#Insulating Consultancy

[insulatingconsultancy]

Insulating Consultancy is a retrofit consultancy company based in Guildford and Hemel Hempstead. We offer an array of retrofit services to clients throughout Surrey, Hertfordshire, Berkshire and Buckinghamshire, including Reading, Woking, Amersham and St Albans. We also work in various areas across West London. Get in touch with us to request a free consultation.

[sresnewsky]

Empreendimento misto de torres residenciais, comerciais, Carrefour, shopping com soluções de conforto acústico especiais atendendo normas nacionais e internacionais destacando-se a Torre Comercial mais alta de São Paulo, perfazendo o total de 320.000 m².

Para este empreendimento, realizamos medições de ruído para o melhor dimensionamento de acústica, visando o conforto sonoro para todos os edifícios e ambientes.

Foto: Jonas Birger

#acustica #normadedesempenho #ruído #som #decibel #acoustic #insulation #absorption #isolamentoacustico #absorção #reverberation #reverberação #reverberación #projeto #project #consultoria #consulting #medicaoderuido #obras #nbr #tratamentoacustico #corporativo #edificio #corporate #building #carrefour #residencial #shopping

[noiseproblemsonline]

Which sound insulation foam is the best?

While you might think different styles have benefits over others, it is basically the density of the panels that make a difference.

What sound insulation foam does?

Sound insulation foam is an effective way to eradicate reverberations and absorb sounds in your room. The panels are made from robust, open-cell polyurethane that can substantially lessen the amount of reverberations, noise and echoes.

Sound insulation foam is one of these types as it is both porous and soft. When a sound wave comes in contact with acoustic foam, it transforms some of that energy into heat which causes decay much faster than if there was no material present at all!

Various densities of acoustic foam

Acoustic foam comes in different densities and shapes. The biggest difference in performance is density, not the actual design or shape of the acoustic foam.

Each density absorbs sound waves at various frequencies. Thinner acoustic foams will absorb the high and mid spectrum sound waves while denser foam panels suggested by an acoustic consultant absorb mid, high and lower end sound waves.

Factors to consider while selecting acoustic foam

Various factors play an important role in the selection of acoustic foam:

• Cost and budget: Abiding to financial limitations, remember that inexpensive foam won’t last like professional quality foam, and won’t perform also.

• Outlook: You have to balance aesthetics with functionality. Our several colors impart you more options while designing your space soundproof blanket for door.

• Fire rating and fire testing: Making sure safety standards are met is important.

Remember that acoustic foam and soundproof door cover is used for sound absorption. It is not used for preventing sound from passing through a ceiling or wall. If you are looking for material to prevent sound transmission, please check out our products.

[noiseproblems]

Which sound insulation foam is the best?

While you might think different styles have benefits over others, it is basically the density of the panels that make a difference.

What sound insulation foam does?

Sound insulation foam is an effective way to eradicate reverberations and absorb sounds in your room. The panels are made from robust, open-cell polyurethane that can substantially lessen the amount of reverberations, noise and echoes.

Sound insulation foam is one of these types as it is both porous and soft. When a sound wave comes in contact with acoustic foam, it transforms some of that energy into heat which causes decay much faster than if there was no material present at all!

Various densities of acoustic foam

Acoustic foam comes in different densities and shapes. The biggest difference in performance is density, not the actual design or shape of the acoustic foam.

Each density absorbs sound waves at various frequencies. Thinner acoustic foams will absorb the high and mid spectrum sound waves while denser foam panels suggested by an acoustic consultant absorb mid, high and lower end sound waves.

Factors to consider while selecting acoustic foam

Various factors play an important role in the selection of acoustic foam:

• Cost and budget: Abiding to financial limitations, remember that inexpensive foam won’t last like professional quality foam, and won’t perform also.

• Outlook: You have to balance aesthetics with functionality. Our several colors impart you more options while designing your space soundproof blanket for door.

• Fire rating and fire testing: Making sure safety standards are met is important.

Remember that acoustic foam and soundproof door cover is used for sound absorption. It is not used for preventing sound from passing through a ceiling or wall. If you are looking for material to prevent sound transmission, please check out our products.

[carbon--14]

at this point i’m just watching the number on my bank account go down down down

[homeshieldinsulation]

Are you seeking home energy consultants or insulation contractors in Charlotte, NC? Our energy specialists are qualified and experienced in finding problems in your house.

[cryoverkiltmilk]

It's strange to see anyone surprised by Universal using a tactic as cruel as denying even shade to picket line members, in the heat-based hellscape that is Los Angeles. So let's try to condense the explanation.

By and large, executives are people who already come from wealth and privilege, and have that wealth and privilege protected throughout their life as they're escorted through whatever levels of education and then into employment.

Most of them have never received any kind of culture shock to make them aware of the struggles of 'lessers'. Their parents and peers had a vested interest in keeping the then-children from mixing with 'those people'.

They are insulated enough from daily life that they no longer see anyone outside their immediate wealth and influence bracket as human.

So a strike, to them, is not "people who want enough money to live and work in health", it's "The machine that makes us money is broken, get those workers back into their jobs so we can keep making money."

So the executives treat the strike like they would a broken machine or a disobedient pet. Hit it until it works, and replace it if it breaks.

And don't doubt for one minute that this wasn't at the advice of a Pinkerton or similar union-busting agency consultant. This is more than just petty; this is tactical cruely.

[heartsofminds]

i'm calling just to hear you scream - part ii.

“Free means “fuck.” She’s gonna fuck us, Sugar and you don’t even fucking care!” or it's your first day at The Bear (or is it The Beef still?), Richie is convinced you're a fed, and Carmen may or may not hate your guts.

A/N: well surprise, surprise! here's part two of i'm calling just to hear you scream. definitely more of a filler chapter before everything starts to implode and get more serious and downright grimey, but i hope you enjoy!

The shadows created by the awnings of the sandwiched businesses chill your bones while the Sun makes your backside sticky beneath your sweater and light spring jacket. Chicago is beautiful in March, but always full of surprises.

One day comes an icy snowstorm that adds to the gray slush collecting on the side of the street and the next a blissful sixty-one degrees that gaslights everyone into walking around with shorts on because it’s just “so warm.” 

You can’t revel in the tranquility for much longer. Not when you’re pretty sure you’re coming up on the address Natalie emailed you two nights ago. 628 West Wager Street sits prettily in between an old antique shop and a Chicago Cubs merchandise store that has definitely seen better days. Despite no sign hanging on the window and the glass completely shielded from outside eyes by brown butcher paper, it somehow looks like it belongs; the younger sibling of a once booming and vibrant street scene. 

Being outside of the door is a feeling that fills you with both anxiety and uncertainty. You know you’re in the right spot but you don’t feel like you are; not when you can’t hear any noise coming from any of the three storefronts that stand in front of you. You’re made even more uneasy when you see the five by eleven sheet of insulated foil wrap with capital letters written in Sharpie taped to the front window. 

The Beef is closed. Thank you for your patronage. The Bear is coming. 

The nerves start to hit you even harder. All Natalie had mentioned over the phone and through your frequent emails have been about needing help with a restaurant. The name of the aforementioned restaurant had never been disclosed and its location remained a mystery until this morning when you got an email with the unspoken directions that Apple Maps would omit. There’s nothing more embarrassing than doing a consult and not knowing any of the details. It’s even more humiliating when the feeling of being made a fool seems inevitable. 

Your arm refuses to move forward and yank the door open in case this is some sick prank. You half expect Becca to be hiding behind it with the “good ole boys” crew that is full of Senior and Junior partners at your law firm; their only purpose is to further humiliate and belittle you more than they already do on a day-to-day basis at the office. 

It’s a ridiculous thing to think that someone would care enough about you and your shame to do that, you know, but it’s the only way you can rationalize your brain warning you not to touch that door. Your eyes catch your reflection and suddenly you want the concrete sidewalk to swallow you whole. You take in how your navy blue pantsuit engulfs you and how your work bag seems to get heavier and heavier as it hangs solemnly at your side. 

You don’t belong here. 

The itch to turn around and run back to the train as fast as you could possibly manage crosses your mind, but the shattering of the quiet oasis around you interrupts that thought before it can materialize. 

“Do you ever shut the fuck up!” you hear a voice scream.

“Do you ever realize you don’t know fuckin’ everything!” another one screams back. 

