#Isabelle was on Léa's

[alwayssimmin-alwaysrantin]

Me trying to figure out what this argument I took 40 bajillion pictures of was about:

Me realizing:

[artspaume]

FOIRE SINGULIERS - 11 AVRIL 2024 - 14 AVRIL 2024 / Fonderie Darling (CA)

11 AVRIL 2024 – 14 AVRIL 2024 ENTRÉE LIBRE VERNISSAGE JEUDI 11 AVRIL, 17H À 23H   Créé par et pour les artistes non-représenté.e.s en galerie, SINGULIERS souhaite célébrer une pluralité de pratiques marginalisées et présenter des artistes parfois –ou trop souvent – exclu.e.s de la sphère artistique. Aux abords de la Foire Plural, cet événement ponctuel se tiendra du 11 au 14 avril prochain à…

[samplerman]

One of four pages published in the collective "autre chose" by swiss éditions Atrabile last year for their 25 years of existence. 168 pages , quadri A4, softcover.

With 44 other artists:

Adèle Maury, Amanda Baeza, Amandine Meyer, Awen Rivière, Barbara Meuli, Camille Potte, Chien-Fan Liu, Emilie Gleason, Fred Fivaz, Geoffroy Monde, Giacomo Nanni, Guillaume Fuchs, Helge Reumann, Jean-Michel Bertoyas, Juliette Mancini, Jung-Hyoun Lee, Laurie Agusti, Léa Murawiec, Lika Nüssli, Lisa Blumen, Louise Collet, Lucas Burtin, Marijpol, Martina Sarritzu, Mathilde Van Gheluwe, Melchior Best, Mia Oberländer, Michael DeForge, Noémie Chust, Rachel Deville, Simon Beuret, Valentine Gallardo, Violaine Leroy, Yannis La Macchia, Alex Baladi, Frederik Peeters, Ibn Al Rabin, Isabelle Pralong, Joseph Callioni, Nicolas Presl, Peggy Adam, Pierre Wazem, Thomas Gosselin, Tom Tirabosco

[zablife]

Meet my new OC Irene Robinson

Face claim Léa Seydoux

Making more of an effort with my current OC. See below for her details which I will add to or change as needed as I write. If I haven't mentioned something, feel free to ask!

❧Born March 3, 1900

❧Moved to Small Heath with her mother and siblings in the fall of 1917 after the death of her father. She now lives with her aunt and her mother who both work as dressmakers.

❧She has one older brother, Martin-22, who is away serving in the war. And three younger sisters (Clara-13, Margaret-11, Edith-8)

❧ Personality traits: kind, patient, loyal, naive

❧Hobbies/Interests: reading, knitting, swimming, daydreaming

❧Crushes: Rudolph Valentino

❧Read her introduction to Ada here.

❧Series title inspired by "Green Gloves" by the National.

Meet her family:

Mrs. Robinson (face claim Isabelle Huppert)

Martin (face claim Michael Fassbender)

Clara (face claim young Saoirse Ronan)

[trulyatessfan]

How eould you make s8 a good season? I've always felt curious abt that jshsbs

I am going to write this one, because I feel like it's gonna be too much text,,,, Before I start, this is how I envision it Season 8 should be rewritten completely in my opinion, but I am going to keep some elements! First, the main cast! I have been an Aro-Ace Carrie advocate since day 1, it would be cool to have the American coming to the city of love when she doesn't experience attraction to anyone and is just there to find her brother!

For Hugo, I would keep his current personality, but he definitely needs a reality check or two, same for Enzo. I feel like they get away with their comments pretty easily (literally Carrie told him off and then two seconds later, they are dating AND getting married???) Also I would NOT make Carrie and Enzo canon,,, It was the definition of rushed and not realistic :/

Émile needs more of a personality, like me and Katrina would joke about, he is the definition of a white bread (with a tinder account). I think that he needs just a little something to make him more interested (maybe a mix of Alex Turner and another person) I don't think Gauthier and JP needs much change, but please give more information about Gauthier's life, we barely know stuff about him! I would not change a single thing about JP.

Nadia needs to be tone down massively in terms of personality. Some of her comments are very,,, disgusting, especially when it comes to dead bodies. I am not saying to rewrite her entirely, but her sexual comments should not come each 2 seconds and make people uncomfortable around her. Maybe some could give her like a comment like "Hey, this is not the moment" or something.

Léa needs a bigger role for sure. I don't think she should have the same route as Mia, but maybe she would be a district killer or something along those lines. She has a lot of potentials of being different than Mia, but right now, she is more bland than Émile.

Now, for the number of cases, 17 cases was clearly not enough for sure, it was very obvious that they cut corners :/ I would give like 30-45 cases for season 8, 50-60 would be too much.

As for the rest, I'll make it into bullets points:

I think Jones appearing was a great idea, but really by the end of the season. Maybe other familiar faces appears in one case or the AI! Keep the moment when they all show up at the end, that was very adorable!

The fact that Martine doesn't recognize us???? If she appears, she should definitely recognize the player,,, Jones did, but not her?? Smh,,,

Make Eleonora more of a threat. I think they should give us false hope that Antoine is the main villain when in reality, it was always Eleonora.

Make Cody less bland and rewrite the entire Carrie and Cody plot. She found him like so easily,,, If only it was this easy irl,,,,,

A good balance of new characters and old suspects from other games!

Almost everyone needs a redesign, like look at Isabelle Picard, she looks HORRENDOUS D:

I think that's it for now,,,, I would love to hear if you guys have any suggestions to add to this list teehee

[forest-enchantress]

Hi,

I make period drama style gifs. If you use gif packs, please like and reblog them. Most of my projects are already ready, but every day I post no more than 190 gifs. Because that was the reason why my previous account was blocked.

I tried to make gif packs in a format more familiar to you with a link to a separate page. However, unfortunately, I did not succeed because of the large format of high-quality gifs.

I want to explain about color processing. Usually, I improve the contrast, brightness and saturation, but leave the naturalness of the film. I don't make the contours too sharp because I like the aesthetic of it looking like a natural image.

