#Indian craftsmanship

[indiansareedesigns07]

Luxurious Handcrafted Shawls and Stoles from India

Luxurious Handcrafted Shawls and Stoles from India Explore the world of luxurious and handcrafted shawls and stoles from India. Discover the finest materials, intricate embroidery, and traditional techniques that make these pieces of art truly unique. From woolen stoles for men to pashmina shawls for women, we showcase the best of Indian craftsmanship.

[aahanna]

"Masterpiece of Indian craftsmanship!"

The Peacock dress of Lady Curzon is a gown made of gold and silver thread embroidered by the Workshop of Kishan Chand (India)

The Peacock Dress of Lady Curzon is a iconic masterpiece of Indian craftsmanship and design. Created by Indian artisans and designers, this exquisite gown was worn by Lady Curzon, the wife of the Viceroy of India, to the Delhi Durbar in 1903. The dress is a stunning example of Indian craftsmanship, adorned with intricate peacock motifs, precious stones, and metallic threads, showcasing the excellence of Indian design and artistry.

"Peacock Dress of Lady Curzon: A resplendent masterpiece of Indian design and craftsmanship, this gown is a testament to the country's rich textile heritage. Intricate peacock motifs, crafted with precision and flair, adorn the dress, showcasing the exceptional skill of Indian artisans. A true masterpiece of Indian fashion and design."

Incredible craftsmanship of Indian designer:

"The Peacock Dress is a shining example of Indian designers' exceptional skill and creativity. Every thread, every stone, and every motif is a testament to their mastery of the craft. This dress is not just a piece of clothing, but a work of art that has stood the test of time, showcasing the brilliance of Indian design to the world."

EMBROIDERY DETAILS

"Peacock Dress of Lady Curzon: A resplendent masterpiece of Indian design and craftsmanship, this gown is a testament to the country's rich textile heritage. Intricate peacock motifs, crafted with precision and flair, adorn the dress, showcasing the exceptional skill of Indian artisans. The embroidery work is a marvel, with delicate silk threads, precious stones, and metallic wires used to create intricate patterns, including:

- Intricate peacock feather designs, with delicate eye and wing details

- Floral motifs, with intricate stem and leaf work

- Geometric patterns, with precision-cut mirrors and beads

The embroidery is a masterclass in Indian craftsmanship, with techniques like zardozi, zari, and chikan work used to create a truly regal and awe-inspiring piece. Every thread, every stone, and every motif is a testament to the mastery of Indian designers and artisans."

[koenji]

Mughal gem-set jade-hilted dagger (khanjar), India, 18th/19th century. watered steel curved blade.

[fashionbooksmilano]

Jaipur Quilts

Krystyna Hellström

Foreword: Dharmendar Kanwar

Niyogi Books, New Delhi 2012, 203 pages, All colour; 183 photographs and 2 illustrations, 22 x 27 cm, Flexiback,ISBN  9788192091259

euro 50,00

email if you want to buy :booksinprogressmilano@yahoo.it

Jaipur the famed Pink City of Rajasthan conjures up images of a bygone era in the mind's eye of royalty and stories of gallantry and battlefield valour; of a desert landscape poised against vivid shades of colour; of art and aesthetics and above all its vibrant people Built in ad 1727 the splendour of its palaces and forts and the breathtaking array of its traditional crafts continue to attract tourists and connoisseurs of history and art from all corners of the world The Jaipur textile industry has for long inspired countless artists and designers to create exquisite products of both beauty and utility The Jaipuri razai is a perfect example of this exclusive trend in its display of excellent traditional craftsmanship and aesthetic beauty as well as its high utility value

25/12/22

orders to:     booksinprogressmilano@yahoo.it

ordini a:        booksinprogressmilano@yahoo.it

twitter:         @fashionbooksmi

instagram:   fashionbooksmilano, designbooksmilano tumblr:          fashionbooksmilano, designbooksmilano

[assamkraft]

Illuminate your space with the natural beauty of Aman Art Bamboo Handicrafts! Our Bamboo Rattan Chandelier casts a coastal charm, bringing warmth to any room. Elevate your style with sustainable elegance. 🌿💡

DM on Instagram Aman Art & Bamboo Handicrafts

Whatsapp No- +91- 09101500051

Follow this link to view our catalogue on WhatsApp: https://wa.me/c/918399889018

We are the largest Bamboo & Cane products manufacturer of the 🌍 From ASSAM (Nalbari) INDIA

https://g.co/kgs/hU5Nrp

Amanur Hoque

#BambooGlow #AmanArtBamboo #CoastalLighting #SustainableStyle #BambooGlow

#AmanArtBamboo

#CoastalLighting

#SustainableStyle

#HandcraftedElegance

#NaturalMaterials

#RattanChandelier

#BambooLampshade

#EcoFriendlyDecor

#ArtisanCraftsmanship

[therugfurnish]

Top Carpet Manufacturers in India: Weaving Tradition and Innovation

Rug manufacturing is surely one of the esteemed arts from the country.Today, India is among the world's largest exporters of handmade rugs, its manufacturers marrying centuries-old craftsmanship with contemporary design to feed a global market.

