#If you interpret this as such you are not understanding

[teaboot]

What do you mean the doctors confirmes your mom was going to have a son and you were born as a girl, how did that happen ? Did the tests just fail ?

From what I understand, doctors can check for genital formation during an ultrasound, but it isn’t 100% accurate for a few reasons- The baby’s position, the umbilical cord, just poor clarity on the monitor- We didn’t have 3D tech when my mom was pregnant either, so you were kinda interpreting a lot of vague black and white formations.

My parents both come from families with like… almost NO girls, so when they heard “pretty sure it’s a boy”, they didn’t really question it.

Luckily they were both pretty determined not to enforce any gendered expectations- they didn’t do the whole pink or blue, dolls or trucks thing- so the things they bought to prepare were all kinds of varieties and didn't matter much when I was pronounced otherwise on appearance.

They let me dress however I wanted as a kid, and do what I was interested in, so I wound up wearing a lot of rainbow prints and collecting plastic frogs, dinosaurs, and bugs. (My special interest was and is animals in general.)

So it’s kinda just a funny happenstance that they got a son anyways, lol

[cuntyji]

nanami prides himself on many things—his discipline, his work ethic, his impeccable taste in ties. but above all, he prides himself on his ability to communicate clearly and concisely, whether in speech or in writing. his text messages are a testament to this:

nanami: I will arrive at 7:30 p.m. Let me know if you need anything.

capitalized. punctuated. grammatically flawless.

then there is you. his lovely girlfriend. his chaotic girlfriend.

you: oks eeu thns

nanami blinks. once. twice. he tilts his phone screen away, then back, as if a different angle might help decipher whatever cryptic language this is. "oks eeu thns" is not english. nor is it japanese. it is… something else. something eldritch.

"what." he mutters to himself.

this is not the first time. nor will it be the last. your texts are a battlefield, a warzone of typos, autocorrect fails, and complete disregard for sentence structure. you do not "text." you unleash a tornado of half-formed thoughts at an alarming rate, as though your thumbs operate on a separate plane of existence.

exhibit a:

you: r u cmg home latr i wan ice cre nanami: Are you asking if I will be home late, and if so, whether you want ice cream? you: ye nanami: …What flavor? you: gimme mint sumn u kno the blue green w the chunks idk idc nanami: You want mint chocolate chip. you: ye

he has, over time, become somewhat of a linguist. an interpreter. a man who now instinctively knows that when you say "bcum," you mean "become" and not whatever horrifying alternative that initially flashes through his mind. but nothing—nothing—prepared him for exhibit b:

you: bby whn u cming hom i wan hug n u also i los a sock idk where she go nanami: I will be home at 6 p.m. I assume you meant to say you lost a sock. you: y au did nanami: What does that mean. you: *ya i did nanami: Understood.

he did not understand. he once tried to gently correct your typos. you responded by sending him "ok grammarly" and proceeding to text even faster with worse errors out of sheer spite. now, nanami has simply adapted.

you: i made pasta bt i dropd some :( rip lil guy nanami: Rest in peace to the fallen. you: he wud hv wantd us to eat his brothr in his honr nanami: Then we shall.

sometimes, he marvels at how two people so fundamentally different could love each other so much. and then he remembers the first time you sleepily texted him "gn ily mwuah" at 1:43 a.m. with no capitalization, no punctuation, just raw, unfiltered affection—

and suddenly, he doesn’t mind deciphering your nonsense at all.

[1tsstargaze59]

Please understand this moving forward, because I always feel ashamed of having different interpretations of the same characters knowing FULL WELL I shouldn't because I KNOW people will be uncharitable about it and it PISSES ME OFF ^^ Thank you ✨️

People don’t understand the concept of liking two characters’ relationship in multiple contexts. They can be lovers in one setting and just friends in another, their dynamic doesn’t have to be consistent in every piece of art I make.

[sweetshuga]

「 𝑳𝒐𝒗𝒆 𝑵𝒐𝒕𝒆 𝟐 ✧ 𝑪.𝑺 」

𝑾𝒂𝒓𝒏𝒊𝒏𝒈𝒔: 𝑺𝑴𝑼𝑻! ⬩ +𝟏𝟖 ⬩ Chris has an oral fixation ⬩ boobs sucking/fondling ⬩ pussy eating ⬩ munch!chris ⬩ pet names ⬩ overstimulation (f!) ⬩ praise kink + more.

𝑾𝒐𝒓𝒅 𝑪𝒐𝒖𝒏𝒕: 𝟏.𝟗 𝒌

𝑨𝒖𝒕𝒉𝒐𝒓’𝒔 𝑵𝒐𝒕𝒆: Happy Valentine’s babes!! Here’s a cute lil’ fic to celebrate the day of love<33

𝑲𝒆𝒆𝒑 𝑰𝒏 𝑴𝒊𝒏𝒅: English is not my first language! «𝑭𝒊𝒓𝒔𝒕 𝑷𝒂𝒓𝒕»

𝑺𝒖𝒎𝒎𝒂𝒓𝒚: Your school had a secret admirer day on Valentine’s, and what you received was far from a love letter.

Chris hummed a soft tune under his breath as he walked to the back of the school, almost with a hop in his step.

You had asked to meet him there.

As Chris rounded the corner, he saw you standing there, his notebook in hand and a serious expression on your face. His smile faltered as a strange nervousness flooded his senses, but he tried not to show it as he approached you — although with a more tense smile on his face.

"Oh, you’re here." You said, uncharacteristically unenthusiastic as you shoved his notebook in his chest, making Chris blink at you, clutching the notebook against his chest with his lips parted slightly in surprise. "Open it won’t you?" You tutted, your expression unreadable.

Chris, although surprised, opened the notebook per your request, his brows furrowing immediately when he saw what was inside. Inside was the letter he had written; the explicit one of the two he gave you anonymously.

He looked up at you, now with clear nervousness on his face. "Look I-" "Did you write it?" You cut him off before he could make a dumb excuse, and your words made him freeze in place.

Chris stared at you for a bit before nodding slowly, knowing he couldn’t make up a lie since you seemed to know the truth already and would call him out on his bullshit immediately. "Fuck…" He cursed under his breath, gaze snapping down at the vulgar letter inside his notebook.

"I… I wrote it alright," he paused before continuing in a quieter tone, his eyes still stuck on the page, "I know I shouldn’t have- but I thought you wouldn’t know — I thought I could get away with it." He mumbled, unable to look at you due to the shame burning his face.

You sighed heavily, making his heart beat a tad bit faster as he didn’t know how to interpret it. He didn’t know if you were angry at him — he didn’t want to ruin whatever you two had and shared. "Why did you write it- I mean, I kinda have an idea but-but I don’t understand… Why me?" Your question nearly made him laugh.

Why you? Were you being serious?

You were the prettiest girl he had seen; the smartest; the funniest. All in all a perfect girl in his eyes. He wanted you. He wanted you bad, and the letters he had spent a whole day writing described his feelings perfectly.

You’d be lying if you said that his carefully written letters didn’t make your heart do back flips in your chest, but you also wasn’t sure if you’d be doing the right thing to say yes if he – ever – outwardly asked you out, hence the troubled expression slowly creeping on your face as you waited for him to answer your question.

Chris wasn’t stupid — he knew exactly what you were thinking about. He didn’t want you to doubt anything, and so, he decided to answer truthfully — confidently.