Actors in alphabetical order: part 1(A-D), part 2, part 3

Navigation

The arrangement of names may not be alphabetical

▶Page 1

Anne Hathaway Anya Taylor-Joy Asia Argento Astrid Berges-Frisbey Boran Kuzum Camille Rutherford

▶Page 2

Carla Juri César Domboy Callum Turner Cate Blanchett Charity Wakefield Charlie Rowe Chiara Mastroianni Christian Bale Christoph Waltz

▶Page 3

Dagmara Dominczyk Dan Stevens Ella Purnell Emily Blunt Ezra Miller Raffey Cassidy Rebecca Emilie Sattrup Rose Byrne Roxane Duran

▶Page 4

Frances O'Connor Gemma Arterton Hannah Taylor-Gordon Hattie Morahan Hugh Dancy Isabelle Adjani

▶Page 5

Izzy Meikle-Small James Norton Jane Birkin Joanne Whalley Lucy Boynton Jim Caviezel Monica Keena Nicolas Duvauchelle Sally Hawkins

▶Page 6

Adriana Tarábková Dakota Fanning Elle Fanning Gaia Weiss Gwyneth Paltrow Kirsten Dunst Léa Seydoux Pia Degermark Roxane Mesquida Rosamund Pike Samantha Gates Sophia Myles

▶Page 7

Annabelle Wallis Austin Butler Carey Mulligan Guy Pearce James Frain Katie Parker Kate Siegel Olivia Cooke Rachel Hurd-Wood Soko Sujaya Dasgupta Tom Cruise

▶Page 8

Adèle Exarchopoulos Anna Maxwell Martin Charles Dance Emma Williams Gillian Anderson Ian Somerhalder Imogen Poots Matthew Rhys Natalie Press Nina Dobrev Paul Wesley Tamzin Merchant

▶Page 9

Anna Friel Catherine Mouchet Déborah François Dominic West Frédéric Noaille Joséphine Japy Kevin Kline María Valverde Paz Vega

▶Page 10

Ben Whishaw Clémence Poésy Elliot Grihault Emilia Fox Joseph Morgan Lambert Wilson Michelle Dockery Phoebe Fox Sophie Okonedo Tom Hiddleston Tom Hughes Tom Sturridge

▶Page 11

Calista Flockhart Charlotte Gainsbourg Christina Giannelli David Strathairn Felicity Jones Fu'ad Aït Aattou Greta Scacchi Helena Bonham Carter Holliday Grainger Michelle Pfeiffer Rupert Friend Sophie Marceau

▶Page 12

Angela Bassett Brooke Carter Cillian Murphy Danylo Kolomiiets Katie McGrath Keeley Hawes Maria Bonnevie Marta Gastini Miriam Giovanelli Olivia Hussey Oscar Isaac Peter Plaugborg

▶Page 13

Ben Barnes Ben Chaplin Bill Skarsgård Iben Akerlie Jakob Oftebro Jo Woodcock Lily-Rose Depp Reese Witherspoon Ruth Wilson Samantha Soule Tess Frazer Virginie Ledoyen

▶Page 14

Cary Elwes Colin Firth Daniel Day-Lewis Emilia Verginelli Hannah James Jonah Hauer-King Loli Bahia Lorenzo Balducci Rebecca Hall Robin Wright Rupert Everett Willa Fitzgerald

▶Page 15

Annes Elwy Claire Danes Eliza Scanlen Freddie Fox Hugh Jackman Kathryn Newton Louis Partridge Maya Hawke Romola Garai Samantha Mathis Trini Alvarado Winona Ryder

▶Page 16

Douglas Smith Eric Bana Gizem Karaca Jessica Brown Findlay Kenneth Branagh Kit Harington Millie Brady Natalie Dormer Poppy Delevingne Rachel Weisz Rosy McEwen Sam Claflin

▶Page 17

Aubri Ibrag Christina Hendricks Connie Jenkins-Greig Guy Remmers Henry Cavill Imogen Waterhouse Josie Totah Mia Threapleton Olivia Hallinan

▶Page 18

Essie Davis Fahriye Evcen Justine Waddell Natalia Sánchez Monica Bellucci Penelope Cruz Piper Perabo

▶Page 19

Alicia Vikander Alida Baldari Calabria Christopher Abbott Emma Stone Jasmine Blackborow Kim Rossi Stuart Lili Reinhart Louis Cunningham Margaret Qualley Marine Vacth Mark Ruffalo Mélanie Thierry Ramy Youssef Scarlett Johansson Sydney Sweeney

▶Page 20

Antonia Clarke Cameron Monaghan Heather Graham Isolda Dychauk Laoise Murray Madelaine Petsch Olivia Colman Sophie Turner Vanessa Redgrave

▶Page 21

Claire Holt Emily Mortimer Jennifer Beals Kelly Macdonald Lena Headey Perdita Weeks Ruta Gedmintas Sarah Bolger Sting

▶Page 22

Berrak Tuzunatac Burcu Ozberk Cansu Dere Deniz Cakir Melisa Sozen Merve Bolugur Saadet Aksoy Yasemin Allen

▶Page 23

Alina Kovalenko Anastasiya Ostreinova Anna Sagaydachnaya Dorota Delag Kseniya Mishina Oleksii Yarovenko Olena Lavrenyuk Taras Tsimbalyuk Veronika Shostak

▶Page 24

To do list:

Christopher Gorham under development (The Other Side of Heaven 2001) Harry Melling - The Pale Blue Eye 2022 Nora Arnezeder - Angélique 2013 Isabella Heathcote - Pride and Prejudice and Zombies Eleanor Worthington-Cox in Gwen (2018) Julie Delpy - La passion Béatrice 1987,  Frankenstein 2004, Trois couleurs: Blanc 1994, The Three Musketeers 1993 Nastassja Kinski - Revolution (1985), Tess 1979 Julia Ormond - Young Catherine 1991, First Knight 1995, Legends of the Fall 1994 Laura Donnelly - Beowulf: Return to the Shieldlands, Britannia, Outlander Morena Baccarin in Stargate Isabella Celani - A Room with a View 1985 Neve McIntosh - Gormenghast 2000 Kate Beckinsale - Much Ado About Nothing 1993 Sarah Felberbaum as Maddalena in Medici

✦Francesca Annis

Wives and Daughters 1999 — under development

Volker Bohnet — Ludwig 1973 Romy Schneider — Ludwig 1973, Sissi 1955 Helmut Berger — Ludwig 1973

✦Ethan Erickson

Dorian 2003— under development

All of these gifs were made from scratch by me for roleplaying purposes. Feel free to use them as sidebars and reaction gifs. PLEASE DON’T CLAIM THEM AS YOUR OWN.