Conventionally, rug-making has been associated with centers like Bhadohi, Mirzapur, Jaipur, and Kashmir. Each region has its typical style and weaving technique. For example, Kashmir is famous for its silk rugs of high quality, usually with flowing floral motifs, while Bhadohi is characterized by geometrical patterns in woolen rugs. These skills have been passed on from generation to generation, maintaining the heritage and authenticity of Indian rugs.

Blending in New Ideas in Rug Manufacturing

Even though Indian manufacturers give maximum importance to traditional ways of manufacturing rugs, innovation is found in order to be aligned with modern taste and global trends. This fusion of old and new is something that makes Indian rugs different in the international market. There is a rise in experiments with new materials, designs, and technologies for making rugs that are not only pleasing aesthetically but eco-friendly and durable.

Another significant innovation hitting the Indian rug industry is eco-friendly materials.handmade rugs india With people starting to become more aware of the deteriorating environment, most manufacturers have started going green either in natural dyes, organic wool, or recyclable materials for their production. This does not only reduce the environmental impact but also appeals to those consumers who want home decor that is sustainable.

From the design point of view, this has broken the mold of traditional patterns as Indian rug manufacturers include contemporary styles. Most modern Indian rugs boast an abstract design, minimalistic patterns, or a vivid color palette that appeals to the taste of a young, more design-conscious consumer. Meanwhile, there is an interesting trend that looks toward timelessness whereby traditional motifs are mixed with modern tastes. The result is timeless yet trendy rugs.

Top Indian Rug Manufacturers

A few Indian rug manufacturers have carved a niche for themselves among the top-rated names of the global market in terms of both quality and innovation. Companies such as Obeetee, Jaipur Rugs, and The Rug Republic are only a few to name that exude the blend of tradition with modernity.

Obeetee is amongst India's oldest and most reputed rug manufacturers, with its base in Mirzapur.Handmade Rugs Manufacturer Founded as early as 1920, it has had ample time to establish itself in the high-quality art of manufacturing rugs by hand. Very well known, Obeetee goes for traditional craftsmanship in weavings apart from including modern elements in its designing. The company is also at the vanguard in terms of sustainability, using eco-friendly materials and practices in production.

Innovation in Jaipur has become coupled with Jaipur Rugs, an Indian enterprise based out of Jaipur. Directly working with artisans in rural India, the company provides resources and support to skilled artisans who can create this art of beauty in handmade rugs. In addition, Jaipur Rugs is known for its contemporary designs and social impact initiatives that are undertaken to uplift and empower local communities.

Then there is the Panipat-based enterprise known as The Rug Republic, which is another major player in this field.Rugs manufacturers in india It specializes in modern, eco-friendly rugs manufactured from recycled materials. Innovative approaches to design and sustainability make The Rug Republic the favorite of consumers in search of stylish and environmentally conscious home décor options.

Conclusion

The success of rug manufacturing in India comes from the perfect balancing of tradition with innovation. While preserving ancient techniques, Indian rug manufacturers also use new materials, designs, and technologies to create products finding their place in the hearts of every consumer all over the world. As these manufacturers keep evolving, they are not only keeping the rich rug-making heritage of India alive but setting new standards for quality and creativity in the global market.

[indiatrendzs]

The art of Decorating in Indian Style

The art of decorating in Indian style is governed by its cultural diversity and the richness of traditions, ancient text called Vaastu which is similar to feng shui. Beautifully elegant and stylishly happy, radiating positivity, Vaastu or the yoga of interiors combines interior décor with the ancient traditions of Vedas. The balance of energy is very important in creating a home that is happy an…

[etnicwarehouse]

Shop Now for Ethnic Warehouse's Chikankari Saree - Ethnic Warehouse

Embrace the artistry of Chikankari Sarees at Ethnic Warehouse. Shop now to discover the elegance of this intricate embroidery technique. Our curated collection embodies the perfect fusion of tradition and contemporary style. Each saree is a testament to India's rich cultural heritage. Experience the timeless beauty of Chikankari sarees, available exclusively at Ethnic Warehouse. Elevate your elegance and celebrate the charm of Indian textiles.

