#ITS ABOUT ETHAN HAWKE

[dr3amdolly]

[v0idwraith]

james lance has officially joined the ranks of straight men i trust to portray queer characters

[divorcemotif]

FINALLY A HAMLET 2000 TRUTHER

VERY NICE TO MEET YOU I AM OBSESSED WITH HAMLET 2000. my friend and I put it on on a 3 am whim intending to make fun of it but the further in we got the more we were turning to each other like "wait is this good? is this actually good though?? holy shit?? why does this go off?"

[supermarketcrush]

girls when they finish watching dead poets society

[brainjuicey]

money is the only way to escape being powerless in the system, money is the only way you can buy your way out, but you better pray you never run out of money

[bosinclairsgff]

Taking a bath with Albert Shaw

Warnings: nsfw, kidnapped reader, age gap (reader is legal duh)

It’s Ethan Hawkes birthday (was while I was writing this lol),so I’ll gift you all with a random, short story <3 (gif made by me) bros I’m embarrassed I wrote this also I DIDNT KNOW WHAT TO CALL A CLIT 😭😭

“Dove?” You heard him whisper as you felt him moving your hair out of your face. Slowly you opened your eyes. It was dark out already, the basement was dark aside from the street light flowing in and the big metal door being wide open. “Y/n.” He said sternly pulling you from your thoughts. “Ahh there she is. How about a bath?” Albert asks cupping your cheek in his hand. Your eyes lit up, it’s been weeks. He usually brings down a damp rag you use to “clean yourself” with. “A bath? Like..upstairs?” You ask sheepishly avoiding his eyes. He chuckled darkly. “Mhmm upstairs, your filthy and stink.” He states his eyes burning into yours. You felt your cheeks heat up from embarrassment. “Come on let’s go the water will get cold.” He stands up reaching for your hand. You hesitate for a moment, slightly suspicious of his kind behavior. “I wasn’t suggesting you get up, I was telling you to get up.” He growls. Not wanting to piss him off you reached out for his hand letting him pull you up. He held your hand tightly as you both walked up stairs. You passed a kitchen, then down a small hallways and you then reached the small bathroom. Albert pushes you inside gently, turning to close the door and locking it. You were completely trapped inside with him. He stared at you with hungry eyes. The bathroom was steamy and hot. “Wouldn’t want the water to get cold dove.” Albert said just above a whisper. You felt goosebumps cover your whole body. He stepped closer, reaching out to touch your face in a gentle, caring way. “Take off your clothes y/n. Now.” He wasn’t asking. You took a shaky breathe and slowly took off your dirty, ripped skirt. Along with your underwear. They fell to the ground puddling at your feet. Next was your filthy blouse and bra. His eyes never left your body, you don’t even think you saw him blink. You were standing in front of him fully naked. His eyes glistened with something dark and evil. You shudder thinking about it and he notices, laughing slightly. “Well? Aren’t you going to get in? Wouldn’t wanna take a cold bath would you?” You can see him flash a smile at you. He had the top half of his mask on tonight.

You slowly slipped into the bathtub. It was hot and felt amazing. When you fully got in you pulled your legs to your chest. Albert just watched for a few moments, not wanting this to end. Finally he spoke. “Want some company?” He ask so nonchalantly with a smirk. You felt your cheeks heating up from the water or from his question, you couldn’t tell. Some sick twisted part of you did want him to join you. You haven’t really been touched or loved since he took you. You craved it, you craved it from him. “Yes.” You whisper looking down immediately not wanting to look into his eyes. His eyes widen slightly, he wasn’t expecting that. He knew you were just touch starved but he didn’t care. “Mmmm alright my little dove. You have been a good girl. Naughty girls get punishments but good girls can be rewarded.” He sighed as he started to unbutton his cardigan. Albert didn’t have a shirt on under it. Then he moved onto his pants, then boxers. You immediately looked down at the water. He noticed, he notices everything. Albert laughs at your reaction. “Scoot up dove.” He says standing tall above you. You quickly do as he says. Feeling the water ripple as he steps into the hot bath. Lowering himself, both legs are on either side of your body. Your trapped. You feel his arms wrap around you pulling you plush against him. Your back resting on his chest. Looking up at him, he still had that scary mask on you always hated. You slowly feel his right hand moving up your stomach. Shivering at his touch. His hand makes its way to your boob. You gasp as he punches your nipple in between his fingers. You feel him breath in deeply. Massaging your boob softly but every now and then pulling at your nipple. You try to hold back your moans. “Mmmm dove let me hear your pretty little sounds.” He whispers in your ear. You feel him trailing down your stomach towards your most sensitive spot. Finding yourself holding your breathe in anticipation. He chuckles. “You have to breathe y/n.” Albert says as his hand makes it to your sensitive bud. You breathe out shakily, holding back a moan. He slowly starts to draw slow, painfully slow circles. Not being able to hold it back you let out a soft moan. “There you go dove.” He says as he kisses your back. It’s to slow, you need him to speed up, you need more. “Please…please just go faster.” You cry out. “Mmmm” he growls deeply. But he picks up the speed. You whimper and moan out his name. Gripping onto his arm. “Such a pretty girl. You make such pretty sounds my dove.” He whispers. Before you can respond you fee two thick fingers enter you, making you cry out from slight pain and pleasure. His fingers curl up and at cruel pace, hitting the right spot over and over again. “Al…please…I can’t!” You can’t even form a real sentence. “Shhhh it’s okay pretty girl…you’re doing so well. You’re almost done you can take it.” He coos in your ear. That alone almost makes you come undone. One last time he hits the right spot and you cry out in pure pleasure, your ears ringing. He lets you come down off your high holding you gently as you shake, kissing your neck. “Mmm so good dove. You did so so good. I’m proud of my good girl.” Albert says. You both lay in the bath silent for a few minutes. Neither of you wanting to ruin the moment.

“Well, I suppose we should get you all washed up dove.” He says as he pours soap into his hand. You smile softly leaning into him.

[youremyheaven]

Random Mini Astrology Observations: Vedic Edition

Warning: This is just a string of random thoughts lol, don't compare it to my best work on here. It's a bunch of stuff I've had in my drafts and I'm trying to clear it all out

Before I get into this, I just want to say, that whether my observations are positive or negative, it won't apply to every individual who has these placements. 8 billion people exist on this planet, and not everyone will exhibit the same good or bad qualities. I hate having to put this PSA because some people don't get it but yeah "not all Lunars/Venusians/Nodals/Solars/Jup/Sat are going to be the same".

