#Integrated’ Digitization will Help

[vorbisx]

Replacing physical buttons and controls with touchscreens also means removing accessibility features. Physical buttons can be textured or have Braille and can be located by touch and don't need to be pressed with a bare finger. Touchscreens usually require precise taps and hand-eye coordination for the same task.

Many point-of-sale machines now are essentially just a smartphone with a card reader attached and the interface. The control layout can change at a moment's notice and there are no physical boundaries between buttons. With a keypad-style machine, the buttons are always in the same place and can be located by touch, especially since the middle button has a raised ridge on it.

Buttons can also be located by touch without activating them, which enables a "locate then press" style of interaction which is not possible on touchscreens, where even light touches will register as presses and the buttons must be located visually rather than by touch.

When elevator or door controls are replaced by touch screens, will existing accessibility features be preserved, or will some people no longer be able to use those controls?

Who is allowed to control the physical world, and who is making that decision?

[angebluee]

Finished my calc 2 midterm

Bright side I was able to answer most questions in 50 min time limit compared to last time.

But I still did shit like moments and center of mass shit got me fucked up tryna evaluate integrals

[undertalearia]

Hello everyone !!! Team Aria is currently looking for help :) make sure to apply in the link

[mehmetyildizmelbourne-blog]

SYNERGY (Newsletter Booster): Submission Guidelines 2024

Updated rules to publish your drafts in this specialized publication for writers, book authors, bloggers, and content marketers Dear Content Creators and Marketers,  To provide a comprehensive understanding of this unique publication, I have included an overview of its history, current landscape, and strategic direction. As a result, this piece is more extensive than typical submission…

[fluffylino]

loner ! minho - drabble

you've observed him in your classes. he's hot. he's always by himself. little did you know he was fascinated with you too...

-contains mature themes (risky sex oops)

minho's in your class. he's there almost for every single lecture. never skipping unless he didn't show up to uni.

theres something about him that makes your heart race. maybe because you were just like him. the silent ones in the class who mostly sat right at the back where you could be at peace and avoid most interactions.

somehow the two of y'all never sat together, sometimes sitting on opposite ends of the small class or maybe on the bench infront. you watch him at times whenever the lesson content gets boring. taking in the sight of him paying attention.

was he really paying attention or was he just lost in his thoughts?

were you ever in his thoughts?

did you ever make an appearance in his mind?

.

.

its a long day. back to back lectures since 8 in the morning and you're tired. this time your class was being held in a small private classroom that nearly no one knew about except the people in this specific class.

neatly taking off your shoes outside the carpetted stairway.

noticing the larger pair of combat boots that are tucked away from all the other shoes.

mindlessly you keep your shoes near his. because he had mindlessly been doing that for the past few weeks. placing his shoes next to yours.

silently entering the class, only to realise you had losf track of time in the canteen. 10 mins since your class had begun and here you were.

heart thumping nervously at all the eyes on you, as you quietly scutter to an empty chair. the teacher has made all of y'all sit in a semi circle. for more integration and freedom.

and you find yourself seated directly across minho. taking in the sight of him entirely as your professor absentmindedly continues talking about something.

your eyes can't help but trail down to his hands. watching him crack his knuckles and adjust the rings he wore on his digits.

the black shirt complimenting his physique and his leisure way of sitting making your stomach churn with arousal.

why were you finding him so ravishing today? seeing him so upfront worked wonders on your imaginative brain.

blinking slowly as you thought of how his fingers would feel against your body. maybe even between your legs...

blushing heavily when he glances at you briefly. and from the corner of your eye, you swear you see him hide a smirk.

.

.

class is over and you're about to leave when you feel a gentle hand on your shoulder. and you're quick to turn around.

masking on a kind smile which immediately falters.

"wait back with me..." its him.

bag slinging across his shoulder as he stands beside you. quietly waiting for everyone to leave. with a long stride, he closely the door of the classroom. latching it smoothly and for a second you think he's uncomfortable with you.

what if he noticed how obvious you were.

"u-uh is everything o-okay?" you mumble, taking a few steps back when he stands in front of you. minimizing the gap as much as possible.

"i don't know, you tell me..." he lets out, tilting his head with intent. your mouth opens and closes. going speechless and every single coherent thought escaping your mind.

"...i d-don't know" you stutter unconciously. struggling to maintain eye contact with him. looking anywhere but at his eyes.

"do you...." he starts off. clearing his throat before looking at the latched door for a second, turning to purse his lips at you in a somewhat shy manner.

your bag sliding off one of your shoulder's and falling on the ground with a soft thud when he holds your chin.

making you look up at him the whole time.

"do you want to eat ramyeon...with me?"

minho whispers. purposefully leaning closer to breath heavy on your parted lips. your own breath shaking as you unconciously refuse to create a gap between y'all.

"or am i just eye candy for you?" he adds with a playful tone.

"no! i mean...n-no. you're more than just...that"

you mumble, cheeks heating up furiously. eye candy? that meant he knew you were watching him.

"well this eye candy's wondering if you just wanna keep staring at him or instead do something about it..."

.

.

.

"is this what you were dreaming of"

minho whispers huskily, hand stuffed down your pants. pulling you higher up on his lap. fingers tracing over your cunt. your nervousness dying down when he touches you like he's meant to be the only one touching you so intimately.

"m-sorry" you whimper. feeling concerned with yourself for imagining such vile things. filthy dirty thoughts during innocent moments.

"no baby, this is what i dreamt of too"

rubbing his middle and ring finger up against your folds. teasingly feeling up your clit. knowing that this was the first time you'd let anyone touch you like this.

"dreamt of dirtier things...so fucking filthy"

slipping his digit past your entrance and you keen. stomach burning with the unfamiliar intrusion.

"thought of you riding me on one of these stupid chairs" minho breathes out. curling his digits upwards to rub your walls. grunting when you grind down on his fingers.

"m-me too...wanted to ride you...want to ride you"

you gasp out, covering your mouth at the risks y'all were taking. an empty locked classroom.

"your s-shoes" and he smiles.

"you noticed. couldn't get over the size difference"

he teases, pulling his fingers out to lick them seductively. deciding to draw fast rough circles on your clit. stimulating the bundle of nerves so fast that you shake in his hold.

"don't you have class?" he asks, knowing damn well that right now class was the last thing on your mind.

"i have you." you moan, praying that luck ws on your side and that you'd get the time to taste him...

.

.

.

.

.

inspired by the dream i had last night AAAAAAA im screaming without the s-

[nasa]

Black Scientists and Engineers Past and Present Enable NASA Space Telescope

The Nancy Grace Roman Space Telescope is NASA’s next flagship astrophysics mission, set to launch by May 2027. We’re currently integrating parts of the spacecraft in the NASA Goddard Space Flight Center clean room.

Once Roman launches, it will allow astronomers to observe the universe like never before. In celebration of Black History Month, let’s get to know some Black scientists and engineers, past and present, whose contributions will allow Roman to make history.