"Why you? Well, firstly, you’re really pretty- no scratch that, you’re the prettiest girl i’ve ever seen, and you’re smart, you’re never afraid to speak your mind, you’re kind, you’re selfless — humble and-"

The more he spoke, the more your doubt faded.

A soft blush adorned your cheeks after his wholehearted confession, your heart beating miles per minute. Chris looked at you with a soft smile, the genuine kind that you’ve never seen on his face. You were used to his playful smirks or the sly grins, but never this… tender smile, and it made butterflies go crazy in your tummy.

"Well?" Chris questioned, desperation seeping into his tone now that he has laid his feelings bare. He felt naked, stripped down to nothing but the truth.

"Well-" You began, your words catching in your throat. "-I, I need time to think. This is too much to take in all at once and-and I need more time." You said, looking straight at him, your words slowly decreasing in both volume and fight the more you looked at him.

Chris nodded quickly, understanding how much this was to digest. "Yeah-yeah, of course, um, you can take all the time you need — I’ll wait for as long as you want." He stuttered out rapidly, fumbling over his words, and despite your inner turmoil, his nervousness amused you greatly.

You were unable to stop your lips from curling upwards with a small smile — which made him smile as well, his shoulders relaxing slightly as if he was relieved you were still smiling after all that has happened.

⋅˚₊‧ ୨�� ‧₊˚ ⋅

It had already been three days since his confession and you’ve had plenty of time to think. It wasn’t like you actually needed time to think — you liked him too. Therefore, you came to the conclusion that you should probably reciprocate his feelings before he got tired of waiting.

You felt on edge as you waited at the back of the school, yet again. Your fingers tapped impatiently inside your hoodie pocket as you waited for Chris to arrive.

A few minutes passed by and there was still no sign of Chris. You were starting to get anxious. Why isn’t he arriving? Is he ghosting you? Standing up? Is your friendship over?

Just as your thoughts got more and more dramatic, Chris arrived, a small smile on his face as he walked over to you in long confident strides. He stopped right in front of you, leaving a comfortable space between the two of you, his hands in his pockets.

"What did you wanna talk about?" Chris asked, tilting his head slightly to the side, his eyes darting down to your lips before taking them back up your face and to your eyes. You felt your words die in your throat and everything you wanted to say felt like a jumbled mess of letters.

"Well, I-um, I wanted to talk about-" "My confession?" He continued for you, knowing exactly what you wanted to talk about, and you nodded before speaking again. "Yeah, that… and um, I’ve thought about it for a while now and I think I like you too- no, I mean I like you and not that I think I like you, I really do like you and-" You rambled, stumbling over your words.

"Hey-hey, I got you, relax." Chris chuckled, his hands slipping out of his pockets to reach towards your arms before sliding them down and gently holding your hands in his, interlacing your fingers together. "You like me, huh?" His eyes searched yours, wanting assurance.

"Yeah, I like you — a lot." You confirmed, louder this time. Chris’ smile widened, a warm feeling spreading through his chest at your confession. "Fuck, you don’t know how long I waited to hear that." He pulled you into a tight hug, mumbling a soft ‘I love you’.

"I love you too, Chris." You murmured, melting into his hug as your arms wrapped around his torso. Your words made him smile widely against your hair, his face burying itself in your neck as he breathed in your scent.

𓆩♡𓆪

Things escalated rather quickly.

One moment you were walking home with him all giggly and the next he was hovering over you on your bed, kissing down your half-naked body.

Chris’ hands deftly worked to unclasp your bra, taking it off in one swift motion before leaning down to hover right above the swell of your breast. "Can I?" He asked, wanting you to feel comfortable with everything, ignoring the ache in his pants.

You nodded your head, mumbling a quiet "go ahead" and Chris closed the distance between your hardened nipple and his lips, pressing a soft kiss on it before his tongue flicked out to swirl around the sensitive nub, making your back arch slightly — pushing your chest more into his face.

Spurred on by your soft noises and silent plea for more, he wrapped his lips around your nipple and suckled gently on it, his hand kneading your other breast and tweaking your nipple between his fingers.

Chris released your nipple with a soft pop and gave the other one the same attention before his lips trailed kisses down the valley of your breasts and to your stomach, occasionally grazing his teeth against your skin and eliciting soft gasps from you.

In a matter of seconds his lips were grazing the waistband of your underwear, "Can I take this off?" He asked, lifting his head a bit to look at you and a smirk creeped onto his face when you nodded your head yes. His head dove back down and – to your surprise – he bit the waistband of your panties and slowly pulled it down with his teeth, his hands lifting your hips to make it easier to pull it down.

He rose up slightly after your panties were down around your thighs and took it off with his hands instead, discarding it somewhere on your bedroom floor before he leaned down again. This time, he peppered kisses all over your stomach and pelvis — purposely leaving kisses close to your cunt but not directly where you need him the most.

A needy sound escaped you involuntarily, your fingers carding through his hair all while pushing his head down slightly, and he finally complied, leaving a soft kiss on your glistening folds.

Chris flattened his tongue and licked a stripe up your slit, collecting your arousal on his tongue before parting your folds with his fingers. His tongue flicked out to lick your clit, eliciting a soft moan from your, your hips bucking slightly involuntarily.

Seeing your pleasure, he gripped your hips tightly and pulled you more into his face, eating you out with a wild abandon. His tongue flicked your sensitive bundle of nerves quickly before wrapping his lips around it to suck hard on it, making you cry out in pleasure, your hands fisting in his hair and hips rolling slightly.

"Chris–oh!" Your back arched slightly when he pushed two long fingers in your sopping pussy, curling them just right to rub against that spongy spot inside you. "Sh-shit—just-just like that, feels s-so good baby–mmh-ah–s’good." Your moans spurred him on, a low groan vibrating against your folds.

Chris’ mouth worked overtime to get you over the edge, he wanted you to cum on his tongue, he wanted to taste you.

"C’mon, give it to me baby, fuckin’ cum on my face." Chris urged, doubling his efforts. His fingers fucked your cunt, curling upwards and rubbing hard on that spot that made your eyes roll back while he flicked your clit rapidly with his tongue, keeping his mouth solely focused on your clit.

You tensed up, a drawn out moan falling from your gaped mouth as you orgasmed, your hips bucking against his face as you rode out your intense orgasm.

"Good girl." He cooed as you came, his voice husky with barely restrained desire. "You look sooo pretty when you come baby." His hands gently caressed your inner thighs, slowly circling your clit with the tip of his tongue to prolong your high.

Despite just having made you climax, he wasn’t satisfied yet. He wanted more, he wanted you to feel more pleasure and he wanted to taste you again. Hence, he wrapped his lips around your clit again, giving it gentle suckles as his fingers prodded at your entrance.

He was addicted to your taste; your everything.

𓆩♡𓆪

You were on your fourth orgasm already, your body trembling with aftershocks, and Chris finally relented, kissing back up your body before lavishing attention on your tits again. He was rock hard and straining against his jeans, but he wanted you to feel good first.

He wanted to please you — his pretty girl.