Jupiter influenced men are known for being introverted cutie pies who kinda have that mature-dilf-y vibe.

Obviously, another category of Jupiter men are often loud, extroverted and very outgoing but I've noticed these placements heavilyyyy in celebrities "known" for being private and introverted. They are also often known for being generous and kind hearted.

Prabhas, Vishaka Stellium (Moon, Mercury and Venus)

He is known as "darling star" and brings food that he has prepared at home for everyone on set (he is an actor). He is known for being very shy and introverted but also super sweet, generous and kind.

Sidharth Malhotra, Vishaka Moon

Sid is known for being extremely lowkey which is RARE for a Bollywood actor. He's also quite gentlemanly and charitable

Ratan Tata, Vishaka Moon

He is an Indian billionaire entrepreneur who lives in a small 2bhk apartment and has donated most of his personal wealth to charity. He is known for having led his company in a very humane way (there are lots of controversies and im aware of them but compared to the work culture and quality of life that most other indian companies offer its employees, TATA is in a different league).

Keanu Reeves, Punarvasu Moon (and stellium)

i dont have to explain but Keanu is the king of kindness and generosity

Mads Mikkelsen, Vishaka Moon

unlike his characters, Mads is actually a sweet guy and very private

Adam Driver- Vishaka Sun

he's so private that nobody even knows he's married with a kid

Tom Hanks, Punarvasu Sun

known for being a gentleman and quite modest. the OG nice guy and obviously very private

Ethan Hawke, Vishaka Sun

another lowkey, private guy who is known for being nice

2. Rashmika Mandanna and Surbhi Jyoti, Swati Moon

I find their eye area to be kinda similar?? I know they don't look alike but there are some overarching similarities between them and I think its bc they have the same moon nak.

3. I came across a comment that Akshay Kumar made about Asin and her CEO husband Rahul Sharma.

“He is madly in love with his wife, his child. It’s like he treats her like a goddess.

and guess what?? Rahul is a Purvashadha Sun 🥺😌😌

4. Ashwini natives often have post-apocalyptic dreams

Since its the first nak and is ruled by Ketu and is in complete darkness, symbolically representing the stage before creation (which happens in Bharani), the subconscious mind is susceptible to having really strange, fcked up, war-like dreams/visions. Also bc Aries rashi is ruled by Mars, God of War.

5. every Venusian man I know kinda has a voice kink

6. Many Punarvasus crave for a simple, rustic, relaxed type of life. In fact many famous Punarvasus live on a farm

Kaley Cuoco- Punarvasu Moon

Bretman Rock - Punarvasu Sun

MS Dhoni- Punarvasu Sun

Dennis Quaid, Punarvasu Moon on his ranch

7. Jupiter and Venus are 'Brahmins' or priestly, the Sun and Mars are 'Kshatriyas' or warriors, the Moon is 'Vaishya', or a trader, Mercury is a 'Vaisya', Saturn 'Shudra', or a lower caste and Rahu and Ketu are outcastes.

This is not an observation but just an astrological fact that I thought I'd mention

8. Magha girls are often the spoilt daughters or come from very bougie families where they're the princesses. They might emotionally suffer but materially and otherwise, they're very comfortable

Shruti Hassan- Magha Moon

she has spoken about how rough her childhood was bc of her parents' tumultuous marriage and subsequent divorce but that doesn't change the fact that she's the daughter of Kamal Hassan, one of the biggest stars in the history of Indian cinema

Kiara Advani- Magha Moon

Kiara is from a very wealthy and illustrious family, and she grew up as a much loved, spoilt ish daughter<3

Wonyoung- Magha Sun

Wonyoung is from a filthy rich family and she has said that she grew up very pampered. And that she didn't have an allowance bc whatever she asked for she got. However she became a trainee at 12yrs of age and that journey could not have been easy. Despite being born rich, she's had to go through a lot in life to be where she is today

Aditi Rao Hydari- Magha Moon

she's of actual royal lineage so she's a real life princess but her parents divorced when she was a kid and she grew up with a single mom in delhi and not in a palace

9. DMX- Mula Sun (dog yoni) was obsessed with dogs

The late rapper DMX's relationship with dogs, which seems almost mythical. He was born in 1970 - the year of the Metal Dog, and in his teens he ran away from his abusive household and befriended stray dogs while vulnerable on the streets. He began to gather dogs for protection, intimidation and family, and was sent to prison for stealing a dog (a neglected dog chained up in a scrapyard). In prison, he wrote a lot of his early songs, in which he came up with his "dog" mythology, in which he imagines himself as a monstrous dog-themed gangster who barks and howls. He had a huge tattoo of his favourite dog Boomer on his back. In 2008, his 12 dogs were taken from him by cops after there were reports of animal cruelty - DMX had paid a negligent caretaker to look after the dogs while he was on tour. (The dogs lived out the rest of their lives as therapy animals in a women's prison)

I think its interesting how our yoni animal influences our life

10. As Vighati graha, male planets are: Sun, Mars, Jupiter, Rahu; female planets are: Moon, Venus, Ketu whilst two eunuch planets are Mercury and Saturn. All the standard rules for determination of the sex of the child are applicable, female signs are: Taurus, Gemini, Virgo, Scorpio, Capricorn and Aquarius; male signs are: Aries, Cancer, Leo, Libra, Sagittarius and Pisces. Exalted planets indicate male issue and debilitated planets indicate female.

11. Mercurial men and Jupiter men are soooo flamboyant, sassy and gender non-conforming

RuPaul- Vishaka Sun & Moon

Elton John- Jyeshta Rising

Jeff Goldblum- Jyeshta Moon

Prince- Vishaka Rising

Jimi Hendrix- Mars in Vishaka atmakaraka

[ofherpinkways]

Hyper Fixation

Cod characters x horror fan reader (GN bf/gf :) )

Summary : they ask one small question horror movie sending you into a complete hyper fixation and happy rant about all your favorite scary movies

(A/N: tbh this is mainly for myself so I can finally spill out my bottled up horror movie rants,plus this is based off interaction I just had with a friend on Snap. Our babies will be referred to as "they/them" since i wanna include everyone 🤍🩰🧸 might do a pt2)

You loved horror movies and let it be known to all. Everyone at the base knew it and it was what you were known for even to those who didn't know you fully . Often referred to as the "Horrorjunkie"

Your dorm was filled with horror movie posters,props from iconic classics and of course you had a bunch of those mini polaroid posters of all your favorite horror movies. Your body is covered in horror movie themed tattoos of all the well known villains and other scary themed things. Your left hand was covered in one giant tattoo that made it look like you were a skeleton. All of your causal/civilian clothes were the Steven Rhodes t-shirts and hoodies.

