#Im not disagreeing

[youthofpandas]

What’s up with how the dunmeshi fandom just lies about this kind of stuff all the time. It is easily confirmable information that it was a monthly series, something incredibly common in the industry.

A not weekly magazine schedule is literally common !! Especially in the seinen shoujo and josei demographics, sometimes monthly, sometimes biweekly, sometimes every two months, sometimes seasonal! Please stop lying about how Dunmeshi was some special unique creation that defies all standards of manga just to hype it up because it is so clear that every single one of these comparisons is centered around Weekly Shonen Jump (and understand that SJ has many magazines under its brand that are monthly or semimonthly). Not everything is WSJ and it needs to stop being the only point of reference in conversations like this 🤧

[zee-143]

Oh well

no lube, no protection, all night, all day, from the kitchen floor to the toilet seat, from the dining table to the bedroom, from the bathroom sink to the shower, from the front porch to the balcony, vertically, horizontally, quadratic, exponential, logarithmic, while I gasp for air, scream and see the light, missionary, cowgirl, reverse cowgirl, doggy, backwards, sideways, upside down, on the floor, in the bed, on the couch, on a chair, being carried against the wall, outside, in a train, on a plane, in the car, on a motorcycle, the the bed of a truck, on a trampoline, in a bounce house, in the pool, bent over, in the basement, against the window, have the most toe curling, back arching, leg shaking, dick throbbing, fist clenching, ear ringing, mouth drooling, ass clenching, nose sniffling, eye watering, eye rolling, hip thrusting, earthquaking, sheet gripping, knuckles cracking, jaw dropping, hair pulling, teeth jitterbug, mind blogging, soul snatching, overstimulating, vile, sloppy,moan inducing, heart wrenching, spine tingling, back breaking, atrocious,gushy, creamy, beastly, lip biting, gravity defying, nail biting, sweaty, feet kicking, mind blowing, body shivering, orgasmic, bone breaking, world ending, black hole creating, universe destroying, devious, scrumptious, amazing, delightful, delectable, unbelievable, body numbing, bark worthy, can't walk, head nodding, soul evaporating, volcano erupting, sweat rolling, voice cracking, trembling, sheets soaked, hair drenched, flabbergasting, lip locking, skin peeling, eyelash removing, eye widening, pussy popping, nail scratching, back cuts, spectacular, brain cell desolving, hair ripping, show stopping, magnificent, unique, extraordinary, slendid, phenomenal, mouth foaming, heavenly, awakening, devils tango ever bro could cause a nuclear bomb inside me and I'd still ride.

[bright-eyed-dizzy]

i think people are too hard on anya (obviously) but especially on the whole “why become a nurse if you’re afraid of blood/ cant give a guy medication,” because that’s not what she can’t do. she more than likely never assumed any of her coworkers or FRIENDS for that matter would be in a state like curly’s. she hates to see someone she cared about and trusted in that much constant pain, and the reason she can’t bear to give him his medicine is because she knows how much it hurts him, and hearing her friend choke down and sob in agony is understandably very upsetting. sure she is sensitive but i honestly feel like people should be more empathetic towards that. idk. i’m sensitive, aubrey

[deepseasmetro]

i think it's really an essential skill for anyone - but especially communists - to be able to really accept the fact (and this might sound obvious to you) that people can be right about some things and like. horribly wrong about others! somebody can have something worthwhile to say about sexuality and have horrible takes about race. somebody can something worthwhile to say about race but horrible takes about economics. and while like - it's absolutely true that the beliefs people hold are not independent of one another and will thus in turn affect one another - what i really mean more is that i don't think it's useful to completely dismiss everything a person has to say because of a completely separate bad take they have. i guess this is a roundabout way of saying we should be doing our best to evaluate the things people say based solely on what they are saying, not based on preconceived notions we might have of them or their other past takes.

(there is obviously exceptions to this rule - for example, it's right to be very wary of any discussions about sex work coming from a radfem, for example - context is always important. but you get what i mean)

[ofswordsandpens]

adding to the "there should have been more genuine tension within the seven" train of thought, it would have been funny if the Argo II, technically being a ship, meant it fell under Percy's power domain and he could control it all at whim, rendering all the carefully crafted controls Leo built useless if Percy felt like being an asshole

[bedforddanes75]

im not american but some of you guys are just fucking stupid ong what do you MEAN youre not gna vote because you disagree with like one part of what youre voting for. like okay me when im fucking thick

[yellowocaballero]

There's a genre of post that I see pretty frequently, which can overall be summed up as, "Modern fandom has a culture problem where fanfic authors are treated as content producers instead of community members and their fanfic is treated as a commodity to be consumed instead of a high-effort labor of love that deserves attention and compliments given directly to the author". I agree with 3/4ths of that. I find the part I disagree with very interesting, the same way I find a lot of writeblr interesting, because it's a perspective that I had to work very hard to actually understand.

