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fatphobiabusters · 2 years ago
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Scientific articles and official health websites talk about lactose intolerance the same way they talk about fatness.
This is how the National Institutes of Health describes it: "Lactose intolerance is a clinical syndrome that manifests with characteristic signs and symptoms upon consuming food substances containing lactose, a disaccharide." "Lactose intolerance is a common disease; however, it is rare in children younger than 5. It is most often seen in adolescents and young adults."
It's a syndrome. A disease. A medical problem with symptoms and signs.
And then...
"On average, 65% of the world's population is lactose intolerant. The prevalence of lactose intolerance is variable among different ethnicities. It is most common in African Americans, Hispanics/Latinos, and Asians and least prevalent in people of European descent."
Wait wait wait, hold up. It's in 65% of the world population??? 65% of all humans are lactose intolerant??? 65% of the world is diseased and has such a serious health condition?
Then you start learning more about it outside of these medical articles and organizations. You learn that other animals can't digest lactose past infancy either. Not even cats, even though we all believe they love milk. Animals, including humans, have a special enzyme as infants that allows babies to drink breastmilk. And after a child stops drinking that milk, the enzyme goes away, leaving the child unable to digest milk anymore.
In the 300,000 years that humans have existed, drinking milk past infancy did not start happening until about 10,000 years ago. It wasn't until ancient populations in Europe who were pastoralists, and thus raised cows as livestock, forced their bodies to drink milk and caused it to slowly became a genetic mutation that spread throughout different human populations over thousands of years.
You realize that the ability to drink lactose is not the norm. It's not the default body at all. The ability to digest lactose is a human adaptation that only some humans have, like missing wisdom teeth, blue eyes, and red hair. Lactose intolerance isn't abnormal. It's what human bodies were designed to do in the first place! No wonder it's "rare in children younger than 5." That's when babies still have the ability to drink breastmilk!
And what does such a serious disease as lactose intolerance require?
Not consuming dairy.
That's it.
This "disease" requires avoiding lactose and taking a pill to help you digest it if you need to in a given situation. And if you don't? The awful consequence of this disease is DEATH—oh, wait, that was a typo. I meant diarrhea. Dairy products like butter and some cheese have very low levels of lactose compared to straight up milk and can sometimes even be eaten without any pills for lactose intolerance at all.
So then why do health organizations and scientific articles consider this a "disease" when it's just genetic diversity? Well, you were already given the answer.
The people most able to digest lactose? White people. Europe. America. Canada. Australia. Groups so often considered the default. The quotes I gave are from the American government itself, as described by the organization's website: "Founded in 1887, the National Institutes of Health today is one of the world's foremost medical research centers, and the Federal focal point for medical research in the United States. The NIH, comprising 27 separate Institutes and Centers, is one of eight health agencies of the Public Health Service which, in turn, is part of the U.S. Department of Health and Human Services."
It's also important to recognize that the US government extremely subsidizes dairy. There are underground caves of billions of pounds of cheese surplus that the government has stockpiled. Billions upon billions of dollars have been spent on keeping the dairy industry afloat, no pun intended, to the point that everything from those "Got milk?" advertisements to milk in school-provided lunches to Taco Bell's double steak quesadillas were funded by federal tax dollars put into some cheesy goodness propaganda. Federal tax dollars were even used after the 2010 recession to bail out Domino's and keep the cheese uh-flowing.
So in a country where most people can digest lactose, most of the people who can't do so have bodies that are not viewed as the default already, and the government is extremely invested in getting people to eat dairy products, it becomes clear why that country—that government—believes lactose intolerance to be a disease.
Then when you consider:
how fat people are not viewed as the default body either and face immense oppression
how the facts of fatness being incredibly genetic and intentional weight loss not being sustainable in the slightest are kept under the radar from the public
how weight is not actually equal to health when you take all context into account beyond stereotypes and studies with horrendous methodology
how the BMI was created by a statistician (who was never a doctor in the first place and whose work was later used to support eugenics) during the 1800s in order to figure out which body was the average, not the healthiest, in select populations of white European men in the 19th century (and thus which body was the "default," the "norm," superior)
how the population measuring tool that is the BMI, never meant or designed to be used on an individual scale, was not commonly used as a measurement of "health" until insurance companies wanted a way to fabricate reasons for charging people more money
how the weight loss industry makes hundreds of billions of dollars every year off of pretending fatness is inherently bad and selling a "cure" that doesn't work while blaming consumer error to keep people buying said "cure"
and how creating a weight-based social hierarchy benefits the people on top who have power over the rest
...you start to understand why fatness is medicalized.
It's even a common talking point of people and companies obsessed with dieting that humans have evolved to hold onto fat and refuse to lose it in case of potential starvation. In fact, facing starvation even changes your body to want to hold onto body fat even more than it did previously, which includes when you diet since dieting is just self-inflicted starvation. When you face starvation, your descendants are more likely to have genetics that prefer fatness too. And there's evidence of fatness in human populations going back tens of thousands of years despite diet culture wanting people to believe fatness is a new trend due to people's "lifestyle choices." The Venus of Willendorf, an ancient figurine of a fat woman, is estimated to have been created around 30,000 years ago, and there are numerous other Venus figurines of fat women from that era too.
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It's human diversity, but people who aren't fat and who pedal diet culture can make so much money and obtain such powerful positions by pretending fatness is abnormal, inhuman, and wrong. Why give up an easy money-making punching bag or admit that your body is not the only "correct" human body when you have no reason not to and so many incentives for keeping the status quo?
As a side note, one of the best examples of diet culture is how you can find countless news articles about whether milk is "good" or "bad" for you despite humans having consumed milk for the past 10,000 years. I think by year one thousand we would have learned if milk was "bad" for us, but the headline "Milk still okay" doesn't get a news website any clicks.
