#Ibert

[deadhorserecords]

Tales Episode 23: Garfield Moore

Tales From the Jazz Side with cellist/composer/educator Garfield Moore. I have known Mr. Moore for quite some time and have had the privilege to perform with him on only one occasion. And that one time, the plethora of knowledge that I gained in that interaction still sits with me today as I progress into new territories of music. Where do I start with the history of this fascinating and…

[fitzrove]

Sopranos have it so much easier 😭

[lesser-known-composers]

Jaqcues Ibert (1890-1962) - Flute Concerto

I. Allegro II. Andante III. Allegro scherzando

Flute, Yubeen Kim 플루트 김유빈

수원시립교향악단 Suwon Philharmonic Orchestra 지휘 김대진 Conductor, Daejin Kim

[onenakedfarmer]

Currently Playing

Les Vents Français FRENCH MUSIC FOR WINDS & 20TH CENTURY WIND QUINTETS

Emmanuel Pahud, Paul Meyer, Francois Leleux, Gilbert Audin, Radovan Vlatkovic

Jacques Ibert - Pièces brèves for Wind Quintet

Maurice Ravel - Le Tombeau de Couperin

André Jolivet - Sonatina for Oboe and Bassoon

Darius Milhaud - La Cheminée du roi René, Op 205

Paul Taffanel - Wind Quintet

György Ligeti - Six Bagatelles for Wind Quintet

Alexander von Zemlinsky – Humoreske - Schulstück für Bläserquintett

Samuel Barber - Summer Music, Op. 31

Sándor Veress - Sonatina for Oboe, Clarinet, and Bassoon

Paul Hindemith - Kleine Kammermusik for Wind Quintet, Op. 24 No. 2

[hatsunomio]

23年コンサート#54

4月22日　NHKホール

パーヴォ・ヤルヴィ指揮NHK交響楽団　第1981回定期演奏会

ルーセル　弦楽のためのシンフォニエッタ

プーランク　シンフォニエッタ

イベール　室内管弦楽のためのティヴェルティスマン

フランス新古典主義、第二次大戦前後の作品特集。パーヴォのシャープでソリッドで、しかも抉るところは抉る、巧みさが存分に発揮されたプログラム。ふつうなら、曲の長さと編成の大きさからプーランクのシンフォニエッタを最後に据えるのだろうが、あえてイベールをトリに持ってきた。心にくいセンス。

爽快なプーランクも勿論素晴らしかったが、やはり今日はこれ、イベールのディヴェルティスマンだろう。もともと喜劇につけられた音楽からまとめられた組曲という曲の性格に相応しい、シャープでスタイリッシュでかつ遊び心いっぱいの演奏だった。近年、度々N響公演に出演するちょっと強面（でも熱く優しいひととお見受けする）長尾洋史氏の活躍も目覚ましい。そしてフィナーレではパーヴォのホイッスルに加えて楽員のパフォーマンス（坂口弦太郎さんの大ジャンプにびっくり、若手じゃないぞ）。その伏線には、サプライズの少し前、客席の思わね笑い声を引き出したパーヴォのちょっと大袈裟な溜めがあった。楽き哉。

[elmartillosinmetre]

Mi crítica del concierto de Rosa Díaz Cotán y Reham Fayed anoche en el Alcázar.

[abwwia]

Leonor Fini designed “The Triumph of Chastity” with choreography by Ruth Page and music by Jacques Ibert for the Ballet Guild of Chicago. 1954. #leonorfini #costumedesign #triumphofchastity #ballet #jacquesibert #balletguildofchicago

[gaybox]

I picked a piece without thinking and i kind of hate it and i dont want to do it anymore but my accompianist has the music so its probably too late now i have to play the stupid Ibert. i wanna do something baroque FML

[doriangray1789]

İlgi çekici konser Az önce sonlandı… Anadolu Nefesli Beşlisi, “Del Mundo”. Eşimle birlikte, Macaristan sokaklarından, Arjantin sahillerine, Fransa’nın özel tınılarından, Anadolu’nun dört bir köşesine işlemiş ezgilerine ve balkan müziğinin kendine has tınısına dünyaca ünlü bestecilerin eserlerinin aranımanı ile oluşturulmuş benzersiz repertuvarı ile harika bir konser izledik…

Konser Programı: J. Ibert - Trios Piece Assez lent Allegro scherzando Andante Allegr I. Iwanow - Bulgar Skeçleri  Allegro con brio  Allegretto  Allegro moderato  F. Farkas - Antik Macar Dansları Intrada  Lapuckos Tane  Ugros  L. Berio - Opus Nummer Zoo I. Barn Dance  II. The Fawn  III. The Grey Mouse  IV. Tom Cats  F. Tüzün - Esintiler  (Düzenleme: Kıvanç Fındıklı)  Allegro  Zeybek  Allegro vivace  A.Piazzolla - Adios Nonino G. Ligeti - Six Bagattel No. 1, 3, 4, 6  B. Kovacs - After you Mr. Gershwin Kıvanç Fındıklı - Karmaşık Beşli