𓆩♡𓆪

© 𝒔𝒘𝒆𝒆𝒕𝒔𝒉𝒖𝒈𝒂

[cybrasigilism]

Hi, love your work! Could you write a virginity loss for the reader with thanos in the bathrooms of the games! Can y/n also be shy since it's their first time and have thanos be understanding and talk her through it +handjob ? Please and thank you!!

can’t lie i went a little insane when i saw this one 🤭🤭

Consideration (Thanos/Choi Su-bong [Player 230] X F! Reader HEADCANONS/DRABBLE)

warning: smut, crazy ik | not proofread | lowercase intended | virginity loss | soft dom! thanos (im not sure if this counts as OOC help-) | handjob | praise | public sex (it is the bathrooms after all) | this is my interpretation of this character, please be respectful even if my opinions on the character differ from your own

character: thanos/choi su-bong (player 230)

A/N: HAPPY VALENTINES DAYYYYY!! again with the point format, i feel much more at ease getting my ideas out this way, so please bear with me. my apologies if it’s hard to read because of this

MDNI! 18+ content beneath the cut, reader’s discretion is advised

➸ thanos, who couldn’t stop flirting with you throughout the games purely for the flustered reaction you gave almost on command.

➸ thanos, who upon finding out you were a virgin, found a way to get you alone in the bathrooms of the squid games, sneaking past the guards who surely didn’t care that he was in the wrong bathroom to begin with

➸ thanos, who had you pressed up against the cool, tiled wall of the bathroom stall as his lips crashed against yours. he wasted almost no time in sliding his cold hands up your shirt, sending a shockwave of goosebumps and pleasure up your skin

➸ thanos, who spent so much time kissing and sucking on your neck, you would have been shocked if you walked out of this unscathed by hickeys. each time his tongue passed over your sensitive skin, you saw stars

➸ thanos, who had you kneel between his legs as he pulled his dick out, guiding your hand in his up and down the length of it.

➸ thanos, who encouraged you through the entirety of the handjob. who told you “fuck, your hands are so soft”, “ngh, feels so good when you touch me like that baby..”, “you’re doing great, keep going just like that, yeah” between breathy moans

➸ thanos, who’s hands never ceased to roam your body when you decided to straddle him for the first time. he reassured you when the pressure of sinking down onto him became almost too much at points, wiping the tears from your face. of course, he let you sit there for as much as you needed to adjust.

“shit, y’re taking me so well, señorita.”

“hey, hey— you’re doing amazing so far, don’t cry!”

“fuck i can’t wait to make you feel good…”

➸ thanos, who eased you into the whole process of riding him. he was used to a faster paced, intense, more hot and heavy kind of session, but this time was different. he could see the anxiety in your eyes, he definitely knew how big of a deal this was for you, and he wanted to make it as special as possible— for these circumstances anyhow.

“that’s it, you’re practically a natural already. that’s my girl, fuck.”

➸ thanos, who moved your hips himself when you had gotten shy on him. you were insecure of how good of a job you were doing, but he wasn’t going to stand for that. you already know he was going to make sure you knew how good you were doing— or rather, how good you felt.

“holy hell, you’re so tight.. fuck i dunno how long i’ll last señorita”

“so good… so good and all f’ me”

“don’t s—top, god i don’t ever want you to stop”

“what’s wrong? you’re fucking me so good, keep going!”

➸ thanos, whose moans drove you wild when you eventually got the boost of confidence you needed to start riding him yourself. the sounds he was making made you tighten even more than you thought possible, which in turn made him cry out even more.

“shit, if you keep going like this ‘m gonna cum”

“fuck yes, fuck me like that.. you got it, oh god, you got it”

“need ya’ s’bad… i needed this so b—ad, fuck!”

➸ thanos, who wrapped his arms around you after you came. he pulled you into him, chests heaving in tandem as you both came down off this metaphorical high. he caressed the back of your head, the praises he sang for you continued flowing.

“that was fucking, wow. y’ did so good, señorita.”

“see? i knew you could do it, such a good girl for me.”

─────────────

HAPPY VALENTINE’S DAY GUYS!!

to the anon that requested this, i truly hope this is something like what you had in mind. and to everyone as a whole, i hope you enjoyed! i’ve been fighting off a mean writer’s block so i apologize if this isn’t my best work, but i’m just glad to put something out!

as usual, any advice/constructive criticism on how to improve my writing is appreciated and requested! have a fantastic day lovelies 💋

tags: @gongyoosgf @strangelife122 @kvstjwonnie @pink-apples001 @fiicalapsiholoaga

[unteriors]

With all due love and respect, most of the interiors you're showing from Piedmont are old (1950s-60s) country houses. Not exactly what I'd think of in terms of real estate neocapitalist dystopia hell. Many of those houses would be absolutely fine with a bit of work. It's definitely a tragic consequence of capitalism that nobody is buying them tho, for sure.

I understand where you're coming from. There are a few things here that irk me a little though - occasionally I'll receive some feedback that touches on similar themes. To start, I'm not really that motivated by titles when it comes to creative projects. There are things in the world, in my own life, in what I see around me, that I find interesting or disturbing or which I have anxieties about, and I put time into exploring them. Almost by accident I've amassed an enormous amount of imagery culled from real estate listings on my PC. I can explain the motivations and ideas behind it, but I'm not very good at wrapping everything up in a neat bow. I've come across a similar thing for another blog I've had for much longer, where people in its audience (or friends and family) would often message me saying that this particular image isn't really an Unplace, and the ambiguity of the title ends up narrowing their perception of the scope of the project (and makes it seem much more superficial - for a similar reason I'm not keen on the concept of liminal spaces, or the word liminal generally). With this blog, I made a conscious decision to use a title that would be broad enough to ward off attempts to pigeonhole it into specific, surface-level interpretations, which would sort of work against and challenge itself (and the viewer).

When I was in art school I was keen on the idea of antimarketing, which extends to branding. Advertising (increasingly over the past half-century) has a way of corroding depth and reducing substance to easily-accessible content guided by broadly-accepted conventions around social norms. I feel like it should only be a thing you deal with yourself as much as you have to, and I try to deadvertise the things I do as much as I can. I feel like these images deadvertise places. I look for real estate imagery which, on the direct, immediate level of their intended purpose, fail miserably (i.e., I do not want to buy this house. I sense lead paint, asbestos. This house may contain a corpse. Stay away). On a secondary level, in addition to selling a product, advertising often sells an idea about the world. With real estate imagery, the idea is much like the one this ask represents these houses as - a way of looking at housing that reduces it to an investment, which views older houses in a state of disrepair as something to be renovated and resold for a profit. This feels particularly myopic and inappropriate when it comes to Italy, a part of the world I've spent time in (though not Piedmont), which has layers and layers of history and human misery in every lived (and abandoned) surface, and which was hit hard by the twentieth century and still seems to be falling apart in many ways. As you pointed out, it's a consequence of the economic system that's currently oppressing Italy (involving years of austerity forced upon it by waves of neoliberal administrations, including within the country and in EU economic policy, against a backdrop of corruption and aggressive anticommunism that the US played a role in) that it has an issue with housing vacancy sitting comfortably alongside the same housing crisis most of us are experiencing (this article goes into a lot of detail about it).

There's the more technical question of how much work would be needed to rehabilitate these places and make them livable - I know in Australia houses that are only fifty or sixty years old often require specialised work by contractors (which our propaganda system that promotes DIY culture and house flipping tends to gloss over). And then, who would put the effort into renovating these places and then living in them? There are parts of Italy with very high unemployment rates, particularly among young people, where people have been leaving for generations. I guess, if someone from a richer country uses the exchange rate to buy and do up a rundown house in a village somewhere and pumps money into the local economy, there are some good sides to that. But I can't get away from the idea that, in our current system, renovating an older house - fixing it up - has the cumulative effect of pricing more people out of housing. I felt bad even about buying a house in my own country - more mortgages mean higher house prices, ultimately. The rot in the economic superstructure feeds into our artistic and conceptual understanding of housing. That creates tensions, between the real, deeper, historically and culturally rich, lived experience of a house, and the fake, greige, airbrushed, negatively-geared, embalmed home-as-investment that's sold to us, and I find those cracks in the surface (peeling paint, if you will) interesting.

