#IT IS SO TRAGIC BUT ALSO SO BEAUTIFUL. IT IS THE BEST THING I HAVE EVER SEEN IT WILL DESTROY ME

[the-letterbox-archives]

is it just me or does it seem like horror/thriller/angst/whump/etc writers (and writers that have any tragic stuff in general) are always forced to be compelled to compete with one another? like “oh my characters backstory is so tragic” “my story is absolutely riddled with angst” “i won’t let them have a happy moment ever” and things like that. that’s not a dig on any writers at all, more so an environment i’ve noticed where creatives are vying for constant tragedy and the ‘best’ tragedy, yknow?

i have a few problems with this;

1; it means that writers are discouraged from writing with nuance and thereby sacrificing each stories uniqueness. a story of nothing but tragedy is just a letdown, and if a writer feels compelled to aspire to that, their creative freedom is killed for the sake of the competition. not every story is a no-nonsense tragedy; and placing higher value on tragic art devalues other incredibly beautiful art.

2; it makes writers feel like they need to have their writing be so tragic it hurts too much, and that is a very isolated mindset. they can’t share their stories, because what if they’re not scary enough? not dark enough? not tragic enough?

3; it denies the narrative and characters any chance at happiness, should the writer succeed (if that were hypothetically possible) in making their story dark and horrible enough. and i may be an outlier here, but i love fluff and i want the characters i grow attached to to survive a multitude of experiences, not only because it will make them appear more fleshed out, but because it makes for a better story overall, as variety does.

that all leads to writing that hasn’t reached its full potential and writers who feel like they must compete to have their craft and stories be taken seriously. i’m speaking from a casual writing and small scale indie writer perspective, but i believe this divide also exists in classical literature and has for so long. i think the message i’m trying to say is something i should learn myself: your writing does not need to bleed darkness and tragedy at every perceivable opportunity. it should be yours, created with both the good and bad, and that beautiful nuance we are capable of. don’t let yourself fall to a fictional competition.

this may mean nothing aha, but i hope you enjoyed the rant!

[musewrangler]

Unhinged ranting on Ladyhawke

No one---

Me---all right then, here's my apologetic for why Ladyhawke is the best fantasy movie and you need to go watch it.

I will say at the outset that I watched this first when I was ten and so at that age, I freely admit that we can be shaped by truly awful media. We get happy and nostalgic feelings about things from that time. And some of those things pass the test into adulthood and others don't.

But this film still passes with flying colors decades later.

The first reason---and the one I find the most important---is the characters. They utterly nailed not only the wonderful classic tropes, but also the people to play them. Rutger Hauer as our courageous and tragic knight. Michelle Pfeiffer as the stunningly beautiful woman he loves and who is just as keen to save him as he is to save her. Matthew Broderick as the comic relief with heart. Leo McKern as the drunk monk who figures out how to help them. John Wood as the fantastically EVIL bishop. I could go on. But they all play their parts by COMMITTING to the bit and it is splendid.

The second reason---the wonderful story. The plot surrounds two lovers---the Captain of the Guard and the lovely young woman who comes to Aquila for a visit----who are cursed by the evil bishop who is jealous. Here's our fantasy element. He cursed them to be 'eternally together, but always apart'. By day, he is human and she is the hawk. By night, he is the wolf and she is the human. I shall not spoil things from here, but you can guess that the dilemma is how to break this curse.

The setting is Italy and you can tell that the folks who filmed here knew how to find beauty. I LOVE the shots with the hawk flying and the different bits of countryside and wonderful old ruins. We're supposed to be somewhere loosely in the 13 or 14th century and it works.

The one objection that some could make is that the soundtrack features too much of the Eighties acoustic keyboard. And I hear this. On the other hand, A Knight's Tale went for classic rock and we enjoyed that. I can forgive the acoustic bits for the tear jerkingly marvelous music they composed for the love theme and anytime the hawk is soaring. It is seared into my soul and I can picture the knight and the lady so clearly.

And friends---the YEARNING. Oh man. Rutger and Michelle as Etienne and Isabeau are the heart and soul of this. When they speak of each other...when they strive to save each other oh man the suffering. The passion. I CANNOT. I have never seen another fantasy story romance like this one. None compares.

And finally---the climactic scene. Friends. It is---chef's kiss. I want to rhapsodize about it. But that gives away too much. I will merely say that once again--the creative minds behind this were on point with the setting they chose and the way they presented everything. Rutger Hauer acted his heart out and I adore him.