-Mod Worthy
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rupalic · 4 months ago
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Growth Strategies Adopted by Major Players in Turf Protection Market
In the dynamic landscape of the turf protection industry, key players like Syngenta Crop Protection AG (Switzerland), UPL Limited (India), Corteva Agriscience (US), Nufarm (US), Bayer AG (Germany), and BASF SE (Germany) are at the forefront of innovation and market expansion. These industry leaders are driving growth through strategic initiatives such as partnerships, acquisitions, and cutting-edge product developments, solidifying their positions as influential forces in shaping the future of the turf protection industry. Their efforts not only enhance their global presence but also set new benchmarks for industry standards and customer expectations. The global turf protection market size is estimated to reach $8.1 billion by 2028, growing at a 4.9% compound annual growth rate (CAGR). The market size was valued $6.4 billion in 2023.
Top Global Turf Protection Leaders to Watch in 2024
· Syngenta Crop Protection AG (Switzerland)
· UPL Limited (India)
· Corteva Agriscience (US)
· Nufarm (US)
· Bayer AG (Germany)
· BASF SE (Germany)
· SDS Biotech K.K. (Japan)
· AMVAC Chemical Corporation (US)
· Bioceres Crop Solutions (Argentina)
· Colin Campbell (Chemicals) Pty Ltd (Australia)
· ICL Group Ltd. (US)
Investments and Innovations: Key Strategies of Top Turf Protection Companies
🌱 Syngenta Crop Protection AG: Leading the Way in Integrated Pest Management
Syngenta Crop Protection AG, a global agribusiness based in Switzerland, operates prominently in the crop protection and seeds markets. The company offers a comprehensive range of herbicides, insecticides, fungicides, and seed treatments, helping growers worldwide enhance agricultural productivity and food quality. With a presence in over 90 countries, Syngenta’s reach is truly global. In October 2020, Syngenta further strengthened its position by acquiring Valagro, a leading biologicals company. Valagro’s strong presence in Europe, North America, Asia, and Latin America complements Syngenta’s existing crop protection chemicals. This acquisition allows Syngenta to offer more integrated pest management strategies that reduce reliance on synthetic chemicals, while Valagro’s expertise in plant nutrition promotes healthier turfgrass growth and improved soil health.
Know about the assumptions considered for the study
🌍 UPL Limited: Innovating Turf Management Solutions Globally
UPL Limited, formerly known as United Phosphorus Limited, is a global agrochemical company based in India, providing a wide range of agricultural solutions, including crop protection products, seeds, and post-harvest solutions. UPL is a key player in turf management, offering innovative solutions for golf courses, sports fields, and other turf areas. Their product portfolio includes herbicides, fungicides, insecticides, and plant growth regulators, all designed to enhance turf quality and health while effectively controlling pests and diseases. Operating in over 130 countries across North America, South America, Europe, and Asia Pacific, UPL has 28 manufacturing sites worldwide, solidifying its position as a leader in the global turf protection market.
🏆 Bayer AG: Streamlining for a Focused Future in Turf Protection
Bayer AG, a multinational pharmaceutical and life sciences company headquartered in Leverkusen, Germany, operates across three business segments: Pharmaceuticals, Consumer Health, and Crop Science. The company’s Crop Science division caters to the turf protection market, offering products such as herbicides, insecticides, and fungicides. With operations in over 90 countries, including regions like North America, South America, Europe, the Middle East, Africa, and Asia Pacific, Bayer maintains a strong global presence. In March 2022, Bayer sold its Environmental Science Professional business, which includes turf protection products, to private equity firm Cinven for USD 2.6 billion. This strategic divestment is part of Bayer’s ongoing efforts to streamline its portfolio and concentrate on core businesses, ensuring a more focused approach to its future operations.
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justforbooks · 12 days ago
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Maggie Tabberer
Vogue model who became the face of Australian fashion. The glamorous model also had successful careers as editor, TV presenter and fashion designer, bringing sophistication into Australian homes
Before Instagram influencers and reality show home renovators there was Maggie Tabberer, whose poise and urbane advice on fashion and decorating made her a household name. Known fondly as Maggie T, she has died just days before her 88th birthday.
Tabberer was, quite literally, the face of Australian fashion. Photographed by Lord Snowdon in 1960, she was the first local model to appear on the cover of just-launched Australian Vogue.
But there was much more to Tabberer than beauty.
She was a media pioneer, entrepreneur, fashion designer and television presenter. Her slicked-back hair – and later, elegant headscarves – made her instantly recognisable, and together with her stylish, loose-fitting wardrobe gave her cult-like status among a generation of Australian women brought up to believe you were naked without pantyhose and a girdle.
With a face that launched a thousand products, Tabberer continued to work in the fashion industry after her active modelling days were over. In 1981 she launched a plus-size clothing label, Maggie T, the same year she became fashion editor of the Australian Women’s Weekly where she stayed for 15 years. Television did not escape her sights – Tabberer was so successful she won back-to-back Gold Logies, in 1970 and 1971.
Margaret May Trigar was born in Adelaide on 11 December 1936, the youngest of Alfred and Molly’s five children. At 17, the rebellious teenager married Charles Tabberer, a 35-year-old car dealer, and by 21, she was the restless mother of two daughters, Amanda and Brooke. Walking past a modelling school one day, she signed up for classes and was an instant success. Soon Tabberer was working in Melbourne where she met and fell in love with the renowned German photographer Helmut Newton. Tabberer’s marriage broke down and she and Newton embarked on what she described as “a perfect, lovely” affair.
With her marriage over and Newton now living in Paris, Tabberer embraced new opportunities, moving to Sydney with her daughters. Here she met her second husband and great love, the Italian restaurateur Ettore Prossimo. The couple married in 1967, but later that year their 10-day-old son Francesco died from sudden infant death syndrome.