This may be getting close to paranoia, but there's also a phenomenon where, if you say anything too negative and controversial, you come to expect that some people will instinctively react by mocking it. This is something I feel instinctively (again, maybe the answer to this lies more in therapy than in looking at the outside world). Often without evidence of their own to demonstrate why what you have said is wrong. It reminds me of a reddit post I saw floating around on tumblr a few years ago, about how the attitude to the world you see in South Park is that, if you complain too much about something (i.e. if you point out that something is wrong), and you demonstrate that you care about that without hiding behind irony, that makes you the problem. You find this all through pop culture from a certain time period (the Simpsons could be just as bad, I also come across this attitude in contemporary art - the laugh react on Facebook feels like its late-stage distillation). It's hard to tell how much people are encoded by it, or if it provides a framework for seeing the world and handling moral issues for people who already held these attitudes. I named this blog Neoliberal Capitalist Real Estate Dystopia Hellscape to weed out those those attitudes and make the people who would ordinarily express them self-conscious. It's getting harder and harder for people to deny that it's not an accurate description, the middle-class psychological bubble has been getting harder to keep insulated for some time now.

[monopurple]

(i agree with op)

this might sound like i'm reaching but i feel like a lot of forcing a binary onto chara/kris/frisk reeks from micro aggressive enbyphobia. a lot of this enbyphobia is just very surface level of a much deeper product that is rooted in society.

cis people are unable to view things without forcing cisnormative gender norms on everything. this cisnormality results in non-binary not being seen as a genuine identity and just as a weird third, secret unnatural thing. all of this results in a lot of microaggressions and gender debates on heavily-implied non-binary characters (mangle for example). everything outside the binary is stigmatised and seen as unnatural, which leads to people pushing gender norms onto everything.

it is a product of cisnormality being forced onto society. if cisnormative gender norms ceased to exist, would you really still see people debating on identities of non-binary characters? people being unable to comprehend that characters can be non-binary is simply just a surface level product of this issue.

now obviously, are people debating identities on non-binary characters as bad as an issue of real life enbyphobia? obviously not. but it is still a surface level product of enbyphobia. it is a result of people looking at society and all media they consume from a cisnormative lense that when they see something that doesn't fit those lenses, it challenges their thought process that they were usually taught growing up.

the utdr fandom being able to accept that frisk, chara and kris can be their own people and have their interests, but are unable to even comprehend that they might not be either male or female, is surface level enbyphobia. you are able to accept whatever frisk, chara and kris do outside of our control is them being their own person, but gender is where you draw the line of something not being up for interpretation?

maybe back then, i can understand. a lot of people were pre-teens/young teens when they first got into undertale so gender out of the binary was a very new concept to them. so projecting their understanding of gender onto the human characters was their only way of identifying them. but if you are pulling this shit today?? you definitely need to check up on your beliefs.

also did you guys know that toby fox never said anything about the human character's genders being up for interpretation? that was a straight up lie made by undertale fans back in the olden days just to justify pushing frisk/chara into a binary.

there is no way all of this isn't a byproduct of enbyphobia and society being obsessed with forcing gendered roles onto everything. if you see a character, being their own person, strictly using gender neutral terms and you somehow find a way to force them into a binary? that is a product of your cisnormative beliefs. what other reason is there to force gender norms onto them?

i think just accepting that characters can be non-binary and may not fit into the lenses of what makes a person male or female, can be a small but right step towards stepping away from one part of cisnormative beliefs. it can make non-binary representation a lot easier to present in media, and it makes topics about non-binary characters a lot easier to understand and talk about since there's less social stigmatism around it.

Deltarune chapter 3 is gonna start by asking you what Kris’ pronouns are and if you choose anything other than they/them it deletes all your save files and uninstalls your game

[image description: a digital comic. In the first panel, Toby Fox (as represented by a small white dog) gestures towards Frisk and says, smiling “Name this character whatever you want!” In the next panel, he winks as he says “Sike! This character was actually their own person the whole time!” In the third panel, a vague person shape holds Frisk, saying “Oh, so their gender is open to interpretation!”

In the fourth panel. Toby looks to the side annoyed, saying “Maybe that was too subtle…” In the fifth panel, he gestures towards Kris and says “This is Kris. They are their own person who is just being controlled by you. Everyone uses they/them for them.” In the sixth panel the vague person shape holds Kris, saying “Oh, so their gender is open to interpretation!”

In the next panel, Toby Fox smiles blankly at the viewer, and the last panel is a close-up of his face with his dead, stressed out eyes. End ID]

[00valentina-writes00]

ellie with reader who has selective mutism? love your workk

♡♥︎Ellie with a girl they has selective mutism♥︎♡

♥︎ Ellie’s got a big mouth—always has, always will—but the moment she realizes you have selective mutism, she dials it back. Not in a way that makes you feel weird or different, but in a way that says, Hey, I see you. I get it.

♥︎ She never pressures you to speak. If you want to, cool. If you don’t, also cool. She reads your body language like a damn expert, catching onto little things—the way you shift, the way your eyes dart—before you even realize you’re communicating.

♥︎ That being said, she still talks a lot. Not to fill the silence, but just because she wants to share things with you. Her day, a dumb joke she thought of, how she absolutely destroyed Dina in a game of poker (she’s lying).

♥︎ Ellie’s the type to get really protective when people try to force you to talk. If anyone’s being pushy or making you uncomfortable, she’s immediately stepping in with a sharp, “They don’t owe you shit, dude. Move along.”

♥︎ She picks up on your nonverbal cues fast. If you glance at the door at a party, she’s already grabbing your hand to lead you out. If you shift uncomfortably when someone tries talking to you, she redirects the conversation smoothly.

♥︎ Writes little notes and passes them to you when you’re both chilling. Sometimes they’re stupid doodles of a buff giraffe (her artistic skills are questionable), sometimes they’re just little things like u hungry? wanna get outta here? u look cute btw.

♥︎ Over time, she gets used to the different ways you communicate—gestures, nods, writing things down. If you’re comfortable, she’ll even help you practice speaking in a low-pressure way, like whispering to her when no one else is around.

♥︎ She talks to you in the same casual, unfiltered way she talks to anyone else. She never makes you feel fragile or different, never acts like she’s walking on eggshells.

♥︎ Lowkey brags about understanding you better than anyone else. If someone’s confused about something you meant, Ellie’s already translating like, “They mean no, dude. Can you not tell?”

♥︎ If you ever do decide to talk, even just a word or two, she never makes a big deal out of it. Just gives you this soft little smile, like she’s proud of you but doesn’t wanna put you on the spot. Later, though, when you’re alone, she might squeeze your hand and be like, “That was cool, babe.”

♥︎ Hums and sings under her breath around you. Sometimes she does it just to make the silence feel shared rather than empty. If you have a song you like, she’ll learn it on her guitar and play it for you without expecting you to say anything about it.

♥︎ Lets you take the lead in physical affection. If you reach for her hand, she acts all casual about it, but inside she’s melting. If you tug on her sleeve for attention, she turns to you immediately, giving you her full focus.

♥︎ If someone asks why you don’t talk, Ellie is the first to shut that down. “That’s none of your business,” she’ll say, jaw tight. She doesn’t need an explanation to respect you, and she makes sure no one else does either.