So if you're in need for a truly satisfying love story set in this fantasy world, I wish I could send you a personal copy of this film. Instead, I'm sure you can find it. If you do, please tell me what you thought. If you really hated it though, can I ask you not? It's one of my most beloved and you know how vulnerable that makes one. ;D

Thank you for taking the time to read this. I'm listening to the soundtrack as I write something else and had to detour to recommend this movie to you all.

[thebloodborn]

It was true. He could come and go whenever he liked but at the same time, David couldn’t help but feel like he had interrupted someone’s personal time. It was a good thing that the other man didn’t seem to mind. And apparently had nothing against him staying, which was a very positive thing since the water was really warm and inviting and Bloodborn really did not want to get up and leave. Not to mention that it was quiet. That was probably the primary reason why he went in there. To avoid crossing paths with others in the long corridors or being asked if he knew something about the total recall when he knew absolutely nothing. It was for the best to just avoid everyone – the present company being the exception – and just stay in his own lane. ”Regardless.” David chuckled and ran his wet fingers over his hair, turning around to face the other man at the exact time as he was undressing his shirt and making himself more comfortable as well. It was not that he wanted to stare… but he was kind of staring? It was a very well-built body. Muscular and fit – arms almost as thick as logs. One would have not imagined someone who drew such gorgeous things would also look like he could fold someone in half like a chair. Then again… all of them needed to pay some attention to their physique due to their missions. Some were more suited to sneak around and infiltrate while others were better at the frontline. And with arms like that…? With a body that looked sculpted from marble itself? Jesus Christ.

”It is big enough for both of us.” That was why he had acquired some distance in the chance the other man wanted to join him so that he wouldn’t be right on his face. You have to be respectful of someone’s boundaries. “Do you mind if I ask you for how long have you drawn?” Not just to make conversation – he really was intrigued. How many years did it take to create such a beautiful drawing? He couldn’t draw a completely straight line even if he wanted to. “I always wanted to draw. At least, from what I can remember.” But his skills with a pencil were the equivalent of a bull in a china shop. Tragic. “Unfortunately, I do not possess such an artistic talent. I can barely do a straight line without turning it into something… abstract?”

“ Don't oversell it. ” Parasite shook his head at the comment but tried to suppress a smile. 

It was unlike him to feel genuinely warm from a compliment. Naturally, he closed himself off. “ This is nothing special. ”

Before any arguments could be made, Parasite raised a hand at a stop sign and shifted the conversation to their latest work assignment (or the lack of one). He listened attentively to how Bloodborn handled the situation, only speaking when the other was done.

“ Once again, you can come and go as you like. I don't own the place. ” At times, the agent had been accused of being indelicate in his manner of speaking. Ironic, considering just how charming he can be when he puts effort into it. He rarely bothered turning his sympathy filter unless it was for a mission or someone he knew well. “ There's no reason why we can't stay here simultaneously.”

To prove his point, the agent rose to his feet and unbuttoned his shirt, leaving him with only a pair of blue swim shorts. “ We can share, right? ”

[creature-once-removed]

I've been reading and watching some reviews of Oppenheimer and am shocked at the way some people don't seem to be able to connect to characters who are a little bit closed off and inwardly complicated.

This is a film you need to bring your own empathy to. It isn't actively provoked and drawn out of you.

Which, given that it deals with the construction of the Atomic Bomb, I think is something that should be self explanatory. If you go into making this thinking "Oh I will make people feel so bad about the bombs" you're already headed in the wrong direction. It's not the question whether or not it's bad. The question is whether or not you realize it's bad when no one tells you outright how to think about it.

This movie is incredible for doing this.

[earlyspringtranscendence]

btw i think one of the most impt hobbies in the world is having a mostly non-existent, mostly self indulgent crush on a professor/lecturer just to zone out to their classes to and focus instead on their hair and their hands and their dark circles speaking NAWT from experience. maybe a little bit.

[forthegothicheroine]

Tanith Lee Recs

Since Tanith Lee deserves to be known for much more than having been plagiarized, I thought I'd share some recommendations. She had a HUGE body of work, and I've seen it suggested that the reason she never became a household name in fantasy and science fiction is that she wrote so many things that were different from each other, rather than staying in one easily labeled niche. I've only begun to make a dent in her catalogue, but here's the stuff I liked the best.

Note: A lot of her stuff can be disturbing, and I can't remember everything well enough to give perfect trigger warnings.

Red as Blood and Redder Than Blood: These fairy tale collections are being talked about now for the title story, but my favorite is The Golden Ladder, an incredibly creepy and hot version of Rapunzel, or perhaps When the Clock Strikes, a horrifying beautiful take on Cinderella.