[makeupreviewandbeautyblog]

Discover the Elegance of Chanderi Handloom Sarees: A Timeless Craft

Handloom sarees hold a timeless allure in India, cherished for their intricate craftsmanship, opulent fabrics, and stunning designs. Among these, Chanderi sarees, hailing from the heart of Madhya Pradesh in Chanderi town, stand out as a testament to this enduring tradition. Chanderi sarees are renowned for their ethereal, lightweight fabric and delicate silk embroidery. Crafted entirely from…

[vintagehomecollection]

Japanese craftsmanship sings in every room. The octagonal pass-through window is a perfect circle on the kitchen side. The cupboard's wooden doors slide effortlessly in any weather without metal fittings. The dining table, made of rare Indian laurel, and the cherry wood chairs are by the late George Nakashima, who was considered the elder statesman of the American crafts movement.

At Home With Japanese Design: Accents, Structure and Spirit, 1990

[indiansareedesigns07]

Patola Sarees: A Vibrant Tapestry of Indian Craftsmanship

The Vibrant Tapestry of Patola Sarees

Patola sarees are renowned for their exceptional beauty, showcasing a vibrant array of colors and intricate designs. While some Patola sarees feature a plain body with a contrasting border and zari work, the more common varieties boast detailed patterns and motifs across the entire fabric. These sarees are celebrated for their flaming bright colors, each one unique in its design, reflecting the imagination and skill of the weaver.

The Mastery of Patola Weaving

Patola sarees are considered among the finest textiles produced in India, primarily woven in the regions of Gujarat and Andhra Pradesh. Like the intricate tie-and-dye technique, Patola sarees are manually tied and dyed, using natural dyes derived from vegetables and flowers. There are two main types of Patola sarees: the Rajkot Patola, which features a single Ikkat (resist-dyed) pattern, and the Patan Patola, which showcases a double Ikkat design - a highly complex textile technique.

The Enduring Legacy of Patola

The creation of a Patola saree is a meticulous process, taking anywhere from four to six months to complete, depending on the design. The double warp and weft construction of Patola sarees ensures that the fabric is exceptionally durable and can be passed down through generations. Historically, Patola sarees were reserved for the royalty, with only the wealthy able to afford these exquisite textiles. Today, while still considered a luxury, Patola sarees have become more accessible, though they remain highly sought after by both Indian and international buyers.

The Enduring Charm of Patola

Patola sarees have maintained their popularity over the centuries, never going out of fashion and always in demand, particularly among the upper and middle classes. While not considered a craze, Patola sarees have become an integral part of many women's wardrobes, appreciated for their timeless elegance and affordability. The vibrant colors, intricate designs, and exceptional craftsmanship of Patola sarees continue to captivate and inspire, preserving the rich cultural heritage of this iconic Indian textile.

[phoenixyfriend]

HI DO YOU WANT SOME COSTUBE DRAMA THAT TURNED KINDA WHOLESOME

Pt 1: The Drama

Okay so a long-ass time ago (I think like 15 years), a British costume historian on youtube by the name of Cathy Hay decided she was going to remake 'the peacock Worth gown' and started a kickstarter for it. She made a bunch of money, but the actual work ended up being much more than she expected, so the project kept getting delayed.

In the years after, she befriended the now much more famous Bernadette Banner. They got close enough for cross-Atlantic trips to visit, etc. They were best friends and often joked that they were the same person.

Drama started riling up as people criticized Hay for not engaging meaningfully with the problematic history of the gown in question, which had been made for the wife of a British Governor of India during the 19th century, for a party celebrating British imperialism in India, and the gown's shining feature was Indian embroidery which was almost certainly underpaid, and that embroidery was the massively time-consuming bit that had been delaying her this whole time.

It was a whole thing that she sort of? Tried to address? buuuut The thing is, one of the seemingly obvious ways to manage this conflict would be to coordinate with an Indian embroiderer. In fact, a very accomplished specialist did reach out to her about collaborating on this! And she ghosted him! Maybe even blocked, I don't remember, but the thing was that he was ready and willing to do this cool project that could explore and reimagine a beautiful but morally ugly example of their shared countries' histories.

And she just… kept refusing to engage.