♥︎ Gets really good at interpreting your facial expressions. A raised eyebrow? She’s smirking. A side glance? “Okay, yeah, that dude is weird-looking.” She makes it feel like a secret language between you two.

♥︎ If you ever get frustrated with yourself, she’s the first to reassure you. “Hey, you don’t need to talk to be heard, alright?” She’ll sit with you through whatever you’re feeling, no pressure, just warmth.

♥︎ Teaches you dumb hand signals for things. If you’re across the room and she wants to make you laugh, she does something goofy, like a dramatic thumbs down when Dina’s being annoying.

♥︎ If you text her instead of speaking, she responds in the same way—never makes you feel like it’s weird. Sometimes she even sends voice memos in response, all lazy and affectionate, like, “Babe, you should’ve seen Jesse’s face when I beat his ass in cards today.”

♥︎ Winks at you a lot. Not in a flirty way (okay, sometimes in a flirty way), but mostly in an I got you kinda way. If you’re struggling, if someone’s being annoying, if she just wants to make you smile—wink.

♥︎ At the end of the day, she never sees you as “the quiet one.” She just sees you. The way you light up when you’re happy, the way you make her feel safe without saying a word. And in return, she makes sure you always know: you don’t have to say anything for her to hear you.

[fadelbison]

why u like fadelstyle so much? the show ended and i still don't feel like theres love between them, same with all jd couples they don't seem like a couple at all

oh man how to answer this in a way that will do fadelstyle justice? I think @secriden and @bentnotbroken1fanfiction have much better, very in depth analysis of them as a pair and their wonderful dynamic.

but for me personally? simply, it's a type of love that I'm looking for. my personality is very similar to fadel's, the way style always goes out of his way to understand him and push back against all of fadels attempts to push him away - it really warms my heart.

they see each other, do you understand? style guesses that fadel could be a hitman, even if it was just a joke - style always saw him for who fadel is and fadel has been in wanting for that devotion, fadel has been aching to just be held and be able to fall apart - when fadel goes to prison style keeps his dream alive. fadel finally found someone who can understand how much he's had to give, how much he's always had to put himself second, someone who appreciates fully when fadel does it for him - I think style is the only person who's ever even attempted to feel the extent of fadel's sacrifice let alone tell him that he's deserving of the same and then go out and do it.

joongdunk have so subliminally portrayed that growing trust between them, that lived through all of fadel's anger at being betrayed, all of style's fear of fadel's dangerous life. they've just done so well to show what it means to slowly make space for each other, to fall in love through a gradual understanding of each other, I really felt that no matter what happened between them no matter how angry they were or how much distance there was between them every episode fadel and style loved each other more than the last.

fadel and style's romance is one of my favorite couple dynamics period I'm sorry you didn't feel it and even though we are allowed to interpret shows differently and like different things its a pity that I have no way to make you experience the beauty with which they touched my heart.

[lancestrollsgf]

# STOP LOOKING AT ME WITH THOSE EYES ! YANDERE! AXEL KOVACEVIC X READER, WRITTEN

introduction master list request list

# WARNINGS: not a good interpretation of a yandere (not intense), lowercase intended, female! reader, use of y/n, spelling/grammar errors, possible OC axel and gullible reader, established relationship, messy writing, and maybe bad descriptions. good ending!! + a cute extra scene at the end

# SUMMARY: you decided to follow your boyfriend to the torment he was participating in. due to not making many friends in highschool in croatia, being in a new environment and country could be a possibility to make new friends, but by the way axel is acting, he doesn’t seem to like that.

# AUTHOR’S NOTE: i did have to watch season 6 again to really get a good intro on axel again, i also did some research/watch interviews, hoping it is right. in this axel is 16 years old and is from croatia, balkans. meaning that axel is going to school in croatia and went to hong kong for training with sensei wolf. i know that it wasn't shown but pretend that axel and reader actually had time and would at least in someway interact with the other characters (more like just miyagi do). i apologize for this being on the short side, i’m still trying to get the hang of writing again. word count: 1100. here is the link of the song the title is named after!

# REQUESTED: YES

axel has been your boyfriend for a while now, and you've always been by his side—more voluntarily than anything, considering how hard it was for you to make friends in your high school back in croatia. it wasn’t that you were unlikable, just that people didn’t seem to care enough to get close. axel was different, though. from the moment he noticed you, it was like you were the only person in his world.

when he told you he was leaving for the tournament, you didn’t hesitate to follow. a new environment, a new country—it sounded like an opportunity, a fresh start. maybe this time, things would be different. maybe you could finally belong somewhere. but axel… he didn’t seem to like that idea.

it started small. a hand on your lower back when you tried to talk to someone new. standing just a little too close when another competitor greeted you. answering for you when someone would ask a question. his grip would tighten, his voice always calm but firm, a quiet reminder.

stay close to me.

you brushed it off at first. axel had always been protective. he said it was because he knew what people were really like— how they used and discarded others when it suited them. you didn't want to believe that.

but then came the glares. the cold, sharp eyes watching every interaction you had. the way his jaw clenched whenever someone so much as smiled at you. the way his mood soured whenever you laughed at someone else's joke.

then the words.

"we're leaving soon, don't get to close"

"they're pretending to be nice, they're trying to get to me"

"i'm the only one who understands you"

at first, you tried to ignore it. axel had always been intense— possessive, even —but he had his reasons. he didn't trust easily, and he never let his guard down. but now, that wasn't just directed at his opponents in the tournament. it was now aimed at anyone who got too close to you.

it started off small. a hand on your wrist when you lingered too long in a conversation. a sharp look when miguel or hawk cracked a joke that made you laugh. the way he always seemed to position himself between you and someone else. like an unspoken barrier.

at first, the others found it ammusing.

"man, your boyfriend's intense," hawk had said nudging miguel after axel all but dragged you away from a conversation. "you sure he let's you breathe?" miguel had given you a sympathetic glance, but he didn't push. sam, on the other hand, did.

"you know that you can talk to whoever you want, right?" she asked one afternoon when axel had stepped away for a minute, due to his sensei wanting to have a conversation with him.

"i know," you had said, but the words felt hollow. because deep down, you knew it wasn't about permission. it was about him. about the way axel saw the world— how he believed people couldn't be trusted. and more than anything, it was about his fear of losing you.

but it couldn't go on like this.

that night, after most of the competitors had gone back to their rooms, you found him outside, leaning against the railing of the balcony of your shared rooms. the bright active city lights reflected in his eyes, but his expression was unreadable.

"you're mad," he said before you could even open your mouth. "i'm frustrated," you corrected, stepping closer. "axel... you have to stop this. i want to be here with you, but i can't do that if you keep pushing everyone else away." his grip tightened on the railing. "i'm not pushing them away. i'm protecting you."

"from what?" you asked, starting to get irritated. "from people being nice to me? from me finally being able to have the chance to make friends?"

he turned to face you then, his gaze sharp but conflicted. "people lie. they act friendly, they pretend to care— but in the end, they always let you down." his voice was steady, but there was something beneath it. something raw. "not everyone," you said softly, reaching for his hand. "not me."

for a moment, he didn't move. then, slowly, his fingers curled around yours, his grip firm, but not forceful. "i don't want to lose you," he admitted, voice barely above a whisper. "you won't," you promised. "but you have to trust me the way I trust you."

axel exhaled sharply, looking away. you could tell it wasn't easy for him, to let go of control. but after a moment, he nodded. "...alright," he muttered. "but if they give me a reason to not trust them—"

"i know," you interrupted, a small smile tugging at your lips. "you'll be watching." a smirk ghosted across his face, and for the first time in a while. his presence didn't feel suffocating. it felt grounding.