The Weird Tales of Tanith Lee: As you can see, I love her short stories. These are all the ones published in Weird Tales, which includes some of the above fairy tales (including When the Clock Strikes) but also Arthurian, steampunk and science fiction stories. It's a great sampler of all the things she could do.

Blood 20: One more short story collection! This one is (most of) her vampire stories, so I know you goths will like it! There are things erotic, fantastical and grotesque in here, but to me the most haunting is the tragically mundane The Vampire Lover.

The Secret Books of Paradys: In this series, an alternate history of Paris, bad things happen. Supernatural things, sexual things, horrifying things. And sometimes good things happen, such as a man saved by a Jewish sage an his beautiful daughter who then actually converts to Judaism.

The Secret Books of Venus: I've only read the first entry in this similar series about an alternate world version of Venice, but once again it leaves the reader feeling totally transported to this sometimes sinister, sometimes lovely place where romance and cruelty live next door to each other.

Vivia: This tragic medieval plague-influenced vampire story is maybe the darkest thing of hers I've read, but dear god can she paint a picture with words. Along with The Birthgrave (which I didn't like as much), George RR Martin definitely pulled a lot of Danaerys's story from the title character here.

Islands in the Sky: And now for something completely different- a children's book. I remember finding this at the library as a kid and wanting to cry when it was over, because it gave me an equal sense of wonder and happiness as The Lion the Witch and the Wardobe, which I hadn't known was possible and worried would never happen again.

...but if you're like me, you'll just see which of her books you find at the library and used bookstores. You may not love every single thing, but it will always be interesting!

[infizero]

also having now actually seen the whole thing adventure time has skyrocketed into one of my favorite shows ever. like for real i liked it as a kid and have always had a fondness for it ever since but rewatching it now has made me realize Just how fucking good it is and how unlike anything else it is. its so good and appeals to ME specifically in so many ways please for the love of god if you haven't watched adventure time WATCH IT. WATCH IT RIGHT NOW

[gyubakeries]

𝗴𝗹𝗶𝗺𝗽𝘀𝗲 𝗼𝗳 𝘂𝘀 | k.mg

a/n: trust mingyu to do something and completely throw my world off-kilter. i cried after listening to the cover because the song is that meaningful to me. mingyu if i ever meet you i will hug you. and cry. also, thank you skye ( @etherealyoungk ) for entertaining all my ramblings abt this fic <3 shoutout to kae ( @ylangelegy ) because i finished this just to torture u 🙂‍↕️

a BIGGGG thank you to cori ( @seoloquent ), ally ( @lovetaroandtaemin ), lou ( @tusswrites ), rae ( @nerdycheol ) and lexi ( @heechwe ) for beta-reading!! u guys helped me bring the fic together 🫂 ally ( @lovetaroandtaemin ) made this beautiful banner for this fic too!! thank u so much ally <33

and without further ado, glimpse of us gyu!

🏆 this fic is part of the angst olympics collab! check out the main masterlist here <3

word count: 8.1k contents: mingyu x f!reader , photographer!mingyu , heavy angst as u can tell , post break-up , grief , drinking , implied sexual content but nothing in detail , the tragic nature of relationships that crash and burn , mingyu is lowkey an ass , but he's making up for it , the narrative switches between the past and present , flashbacks are in italics , happy ending

it's all wrong.

when mingyu wakes up, a white ceiling presses down on him, the scent of oranges suffocates him, and skin that is brushing against his isn't warm.

he feels uneasy, his skin prickling at all these foreign sensations.

it's all wrong.

he should have been looking up at tattered glow-in-the-dark stickers on a pale blue ceiling. he should have been in the embrace of sweet roses that always managed to make him feel at home. he should have been touching skin that keeps him warm through the coldest winter nights.

he should have done a lot of other things too.

he didn't.

—

"y/n, i know you're in there," comes your best friend's voice. he's teetering on the edge of exasperation, but you can only laugh to yourself.

it's a pathetic sound, and you can only think of when it used to be much happier.

"you better be decent," seungkwan warns, before he's punching in the code to your apartment and letting himself in. the stench of alcohol hits him first, and then his eyes land on you—slumped against the couch, hand clutching an empty bottle of alcohol, and a hazy look in your red-rimmed eyes.

"you promised you wouldn't do this to yourself anymore," seungkwan whispers, biting back all the nagging and scolding when he sees your blank, regretful smile.

"promises aren't a real concept anymore, kwan," you croak out, voice hoarse from all the crying. "they're never real."

you repeat the words like a mantra, sometimes in your head, and sometimes out loud. seungkwan bites his tongue to stop himself from crying in front of you as he helps you get off the floor, drink some water, and sleep in your bed.