The sound of a wall being hit accompanies the shouts as well as numerous other voices joining in on the cacophony the verbal altercation created. 

Call it a hunch (or just having enough common sense), but you definitely are in the right place and there are certainly people inside. The scary part of not knowing is over. The absolutely horrifying part of having to see where you fit in is pending. 

Your fingers grip the solid metal door handle and you rip it open. The resounding squeal it emits makes you want the floor to swallow you up whole. The chaos of screaming shouting and yelling start to pause before the sound of the sledgehammer hitting the wall a second time interrupts it and sends it into a full frenzy once again. 

The world seems to be moving in slow motion and your words are caught in your throat. You’ve never seen chaos like this before, but you’ve definitely felt the way you’re currently feeling every day for the past five years. Faces you don’t know, a nagging feeling of responsibility, a dire need to do the best job you possibly can and not fucking up and not pissing anyone off, and yet no idea where to even start. 

“If I already fuckin’ told you you were tearing the wrong wall down why the actual fuck would you do it again!” a strained scream bounces off the walls. 

You jolt at the echo. The current lack of infrastructure and an igloo of scaffolding tarp amplifies the sound by three thousand decibels. 

He can’t see your face because his back is turned toward you, but the temperament and the mop of curls tell you the obvious. Carmen. Natalie’s brother and shareholder that she had subtly warned you about in a half-joking, half-not tone when you had spoken on the phone the other day. 

“To prove a fucking point,” a lankier taller man scoffs back. Richie. Their cousin, not cousin (which you don’t really understand, but you chalk it up to a deduction that not everything is meant to make sense), and the absolute bane of Natalie and Carmen’s existence at times. She had also warned you about him on the phone. “Even if I’m wrong you never fail to always think you’re fucking right like a – like a fucking baby! You walk around here pissed the fuck off and fucking changing everything and makin’ it everyone else’s fucking problem –” 

Carmen lunges at him and two other men from the crowd almost pick him up from the floor to prevent him from tackling Richie. 

“Everyone else’s prob – You’re my fucking problem! You’re my fuckin’ problem and all you know how to do is fuck up and make everything fuckin’ worse!” 

“Fuck you! Fuck you! Fuckin’ pissy ass pamper cry baby.” 

Carmen tries his hardest to wrangle himself out of the hold he’s currently in. Sydney, a genius and the Lord’s prayer (according to Natalie, also), clumps herself near him as he remains twisting and turning like a toddler fighting a parent’s protective hold through a temper tantrum. 

“Chill, chill, chill. Stop. Just stop,” she gently coos. Her hand claps the shoulder of one of the men holding him up. You can see the gentle squeeze it gives to provide silent comfort, but you wonder if the softness in her tone is to deescalate the situation or to help regulate herself. 

He’s dragged out to what you can assume is the backdoor and it slams with a cadence that demands attention. A sharp thud can be heard five seconds later accompanied by various, “Yo, what the fuck, dude?”’s. 

He must have kicked the door. He definitely kicked the door. 

Your body continues to stay frozen in the bare entryway. The survival skills you’ve adapted kick into full effect. Don’t make a move. Don’t make a sound. Do not piss anyone else off. 

The aftermath of commotion and chatter fills the room and leaves no space for you. You have half the mind to put your hand back on the handle and dip out before anyone notices. You’ve been here all of three minutes and you feel as if it’s been a year. The shouting and the hurtful insults and the frequent use of the word “fuck” send a blush down your chest. You’re embarrassed because you’re starting to think that you can’t handle it. You’re not good enough. You’re not strong enough. 

What the fuck were you thinking even coming here? 

The push of your thigh against the door causes the rusted metal hinge to groan again. The sound is indiscernible from relief or protest; staying or leaving. Either option makes your skin crawl. The sudden redirection of eyes casts a dome of silence and everyone zones in on the thing that wasn’t there before: you. 

No one moves and for a second, you don’t think anyone blinks. The realization of someone infiltrating a rather robust and rage-filled argument occurring at nine in the morning sinks in before the vein of awkwardness begins to bleed. You know the logical thing to do is to introduce yourself; to force a plaster-like smile on your face and extend your hand and ask how everyone is doing. 

But you don’t. 

You can’t. 

Natalie can feel the alarm bells going off in her head when her eyes float to your figure. You look worried; a flash of pensiveness and subtle fear floods your facial expression and she starts to panic. Opening a restaurant is beyond humbling and asking Becca Cantor for her help was a last-ditch effort to contain the smallest bit of confidence she had left. Besides, she would rather roll over and die than you to walk out that door, tell Becca about how they’re sledgehammering walls with a gang of lunatics at the restaurant, and somehow get a call from Uncle Jimmy that turns into a stern talking to about how they’re just dicking around with his money and how it’s a waste of time. 

You absolutely, positively can not walk out that door. 

She’ll make sure of it. Even if it’s the last thing she ever fucking does. 

Her feet carry her faster than what her brain is aware of. Her eyes have to catch up with the scenery passing her in a blur as she walks up to you. Seeing her face calms you down in a way that is small but not unnoticed. She has kind eyes and a calm demeanor. This is the kind of client that gives you confidence. This is the kind of client that brings you joy. This is the kind of work you were made to do. 

“Oh, hey! You found it!” she cheers. Her hand brushes against your bicep in a welcome. 

The pool of spit inside your mouth gets swallowed as you curtly nod. “Yeah! Yeah, I thought Apple Maps led me astray but I was definitely in the right spot.” 

Pretending not to notice the curious gazes behind your interaction proves difficult, but it’s not something you’re not used to. Working in an office means there’s always someone in your business and you always feel like you’re under constant surveillance. 

At least this time, the threat of humiliation seems considerably low. The obvious danger of being chased out of here with a sledgehammer is considerably high though. 

“How are you doing?” you ask quietly. A conversation of niceties always makes things less awkward and gives you some leeway for at least learning who the owners are of the staring eyes. 

“Yo, who the fuck is this, Suge?” Richie asks, wiping his plaster-covered hands on his shirt. His face still harbors a flush that had yet to dissipate. He also has kind eyes but you know from the moments you witnessed prior that he can turn his kindness off and on instantaneously. 

Natalie rolls her eyes and huffs. The damage control that she’s doing is not going to plan. She had grown up around cursing and incredibly forward questioning and knows that not everyone else had, and from the disastrous commotion you stumbled into five minutes prior and the way your eyes show more of the whites than the irises, the crudeness needs to take a backseat. 

At least enough of one to ensure that you’re not about to turn around and bolt out of that shitty ass door that she had been bitching at Richie to oil for the past two months. 

She moves to stand next to you and puts her arm around your shoulder. Natalie knows that the second they find out that you’re an attorney all hell will break loose. Something about accusing you of being “fed” and coming to rip the “fundamentals of democracy” out from under them brews in her mind and she gags a little at the thought of having to diffuse yet another shit show before ten in the morning. 

The unwelcome taste of acid tinging the back of her tongue makes her take a mental note to ask her OB about being so nauseous. 

“This is our attorney,” she starts and begins to ignore the groans coming from the crowd in front of her, “She’s gonna help us with some...things.” 

Richie scoffs and throws his hands up. He wipes at his nose with his forearm and some of the plaster residue makes a home on the tip of it. 

“You brought a fuckin’ fed in here, Sugar?” His eyebrows rise to his hairline and it doesn’t take a genius to know how he doesn’t want you here at all. “I told you I had this under wraps. The fuck do we need a fed up our ass for if we’re just tearin’ down walls and shit.” 

You sigh and Natalie can feel the anxiety radiating off of you. She’s starting to absorb it, but the fight in her to make this right persists. 

“Well, first of all, the fed has a fucking name, you dick,” she snaps, “And you’ve been slinging beef sandwiches your entire adult life so the fuck do we need you for?”  

Richie exhales as the rest of the people around him start to snicker. 

“Damn, Papa. You need to pipe down,” whom you guess is Tina from some of the people who had been mentioned to you through the phone calls (and there’s so many goddamn people in here for it to be out of business and you’re sure you’ll need to start doing flashcards every night to remember who they are). 

“Thanks, T,” Natalie and Richie chirp in unison; their voices capturing the different emotions of annoyance and triumph differently. 