— extra scene funny and cute!! (y/n and axel are sitting with miyagi do in this scenario and they have a good relationship with them in this scene.)

the shift in axel hadn't gone noticed. while he still had his moments—hovering nearby whenever someone got a little too friendly—he wasn’t shutting you off from the rest of the world anymore.

during a lunch with all the teams in the tournament, miguel nudged hawk and nodded toward the two of you. “dude, i think your little intervention worked.” hawk smirked, taking a bite of his food. “told you. y/n just had to remind him that she’s her own person, and won’t go anywhere.” hawk replied quietly.

demetri, who had been wary of axel ever since the tense standoff, finally realized enough to sit at the same table again. “so, we’re actually allowed to talk to you now?” he teased, raising an eyebrow.

axel shot him a look, but there’s no hostility behind it. “don’t push it.” tory leaned back in her chair, smirking. “hey, progress is progress.”

even sam, who has been quietly observing, gave a small nod of approval. “it’s nice to see you with us instead of watching from a distance.”

you squeezed axel’s hand under the table, and for once, he didn’t flinch away from the attention. instead, he met your gaze, a silent understanding passing between you.

✩₊˚.⋆☾⋆⁺₊✧

the end!!! 😄😄 if anyone from the better norris series is reading this, part three is coming soon! just trying to get through the axel requests, which i am open to more requests, before posting the third part. ( i am working on part four rn )

[misc-random-mentally-unwell-etc]

Fun story, when I saw this movie (Crimes of the Future), I experienced it as a kind of stockholm syndrome. As the movie went on, I empathized with the characters and started to understand the erotic appeal of the horrifying things they were doing to each other, especially the way it was both horrific and completely consensual (at least for the parts that were).

I explained my interpretation of the movie to people and they usually are like "wtf thats not how I saw it" and "its a horror movie what are you talking about??" But to me it evolved into something beautiful amd enviable after the shock factor wore off.

[the-traveling-poet]

So Clumsy In Love

~ Valentine’s Day Special ~

𝒮𝓊𝓂𝓂𝒶𝓇𝓎~ As resourceful and observant as Levi is, one thing about his new life above ground still throws him for a loop; how could such a simple concept as romance be so difficult for him to understand? You made him nervous—confused and unfocused. Eventually he grows tired of fearing his own emotions, and finds the perfect excuse to spend time with you; the Valentine’s Day festival downtown.

𝒞𝑜𝓃𝓉𝑒𝓃𝓉~ Levi Ackerman x GN!Reader, SFW, v-day themes, inexperienced love, language, cannon-verse, Levi being awkward and crass.

𝒜/𝒩~ Just a lil V-Day fic, since I missed out on doing something for Thanksgiving and Christmas :) Happy Valentines lovelies!

I might make this a mini-series eventually?? Lemme know what you think!! See below for more Levi content.

{ 1.9k words }

It had been an honest mistake, hadn't it?

How should he have known your interpretation of his words wouldn't be what he'd intended you to pick up on?

Though, in hindsight, perhaps he'd subconsciously worried you'd mistake his intent all along—he wasn't known for his poetry. He more than anyone knew this as fact.

The intended compliment he quietly uttered your way could have been more carefully thought out, to avoid confusion. The hand-up after a round on the training grounds could have been a bit more delicate, less forceful and rigid. Hell, even the smile he'd flashed your way last week probably looked more like a grimace or a scowl, now that he thought about it.

Levi honestly had tried to find a way to convey what he felt for you, in any way shape or form—but in all honesty, he wasn't good at this.

Humanity's Strongest Soldier...Seemed more fit to label him Humanity's Most Awkward Bachelor.

Life above ground has been more than he anticipated it to be; so many new sights to behold, so many new things to learn... Back in the Underground, things were much more to the point than they were up here. Much more crass, much more invasive, so much more painful...Up here, on the surface, all of that could easily apply: to certain circumstances—yet never quite so harshly as it was below the surface.

At least, that’s how Levi views it, as a fresh Scout within the Survey Corps. Perhaps one day his interpretation would change.

With having to learn how to read the people of the surface, and adapt to their so-called proper way of life, Levi was left feeling adrift. The stark contrast between their social cues and those of the underground was nothing short of overwhelming.

So, to say that romance was uncharted territory for him would be a vast understatement. It was one thing he’d never expected, never even thought on. He'd never had time for it in the past. He'd been busy surviving, and providing. But now? Now...He wasn't so sure that he couldn't carve out some time between his new duties in the Scouts to understand his emotions a bit more.

Especially the ones he'd recently taken notice of regarding you—the ones that made him stutter whenever you were around, and avoid prolonged eye contact when you spoke. The ones that sparked a warm flutter in the pit of his stomach whenever you laughed, or chanced a smile his way.

It was near maddening, in the beginning. He couldn’t focus, couldn’t understand why he felt what he did. Briefly he recalled having been urged to just really think about it, to make up his mind and listen to his own heart. He’d scoffed at them, the damned bespectacled squad leader—always sticking their nose into his business. But maybe they had a point…

So eventually, he’d done just that; he’d sorted his thoughts and his feelings, dwelling heavily over them for quite some time. Eventually, gradually, he’d discovered that the attraction he held towards you was more than just a fleeting admiration for a fellow Scout.

It was so much more than that.

Such a simple notion should have come much easier to him, as self-observant as he was. His own stubborn pride had kept it hidden away from him, though.

Until now, that is.

Now, it was all he could focus on.

Every moment he wasn’t fully focused on a task, his mind would slip back into a pattern of obsession—fond observations he’d made about you over the many long months he’d been enlisted.

He’d watched you, unbeknownst to you.

Not so much in a way that would border on stalking, but merely keeping himself at a distance, silently absorbing every little fact he’d pick up on and store it away for a later time to muse over.

He found himself admiring you, out of sight. Certainly out of mind to you. Even after the revelation he’d made of his feelings, he couldn’t help but continue to keep his distance and simply watch you go about your days.

Stubborn as he had been, he truly was trying to understand himself whenever you were around. It wasn’t like him to be so unsure—so nervous, even. He’d watch you train, clean, socialize; all at a distance. He wouldn’t dare approach you and intervene with your time, worried he might somehow soil the moment for you, more so than for himself. He’d always frowned on obsessive stalkers in the past; he wasn’t about to become one himself. And yet…Here he was. Pining. Wishing, hoping…Pathetically entranced by all that you were.

In the present, he cursed himself. He’d mustered up the courage to face you in a way much softer than he usually preferred, hoping to not startle or offend you in any way this time. And yet, despite his careful planning, he’d managed to make the moment more awkward than endearing. Once again, the silly cycle repeated itself.

“The hell even was that?” he grumbled to himself, quietly so as not to be heard by passerbyers.

“Why the hell didn’t I just say what I initially thought, instead of butchering any chance I could have had?”

Levi sat alone in his newly appointed office now, silently contemplating his actions the day before.

He really had meant it as a compliment—it had not come across this way. Instead of seeing the smile on your face that he was after, he was met with a furrowed brow and a set of pursed lips.

“I don’t suppose you find yourself funny?”

Your quietly spoken words still echoed in his mind.