"i'll stay the night," seungkwan tells you, already pulling out the air mattress he bought for himself ever since you started drinking to the brink of alcohol poisoning. "tell me if you need anything."

him, you think. i need him. kim mingyu. he's all i’ve ever needed.

seungkwan can read your mind, and he stays silent after that.

you fall asleep without saying anything, and old glow-in-the-dark stars and real laughter haunt your dreams again.

—

it was the most beautiful thing you'd experienced in your life before it became the ugliest.

kim mingyu entered your life like a tornado when he crashed into your car on a sunday morning, four years ago. he left you with a wrecked rear bumper, a rapidly beating heart, his number scrawled across your palm, and a promise of taking you out on a date.

you forgot about the rear bumper quickly after that, and texted the number the second mingyu walked out of the car repair shop.

. . .

you (11:30 a.m.) :

ill be waiting on that date, kim mingyu

mingyu (11:31 a.m.) :

lets go grab brunch together

im still standing right outside

you (11:32 a.m.) :

see you there :)

. . .

it was no surprise that you fell for him as fast as you did.

it was difficult not to. especially when mingyu was the man of your dreams.

he'd hold your hand for every second of your dates, even after you told him your palms get sweaty. he'd remember all the tiny little details about you that only your best friend would know. he'd know exactly what food you dislike, and would never order it for himself either.

mingyu quickly fell for you too.

with every meal at random restaurants. with every movie night spent cuddling under a single blanket. with every touch of your hand, with every press of your lips, with every second he spends with you, he fell.

it took two months after the car crash for mingyu to ask you to be his girlfriend.

when you met seungkwan for your regular catch-up session, you told him about mingyu.

"he's perfect, seungkwan," you sighed dreamily. "i think he's the one."

seungkwan loves it when you're happy, but he hated that you were so blind in your love for mingyu to give all of yourself to him so quickly.

he gave you a silent smile. maybe, just maybe, if you'd taken a moment to reconsider taking things at a slower pace with mingyu, if you hadn't been so swept up in his charming eyes or your strong attraction to him, you would've read the look in seungkwan's eyes.

the look of caution.

—

it's the same look seungkwan is giving you now, as you down your fourth shot of.... something.

"slow down?" you tilt your head, the word feeling unfamiliar on your tongue. "when have i ever taken things slow?"

the night ends the way it ends every other time; seungkwan has to drag you back to your apartment, make sure you don't trip on the unopened boxes of furniture, give you water, and then sleep on the air mattress placed permanently next to your bed.

the next morning starts the way it usually does; you throw your guts up the second your eyes open, and all the wounds the alcohol helped close for you open up once again.

—

back then, despite all of seungkwan's kind warnings, you ignored him. you knew you loved mingyu, and mingyu loved you back. seungkwan never brought up the topic again. he convinced himself that you were an adult, and you knew what you were doing.

for the two years of happiness you spent with mingyu, you thought the same.

it was one of those whirlwind romances people see in the movies.

in month three of your relationship, you shared pieces of your heart with mingyu that you've never shared with other people. you'd fallen in deep.

in month five, you both said i love you to each other. some say it's too soon, but you could only think of how it wasn't soon enough. you fell in deeper.

by month eight, you moved in with him. mingyu started coming home to you cooking him dinner. you'd spend the night washing dishes and then slow dancing in the living room with all the lights turned down low. the two of you kept falling, hurtling downwards rapidly, without any care for when the end might come.

after a year with mingyu, you were already hearing wedding bells and looking up wedding dresses on pinterest.

it's too soon. it's too fast. slow down.

a seungkwan-like voice kept nagging you from the back of your head, but you tuned it out.

what mingyu and you have is true love. true love doesn't need to be taken slow.

—

he's at the club. there's a girl hanging off his arm, her hand splayed across his chest, and the strong scent of lavender makes him want to throw up.

for a second, mingyu almost says, i have a girlfriend, please leave.

but he realises that he doesn't. not anymore.

mingyu forces himself to look at the girl who's been chatting his ear off for an hour, and he feels sick to his stomach when he realises that she isn't you.

no one will ever be you.

still, mingyu finds himself pressed up against her on the dance floor. still, he lets her take him back to her apartment. still, he finds himself touching her.

and still, it's your face, your body, your voice, your presence that haunts him.

mingyu would give up all his senses if it meant that he wouldn't have the image of you burned into the back of his eyelids every time he closes them.

(mingyu’s also a liar, because giving up his senses means giving up the only way he'd be able to see you, now that you've left his life for good.)

—

"will you marry me?" mingyu asks, and the question knocks the air out of your lungs. you're tangled up under the sheets, mingyu's arm draped on your waist, and your leg swung across his hip.