“You know, you live and go on doing what you’re doing, but you know you’re not joyous. There’s no joy for a long time,” Tabberer said in a 2011 interview.
Since 1964, Tabberer had been a panellist on Beauty and the Beast, a talkshow pitting the views of women against those of men. It was the ideal vehicle for audiences to appreciate the grace and good humour with which Tabberer dealt with her weight – and her sorrow – and in 1967 she was offered her own daily chatshow, Maggie.
Prossimo and Tabberer separated after 17 years of marriage, but reignited their friendship before his death in 1996. Throughout the 1980s, 1990s and 2000s Tabberer continued to appear on television in a range of lifestyle programs. She and her then-partner Richard Zachariah hosted The Home Show on the ABC from 1990 to 1995, when they split up. The couple never professed to be experts, but as they had renovated six of their own homes over six years they had plenty of experience.
Tabberer was made a member of the Order of Australia in 1998 for her services to the fashion industry. The artist Paul Newton twice entered his portraits of her into the Archibald prize, most recently in 2020. Her biography, Maggie, was published in 1999. Contemporary recognition for her contribution to Australian fashion eluded her; in 2019 she was nominated as an Australian fashion laureate, but ultimately overlooked.
In 2016, the happily single Tabberer came out of retirement to appear on the cover of the Weekly and share her thoughts on eight decades of life.
“At 80 I’ve come to my senses about men,” she said. “I’m not going to be getting into bed and taking my clothes off – don’t be ridiculous. I’ve still got a healthy ego.”
Maggie Tabberer was successful both in front of the camera and behind it, as well as in print journalism, design and marketing. Throughout her career, she successfully manoeuvred her personal brand, before anyone had put a name to that art.
Tabberer is survived by her daughters Amanda and Brooke and by her grandson Marco.
🔔 Maggie Tabberer: Born 11 December 1936, died 6 December 2024, aged 87.
Daily inspiration. Discover more photos at Just for Books…?
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andmaybegayer · 1 year ago
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My parents have installed an 8kWh battery backup because frankly it sucks not to have power 4-8 hours a day. Pretty much everyone in South Africa who can afford one is installing one! But it's really stupendously expensive and it makes me think about how ridiculous the people suggesting that grid scale storage is viable are.
Look. I don't think we will never be able to do grid scale storage. There's lots of promising new battery and capacitor technologies. I give it decent odds that in the next century someone will develop a battery that rivals kerosene for cost per kWh of storage. But whenever we talk about tools for solving climate change I feel like a lot of people forget that it's a pretty imminent problem!
If I told you "hey, I know you're looking at that Toyota Corolla so you can drive to work. Well, I'm working on a flying car. It's going to be so much faster, and it'll cost the same amount as a Toyota Corolla, and I'll have it ready in a few months. Look, I've got this tiny scale model to show you that it's on the way, please give me the money you were going to spend on the Toyota Corolla and I'll give you a flying car when it's ready." you would laugh at me. Every single engineering project comes in over budget and over time, if it's finished at all. Scale models are nothing when you need to solve big problems. Everyone understands this with bridges, why do they not get it with gridscale storage.
Every day some guy says "hey look we built a sodium battery pack it took our lab six months to build 100kWh worth but we totally promise that we'll have mass production down by 2025 please don't think about whether you are designing a future grid heavily dependent on fossil fuel baseloads we'll have huge batteries by then look there's the one in Australia it stores literally seconds worth of grid capacity." and I feel like I'm going insane.
This is not a technology that is "ready to go" this is the shit we make fun of when a university PR department claims they've cured cancer (in mouse cells (in a culture ( with additional marker proteins (and killed the healthy cells too whoops))))
All the current climate change targets are aiming for things in 2050 and it feels like gridscale storage gets used as an easy excuse for politicians who don't want to explain why they're making a grid that happens to be completely reliant on fossil fuels. They just go "oh we're investing in renewable technologies ;)" while sheepishly standing in front of the gas pipelines.
They might not even be industry shills! Some of them are but I think some of them are genuinely taken in by the renewables grift. They see the endless fields of wind farms when they visit the German countryside or whatever and think wow :) renewables really work :) we're going to fix climate change :) and have never understood an eqCO2/kWh value in their life.
People reporting on SMR and renewables say things like "Nuclear is too expensive and impractical compared to wind and solar which is why we're not investing in it" but that's only true if you believe you can run a grid on wind and solar alone! Otherwise you have to say the quiet "and hundreds of gas turbines with fuel storage on standby" part out loud.
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dreaminginthedeepsouth · 7 months ago
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At-Large Marge. http://Newsday.com/matt :: Matt Davies
* * * *
The lesson of Covid
June 4, 2024
ROBERT B. HUBBELL
The United States suffered more deaths from Covid than any other nation in the world (1.13 million) and the highest death rate (341 per 100,000) of any large, high-income country. Those shocking facts suggest that a congressional inquiry is urgently needed to understand why the US fared so poorly compared to other industrialized nations.
On Monday, the Select Subcommittee on the Coronavirus Pandemic held a hearing ostensibly designed to understand why the US response to Covid paled in comparison to the responses and outcomes by countries like the UK, Spain, Italy, France, Sweden, Australia, Canada, and Netherlands.
You will not be surprised to learn that the hearing did not devote time to understanding what the US could do better in response to the next pandemic. Instead, Republicans converted the hearing into an evidence-free attack on Dr. Fauci’s selfless, expert guidance through a pandemic that killed approximately 1 out of every 300 Americans. See, e.g., Newsweek, Dr. Fauci Testifies: Unvaccinated Americans Caused Additional "200-300k Deaths".
Led by Marjorie Taylor Greene and Jim Jordan, Republicans peddled baseless conspiracy theories that will kill tens or hundreds of thousands of Americans in the next pandemic—just as vaccine hesitancy and disinformation killed hundreds of thousands of Americans in the last epidemic.