God forbid anyone lets you pick the movie during movie night . It was gonna be scary obviously. This night you picked Sinister (2012) forcing everyone in the common room. It only got worse when few of your teammates confessed they've never seen it. There you sat grinning wildly knowing the whole movie play by play. Having the ability to mentally time each up in coming jumpscare in your head laughing and smiling to yourself prepared for each scare ,glancing up at them wanting to see their reaction. The infamous lawn mower scene had just happened causing everyone but you to jump and yelp a little , instead you laughed and smiled happily at their reactions finding the whole thing amusing.

Fast forward weeks later,you were sitting on the couch scrolling your phone with " " (This is where you insert whoever you want lol). You both got bored after a while, you move and lay your head onto their lap "wanna watch a movie?" you ask looking up at them "I'll pick" you sang dragging the words smiling . They laughed smiling back "and what horror movie has the honors of your picking today mmph?" they remarked . You sat up and playfully huffed with fake offended expression on your face , putting your hand to your chest "Now who said it was gonna be a horror movie ?" you replied holding back a giggle

"you get called "horrorjunkie" for a reason " they said with a chuckle. You crossed your arms smirking "Touche", you grab the remote and start looking through the horror movie collection on Netflix " How about The Strangers ?" you ask looking at your partner . "Again ? we've watched like ten times already,why do you like it so much?"

you gasped "how could I not love it? its's such a classic !, and the timing of its release ! It was something never done before ! it scared the shitout everyone making them fear being in their own homes,making them worry when answering their door and the simple fact it was based off a true event?!?! absolutely sickening" you explained in a fast and excited manner.

And that's how you both spent the rest of your night and ranting about each of your beloved scary movies along with the cast,the directors ,the lore,the meaning and messages behind them, the remakes and sequels all of it

Going on about Scream 1996 flapped over and changed horror forever

Going on about Radio Silence was doing a great job on honoring Wes Craven on his creation of the Scream movies , as they keep the franchise

Why the Evil Dead franchise was so loved

Breaking down and explaining all of Jordan Peele movies, explaining the meaning,how their connected in way,why Jordan writes the way he does, why it's better to show and not tell

Giving off examples of movies that were clearly inspired of Peele's work

Talking about Ethan Hawke is perfect for horror movies

How his performance in The Black Phone shocked and scared everyone

Even though they may not get horror movies the way you do. They love the way your eyes lit up,love hearing the excitement in you voice, loving how animated you became when talking about horror movies. They enjoyed how happy the movies made you so they sat smiling up at you the whole time as you talked for what seemed like forever but they didn't care

[ghostboyhood]

HOLY SHIT??? the fact that me rambling abt rocky horror is pushing u to rewatch it is CRAZY!! my sunny fixation has definitely been on the back burner so i definitely get u w sunny 😭😭

AND EDDIES SO SICK ????? youre so insanely real for that holy shit

💛💬💪💗

AHH HI KAT!!

THANK U!! we definitely should talk more im js so bad at figuring out what to say to ppl 😭

ID FIGHT SOMEONE FOR U TOO!!! no hate around here ❌❌

[will80sbyers]

How do you recover the DMS on twitter because it doesn't make me scroll past a certain point for some reason but I talked about this Jacob Moran kid with friends that brought it up months ago because Noah was following him and we reached the conclusion it didn't make much sense for him to be the "love interest"

that BY THE WAY is not even a confirmed thing because it comes from a random guy on twitter that didn't really provide any proof for him having supposed leaks:

he said he knows someone on set and had direct video calls with this person that's also an adult 40+ but is supposedly spilling NDA secrets to him because his mom is friends with this person and this person apparently told him there was another love interest for Will and other stuff which I have all saved and screenshotted

if its true and you are from the production and want to fire this person that's supposedly this stupid to blab about things with an nda to a 19yo that goes on to write in in a chat with 30 people hit me up because I'm over the leakers so I'll give you all the details

But for how I see it, it's not even sure, because there's no proof and so no reliability that I can attest to for now

and honestly it wouldn't make any sense narratively past a thing like a random kid having a crush on him at school and Mike being jealous of that - which would be for Byler's development lmao

BUT ANYWAY

First of all this Jacob kid is 16/17 and Noah is 20 😶

And this kid was fans of Stranger Things for years and even had videos of him going to visit the Hawkins lab as a fan years ago, he follows part of the cast because of that imo

he could have a job as an extra maybe because he knows Noah, but I'm not sure because I've been following him for months and he didn't post anything that made me think he was working on stranger things tbh

he knows Noah either from before from some connections or because they go to the same place to do the climbing sport thing, they are probably just friends that hang out sometimes + he starred in Black Phone with Maya's father Ethan Hawke so he probably got to know people from that too

[dr3amdolly]

[autumnhobbit]

see, the thing about Wildcat that makes me kind of sad, is I had watched the interview with Ethan & Maya Hawke & Bishop Barron, and Maya had mentioned something about how she found it personally moving that the last shot was of a bird—namely a peacock spreading its feathers—both as a symbol that held personal meaning to Flannery and with it being a flightless bird, trapped, as she in some ways was as a chronically ill, handicapped woman whose main skill was writing.

So from this, I had imagined a closing scene where perhaps in a moment of frustration of something not working—paralleling the beginning of the movie—Flannery takes a break from writing to go sit on her front steps and maybe feed her birds—you could do another bit showing the difficulty she has just crossing the house on crutches to go sit and do the task—and one of her peacocks spreads its tail feathers. Then we could get a quiet smile from her, seeing it as a fulfillment of an earlier line you could have put in where she mentions her philosophy about peacocks, that a peacock spreading its tail feathers is what she expects the second coming to be like, suddenly, unasked for, simply something that happens, beautiful and mysterious and terrifying to behold and completely out of our control. And also a sort of answer to prayer, one of those miracles as is the type we get today, oddly specific and inexplicable to anyone but the receiver, a reassurance that God heard and understood her and would be with her even through her solitude and her work. And then you could close the movie on a shot of the peacock’s tail feathers.

And I got real attached to that mental image, and that is….not what the closing shot was and I’m still kind of sad about it.