Some more harsh words and excited chatter served with a side of frustration occurs and you’re so checked out that you don’t even realize that no one has asked you directly what your name is. The animated voices and exaggerated body movement swell the room even more; pushing you outside and three blocks away so vividly through emotion that you have to check to make sure your feet haven’t moved. 

No one has asked who you are and which firm you came from. No one has asked how you are. And still, no one has asked you what your name is. 

They continue to talk and joke and yell and you start to feel yourself shrinking in. 

Smaller, smaller, smaller. 

Gone. 

You know that it’s not personal. It’s almost never personal, but the mind tends to conjure up ideas when it can’t make sense of the feelings it detects from the body. 

Maybe it had just gotten thrown to the wayside. Maybe they were making room for direct conversation with you to occur later when things weren’t so awkward. Maybe they don’t hate you and think you’re the worst and may actually like you.

But then maybe they don’t. 

Maybe they just don’t give a fuck. 

In your catatonic daze, you hear an offhanded remark about how you look like a high schooler who just waltzed in after a Model UN convention and that Natalie has no idea what the fuck she was doing. The laughter that follows highlights those who actively agree and the agitated huffs of frustration show those who silently concur. 

In any other circumstance, you probably would have joined them in laughter or returned a smart-alecky response or accompanied them in making fun of you, but this isn’t a different circumstance. You’re in a construction zone on a Saturday morning, overdressed with a pantsuit on, and have not a clue on how hospitality law works, and the facts leave a non-disputable conclusion. 

You’re the odd one out and you can’t get an invite to be even no matter how hard you try.

You truly don’t belong here. 

“Richie, have you ever considered that maybe we need to do it right this time?” Natalie asks, her tone dripping annoyance, “Her being here clearly doesn’t affect your ability to be an idiot, so you can go fuck yourself because she’s staying.” 

Richie narrows his eyes at her. His lanky limbs flail as he attempts to make his emotions seen without having to verbalize them. Natalie has had it with his stubbornness and she knows that she might be puking her guts out in about fifteen minutes. The great debate has to have an ending in sight soon. 

Besides, she knows that Richie’s apprehension toward the whole thing is because he’s resisting change and trying to get under Carmen’s skin. It doesn’t matter how great she knows her brother can make something. Richie will try and put a pin in it before it becomes something he no longer recognizes. 

Just like their dad. Somewhat like Mikey. Especially like Carmen (even though she knows he doesn’t recognize his own stubbornness yet). 

“Jesus, that’s fuckin’ horse shit if I’ve heard it,” he sneers, “And I happen to be very intelligent and very charming – and FYI – I also know how a fucking business works and all this “foo-foo,” “high dining”, microgreen shit –” 

She holds up her hand to him and rolls her eyes. She’s surprised she hasn’t been able to see the back of her skull yet. “It’s fine dining, but whatever.” 

“Fuck all the way off. Fine dining, microgreen shit is a dishonor to our roots and I will not stand for it.” 

Natalie’s hand smacks down on a metal rolling table with a rusty toolbox and a wrinkled pad of Post-it notes. The sounds of clanky metal snap everyone’s attention to her. Natalie was never mean. She was always sugary sweet and ooey gooey; trying to be in everyone’s good graces at all times and forever attempting to fix things before they had the potential to be broken. But she could also brush the sugar off and leave a bitter and tongue-curdling hurt if she got pushed to her limit. 

She’s not had a full night’s rest since she got asked (more like begged, but she’s not one for bragging) to be their project manager, she can’t bare to stomach anything nowadays without wrestling the urge to puke it back up, and the fucking pregnancy hormones are filling her with unexplained bouts of rage as of late. 

She is not one to be fucked with and Richie knows that. He just always wants to poke the bear. 

“Well that’s fuckin’ sad that your “roots” are tied to an Italian beef shop, but that doesn’t change my mind whatsoever,” she pushes past him with more force than she intended, guiding you along with her to wherever she had in mind, “You can bitch and moan and holler all you want but you’re not the one losing your fucking mind over fucking paperwork so whatever other unhelpful and extremely negative shit you have to say can get shoved up your ass and you can get fucked because I’m not putting up with it.” 

Richie is rendered speechless – a phenomenon that does not occur very often. 

She turns to you and gives you a friendly smile. Her hand rests softly above yours that are bawled into anxious fists. “Let’s go into the office so we can talk some more. Are you okay with that?” 

You’re still frozen in equal parts shock and fear; too scared to say no. 

“Umm. . .yeah. Yeah, we can go to the back,” you swallow and she brisks you away to what you assume is where all the paperwork is housed that they need help making sense of resides. 

You arrive outside of a closed wooden door and Natalie steps in front of it, her arms coming down to hug the hinges of it in a way that makes you slightly worried. “So I know that you’re not a hospitality attorney and I know that you’re doing this for free and you’re totally at liberty to say you want out the second you say the word,” she speaks softly. 

You know that she’s starting to panic. Your feelings and her feelings are starting to merge into one; two halves of the same whole – people pleasers. 

“But it’s. . .a lot and I don’t know even know where to start and this is legitimately driving me insane so –” 

Her anxiety starts to break your heart. The pang in your chest makes your decision for you. No matter how uncomfortable you are, you know you need to do the right thing out of the kindness of your own heart. 

“No, it’s fine!” you cut her off, “I’ll take a look and we’ll figure it out. Nothing you have here is too much. I can promise you that.” 

Ocean blue irises engulf you with sentiment and appreciation through their gaze. Natalie’s shoulders sag before her hand finds the gold doorknob. A deep breath adds to the noise of chatter and squeaks of the faulty fire alarm in the hallway. The oak door opens with a wheeze and a groan; stuck because of the swell its wood causes from the constant fluctuation of temperatures in Chicago. 

“Well,” she begins, “Here it is.” 

The mountains of cardboard boxes all labeled with acronyms and doodled with nonsense send the pit in your stomach down to your toes and through the center of the Earth. 

Holy fucking shit. 

Natalie notices your shock and starts to go back into “fix-it” mode. She hasn’t eaten at all today, but she figures that the emotions bubbling up and down at a fixed and constant rate are what fill her insides and are making her nauseous. Bile starts to make its way up her throat but she forces it back down. 

She’ll be damned if this goes even more sour than how she knows it has. 

“It’s a lot and it’s more sorting things and making them make sense than doing actual work? Like you’re gonna be doing work but it’s not rocket science. . . Not that being an attorney isn’t hard! My husband is one and I. . .need to shut up now,” she word vomits. Despite the apparent fact that she’s panicking, the sound of her voice is soothing and the gentle hand she places on the junction between the base of your neck and your shoulder does wonders to ground you. “And there’s no rush to have all of it done. It’s a work at your own pace kinda thing?” 

You both know that she’s fibbing about the last part. 

The frantic text at 11 PM last week and the hour-long phone call debriefs you had yesterday and three days before say otherwise. This is her compromising and making her needs smaller. This is her being like you and you being like her; being like each other. Digging yourself into holes to help others no matter the effort – no matter the pain. 

“No, I’m doing this because I want to. Just let me know exactly what you need and we can get to it as soon as possible.” 

You know that you must have said the golden word because as soon as the statement leaves your mouth, Natalie whips out her phone and starts reading off a list she had compiled of all things that have some link to the legal world. 

Contracts. Permits. Tax revenue sheets. Paystubs. Workers Compensation. Equal Employment Opportunity Commission. City Ordinances. Chicago royally fucking anyone who dares to open a business, really. 

The sad part is that this should scare you. This should make you want to run out of here and never look back and purposely take the long way to get somewhere if you knew where you were headed would cross paths with the restaurant. 

But you don’t do any of that, and the buzz of finally doing something that you know is helping people overpowers the migraine of stress you can feel looming over you the second you agree to help them out. 

“You’re amazing,” she says, eyes twinkling with admiration. 

Your cheeks turn a shade of baby pink that you hope she can’t see. You’ve never taken well to flattery. 

Richie’s knuckles give a soft knock on the door and it opens before either of you can think to welcome another presence. His gaze finds both of you fist-deep into the first box labeled “Cocksuckers: For IRS - 1987.” You already know that he’s not related to the Berzattos by blood, but the beautiful blue eyes make you question that fact. He gives a sheepish smile almost to apologize for his interruption and you think he’s about to apologize before he opens his mouth and says, “Suge, your dashing baby brother is bout to blow a fuse because the fed is here.” 