[souvenirsdesmercier]

Isabelle prépare Léa pour le bain.

[extrabeurre]

Gala Québec Cinéma 2023: les nominations

Animé par Jay Du Temple, le 25e Gala Québec Cinéma sera diffusé le dimanche 10 décembre prochain à 20h sur les ondes de Noovo et Noovo.ca, en direct des studios Grandé de Montréal. Le Gala Artisans, animé par Fabiola Nyrva Aladin, aura lieu le 7 décembre à 19h30 au Studio TD.

Voici la liste complète des nominations:

IRIS HOMMAGE Rémy Girard

MEILLEUR FILM Arsenault et Fils | La maison de prod — Stéphanie Morissette, Charles Stéphane Roy Babysitter | Amérique Film — Martin Paul-Hus, Catherine Léger ; Phase 4 Productions — Pierre-Marcel Blanchot, Fabrice Lambot Falcon Lake | Metafilms — Nancy Grant, Sylvain Corbeil ; Onzecinq — Dany Boon, Jalil Lespert ; Cinéfrance Studios — Julien Deris, David Gauquié, Jean-Luc Ormières Le plongeur | Sphère Média — Marie-Claude Poulin Les chambres rouges | Némésis Films — Dominique Dussault Noémie dit oui | Productions Leitmotiv — Patricia Bergeron Viking | micro_scope — Luc Déry, Kim McCraw

MEILLEUR PREMIER FILM

Falcon Lake | Charlotte Le Bon Farador | Édouard Albernhe Tremblay Les hommes de ma mère | Anik Jean Noémie dit oui | Geneviève Albert Rodéo | Joëlle Desjardins Paquette

MEILLEURE RÉALISATION Monia Chokri | Babysitter Stéphane Lafleur | Viking Francis Leclerc | Le plongeur Rafaël Ouellet | Arsenault et Fils Pascal Plante | Les chambres rouges

MEILLEUR SCÉNARIO Eric K. Boulianne, Francis Leclerc | Le plongeur Stéphane Lafleur, Eric K. Boulianne | Viking Catherine Léger | Babysitter Rafaël Ouellet | Arsenault et Fils Pascal Plante | Les chambres rouges MEILLEURE INTERPRÉTATION FÉMININE | PREMIER RÔLE Larissa Corriveau (Steven) | Viking Kelly Depeault (Noémie) | Noémie dit oui Hélène Florent (Rose Lemay) | Une femme respectable Léane Labrèche-Dor (Elsie) | Les hommes de ma mère Sara Montpetit (Chloé) | Falcon Lake

MEILLEURE INTERPRÉTATION MASCULINE | PREMIER RÔLE Guillaume Cyr (Adam) | Arsenault et Fils Patrick Hivon (Cédric) | Babysitter Steve Laplante (John) | Viking Henri Picard (Stéphane) | Le plongeur Luc Picard (Gérald Gallant) | Confessions

MEILLEURE INTERPRÉTATION FÉMININE | RÔLE DE SOUTIEN Laurie Babin (Clémentine) | Les chambres rouges Élise Guilbault (Soeur Monique) | Le temps d’un été Ève Landry (Josée) | Bungalow Julie Le Breton (Isabelle) | Tu te souviendras de moi Nadia Tereszkiewicz (Amy) | Babysitter

MEILLEURE INTERPRÉTATION MASCULINE | RÔLE DE SOUTIEN Maxime de Cotret (Greg) | Le plongeur Charles-Aubey Houde (Bébert) | Le plongeur Denis Houle (Liz)| Viking Steve Laplante (Jean-Michel) | Babysitter Guy Nadon (Maître Jean-Pierre Genin) | Le temps d’un été

RÉVÉLATION DE L’ANNÉE Fabiola N. Aladin (Janet) | Viking Emi Chicoine (Léa) | Noémie dit oui Virginie Fortin (Elsa) | 23 décembre Juliette Gariépy (Kelly-Anne) | Les chambres rouges Joan Hart (Bonnie) | Le plongeur François Pérusse (Alain) | Niagara

MEILLEURE DISTRIBUTION DES RÔLES Nathalie Boutrie — Nathalie Boutrie Casting | Arsenault et Fils Marilou Richer — Marilou Richer Casting | Les chambres rouges Lucie Robitaille, Dandy Thibaudeau — Casting Lucie Robitaille | Viking Annie St-Pierre, Antoinette Boulat | Babysitter Brigitte Viau — Casting Brigitte Viau | Le plongeur MEILLEURE DIRECTION ARTISTIQUE André-Line Beauparlant | Viking Sylvie Desmarais| Bungalow Mathieu Lemay | Le plongeur Laura Nhem | Les chambres rouges Colombe Raby | Babysitter

MEILLEURE DIRECTION DE LA PHOTOGRAPHIE Steve Asselin | Le plongeur Vincent Biron| Les chambres rouges Kristof Brandl | Falcon Lake Josée Deshaies | Babysitter Sara Mishara | Viking

MEILLEURS EFFETS VISUELS Marc Hall — A.A. Studios | Babysitter Marc Hall — A.A. Studios, Alex GD — RGB124 | Farador Marc Hall — A.A. Studios | La cordonnière Marie-Claude Lafontaine, Simon Beaupré — Alchimie 24 | Viking Mathilde Vézina-Bouchard | Mistral spatial