[figmentof]

A man crosses the desert that separates his ranch from the town of Bitter Creek on horseback. He is going to visit Sheriff Jake, a friend from his youth, when both worked as hired gunmen. The action takes place in 1910, and the two men are in their fifties. Silva (Pedro Pascal) is of Mexican origin, a solid guy, emotional, elusive, a cheat, if necessary, warm. It's been twenty-five years since he last saw Sheriff Jake (Ethan Hawke), blond, strict, cold, inscrutable, almost the opposite to Silva. That night, at the Sheriff's house, they eat a meat stew Jake has cooked, they drink, and they make love, all of it in abundance. The next morning, Silva wants the party to continue, but he finds a stony Jake, who is nothing like the man from the night before. (This was the first thing I wrote, the sequences that follow that orgiastic night in which both characters confront their past and their present in totally different ways.)

spoilers ahead!

This is the heart of the story: the argument while they get dressed the following morning. In this argument, the ulterior motives are revealed(as well as the passion that they lived when they were younger, and that is still beating within them, even though Jake doesn't want to admit it once they are sober). Jake has to go after a murderer who, according to an eyewitness, was Silva's son. And Silva has to intercede for him, trying to convince Jake that his son is innocent and that he should stop searching for him. All this, the sheriff’s duty as opposed to a father’s grief, mixed with reproaches and declarations of love from two lovers who haven’t seen each other in twenty-five years and who live their lives at opposite ends of the desert. These are the ten central minutes of the film, the first I wrote. I still didn’t know what the story would be, or if there would even be a story, but my first intention was to give voice to these two middle-aged, queer men who traditionally have remained silent in a genre like the western. I was attracted by the idea of breaking that silence. Brokeback Mountain by Ang Lee is the closest Hollywood has come to telling a story about two men who love each other and talk about it, but the lovers in Ang Lee’s film are shepherds, so I don’t include the film in the western genre.

There are westerns with gay characters, like Warlock by Edward Dmytryk. The script abounds in data about the passionate relationship between its two protagonists, Anthony Quinn and Henry Fonda, but no one talks about it even though their relationship is one of the axes of the film. This turns Dmytryk’s film into a strange western or one with a badly written script. The film is only understood if both of them are lovers, but that word is never mentioned.

Although I’m a great admirer of the genre, I never thought that I’d end up making a western. I greatly enjoyed this shoot, despite the unbearable temperatures of the hottest summer in our history. We filmed in a town built in Almeria for Sergio Leone as a set for his legendary dollar trilogy, with Clint Eastwood. (The Good, The Bad, The Ugly; For a Few Dollars More and A Fistful of Dollars). The passing of time, fifty years of it, has given authenticity to the place, today being dusty and old. The typical artifice of what had been a film set fifty years ago, built back then only weeks before shooting, had now disappeared.

It was also a thrilling experience to work with Ethan Hawke and Pedro Pascal, both extraordinary in their respective roles.

As for the décor, I have respected the rules of the genre without falling into any anachronistic temptation, except for the song at the beginning, with the voice of Caetano Veloso and the angelical face of Manu Ríos, which gives the film its title.

For the choice of paintings on the walls of the two most important sets, the interior of the sheriff’s house and the ranch where Silva lives, I have turned to artists of the time. In Sheriff Jake’s house there are several paintings by Maynard Dixon, one of the first artists, if not the first, to paint landscapes from the American West, with native Indians and cowboys. For me it has all been a discovery, his work possesses a coloring untypical of the time that brings it close to pop and at times to impressionism. There is also a portrait of the artist Lily Langtry, very famous at the start of the century, who actually made a silent film and whom Ava Gardner plays in The Life and Times of Judge Roy Bean along with Paul Newman. The other great artist who appears on the walls of the ranch is Georgia O’Keefe, the Mexican landscape that hangs over Silva’s bed.

Saint Laurent by Anthony Vaccarello was in charge of the entire wardrobe. We took our inspiration not so much from the reality of the time but from cinema, how actors were dressed in westerns between 1900 and 1915. If anyone wonders about Pedro Pascal wearing a green jacket, I recommend watching Bend of the River by Anthony Mann, where James Stewart wears an identical green jacket. And I have a lot of respect for Anthony Mann and James Stewart.

We are also inspired by Veracruz (Robert Aldrich), specifically for the outfit worn by Silva's murderous son Joe. It is inspired by Burt Lancaster, all black.

And Sheriff Jake, he's in a suit, with a vest and bola tie, like almost all the sheriffs in the Westerns I have watched. Kirk Douglas is one of the models, whether playing a sheriff or a card player, Gun Fight at the OK Corral or in Last Train from Gun Hill, both by John Sturges. I have re-watched many westerns so as not to fall into anachronisms and the truth is that the male wardrobe has changed very little, the sheriff is always the most elegant, usually with a suit, waistcoat (the fabric of the waistcoat was the only thing that allowed you some fantasy, with shiny damasks), shirt and around the neck a bola tie.

The rest of the male characters always wear a scarf around their necks, in different colours and patterns, a checked shirt and a waistcoat. The dresses of the Mexican prostitutes are inspired by El Dorado (Howard Hawks). I have done my research with a multitude of westerns, especially Hawks, John Ford, John Sturges, Raoul Walsh, Anthony Mann, Peckinpah, Robert Aldrich, etc.

As for the narrative in general and the music, I have followed the classical canon. Despite the fact that in Spain we have a great tradition of spaghetti westerns, more than a hundred were filmed in the 60s and 70s. I have not been inspired by any of them and the composer Alberto Iglesias has avoided Ennio Morricone, who would have been the easiest reference.

Pedro Almodóvar

[theoutcastrogue]

Favorite movie from 01?

[Give me a year and I'll give you my favourite films / recommendations]

Perhaps "favourite" isn't the best word, perhaps the best word is "biggest obsession", but I have to go with Mulholland Drive. David Lynch is a very special case, you're either into him or you ain't, and arguments either way are of little use. I just want to note 2 things, about Lynch in general and Mulholland in particular:

Contrary to all appearances, it actually makes sense. It may be a weird sense, a dream sense (literally a dream, for like half of this movie), but it's not random.

It doesn't need to make sense to you to be enjoyable. It's perfectly cool to treat it like a trip, and just get lost in the highway sauce. You can revisit it later, and think about it and look up what others have made of it, but it's optional.