Convicted Felon Donald Trump broke the Republican Party when he elevated loyalty to him above belief in the truth. The disgraceful conduct by Republicans in today’s Select Committee hearing is the direct product of Trump's assault on the truth.
A nation cannot govern itself if it creates policy and passes legislation based on fever dreams and mass delusion. Truth matters. Lies matter. That may be the most important lesson of the coronavirus pandemic. It came at a dear cost: The deaths of 1.1 million Americans. We should never forget that lesson or the losses suffered by tens of millions of family members—or we may be condemned to repeat the tragedy in the next pandemic.
[Robert B. Hubbell Newsletter]
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dreamings-free · 8 days ago
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Adidas announces 'Under The Tongue', the untold story of football’s most iconic boot.
Media Infoline Dec 05, 2024, 17:07 PM
In the 30th year of football’s most loved franchise, adidas announces the release of ‘Under The Tongue’ – a feature-length documentary exploring the seismic impact the boot franchise has had on the beautiful game, on and off the pitch. Officially premiering on December 5th, today sees the release of the official trailer.
Produced in collaboration with SoccerBible, the hour-long documentary features the era-defining footballers that made Predator so iconic in its early years – including David Beckham, Zinedine Zidane, and Eniola Aluko – as well as current stars such as Jude Bellingham, Alessia Russo, Aitana Bonmatí and Trent Alexander-Arnold, who reflect on early memories and what it means to be part of the Predator family.
‘Under The Tongue’ examines how a unique blend of industry-leading innovation, culture-defining design, unrivalled star power and timing all combined to create a boot that would fundamentally change the trajectory of the football boot industry and have a transformative impact on adidas as a business.
Transporting viewers back to the very origins of Predator, Craig Johnston – the man behind the initial idea of using rubber to create the now iconic Predator teeth on the boot’s upper – recounts the journey from his initial brainwave while coaching children’s football in Australia, through to finally seeing the boots on the feet of the world’s best players in 1994, before exploring the silhouette’s undeniable impact in the following 30 years.
The documentary also sees senior adidas executives, design team members and notable fans – including Pete Martin, Creative Director at SoccerBible said: “The Predator is a boot with such a profound legacy that it was a real honor to have crafted ‘Under The Tongue’ alongside Keane Pearce Shaw. A boot with such personality too, not only does it mean so much to the culture of the game but it has been an unrivaled yet consistent giver of glory. There are few products on the planet that can, have or ever will, evoke such memories and feeling than that of the Predator. It’s almost immortal. That’s what we have tried to capture with this film – that powerful infatuation – a charming icon with bite, flair and beauty.”
The documentary also sees senior adidas executives, design team members and notable fans – including singer-songwriter and football fanatic Louis Tomlinson – recall their own experiences of Predator’s emergence.
Nick Craggs, adidas Global Football General Manager said: “Predator changed the game. We know what it means to us all at adidas but as we come to the end of its 30th anniversary we felt it was fitting to hear from those that played such a crucial role in cementing its place in football culture. It has helped push the boundaries of innovation on the field of play and inspire millions off it – we now take it into the future and hopefully another 30 years of iconic moments with the world’s best players.”
Pete Martin, Creative Director at SoccerBible said: “The Predator is a boot with such a profound legacy that it was a real honor to have crafted ‘Under The Tongue’ alongside Keane Pearce Shaw. A boot with such personality too, not only does it mean so much to the culture of the game but it has been an unrivaled yet consistent giver of glory. There are few products on the planet that can, have or ever will, evoke such memories and feeling than that of the Predator. It’s almost immortal. That’s what we have tried to capture with this film – that powerful infatuation – a charming icon with bite, flair and beauty.”
The 60 second trailer can be viewed now, across @adidasfootball social channels, while ‘Under The Tongue’ premieres on December 11th, with the documentary available to view from 9PM CET on the adidas football YouTube channel.
The documentary follows on from the recent launch of the latest Predator model. Crafted for goals, the design evokes the franchise’s rich heritage as it recreates iconic champagne colourways of the past, while introducing tech innovations that pave the way for the future of the boot in 2025. Available now from adidas.com/football.
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janicemarieaudio · 7 months ago
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I love indie animation. I do wish more indie animation studios would be open to giving talented individuals the ability to work remotely from home. Some of us can’t afford to move to a specific location right away.
Like myself. I would love to work as a sound designer or an ADR director for an indie studio like Glitch Productions but obviously, I don’t live in Australia. As well, I’m already in the process of moving; not to one of the more well-known states that focus a lot on animation, like California or Texas. No, I’m actually set to move to my Puerto Rico, with my parents, at the end of the year and have been trying (and still am) my hardest to look for any remote opportunities in this industry.
You would think that finding remote work in this industry would be easy, but it’s actually the HARDEST thing to come by. Least in my experience.
All I’m saying is that indie animation studios should make it more known that they’re open to having fully remote employees. Or, at the very least, consider it. This doesn’t just go for indie animation studios, but the big, well-known corporate animation studios as well. You know who you are.
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jenifersohowe · 16 days ago
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HAPPY HARVEST THANKSGIVING'S DAY WITH C.E.O LEADER TANNER PATRICK AND JE...
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sealerconcrete · 27 days ago
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How Concrete & Brick Sealers Improve Property’s Durability, Appearance, and Long-Term Value?
In Melbourne, well-known producers and sellers provide essential building protection products like premium brick sealer, concrete grouting and driveway sealer, moisture sealing materials, and more. These manufacturers and suppliers provide a large selection of locally designed and produced building solutions to maintain building structures and enhance their longevity.
They offer a wide range of products, such as concrete, render, and paint additives, concrete sealer and hardeners, water-repellent and stain-proof sealers, waterproof concrete solutions and additives, anti-graffiti products, and rising damp treatments.