"you're kidding me, right?" you laugh, going back to drawing random patterns on mingyu's skin.

mingyu wordlessly turns around, and you miss the absence of his touch for all of three seconds. you hear him rummaging through the drawer of the bedside table, and for a moment, mingyu's words feel real.

the realization sets in when mingyu turns back to you, a blue velvet box in his hands.

"open it up," he tells you, and with trembling hands, you take the box and open it.

inside, there's a beautiful diamond ring, and your breath hitches in your throat.

"mingyu-"

"i love you, y/n," he cuts you off, and you hear his voice go raspy and high like it does whenever he's on the verge of tears. "you're the only person i've ever felt this strongly for. i know that we've been together only for two years, and people might call me foolish for rushing into things so quickly, but i'm sure of this. this is—you are—all i've ever wanted.."

you feel mingyu shift in bed next to you, and you turn to see him sitting up. he takes your hands in his and pulls you up to sit next to him. he doesn't let go as he takes the ring out from the box and holds it in front of your ring finger.

"i've never been more serious about anything before, so don't think this is just a heat-of-the-moment thing," mingyu says, nervousness seeping into his tone. "y/n, will you marry me?"

think about it. it's only been two years. this is an important decision. take it sl-

"yes."

"yes?" mingyu asks in disbelief.

"yes, mingyu," you nod, tears flooding your eyes. "i will marry you."

the feeling of mingyu slipping the ring onto your finger, the feeling of mingyu pulling you in for a passionate kiss, the feeling of both your hearts intertwining because of this new shift in your relationship outweighs and drowns out the voice of caution in your head.

take it slow.

but it feels so right.

—

"seungkwan, you said you had a friend who asked for my number, right?"

it was a random thursday evening, and seungkwan was at your place, helping you clear out all the boxes in your living room from your shift to a new apartment.

"yeah, his name is wonwoo," seungkwan nods, looking at you with curiosity. "why do you wanna know?"

"you can give him my number," you say, eyes not meeting seungkwan's inquisitive gaze.

"y/n, are you sure?" seungkwan asks, standing up from his corner to go sit next to you. "it's only been five months-"

"you told me i should be moving on, right?" you cut him off. "that's what i'm doing."

"that quickly?" seungkwan questions. "y/n, i know you, so you don't have to pretend to be okay. you guys were engaged, and you expect me to believe that you're ready to see other people? it's not fair to you or wonwoo."

"i know what i'm doing," you sigh. "but fine, if you won't set me up with wonwoo, i can just go find another date. it's not that big of a deal-"

"you still love him," seungkwan states firmly.

you ignore him and continue talking. "i can't just mope around and sulk forever. i need to-"

"you're still in love with kim mingyu, don't even try to deny it, y/n," seungkwan stops you again. "i'm your best friend, and i can see it in your eyes. "

your shoulders droop, and you look at a picture frame you picked up from one of the boxes.

a girl was sitting next to a large window, an oversized hoodie draped over her figure. her face was turned away from the camera, and her long hair fell down her shoulders in messy waves.

it was just a picture, but anyone looking at it would feel warmth, and love. when you looked at it, the feelings once associated with it had gone cold a long time back.

your hands run through your hair, now cut short and barely reaching past your shoulders, and you toss the picture frame into the box labelled 'waste'.

—

click!

you whip your head around to see mingyu crouched on the floor, camera held up to his face, and the lens directed at you.

"gyu! my hair probably looks like a bird's nest now," you whine, realizing that he had taken a picture of you. you get up from the windowsill you were sitting on and go over to your boyfriend.

wanting a peek at his sneaky picture, you grab at his arms to steal a glance at his camera, but your attempts fail as he swiftly dodges all of your attacks. with his long arms, he's able to set the camera out of your reach. however, before you can protest, he picks you up in his arms and kisses you softly.

"good morning, love," he whispers against your lips, and you wrap your arms around his neck tighter.

"i wish you didn't have to go," you mumble, pressing kisses to all of mingyu's face.

"i'll be back before you know it," he assures you with a hint of sincerity in his eyes.

mingyu was leaving for a three-month photography tour he had been invited to. it was an important milestone for him, because it meant that he was finally getting acknowledged in the industry. and as his girlfriend, no, fiancée, you obviously had to support him.

but it didn't mean that you were going to miss him any less.

"you need to text me at least thrice a day, send me loads of pictures, and facetime whenever you're free, got it?" you remind him, and he laughs.

"what if you're asleep when i facetime you?"

"i'll wake up to talk to you," you nod resolutely. "i expect daily updates, kim mingyu."