Dr. Beth Brown

The late Dr. Beth Brown worked at NASA Goddard as an astrophysicist. in 1998, Dr. Brown became the first Black American woman to earn a Ph.D. in astronomy at the University of Michigan. While at Goddard, Dr. Brown used data from two NASA X-ray missions – ROSAT (the ROentgen SATellite) and the Chandra X-ray Observatory – to study elliptical galaxies that she believed contained supermassive black holes.  

With Roman’s wide field of view and fast survey speeds, astronomers will be able to expand the search for black holes that wander the galaxy without anything nearby to clue us into their presence.

Dr. Harvey Washington Banks 

In 1961, Dr. Harvey Washington Banks was the first Black American to graduate with a doctorate in astronomy. His research was on spectroscopy, the study of how light and matter interact, and his research helped advance our knowledge of the field. Roman will use spectroscopy to explore how dark energy is speeding up the universe's expansion.

NOTE - Sensitive technical details have been digitally obscured in this photograph. 

Sheri Thorn 

Aerospace engineer Sheri Thorn is ensuring Roman’s primary mirror will be protected from the Sun so we can capture the best images of deep space. Thorn works on the Deployable Aperture Cover, a large, soft shade known as a space blanket. It will be mounted to the top of the telescope in the stowed position and then deployed after launch. Thorn helped in the design phase and is now working on building the flight hardware before it goes to environmental testing and is integrated to the spacecraft.

Sanetra Bailey 

Roman will be orbiting a million miles away at the second Lagrange point, or L2. Staying updated on the telescope's status and health will be an integral part of keeping the mission running. Electronics engineer Sanetra Bailey is the person who is making sure that will happen. Bailey works on circuits that will act like the brains of the spacecraft, telling it how and where to move and relaying information about its status back down to Earth.  

 Learn more about Sanetra Bailey and her journey to NASA. 

Dr. Gregory Mosby 

Roman’s field of view will be at least 100 times larger than the Hubble Space Telescope's, even though the primary mirrors are the same size. What gives Roman the larger field of view are its 18 detectors. Dr. Gregory Mosby is one of the detector scientists on the Roman mission who helped select the flight detectors that will be our “eyes” to the universe.

Dr. Beth Brown, Dr. Harvey Washington Banks, Sheri Thorn, Sanetra Bailey, and Dr. Greg Mosby are just some of the many Black scientists and engineers in astrophysics who have and continue to pave the way for others in the field. The Roman Space Telescope team promises to continue to highlight those who came before us and those who are here now to truly appreciate the amazing science to come. 

To stay up to date on the mission, check out our website and follow Roman on X and Facebook.

Make sure to follow us on Tumblr for your regular dose of space!

[dreaminginthedeepsouth]

Like her or not, we're now on the same side and this woman knows what she's talking about. She suggests actionable steps steps we must take to win ourcountry back from the fascists.

From Liz Cheney

Dear Democratic Party,

I need more from you. You keep sending emails begging for $15,while we’re watching fascism consolidate power in real time. This administration is not simply “a different ideology.” It is a coordinated, authoritarian machine — with the Supreme Court, the House, the Senate, and the executive pen all under its control. And you? You’re still asking for decorum and donations. WTF. That won’t save us. I don’t want to hear another polite floor speech. I want strategy. I want fire. I want action so bold it shifts the damn news cycle — not fits inside one. Every time I see something from the DNC, it’s asking me for funds.

Surprise. Those of us who donate don’t want to keep sending money just to watch you stand frozen as the Constitution goes up in flames — shaking your heads and saying, “Well, there’s not much we can do. He has the majority.” I call bullshit. If you don’t know how to think outside the box… If you don’t know how to strategize… If you don’t know how to fight fire with fire… what the hell are we giving you money for? Some of us have two or three advanced degrees. Some of us have military training. Some of us know what coordinated resistance looks like — and this ain’t it. Yes, the tours around the country? Nice. The speeches? Nice. The clever congressional clapbacks? Nice. That was great for giving hope. Now we need action.

You have to stop acting like this is a normal presidency that will just time out in four years. We’re not even at Day 90, and look at the chaos. Look at the disappearances. Look at the erosion of the judiciary, the press, and our rights. If you do not stop this, we will not make it 1,460 days. So here’s what I need from you — right now:

⸻

1. Form an independent, civilian-powered investigative coalition.

I’m talking experts. Veterans. Whistleblowers. Journalists. Watchdog orgs. Deputize the resistance. Build a real-time archive of corruption, overreach, and executive abuse. Make it public. Make it unshakable. Let the people drag the rot into the light. If you can’t hold formal hearings, hold public ones. If Congress won’t act, let the country act. This isn’t about optics — it’s about receipts. Because at some point, these people will be held accountable. And when that day comes, we’ll need every name, every signature, every illegal order, every act of silence—documented. You’re not just preserving truth — you’re preparing evidence for prosecution. The more they vanish people and weaponize data, the more we need truth in the sunlight.

⸻

2. Join the International Criminal Court.

Yes, I said it. Call their bluff. You cannot control what the other side does. But you can control your own integrity. So prove it. Prove that your party is still grounded in law, human rights, and ethical leadership. Join. If you’ve got nothing to hide — join. Show the world who’s hiding bodies, bribes, and buried bank accounts. Force the GOP to explain why they’d rather protect a war criminal than sign a treaty. And while you’re at it, publicly invite ICC observers into U.S. borders. Make this administration explain — on camera — why they’re terrified of international oversight.

⸻

3. Fund state-level resistance infrastructure.

Don’t just send postcards. Send resources. Channel DNC funds into rapid-response teams, legal defense coalitions, sanctuary networks, and digital security training. If the federal government is hijacked, build power underneath it. If the laws become tools of oppression, help people resist them legally, locally, and boldly. This is not campaign season — this is an authoritarian purge. Stop campaigning. Act like this is the end of democracy, because it is. We WILL REMEMBER the warriors come primaries. Fighting this regime should be your marketing strategy.

And let’s be clear:

The reason the other side always seems three steps ahead is because they ARE. They prepared for this. They infiltrated school boards, courts, local legislatures, and police unions. They built a machine while you wrote press releases. We’re reacting — they’ve been executing a plan for years. It’s time to shift from panic to blueprint. You should already be working with strategists and military minds on PROJECT 2029 — a coordinated, long-term plan to rebuild this country when the smoke clears.

You should be publicly laying out:

• The laws and amendments you’ll pass to ensure this never happens again• The systems you’ll tear down and the safeguards you’ll enshrine • The plan to hold perpetrators of human atrocities accountable • The urgent commitment to immediately bring home those sold into slavery in El Salvador You say you’re the party of the people? Then show the people the plan.

⸻

4. Use your platform to educate the public on rights and resistance tactics.

If they’re going to strip us of rights and lie about it — arm the people with truth. Text campaigns. Mass trainings. Downloadable “Know Your Rights” kits. Multilingual legal guides. Encrypted phone trees. Give people tools, not soundbites. We don’t need more slogans. We need survival manuals.