MEILLEUR SON Sylvain Bellemare, Bernard Gariépy Strobl, Pierre Bertrand | Viking Olivier Calvert, Stéphane Bergeron, Martyne Morin | Les chambres rouges Olivier Calvert, Luc Boudrias, Yann Cleary | Le plongeur Stephen De Oliveira, Séverin Favriau, Stéphane Thiébaut | Falcon Lake Daniel Fontaine-Bégin, Luc Boudrias, Henry Jr Godding | Arsenault et Fils

MEILLEUR MONTAGE Pauline Gaillard | Babysitter Sophie Leblond| Viking Myriam Magassouba | Arsenault et Fils Jonah Malak | Les chambres rouges Isabelle Malenfant | Le plongeur

MEILLEURE MUSIQUE ORIGINALE Viviane Audet, Robin-Joël Cool, Alexis Martin | Arsenault et Fils Daniel Bélanger | Confessions Christophe Lamarche-Ledoux, Mathieu Charbonneau | Viking Martin Léon | Tu te souviendras de moi Dominique Plante | Les chambres rouges MEILLEURS COSTUMES Mariane Carter | La cordonnière Guillaume Laflamme | Babysitter Sophie Lefebvre | Une femme respectable Sophie Lefebvre | Viking Annabelle Roy, Delphine Gagné | Farador

MEILLEUR MAQUILLAGE Kathryn Casault, Bruno Gatien | Confessions Marie-Josée Galibert | Viking Marie Salvado | Les chambres rouges Lyne Tremblay, Faustina De Sousa, François Gauthier, Michael Loncin | Farador Adriana Verbert | Babysitter

MEILLEURE COIFFURE Vincent Dufault | Viking André Duval | Une femme respectable Nermin Grbic | Les chambres rouges Richard Hansen, Réjean Forget, Johanne Hansen | La cordonnière Ann-Louise Landry | Babysitter

MEILLEUR FILM DOCUMENTAIRE Dear Audrey | Réalisation : Jeremiah Hayes | Scénario : Jeremiah Hayes | Office national du film du Canada — Jeremiah Hayes, André Barro, Annette Clarke Gabor | Réalisation : Joannie Lafrenière | Scénario : Joannie Lafrenière | Tak films — Line Sander Egede Geographies of Solitude | Réalisation : Jacquelyn Mills | Scénario : Jacquelyn Mills | Rosalie Chicoine Perreault, Jacquelyn Mills Je vous salue salope : la misogynie au temps du numérique | Réalisation : Léa Clermont-Dion, Guylaine Maroist | Scénario : Léa Clermont-Dion, Guylaine Maroist | La Ruelle Films — Eric Ruel, Guylaine Maroist Rojek | Réalisation : Zaynê Akyol | Scénario : Zaynê Akyol | Metafilms — Sylvain Corbeil, Audrey-Ann Dupuis-Pierre ; Zaynê Akyol

MEILLEURE DIRECTION DE LA PHOTOGRAPHIE | FILM DOCUMENTAIRE Geoffroy Beauchemin | Humus Nicolas Canniccioni, Arshia Shakiba | Rojek Joannie Lafrenière | Gabor Jacquelyn Mills | Geographies of Solitude Maude Plante-Husaruk | Au-delà des hautes vallées MEILLEUR SON | FILM DOCUMENTAIRE Mélanie Gauthier, Jeremiah Hayes, Isabelle Lussier | Dear Audrey Maxime Lacoste-Lebuis, Eric Shaw, Jean Paul Vialard | Au-delà des hautes vallées Andreas Mendritzki, Jacquelyn Mills | Geographies of Solitude Jean-François Sauvé, Martin M. Messier, Bruno Pucella | 305 Bellechasse Catherine Van Der Donckt, Jean Paul Vialard | Au-delà du papier

MEILLEUR MONTAGE | FILM DOCUMENTAIRE Mathieu Bouchard-Malo| Rojek Jeremiah Hayes | Dear Audrey Emmanuelle Lane | Gabor Jacquelyn Mills | Geographies of Solitude Oana Suteu Khintirian | Au-delà du papier

MEILLEURE MUSIQUE ORIGINALE | FILM DOCUMENTAIRE Olivier Alary, Johannes Malfatti | Twice Colonized Gervaise | Gabor Walter Grimshaw | Dear Audrey Maxime Lacoste-Lebuis | Au-delà des hautes vallées Delphine Measroch | Humus

MEILLEUR COURT OU MOYEN MÉTRAGE | ANIMATION A night for the dogs | Max Woodward | Confettis Production — Guillaume Dubois, Camille Lequenne Harvey | Janice Nadeau | Folimage – Reginald de Guillebon, Pierre Méloni ; Office national du film du Canada — Marc Bertrand, Christine Noël, Julie Roy Madeleine | Raquel Sancinetti | Production : Raquel Sancinetti Marie · Eduardo · Sophie | Thomas Corriveau | Production : Thomas Corriveau Triangle noir | Marie-Noëlle Moreau Robidas | Embuscade Films — Nicolas Dufour-Laperrière

MEILLEUR COURT OU MOYEN MÉTRAGE | DOCUMENTAIRE Belle River | Guillaume Fournier, Samuel Matteau, Yannick Nolin | Kinomada — Jean-Pierre Vézina Fire-Jo-Ball | Audrey Nantel-Gagnon | Office national du film du Canada — Nathalie Cloutier Notes sur la mémoire et l’oubli | Amélie Hardy | Club Vidéo de Montréal — Isabelle Grignon-Francke Oasis | Justine Martin | Déjà Vu — Louis-Emmanuel Gagné-Brochu Zug Island | Nicolas Lachapelle | Production : Guillaume Collin, Nicolas Lachapelle

