones have been raped, tortured, maimed and killed.

Despite all this, no one writes meta after meta about how Sansa and her siblings must surely die for justice to be had for those who sing the song of the earth, the free folk, the giants and all the old races that fled beyond the wall.  

People write meta about Cersei and how she must die, but those are typically more misogynistic nature. They typically argue that she must die not for the “crime” of being Lannister, but for the “crime” of being Cersei and “ruining” Jamie. 

I would not mind criticisms of Dany and her peace-focused approach to ending slavery because the approach is naïve and she gives the slavers far too much ground. However, she is learning, growing and self-critiquing. At the end of A Dance with Dragons, she has decided to embrace fire and blood, her knight is breaking the false peace which is a necessary step forward.

What I find offensive is people saying that she should have planned better before she abolished slavery. And that the death, violence, and sickness that arises from her quest to eradicate slavery is somehow worse than the death, violence, and sickness that already existed in Slaver’s Bay. 

This argument often downplays the horrific conditions and suffering that exist(ed) under the slave system in Slaver's Bay. Such arguments are often in poor taste and prioritise the lives and comforts of the slavers more than the people they have enslaved.

I would not mind criticisms of Dany if people applied that same critique even-handedly. The same people who believe that Jon and Bran have done much to rectify the evil that their ancestors perpetuated believe that Dany has not done anything to right the wrongs of her ethnic kin. They praise them for the non-existent steps that they have taken, but in the same breath, they condemn Dany for not being able to immediately end the plague that is slavery. 

It is perfectly alright to not like fictional characters, no law requires you to like certain fictional characters over others. However, what is not right is making broad accusations about those who do, it is beyond the pale. It is disgusting, and annoying, and trivialises real-world issues to score cheap points against fictional characters.

Equating the survival of a teenage survivor to the restoration of a fascist house or neo-Nazi power fantasy when such designations do not exist in the world of ice and fire is strange behaviour. Saying that the teenage survivor will eventually be manipulated and raped (again) before ending up dead on her manipulator's blade is also strange behaviour. 

Dismissing the horrors of colonialism, especially when the text shows you that the involved parties are still affected by it, is not normal and often veers into real-world imperialism apologia. While criticism and analysis of characters and their actions are valid and even encouraged, it is essential that we do not resort to sweeping generalisations about other people and that we keep criticisms of characters grounded in the text. 

[1]  

Ooooooh, I am the last of the giants, my people are gone from the earth.

The last of the great mountain giants, who ruled all the world at my birth

Oh, the smallfolk have stolen my forests, they’ve stolen my rivers and hills.

And they’ve built a great wall through my valleys, and fished all the fish from my rills

In stone halls they burn their great fires, in stone halls they forge their sharp spears.

Whilst I walk alone in the mountains, with no true companion but tears.

They hunt me with dogs in the daylight, they hunt me with torches by night.

For these men who are small can never stand tall, whilst giants still walk in the light.

Oooooooh, I am the LAST of the giants, so learn well the words of my song.

For when I am gone the singing will fade, and the silence shall last long and long.

[delopsia]

Worst part about Outer Range being canceled was watching a lot of my mutuals deactivate and/or leave

[anghraine]

Today's unhinged "good God I hate how much extreme generosity I'm expected to extend to the Peter Jackson films by people who make wildly bad faith arguments about things I like" rant:

I am very deeply tired of people insisting with zero evidence that of course the LOTR films are imperfect, but the difficulties of adapting LOTR are such that it wasn't possible for them to be better than they were—in, apparently, any respect. They just couldn't be done better, at all, because it was so hard to make something watchable at all.

This is always just like ... really? Really?? Just what prevented them from making better decisions about anything? What exactly made casting every actor of color as barely differentiated villainous hordes in the twenty-first century so necessary and unavoidable? The glamorization and vast expansions of battle scenes and insertion of "heroic" war crimes was the highest film as a medium could aspire to in the early 2000s because of what insuperable force?

What made it impossible to give Arwen a coherent character arc? The films could not have been made without the underlying assumption that most of the cast are NPCs who will only do the right thing, when they will, if prodded or manipulated or influenced by main characters? In what way is this an inevitability of adaptation or film that simply couldn't have been conceptualized differently, much less better?

There is zero explanation or justification for why any of this stuff (or the myriad other flaws) had to be that way and couldn't have been done better in any way at any point. It's just stated that the films that exist must be the best films that could have existed because they're the ones that do exist and are popular. QED.

That doesn't make any sense, though, and it doesn't convince anyone who doesn't already agree. The idea that they could not have been better in any way (including their worst quality, which again, is the extremely racist casting), that some force was preventing not only the actual filmmakers but any filmmakers that could possibly exist from doing anything better just seems patently absurd.

You can like them and respect what they did achieve without demanding that everyone buy into a baseless and irrational argument that their pop culture success means nothing about them could possibly have been done any better. Look, I was in my mid to late teens at the time. I remember the early 2000s quite well. It wasn't now, but we are not talking about an age so divorced from our own that any of these things were somehow fundamental to the media landscape.

There are ways in which the LOTR films were very good that were essential to their popularity then and now. This does not require anyone to accept that it was literally impossible for them to be better than they are or that some defense is required against every criticism of them ever.

I am not, incidentally, talking about removing Bombadil, an entirely understandable and defensible decision that the film defenders in my notes somehow always feel the need to bring up. I know that changes had to be made, that adaptation is not a word for word transcription, that it would always be a difficult text to adapt, that structurally minor elements had to go, that they are cinematically beautiful films that a lot of work and love went into. I know this. EVERYONE knows this, because for the last 20 years it's been impossible to criticize anything about them without being reminded. Their accomplishments, and their existence, do not mean that any choice made by the filmmakers must definitionally have been the right call and could not possibly have been better in any way.

[mermaidsirennikita]

Gaelen Foley's Princess (which if it doesn't fuck up in the end is gonna be a favorite lol) update:

no details except of course Darius Santiago cries when deflowering this maniac of a girl

[stinkiesdraws]

[crossbackpoke-check]

Why I Am Not Coming In To Work Today [abridged], Jess Zimmerman

part one | part two