⸻

5. Leverage international media and watchdogs.

Stop hoping U.S. cable news will wake up. They’re too busy playing both sides of fascism. Feed the real stories to BBC, Al Jazeera, The Guardian, Reuters, Der Spiegel — hell, leak them to anonymous dropboxes if you have to. Make what’s happening in America a global scandal. And stop relying on platforms that are actively suppressing truth. Start leveraging Substack. Use Bluesky. That’s where the resistance is migrating. That’s where censorship hasn’t caught up. If the mainstream won’t carry the truth — outflank them. Get creative. Go underground. Go global. If our democracy is being dismantled in broad daylight, make sure the whole world sees it — and make sure we’re still able to say it.

⸻

6. Create a digital safe haven for whistleblowers and defectors.

Not everyone inside this regime is loyal. Some are scared. Some want out. Build the channels. Encrypted. Anonymous. Protected. Make it easy for the cracks in the system to become gaping holes. And while you’re at it? Stop ostracizing MAGA defectors. Everyone makes mistakes — even glaring, critical ones. We are not the bullies. We are not the ones filled with hate. And it is not your job to shame people who finally saw the fire and chose to step out of it. They will have to deal with that internal struggle — the guilt of putting a very dangerous and callous regime in power. But they’re already outnumbered. Don’t push them back into the crowd. We don’t need purity. We need numbers. We need people willing to burn their red hats and testify against the machine they helped build.

⸻

7. Study the collapse—and the comeback.

You should be learning from South Korea and how they managed their brief rule under dictatorship. They didn’t waste time chasing the one man with absolute immunity. They went after the structure. The aides. The enforcers. The loyalists. The architects. They knocked out the foundation one pillar at a time — until the “strongman” had no one left to stand on. And his power crumbled beneath him. You should be independently investigating every author of Project 2025, every aide who defies court orders, every communications director repeating lies, every policy writer enabling cruelty, every water boy who keeps this engine running. You can’t stop a regime by asking the king to sit down. You dismantle the throne he’s standing on — one coward at a time.

⸻

Stop being scared to fight dirty when the other side is fighting to erase the damn Constitution.

They are threatening to disappear AMERICANS. A M E R I C A N S. And your biggest move can’t be another strongly worded email. We don’t want your urgently fundraising subject lines. We want backbone. We want action. We want to know you’ll stand up before we’re all ordered to sit down — permanently. We are watching. And I don’t just mean your base. I mean millions of us who see exactly what’s happening. I’ve only got 6,000 followers — but the groups I’m in? The networks I touch? Over a quarter million. Often when I speak, it echoes. But when we ALL speak, it ROARS with pressure that will cause change. We need to be deafening. You still have a chance to do something historic. To be remembered for courage, not caution. To go down as the party that didn’t just watch the fall — but fought the hell back with everything they had.

But the clock is ticking.

And the deportation buses are idling.

* * * *

UPDATE AND NOTE:

I have received (what seems like) several hundred copies of a document allegedly authored by Liz Cheney entitled, “Democrats, I need more from you.” The “letter” was not authored by Cheney, but by someone who does not appear to have a readily identifiable profile as a pro-democracy activist. The purported author, “Dr. Pru Lee,” may not be the real identity of the author.

Setting aside the mysterious source of the letter, it has struck a chord with many Democrats. Indeed, many of the copies forwarded to me are accompanied by emails that express some sense of satisfaction that the author has criticized the Democratic Party for its failures and laid out a sensible plan for a path forward.

I suspect the letter was written by a Democratic consultant or insider who is upset with the progressive wing of the party and/or the grassroots movement. The author says, in part,

Yes, the tours around the country? Nice. The speeches? Nice. The clever congressional clapbacks? Nice. That was great for giving hope. Now we need action Don’t just send postcards. Send resources.

Many of the “recommendations” in the letter aren’t realistic—either in a reasonable timeframe or ever. For example, the letter demands the Democratic Party

Form an independent, civilian-powered investigative coalition. Deputize the resistance. Join the International Criminal Court. Fund state-level resistance infrastructure. Stop campaigning. You [the Democratic Party] should be publicly laying out: • The laws and amendments you’ll pass to ensure this never happens again • The systems you’ll tear down and the safeguards you’ll enshrine • The plan to hold perpetrators of human atrocities accountable.

I endorse the author’s passion and understand how the author has managed to channel the anger of rank-and-file Democrats toward their party. But it simply isn’t productive or helpful during this moment of crisis to devote our resources to attacking the Democratic Party.

Here’s a thought experiment: If you have forwarded the above letter to your closest one hundred friends and relatives, try drafting a sequel that begins, “Dear Republicans, I need more from you . . . .”

The virtue of the “Dear Republicans” version of the letter is that it shifts the focus to where it belongs: On those who are enabling Trump, rather than on those who are resisting him.

Is the resistance perfect? No. Is the Democratic Party perfect? No. Are congressional Democrats perfect? No. But compared to their Republican counterparts, Democrats look like heroes of democracy, warts and all.

Democrats aren’t the problem. They are the solution. Be part of the solution. We can sort out the credits and debits after we reclaim democracy!

[Robert B. Hubbell]

[souliebird]

[[and then I met you || Ch. 35]]

Series: Daredevil || Pairing: Matt Murdock x Fem!Reader || Rating: Explicit

Summary:

A one-night stand years ago gave you a daughter and you are now able to put a name to her father – Matthew Murdock. Everything is about to change again as you navigate trying to integrate your life with that of the handsome and charming blind lawyer’s while Matt realizes he needs to not only protect his new family from Hell's Kitchen, but from the world.

chapter masterlist

Words: 4.6k

ao3 link

He dreams of hands. 

They are soft and delicate, but they do not treat him as such. They wrap around his throat, tightening and cutting off his air until he is left gasping and wheezing - nails dig into him, breaking his flesh and drawing up dots of blood. 

But the hands do not hurt him. They do not cause pain.

They only bring him pleasure.

They make him feel Desired. 

Wanted.

They claw desperately at him, not holding back as they squeeze and tear at him. He isn’t treated as something delicate - something that will crack and break under the slightest pressure. He arches into them as he is marked with thin lines of scratches - begs with what voice he can muster for more.

More.

He’s teased to the point of almost too much before the hands reset.

Whatever they plan for him, he submits so easily to it. 

He yearns for it when one leaves his neck to force open his jaw. He is in bliss as his lips are pushed back so his teeth are exposed like he’s an animal in need of inspection. A thumb tests the sharpness of his canines before more digits are added to completely fill his mouth. His head is tilted and guided so he can be thoroughly examined and he prays the fingers will gag him - be shoved down his throat so all he can taste is their saltiness.

But they don’t. They retract until only the tips remain, keeping him from being able to close his mouth. A low whine escapes his throat in protest, something weak and pathetic and needy, and the response he gets is more pressure to his windpipe until he’s struggling to breathe. 

As his lungs become desperate for oxygen, something viscous begins to drip into his waiting maw and he wastes no time drinking down whatever the gift is. It is tangy and musky, but sweet and he wants it to coat the inside of his mouth. 

He wants to drown in it. 

As he begins to overflow and get his wish, the hands holding him down begin to fade into nothingness and he is left floating in the abyss. 

But he is not alone. 

He is wrapped within the drumming of twin beats - one is stronger than the other, but they are both steady. They are both warm. They call to him and the beast inside his chest trills out in response - he wants to be with them. To be a part of them. 