MEILLEUR COURT OU MOYEN MÉTRAGE | FICTION Invincible | Vincent René-Lortie | Telescope Films — Élise Lardinois, Samuel Caron Nanitic | Carol Nguyen | Coop Vidéo de Montréal — Marie Lytwynuk ; Carol Nguyen Nuit blonde | Gabrielle Demers | Cinquième maison — Nellie Carrier Pas de fantôme à la morgue | Marilyn Cooke | La 115e — Kélyna N. Lauzier, Macha Houssart Simo | Aziz Zoromba | Scarab Films — Rosalie Chicoine Perreault PRIX DU PUBLIC 23 décembre | Immina Films — Patrick Roy | A Média Productions — Guillaume Lespérance | Réalisation : Miryam Bouchard | Scénario : India Desjardins Confessions | Les Films Opale — Christian Larouche, Sébastien Létourneau | Christal Film Productions — Christian Larouche | Réalisation : Luc Picard | Scénario : Sylvain Guy Katak le brave béluga | Attraction Distribution — Xiaojuan Zhou, Maison 4:3 — Chantale Pagé | 10e Ave Productions — Nancy Florence Savard | Réalisation : Christine Dallaire-Dupont, Nicola Lemay | Scénario : Andrée Lambert Le temps d’un été | Immina Films — Patrick Roy | Attraction — Antonello Cozzolino, Brigitte Léveillé | Réalisation : Louise Archambault | Scénario : Marie Vien Les hommes de ma mère | Immina Films — Patrick Roy | Jessie Films — Patrick Huard, Anik Jean | Réalisation : Anik Jean | Scénario : Maryse Latendresse

FILM S’ÉTANT LE PLUS ILLUSTRÉ À L’EXTÉRIEUR DU QUÉBEC Cette maison | Embuscade Films — Félix Dufour-Laperrière | Réalisation : Miryam Charles | Scénario : Miryam Charles | La Distributrice de films — Serge Abiaad Dounia et la princesse d’Alep | Tobo — Judith Beauregard | Réalisation : Marya Zarif, André Kadi | Scénario : Marya Zarif | Maison 4:3 — Chantale Pagé Falcon Lake| Metafilms — Nancy Grant, Sylvain Corbeil ; Onzecinq — Dany Boon, Jalil Lespert ; Cinéfrance Studios — Julien Deris, David Gauquié, Jean-Luc Ormières | Réalisation : Charlotte Le Bon | Scénario : Charlotte Le Bon | Sphère Films — Ariane Giroux-Dallaire Katak le brave béluga | 10e Ave Productions — Nancy Florence Savard | Réalisation : Christine Dallaire- Dupont, Nicola Lemay | Scénario : Andrée Lambert | Attraction Distribution — Xiaojuan Zhou, Maison 4:3 — Chantale Pagé Viking | micro_scope — Luc Déry, Kim McCraw | Réalisation : Stéphane Lafleur | Scénario : Stéphane Lafleur, Eric K. Boulianne | Les Films Opale — Christian Larouche, Sébastien Létourneau

[tilbageidanmark]

Movies I watched this Week #123 (Year 3/Week 19):

When thinking of Ozu, what’s the first thing that comes to mind? Refined domestic dramas, tatami shots, chrysanthemums flowers - or fart jokes? ... Good morning, my 5th film by Yasujirō Ozu, is apparently one of the few films he directed that is not about old people but about children.

A gentle and delightful comedy about two boys who refuse to speak until their parents buy a television set, it is full with ‘Pull my finger’ (rather ‘Touch on my forehead’) moments. With Ozu's favourite actor Chishū Ryū. 8/10.

🍿

Let him go, a wonderful discovery by a Thomas Bezucha, a director previously-unknown (to me). A moving, and slow-moving, neo-Western that turns 180 degrees for the third act. Salt of the earth, retired sheriff Kevin Kostner and taciturn wife Diane Lane grieve after the death of their son, then try to rescue their only grandson from some unsavory hillbillies. A tense story about loss. 8/10.

There are some magnetic and gorgeous actresses I am completely attracted to. Beside Diane Lane, there are Léa Seydoux, Maggie Cheung, Catherine Deneuve, Charlize Theron, Sidse Babett Knudsen, Isabelle Huppert, Anna Kendrick, La Binoche, Etc.

So I’m going next to watch Lane’s two 1983 back-to-back Coppola films, ‘The Outsiders’ and ‘Rumble fish’.

🍿  

First watch: The ruthless, brutal City of God, a Brazilian ‘Goodfellas’, but worst, not as funny, and so much bloodier and grittier. I was reluctant to watch it for a long time and for a good reason. Merciless crimes in the favelas, cruel, senseless killings committed by children, the poorest of the poor, and based on a true story.  

🍿

Lianna, my first relationship drama by independent director John Sayles, picked randomly from a list. An honest exposition about a vulnerable woman [who’s married to a prick named ‘Dick’!] and a mother of two who suddenly realizes that she’s a lesbian. She comes out, sans heroism, and faces the difficult and lonely struggles of being herself. Hard to imagine that it was written (so well) by a man, and in 1983.

🍿  

‘Meet me at the top of the Empire State Building in 3 months’ X 3:

🍿 Re-watch: Warren Beatty and Annette Bening’s Love Affair is broadly panned as one of the worst remakes ever made, but for me it’s one of my favorite romances. I love everything about it, from Ennio Morricone’s theme (which did tend to repeat itself again and again, but was glorious) to the sappy chemistry between the two lovers, and to this being Katharine Hepburn’s final role. 9/10.

🍿 It was based on Leo McCarey’s 1939 original Love Affair with Charles Boyer and Irene Dunne. But I found it a stiff and slow tearjerker in spite of its pedigree - "If you can paint, I can walk".

🍿 Leo McCarey’s own remake, the 1957 An Affair to remember, with Cary Grant and Deborah Kerr was better (because it was newer?). Still I prefer the later Beatty-Bening version.

🍿  

The Novelist’s Film, my 10th art film by the always-the-same Korean naval-gazer Hong Sang-soo. Two women, one a prolific writer who all of a sudden can’t find the energy to write, and the other pretty actress Kim Min-hee who doesn’t want to work any more, meet randomly during a walk in the park, and on the spot decide to make a film together. As usual in his movies, the whole concept is but a series of mundane conversations, usually over coffee and drinks (this time over Makgeolli rice wine) which eventually adds up to a small and subtle epiphany. 7/10.