What had started as a feeble attempt at pursuing a conversation with you after a meeting—in hopes to steer it in a more progressive direction—ended abruptly in narrowed gazes and an awkward silence.

“Idiot, fucking idiot…” he muttered as an afterthought to himself, standing up to pace the small space.

He’d heard tell of an event celebrated amongst the people born and raised above ground—some sort of ‘lovers day’, meant to bring attention to a love one held for another. Initially, he thought it was corny. A little ridiculous, even. Soldiers and civilians alike would participate in this festival of sorts, celebrating ‘romance and unity’.

‘Pointless. Waste of a good coin. Waste of time.’ He’d once proclaimed.

It took him falling in love to understand why any such thing would be celebrated as a ‘holiday’ worth entertaining.

Now that he had fallen for another, however, he suddenly could understand. Even just a little.

He’d pondered over such an idea for months, long before the event would take place. At first he brushed it off as some teenage fantasy, asking the one person he admired from a distance to join him on a night of fresh starts and new experiences—some ridiculous little event to finally express his heart to you.

But after some time, in which he truly began to understand what he felt for you…The idea seemed plausible, at the very least.

Cringy, maybe. Satisfactory, definitely.

Eventually he’d made up his mind, only a couple of days before the dreaded date. He would ask you to celebrate: with him.

He’d hoped to ask you if you would join him for dinner—maybe walk amongst the festivities together, as a way to indulge in the festival being held in the town square. Maybe there he could admit to you, in some way or another, how he favored you above all others. How he wanted to pursue something, anything with you—if you’d let him. Only if you shared his ambition.

But of course, approaching this subject with you only made his clumsiness worse. The attempt he’d made at broaching the subject couldn’t have been more uncomfortable for either of you.

“You people up here tend to celebrate weird shit…You’re alone for this weird ass holiday, right? I don’t imagine you’d have the time for such things, anyways—always caught up in perfecting your shitty strategies and formations.”

That had been the first and last statement he’d made before your remark, regarding him in an almost offended way. Even now, your response still haunts him.

In his mind, he figured this was a compliment; a rough one at best. You were always focused, always concentrated and putting your best foot forward for any task that demanded your full attention. Of course he’d noticed. He always had. Yet…now hadn’t been the time to point that out—much less, in such a demeaning manner.

He hadn’t meant to underline your lack of a romantic life. But he had, and the moment the words left his lips he knew it.

Less than a full day had passed since then, and still he mulled over it, sulking over his inability to take that step forward and just say what he meant. To say what he needed you to hear.

It was evening when he left his office, the sun filtering through his window setting over the walls beyond in crisp oranges and bright pinks. He might have stopped to watch it for a moment, if he weren’t at wit’s end.

He’d kept himself cooped up stewing over his mistakes long enough—It was now or never, wasn’t it?

Finding you hadn't been too difficult. In fact, it had been a little too easy; of course he’d find you chatting happily amongst comrades before turning in for the night.

The difficult part, the one he knew he would inevitably face, was getting you alone for a single moment. Just long enough to grab your attention and say what needed to be said…

To his silent astonishment, he’d managed the task easily enough; a simple demand for a moment of time seemed to do the trick. He’d pretend he didn’t see the hesitance in your eyes, the silent judgment that you never verbally conveyed.

“Listen; I’m shit at words. Especially the weird shit you all say up here on the surface. It’s strange, and it’s stupid. But…The other day, what I’d meant wasn’t what I said. If-If you are alone tomorrow…Well, I suppose I am as well. I’d wondered: what if we grabbed a bite to eat? Avoid the drama these love sick idiots parade around and just…I dunno…Get to know one another a little?”

You’d huffed in amusement, a crooked smirk on your enchanting lips. The earlier hesitance disappeared from your gaze, replaced now by a nearly mischievous look of understanding.

The silence left behind from his proposal was enough to spike his nervousness once again—he was so far out of his element that even he would laugh at himself if he were observing from afar.

Maybe he’s misjudged, made a mistake…

But eventually you shook your head, uncrossing your arms and looking him over head to toe, curiosity beaming in your pretty eyes.

“As it should happen, I’m not busy for Valentine’s tomorrow, and I suppose I could stand to better familiarize myself with my fellow Captains…”

A pause in your voice brought about the stilling of his heart, his chest aching briefly with anticipation. But then you gave your final answer; a few simple words that lifted the anxious weight in his heart and eased the tension in his shoulders. He nearly sighed with visible relief.

“Why not? I’ll go to dinner with you. There’s a new café in Trost; I hope you’ve heard of it?”

~𝑀𝑜𝓇𝑒 𝐿𝑒𝓋𝒾 𝒜𝒸𝓀𝑒𝓇𝓂𝒶𝓃 𝒞𝑜𝓃𝓉𝑒𝓃𝓉 𝐻𝑒𝓇𝑒!~

~𝒟𝒾𝓋𝒾𝒹𝑒𝓇~

[newhumantype]

It's one thing to look at and recognize all the signs in the show that buck is seconds away from his feelings realization (the questions Josh asks to help him understand how he feels about someone, the whole "first not last" thing, the bait and switch of 7.04/"MY attention?", the El Paso arc giving him a reason to question his relationship with eddie...). It's quite another to read oliver stark just basically say out loud that buck is going to have his feelings realization.

But at the same time, that's one reason why it's difficult to interpret his words in that article any other way. Because the actual (sub)text of the show has been building to buck's oh moment for a while, so when you hear oliver all but say that it is indeed right around the corner, it's just confirming something that seemed likely already. And it all hangs together when you look at the big picture.

[elfwreck]

Signal is encrypted - BUT if you're using it on a phone, your keyboard is not.

There are ways to make it more secure, per this discussion:

But yes, as noted: assume ANYTHING you put online can be seen. Do your planning in person. Or: over a landline phone. (...only works if both ends are on landlines. They have stronger legal protections than mobile phones.)

If you can't plan in person and are stuck with phones - use voice, NOT text info. Ideally, coded voice in the context of a video game, not a normal chat. Talk about things in game terms or fannish terms that everyone involved understands - not because it's hard for a person convert those to the actual discussion topics, but because the damn AI interpreters everything is being fed through, does not know that when you say "My omega needs heat suppressants" that you are looking for BC pills.

A human translator can figure that out. (Probably.) A machine that's converting spoken words to text and feeding a billion conversations into an algorithm, looking for keywords - can't.

Tumblr is owned by a trans-hating wannabe billionaire; he will absolutely sell out your data or hand it over to cops without a price tag.

DO NOT DISCUSS CRIMES ONLINE. Not even "last year this was not a crime and this year it's only a crime in districts that have been infested by Nazis." Too many cops are nazi supporters; do not discuss these things online.

And remove your age, gender, sexual identity, location, mental health history from your bio, dammit. (It may be too late. But maybe not. DO NOT TELL THEM WHO AND WHAT AND WHERE YOU ARE.)

PSA: never discuss private affairs in your DMs, especially contraception and abortion. Social media moguls will absolutely sell you out to the government. There are already cases of people being charged based on evidence in their DMs.

[deception-united]

hi! do u have any prompts or tips for writing miscommunication?

Hi, thanks for asking! Miscommunication is such a powerful tool in storytelling—it can create tension, humor, heartbreak, disaster, deepen conflict, and make relationships feel more real, all depending on how you use it. Here are some tips and ideas!

1. Give them a reason to misunderstand.

Miscommunication isn’t just about bad hearing or unclear words—it’s about perspective. Each character brings their own biases, fears, and assumptions into a conversation, which shapes how they interpret things.