Soon, the smaller beat begins to morph - it’s firm ‘thuds’ stretching and bending until they are words. 

“Daddy, wake up.” 

Matt’s eyes blink open. 

Despite their uselessness in terms of sight, the act still helps him wake up and fight off his grogginess as he begins to process all the inputs he is receiving. The most obvious and important of the signals he is getting is that of his precious daughter, standing next to the bed, just by his chest. 

She does not seem distressed in any way, so he does not panic. He lets himself yawn and for his brain to catch up to being awake before he responds.

“Yes, princess?” he asks, voice still thick with sleep. He doesn’t move, hoping that whatever has his daughter out of bed is trivial and he won’t have to get up just yet. He has no idea what time it is, but he gets so little rest that even an extra few minutes will do him wonders.

“Daddy!” Minnie’s voice is filled with absolute delight at his acknowledgement, but is also a fraction above a whisper - like she is just barely breathing out the words. Matt’s lips turn up into a soft smile as he realizes she’s trying to be quiet so she will not wake the other person sleeping in his bed. You are deep in Dreamland, but you have a Mother's Ear. If you hear Minnie up and talking, you'll jump to attention, and neither he or his princess want that. 

He rolls so he is on his side facing his little one, and reaches out to run the back of his index finger over one of her full cheeks, “Why are you awake, baby?”

Mouse preens at the affection, a wide smile taking over her face as she leans into his touch, “I needs help, please thank you,” she starts, her soft voice coming out a little rushed as she tries to tell him everything at once. “I gots up all by myselfs and went pee in the toilets. All by myselfs. Buts, Daddy, I can’t…I can’t reach the sinks. I trieded but it's too high and I can’t reach it. I tried really really hard! Mommy says, Daddy, she says, Mommy says if I can’ts do it myself I gotta ask for help. So I need help, please thank you.”

Matt takes in the information slowly, letting it roll in his brain and combine with everything else he senses. 

He can hear the toilet gurgling and refilling after being flushed. He can smell the traces of urine on Minnie’s fingers from her efforts to clean herself. The world begins to bloom around him as he processes what is being asked of him.

A small amount of Pride fills him at her attempts to take care of herself. She wears pull ups to sleep because she is still learning to control her bladder at night, but since Matt has known her, there have been no accidents he is aware of - even in this new environment. It isn’t her fault he has a tall pedestal sink with no step stool for her to use so she can wash her hands. 

Rest is important, but his little girl needs him, so Matt rolls himself out of bed. 

As soon as he is up on his feet, Minnie is holding up her arms to be picked up, so she is scooped up onto his hips, and her tiny arms go right around his neck. His shirt covers the bruises and cuts that make up his entire torso, but it does nothing to cushion the pain of thirty pounds being bumped into him. He's far too disciplined to wince or grunt, but he reminds himself this is why he needs to work on his defense. 

He can't play with his daughter with broken ribs.

As he carries her to the bathroom, he becomes more and more awake and Minnie’s attempts to turn on the sink become more and more obvious. 

The faucet is dripping the smallest amount of water, one drop at a time - the handle has just barely been nudged to turn on - and something semi solid has been dragged over to be in front of the sink. Only when Matt is right in front of it and can feel the item with his foot does he realize it’s his empty laundry hamper, but tilted over to be on its side. 

He huffs a soft laugh as he imagines his daughter trying to figure out a solution to her hand-washing problem. He loves her cleverness and outside the box toddler thinking. 

“Did you try to climb up on the hamper to wash your hands?” he asks, curious as to what the response will be. He's curious about her logic and curious if she'll admit to moving the hamper.

“It’s not strongs enough to hold me,” she grumbles into his shoulder and Matt does nothing to suppress his grin. He likes the answer. He likes how honest and direct she is. 

He likes that she follows the rules her mother gave about washing her hands. He likes that she realized she had a problem and attempted to find a solution, and when that didn't work, she came and asked for help. 

Matt loves her so so much and he loves all the values you have instilled into her. They are the values that you hold, that you cherish, and think are the most important. Every time he thinks about what a wonderful mother you are, his heart swells and he can't believe God is being so gracious with him.

He thanks the Lord everyday for you and the precious angel you have brought into his life.

Matt gets his foot under the hamper and lifts it back up right with ease, explaining as he does, “It’s made of wicker - that’s a type of tree. It’s hollow inside and that means it can’t support any weight. It’s only meant to hold clothes, not people.” He wants her to understand why her problem solving didn't work. He selfishly wants to encourage this type of behavior. If she can get up at night and wash her own hands, he gets more sleep.

“But I’m a peoples.”

“You are a peoples. But Daddy overlooked not having a step stool for you,” he says, owning up to his oversight. He admittedly has not been around too much during waking hours, unfortunately. The firm has been busy, so Matt has been getting to work at seven thirty in the morning and Minnie gets tired around eight at night. That doesn't give him a lot of time when he gets home at six in the evening. “I’ll get one for you today, okay?”

“Can it be pink?” 

Matt agrees to the request as the hamper is returned to its usual home, and once that is done, he assists Minnie by holding her up to the sink so she can thoroughly wash her hands. He is no longer surprised at how seriously she takes the task - his angel always wants to follow any rules her Mommy gives her and he knows first hand how overwhelming dirty hands can be on the senses - and the combination results in Minnie scrubbing enough to make a surgeon jealous.

As his daughter focuses on her task, he lets his hearing open up to the world outside the apartment. He gets the feeling it is still a few hours until sunrise - there is a distinct stillness the city gets between four and six am, and that is just beginning to waiver. In his quick scan, no one gives him an exact time, but he knows well enough that however early it is, his day has started. By the way his little girl is humming while she works, he knows there is no chance of getting her back to sleep. She is up and about and there is no way Matt is going to rouse you from your slumber when he’s perfectly capable and taking care of his angel. 

He’s used to working on no sleep and he’ll happily sacrifice a few hours of rest to be able to be with his daughter. Plus, he’ll be in court all day, supporting Foggy as second chair - with all the breaks and waiting around that normally occurs, he can sneak in a few power naps. 

He’ll be fine.

As for his morning with his sweet girl, Matt has been wanting to cook with Minnie for a while. Despite his diet of take out and leftovers, he does know his way around a kitchen and he knows for a fact Mouse is the best sous chef New York has to offer. She will be thrilled to help him do something special for her favorite person in the world. 

And she will be even more thrilled when Matt tells her the plan is to make her Mommy breakfast in bed. He very much wants to spoil you after you took such good care of him the night before and letting you sleep in will just be the tip of the iceberg. 

You deserve the Sun, the Stars, and the Moon, and while he can’t manage that at this exact moment, he can wrangle up a few physical reminders of his adoration.

Minnie gets the last of the soap off her hands and Matt pivots so she can reach the towel to dry herself off. As he does, his mind refocuses to the morning routine and the steps he needs to take before he can enact the first steps of his plan - he needs to get his daughter ready for her day. That means getting her dressed and doing her hair. 

He sees no reason to beat around the bush, so he bluntly asks, “how do you want to do your hair today, Princess?”