Natalie stops what she’s doing. Her hands come to rest on the flimsy cardboard box and she throws her head back to eye the ceiling. If she can count the row of six vertically, maybe she can slow her breathing and calm herself down enough to spare Carmy the chewing out of a lifetime. 

One. 

“Sugar!” 

Two. 

“Get the fuck off me!” 

Three. 

“I said get the fuck off me! I need to see my fuckin’ sister!” 

Four. 

“Sugar!” 

Five. 

“Leave me the fuck alone!” 

Six. 

“Natalie!” 

Her brother appears in front of her disheveled and angry. Even though she’s only five years older than he is, she always sees him as the little baby she used to put in her strollers and push around for years until he got too big and too “grown” to think playing with his older sister was cool. Years spent with him also meant years studying him; knowing his ticks down to the smallest one and learning how he expresses every emotion. 

It was the only way she survived living in that house until she was eighteen. 

Dealing with an angry Carmen is nothing in comparison to dealing with an angry Michael or even attempting to console a slightly agitated mother. 

Besides, Carmy’s anger, while often misguided and very explosive, was never unexpected. He always has a tell and there’s always a few seconds before he completely comes unglued. Adult temper tantrums are shit shows, and quite frankly she’s fed up with having to diffuse one of his every couple of hours as of late. 

Her face starts to fall when she sees Carmen’s left eye begins to create that deep crinkle it does when he gets pissed. He starts to wrinkle his nose and she knows that he’s about to start screaming. 

Richie lets out a whistle before pushing Carmen’s head in a playful yet agitated manner. Before his hand can be swatted at, he jumps out of the way and joins in on a distant conversation about his daughter’s last dance recital. 

He has a smug grin on his face that Carmen wants nothing more than to slap off him. He knew that touching him would provoke him even more.  

Richie always has to poke the bear. 

Always. 

Carmen tries to contain his anger the best he can. Even though he’s totally against the idea of having you in the building, he knows there’s jackshit he can do about it now. Sydney said yes, Natalie sought you out, and Uncle Jimmy thought the idea was brilliant. The vote was three against one and he knows that all he can do is go fuck himself. So much for everyone promising not to make decisions about the restaurant without his okay. 

It’s not like his credit will be the one that’s fucked if this place turns to shit. 

His arm stretches to hold the side of the door’s hinge and supports his body weight as he leans to the right. “You hired a fucking attorney and didn’t tell me?” he snaps. His face pinches in a way that brings his nose, eyes, and mouth closer together; a face their mom used to make before she came totally unglued. 

You have your back turned toward the door he’s looming in. Something about being targeted makes you want to be blind to it; to shut your eyes as tightly as you can and will it away. You know that the way he’s acting has everything to do with him and nothing to do with you, but you can’t help it. When you feel out of place, every action to push you further out feels personal. 

“She’s doing it for free,” Natalie scoffs, putting a lid back on one of the boxes and crossing her arms over her chest. She would offer up more information, but what would be the use if Carmy is as wound up as he is? 

“Free means “fuck.” She’s gonna fuck us, Sugar, and you don’t even fucking care!” he screeches, seemingly uncaring that you’re right in front of him and that he’s biting his sister’s head off as if it’s nothing. 

You start to pull files out of the boxes faster than you were before. The distraction is needed because you know that if you listen too intently to what else is being said, you’ll start internalizing it later. 

Nothing with you. Everything with him. Nothing with you. Everything with him. 

“No. She is not gonna fuck us,” she pushes a finger into his chest and her nostrils flaring, “You’re gonna fuck us because you’re being so stubborn and stupid and can’t have a goddamn conversation like an adult.” 

His chest pushes deeper into his sister’s finger. “You calling me a baby? You calling me a fucking baby?” 

Carmen usually isn’t one to pick a fight in his everyday life, but once he gets started he refuses to back down. The rational part of his brain knows that he’s going overboard but he can’t help himself. The rage inside has nowhere to go and this whole thing is really pissing him off. He’s so fucking sick of everyone acting like he’s too immature and irresponsible to handle things.

Natalie’s finger comes out to become a full palm. “Well then stop the yelling. Stop the pissy pamper attitude. Stop wasting our fucking time and just admit that you’re way over your fucking head and don’t know everything.” 

Carmen balls his hands into fists and licks his lips to prevent him from saying something really fucking mean. He knows that Natalie is just trying to help but she always is, and it fucking sucks when she always saves the day even when he doesn’t want her to. The restaurant was supposed to be theirs; supposed to be all him and Mikey and everyone who made them into the people they are. It was never supposed to be his. It was never supposed to be his when he has not a goddamn clue what he’s doing and Natalie driving herself borderline insane trying to proactively fix everything before it turns to shit. 

He doesn’t know what to say because she’s right. Sugar is always right and Carmen is always wrong and he wishes Michael was here to balance them out; to add a third option so it wasn’t so split. 

But he’s not here. He won’t be here. He never really was here. 

“Fuck!” he yells at the top of his lungs. 

“Fuck!” Natalie shouts back. 

Argument over. 

His shoes slide on the floor with ease and he tries to steady his breathing. His arms let go of the door frame and his head hangs with the dissatisfaction of still housing a boulder of anger. 

“Jesus fuckin’ Christ,” he whispers, voice growing smaller as he walks away. A loud clash of hollowed metal is heard shortly after. “Fuck!” 

“Punching the lockers doesn’t get rid of the fact you’re a little bitch, Cousin.” 

Richie has to poke the bear. 

Always.

[cozy-cinnamon-roll]

A Princess' Guide to Interrogating a Radio Demon

Fandom: Hazbin Hotel

Pairing: Ler!Charlie, Lee!Alastor (strictly platonic)

Content/Trigger Warnings: tickling, interrogation (in the most playful sense). If there are any trigger warnings you'd like me to add in the future (and/or to this fic), PLEASE let me know! I am always happy to oblige.

This is a ticklefic! If that's not your cup of tea, kindly move along.

This is my first fic for Hazbin Hotel, so any feedback would be welcomed and deeply appreciated! (also, let me know if you'd like to be tagged in future work - I'm quite sure this'll be FAR from my last fic for this fandom hehe)

Hope you enjoy!

--------------------------------------------------------------

Ever since he'd discovered glam metal, Angel has been blasting it nonstop from his room.

Unfortunately, his room happens to be directly beneath Alastor's... and the insulation in the hotel's walls leaves an awful lot to be desired. The Radio Demon's eye had been in a constant twitch for three days by the time he'd finally had enough.

"Alastor? Have you seen Angel's speakers?"

--------------------------------------------------------------

When Charlie appears in his doorway, the demon in question is sitting comfortably on his couch, sipping a mug of black coffee and reading a newspaper (though Charlie isn't sure how he acquired it - the local paper has been out of print for weeks).

"No. But I've certainly had the displeasure of hearing them."

"They've gone missing. Do you have any idea where they might be?"

"Far away, I hope."

Charlie rolls her eyes and leaves to go consult the other guests. The deer takes a long draw from his mug.

--------------------------------------------------------------

To Alastor's slight irritation, he only enjoys a few minutes of peace before the princess' voice echoes from the hall again.

"Oooh, Al...." Charlie sings.

"What is it, my dear?" the Radio Demon sings back absently.

"Nifty says she saw you with Angel's speakers yesterday."

"Did she?" He flips a page of his newspaper.

"Look, all I need to know is where you put them."

Long pause. "I haven't the faintest idea what you're talking about."

"Alastor."

"Whaaat?" Though his eyes haven't left the page, his grin has widened slightly. "You think I'm lying?"

"You're always lying. That's your thing."

"...Touché."

Charlie perches on the sofa beside him.

"Are you gonna tell me where it is or not?"

"Fine. I'll be completely honest with you."

She perks up.

"I would honestly die a second death before subjecting myself to one more note of that infernal garbage."

Alastor's eyes flick up from his paper for the briefest of seconds, just to watch the bubbly princess' face fall into a delightfully exasperated scowl.

"You can't steal someone's stuff just because it annoys you!"

"On the contrary. That's exactly what I did."

Charlie narrows her eyes. "Alastor. You tell me where Angel's speakers are or else."

Alastor chuckles in spite of himself - Charlie's attempts to be intimidating never fail to amuse him.