Examples:

Misreading the other’s tone as disinterest or rudeness, or taking sarcasm seriously.

Being too embarrassed to ask for clarification and pretending to understand.

Hearing part of a conversation and assuming the worst before getting the full story.

2. Use context & distractions to twist the meaning.

Realistic miscommunication often happens because of outside factors, like background noise, stress, exhaustion, or missing context. If your character is in a high-stakes situation, they may be more likely to misinterpret things.

Examples:

Two characters are arguing, and one storms off before hearing the other’s explanation.

A message is delivered at the worst possible time, leading to an unintended misunderstanding.

Assuming they’re being talked about when the topic is something or someone else entirely.

3. Non-verbal miscommunication.

Miscommunication can come from texts, body language, cultural differences, or even personal insecurities—it doesn’t always have to be verbal.

Examples:

Assuming a friend is ignoring them when they’re actually distracted or dealing with something else.

Sending a message to the wrong person.

A nervous laugh at the wrong time, making it seem like they’re mocking someone’s pain.

4. Let it snowball, but not forever.

A small miscommunication can grow into something huge, but at some point, it should ideally be resolved. The longer it lasts, the more consequences it will have, which may be what you’re going for, but it also makes it more frustrating for the reader.

Examples:

Holding a grudge for months over a misunderstanding.

One person finally explains the truth, but the other is too stubborn to believe them—until undeniable proof forces them to see it.

5. Use miscommunication to reveal character flaws.

How your characters handle (or fail to handle) miscommunication can reveal a lot about them. Do they get defensive? Do they double down? Do they laugh it off? Their reaction can reveal a lot about their personality.

Examples:

Always assuming the worst and jumping to conclusions.

Refusing to admit they misunderstood and instead blaming the other person.

Habit of overexplaining, making things even more confusing.

Hope this helped! For more specific prompts, feel free to check out my previous post, linked here.

[a-friendly-fangirl]

"I Can't Hear It Now" is a CaitVi song (and I can prove it)

Ok, I know how this might sound, like I'm trying to make everything CaitVi related and I have no respect for Cait's loss and her feelings.

I promise though, that this might actually make sense... and if it does, then it's gonna be heartbreaking.

FIrst of all, I'd like to say that Freya Ridings' "I Can't Hear It Now" has been my favourite song since the very beginning of Arcane's second season, shattering my soul in enough pieces to make a challenging puzzle. The words and the way they're sung are heartfelt and moving, taking us through the kaleidoscope of feelings Cait experiences during her mother's funeral.

I'm a sucker for good music adding meaning to a show and its scenes and Arcane is exactly the kind of show that'd do that, so I've been eager to fully explore each song in the show's context, starting with this one.

When I first listened to it, I immediately thought that it was Caitlyn pleading Cassandra for guidance through her grief and her sense of guilt, because, as Cait herself admits, her mother left a huge hole in Piltover's political scene and in her own family and she has no clue as to how deal with it.

"Just tell me how to keep breathing while pretending I'm not drowning" seemed to me as something one would ask to their parent, were they a person with an important political role, having to constantly keep up appearances. Caitlyn, young and in mourning as she is after her mother's death, is also left alone to face publicly the loss, because her father is clearly in no condition to do that and she doesn't know what she's supposed to do to be a good replacement for both of her parents. I think everyone would understand, if she were to pray her deceased mother for help.

With time, though, I started rethinking my whole interpretation, because a few elements seemed off. Two are the ones that matter the most:

To be a song about a Piltovan dealing with grief by conversing with her lost one, it would've been weirdly spiritual. Although I don't know much about the city's lore, a quick research clarified that Piltover doesn't seem to have an official religion or religious belief and, in my experience, talking to a deceased person and asking them for guidance is something deeply rooted in spirituality and religion. Of course, when mourning everyone can talk to their lost ones as a form of coping mechanism, but in the song it is explicitly stated that the person Caitlyn is talking to can see her (Where you watch while these dreams gently float away), which is something we never hear from her. Caitlyn, actually, believes exactly on the contrary, which is that her mother has left a duty she doesn't know how to fulfill and she can't turn to her to find her way; in fact, she never appeals to Cassandra in any fashion. She remembers her, probably wonders whether she's proud of her or not, but she never reaches out to her directly. Long story short, then, the lyrics seem directed more to a living person than to a dead one;

Some lines simply don't apply to Cassandra. Look, I know I shouldn't take every word literally, but here some things wouldn't make any sense anyway. Like the way your voice always sounds when you sing to me doesn't appear to me as a line I could ever imagine Cait addressing to her mother. Cassandra, even though she wasn't a terrible mother, was still an estimated Councillor and head of one of Piltover's richest and strongest families. She raised her daughter hoping some day she'd take over and sit proudly on her seat at the Council table. Caitlyn was educated as an aristocrat without wanting to be one ("I know you doubt the merit of your birthright, Caitlyn"), which sparked several arguments between them. Cassandra, despite loving her daughter, could never fully accept or understand her and her upbringing and position probably made everything worse. In other terms, Cassandra wasn't probably the kind of mum that'd sing Caitlyn lullabies. Also, again, the verb is conjugated in the present tense, as if the person addressed in the song was still alive. Just tell me how to keep breathing while pretending I'm not drowning sounded pretty odd to me as well. While it is undoubtly true that Cassandra was probably a professional pretender because of her social position, what Caitlyn is asking for is something much deeper: she's asking to be pulled out from a black hole of sorrow and hatred. It takes experience to put on a good poker face when given such a challenge and, even if we don't know much about Cassandra herself, I could guess that she'd have lacked that sort of knowledge.

Going briefly back to the funeral scene, we can all recall that, while Cassandra and Caitlyn were both in colour, there was also another character highlighted as the heart of that moment: Vi. Vi, who, as it is made perfectly clear through the whole second season, is Caitlyn's anchor. She's the person she relies on the most, starting a war to save her father and letting go of the person she despises the most for her. She goes through her plan with her, asking her what Jinx's fate should be. Vi's the person she turns to when she feels like breaking down instead of her own dad. In other words, in such a desperate moment, if Caitlyn needed someone to talk to, she'd go to Vi.

And that's when the song starts making even more sense:

. There is an ocean so dark down below the waves/ Where you watch while these dreams gently float away: while Caitlyn's saying goodbye to her mother, Vi... watches. Almost like a worried guardian, she keeps her distance while empathising with her girl's feelings, literally watching while their dreams of peace, love and freedom leave with the coffin;

. And there is a silence so soft it's only memory/ Like the way your voice always sounds when you sing to me: this is such a CaitVi thing to me. Do you remember the wind chimes scene? Her thought of Jinx makes the wind grow furious just like her, while the thought of Vi calms her down. When Cait is tormented by the terrifying noise of Jinx's laughter breaking the silence, Vi comes in and restores it. It's no accident that the only music we can hear in the end is Vi's singing, a soft humming;

. But I can't hear it now/ Just tell me how to keep breathing while pretending I'm not drowning: to enjoy silence and not feel suffocated by it, your mind must be at peace. At the very beginning of the season, Cait's isn't. Her anger, her sense of guilt scream loud enough to drown Vi's voice. Still, Caitlyn turns to her, because Vi's the only person in her life that knows what she's going through. In fact, when Caitlyn's losing it, because she has no idea of how to fill the hole left by Cassandra, it is Vi that replies: "It gets smaller, but you never fill it".

So here it is, I rest my case.