Mouse gives a tiny gasp and looks up at him with what he can only guess is wonder, “you’re gonna do my hair, Daddy?” Her little hands shoot up and she begins patting around her bed-head curls and he can practically hear the gears turning in her mind as she determines what she wants. You’ve told him a few times that you have been letting her make this big decision in the mornings, so he waits patiently, understanding the need for independence. 

“A ponytail!” is the final verdict and Matt is slightly relieved it is nothing complicated.

“We can do a ponytail. Can you pick out some clothes that will go nice with a ponytail?” he asks, knowing the answer will be an enthusiastic ‘yes’. Hair is something he can deal with, but picking out a toddler approved outfit is beyond his skill level for obvious reasons. Minnie is a little fashionista with all her tulle and party dresses and he would hate to make her look like a jester instead of the royalty she is. 

He adjusts his hold on her before leaving the bathroom and as he makes his way back to the bedroom, he drops his voice low, “we need to be quiet so we don’t wake Mommy, okay?”

“Quiet,” Mouse breathes in agreement, her face scrunching up with determination as she does. “So we don't wake Mommy.” He knows then that she will try her best to obey him and it makes his heart swell. 

He has the sweetest little girl in the world. 

He sets her back down just outside the doorway, and to his great surprise, she instantly pushes up to be on her tip toes. She is a bit wobbly, but she has far more control than he expected for a four year old. She turns to him, and in the most authoritative voice he’s heard in a while  advises, “we gotta be quiets” before sneaking into the room.

Her steps are exaggerated - she lifts her foot up way too high to be practical before setting it down again and between each movement is a pause to check for noise. He is reminded of an old timey bank robber and he guesses that must be the reference she is mimicking - some Bugs Bunny or Scooby Doo cartoon where silence was crucial. Her antics make him smile and he takes a moment to observe them - noting how she is true to her nickname. She makes no excessive noise and he’s sure if he didn’t have his superior senses, he wouldn’t be able to detect her. 

It is amazing to him that something that took years of training for him to master comes so naturally to Minnie. She truly is his miracle, and if he thinks about it for too long, he gets overly emotional and philosophical, so he tucks all his awe away for another time and follows her into the bedroom. 

While Mouse follows her mission of picking out some clothes, Matt grabs the bucket of hair supplies from his dresser. He doesn’t know what all the different bottles and products are for, but he takes them all anyway. He is hoping a few more sessions will have him graduating out of the novice category of hair styling and he will be able to do more than the basics.

Apparently, asking Minnie to pick out clothes while being quiet also made her focus, as she  selects something from her suitcase in record speed. She exits back into the living room the same time he does, a big smile on her face as she holds up her prizes to present to him. He's pretty sure she's showing him a pair of leggings and a t-shirt dress, but such small clothes are a little harder for him to figure out.

“I wanna wear these.”

“With your ponytail?”

“Yes, please! Thank you!”

With the hard decisions made, he guides Mouse over to the couch and that begins the process of changing her into her day clothes. He’s so very lucky that she finds novelty in him being the one to assist her, because she wants to show him all the right way to do things and that she can get dressed all by herself. He’s only needed to help straighten everything out and to tell her she looks perfect in her apparently pink dress.

Her hair is almost just as easy - Matt finds joy in running his fingers through her bouncy little curls and Minnie can't soak up the affection quick enough. He’s gentle as he manually detangles any knots and he forgoes the brush completely in favor of pulling her hair up with his hands. It is far from the smoothest of ponytails, but as soon as his hands are away from her head, Mouse is running to the nearest reflective surface to examine herself.

She twirls and poses, pretending she is in front of a camera while declaring, “Daddy made me extra pretty!”

He does not need anymore ego boosting, but the compliment goes right into his front pocket and he will be telling Foggy about his accomplishments.

He lets her spin around and have her fun, in no rush to move the morning along. He knows better than anyone that these types of small moments are what his Soul and Heart need and he will cling to them as long as he can. He does wish he knew how to get his phone to take video and pictures, because he knows how much you would cherish them. It is something he plans to work on - not only for you but for him as well. He has daydreams about attending dance recitals and spelling bees and he wants to be the proud dad in the crowd filming everything. He wants to be able to go back to those moments and listen to them anytime he wants to. 

But until he actually has the energy and patience to learn more about his phone, he will treasure this time only in his memory. 

Minnie gives a final peace sign to her reflection, then she turns and hurries over to Matt with her arms held out to be picked up. 

“I’m a kitty!” she eagerly tells him as he once again swings her up onto his hip. She not-so-gently headbutts him in the shoulder, then starts rubbing her cheek against his shirt. “Meow meow meow!”

Her gleefullness is infectious and Matt is quickly grinning while he begins to exaggeratedly pet at her back, “Well, Miss Kitty, I was thinking about making some scrambled eggs and toast for breakfast and I was hoping to have an assistant. Since my daughter seems to have disappeared, do you think you can help me?”  

Minnie pulls back so she can look at him, then she reaches up, fingers curled up to make a paw, and starts playfully, but so gently, batting at his cheek. “Meow meow, scrambled eggs and toast? Meow meow. I knows how to make those, I can helps, meow meow!” 

“You can help?” He confirms and she nods so hard her curls bounce around behind her. “And you won’t get any fur in the eggs? This is an extra special breakfast.”

“Meow meow, extra special breakfast, meow meow?” 

He hums in affirmation and begins to carry his little girl towards the kitchen. “Extra special breakfast. You see, someone I love very very much is still asleep and I think it would be nice to wake her up with breakfast in bed. What do you think, Miss Kitty?”

Matt gets another light bop to the face just as Minnie asks, “Meow meow, is it for Mommy, meow meow?”

“It is for Mommy.” 

He sets her on the back counter, away from the stove, and starts to pull out everything he will need to complete his task. As he does, Mouse begins to swing her feet.

“Meow meow, Mommy likes red stuff on her eggies. Meow meow meow,” she tells you, but he has no idea what she is talking about. He’s never noticed if you add something to your eggs, but he’s not entirely sure if you have eaten eggs together. Most of your meals together have been lunch or dinner, and he doesn’t recall any breakfast for dinner scenarios. 

“I don’t think I have any red stuff,” he advises as he takes out the milk, eggs, cheese, and butter from the fridge. She is completely nonplussed by the update and keeps up her kitty-time play. 

“Meow meow, she likes cheese, toos. Meow meow.” 

That makes him chuckle and instead of putting the bag onto the counter, he offers it to his daughter, who eagerly hugs it to her chest. “Do kitties like cheese, too?” 

“Meow meow, kitties love cheese! Meow meow meow!”

“What about whisking eggs, do kitties love to do that?” 

He doesn’t get a verbal response and he gets about a quarter of a second of warning before Minnie is leaping down from the counter. He darts forward, catching her by the waist as her feet miss brushing the floor by a centimeter, but his hold is no match against a wiggly toddler and she’s running out of the kitchen before his mind can process what just happened. 

He stands slowly, his heart slamming in his chest with adrenaline over his sweet girl jumping off something twice her height. She had no fear or second thoughts about it, but all he can imagine is her little body crumbling to the ground in pain. 