Now, these 4 are my favourite 2001 films:

Spirited Away needs no introduction, it's widely thought as the best Ghibli film, and I love it to bits.

I'm a complete sucker for Moulin Rouge! and for truth! beauty! freedom! love!, and will accept no criticism at this time.

El espinazo del diablo (The Devil's Backbone) is early Guillermo del Toro, and a sort of prelude to Pan's Labyrinth: it's horror, it's set during the Spanish Civil War, and it takes a stance, along with its own supernatural elements.

And I simply adore Hedwig and the Angry Inch (second musical lol). Does that need an introduction, on 2024 tumblr?

Also of interest:

Monster's Ball is the best from the rest, an incredible drama with Halle Berry's best performance. Very disturbing from start to finish. "Billy Bob Thornton plays a prison guard who begins a relationship with a woman (Halle Berry), unaware that she is the widow of a man (Sean Combs) he assisted in executing."

Ocean's Eleven is the fully on-brand film, it pretty much defined what modern American heist films should be like. No small feat!

Das Experiment: so the Stanford experiment inspired some notoriously bad takes, not least by Zimbardo himself. It also inspired this amazing film. Please don't bother with the pointless American remake. (I owe tumblr a serious post about the Stanford experiment btw, but this is not the place.)

The Brotherhood of the Wolf is surely the wackiest AND darkest action / horror / period / swashbukcling / wuxia / monster film out there. We're in 18th century France, there's the legendary beast of Gévaudan, and cults, and spies, and all of the above.

Il mestiere delle armi (The Profession of Arms) is a shoutout to @wearemercs, it's a realistic war film with landsknechts and condottieri in 16th century Italy, we don't see that every day.

@feyariel I remember that Metropolis was wonderful and I loved it, but not much else about it. Sorry, it's been a while and I have shit for memory!

Monsters, Inc.: not best Pixar, but good Pixar

The Lord of the Rings: The Fellowship of the Ring: can't leave this one out!

The Man Who Wasn't There: excellent neo-noir by the Cohens

Gosford Park: a whodunit set at an English country house, and the polar opposite of Downton Abbey (which goes at great lengths to convince us that masters deserve their servants' loyalty), ironically written by the same person

Le Fabuleux Destin d'Amélie Poulain (Amélie): here begin the films that were adored back then, especially by the artsy/festival crowd, but I haven't seen them since and I've no idea how they've aged

Ghost World: based on the comic book by Daniel Clowes

Waking Life: Linklater, philosophy, rotoscope, Ethan Hawke's there, oh my!

Y tu mamá también: Alfonso Cuarón, road trips, sex, young Diego Luna, young Gael García Bernal, oh my!

Ichi the Killer: by Takashi Miike, based on Hideo Yamamoto's manga. do not watch this if you're not completely sure you wanna watch this lol

[youremyheaven]

Punarvasu & Swati: Cosmogony, Reality & Consciousness

Punarvasu and Swati are deeply intertwined nakshatras with very similar patterns and themes. Punarvasu's deity Goddess Aditi embodies infinity and vast primordial space. She is boundless and limitless. Swati's deity Vayu is the ruler of air & wind and connected to the life force or prana (or qi).

Both these nakshatras connect to space, infinity, abundance and are known for being wealth giving nakshatras.

Ruth Handler, the inventor of Barbie had Swati Sun & Mercury along with Ketu in Punarvasu

Margot Robbie who played Barbie has Swati Moon & Punarvasu Rising

I had briefly mentioned this in my Tomie post but Swati & Punarvasu's themes are manifest in Barbie because Barbie is not a person, she is a type of doll, and she can be anyone or anything. Barbie is a whole universe into herself, this is the cosmic abundance and infinitude of Swati & Punarvasu.

My Tomie post also talks about how Tomie is a Punarvasu so do check that out!!

I have always thought that Punarvasu & Swati are related to time travel which makes sense provided the cosmic infinitude embodied in these naks.

Predestination, a time- travel movie starring Ethan Hawke who is Swati Sun (do watch it, its really good))

Bruce Willis has been in several time-travel movies, including 12 Monkeys & Looper. He has Jupiter in Punarvasu atmakaraka

The 1960 movie The Time Machine stars Rod Taylor who has Ketu in Swati.

The Terminator movies starring Arnold Schwarzenegger- Punarvasu stellium (mercury, venus & rising). Arnold like many Punarvasus have been in many sci-fi movies that concern the nature of reality, in fact his own autobiography is called Total Recall (he's been in a movie of the same name and its about what is real and what isn't- peak Punarvasu behaviour I must say)

Planet of the Apes stars Charlton Heston who has Punarvasu Moon, Swati Rising

Frequency stars Dennis Quaid who has Punarvasu Moon & Ketu

The Matrix/ The Lake House/Bill & Ted's Excellent Adventure are all time travel movies starring Keanu Reeves who is Punarvasu Moon.

Its interesting to me that many Punarvasus have often spoken about "creating your reality".

Octavia Butler, the writer has Punarvasu Rising (the themes of this nak is vv apparent in her work but I'll perhaps discuss that in a future post) and this^^ is a page from her journal that she wrote in the 1970s wayyy before manifestation was a "thing".

Butler grew up very poor in an era of racial segregation and suffered from dyslexia. She overcame great odds to become one of the best-selling sci-fi novelists of all time.

Miranda Kerr- Punarvasu Moon often talks about the power of our thoughts and has referenced writers like David R Hawkins (who talks about the nature of consciousness) a lot. Here's a quote from her book.

“Start each day by saying to yourself: ‘How amazing it is to be alive! What a wondrous feeling I have inside! I am awake, healthy and full of joy!’ Visualise every cell in your body being filled with vitality, health and love.”- Treasure Yourself

Miranda grew up quite lower middle class on a farm in rural Australia and then went on to become one of the best known models in the world and is now married to a billionaire.

Arnold Schwarzenegger- Punarvasu Rising (and stellium)

If you've read his autobiography or watched his Netflix documentary yk that he talks constantly about the power of the mind, having focus etc

He grew up in a small town in Austria (after WW2) with an abusive father and also suffered from dyslexia. He then went on to become one of the biggest movie stars of all time and was the Governor of California???

Ariana Grande- Mercury in Punarvasu sings about manifestation and law of attraction quite a lot. She was a side character on a Nickelodeon show and 10yrs later she's one of the biggest pop- stars.