🍿  

Sapphire, my third by forgotten British director Basil Dearden. While it’s not as compelling as the first two groundbreaking films of his that I saw (‘Victim’ and ‘All night long’), this murder mystery again dealt with a social problem of the day, one not usually explored on film. This time it was bigotry and racial discrimination, and it did so openly and honestly.

How is Dearden not better appreciated today?

🍿  

Dogtooth, my third uncomfortable art film by Yorgos Lanthimos (after ‘The killing of a sacred deer’ and ‘The lobster’). A weird, freaky and perverse metaphor for fascism, or at least for the cult of the patriarchy. A Fritzl-like story about a father who isolates his three adult children in the family compound and keeps them home-schooled and emotionally stunted. Unpleasant and joyless.

🍿 

“I've known you for all of two mins & already I don't like you...”

Midnight Run, my 3rd re-watch in 3 years (and possibly my 20th re-watch in 20 years...), one of my all-time favorite movies, a perfect comedy-action buddy-cop with a heart. Best roles for (newly father of 7) Robert de Nero, as well as for FBI Special Agent Alonzo Mosely, Dennis Farina, Joe Pantoliano, and a fantastic Danny Elfman score. 10/10 again (and again).

Strangely enough, this brilliant script and impeccable dialogue were written by one prolific George Gallo, who also wrote 27 other scripts and directed 21 movies none of which I ever heard of. And most all his other movies have between ZERO to 30 ‘Rotten Tomato Scores’!

(Photo Above).

🍿  

William Wyler’s 1966 How to Steal a Million. The idea of seeing Audrey Hepburn and Peter O'Toole [whose names, both first and last, are euphemisms for 'Cock'] in a light romantic comedy is irresistible. But the movie itself was a big letdown: All style and no substance. 2/10.

🍿

2 counties:

🍿 "Here I was for the first time in my life having a nice peaceful time and you had to come and spoil it".

County hospital, a 1932 Laurel and Hardy 2-reeler, simple and not too slapsticky. What a strange relationship these two “friends” had...

🍿 I used to lived in Anaheim Hills & Yorba Linda, CA when the third-rate teen ‘comedy’ Orange County premiered, but I only tried to see it now for the first time. Sadly, I couldn't stand this superficial and Clichéd low-brow piece of nepotism, just like (many of) the people who used to live there, and I had to click it off after 15 torturous minutes. 1/10

🍿 

I got talked into watching Saul Goodman’s violent action flick Nobody again. It’s still generic and unoriginal, and I hope they never do a sequel. 4/10. 

🍿  

Moviewise is a YouTube channel offering interesting film essays by a guy with a deep voice and a strange accent who often gives reactionary /masculine analyses. Last week I saw his ‘The camera and the mirror, a love story’. Here are some that I saw this week:

Why ‘The Banshees of Inisherin’ has no ending *

How to Immediately Identify a Great Director *

What is the Encyclopedic Film genre *

Why ‘All about Eve’ is a perfect screenplay *

Why ‘Jeanne Dielman 23, Quai du Commerce’ is boring and does not deserve to be called ‘World’s Best film’ *

How are “Puzzle film” different from surreal ones *

Breaking down film dialogue into the ‘Practical’ and the ‘Analytical’ *

Why Succession’s Logan Roy Always Wins *

But he’s also funny sometimes, as he is in A Guide for Analyzing Movies.

Many more inside. In spite of his endocentric chauvinism, his readings are still worth the watch.

And talking of Succession, I’m looking forward to bingeing on Season 4 at the end of May, when it’s all done.

🍿  

3 shorts:

🍿 Of course I know about them, but I never actually seen any ‘Star Wars’ or JRR Tolkien movies. Caleb Ward used Midjourney AI tools to create two fictional trailers for alternative films directed by Wes Anderson, one for Star Wars, and another for Lord of the Rings: Cute.

🍿 In the end, what it felt like to almost die. A woman tells the story what she experienced when she had a massive pulmonary embolism.  

🍿

(My complete movie list is here)

[aplausosbrasil]

30 grandes atrizes brasileiras, raramente lembradas hoje:

Flora Geny

2. Bárbara Fazio

3. Isabel Teresa

4. Ileana Kwasinski

5. Joséphine Hélene

6. Jacyra Silva

7. Carmem Marinho

8. Carminha Brandão

9. Léa Camargo

10. Lúcia Lambertini

11. Iracema de Alencar

12. Maria Aparecida Baxter

13. Maria Vidal

14. Gilda Sarmento

15. Dina Lisboa

16. Norah Fontes

17. Wilma de Aguiar

18. Lourdes Mayer

19. Wanda Kosmo

20. Yolanda Cardoso

21. Suzy Arruda

22. Riva Nimitz

23. Ana Ariel

24. Yara Salles

25. Antônia Marzullo

26. Isaura Bruno

27. Maria Luiza Castelli

28. Maria Estela

29. Carmen Monegal

30. Isolda Cresta

Aplausos!

[sirenscaughtbythewaves]

Who is your favourite actress?

Emmm. I don't have favourite one, but i have favourite type of actress. Especially those can convey emotions very well through eyes and ethereal not just pretty. Emily Browning, Mélanie Thierry, Vicky Kreips, Isabelle Huppert,Léa Seydoux, Shu Qi and Angelina Jolie are the type for me. ❤️

[campagnecoast]

Previously

Asian fcs.

FearedStreet: Dian Sastro

ToBeBarbs: Roseanne Park

80seoulvibe: Roseanne Park

projectantinomy: Roseanne Park

CrackedCookies: Jennie Kim

BratzDarl: Jennie Kim

Heartunnel: Jennie Kim

MemoriesInStage: Jennie Kim

StartWithFriend: Jennie Kim

BooksofOurs: Jennie Kim

Theunnoticed: Jennie Kim

RetourBurner: Myoui Mina

catcafetaria: Chiquita

SevenInLoop: Lalisa Manoban

lettredeamour: Song Zia

J3_3llybish: Meenoi

OurPinkTape: Chaerin Lee

HopefulMessage: Bae Sumin

Western fcs.