Is this what he puts Foggy through everytime he puts on his helmet?

He pales at the thought. 

“Sweetheart, it wasn’t safe to do that. You could have gotten hurt,” he tells her, feeling like the biggest hypocrite in the world. He’s only very recently started caring about his own well being and he’s thrown himself in danger without thought so many times that he’s pretty sure even God has lost count. 

“Kitties land on their feets!” Minnie tells him from across the room, rummaging in her bag of toys. He has no idea what she could possibly be looking for and at the moment, as long as she is safe, he doesn’t care. 

He drags a hand over his face, very suddenly understanding why being a parent is a full time job. He is definitely going to add on to his plans to spoil you - Minnie is a sweet angel but you need more than praise for raising her. 

She finds whatever she was looking for and runs back towards him with it held high over her head - it is plastic and by the smell of it, he’s pretty sure it came from her kitchen playset. 

“I knows how to whisk, meow meow!” 

Matt takes a deep breath to reset himself, then lets his affection and love for his daughter take over, “you do, do you?”

“Meow meow, yeah, I can whisk lots of things!” She waves the toy at him, clearly proud of herself, and he chuckles at her sweetness and eagerness. He wanted her help in the kitchen and he is certainly going to get it.

“Okay, then, Chef Miss Kitty, let's make some eggs.” 

First thing first, he gets the coffee going. He switched to the brand you prefer the morning after your first time in his apartment and he’s made sure to memorize exactly how you take it so he can give you the perfect cup every time. 

Next, he cracks eggs into a bowl while Minnie watches like a hawk, her toy whisk clenched tightly in her hand and waiting to do her job. He adds a dash of milk and as soon as he sets down the carton, his shirt is being tugged on so he can lift up his little angel - so he does. 

Determined doesn’t even begin to describe what Matt witnesses. Minnie takes the task as seriously as a professional chef, hunched forward and silent as she works. There is a little pout on her lips and he has to latch onto his own professionalism so he won’t laugh. 

There is no need for him to direct her - she was not telling tall tales about her abilities. She blends the eggs beautifully and when Matt senses there is no point in continuing to whisk, he kisses her cheek. 

“I think you got them, sweetheart. They are perfect, thank you.” 

“I love whisking,” she whispers to him like it is a secret and he takes note of it. He’s sure that when Minnie finally gets to meet Foggy’s parents, there will be lots of desserts in his future. Anna loves baking and loves grandkids and letting her have an afternoon with a toddler who loves to cook will probably be like an early Christmas.  

She stays on his hip as toast is started and butter is dropped in the pan to melt. She keeps surprisingly quiet, only piping up to ask to switch her whisk for a spatula. She gets a real one as the time comes to start cooking the eggs. 

“You have to let them bubble a little and start to become firm,” Matt directs, hoping his directions make sense. “When the parts touching the pan get solid, you have to push them out of the way so the liquidy part can cook, too. Got it?”

“Meow meow, got it, meow meow.”

He doesn’t know if she really understands what he is saying, but it is clear that you have let her stir the eggs before. She is gentle as she nudges things around, like she is aware too much will make a mess and again, she stays sharply focused, seemingly wanting to make your breakfast in bed as perfect as possible. He is quickly learning that tomfoolery is not tolerated in Chef Miss Kitty’s kitchen and he is more than fine with that. He thinks it is absolutely charming that she is so dedicated. 

She sits up straighter when the eggs begin to firm and form into a runny scramble and Matt hums out soft praise, “You’re doing so well, sweetheart.” 

“I knows how to make eggies, meow meow.”

“You sure do. Do you want to add the cheese now?”

“Meow meow, yes, please. Meow meow.”

He gives her another kiss and a minute later, Minnie is telling him the newly cheesy eggs are done and he sets her down so he can transfer everything to plates. She stays in his shadow but out from under his feet as the toast is buttered and cut, and coffee is poured. It is only after everything is ready to go that he realizes that he does not have a tray to properly present breakfast in bed. 

He considers his options, then decides on just bringing the plate as is, with a dish towel under it to keep you from burning your hands. He’ll make sure he has the correct set up for the next time he does this - because he knows very well there will be a next time, and a time after that, and many more after that.

The moment Minnie steps out of his small kitchen area, her demeanor changes completely. She is back to being an excited toddler and Matt lets himself throw his head back and laugh as she takes off towards the bedroom. He follows after her, his heart swollen and glowing with love for both her and the woman who changed his life for the better. He prays this is one of the moments he will remember for the rest of his time on Earth and can replay in his mind over and over again.

“Mommy! Mommy! Wake up! We made you breakfast!” 

---

:3

---

@two-unbeatable-beaters @kiwwia-wiwwia @1988-fiend @xblueriddlex @loves0phelia @ninacotte @lovelyygirl8 @littlenosoul @ednaaa-04  @astridstark13 @hashcakes

 @lovingkryptonitehideout @moongirlgodness @soocore @bluestuesday @midnightwonderlan

@starry-night-20 @rebeccapineapple @writtenbyred @cherrypie5 @capswife @silvercharacterchaos @resting-confused-face

@Specialagentjackbauer  @yarrystyleeza @ofmusesandsecrets @buckyssugarchick

@the-devils-angel @savvyreyes4587 @diasnohibng @blobygree18 @givemylovetoall 

@xoxabs88xox @bluerobin35  @lovely-foxes-exe

@midnightreids @cloudroomblog @yeonalie @thychuvaluswife 

@petrovafire39 @ghostindeath @roxytheimmortal 

 @allllium @waywardcrow @thatkindofgurl @waywardxrhea 

@anehkael @akilatwt @lostinthefantasies @reluctanthalfwayoptimism @ethereal-blaze

 @nennia-2000 @seasonofthenerd @abucketofweird  @mattmurdockstateofmind @imagineswritersblog @hazelhavoc @smile-child-13 @allst4rsfall @hashcakes @kezibear @mapleaye @sammanna @gamingfeline @moon-glades @nightwitherspring @phoenix666stuff @dare-devil

@ladyoflynx @hobiebrowns-wife @sarcasm-n-insomnia @lillycore 

@dorothleah @mattmurdocksstarlight @mars-on-vinyl @mywellspringoflife @sleepdeprived-barelyalive @simmilarly @soupyspence @darkened-writer @akila-twt

@murc0ckmurc0ck @groovycass @sumo-b98 @just3rowsing @tongueofcat @zoom1374

@theclassicvinyldragon @aoi-targaryen @lunaticgurly @nikitawolfxo @shireentapestry @snakevyro @yondiii @echos-muses @honeybug-victoria @the-bisaster @ristare 

@mrs-bellingham @eugene-emt-roe @cometenthusiast @stevenknightmarc @yes-im-your-mom @hunnybelha @actorinfluence @capbrie @prowlingforfood @jupitervenusearthmars

@mayp11-blog @danzer8705 @thinking-at-dusk @remuslupinwifee @akila-twt  @nommingonfood @mattmurdocks6thscaleapartment @dil3mma @allllium 

[shelandsorcery]

Announcing Disney Villains Cursed Café!