For prompt delivery right to their location, skilled and experienced concrete waterproofing contractors and building owners typically order sealers and waterproofing supplies online from these industry-leading merchants.
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Why Include Local Manufacturers of Products for Concrete Preservation?
Reliable concrete protectors are essential for both interior and outdoor surface concrete because they operate as a barrier against moisture, heat, and other environmental elements that could compromise the integrity or quality of the construction.
Some respectable local sealing and waterproofing manufacturers deliver a variety of products for building materials coating, sealing off moisture grinding, raising damp protection, a concrete additive, polymer renders, timber protection, and other services necessary during building development to preserve the integrity of the concrete.
Some of these businesses are renowned for being the first in Australia to do research and manufacture water-repellent, stain-proofing sealers and building protection additives.
They provide a variety of based on water and solvent-based versatile water-repellent sealers, including silicone sealers, conventional full-proof silane treatment for building materials infrastructure, innovative silane cream water distasteful treatment for building materials infrastructure, and deep-entry water-repellent concrete sealers.
Natural stones, concrete blocks, pavers or driveways, clay bricks, terracotta, tiles, and grouts are just a few of the masonry and flooring materials for which they have created polishing solutions. These are water-based compounds that don't penetrate thick substrates very well.
Therefore, contact these sellers to get premium-quality sealing, waterproofing, and polishing products for porous brick substrates online.
Source
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harshnews · 2 months ago
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IBC Cap Market Size, Share, Trends, Growth and Competitive Analysis
"IBC Cap Market – Industry Trends and Forecast to 2028
Global IBC Cap Market, By Product Type (Flange, Plugs, Vent-in Plug, Vent-out Plug and Screw closure), Type (Plastic IBC, Metal IBC and Composite IBCs), Material Type (Plastics, Metal, Aluminium and Steel), End Use (Chemicals & Fertilizers, Petroleum & Lubricants, Paints, Inks & Dyes, Food & Beverage, Agriculture, Building & Construction, Healthcare & Pharmaceuticals and Mining), Application (Food And Drinks, Chemical Industry, Oil and Agriculture), Country (U.S., Canada, Mexico, Brazil, Argentina, Rest of South America, Germany, France, Italy, U.K., Belgium, Spain, Russia, Turkey, Netherlands, Switzerland, Rest of Europe, Japan, China, India, South Korea, Australia, Singapore, Malaysia, Thailand, Indonesia, Philippines, Rest of Asia-Pacific, U.A.E, Saudi Arabia, Egypt, South Africa, Israel, Rest of Middle East and Africa) Industry Trends and Forecast to 2028
Access Full 350 Pages PDF Report @
The global IBC cap market is expected to witness significant growth over the forecast period due to the increasing demand for intermediate bulk containers (IBCs) in various industries such as chemicals, food and beverages, pharmaceuticals, and others. The IBC caps play a crucial role in ensuring the safe storage and transportation of liquid products. The market growth is also being driven by technological advancements in IBC cap designs, such as tamper-evident seals and spouts for easy dispensing. Additionally, the growing focus on sustainability and recyclability of packaging materials is further boosting the adoption of IBC caps made from eco-friendly materials.
**Segments**
- Based on material type, the IBC cap market can be segmented into plastic, metal, and others. Plastic caps are widely used due to their lightweight nature and cost-effectiveness. - By cap type, the market can be categorized into screw caps, snap-on caps, and flip-top caps. Screw caps are preferred for their secure sealing properties. - On the basis of end-user industry, the market can be divided into chemicals, food and beverages, pharmaceuticals, and others. The chemicals segment is anticipated to hold a significant market share due to the widespread use of IBCs for storing chemical products.
**Market Players**
- TPS Industrial Srl - Schuetz GmbH & Co. KGaA - Mauser Packaging Solutions - Time Technoplast Ltd - Berry Global Inc. - THIELMANN UCON AG - Precision IBC, Inc. - Peninsula Packaging LLC
These market players are actively involved in strategic initiatives such as product launches, partnerships, and acquisitions to strengthen their market presence and expand their product offerings. The competitive landscape of the IBC cap market is characterized by intense competition, prompting companies to focus on innovation and quality to gain a competitive edge.
The Asia-Pacific region is expected to witness substantial growth in the IBC cap market, driven by the rapid industrialization and the increasing adoption of IBCsThe Asia-Pacific region represents a significant growth opportunity for the global IBC cap market due to several key factors. With rapid industrialization and the expanding manufacturing sector in countries like China, India, and Southeast Asia, there is a growing demand for efficient storage and transportation solutions, including IBCs and their associated caps. The increased focus on chemical production, food processing, and pharmaceutical manufacturing in the region further fuels the need for reliable packaging solutions like IBC caps. As these industries continue to grow, the adoption of IBC caps is expected to rise, driving market expansion in the Asia-Pacific region.
Moreover, the emphasis on enhancing safety standards and ensuring product integrity is a crucial factor contributing to the growth of the IBC cap market in Asia-Pacific. Regulations regarding the safe handling and transportation of hazardous chemicals and pharmaceuticals necessitate the use of high-quality caps that can effectively seal and protect the contents of IBCs. As companies in the region strive to comply with stringent regulatory requirements, the demand for advanced and secure IBC caps is projected to increase significantly.
Additionally, the shift towards sustainability and eco-friendly practices is another trend shaping the IBC cap market in Asia-Pacific. With growing environmental concerns and increasing awareness about plastic pollution, there is a rising preference for IBC caps made from recyclable and biodegradable materials. Market players in the region are focusing on developing sustainable packaging solutions to meet the evolving consumer demands and align with global sustainability goals. This shift towards eco-friendly IBC caps not only addresses environmental concerns but also presents market players with opportunities to differentiate their offerings and attract environmentally conscious customers.