And then people started pointing out the weirdly predatory marketing she had for an online product/newsletter she had, and the discourse kept building as people realized overall that she was just… not as good a person as she claimed to be.

It got bad enough that Banner broke off the friendship, in large part because of that refusal to engage meaningfully with the loaded history of the Worth gown project

Pt 2: The Wholesome

So, a few days ago, Bernadette Banner released a video of her making a Regency gown. It's a very standard kind of project for her, just using old patterns and adding a touch of her own gothic tastes with historical methods to make a cool piece of clothing that explores costume history.

Halfway through, she has a call with someone she is planning to do a different video with. We don't know what the video is, but!

The thing is

The person she is having this call with

Is the Indian embroiderer, Mayankraj Singh, that Cath Hay ghosted.

And the video continues on with Banner and Singh talking about her Regency gown project and just. He ends up making an embroidered chiffon overgown with a crow motif. And it just feels very wholesome and I love to see this all coming back around.

(Okay, double-checked and apparently Hay requested a sample from Singh, and then ghosted him after she got photos of it)

In late September, another costumer, Miah Grace, released a video noting that, in 2020, Hay had requested an embroidery sample from with Mayankraj Singh, founder of the luxury fashion brand Atelier Shikaarbagh. Indian embroiderers in this shop possess skills that go back seven generations. Singh reportedly made a sample made but only sent Hay photos of it. After Hay stopped responding for many months, Singh went live on Instagram to explain what happened. Apparently, when his head embroiderer found the sample, he burned it, and scolded Singh for making it. “He said it was an inauspicious design,” Singh said, “and we do not make it anymore.” Hay later apologized to Singh, and he now considers the matter settled. - Craftsmanship Magazine

Anyway, yeah, after all of that from a few years ago, it was kind of exciting to see Banner collaborating with Singh

And she's so excited to open the package! Happy screaming!

It's so sweet.

He had his team embroider their names on the hem And she loves it

I am living for this vicarious excitement

(She does lay it on a bit thick at the end, but you know what. I'll take it.)

OH and the ending involves her attending the ball with Nami Sparrow, one of the creators of Indian background (Indian-American) that was a voice of Expertise criticizing Cathy Hay a few years ago.

Which is like. Tacit endorsement? If Singh alone wasn't enough.

Anyway yeah I lost my mind a little about this.

[modelsof-color]

Rahul Mishra is a renowned Indian fashion designer making significant contributions to the world of haute couture.

Rahul Mishra was born and brought up in Kanpur, a small industrial city in Uttar Pradesh, India. Growing up in a modest middle-class family, he was encouraged to pursue his dreams. Mishra discovered his passion for fashion at a young age and started experimenting with design and stitching. Rahul started his journey as a designer in Mumbai, where he  worked with embroiderers who lived in the urban slum locality called, Dharavi. He attended the National Institute of Design in Ahmedabad, where he honed his skills and developed a unique design philosophy rooted in sustainability and craftsmanship.

In 2014, Rahul Mishra created history by becoming the first Indian designer to win the prestigious International Woolmark Prize. He competed against talented designers from around the world and impressed the jury with his collection inspired by the beauty of rural India. This achievement brought global recognition to Mishra and opened doors for him to showcase his work on international platforms.

Rahul Mishra’s journey as a designer encompasses not just creating beautiful garments but also making a profound impact on the fashion industry. Through the Hand embroidery and how it plays a pivotal role in Rahul Mishra’s creations. His commitment to reviving traditional craft techniques led him to collaborate with artisans across India. Mishra’s intricate embroidery work showcases the skill and artistry of these craftsmen while adding exquisite detailing to his designs. Through his work, he not only preserves ancient embroidery traditions but also empowers and supports the artisan community.

Commenting on the topic he said : "My objective is to create jobs which help people in their own villages; I take work to them rather than calling them to work for me. If villages are stronger, you will have a stronger country, a stronger nation, and a stronger world. My entire philosophy revolves around that. The product will go through evolution… it will change, improve, but the philosophy is constant.”

Rahul’s work in preserving local cultures and crafts in India as well as his  efforts in sustainably are among the many reasons that the designer has been featured on the global influential list of ‘BoF 500’ for four consecutive years as well being awarded the title of “International Fashion Award for Sustainable and Ethical Brand’ by Chambre Monegasque de la Mode at the Monte Carlo fashion Show. 

