#IT future-proofing

[radiantindia]

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[scatterbrainedbot]

cass, a professional: order of badass donbot, extra dramatic entrance!

me, nodding, banned from most kitchens: leo drama and angst, heard chef!

(shoutout to @somerandomdudelmao for yet again making feel emotions i cannot fully explain)

[spiritsonic]

Well well well look who it is

[burst-of-iridescent]

it will never not be bizarre to me that kat.aangers use the fortuneteller episode as foreshadowing for ka when literally every possible interpretation of this episode is anti kat.aang.

if aunt wu's prophecies are unquestionably true, then kat.aang is DOA right off the bat because she explicitly says she doesn't see romance in aang's future. yet kat.aangers love to uphold the “powerful bender” prophecy as foreshadowing for kat.aang so… which is it? are aunt wu’s prophecies only eternally binding for katara but conveniently untrue when it comes to aang? because if katara marrying a powerful bender is unchangeable, then so is aang not being able to find love, so that’s strike no. 1 for ka foreshadowing.

now on the other hand, if we take aunt wu's prophecies as false, then our boy aang is free to do all the lovin’ he wants… but following the same logic, so is katara. and since her prophecy is the catalyst for her seeing him as a potential romantic partner at all, that’s strike no. 2 for foreshadowing.

finally, we come to the last interpretation and the episode's actual message: that destiny is real, but not immutable. throughout the episode, it’s clear that aunt wu's prophecies do come true, though not in the way that their subject(s) might expect. the future isn’t created through passive acceptance, but active agency. everyone has the power to shape their own destiny, and make their own choices.

this is the complete opposite of katara beginning to view aang in a romantic light solely because sokka makes an entirely on-the-nose comment about him being a powerful bender. because had katara not heard her prophecy, that would have meant nothing to her! how is this meant to be the spark that fuels the kat.aang relationship when it's entirely based on katara holding herself to a prophesized future instead of writing her own story, and hence antithetical to the fundamental theme of the episode?

which is also why so many people interpret this episode to be lampshading zutara, because the only way that all of these contradictory interpretations — aang isn’t meant to find love, katara is meant to marry a powerful bender, but both of them still have the power to shape their own paths — make sense is if the final scene was an intentional red herring… but that’s a discussion for another time.

[bugchuckles]

designs for an upcoming merch drop! planning on releasing charms in my new etsy sh0p - stickers and buttons are available right now on my redbubble

[anyataylorjoys]

FANTASMAS (2024) dir. Julio Torres Episode 3: "Toilets"

[clowndensation]

anyways when richard siken said "if you can point to it, you don't need a word for it. you only need a word for it when it's no longer there"

and when tolkien said "but of bliss and glad life there is little to be said, before it ends; as works fair and wonderful, while still they endure for eyes to see, are their own record, and only when they are in peril or broken for ever do they pass into song."

and when claudia said "diaries are friends of last resort"

we don't see madeleine and claudia in their months together because their happiness was created in the present and presence of each other, and captured only in the eyes of the other. there's no need to share to strangers what was already shared between the people it mattered most to. the voyeurs of the world will only ever see the outline of where pleasure lies.

[abrielarnold]

"We're here whether you like it or not, and we're not leaving."

Oooough, I reread Something's Wrong with Danny Fenton by @dp-belongs-in-a-hoodie and it's so so so good. Hit me in the feels as much as the first time.

(no one knows, spooky danny, ghost obsessions my beloved)

(also, if you've read SWWDF, please read June, the little oneshot/missing scene. it is very good and tender. I drew fanart for it here a few years ago. The June art is particularly special to me because it was the first fairly complex background i'd drawn that i felt really proud of.)

[aterfish]

Being ace is an opposite of fuck around and find out:

Fuck nobody and never know for sure

[rotisseries]

the way el said "he's my first boyfriend" when max asked if mike was a good kisser is so silly of her. babygirl he is going to be your only boyfriend. you are a lesbian

[abirddogmoment]

this is so excessive but rory has her dog show debut this weekend and i am having a canadian dog fancier ad made for it and i am just like 👀 publication??? about it

[lunarsolar1]

Did anyone else noticed that Charles seems to be the only one that puts effort to save them from death or being taken away?