Nikola Tesla, Punarvasu Sun & Venus

Tesla discovered automatic current transmission & generation technology which is responsible for modern day wireless connections. He's also super Punarvasu core as a person, he had eidetic memory, apparently did not sleep more than 2 hours per night, was interested in Vedic cosmology & philosophy (he used terms like akasha & prana to describe the relationship between matter & energy). I find this quote by him very interesting, "To me, the universe is simply a great machine which never came into being and never will end". I personally don't believe in the Big Bang theory and I'm inclined to believe that the universe has always existed instead of having come into existence at one point, which imo, is a very anthropocentric idea. Tesla's quote is a reflection of the boundless nature of Aditi, who is the cosmic mother, she embodies creation.

fun fact: Elon Musk who named Tesla after him is Punarvasu Mercury & Rising.

Interestingly enough, several decades before the Big Bang theory gained mainstream acceptance and was studied by scientists, Edgar Allan Poe published a lecture/essay on the matter titled Eureka: A Prose Poem in 1848 (!!!!). He had Swati Rising

Can you believe that he, a man with zero scientific background essentially came up with ideas that would serve as the basis of 20th century scientific discoveries & theories??? That too in 1848???

Analysis of Eureka's scientific content shows congruities with modern cosmology, stemming from Poe's assumption of an evolving Universe and it also contains ideas about the unity of space and time, the mathematical equality of matter and energy, the velocity of light and a rudimentary concept of relativity, black holes (including one at the centre of our Milky Way), a "pulsating" universe that renews itself eternally, and other universes in other dimensions with different laws of nature.

A writer & poet who dropped out of college came up with all that in 1848. Swatis & Punarvasus have the ability to understand complex concepts, systems, and processes intuitively. This is why they are so good at analysis, strategy and planning. They have a futuristic vision because its easy for them to see how current events will affect other things and manifest in the future. Those who don't have these placements will struggle to understand what this is like because most of us aren't endowed with this sort of ability to see the trees and the forest all at once.

Interestingly, the scientist Georges Lemaître who first proposed the "Big Bang theory" of the origin of the universe, calling it the "hypothesis of the primaeval atom", and later calling it "the beginning of the world" is a Punarvasu Sun.

Leonardo da Vinci is known for his foresight and is considered a visionary. He, in the 15th & 16th centuries, pondered upon the possibilities of human flight and left behind diagrams and models of the helicopter, the parachute, the machine gun, the humanoid robot, the revolving bridge, the ideal city and much more. He had Ketu in Punarvasu.

Carl Jung created some of the best-known psychological concepts, including synchronicity, archetypal phenomena, the collective unconscious, the psychological complex, and extraversion and introversion. He had Punarvasu Mercury & Venus and it explains why there was such a heavy emphasis on "darkness" vs "light" in his work (Punarvasu being "the return of the light").

He is the father of Analytical Psychology which seeks to "analyze the relationship between a person's individual consciousness and the deeper common structures which underlie them. Personal experiences both activate archetypes in the mind and give them meaning and substance for the individual. At the same time, archetypes covertly organize human experience and memory, their powerful effects becoming apparent only indirectly and in retrospect. Understanding the power of the collective unconscious can help an individual to navigate through life."

In fact, vedic astrology (Jung did use astrology as well btw) serves as a very interesting way to explore the collective unconscious and the many archetypes that are manifest in individuals possessing them.

I will make a post in the future comparing Freud & Jung and how their different astrological placements contributed to their similar but differing views.

George Orwell, who was a fierce critic of totalitarianism had Swati Rising, if you read his works, you can see how he's able to analyse the effects and consequences of the same, especially 1984 which was sooo ahead of its time in the sense that much of what was written in the book is eerily similar to what's going on in the world right now.  The novel examines the role of truth and facts within societies and how they can be manipulated.

Swatis & Punarvasus are super Futuristic, as individuals or visionaries as well as in their art & work. They dominate in the surreal/scifi genre.

Robin Williams- Swati Rising stars as an android in Bicentennial Man which is a movie about a robot who learns how to be human. Transcending humanity is a big theme in the works of Swati natives.

On this note, I have noticed several Swati & Punarvasu natives star in movies featuring/about cloning 👀 This does not surprise me as I had already mentioned this in my Tomie post but it is fascinating how Swati & Punarvasu's ability to be many many versions of themselves is made manifest in this trope of clones.

I have to mention how both Rahu & Jupiter have a very boundless, obese energy that is hard to contain. This can be manifest negatively because its very easy for energy of this proportion to be misused and misdirected but when they're harnessed positively, these individuals are capable of envisioning change that have few/no other parallels.

Moon (2009) is a movie that features the main character and his clones. Sam Rockwell, Swati Sun plays the main character.

Tom Cruise, Punarvasu moon (acc to Claire Nakti) stars in Oblivion and plays a clone of himself. One version of him is good, his "clone" is evil. The battle between good & evil within oneself is a VERY Jupiterian trope (and I shall make a post solely about that in the near future).

Multiplicity is a 90s scifi-comedy about a guy who clones himself so that he can do all the things he wants to do. Michael Keaton who plays the protagonist has Swati Moon

The Sixth Day is a movie starring Arnold Schwarzenegger (Punarvasu stellium) and it is about cloning. The title is a reference to the Abrahamic Genesis concept of how God created mankind on the sixth day.

This in itself is very interesting because Punarvasu is the 7th nakshatra and in the Bible, it is said "And on the seventh day God finished the work that he had done, and he rested on the seventh day from all his work that he had done. So God blessed the seventh day and made it holy because on it God rested from all the work that he had done in creation."

7 is a number that has profound spiritual meaning and is present in many religions as a figure of significance. From this verse taken from the Book of Genesis, it is interesting to note that ""7" is the culmination of creation. It is the day on which God rested because he had already created. It is not nothingness, it is the day on which everything already existed. This is a significant Punarvasu theme.

Replicas stars Keanu Reeves (Punarvasu Moon) as a neuroscientist who tries to revive his deceased family members by cloning them.

Its interesting how in these films, natives appear either as a clone or as the ones who do the cloning, furthermore connecting it back to Punarvasu's creation trope.

Harrison Ford, Punarvasu sun & moon stars as in and as the Blade Runner (1982) where he must "pursue and terminate four replicants who stole a ship in space and have returned to Earth to find their creator."

David Cronenberg is a director best known for making really weird, surreal, futuristic movies that heavily feature themes related to the nature of reality, consciousness etc

He is a Punarvasu Moon & Jupiter

Gakuryu Ishii, Punarvasu Moon is another filmmaker who makes movies that heavily centre around truth, reality, consciousness, the future etc.