[superinjun]

Paaxwichat

Monica Zavala (Gabrielino/Tongva Nation, Acjachemen, and Mexican)

acrylic on canvas. 18” x 24”

Beadwork stands as a cornerstone in native fashion, weaving intricate patterns into jewelry, regalia, and a myriad of other items. More than mere craftsmanship, beadwork embodies a profound sense of connection. Through the artistry of beading, I've encountered a tapestry of extraordinary individuals, their talents shimmering like the beads they work with. Whether crafting earrings inspired by fellow artists or discovering new talents at social events, beadwork has been a catalyst for meaningful connections. These hands draw inspiration from the skillful touch of Virginia Aguilar, a gifted local beader hailing from the Pauma Band of Luiseño Indians and the Agua Caliente Band of Cahuilla Indians, enriching this craft with heritage and artistry.

[manessha545]

Guajira Torchis, Colombia: On the borders of Colombia, where it borders Venezuela, lies the Guajira. It is a harsh, hard, strangely precious land. In the midst of these vast expanses never conquered by Europeans, the Wayuu Indians have been attached to the rest of the country for only a handful of centuries. They have preserved their language, their way of dressing and their precious craftsmanship.

[talonabraxas]

“The shaman is the figure at the beginning of human history that unites the doctor, the scientist and the artist into a single notion of care-giving and creativity.” — Terence McKenna

Ayahuasca Shaman Talon Abraxas

A Shamanic View of How Ayahuasca & Nature Communicate With Us

In a shaman’s world view, everything is energy, and for them the word spirit and energy have the exact same meaning. Indigenous knowledge often includes a great deal of practical insight about everything material, for instance, how to use plants for medicine, food or craftsmanship. Their ways of understanding the material universe mix with spiritual and highly meaningful beliefs. Naturally, the way plants and animals communicate with us and with each other is also understood through this mind-body mix.

On the level of smell, plants call out to us from a distance by their varied aromas that form the basis for many scents and perfumes that are attractive to humans, often to the point of stimulating a resonance between lovers. Additionally they are used as powerful tools in aromatherapies to induce recall, reinforce powerful emotion, or simply for the calming quality of their fragrances.

When they affect us in these profound ways, it is because we resonate with them.

On a visual level we are often attracted to them by their stunning beauty, and we display them in our homes and businesses to “brighten things up”. It is a long held tradition to bring roses to a romantic partner to show love and as a traditional courting strategy, and we send flowers to commemorate special land mark human occasions like birth, marriage, and death.

These visual and olfactory cues combine to attract pollinators and other synergistic interactions to spread seeds and enhance other survival strategies aided by other species, and this is only what we see in the frequency spectrums that we normally perceive. Who knows what might be happening in the spectrums that other species can perceive that we cannot?

Similarly, in the vegetable kingdom, as shown in the complex interaction of the olfactory and taste receptors, these characteristics combine to help us identify what is healthy to ingest and aid us.

On vision quests and in visionary states, particularly those encountered on strict shamanic plant diets centered around the ayahuasca brew, people imbibe any number and combination of specialized plants to learn from the spirits of the plants by passing through physical, mental, and spiritual ordeals to prove that they are worthy of the gift of knowledge that the plant spirits have to give them.

Each plant and animal has its own spirit, essence, or energy which can be characterized as its own unique personality in the same way that ayahuasca is universally referred to as “The Mother”. It is also the reason why North American Indians don’t refer to animals as the bear or the coyote. They say Bear or Coyote as they consider them all to be manifesting the entire essence of their spirit in a grouped manner, similar to bees, ants, and other cooperative colonies, and each one has its own unique energy signature that is treated with equal respect, such as the well-known personality of Coyote the Trickster.

When you ingest a particular plant or plants, especially in a specific environment while on a strict cleansing diet, their effects are strongly felt and enhanced, even more so the longer the diet is continued. During that time participants are subject to the energy field of that plant or plants, which all interact with each other and our bodies and minds in different ways.

The combination of the diet, environment, the plants and other elements affect our brain wave activities and physiologies in a myriad of mysterious ways. This includes on physical, psychological, and spiritual levels that we can scarcely comprehend, much less study in any traditional, objective scientific way. The best way to study them is through the subjective perceptions they produce in experiences that often transpire on deep non-rational levels of resonance and synchronization. In this way, the plants act as transmitters in the position of orchestra conductors, and the people as receivers, communicating in ways that defy logic and articulation.

An ayahuasca ceremony is characterized as an individual healing experience in a group setting with much anecdotal evidence supporting sporadic telepathic experiences among participants. The healing circle is referred to as a container to safely hold the energy it generates and attracts so that the participants can be protected while in the vulnerable state necessary for healing.