"yes ma'am," he salutes, and you laugh too.

soon, it's time for mingyu to get into a cab that will take him to the airport, and all you can do is wave goodbye and kiss him deeply before he steps into the car.

"i love you," he tells you, and you mouth the words back to him as the window of the car rolls up.

the cab drives away, and you're left standing on the sidewalk, still wearing mingyu's hoodie.

the first two weeks pass smoothly, with mingyu's incessant texts and calls. aside from the fact that you were sleeping alone in your shared bed, and there wasn't anyone to have your meals with, it almost felt like mingyu had never left.

you get a package at the start of week three. it's from mingyu, and upon opening it, you see that it's a framed picture.

the photograph is black and white, and you recognize it as the picture he had secretly taken of you the morning he left.

a note in the package reads:

'this city is beautiful, but i miss the beauty of having you by my side the most. just a couple more months, and i'll be back. with love, mingyu.'

just two more months, you tell yourself, clutching the frame to your chest.

little did you know, two months was more than enough time for your relationship to come falling apart.

castles made out of sand don't last for long, after all; all it takes is one wave for it to be swept off.

—

"can i get another one of these?" you ask the bartender, gesturing to your empty glass, and he nods. you slump up against the bar again, the events of the evening replaying in your head.

you had finally gone out on a date with a guy from work. he had shown interest in you for a long time, but back then, you had a ring on your finger and the vague promise of a wedding looming over your head.

now, however, you were free to date whomever you wanted.

(if freedom meant living without the one person who your heart longs for the most, you wish you could give it up.)

the date had been a disaster.

the entire time, while the guy kept talking about his interests and his dog, all you could see in front of you was tan skin, pointy canines, a mole decorating the tip of the nose, and the warm smile you loved so dearly.

all you could see was mingyu.

no matter how much you tried, you couldn't get him out of your head. it got to the point where your brain tuned the guy out completely, and for a while, your senses stopped working.

all you could feel was mingyu, mingyu, mingyu.

"i have to go," you had choked out apologetically before rushing out of the restaurant and heading to the nearest bar to get shit-faced.

"why am i so pathetic?" you mutter to yourself, a few hours later, in the back of seungkwan's car. "why can't i stop loving him? even after he hurt me?"

"the heart wants what it wants" seungkwan sighs, glancing back at your limp figure in his car.

"you'll be okay, y/n," he tells you, but you're not sure if you ever will.

everywhere you look, all you see is mingyu.

—

by month two of his photography trip, mingyu had stopped texting as frequently, and that's exactly when everything began to fall apart.

your texts went unanswered for hours, and you would get only a few short replies from mingyu over the span of multiple days, so, eventually, you stopped texting him about your day in detail.

he never answered your calls, so, eventually, you stopped calling him whenever you missed him at night.

and then came the next change: mingyu called you, a week before he was set to come back home, only to tell you that the photographer he's idolized all his life wanted mingyu to join him in america for a month.

"it's the opportunity of a lifetime," mingyu said, voice brimming with excitement. "but if you don't want me to-"

"mingyu, you're going to america," you cut him off. "i'm so happy for you, love. and don't worry about me, i'll manage just fine for another month."

"thank god, i expected you to start crying over the phone," mingyu said with a laugh, and it was probably a joke, but the words stung a little more than they should have. "okay, i gotta go. talk to you later?"

"sure, gyu," you replied, trying to tamp down the momentary sadness you felt. "i love y-"

the line went dead before you could finish, and your heart sunk.

mingyu stops saying that he loves you, so, eventually, you stop saying it too.

—

ten months have passed since the breakup, and you're finally getting a hold on yourself. there are some bad days where you can't even get out of bed without crying your eyes out over the absence of him in your life. but on other days, you manage to shower, make yourself breakfast, go to work, and distract yourself from the fact that you're going home to an apartment that feels strange and unfamiliar; a far cry from the coziness of the home you shared with mingyu.

still, you keep pushing through. it's a new beginning, you tell yourself, even though all you want to do is go back to the past.

you tell seungkwan just as much, and all he says in response is, "remind yourself of why you left, y/n. yes, you loved each other, but maybe love isn't always enough."

so, on a particularly bad sunday morning, that marked five years since the day you had first met mingyu, you let yourself remember exactly why you left him.

you don't leave the bed till later that evening, when you have no more tears left to shed, and the scars of past memories have been etched into your skin all over again.