"What's so funny about that?"

"My dear, I say this with the utmost respect and admiration for your many talents: there's a reason I tend to be the one called upon to scare off demonic threats."

Charlie huffs and crosses her arms. "Just because you're creepier and... more sadistic than me, doesn't mean I don't have ways of making you talk."

"Oh?" Alastor arches a skeptical eyebrow at his paper.

"So you better watch your step, Mister."

"Hmm. You make a compelling case." He flips another page. "Maybe I should tell you where Angel's poor excuse for music is."

Charlie brightens. "Really?"

"No."

The princess deflates.

He's right, of course: even if Charlie figures out a way to make herself legitimately threatening to the Radio Demon... he's the fucking Radio Demon. She may be the Princess of Hell, but she doesn't want to have to rebuild the hotel from rubble all over again.

The two sit in impassive silence for a few minutes - Charlie glaring at Alastor, Alastor staring stubbornly at his paper - until she finally stifles a sigh and slouches against the cushions. He's enjoying this, she just knows it. Sitting there with that stupid grin. He's probably been laughing to himself all night, imagining poor Angel waking up and finding his most prized possession missing.

She finds herself wishing she could make the old deer laugh himself sick sometime, just to teach him a lesson.

...Which is a horrible thought! Charlie's eyes widen, her brow furrowing in self-disgust. She could never bring herself to hurt Alastor, even via laughter.

In fact, she quite likes his laugh - it's a little maniacal, sure, and certainly hard to truly enjoy amid the gory contexts that typically trigger it. But if she knew a way to make him laugh at something other than another person's expense, she'd probably do it all the time... it's just that the things that make him laugh also tend to make Charlie nauseous.

Once again, the princess finds herself completely baffled by her own subjects. How one could be so tickled by anything that goes on down here - the pain, the violence, the gore...

Charlie tilts her head. She may have just gotten an idea.

--------------------------------------------------------------

If Alastor had happened to cast a quick glance down the couch, the smile creeping across Charlie's face would've been enough to give him real pause.

But since he is instead stubbornly focused on his paper, he is completely unprepared for the fingers that suddenly begin crawling oh-so-gently up his side.

To her initial disappointment, Charlie finds at least three layers of fabric dampening her touch, and aside from a subtle flinch at first contact, Alastor himself remains perfectly still.

But then a low buzz of radio static swells around them. As she probes up his ribs, she can hear a soft crinkle of paper as his grip tightens.

"Charlie..." His voice is oddly clipped.

"Mm?" Charlie takes one glance at his face, and her smile deepens - even Alastor's signature grin can't mask the effect. He's still technically staring at the paper, but his eyes have gone wide and blank. He opens his mouth to continue just as her fingers reach his armpit - and his jaw quickly clamps shut. It's clearly taking everything in him not to squirm.

"Got something to say, Al?" She starts pinching back down his ribcage.

"Mmph!" The giggles start in his chest, bubbling up and fighting to escape through clenched teeth. Soon his shoulders are shaking with the effort of holding them in.

"...Maybe about the location of a certain object?"

No response. The radio demon just curls forward a little, hiding his face in his paper.

Taking advantage of this new posture, Charlie slips her other arm around behind him, and gives a good pinch to both sides of his slender waist.

The demon straightens right back up with an audible gasp and tiny squeak of surprise (that he quickly tries to cover with a cough).

"Charlie! Are you s-seriously trying to-"

"Are you seriously ticklish?"

"No!"

In response she delivers another series of pinches to the same spot. His posture crumples again, until finally he loses his grip on his paper and twists to face her.

"No?" she giggles. And squeezes him again.

"Stop that!" He fumbles at her fingers, trying to pry them off his sides.

Instead Charlie swaps her hands, wrapping her fingers around his waist with both thumbs resting lightly on his stomach... and begins digging them right under his lower ribs.

That finally does it. He flinches back with a little snort, followed by soft but utterly helpless giggles pressed shyly into his hands.

"Awww!" Charlie coos.

"Keheh- f-fuckin'- heheh! - quiet!" His voice cracks amusingly on the last word.

There are about fifteen different things Charlie is dying to say as Alastor goes to pieces with laughter, but she can't think of anything that wouldn't risk embarrassing the poor guy - and humiliating him is the last thing she wants to do. The fact that Alastor hasn't instantly dissolved into shadows (or cursed her across the room) hasn't been lost on the princess; she is NOT about to jeopardize this moment by making him uncomfortable enough to do so.

That said, she is conducting an interrogation here.

"What was that about not being ticklish?"

His clutching at her wrists becomes more frantic. "Don't-!"

Alastor hyperventilates a couple times, trying to get ahold of himself - but then she continues squeezing down the sides of his belly, and he can only collapse into even worse laughter.

"I think I know just how to get you to talk..."

"Nohoho- ahagh, Charlie! Shihihit!"

Charlie shifts onto her knees for better leverage, gives him a gentle push backward, and pins him (surprisingly easily) against the couch. Her snaggle-toothed grin looms over him...

For a split-second, Alastor gets a flash of what his victims must've seen moments before they debuted on his show.

But he's pretty sure this isn't quite how they felt about it. He's already shaking with anticipatory giggles, grinning back at her wider than ever. And the giddy panic behind his eyes quickly forms an unlikely union with defiance.

"Do your worst, my dear."

--------------------------------------------------------------

To be continued... pt. II is already in the works, so stay tuned!!

Until next time - hope you enjoyed reading this as much as I enjoyed writing it! 💕

💜 - Cozy

[ross-hollander]

Keep it in mind...

...the next time you scoff at an ammo explosion on legs, or a hunk of armor with all the maneuverability of a medium-sized mesa, or a scout so stripped-down it would crumple under a strong breeze: somebody built that.

Not in the sense that you shouldn't laugh at somebody's life's work, obviously. But take a moment and consider the fact that it did get into production. Some of them saw combat, and for most of them that probably means somebody died inside one.

So, those bright sparks with their computer-generated models and machining specifications below the millimeter and their boards of consultants and test runs: they allowed this. But they were not the ones to see what it was like in the field, were they? They never prayed with devotion saints could not match, limping towards denser cover with a leg that had wrenched itself in half up to the knee. They did not pass out of exhaustion in a cockpit turned pressure-cooker by a poorly insulated reactor. They certainly were never blown to a mist of scorched meat by an overly exposed missile cluster detonating two feet from their face.

These failures and boondoggles and bastard children of military industrialism- forget the waste and ridiculousness for a moment. Remember the ones who were put inside those absurdities, who died in a disgrace to design. For mechanical mistakes light-years from their fault, they paid the price.

[mostly-mundane-atla]

Hi! Your blog is awesome. I don't know if I'm allowed to ask non-atla questions, so I hope this is okay. I'm working on a non-avatar ttrpg campaign that takes place both in a (fictional/fantasy) northern tundra region AND during a magical endless winter. The people in it aren't based on any specific culture but, given that they're successfully living in similar environments & have for countless generations, I want to draw as much inspiration & knowledge from real-life circumpolar cultures & native science as much as possible. Do you have any advice or even just fun, underappreciated ideas for winter tundra survival, things someone who grew up in a desert like me wouldn't think of on my own? If you need/want more direction: I'm particularly looking for clothing, shelters, resource gathering-practices for non-food (esp what kinds of resources would be valuable), as well as like, any fun details that evolve naturally in a culture that formed in the tundra that you'd want to see represented. I hope that makes sense ^^; Thanks so much if you decide to answer, have a good day either way <3

[I am SOOO sorry this took so long! Tumblr kept not saving my progress when i tapped "save draft" so i had to rewrite a few of these passages a few different times]

Don't worry about asking, friend, i get cultural questions all the time and i'm happy to share.

Note: my knowledge is almost entirely based on coastal tundra peoples with access to marine mammals. That's not to say it's impossible for people to live farther inland, just that it's not my area of expertise.

Clothing

Just about everything you wear is going to come off of a dead animal. This doesn't necessarily need to be the case if your fictional culture has a means of raising hardy livestock for fiber and a history of woven textiles, but even then skin clothes are warm and generally quite hard-wearing and are a good fit for living in these circumstances.

This amount of fur means lice are a perpetual problem. If you want to make that an immersive part of the game, you can work in a mechanic for checking scalps and clothing and bedding for lice.