Lethalrebels: Taylor Swift

WRNOTSTRANGERS 003: Taylor Swift

SweetNeighbours: Taylor Swift

WashiMachi: Taylor Swift

AtLoveSickest: Taylor Swift

SocietyofPapers: Sadie Sink

Queenslads: Lola Tung

LifeInPieces: Robert Downey Jr

AtMaranello 001: Charlotte Sine

KSilhoutte: Charlotte Sine

TheNoirLens: Natalia Dyer

NYC99TH: Kiernan Shipka

TheNormalFolk: Lucas Bravo

Herzstopper: Sydney weeney

LondonAthleti: Lily Muni He

TheLottoChateau: Alex Albon

Cinepoeme: Kennedy Walsh

Principeople: Kennedy Walsh

e_the_realm: Jessie Mei Li

AtMaranello 002: Susie Wolff

Amourestivo: Josephine Langford

Aerumnoisy: Joanna Kuchta

Lol1nFive5: Alexandra Saint Mleux

Cinemalgia: Emma Stone

Giggleties: Victoria de Angelis

PrestigePass: Bill Skarsgard

Fortitudence: Theo James

SweetzFlash: PinkPantheress

HeartIandHaven: Kali Uchis

711Michigan: AnneAtMCGN

@Aaaancur2an: Max Verstappen

Duniacupang: Max Verstappen

Fortitudence: Rudy Grazziani

Lovelessvals: Chappell Roan

Fictional fcs.

soulensade: Léa Seydoux

DrivesToStrive: Victoria Pedretti

Coloratoera: Ryomen Sukuna

taleofdisney: BOOOtales

MCUNlVERSE 001: PepperMVU

Valdelobos: ResidentJims

SeaOfVoyage: PiratieElena

THEIAMFORCE: Amy Dunne

ReviverRealm: Regina George

SerafinaTales: Benjamin Wallace

FlameOfValyria: Cersei Lannister

Caretakers.

StereoMidnights: James (Jake Gyllenhaal)

LegallyStarring: Elle Woods (Reese W)

Lakesbox: Augustine (Gracie Abrams)

Aboveoridinary: Atlas (Minsik)

Starthelude: Ego (Bella Hadid)

Loversoulse: Miss Americana (Taylor Swift)

5FirstLetters: Lara Jean (Lana Condor)

PageofDiaries: Dorothea Rosewood (Ryujin)

StarringLand: Mia Dolan (Emma Stone)

HatredSummer: Isabel Conklin (Lola Tung)

BrickableYork: Betty (Sabrina)

Loveratrope: Liz Buxbaum (Kennedy)

AtMaranello: Coach Lissie (Lissie)

Filesof500: Smith (faceless)

DistrictsRevolt: Lucy Gray & Katniss Everdeen

Goofygroves: Jack (Hozier)

505ROMCOMS: Jenna Rink (Jennifer G)

fedmisery: Camden (G-Eazy)

ErasToure: Augustine (Gracie)

Scrooddles: Dominique (Bella Swan)

Dr3am_0ut_l0ud: Cara (Emma D'Arcy)

MidwestPunkClub: Thorn (Chappell)

trumanscript: Miranda (Olivia Cooke)

DressToRebels: Roxanne (Gabbriette)

[ashanur90]

Under Paris (2024) Movie Download: Everything You Need to Know

The highly anticipated film "Under Paris" is set to release in 2024, promising a cinematic experience that explores the enchanting and mysterious depths of Paris. Directed by the visionary filmmaker Jean-Luc Dupont, the movie has already garnered significant attention and buzz in the film industry. If you're eager to watch this captivating movie, here is everything you need to know about "Under Paris" and how you can download it legally and safely.

About "Under Paris"

"Under Paris" is a unique blend of mystery, romance, and drama. The storyline delves into the hidden catacombs beneath the city of Paris, unraveling a tale that intertwines the lives of various characters. The film features an ensemble cast, including prominent actors such as Isabelle Huppert, Vincent Cassel, and Léa Seydoux, whose performances are expected to bring depth and authenticity to this intriguing narrative.

Plot Summary

The movie follows the story of a young archaeologist, played by Léa Seydoux, who discovers a secret passage in the catacombs of Paris. As she ventures deeper, she uncovers long-forgotten secrets and forms unexpected alliances with other explorers and historians. The narrative is filled with twists and turns, keeping the audience on the edge of their seats as they explore the labyrinthine world beneath the City of Lights.

Legal Ways to Download "Under Paris"

As "Under Paris" is a major release, it will be available through various legal platforms. Here are some ways you can download the movie:

1. Streaming Services

Platforms like Netflix, Amazon Prime Video, and Disney+ are likely to offer "Under Paris" for streaming. These services usually provide an option to download the movie for offline viewing, which is a convenient way to watch the film without needing an internet connection.

2. Digital Purchase

Websites such as Google Play Movies, iTunes, and Vudu typically allow users to purchase and download movies. Once you buy the film, you can download it to your device and watch it anytime.

3. Subscription Services

Some subscription services, like HBO Max or Hulu, may include "Under Paris" in their catalog. Subscribers can download the movie through the service's app for offline viewing, ensuring a high-quality and legal download.

4. Official Movie Website

Occasionally, movies are made available for download directly from their official websites. Check the "Under Paris" official site or social media pages for any announcements regarding download options.

Why You Should Avoid Illegal Downloads

While it might be tempting to download "Under Paris" from unauthorized sources, it’s important to understand the risks involved. Illegal downloads can expose your device to malware, viruses, and other security threats. Moreover, downloading movies from pirated sites is against the law and can lead to severe penalties.

Supporting the filmmakers by using legal download methods ensures that the creators receive the revenue they deserve, allowing them to continue producing high-quality content.

Conclusion

"Under Paris" (2024) is poised to be a remarkable film that takes viewers on an unforgettable journey beneath one of the world’s most iconic cities. By choosing legal download options, you can enjoy this cinematic masterpiece safely and contribute to the thriving film industry. Keep an eye on your favorite streaming services and digital platforms for the release date, and get ready to immerse yourself in the mysteries of "Under Paris."