Furthermore, the competitive landscape of the IBC cap market in Asia-Pacific is characterized by the presence of both local manufacturers and international players. Local companies often have a strong understanding of regional market dynamics and customer preferences, giving them a competitive advantage in catering to specific industry needs. On the other hand, multinational companies bring technological expertise and a wide product portfolio, which can appeal to a broader customer base seeking innovative and**Global IBC Cap Market, By Product Type**
- Flange - Plugs - Vent-in Plug - Vent-out Plug - Screw closure
**Type**
- Plastic IBC - Metal IBC - Composite IBCs
**Material Type**
- Plastics - Metal - Aluminium - Steel
**End Use**
- Chemicals & Fertilizers - Petroleum & Lubricants - Paints, Inks & Dyes - Food & Beverage - Agriculture - Building & Construction - Healthcare & Pharmaceuticals - Mining
**Application**
- Food And Drinks - Chemical Industry - Oil and Agriculture
The Global IBC Cap market is experiencing significant growth due to the rising demand for intermediate bulk containers across various industries. Plastic caps are increasingly preferred for their lightweight and cost-effective nature, driving market growth within the material type segment. Screw caps, known for their secure sealing properties, dominate the cap type category. The chemicals segment is anticipated to hold a substantial market share among end-user industries, attributed to the widespread use of IBCs for chemical storage. The market players in the industry are focusing on strategic initiatives like product launches and partnerships to enhance their market presence and offerings. The competitive landscape is intense, spurring companies to innovate and prioritize quality for a competitive advantage.
In Asia-Pacific, the IBC cap market is poised for robust growth fueled by rapid industrialization and the expanding manufacturing sector, particularly in countries like China,
Countries Studied:
North America (Argentina, Brazil, Canada, Chile, Colombia, Mexico, Peru, United States, Rest of Americas)
Europe (Austria, Belgium, Denmark, Finland, France, Germany, Italy, Netherlands, Norway, Poland, Russia, Spain, Sweden, Switzerland, United Kingdom, Rest of Europe)
Middle-East and Africa (Egypt, Israel, Qatar, Saudi Arabia, South Africa, United Arab Emirates, Rest of MEA)
Asia-Pacific (Australia, Bangladesh, China, India, Indonesia, Japan, Malaysia, Philippines, Singapore, South Korea, Sri Lanka, Thailand, Taiwan, Rest of Asia-Pacific)
Key Coverage in the IBC Cap Market Report:
Detailed analysis of IBC Cap Market by a thorough assessment of the technology, product type, application, and other key segments of the report
Qualitative and quantitative analysis of the market along with CAGR calculation for the forecast period
Investigative study of the market dynamics including drivers, opportunities, restraints, and limitations that can influence the market growth
Comprehensive analysis of the regions of the IBC Cap industry and their futuristic growth outlook
Competitive landscape benchmarking with key coverage of company profiles, product portfolio, and business expansion strategies
TABLE OF CONTENTS
Part 01: Executive Summary
Part 02: Scope of the Report
Part 03: Research Methodology
Part 04: Market Landscape
Part 05: Pipeline Analysis
Part 06: Market Sizing
Part 07: Five Forces Analysis
Part 08: Market Segmentation
Part 09: Customer Landscape
Part 10: Regional Landscape
Part 11: Decision Framework
Part 12: Drivers and Challenges
Part 13: Market Trends
Part 14: Vendor Landscape
Part 15: Vendor Analysis
Part 16: Appendix
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thecinematichorse · 2 years ago
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Although a veterinarian assessed the recent horse death on the set of The Rings of Power as "unlikely to be associated with the horse's participation in the film," more can be done to protect horses and the industry.
In Australia, no specific standard exists for the use of animals in filmed media, and each state and territory has differing risk management guidelines.
An opportunity now exists for the industry to set a new standard for horse care and training.
An easily executable first step for the industry could be to insist a scientifically trained and credentialed equine behavior expert be involved in the recruitment and supervision of horse actors and their trainers at all stages of production.
This would ensure horse actors are appropriately trained to be on set and that horses are trained using the most up-to-date ethical methods.
Horse behavior experts could also help in scene design to minimize horses' exposure to stressful situations and identify tasks that are incompatible with good horse welfare.
If these suggestions were to be adopted, the film and television industry would be setting the benchmark for horse welfare—and pressure other horse industries to follow suit.
Read more.