—

five months. it's been five months since mingyu left for his three-month photography trip, and he's set to come home today.

you spent all morning cleaning the house, calling his mother for his favorite recipes, and putting on his favorite dress, just to make everything perfect.

the last text you had sent him had gone unanswered since the previous night, hence you had no idea what time mingyu's flight would land. you wait the entire day for the apartment door to open, but afternoon shifts to evening, fresh food goes stale, and mingyu still isn't home.

it's close to 1 in the morning when you're awoken by another presence in the living room. you had fallen asleep on the couch after eating instant ramen for dinner, but when you open your eyes, all sleep leaves you in an instant.

"mingyu," you whisper, and your fiance sets down his suitcase and bags, opening his arms up for a hug. you rush to him and hug him tightly, burying your face in the crook of his neck, dirty airport clothes be damned.

"i missed you so much," you whisper, and mingyu only responds with a kiss to your shoulder. he pulls back first, and you see the exhaustion written all over his face.

"can we talk in the morning?" he asks, giving you a small smile. "i'm really tired now."

"of course," you nod. mingyu kisses your forehead as a small thank you before leaving to shower. you'd be lying if you said you didn't feel disappointed when he didn't even hold you in your sleep that night.

it's alright, he's just tired, you tell yourself. and that night, you still shiver in the cold bed, even though mingyu is back in it.

—

the talk never happens the next morning. mingyu leaves for a photoshoot right after breakfast, and you haven't even had the chance to kiss him properly ever since he came back home.

the talk never happens at all. you both move past it, as if the last four months of silence and distance hadn't affected your relationship at all.

it was wishful thinking on your part to think that you and mingyu could bounce back from the last four months unscathed. you tried so hard to not to overthink how mingyu wasn't the same anymore.

he'd work longer hours, and when you asked him about his day, he'd just give you short answers. he'd rarely say the words 'i love you' back to you. his smiles stopped reaching his eyes. his body stopped seeking your touch.

it felt like with every passing day, the chasm that had formed between you and mingyu grew wider, and you had no idea how to cross over it.

one year passes after mingyu proposed, and he never even brings up the wedding.

you delete the wedding pinterest board on your phone.

—

it's been a year since the breakup, and you're driving to meet seungkwan for sunday brunch, when a sudden push from the back jostles you, and you hear the loud crunch of metal.

shit.

you're immediately rushing out of the car to assess the situation. your rear bumper has been completely destroyed, and the owner of the car that bumped into yours is already apologizing frantically, when you realize—

"mingyu?" your voice is a strangled thing as you bring your eyes up to look at the man standing in front of you.

he seems just as shocked as you, his face immediately turning pale and his eyes widening almost comically.

"it's- it's you," the words fall from mingyu's lips, and you feel your eyes fill up with tears embarrassingly quickly. you bite the inside of your cheek to stop yourself from crying in front of your ex, and keep your tone calm and composed as you say, "don't worry about the bumper, i'll take care of it. bye."

you're turning away to get back into the safety of your car to cry your heart out, but mingyu stops you.

"y/n, can we talk? please?" he pleads, and you shut your eyes tightly, not wanting to meet his. you're afraid of what you might do if you look into his eyes again.

"there's nothing to talk about, mingyu," you shake your head. "we- whatever was there between us is over now."

"so we don't have to talk about the fact that you packed your things up, put your ring on the kitchen counter, and left my life? without any explanation?" mingyu presses, and you gather the courage to face him.

you regret your decision to do so, because all you can think about when you look at him is that one day, a year ago, when you decided to leave.

—

it's a random tuesday morning — or maybe it's thursday, you're not sure. ever since your relationship with mingyu started feeling more like a connection shared by strangers rather than lovers, the days seemed to be bleeding together.

mingyu is all over the apartment, his formal shirt untucked and not fully buttoned, socks mismatched, and his movements rushed. he goes into the bedroom to get a tie, then goes into the closet to get his shoes, goes back into the bedroom because he forgot his watch, and the process continues.

you sit on the couch, scrolling through your emails and not paying attention to mingyu. maybe a year ago, you would have joined in on the chaotic mess, but right now, mingyu's groans of frustration are nothing but annoying to you.

"y/n, have you seen my watch? the new one?" mingyu asks, approaching your figure on the couch.

you simply shrug your shoulders, looking up at him for a moment and shaking your head. "you keep telling me not to touch your stuff, so i wouldn't know."

mingyu bristles at your response. "why do you sound so petty? the only reason i told you that is because you misplaced my memory card!"

"it was empty! it wasn't like you lost any of the photos on it," you bite back. "and it was a mistake, mingyu. i'm human.”

mingyu pinches the bridge of his nose, inhaling deeply to calm himself down. "fine, let's forget about that. could you please just tell me where the watch is?"

"i don't know where it is, mingyu," you repeat, going back to your phone.