Because the posts have such a warped view of what writing is and why we post our writing! They say that fanfic fights against the commodified internet we live in, but all they're doing is changing the currency of payment in this attention economy. Another way you can summarize about 70% of these posts is, "My payment for writing and posting my fanfiction is compliments, and if you do not give me those compliments you are not paying. If you give those compliments behind my back, or talk about them privately without giving them to me as well, then you are stealing from me." I don't want to put it like that, but a lot of these posts use words like 'deprive', as if the reader who enjoys the fic without commenting is withholding something from them that they deserve. They use the word engagement, and they do talk about how part of that engagement is just the joy of talking about AUs and ships with other people, but when people say that comments are their motivation to keep writing, what they mean is that validation is their motivation to keep writing. Which is compliments.

I understand that, because I understand that fanfic writers are not immune to the attention economy. But I don't understand how almost every one of these posts talk about how this lack of attention makes them stop writing - that this act of theft is killing their desire to write. I could understand this if they meant 'desire to POST fic' (I don't post fic I think zero people would read.), but they talk about how lack of payment stops them from writing at all.

IMHO, that is what creates a commodity from fic. People want to treat fic as art, but an artist makes art for themself. Art is made because we want to hold parts of skills and ourselves in our hands. If you won't make art if you get no payment, then you have devalued the art completely.

We think of AO3 as this unique site that's born entirely from passion and is filled with fics written for love of the game. But guilt-tripping posts that shame people for not commenting on a fic they enjoy, and that describe how there's no point in writing fic if it's not getting attention, are directly contributing towards the culture of treating fic like a commodity.

I also really want a fandom culture where the relationship between artist and reader is reciprocal, where it feels like a community, and where I get to talk about my fanfic with people. My favorite part of posting fanfic is rambling about it on my blog, because I can talk about my art all day and I love it when people stop and listen. But I love that because I love my own art. If you love your own art, then it'll always have value.

Also Google your username, just trust me, that's how you find The Secret Discussions. Someone made a TikTok fansong of me once. WHAT?

[dailyhmsw]

loop 49

error

[the-ocean-is-trans]

bobby nash is ofc the found family dad but athena grant is most certainly not the found family mom. she is a mom to her two kids, but not to the 118. Hen and her are besties, she definitely is involved in the 118 chosen family and clearly loves them, but athena grant is not adopting all of these grown adults with mommy and daddy issues. she tolerates it from buck because she wants to make sure bobby stays alive.

[flysafepapi]

idk if this has been done but you can't tell me im wrong

[shorthaltsjester]

just constantly thinking about percy telling vex that he’d like to think they’re all better than they think they are (except her brother, of course) . constantly thinking about when vex tells percy he’s a good man and he gets awkward and flustered and returns that she’s a good woman and when she gets as awkward and flustered he goes “see. it’s not very nice is it.” percy shouting to ripley that he forgives her and vex carves forgive into the wood of her bow. vex tells percy to take off his mask and percy comes across vex in tears and scrubbing at her armour. god. the campaign starts and percy is making arrows as flirting and getting kisses in return and the campaign ends and exhausted and knowing it won’t be a want that will be fulfilled percy admits he never wants to make another weapon and vex equally exhausted affirms that he’ll never Have to. and god . god . opposites attract is great or whatever but the deliciousness of dynamics where the characters hold up a mirror to one another where they get to shed the burden of self and see someone Like Them as someone good or capable of being better and Falling In Love. and that love being a pathway to them coming to grips with their own image and their own capacity to be better. and that the fact that the person they fall for being someone so Familiar means that they see through each other’s shit. that percy sees that vex has fallen into the trap of Nobility tricking people into thinking that makes them inherently better and giving her the only whitestone title someone has to earn beyond selection or marriage or birth. that vex sees percy forgive ripley and discusses the importance of that choice but reminds him that it’s just as important that he forgive himself.

[spacerelativity]

me and my best/boyfriend who is also me but not

[rbtlvr]

anyways. i can talk abt that and i can talk abt how the loop fight doesnt feel anywhere near as much like loop trying to take back what siffrin stole from them or get revenge as it does like crying and screaming and lashing out at anything thats near you because what happened is so unfair and you cant take it out on anyone whose fault it actually is (if it IS anyones fault) so you take it out on the easiest person to pin the blame on instead because you have to get it out somehow or youll break in two. to me

[lucaanis]

『💞』 — "Nothing I'm seeing makes me want to look away."

+ bonus live rook reaction 🥴

[khattikeri]

me when people mischaracterize the love of my life

wei wuxian is not a self-sacrificial or suicidal person. sacrificing himself is very much a last resort when his ability to fight back has been severely limited and he has no other choice!

wei wuxian is also not evil; he never once fell to evil or darkness or resentment, people just labeled him as evil thanks to the political chicanery of deciding he's dangerous and inconvenient when he starts doing other things post-war instead of continuing to use his newfangled ghost ("demonic") cultivation techniques for the interests of the wealthy upper class clans that won the war.

he's smart ok he's legitimately smart not only with cultivation but socially and it makes A LOT of sense in context that he didn't realize lan wangji was always in love with him!!

he doesn't really doubt himself either, whether about his personality, likeability, or worth! his prime insecurity across both lives that he stains all he touches doesn't actually restrain or tank his confidence in himself, his intelligence, or his capabilities, it just makes him hesitate on whether to let himself admit that he is in love with and wants to be with lan wangji.

furthermore he does not resent anyone for anything bad they've done to him even when others are resentful on his behalf; he lets bygones be bygones and is a genuinely good, righteous person!

in conclusion:

[hauntingofhouses]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.