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shivshaktimachtech · 5 months ago
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10 Head Liquor Bottle Filling Machine
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Company Overview: Shiv Shakti Machtech is a Manufacturer, Supplier and Exporter of 10 Head Liquor Bottle Filling Machine. 10 head liquid filling machine is an advanced packaging device equipped with ten filling heads that work simultaneously to fill containers with wine, liquor, vodka, spirits, whisky, Gin. This machine is designed to handle high-volume production with accuracy and efficiency, making it ideal for industries requiring rapid and consistent liquid filling. Standard Features: Sanitary flow meters equipped with tri-clamp fittings Bottom-close fill head valves to prevent drips Servo-driven fill head assembly for bottom-up filling and height adjustment 316 stainless steel pressure vessel, positioned low for easy cleaning CIP system with a spray ball in the vessel, process program, and fill head trough Sanitary product infeed control valve with air-to-open, spring-to-close actuator Intuitive PLC control system for ease of use Allen Bradley PLC control with Ethernet capability On-the-fly product weight adjustment Servo-controlled nozzle diving motion for precise bottom-up filling Tool-less adjustments for quick changeovers Modular construction allows for future upgrades Over 100 programmable recipes UL-approved control panel CE-compliant interlocked safety guards Shiv Shakti Machtech is 10 Head Liquor Bottle Filling Machine in serves worldwide, including, Algeria, Angola, Antigua and Barbuda, Argentina, Armenia, Australia, Austria, The Bahamas, Bahrain, Bangladesh, Belarus, Belgium, Belize, Benin, Bhutan, Bolivia, Botswana, Brazil, Brunei, Bulgaria, Burkina Faso, Cambodia, Cameroon, Canada, Central African Republic, Chad, Chile, Colombia, Congo, Democratic Republic of the Congo, Costa Rica, Cuba, Cyprus, Denmark, Dominica, Ecuador, Egypt, Guinea, Ethiopia, Fiji, Finland, France, The Gambia, Georgia, Germany, Ghana, Greece, Guyana, Hungary, Iceland, Indonesia, Iran, Iraq, Ireland, Israel, Italy, Jamaica, Japan, Jordan, Kazakhstan, Kenya, South Korea, North Korea, Kuwait, Kyrgyzstan, Laos, Latvia, Lebanon, Libya, Malawi, Malaysia, Maldives, Mali, Mauritania, Mauritius, Mexico, Moldova, Monaco, Mongolia, Morocco, Mozambique, Myanmar (Burma), Namibia, Nepal, Netherlands, New Zealand, Niger, Nigeria, Norway, Oman, Panama, Peru, Philippines, Poland, Portugal, Qatar, Romania, Russia, Rwanda, Saint Lucia, Saudi Arabia, Senegal, Serbia, Singapore, Slovakia, Somalia, South Africa, Spain, Sri Lanka, Sudan, South Sudan, Sweden, Switzerland, Syria, Taiwan, Tajikistan, Tanzania, Thailand, Togo, Tunisia, Turkey, Uganda, Ukraine, United Arab Emirates (UAE), United Kingdom, United States, Uruguay, Uzbekistan, Vanuatu, Vatican City, Venezuela, Vietnam, Yemen, Zambia, and Zimbabwe. For further details or inquiries, feel free to reach out to us. View Product: Click Here Read the full article
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funstealer · 6 months ago
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Interview with Teruki Uchise of 14th Addiction Loaded Fashion Magazine Vol. 6 (2014) English Translation:
Page 1 Born in 1971 in Osaka Prefecture. At the age of 18, he moved to the United States alone and then moved to Mexico. Based on the know-how gained locally, he established KMRii, a brand that sells handmade accessories. Established "14th Addiction" in 2007. Without being bound by established theories or preconceived notions, he creates products based on the experiences he gained from his own travels and his own unique values. "We have an atelier in Bali, and all products are handmade by local craftsmen." The brand 14th Addiction offers leather items and other products that seem to have a life of their own. The designer, Mr. Teruki, has a unique background among many fashion designers.
"I had a strong desire to go overseas since I was in junior high school, and it was influenced by the music, movies, and novels that I liked and was exposed to at the time. In particular, the book "Exiles" (by Robert Harris) had a big influence on me and made a strong impression on me. I left Japan as soon as I turned 18 and went to America to find myself. I spent a few years there, but I didn't really like it, so I went to Mexico."
A foreign land with a bad security situation. Gangsters, drug dealers, cult groups, etc. are sometimes in the news. In 1990, the young man in his 20s moved to Mexico on his own, and he didn't feel any particular fear. Instead, he thought, "If I'm going to live, this is the place."
"I'm from Osaka, so Mexico has a similar vibe to Osaka (laughs). When I started living in Mexico, something suddenly occurred to me. To begin with, Japanese people and Mexicans are different in size, and they might even pull out a gun. In a place like that, you can't win physically. So you have to win mentally. It's important to approach the other person without being wary as much as possible and have a heart-to-heart conversation. If you feel fear, the other person will definitely know, and you'll be looked down upon right away. That's the trick, or how to navigate the world, I learned in Mexico."
The thing he wanted most was survival skills. After that, at the age of 24, TERUKI's career as a designer began. He started making accessories by imitating the Mexican Indians he met there.
"Since I was a teenager, I wanted to acquire the ability to survive. Survival skills are the ability to survive in the ultimate situation of traveling around the world, where no one knows you or helps you. When exposed to such a situation, I always wondered, 'What can I do?' That's when I discovered accessory making, learned a lot, acquired the know-how, actually made things, and sold them on the street when they were finished. That's how I began my life."
Make and sell, make money, and move on to the next town. With the help of TERUKI's extraordinary survival skills, his skills were so impressive that even local colleagues in the industry respected him. Whenever they found a new technique or material, they would negotiate and trade know-how with other craftsmen. TERUKI's works were of such high quality that they commanded overwhelmingly high prices on the street accessory market at the time. "I was selling accessories near the resort town of Cancun, and during the Christmas season many tourists came from New York and other places. People from the film and music industries among them saw the things I made and said, 'Why are you selling in a place like this? You can go much further.' I remember that this gave me a lot of confidence and marked a turning point for me." Page 2 His only source of inspiration was his own travel experiences. After that, he continued to travel around the world, visiting America, Canada, Mexico, Guatemala, India, Sri Lanka, Thailand, Holland, England, Germany, France, Spain, Australia, etc. In 2000, he launched the accessory brand "KMRii" and established an atelier in Bali in the same year. In his atelier in Bali, he created an environment where all production processes could be carried out, from production to the distribution system for overseas shipments. After that, he approached music festivals in various European countries and built a network with overseas artists. In 2004, he also produced a leather jacket for Steven Tyler of Aerosmith. In 2006, he handed over "KMRii" to a friend who had been with him since the company's launch, and in 2007, he established the men's brand "14th Addiction" and the women's brand "Catorce", which mainly focus on clothing.
"I didn't intend to start a fashion brand, but I made a few leather jackets, which were very well received, and the brand was born naturally from that. I don't feel like I'm in the fashion business at all, I just incorporate the inspiration I get from my travel experiences into my clothes. I project the people I meet on my travels, the scenery I see, and the messages I feel at each moment. My way of expression happens to be making clothes, bags, shoes, and accessories, so I definitely put my spirit into each and every piece."