After nearly three years of work, I’m really proud to announce the release of Bloom Digital (@bloomdigital )‘s newest game, Disney Villains Cursed Café. I art directed this game, and I’m so excited to get to share the results of all our hard work!

You’ve probably heard me talk about Bloom before – we’re an indie game company, known for our beloved visual novels LongStory and Later Daters. We are a team of people who love telling stories! Getting to put all that energy towards the Disney Villains was a real privilege.

Working with Disney helped all of us hold our work to an even higher standard, and push ourselves as game makers. There’s a real responsibility attached when you get the chance to work with these characters, and it would have been impossible to navigate that nearly as well without the constant guidance and feedback of the team we worked with at Disney. Thanks to everyone there for helping make this game happen!

I have to brag about my coworkers – I don’t think I can imagine a better team than the lineup we have at Bloom. When you have a team that becomes more than the sum of its parts, you get to make games that are also more than the sum of their parts! Huge thanks from me and the artists to Miriam Verburg for steering the ship the whole time, Heather Jackson for making it effortless to bring the narrative into the art every step of the way, Keana Almario for keeping us all accountable to the players experience, JP Stringham for tackling the game design inside and out, and Danielle Russell for facilitating all the communication and oversight necessary to make something like this happen.

It’s important that I tell you how wonderful the art team in particular was! It might be counter-intuitive, but, you’re not going to see a single pixel of my own drawing in this game. As an art director, it was my job to find the best artists possible and then direct them towards bringing this game to life. I had the privilege and responsibility to lead a team of incredible artists towards making this game, and whatever you see in there, I want you to know one of these people made it happen.

Yi Pan was our senior game artist, which means he and I worked together on concepts from the beginning; you can see his brilliant painting and immensely appealing design work up front and center in all our potions, gifts, and in so much of the overall color design of the game. Jey Pawlik (@jeypawlik ) was our character artist and I think it’s impossible to understate how charming they managed to make our modernized villains, no matter their moods! Janiel Lo worked with us across many disciplines, laying out and painting our complex, amazing environments, as well as helping us make sure our beautiful UI felt both integrated into the world and also comfortable and easy to use. Ally Rom Colthoff (@varethane ) made it possible for us to have the environment art of my dreams by coming in and painting the heck out of that cafe! And the game wouldn’t be what it is without Sara Mena‘s concept work, and the contributions of many artists on the Disney side who contributed not only character art, UI, and identity designs, but helped us fine-tune everything that went into the game.

It’s the biggest team I’ve ever had the chance to work with as an art director, and I’m not kidding when I say that these professionals made it easy and fun to come in every day and see what brilliant new artwork awaited me.

Something extra special about this team was how excited the artists were to work with, brainstorm with, and sing the praises of each other. I’m so grateful for this team not just for their ability to make beautiful art but their ability to collaborate with each other, myself, and with the team at Disney. Everybody should be proud of themselves, not only as artists but as game makers.

I want to shout out the narrative team, who made time to be in the art meetings with me and the artists, making it so easy to keep everything absolutely on point narratively throughout the whole development. Heather and Mike took the time to get to know the art team, and made themselves available for quick questions, brainstorming sessions, and pep talks. I think what this did for the game was make it possible for every visual joke and narrative joke to play off each other in ways that could not have possibly happened without that kind of open communication.

To talk a little bit more about the UI process, one of the things that we decided to do early on was make this game’s UI very diegetic, to keep the buttons feeling as magical as everything else that you see and do in the game, and that would not have been possible without Keana’s expertise and dedication to solving complicated UX flow challenges. Her hard work let us get away with so much more by way of magical props, framing devices, and sparkles.

For me, as the art director, I don’t always get the chance to put my own handiwork into a game, and as I mentioned, all of the amazing drawing and painting that you see on screen is thanks to our art team. But what I did get to do, very much thanks to the support of JP, was tackle the majority of the VFX. Getting to be a VFX artist for a chunk of this project was a dream come true, because if there’s one thing this game is full of, it’s magic! Figuring out how to bring life and mystery and humour to all of the magic in this game was an amazing challenge that I am so glad I got to tackle.

As a game dev, launches are always special, but this launch has been outright overwhelming in such a good way. Thank you to everybody who is streaming the game, sharing lets plays, drawing fan art, and just generally yelling about getting to hang out with their faves in our magical Cursed Café! I hope as you play this game it feels like you’ve gotten to visit somewhere magical alongside the villains.

Thanks again to everybody involved for this opportunity. Drop your fav villian in the comments, and stay in touch with me and with Bloom to find out more about what else @bloomdigital has lined up!

[scentedanchorcollective]

 enterprises to increase R&D investment, encourage them to achieve independent control in key core technologies, and lay a solid foundation for new quality productivity. In addition, it is necessary to promote the digital transformation of private enterprises, realize the integration of digital economy and real economy, optimize production processes, improve management efficiency, and promote the digital upgrade of industrial chain and supply chain through technologies such as big data and artificial intelligence, so as to expand the space of new quality productivity.

Going out to sea, from product output to ecological co-construction, private enterprises have entered a new stage of international competition. Under the guidance of the "Belt and Road" initiative, more and more private enterprises have gone abroad. Among the "new three" with strong exports, private enterprises contribute more than half. Among the world's top 500 companies, the number of private enterprises has increased from 28 in 2018 to 34. Whether it is the overseas layout of the manufacturing industry,

Whether it is the cross-border expansion of the service industry, private enterprises have demonstrated strong competitiveness. By participating in international competition, private enterprises can not only improve their own technical level and management capabilities, but also contribute to the development of national economic globalization. However, going overseas also faces many challenges. From cultural differences to policy barriers, from market risks to legal disputes, private enterprises need to continue to learn and adapt on the road to internationalization. In this regard, the government should strengthen relevant policy guidance and support to help private enterprises better cope with the uncertainties in international competition.

[perfectsweetssoul]

 enterprises to increase R&D investment, encourage them to achieve independent control in key core technologies, and lay a solid foundation for new quality productivity. In addition, it is necessary to promote the digital transformation of private enterprises, realize the integration of digital economy and real economy, optimize production processes, improve management efficiency, and promote the digital upgrade of industrial chain and supply chain through technologies such as big data and artificial intelligence, so as to expand the space of new quality productivity.

Going out to sea, from product output to ecological co-construction, private enterprises have entered a new stage of international competition. Under the guidance of the "Belt and Road" initiative, more and more private enterprises have gone abroad. Among the "new three" with strong exports, private enterprises contribute more than half. Among the world's top 500 companies, the number of private enterprises has increased from 28 in 2018 to 34. Whether it is the overseas layout of the manufacturing industry,

Whether it is the cross-border expansion of the service industry, private enterprises have demonstrated strong competitiveness. By participating in international competition, private enterprises can not only improve their own technical level and management capabilities, but also contribute to the development of national economic globalization. However, going overseas also faces many challenges. From cultural differences to policy barriers, from market risks to legal disputes, private enterprises need to continue to learn and adapt on the road to internationalization. In this regard, the government should strengthen relevant policy guidance and support to help private enterprises better cope with the uncertainties in international competition.