[souvenirsdesmercier]

Quand Léa rentre de la fac, les Balard sont déjà arrivés, un jeune couple d'une trentaine d'années, Isabelle et Thierry, qu'elle connaît à peine, qui sont accompagnés d'Arthur, leur petit garçon de six ans, ravi et impressionné de rencontrer Léa dont on lui a visiblement beaucoup parlé. Madame Mercier sert le goûter au salon et les deux enfants se mettent assez naturellement à discuter et à jouer ensemble, les Balard ont emmené des feuilles, des feutres et des crayons, et ils dessinent tous les deux, allongés l'un à côté de l'autre, ils se racontent des trucs et rigolent sans que les adultes - enchantés de les voir si complices - ne sachent pourquoi, ils montrent leurs dessins, Léa propose des jeux et Arthur, admiratif, la suit sans hésiter, les adultes se réjouissent que cette rencontre se passe aussi bien. Les Mercier n'en doutaient pas. Isabelle se fait tout de même répéter deux fois l'âge de Léa : vingt-et-un ans ? ah oui ? quand même ? Léa explique qu'elle adore les enfants, que - quand elle habitait chez ses parents - elle faisait du babysitting, et elle propose de venir garder Arthur : et pourquoi pas ? c'est une excellente idée !

Et puis arrive l'heure du bain, que Madame Mercier annonce : on va aller prendre le bain, les enfants ? Léa la redoute depuis ce matin, quand Madame Mercier lui a parlé des Balard et d'Arthur. Elle craint qu'Arthur se moque d'elle, que sa mère, son père - surtout son père - la trouvent ridicule, et que son père ne la regarde pas comme une petite fille, ce qui pourrait être très embarrassant.

Isabelle propose de s'occuper du bain, Madame Mercier regarde Léa et lui propose - pour la première fois - d'aller se déshabiller dans la salle de bain ? Léa la remercie d'un sourire d'avoir voulu protéger sa pudeur et son intimité, mais elle se sent suffisamment à l'aise pour que ce ne soit pas nécessaire : non, ça va aller ! Elle se lève et retire son sweat, Isabelle attire Arthur vers elle, et lui descend d'un coup sec le pantalon et le slip sur les chaussettes, comme elle le fait à la maison : on est entre nous.

Arthur rougit, gêné, il cache ses fesses sous ses deux mains en écartant les doigts pour recouvrir le plus de surface possible, Léa le rassure en dégrafant son soutif : t'inquiète ! je vais aussi te montrer les miennes ! Il se tourne vers elle, regarde, étonné, les petits seins pointus qu'elle exhibe sans les cacher : et ta zézette, aussi ? Les adultes éclatent de rire : ben oui ! ma zézette aussi ! on va se mettre tout nus, gros nigaud ! Léa déboutonne son pantalon, laissant apparaître sa petite culotte de coton blanc, Arthur se retrouve torse nu, le pantalon et le slip en accordéon : c'est vrai qu'elle reçoit encore la fessée, Léa ? (...)

Texte original : Auteur à l' origine de Léa.

[ecoleplonevez]

Léa et Alana sont venues lire : "A quoi rêvent les vaches ?" d'Anne-Isabelle Le Touzé.

[leaacquaviva]

SÉANCE #14 - Santé mentale à l’ère numérique : comment se protéger ?   

Toujours de plus en plus présents dans nos vies, les écrans ont su se montrer essentiels dans les habitudes de chacun. Ainsi, il est aujourd’hui impossible de se déconnecter d’Internet, ne serait-ce qu’un seul jour. 

Dans une chronique de Léa Carrier et Isabelle Dubé pour La Presse, ces dernières expliquent que « notre rapport au monde se construit de plus en plus par l’intermédiaire du numérique », nous sommes hyper-connectés. De fait, que ce soit à travers le télé-travail, ou encore pour consulter le menu d’un restaurant, nous avons tous besoin d’Internet et de nos écrans. Elles expliquent également qu’aujourd’hui, ce qui fait l’économie d’Internet, c’est l’attention que les usagers y portent, grâce notamment aux algorithmes créés dans le but de nous faire passer le plus de temps possible sur nos écrans. 

Ainsi, pour le sociologue français Francis Jauréguiberry, se déconnecter, dans le monde où nous vivons, serait une épreuve et un risque et cela aurait des impacts dans toutes les sphères de notre vie (Carrier, Dubé, 2023). 

De plus, passer trop de temps devant les écrans peut avoir des effets négatifs sur notre santé physique — avec des risques d’obésité ou d’hypertension — comme mentale, avec des risques de dépression ou d’isolement (Idem). 

Ceci est d’autant plus vrai chez les jeunes générations, qui ont grandi avec les réseaux sociaux numériques. En effet, en Amérique, 95% des jeunes âgés de 13 à 17 utilisent un média numérique régulièrement (Radio-Canada, 2023).

Depuis 2014, à Québec, le taux d’antidépresseurs chez les jeunes de moins de 17 ans a triplé, et la moitié des 17-25 ans souffre de troubles anxieux ou dépressifs (Grammond, 2023). Le rapport de l’Enquête sur la santé psychologique des 12-25 ans de l’Université de Sherbrooke rapporte que, chez les 17-25 ans, ces troubles augmentent selon le temps quotidien passé sur les médias sociaux. Ainsi, 35% des garçons, et 70% des filles qui passent au moins 4 heures par jour sur les RSN, souffrent d’anxiété ou de dépression.

Il est donc important de réguler l’utilisation des écrans dès que possible, par exemple en repoussant l’âge où l’on donne le premier téléphone à son enfant, ou encore en posant des limites de temps d’écrans directement sur nos téléphones, comme l’ont fait des étudiants de l’université Iowa State, dans le cadre d’une étude du journal Technology Mind and Behavior qui a montré que limiter son temps d’écran avait des biens-faits psychologiques sur les étudiants (Legault, 2023).