The theme of this season is "Eternal Voyager." TERUKI has returned to his roots and created a powerful lineup by tracing his memories of his own travels. At the collection held in Tokyo recently, close friends of his, musician MIYAV- and director Takashi Tamura (Drum Can), also supported the show, adding a touch of glamour.
"I didn't go to fashion school or study fashion, but the experiences and knowledge I gained from traveling alone to unfamiliar places have really helped me. I don't want to get stuck in a mold in the pursuit of individuality, but rather, I want to break the mold and go all out! That's my message. I would be happy if we could give people who come into contact with our work a little nudge in the direction of wear it. I would like to continue making things like that."
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fearsmagazine · 6 months ago
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Filmmaker James Croke discusses his feature film debut LATENCY.
In filmmaker James Croke’s feature debut he introduces us to Hana, a gamer with agoraphobia who is asked to test new gaming equipment that uses A.I. to read her mind, the line between reality and the subconscious begins to blur and she starts to wonder if the device is helping her or serving a more sinister force.
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James Croke is a freelance writer and director with extensive experience in the field of design for both stage and screen, and graduated in 2005 with a Master of Arts from the Australian Film, Television & Radio School. Starting his career in stage design, James was based in London before returning to Sydney, Australia, where he began working in the Australian film and television industry. James’ 2014 short film, Shift, which he wrote, directed and produced was screened at over twenty film festivals worldwide, and received many accolades, receiving two Australian Cinematography Society awards and the Australian Production Design Guild award for design on a short film.
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Director James Croke and actress Sasha Luss on the set of LATENCY.
LATENCY will be in US theatres beginning June 14th, 2024, from Lionsgate.
The music heard in the background during this episode is from Latency, by composer J-Punch.
Read Our Review of LATENCY - HERE
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artistiqworld · 7 months ago
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Crafting Excellence: The Art of Customized Awards, Medals, and Badges by Cash’s Awards
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Cash’s Awards, a leading provider of customized recognition products in Australia, offers a diverse range of awards, medals, and badges tailored to meet various needs and occasions. With their commitment to quality craftsmanship and innovative designs, Cash’s Awards has become a trusted name in the industry. Whether it’s recognizing outstanding achievements in sports, academics, or corporate excellence, their customizable products serve as timeless symbols of appreciation and accomplishment.
According to their official website, Cash’s Awards utilizes state-of-the-art technology and premium materials to create bespoke awards, medals, and badges that capture the essence of each recipient’s achievements. From intricate engraving to vibrant color options, their products are designed to reflect the unique significance of every milestone. With a wide selection of customization options available, customers can personalize their awards to match specific branding guidelines or thematic preferences, ensuring a truly memorable and meaningful recognition experience.
As reported by Business News Australia, Cash’s Awards has garnered praise for its exceptional customer service and attention to detail. Their dedicated team of professionals works closely with clients to understand their requirements and provide personalized recommendations that exceed expectations. Whether it’s a one-of-a-kind trophy for a championship event or a commemorative badge for a corporate anniversary, Cash’s Awards remains dedicated to delivering excellence in every aspect of their craft.
Sources:
Cash’s Awards Official Website: https://www.cashsawards.com.au/ Business News Australia: https://www.businessnewsaustralia.com/
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nextdynamix · 8 months ago
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Pioneering Best iOS App Development Services Company in Australia
Australia is a hub of innovation and creativity for iOS app development. In this busy ecosystem, NextDynamix stands out. We are about to embark on an adventure through the worlds of iOS app creation in Australia. Let's explore the nuances of NextDynamix and the landscape of app innovation down under.
Unveiling NextDynamix:
NextDynamix, a pioneer in creating immersive and user-centric iOS apps, is not just another app developer. NextDynamix, a company based in Australia's heartland, has built its reputation by consistently delivering cutting edge solutions that meet the needs of clients from various industries.
NextDynamix is distinguished by its unwavering dedication to innovation, excellence and customer satisfaction. Each project is more than a simple task. It's a canvas on which creativity and technology meet, creating stunning iOS apps that capture audiences around the world.
The essence of iOS app development:
iOS app development involves more than coding. It's about creating an experience that resonates deeply with users. This ethos is the foundation of all projects at NextDynamix. From conception to deployment, every detail is carefully considered to ensure that the end product exceeds expectations.
NextDynamix is a team of experienced designers with a passion for perfection and an eye for aesthetics. NextDynamix's user interfaces are not only visually pleasing, but also intuitive, seamless and designed to increase engagement.
The Australian App Development Landscape:
The app development scene in Australia is as varied as the country's geographical landscape. Innovation knows no boundaries, from bustling metropolises and quaint coastal towns. Melbourne, Sydney and Brisbane are all home to a vibrant tech community, entrepreneurs, visionaries who shape the future of mobile app development.
NextDynamix is a shining example of excellence in this dynamic ecosystem. It inspires others to push boundaries and achieve more. NextDynamix's success is a result of its collaborations, insights shared, and embracement of emerging technologies.
Embracing Innovation:
NextDynamix is driven by innovation. NextDynamix, a leader in technological innovation, is harnessing AI and machine-learning to explore the potential of augmented realities. NextDynamix keeps its clients ahead of the curve by embracing new trends and staying on top of the latest technological developments.
Innovation is not just about technology. It's also about pushing the boundaries, challenging norms and reimagining possible outcomes. Innovation is part of the NextDynamix culture. It drives a relentless pursuit for excellence, and an unwavering commitment to push the envelope on every project.
Conclusion:
NextDynamix is a leader in the field of iOS app development Australia. It stands out as a symbol for excellence, innovation and creativity. NextDynamix is a company that relentlessly focuses on delivering exceptional user experiences, and pushing the limits of what's feasible.
NextDynamix is a company that is committed to innovation and will continue to inspire others to think big and to embrace the endless possibilities of iOS app design in Australia.
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