Bird skins can also be used for clothing and waterfowl specifically has the benefit of water resistance. Fish skin can also be used for similar properties. Animal intestines can be made into a waterproof material if sewn with sinew and soaked before finishing.

On that note i'd recommend making a list of available animals and what qualities and textures their skins and furs have. Even if you don't intend on being incredibly descriptive with clothing, it's something better to have and not need than need and not have. And if you do anything else creative in a similar setting you have your nifty little source to consult.

When it comes to the actual construction of the clothes, you want a loose fit. Trapped air ia a great insulator and you want clothes to be easy to move in. Another benefit for loose-fitting upper body garments in cold weather is you can pull your arms in and keep them by your much warmer core. Not only will this option keep you comfortable, it can also prevent muscle injury or getting frostbite

Mittens can be worn on a string yoke. This doesn't have to be exclusive to children either. Wind can pick up out of nowhere and lost mittens means fingers exposed to arctic cold which can mean gangreen and amputations down the line.

Swimming or running to deliver a message may involve stripping nude, even in cold. Clothes soaked in water or sweat are deadly in the cold.

Clothes may be stored in bags outside when not in use. The low temperatures can kill bugs and bacteria. On a similar note, boots and coats are best to be hung to dry as soon as one is indoors for the day. This may mean it's normal for people to be topless indoors.

Boots should never have holes or tears. Frostbite and resulting gangreen is already bad enough but you especially do not want it on your feet

Shelter

You're going to want dwellings to have as few rooms and windows as possible and small doors. The fewer walls you have, the easier it is for heat to circulate throughout the whole dwelling. You'll probably want one room separating the door and where you sleep. Remember: trapped air is a great insulator.

The culture I've reconnected with is semi-nomadic so the permanent houses are not always occupied and a village can seem abandoned when it's just on its "off season". You can take that or leave it depending on what you're going for.

Even if the dwelling is not a tent, you're probably still going to have poles serving as a supporting frame.

Sod houses are common due to the availability of sod (the grass and the dirt its roots are tangled in). Tents made of warm, waterproof skins (like walrus skin) are also an option.

An easy way to insulate such a dwelling is to build a wall of packed snow around and fill the gaps with loose, airy snow. This traps air the same way down feathers do.

Non-Food Resource Gathering

While I imagine you meant obtaining resources outside of hunting, in a tundra or tundra-like setting, a lot of your resources are going to come from dead animals. Your garments and shelters and bedding are likely to be made of animal skins, with hollow and/or fluffy fur for warmth, or smoked intestine or fish skin, sewn with tiny stitches and soaked to keep everything flush, for waterproof boots and overlayers. Antlers and tusks are good carving materials for things like spoons and closures and slabs for armor and handles and also talismans and smoking pipes and beads and art. Baleen is good for art too, as well as boot soles and smaller sleds and beautiful baskets. Sinew and rawhide are good for thread, ties, and rope. Bones have a near infinite amount of uses from tiny wing bones to make sewing needles to huge whale bones used to build houses.

For the purposes of working this into a roleplaying game, i'd second the recommendation of keeping a list of animals in your universe and their properties, as well as the things that can be gathered from or made of them. A sort of crafting recipe guide would allow all kinds of quests and sidequests.

There are, of course, non-animal resources to gather for non-eating purposes. Soapstone is the traditional material for oil lamps. Grasses can be woven into baskets for any number of purposes, including supports to give the uppers of one's boots more structure. Wood, in the form of slices of tree trunks, can be hollowed out into bowls and small tubs and buckets or, as logs or slats, can make up flooring. Sturdy branches can be used for frames in houses, boats, and drums, and tree resin makes both good glue and antibiotic salve for closed wounds. Sod, also called turf, makes a good building material and moss is exellent insulation in boots. You can make a list of these too, if it helps.

If your fictional culture has a strong tradition of metallurgy, then they'd also mine for metal that can be used for knives. If not, slate is another option that requires significantly less fire. You could even have both and make the metal a status symbol.

Fun Details to Represent

There are so many lovely little things that show up in arctic cultures

First, a gift economy. Where a cash economy relies on a fairly individualistic culture where you work for someone else to earn capital and exchange that capital for goods and services, a more collectivist and interdependent culture natural to the harsh conditions of the tundra tends to result in a gift economy. The currency in a gift economy, to perhaps oversimplify, is favors. Someone does you a good turn, you remember that, and when you're in a position to help, you return the favor. Usually this means basic material things like hospitality and food, but the "gifts" exchanged can also be luck! King Islander boys would often wish hunters setting out at dawn good luck, with a slab of driftwood as a token of that luck, and if the hunters were successful, they'd give the boys who wished them luck a share of their catch. I believe it was Frank Ellana who remenised that this was what the world was like before money.

Another thing that would be nice to include is parenting practices considered fairly gentle to a Euro-American perspective. Physical punishments are traditionally treated as abuse and scolding a child is not only seen as wrong but something an adult ought to be ashamed of. Discipline is instead a series of moral lessons, teaching children why what they did was wrong and using stories as examples of the consequences. Given the amount of stories about the dangers of abusing a spouse or child, i'd say a lot of these lessons were proactive and preventative. Knowing someone will be hurt by it is considered enough of a deterrence to stop bad behaviors. Traditional potty training, for example, is also gentler in comparison; starting at a younger age (about six months) with more emphasis on praise and encouragment than routine. The goal here is to teach the baby to signal when they need to go so they can be taken out of mama's atigi and relieve themself in a hygenic manner instead of holding it until they get permission. Even our take on kissing is based on inhaling instead of pecking with the lips. This kind of gentleness is usually overlooked to instead focus on the badass hunter image or overall "cuteness" so it would be nice for it to be referenced.

Oral histories would be pretty neat too. I think the idea of learning to be a historian of oral histories is an interesting one and i think it has a lot of potential plot hooks for an rpg.

That's all i have for now. Sorry for the delayed response time. Happy gaming, and i'm always up for further discussion if you would like ^-^

[sresnewsky]

Projeto inédito de arquitetura do Estúdio Cuto Requena com construção em 3D na Praça Alexandre Gusmão. Incorporou soluções de Acústica com superfícies internas como absorvedores Helmolhtz, também moldados com materiais biodegradáveis da loja Flagship Dolce Gusto Neo. Este projeto indica a evolução dos projetos para edifícios e materiais envolvendo todas disciplinas, como gerenciado nesta obra pela CTE.

Fotos: Leonardo Finotti

#Acústica #ConsultoriaAcústica #EngenhariaAcústica #QualidadeNoTrabalho #Arquitetura #designdeinteriores #normadedesempenho #ruído #som #decibel #acoustic #insulation #absorption #isolamentoacustico #absorção #reverberation #reverberação #reverberación #projeto #project #consultoria #consulting #medicaoderuido #obras #nbr #tratamentoacustico #edificio #building #nestle #flagship #flagshipdolcegustoneo

[watcherthrowaway]

also one real post about this and like, plenty of ink has been spilt on how disconnected watcher entertainment seems to be from its fans but i think the missing piece here is how disconnected watcher is from the rest of youtube. when the catastrophe hit i went to all my terminally online friends, the same way i did after the hbomberguy james somerton video, or after the ned fulmer fiasco, or the creepshowart scandal etc, or every time jenny nicholson dropped a new evermore video, including the ones behind the $2 patreon paywall we all gladly pay for, and for the first time...

no one knew who i was talking about.

these are not insulated people. these are people i can trust to have at least name recognition of almost any youtuber i mention. they know downtherabbithole and strangeaeons and cjthex and kappakaiju and miniminuteman773 and kazrowe and somemorenews etc etc etc

so when i put in the group chat, with no context, 'he wasnt even on cribs' or 'we have no cats kathleen' or 'only humble pagan commune schemes' or whatever, i usually do so with great trust that at least half the group will know what im on about.

this time, crickets.

i backpedaled a little and pulled up the 'ive connected them' meme and the fuzzy blue professor, and i got nothing at all. the only recognition i got was when someone belatedly realized that he had seen the goatman video when it dropped (although he had no idea that they had their own company now), and another person remembered that they had offered to collab with danny gonzalez, a youtuber with twice the subscribers

because she had checked back to see if danny went ghost hunting again, and lost interest because he hadnt.