Maybe I need to watch the show again, but of all the times they were in danger of being separated, Charles is the first one to step in and defend them. I don’t think I remember seeing Edwin step in or fight or do something to avoid the situation, I wonder why that is? (Unless he did but I don’t remember because I have a brain of a goldfish) but I wonder why, some times it gets me thinking if it was Edwin’s turn to fight for them, is he going to do it? WILL he do it? Is he willing to go as far as attacking someone (like Charles did with the night nurse) or even worse? What would he do in that situation?

It gets me thinking as well, even if Charles doesn’t feel the same way. His feelings for Edwin (platonically) are so so deep and immense that he would literally do ANYTHING to not get separated from him almost like he literally CANNOT live without him, maybe he cannot imagine what he would do if he doesn’t have Edwin by his side. They have been together for so many years, he’s used to him. Losing him would probably send him into a mental breakdown or worse, and that is something interesting to think about.

[way2gosuperrstarr]

oh shit whats that!!!!! i throw this image at you at terminal velocity and immediately run away, getting hit by a car as i make my grand escape. then i die. the end

not final dca designs

[fictionadventurer]

What was the point of Scrooge's trip with the Ghost of Christmas Yet to Come? On a structural level, it makes sense--three is the fairy tale number, and you can't visit the past and present without also including the future--but on a character level, it doesn't quite seem necessary. Showing a man that he'll die alone, unloved, and unmourned seems like the strategy you take as the last-ditch effort to convince a guy that he needs to change his ways. But that situation doesn't apply to Scrooge. He started softening immediately after he first arrived in his past. By the time he finished with the Ghost of Christmas Present, he was fully onboard with the need to reform, so the Ghost's vision of his future seems like unnecessary cruelty. Why show him all this when he was already planning to change his ways?

A few things come to mind. One is that this vision of the future wouldn't have affected Scrooge unless he had already changed his ways. A cold, hard businessman could have seen his lonely death as just the way of the world, might have viewed the people who stole the clothes from his corpse as just people doing what's practical in this world. He needed to relearn the value of the intangibles--human connection, respect for others--to see the true horror of the lonely death and the vultures who defiled the dead man.

But why the horror? Can't he reform without being threatened with doom? It's possible--but it's also possible such a reform would be temporary. After all, Scrooge started as a friendly, loving young man, but retreated into himself and his business out of fear of poverty and fear of the way the world looks down upon poor people. Even if a reformed Scrooge started on a course of Christmas charity, there was always a chance that the enthusiasm would fade, and the worldly fears would start creeping back in. The only way to beat those fears is to give him something to fear that's even worse than poverty. He needs to see the horrible end that his selfish ways would lead to, so he won't be tempted to slide back into them.

There's also the fact that seeing his death makes him ecstatically happy to find that he's alive after the Ghost is gone. Had Scrooge been spared the vision of his future, he might have been happy to find himself on Christmas Day, but his joy would have been nowhere near the manic glee he experiences after coming back from the future. Now, he doesn't just get a new start--he gets a second chance. Coming back from his own grave makes him mindful of his death, but it also makes him hyperaware of the fact that he's still alive. He isn't in the ground yet. He still has time to do good and make connections with others so he doesn't die alone.

Seeing the past reminded him of the innocence he'd lost. Seeing the present reminded him of the people whose lives he was missing out on. Seeing the future reminded him that death is waiting, so it's important to live virtuously while we can. All three are important because all three brought him outside of himself and taught him to value the wider world, just in time to live through another Christmas Day.

[whn-hi-met-oops]

OH HOW I LIVE FOR THIS NEW LARRY TEA!

Her dad has just been holding onto this secret since OTRA! Just sitting there clueless while us Larries learned to hack and essentially become FBI agents to get our hands on information like this!

[katshinigami]

I like the way you kiss me, I can tell you miss meI can tell it hits, hits, hits, hits