I recommend his movie Mirrored Mind which heavily deals with identity, consciousness etc (its vaguely reminiscent of Perfect Blue)

Robert de Niro Punarvasu Rising, stars in the movie Awakenings (based on a true story) as a catatonic patient who has an "awakening" before tragically going back into catatonia, Robin Williams, Swati Rising stars as the doctor who administers a drug that induces this awakening.

In Vedic philosophy, there are 3 gunas, Rajas, Tamas & Sattva.

Tamas is a state of darkness, inertia, inactivity, 

Rajas is a state of energy, action, change, and movement.

Sattva is a state of harmony, balance, joy, and intelligence. 

Punarvasu belongs to the Rajas guna whereas Swati belongs to Tamas guna.

Tamas can be described as a state of statis or stagnation as there is no transformation and thus no change. Punarvasu natives are prone to passivity and it is only when they face their own destructive shadow, do they emerge out of passivity to their natural state of Rajas. In this movie, Deniro's experience where he emerges from his catatonia with a desire for freedom and to live life to the fullest before eventually accepting the fact that his condition cannot be remedied inspires the Doctor played by Robin Williams to emerge out of his own shell and live life more fully.

Punarvasus are often restricted by situations beyond their control yet they are possessed by a yearning to live life to the fullest. Swatis often have unmeasured freedom and do not know how to utilize it, they are restricted by their own character.

The Gaia Hypothesis proposed by James Lovelock (1972) suggests that living organisms on the planet interact with their surrounding inorganic environment to form a synergetic and self-regulating system that created, and now maintains, the climate and biochemical conditions that make life on Earth possible.

It is a holistic view, which is generally not appreciated in science that likes to favour randomness, chance or whatever instead of the innate harmony and union behind creation.

James Lovelock has Punarvasu moon & Swati rising

Lynn Margulis who co-developed this theory with him most likely has Revati Moon and I will be exploring her symbiotic view of evolution on a different post as it goes beyond the scope of this one.

Edit: as @brundlefly333 pointed out, the French philosopher Henri Bergson (Punarvasu Moon) has a book called Creative Evolution which extrapolates that whilst "evolution of species can come from external factors "like natural selection", it most importantly (comes) from an internal impulse (a creative force). This creative force is inherently unpredictable and non-linear, leading to the emergence of novelty and complexity in living organisms over time.

I find his "Cone of Memory" (depicted above) hypothesis very fascinating.

The Cone of Memory model can be imagined as an inverted cone, with the apex representing the present moment, the base symbolizing the entirety of one’s past experiences, and the cone’s vertical axis signifying the flow of time. As the present moment progresses, the apex of the cone moves upward along the axis, continuously stretching the cone outward as it incorporates new experiences and memories into a person’s consciousness. The memories from our past experiences are layered into the cone, with the most recent memories residing closer to the apex and older memories located further down, towards the base.

Bergson’s model emphasizes the active role of individual perception, memory, and experience in shaping one’s consciousness. The human mind, as depicted by Bergson, interacts with the objective world while drawing from its accumulated memories to create individual experiences in real time. The Cone of Memory focuses on the dynamic interplay between perception, memory, and experience, hoping to account for the generation of novel understandings and interpretations of reality.

Bergson’s emphasis on experience at the personal level also has significant implications for how we understand the self. In his view, the self is not a static entity but rather a constantly developing process, shaped by the dynamic interplay of perception, memory, and experience. This more fluid conception of the self contrasts sharply with many traditional notions of a fixed, unchanging identity. It also invites us to recognize the transformative power of our own experiences and encounters in the continuous interweaving of the past and present in our temporal consciousness.

It can be summed up with this quote:

"To exist is to change, to change is to mature, to mature is to go on creating oneself endlessly"- Henri Bergson

Rudolf Steiner- Ketu in Punarvasu, Swati rising

Steiner's breadth of work encompasses many fields, he pioneered modern-day organic farming, anthroposophical medicine (what we call alternate medicine including homeopathy, massages and frequency work etc rooted in the human body's ability to heal itself) invented the Waldorf education system (alternative schooling) and tried to merge science and spirituality.

All of this is vvv Punarvasu & Swati coded because its these natives who are frequently drawn to non-traditional systems of thought & experience and also merging a vast variety of techniques + being well versed in a lot of different fields etc comes down to having the inner space to hold all of it. This is literally not something most other people can do. Pursuit of knowledge can easily drain/deplete people but Punarvasu & Swati natives have a boundless thirst for knowledge and innately understand the profound truth that everything is connected.

Symbiosis, synergy, syncretism etc are all themes prominent in the works of Swati & Punarvasu natives who tend to view things as a coherent whole and not separate from one another; everything in creation exists to serve one another and exist in perfect harmony. Its not by "accident" that human beings took shape on earth where all the elements exist to continually support human life, every tiny detail is manifest in divine perfection and it helps us understand that we are a part of a larger system and that what we do affects changes at both the micro and macro level.

"Synergetics is the empirical study of systems in transformation, with an emphasis on whole system behaviours unpredicted by the behaviour of any components in isolation. R. Buckminster Fuller (1895–1983) named and pioneered the field. His two-volume work Synergetics: Explorations in the Geometry of Thinking."

Buckminster Fuller had Punarvasu sun & jupiter

I think I had made a post about how Punarvasu natives tend to make geometric art that features repetitive patterns and motifs. I thought Fuller's use of the term "Geometry of Thinking" was very Punarvasu of him.

Pls look him up and his work, its very interesting and if you have Punarvasu placements you might find things you resonate with. I dont want to make this post any longer so I'm not including more of his work although all of it really fits with the theme tbh.

Amartya Sen, the Indian economist and philosopher has Swati Sun, he is best known for his contributions to welfare economics, social choice theory, and development economics. His work incorporates the same holistic view of how everything exists in close interaction with everything else, interconnectedness as well as an all encompassing-ness are themes that dominate his work. Society affects the market, the market affects society, all of this affects interpersonal relationships, it takes a Swati/Punarvasu native to deeply embody this sentiment in their thought/work.

George Harrison aka the Spiritual Beatle had Swati moon, Jupiter in punarvasu amatyakaraka.

"It's being here now that's important. There's no past and there's no future. Time is a very misleading thing. All there is ever, is the now. We can gain experience from the past, but we can't relive it; and we can hope for the future, but we don't know if there is one."