[lesser-known-composers]

Jacques Ibert (1890-1962) - Petite suite en 15 images (1943)

00:00 -- 1. Prélude 01:39 -- 2. Ronde 02:22 -- 3. Le gai vigneron 03:08 -- 4. Berceuse aux étoiles 05:02 -- 5. Le cavalier Sans-Souci 05:51 -- 6. Parade 07:29 -- 7. La promenade en traîneau 08:22 -- 8. Romance 09:35 -- 9. Quadrille 10:02 -- 10. Sérénade sur I'eau 11:26 -- 11. La machine à coudre 11:53 -- 12. L'Adieu 14:23 -- 13. Les crocus 15:41 -- 14. Premier bal 16:21 -- 15. Danse du cocher

Pf : Andrey Gugnin

[shoutasibayama]

Canon x OC

ＷＡＲＮＩＮＧ

Mira Ibertal（left）

She is Area6 commander's fiancé

She is kind and perserious.

Since Mira dated him, she let him have a lunch box every day.

Matheus Aubez（right）

this name is Area6 commander's name in my head canon.

He loves Mira very much...

Is it better not to talk about this anymore?

The detailed settings for them have not been decided yet, so I will think about it slowly. I'm sorry if there was someone I'm not good at.

[byneddiedingo]

Orson Welles and Jeanette Nolan in Macbeth (Orson Welles, 1948)

Cast: Orson Welles, Jeanette Nolan, Dan O’Herlihy, Roddy McDowall, Edgar Barrier, Alan Napier, Erskine Sanford, John Dierkes, Keene Curtis, Peggy Webber, Lionel Braham. Screenplay: Orson Welles, based on a play by William Shakespeare. Cinematography: John L. Russell. Art direction: Fred A. Ritter. Film editing: Louis Lindsay. Music: Jacques Ibert. 

Orson Welles may have taken the old theatrical superstition of referring to the play not by its title but as "the Scottish play" a little too seriously. The decision to have actors deliver Shakespeare's lines with a Scottish accent was met with derision by critics, and Republic Pictures, the poverty-row studio that released the film, eventually had it redubbed without the accents after the initial release flopped. The original soundtrack has been restored, however, and it's hard to see what set the critics' teeth on edge: For the most part, the occasional flavoring of the dialogue with Scottish vowel sounds and diphthongs is unobtrusive. The one exception, to my ear, is Roddy McDowall as Malcolm, who carries the accent a bit too far -- though that may be because McDowall's conception of the character is something of a callow noodge, especially in the scene in which he's trying to persuade Macduff (Dan O'Herlihy) to cease grieving for his murdered family and take action. I must have seen the old redubbed and cut version at one point, because I remembered the film as rather glum and murky, when in fact, although it's not wholly successful, it's filled with Wellesian visual touches and some very solid performances. Welles makes remarkable use of the Celtic cross as a visual motif, for example, having the troops advancing on Dunsinane carry impossibly long staffs surmounted with the cross, a touch that dazzles the eye. His own performance is somewhat uneven -- Welles was seldom the strongest actor in his productions -- and he fails to provide Macbeth with the character arc that makes the character a tragic figure, moving from mere ambition to blind bloodthirstiness. Jeanette Nolan is a good Lady Macbeth and O'Herlihy a suitably strong adversary for Macbeth. As usual, Welles drew many performers from his Mercury Theater company, including Erskine Sanford as a dignified Duncan, something of an about-face from his broadly comic performance as the flustered newspaper editor Herbert Carter, huffing and puffing when he's ousted by the paper's new owner, Charles Foster Kane, in Citizen Kane (Welles, 1941). The low budget for the film shows, especially in the sets -- Dunsinane seems to be more cave than castle, its walls made out of Plasticine -- cobbled together on the Republic soundstage by art director Fred A. Ritter. And although Welles's keen eye served John L. Russell well, as Alfred Hitchcock's would later when he shot Psycho (1960), Russell was never a distinguished cinematographer. Still, this is a fairly distinguished effort at putting Shakespeare on film.

[afoolandherpiano]

Last morning of 2023 spent recording my Grade 7 Piano Performance exam: Le petit âne blanc by Ibert, Mélodie by Hensel, Les sauvages by Rameau, Kind im Einschlummern by Schumann.

~

Le dernier matin de 2023 passé à enregistrer mon examen Grade 7 Piano Performance: Le petit âne blanc d’Ibert, Mélodie de Hensel, Les sauvages de Rameau, Kind im Einschlummern de Schumann.