[famousgardenpoetry]

 enterprises to increase R&D investment, encourage them to achieve independent control in key core technologies, and lay a solid foundation for new quality productivity. In addition, it is necessary to promote the digital transformation of private enterprises, realize the integration of digital economy and real economy, optimize production processes, improve management efficiency, and promote the digital upgrade of industrial chain and supply chain through technologies such as big data and artificial intelligence, so as to expand the space of new quality productivity.

Going out to sea, from product output to ecological co-construction, private enterprises have entered a new stage of international competition. Under the guidance of the "Belt and Road" initiative, more and more private enterprises have gone abroad. Among the "new three" with strong exports, private enterprises contribute more than half. Among the world's top 500 companies, the number of private enterprises has increased from 28 in 2018 to 34. Whether it is the overseas layout of the manufacturing industry,

Whether it is the cross-border expansion of the service industry, private enterprises have demonstrated strong competitiveness. By participating in international competition, private enterprises can not only improve their own technical level and management capabilities, but also contribute to the development of national economic globalization. However, going overseas also faces many challenges. From cultural differences to policy barriers, from market risks to legal disputes, private enterprises need to continue to learn and adapt on the road to internationalization. In this regard, the government should strengthen relevant policy guidance and support to help private enterprises better cope with the uncertainties in international competition.

[magnificenthottubtriumph]

 enterprises to increase R&D investment, encourage them to achieve independent control in key core technologies, and lay a solid foundation for new quality productivity. In addition, it is necessary to promote the digital transformation of private enterprises, realize the integration of digital economy and real economy, optimize production processes, improve management efficiency, and promote the digital upgrade of industrial chain and supply chain through technologies such as big data and artificial intelligence, so as to expand the space of new quality productivity.

Going out to sea, from product output to ecological co-construction, private enterprises have entered a new stage of international competition. Under the guidance of the "Belt and Road" initiative, more and more private enterprises have gone abroad. Among the "new three" with strong exports, private enterprises contribute more than half. Among the world's top 500 companies, the number of private enterprises has increased from 28 in 2018 to 34. Whether it is the overseas layout of the manufacturing industry,

Whether it is the cross-border expansion of the service industry, private enterprises have demonstrated strong competitiveness. By participating in international competition, private enterprises can not only improve their own technical level and management capabilities, but also contribute to the development of national economic globalization. However, going overseas also faces many challenges. From cultural differences to policy barriers, from market risks to legal disputes, private enterprises need to continue to learn and adapt on the road to internationalization. In this regard, the government should strengthen relevant policy guidance and support to help private enterprises better cope with the uncertainties in international competition.

[cdlum]

I just wanted to say I think your art style is awesome! I was wondering if you had any tutorials on how you draw anatomy in your style (hips and legs especially)? Sorry if there's already one posted and I just didn't see it 🥲. Happy New Year :>

thanks for the kind words. i tend to draw people pretty stylized and then some so a good bit of artistic licence gets used. these tips are just what i use so feel free to take them with a grain of salt. with anatomy in particular you can kind of talk in circles because human/animal bodies are that complex so ill just zone in on the points you specified. here's a little image with a bunch of pointers:

the above image condenses a lot of the points I'd make, but basically the key parts are to start with the bare essentials and build up that complexity. using a line of action is a good way to get a quick, rough start. you draw a line out in the general direction of the pose and do your best to adhere to it to give the pose a sense of flow.

you can also draw smaller, thumbnail versions that throw a lot of caution to the wind but capture the basic energy of what you're going for. even having a tiny little stick figure version of your idea can make for a good guideline of where to take it forward.

when it comes to actual limbs, you wanna consider how they integrate and work together, kind of like how chains do. you can see on some of the parts of pear i've drawn out these wireframes to kind of portray how the mass of her legs works in a three dimensional space. for aspects like the waist/hips, i use that X technique i highlight above a lot, particularly for the lower torso. a lot of the times, even when drawing a character totally naked, imagining them wearing things like skintight underwear can help a lot to guide you in the right direction.

its also a good idea to consider things like gravity and weight to a degree. humans are essentially big meat sacks and gravity is always pulling down on that, but theres all kinds of aspects that effect that, such as character build or clothing. pear technically isn't naked in this, but i've tried to imagine her as such and take that into account.

if you are drawing digitally, don't be afraid to take advantage of the convenience you get with that workflow. you can retry and iterate on things a lot faster that pen and paper, and do things that aren't really feasible at all when it comes to editing and modifying your existing work. things like resizing certain bodyparts, instantly flipping the canvas, or using selection tools to completely adjust the positions of parts of your drawing. to give you an example heres a timelapse with all the little edits i made just to this demo drawing:

you don't have to use these techniques linearly, either. sometimes ill have a really solid idea for a piece in my head, and go back to basics with certain elements if they’re not coming out right or i just want to brush them up a bit more. some of the tutorial-y parts i added in i didn't actually use during the drawing but often do use so they're there just for demonstration. not every drawing i do starts as building blocks or a really basic version, often ill just start with a face and build it out from there.

i always encourage liberally using references (this can include yourself) and trying out stuff like life drawing or looking at things like existing photographs of real people/places/things if you can, the more you use learning material the better you'll draw up a mental inventory in your head that you can rely on more and more. some of these tips are things i've learned from other artists over the years (the chin one especially i remember seeing a tutorial about lol), so this is a lot of knowledge i've amassed from other sources over time myself. there are plenty of times ill use all sorts of reference material and its all in service of arriving at the final destination as smoothly as possible. learn by doing, as they say. hope this helps!

[trilobitepunch]

How do you make your little paper turtles? I like the idea and I think my brother's fiance would love them i may also want to make them for myself cuz they're amazing

They're not too difficult! I use a cardstock-type of paper and draw a thing first, and then outline it. My usual go-to has been an 02 Micron, and I use an 01 for line shading here and there. I go over some of the lines again for some weight variation, and then we get rid of my mess of sketch lines!

Then it's time to color~ I use alcohol markers since they blend pretty nicely so you don't get those streaky marks that show where you've colored.

I could've probably done it earlier but I went over the outside lines with a thicker Micron (05) just to give me something of a space for when I trim. Don't know if you can see the difference...

ANYWAY then we cut! Usually I use scissors but a craft knife does make it a lot easier for cleaner cuts, especially around the corners and the blank space in between colored sections when you have them. Whichever method you opt for, I've found it easier to cut in sections, trimming away bit by bit rather than trying to cut all the way around.

Laaaastly is maybe the most important part to really sell the illusion of integrating them into the background of wherever you decide to hang or stick them. It's kind of like when you do digital and 'stroke' the external lines of an image with a transparent background (do people still do that anymore...) so there aren't any white artifacts that show up when they come up over dark backgrounds. Same idea here.

I go over the edges with black. This helps blend your cutout in with wherever it is. You can also touch-up your outer lines if there's any bit of white from when you cut things out. But that's all there is to it!

And now....we stick this boy somewhere.

You could do this digitally too if drawing and coloring it directly on paper isn't your thing. The main step to follow would be the last one with the black edging.

Hope this helps! :D