This quote by him really sums it up.

Robert A Heinlein had Punarvasu sun, jupiter and rahu

Heinlein used his science fiction as a way to explore provocative social and political ideas and to speculate how progress in science and engineering might shape the future of politics, race, religion, and sex. Within the framework of his science-fiction stories, Heinlein repeatedly addressed certain social themes: the importance of individual liberty and self-reliance, the nature of sexual relationships, the obligation individuals owe to their societies, the influence of organized religion on culture and government, and the tendency of society to repress nonconformist thought. He also speculated on the influence of space travel on human cultural practices.

This is yet another example of the interconnectedness of Punarvasu as well as the analytical nature of these natives.

I will end this post here because I've been rambling for too long but I hope this was informative!! Apologies that this was kinda science heavy and not very pop culture centric :/

[kaletastrophes]

The great Ethan Hawke once said “I’ve always had a thing for Westerns.” I, too, have always had a thing for Westerns. And a thing for Ethan Hawke. And, for the past year, a thing for Pedro Pascal. And next month all of my things are combining into one big thing. A film called “Strange Way of Life”, a Spanish western (anti-western?) about two former friends (lovers?) reuniting after 25 years apart.

To celebrate this momentous collaboration of all my "things" I would like to submit to this website a small collection of Westerns I believe would be helpful to watch before the release of Strange Way of Life next month. I’ve tried to give each film in the list a summary and a small explanation of why I included it in the list.

Some of these I’ve included simply because of how wonderful they are, some because I believe they’re going to inform Strange Way of Life in one way or another, and one because I, no lie, watched it in a movie theater with Ethan Hawke himself at a film festival he put on.

(@the-ginger-hedge-witch hi! I hope its okay to tag you the western queen in this! I thought maybe you would be interested in this western love fest.)

Without further ado:

Westerns I believe would make wonderful companion films to Strange Way of Life:

Red River

How does one delicately say….the scene in which Montgomery Clift meets John Ireland is so homoerotic and so sexy it’s almost unbearable. Have you ever wanted to watch two cowboys compare the weight and size of their dicks by trading guns? Well you’re going to love this film! To put it simply, as a wonderful youtube comment said, “give me one heterosexual reason for this scene. SPOILER there isn’t one!!” Exactly. This film has been hailed in film history for 2 things: the first being that Montgomery Clift burst onto the scene in this movie with a new way of acting (the method) that was so incredible it changed film acting forever. Literally. FOREVER. The second being, this is one of the gayest westerns ever filmed and has been viewed as one of the brightest examples of how homosexuality always found its way past censors. Clift and Ireland were lovers in real life and wow does that come through in every second of this film. Yes, sadly, John Wayne is in this film, but please don’t let this deter you. It’s simply incredible.

Summary: A father (John Wayne) and his adopted son (Montgomery Clift) feud over the management of a cattle drive from Texas to Kansas.

Unforgiven

What happens when one of our greatest Western actors ever, Clint Eastwood, thinks "actually Westerns promote an unrealistic black and white version of history and a kind of violence that is unrealistic at best and actively harmful to our society at worst"? You get THE Western to end ALL Westerns. (Note: please heed trigger warnings for this film!)

Summary: After a sex worker is assaulted, William Munny (Clint Eastwood) comes out of retirement to take one last bounty job and must finally confront the violent and reckless past he thought he left behind.

The Wild Bunch

One last job goes bad trope? Check. Men who have aged just enough they cant understand the modern world that now surrounds them? Check. Men driving themselves to madness after they violate their code of ethics by betraying a friend? CHECK. This film has it all, and it's why its considered one of the greatest Anti-Westerns ever made. And, as I've now mentioned twice before on this site lol, the wine scene in the Strange Way of Life trailer is, I believe, a direct retelling of a scene in this film.

Summary: An aging outlaw gang on the Mexico–United States border plan to retire after a final robbery but find themselves having to adapt to the changing modern world of 1913.

Hud

Paul Newman is HUD! Would you believe I added another Anti-Western to this list?? A father and son fight after their cattle falls ill. Thats the simple summary. My summary: What happens when masculinity becomes so toxic it's like a disease infecting everything and everyone around it? HUD is what happens. This is one of the films I watched at Ethan Hawkes film festival, Paul Newmans West, earlier this year. It's staggering. Hawke has clearly spent a long, long time thinking about Newman, Westerns, and his own life and career. Its hard for me to imagine he didn't carry at least a piece of this performance with him into Strange Way. (Note: please heed trigger warnings about this film as well!)

Summary: Honest and hard-working Texas rancher Homer Bannon (Melvyn Douglas) has a conflict with his unscrupulous, selfish, arrogant and egotistical son Hud (Paul Newman).

The Power of The Dog

ANOTHER gay anti-western?? Yes. YES. One of my favorite films. Loneliness and internalized homophobia destroy, we all know that, but it feels like it's never been said more powerfully or put more fully on display than in this film.

Summary: A domineering rancher (Benedict Cumberbatch) responds with mocking cruelty when his brother (Jesse Plemons) brings home a new wife and her son, until the unexpected comes to pass.

Brokeback Mountain

The film that started it all! Almodóvar famously turned down directing Brokeback Mountain in 2004 because he felt the studio would stifle his vision. “(Strange Way of Life) could be like my answer to Brokeback Mountain."- Almodóvar  What more is there to say? A watch (or re-watch) is imperative.

Summary: In 1963, rodeo cowboy Jack Twist (Jake Gyllenhaal) and ranch hand Ennis Del Mar (Heath Ledger) are hired by rancher Joe Aguirre as sheep herders in Wyoming.

Extracurricular Films

Westerns staring Ethan Hawke:

The Magnificent Seven

In a Valley of Violence

The Kid

The Good Lord Bird (miniseries)

Westerns staring Pedro Pascal:

Kingsman: The Golden Circle

Triple Frontier

The Mandalorian (series)

The Last of Us (series)

Films shown at Ethan Hawke's Film Festival, Paul Newmans West:

The Left Handed Gun

Hombre

Hud

The Life and Times of Judge Roy Bean

Buffalo Bill and the Indians or Sitting Bull's History Lesson

Highlights from Pedro Almodóvar's directing career:

Women on the Verge of a Nervous Breakdown

Tie Me Up! Tie Me Down!

All About My Mother

Talk to Her

Bad Education

Volver

Parallel Mothers