i also brought it up in my dedicated buzzfeed unsolved group chat but ummmmm i am the only one in that group still watching ever since the shift to watcher oops

the only splash they had made in my again, TERMINALLY ONLINE friend group that watches hours and hours of youtube a day was a buzzfeed video seven years ago, and when they had failed to collab with someone more famous than them. i found myself in the unusual position of having to explain the situation to a bunch of dirty internet gremlins, all of whom heard the whole story and said 'why would they do that'

not 'why would they do that to their fans' but 'why would they do that as youtubers'

even aside from the moneygrubbing, we watcher stans were confused about why they tried to offer us a service we didn't need or want, and i think it obscured the confusion on why they thought it was a good idea at all, when so many other models were available to them. why werent they using their patreon like other youtubers? why weren't they collaborating with other youtubers? why weren't they putting out regular, lower quality content like other youtubers? if they wanted higher quality content, why weren't they partnering with nebula, like lindsay ellis, or netflix, like bo burnham. why didn't they run their ideas past someone like the green brothers, who have jumpstarted scishow and many other similar projects successfully, and are famously good to work with/consult with? why would they try to pull a roosterteeth? don't they know what happened?

and i think the answer is no. i think they just don't know those things. and they didnt bother to check, because they think all those things are beneath them. because they think corporate content is the only worthwhile kind there is.

why else would they think they have to have an office building, keep dozens of people on staff, buy expensive cameras, and build a streaming platform? why do they only collaborate with actors and singers who have corporate entertainment approval? why are they reinventing the wheel on buzzfeed when thousands of youtubers build perfectly stable careers with a mic and a camera, and sometimes hire an editor?

i guess my takeaway from this is that, at least they didnt break my heart as a fan entirely because they fundamentally misunderstood me. they did it, at least in part, because they do not understand how youtube works, or what part they play in it.

they dont understand how people use youtube. it is not a cinematic event worthy of the big tv, it is line goes up playing in the background for the 400th time as i wash my face and put my laundry away.

that is why they spent months and months planning this without ever noticing it was a bad idea, while millions of youtube viewers knew instantly. thats why they didn't start with a more moderate solution, why they never used their patreon properly, why they cared so much about the production value, why they thought a youtube audience, any audience at all, would jump at the chance to leave youtube.

bc youtube as a creator sucks, and we all know that, but youtube as a viewer is extremely comfortable. all i ask of youtube is to be mildly interesting in the background while i do other stuff. it is filler. some of the filler is extremely good, yes, but there is no room or reason in my life to give more of my money and attention to my filler, let alone to get a bigger screen for it.

and honestly, this is why i and others stayed on with the ghoul boys even though their quality dropped. because it's filler. im not even looking at the screen you apparently spent 100k on. im flipping my eggs. im washing my hair. im waiting for the bus with my headphones in and my phone in my pocket. thank you for being my background music. in return i will sit through your ads and push your view counter up by one. i may even hit the like button by accident bc my phone is in my pocket.

this is not to say i dont enjoy my filler. i would absolutely die without it. but it is not and never will be exchanged for the instances when i make popcorn in The Big Bowl and turn on a Real Movie on the Big Screen (my old laptop that is 15 whole inches) with my phone turned over so nothing can distract me.

my filler can't be my movie, and vice versa. nor should it be. but watcher doesnt understand that, apparently. they think youtube is cruelly preventing them from being netflix, and they think we want netflix, and they don't understand that, even with that half-assed apology that they didn't explain their dream correctly and they are jsut so destitute they had to take extreme measures after they went to europe 6 too many times...

there is a fundamental misunderstanding about how people use youtube , both as creators and as consumers. they didn't just misunderstand their fanbase. they continue to misunderstand the entire ecosystem. idk guys. maybe you should have learned something from those youtubers that you apparently think you are too good for.

and as for me, welp. i've booted people from my filler line-up for less. and there are soooooooooooooo many other fish in the sea, and they are not asking me to pay them 27 corporation salaries from my own pocket. they are asking for me to bump their view counter up by one.

goodbye boys. i really hope you find a way to fulfill yourselves artistically or whatever. but you have burned this particular bridge, like. forever. and i don't think i'm the only one who feels that way.

and not because i dont support people getting a living wage, you guilt-tripping vultures, or because i dont believe in following dreams and wishing on stars and whatnot.

but because i prefer to consume content from people who know what they're doing, and i simply no longer trust that includes you.

[firstclassremodeling]

Firstclass Remodeling - Custom Basement Remodeling Designs in Hamilton

Firstclass Remodelingis the epitome of excellence in custom basement remodeling designs. Our skilled team transforms underutilized spaces into personalized havens, blending innovation with functionality. From entertainment zones to cozy retreats, we bring your vision to life with meticulous attention to detail. Elevate your home with Firstclass Remodeling's commitment to crafting unique, high-quality, and stunning custom basement designs that reflect your lifestyle and taste.

[askvectorprime]

Dear Vector Prime, have you ever had a Headmaster partner?

Dear Aegis Agent,

I have indeed. Allow me to continue my tale of the ultimate Titan Masters, and I promise your curiosity will be satisfied.

While Arcee was tracking down the Titan Master hidden on Caminus, a separate mission was being carried out on the colony world of Biosfera—known to the locals as Eukaris. Grotusque, Twinferno and Repugnus journeyed there to find another Titan Master, this one believed to grant incredible fireblast. The Monsterbots were not Optimus Prime’s first choice for the mission, as he worried their bellicose disposition would create conflict with the native population—but with the so-called jungle planet having no roads to speak of, only Autobots with bestial alt-modes would be able to handle the terrain.

As Biosfera had been largely insulated from the Autobot-Decepticon conflict, the Monsterbots expected its inhabitants to be pushovers, who would do little to impede or expedite their search one way or the other. Instead, they arrived to find the planet on the brink of all-out war between the four major tribes. Something was terribly wrong: the kinds of weapons being amassed were beyond even those used by Cybertronians in their raw destructive potential. Still, the Monsterbots decided the brewing tensions were none of their business, and decided to focus on searching for the Titan Master.

It was at that point that I was forced to intervene. I materialized in their midst, which proved to be something of a miscalculation: they were taken by surprise, and turned on me immediately. Naturally, I am no lightweight, but I must admit the three of them had me on the ropes. I forced a time-out, separating us from physical spacetime, to allow us to communicate without violence. Once they were prepared to listen, I told them what I had seen.

In the future, Biosfera is an irradiated wasteland. Algorithmic engines crawl over the ash, feeding carbonized trees into immense furnaces, liquid metal pouring from foundries to coat the planet, constructing some kind of superstructure… to uncertain ends. The few survivors of the global devastation have shed the last vestiges of their organic biology, becoming purely robotic lifeforms in order to weather the potent radiation.

The Monsterbots refused to believe me without proof, and so I removed my head, Safeguard. Repugnus briefly swapped Dastard for Safeguard, and saw in his memory banks what we had witnessed of that apocalyptic future. Begrudgingly, the Monsterbots agreed to help us, and we separated, each to visit one of the four tribes.

High in the mountain eyries of the Cloud Walkers, Grotusque and Fengul discovered that they had forged a partnership with the Decepticon Fangry, who had given them a powerful attack jet. At the same time, Twinferno and Daburu found the Scale Walkers to be strategizing with Krok, who had armed them with an unstoppable armored tank. So too were the Wave Walkers consulting with the crab-like Squeezeplay, and as I discovered, the Fur Walkers had welcomed amongst them the ferocious Horri-Bull. It was obvious to us that the Decepticons had completely infiltrated the planet’s tribes, and were deliberately stirring conflict between them. Unfortunately, stirring conflict was the Monsterbots’ specialty, and they each started fights with the Decepticons on sight, leading to them quickly being ousted from the other tribes. Safeguard and I had the most luck, managing to convince the chieftain of the Fur Walkers that they were better off without the “guidance” of Cybertronians—though unfortunately, this included ourselves.

We regrouped, and the Monsterbots decided to resume their search for the mythical Titan Master hidden on the planet. I hoped that in the course of our hunt, we would stumble across a centralized base of operations for the Decepticons, which might produce the evidence we needed to sway the tribes. As it turned out, we were being followed: one of Twinferno’s heads spotted a bird flying overhead, and recognised it not as one of the Cloud Walkers, but as the Decepticon Wingspan. Twinferno almost flew up to take out the snooping Decepticon, but I was able to convince him to hold. We waited until nightfall, and when Wingspan left to make his report, we quietly followed.