If a group of people all sat around with their own radios, each tuned to the same station listening to the same song, all of the radios would be playing the same music as one, in sync.

If all of the participants in the healing circle tuned in and resonated at the same frequency or frequencies, there is no reason why they would not have similar shared telepathic events. This learned ability to subject themselves to these diverse natural energies to surrender and discover what mysteries they may reveal puts shamans in the humbling position of being subject to their plant teachers as the conductor transmitters, in spite of the physical or psychological discomfort they may have in the process.

In the Amazon, ayahuasca is often referred to as la purga, because it purges the body and rigorously clears it out through every orifice, including vomiting, defecation, profuse sweating, tear ducts, and the lungs as well as energetically at deep psychological and spiritual levels. Often it is used in conjunction with other intensely purgative plants along with the restricted diet referred to as the dieta consisting of boiled rice, oatmeal, or quinoa, baked or boiled unripe bananas, and chicken or fish once a day or less combined with a pitcher a day of a helper plant or plants. There is no salt, no soap, shampoo, toothpaste, scents or additions of any kind, and no sex. In addition to the deep inner purification, other plants are used for daily plant baths to physically and energetically wash away the toxins and energies that are released in the process.

All of these restrictions enhance the cleansing process over the extended time of the dieta, which dates back to prehistory. As time passes people lose their telltale human scents, particularly pheromones, hormones, and other secretions that jaguars and other animals with a highly refined sense of smell can detect, making the hunters virtually invisible to them and their primary sensory modalities. The constant refined ingestions and plant baths result in the subject not only smelling like the jungle, but they become the jungle, giving them a distinct hunting advantage.

These intense practices fine tune the individual’s own senses bringing great clarity and a highly refined perception of their immediate reality, further adding to their hunting advantage. Aside from the intensified state of awareness that comes from this extreme purification which historically prepared them for hunts, battles, or other challenges, their conscious awareness of their field of perception expands at inner and outer levels making them psychologically and mentally clear for the task at hand.

These hard won physical and perceptual enhancements bring deep inner shifts from the resonance that comes from being sympathetic to and in sync with the plant spirits and the energies they manifest. One of the intriguing results of this immersion into what shamans characterize as the spirit world is the encompassing energetic field that it opens up. This field brings an ability to not only commune with the plants and the distinctive energies of their unique spirits and personalities, but also to the distinctive energies and personalities of the animal kingdom.

This phenomenon is reinforced by widespread reports from ayahuasca drinkers of directly experiencing and communing with or being “possessed” by specific animal energies that are common to the ayahuasca experience, regardless of whether they are in the jungle or in a major North American city.

Among the numerous totems claimed by participants, or which they say actually choose them, the most common are condors, jaguars, and snakes which have a deeper meaning going all the way back to prehistoric cultures. Those experiencing these energies or spirits often roar and growl through no volition of their own like jaguars, flap their legs like wings, or feel their bodies swaying seemingly of its own accord to distinctive serpentine movements. Other animals and insects like hummingbirds, butterflies, dragonflies, dolphins, and other aquatic totems can play big parts as well.

This phenomenon with its roars, “wing flapping” and other animal indicators forms the core of shape shifting mythologies where shamans reportedly have the ability to change their form into that of their familiar animal totems.

In this way shamans share the distinct, intimate resonant vibration of these entities in the same energetic way they do with the morphogenetic field of plants, becoming one with them by sharing the same frequency. In the same way they have to surrender to the plant teachers to discover what mysteries may be revealed, shamans must humble themselves to their animal familiars as the conductor transmitters of their experience.

In the lore of the jungle, by sharing in the vibratory field of the animal’s spirit energy, in a state of surrender on that entity’s terms, that animal learns from the human by seeing things through human eyes while the human learns other modes of perception from seeing things through the animal’s eyes.

There is an invisibility that comes from physical purifications that makes hunters virtually invisible to the primary sensory modalities of their prey. In this manner, by mutual agreement and the understanding that comes from sympathetically sharing the same energetic field and perception of specific animals, the shaman hunts the animals in spirit first, then follows through what has happened in the spirit world in the physical world in the actual physical hunt, aided by his cultivated invisibility.

This learned ability of shamans to tune in to and commune with these diverse plant and animal energies that we all share the world with allows them to experience them in a direct, definitive, and subjective manner that helps them understand other perspectives. This cultivates empathy which is the ability to understand and share the feelings of another, and opens them up in ways that only direct experience can, while aiding them in developing the critical skills necessary for what is defined as soul retrieval.