[userdaisy]

ik this might be controversial but i think bp’s music is going downhill, esp listening to the recent teaser for shut down

disclaimer: i am NOT against the girls in any way, the only hate i intend to direct remotely in their way is to teddy and yg for giving bad music

as a classical music enjoyer, i think its pretty insulting of teddy to use paganini’s la campanella.

a lot of violinists associate paganini (im gonna refer to him as pag from here) with pain (reasonable, since the technique is insane). other than violinists, every single other instrument also has their own ‘pag’ (e.g ibert for flute, bottesini for double bass etc) where either the technique, musicality or both need a lot of skill and consistent practice.

personally, i think its about time society moved on from stereotyping classical music as the ‘most famous composers’ (beethoven, mozart, bach, pag etc) and the ‘most famous pieces’ (beethoven’s 5th, nachtmusik, fugue in d minor, 24 caprices etc). other than these big names, we could all explore the different composers, like debussy (relatively big in the classical community) or scarlatti (not super well-known but one of my favs).

other than pag, there are a lot more issues w the music, like how every single song has the same format

the pattern i noticed very frequently is

-> intro, usually with gradually increasing volume of the instrumental to build up tension to jennie’s first verse

-> lisa sometimes has a short part here to continue the rap flow

-> rosé’s verse

-> jisoo’s prechorus

-> jennie + lisa have main chorus, with occasional adlibs from the vocals

-> lisa rap

-> jennie rap in the same verse

-> jisoo’s verse, usually copy-paste from rosé’s verse

-> rosé’s prechorus, usually copy-paste from jisoo’s verse

-> lisa + jennie swap parts for main chorus, so do jisoo + rosé

-> rosé has first half of bridge

-> jisoo has second half of bridge

-> rosé might have a little continuation of the bridge

-> outro + dance break, where all the members’ voices are put together

there are one or two songs which dont use this format very strictly (mainly their older ones) but most of them are some variation of this. this is kinda like a formula for line distribution too, so the vocals get less lines generally compared to the rappers.

about the music itself, i notice that the entire track is basically a few samples and some simple chords threaded together and put on loop, relying quite a lot on the bass beat

you can see this quite obviously in pink venom, hylt and 4d. if you pay attention to the instrumental in the chorus, you can quickly identify the beat and find it in the other verses.

as an ex-vocalist, i hear a lot of voice straining and lack of support for the vocalists. however, since i am neither a rapper nor a dancer, i cannot comment on the girls’ rapping and dancing, other than the fact that they are enjoyable. i will also not cover their live vocals and stability, because you cant pinpoint exactly when someone is singing live in the industry.

both vocalists have a lot of potential in their voices, since both of them have a unique, distinguishable tone.

for jisoo, her vocals have pretty good support, but she tends to strain instead of using her head voice when the notes are higher than her chest voice range.

for rosé, she could try to strain her voice less, like jisoo. her vocal support is also somewhat rudimentary at best. she could try to practice using her diaphragm more, along with some other technique exercises.

yes, there are definitely a lot more reasons why their music isnt good, other than all these points i mentioned.

as i mentioned in the disclaimer, the purpose of this post is NOT to hate on the girls. if anyone here is to hate, it should be teddy and yg ent.

anygays thank you for coming to my tedtalk 🫶

[pastdaily]

Ibert Conducts Ibert In 1930 - Past Daily Weekend Gramophone

World premier of Jacques Ibert’s Donogoo, as performed by Ibert and an ensemble for this October 26, 1930 recording for the Artiphone Record Company in Paris. Click on the link at Past Daily and hear the original recordings. And help support the site and what we do every day.

[djzibaz]

129

The Soul of Spain - Macarenas/La Violetra Tony Acosta - Para Que No Me Olvides The Soul of Spain - Malaguena/Domingo en Seville Duets with the Spanish Guitar - Ibert/Villa Lobos Bad Bunny - Cantares de Navidad Carioca Marcel Azzola - Siboney (rumba) --------------------- The Andinos - El Indio Baja Marimba Band - Pedro's Porch, Part II Les Baxter his Chorus & Orchestra - Havana Selena - Como la Flor Chicano Batman - La Jura Aterciopelados - Bolero Falaz --------------------- El Son De Cuba - El Son De La Alfabetizacion Los Serranos - Desde Cuba a Puerto Rico Armando Manzanero - Soy Feliz Hombres G - Sueltate El Pelo El Halcon Retana - El Indio Misterioso Tommy Garrett - Mi Casa, Su Casa Roberto Delgado - Mexico, Mexico Estrellita - Perdoname -------------------- Ballet Folklorico de Mexico - El Venado Burbujas - Con un Poquito de fe y Ciencia Maria Teresa Chacin - Sueno de una nina grande Mexrrissey - Cada dia es domingo Nat King Cole Espanol - Las Mananitas Conjunto Yumuri - Guampanpiro -------------------------- Carmela y Rafael - Por Todo Yo Pienso en Ti