He led us to a foreboding tower of steel, a weapons factory hidden in a barren valley. Inside, ensconced within the topmost chamber, we found the true mastermind behind the hostilities: the lost Titan Master, Scorponok. Once, he had commanded one of the Titans of myth, but he had been usurped by the alien Lord Zarak. Driven to madness by this defeat, he had begun traveling the galaxy in search of new evolutionary pathways. On this remote and primeval colony, he found them: and now, his machinations had brought him to the precipice of his return to power. In the fallout, once the biomechanical natives evolved into a purely mechanical existence to survive the nuclear winter that followed, he would use a planetwide relay to reach out and upload his consciousness simultaneously into thousands of bodies—becoming a gestalt lifeform on a scale that would surpass even the Titans.

Well, we certainly weren’t going to stand around and wait for that to happen! The Monsterbots made short work of Wingspan and Horri-Bull, but Scorponok was far from finished: he recalled the jet and the tank from the tribes, and they joined together to form the almighty Overlord. One Titan Master formed his head, while another plugged into his chest, right alongside Scorponok himself—giving the combined giant three times the power.

As it happened, deploying Overlord turned out to be a miscalculation: unbeknownst to us all, skillful trackers from the four tribes had followed us to Scorponok’s lair, and when they saw that the Cloud Walkers’ and Scale Walkers’ new weapons were in fact one and the same, they finally had proof that they’d been deceived. They raced back to their homes, to urge their leaders to begin peace talks. Unable to take down Overlord, we beat a hasty retreat, and he split into his individual components once more to menace the tribes.

Unfortunately, the nuclear submarine Scorponok had built for the Wave Walkers remained in play—and once he gave the command, it launched its payload, sending a dozen missiles up into the atmosphere. Converting to starship mode, I flew after them, and began an arduous process to disarm the bombs. First, I froze the missiles in time, halting their trajectories but maintaining their velocity relative to the planet’s rotation in space. Then, with a boost of power from Safeguard, I isolated each individual warhead, accelerating time to allow billions of years to pass in what was, from our perspective, mere cycles. During that time, the fissile material experienced many half-lives’ worth of radioactive decay… until finally, the payloads were rendered inert. Although I had saved the planet from nuclear fallout, the missiles still had enough raw explosive power to cause untold destruction—and I was powerless to stop them. The radiation from the warheads needed to go somewhere—and although spread over a short period, it was still a strong enough burst of gamma rays to cause a chain reaction, unleashing an electromagnetic pulse which knocked me offline and sent me plummeting into the ocean.

The rest, I heard after-the-fact, once the Wave Walkers dredged me up and brought me to shore. The Fur Walkers and Scale Walkers united, ambushing Overlord’s tank half, while the Monsterbots waylaid the jet—just long enough for the Cloud Walkers to intercept and destroy the missiles in midair, before they reached their targets.

As for Scorponok, he was able to slip away in the confusion. The Monsterbots were frustrated to have failed their mission, but after seeing the sheer destructive potential of his fireblast, they knew it was for the best that Cybertron would have to do without his power. They resolved that when Scorponok next appeared, they would be ready and waiting to settle the score.

Back on Cybertron, the situation had gone from bad to worse: Powerhouse’s seismic forces disturbed Trypticon from his hibernation, and he awoke very hungry indeed. After consuming several Titan Masters, including Powerhouse, and gaining their abilities, Trypticon lay waste to the Autobot defenses, felling Fortress Maximus. Just in time, Iron Apex arrived from Caminus, merging with Magnus Prime to form Omega Prime, who was able to drive the beast back to the Praetorus Wharf.

During the battle, I had been impressed by the bravery of Metalhawk, and so before returning to the Realm of the Primes, I entrusted with him the power of my spark—much as my father, Primus, had done long ago to create the Titan Masters in the first place.

[thenightling]

Someone finally asked me the golden question. How would I have handled Universal's Dark Universe.

Disclaimer: If someone sees this and likes my ideas, you may use them for free. No consultation or acknowledgement required. Just do justice to my boo boys.

Well, I would stop so blatantly trying to make it the MCU. It's not the MCU. And don't be afraid of a little camp. These are the classic monsters after all.

Time period. Start in the past and then WORK your way to the present. Don't force all of it to be set in the present from the get go. Let the audience feel and understand these are immortal beings. You can even make it a surreal, timeless, fairy tale-like setting that just resembles the nineteenth century. Most people use generic medieval for fantasy settings but Gaslamp fantasy is a thing.

2. Start with the most well-known of the monsters. Do Dracula. It can be a book faithful adaptation, or something along the lines of Bela Lugosi or Frank Langella. I think general audiences like Dracula to be fierce and predatory but also somewhat romantic, that's why the Mina / Dracula romance has endured even though it deviates heavily from the novel. So let Dracula be romantic but do something unexpected and fresh with it.

Honestly I'd love an adaptation of Fred Saberhagen's The Dracula Tape (Dracula retold from Dracula's point of view). But I know they'd want to stick with the public domain version.

Let Dracula have his literary powers to take wolf, bat, and mist form, and conjure storms. Let him be able to walk by day but not able to shapeshift by day. Bela Lugosi's version didn't actually burn in the sun until the sequels anyway and that was only from mimicking Nosferatu (1922).

Either leave out the reincarnated wife concept all together or let the reincarnation be someone other than Mina. Dr. Van Helsing (a male or female version) or even Jonathan Harker could make for an interesting twist. Lots of depictions of Dracula are bisexual now and this would be something fresh for the universal version.

3. When doing Frankenstein stop trying to recreate the Karloff version "for modern audiences." Let's try the literary version for a change. Long black hair, no neck-bolts or green skin, let him be articulate. And don't go for "steampunk action figure. " (I'm looking at you, Van Helsing.)

Let each classic monster have their own setting and time period. Dracula gets 1891 since that's when his novel takes place, unless you do a fifteenth century origin or fifteenth century flashbacks in the nineteenth century. Frankenstein is late eighteenth century or very early nineteenth century.

You can get more free with the concept if you do a Frankenstein sequel. Think 1985's The Bride but the male creature is intelligent and articulate too.

4. With Wolfman go old school. Practical effects in the style of Rick Baker. Get Guerrero del Toro involved with these somehow. That man knows how to handle classic monsters. Remember the rules, and acknowledge that he's mostly immortal and can regenerate. Everyone forgets this.

5. Have Danny Elfman do the music. I know he's already doing the Dark Universe park music but let him do ALL the music. Trust the man. Have you heard his score to Sleepy Hollow? Just let him do his thing.

6. Don't treat each film like a commercial for the next or hinted team up. Just let the films be able to stand on their own at first. That's how the Uniersal Monster movies started originally. You can let one or two characters turn up in multiple films but don't be ham fisted about it like with some of what was in 2017's The Mummy.

7. When you finally do allow the team up go watch the Asylum's Monster Mash (2024) first.

I'm serious. Hell, buy the movie from The Asylum to do a high budget remake but add about twenty minutes to it so The Creature from the Black Lagoon can be added too. It's cheesy but its fun. Let them be dysfunctional would-be heroes. Let have What we do in the Shadows-like moments without being too cynical and insulting and mocking the very idea.

By this point you already made the monsters scary but with some potential for redemption, compassion, and tenderness. Let them organically evolve from brooding villains and anti-heroes to surprisingly competent heroes but let it happen organically.

You can even get organic diversity. The mummy is from Egypt (North Africa), the witch is Roma (and possibly a previous lover of Dracula's daughter), The Creature from the Black Lagoon is from South America, etc. Again, get Guillermo del Toro involved. The Shape of Water was pretty much Creature from the Black Lagoon with a happy ending for The Creature anyway. An Abe Sapien-esque version of The Creature from the Black Lagoon would be great.

I forgot to say who the main antagonist would be in my version of The Dark Universe. Possibly a mad scientist like Doctor Moreau, Doctor Pretorius, or a faction of vampires who want to dethrone Dracula from his self-appointed title as king of the vampires. There's nothing in Stoker's novel or the Universal movies that claim he's the first vampire but he's commonly depicted as king of the vampires simply because no one had thought to unite and lead all of them until him.