"well, would it kill you to get off the fucking couch and help me find it?" mingyu snaps. "you know that i have an important event to attend. why are you being so difficult?"

"maybe i don't want to help!" you retort. "you just use me as some personal assistant who makes you meals, does the laundry and makes sure everything is in perfect condition for you. it's like i'm not your fiancée anymore!"

"you know what, i don't have time for this," mingyu fumes. "you're being unreasonable, and i don't know why-"

"you don't have time for me at all, anymore," you scoff. "it's always events, meetings, shoots. you're going ahead in your career but you're leaving me behind."

"that is so selfish of you!" mingyu lashes out. "do you expect me to drop my career and spend all my time with you?"

"i expect you to at least acknowledge my presence, mingyu!" your voice cracks with the weight of the past year suffocating you. "i've always supported your career. i've always wanted the best for you, but you just discarded me to the side! do you know how pathetic it feels?"

mingyu's expression falters, realization flickering in his eyes. "y/n, i didn't- i never wanted you to feel like that, i-"

"i've had enough of your excuses," you stop him. "i've had enough of this mingyu. just- just go attend your event, okay?"

mingyu gulps, the guilt flooding his body. "let's talk when i get home? please, y/n."

you don't give him an answer, and before mingyu can plead again, he gets a call from his assistant, who informs him that he needs to leave as soon as possible.

"i have to leave now, but i'll come back and we'll sort this out, yeah?" mingyu tells you, having calmed down significantly. "i'll see you later, y/n. i- i love you."

the last three words are like a knife twisting in your gut. you can only watch as mingyu hastily finishes getting ready and leaves the house. the second the door shuts behind him, you go into the bedroom and start packing all your clothes and shoes into suitcases.

you stuff in some other important things, like documents, pictures, jewellery, everything you brought with you when you moved into mingyu's house.

you leave behind the pink fuzzy slippers that had a matching blue pair. you leave behind the ugly paper mache statue you made with him. you leave behind the matching 'his' and 'hers' mugs you both drank coffee from.

you leave behind the engagement ring on the kitchen counter.

you walk out the door in two hours, both your ring finger and heart empty.

—

you snap back into the present, where mingyu's frame is still towering over you.

"i thought that argument was all the explanation you needed," you mutter indifferently, trying to tamp down the tears that were trying to escape.

"it wasn't, y/n. it just left me confused and-"

"then imagine how i felt," you let out a dry laugh. "imagine how i felt when you came back home from your photography trip and didn't say a word about all the missed calls and unanswered texts. when you never brought up our wedding and kept me waiting for some shitty happy ending i wanted with you. you left me in the dark, like i was nothing but some old childhood toy you shoved away in the attic to collect dust."

"that trip changed a lot of things for me too, y/n,” mingyu shoots back. “i was reaching the peak of my career, and it kept making me question whether i was ready to settle down then. i was scared and confused because i had never felt for someone the way i felt for you, but i also wasn’t sure if us getting married that quickly was going to be a good choice.”

"why didn’t you think about all this before you proposed?" you argue. "and why did you never talk to me about any of this? we would’ve figured out something that worked for the both of us."

"y/n, i-"

the loud honk of a car behind the both of you interrupted mingyu, and you take that as a cue to leave the conversation.

"look, we're past all the excuses now," you look away from mingyu. "what we had is in the past, and we both need to move on."

"i can't," mingyu says, and those two words knock the breath out of your lungs. you turn around to look at him again, hoping to find some ounce of a lie in his words, but the look in his eyes says it all.

he isn't lying.

"i've tried moving on, y/n. i've tried to forget you but it never works. i've tried so hard, but no one is you. i'll never love anyone as much as i love you, and that scares me," mingyu chokes out.

the car is still honking, but you can't seem to move from your spot.

"you'll- you'll move on someday," your voice is shaky and barely sounds convincing to even you. you don't know whether your heart is happy or broken at what mingyu just said.

"i know i won't, because what i feel for you is true love," he says with conviction. "y/n, our relationship may have been brief. we may have taken things too fast and fizzled out, but i know my feelings are real."

"how can you say that? we only hurt each other in the end," you shake your head. "it can't be true love if both of us ended up with broken hearts."

"my heart still hurts every day when i wake up and realize you're not there," mingyu sighs. "i still make two cups of coffee, and one goes down the drain because you're not there. i still call out your name when i can't find my goddamn keys, but you're not there. it still hurts so much, even after all this time has passed.'

"and i know i was the one at fault," mingyu continues. "i haven't stopped beating myself up about how stupid i was to ignore you and your needs like that. i wish i had admitted the truth to you, and i regret not doing that every day. god, y/n, i cry myself to sleep every night thinking about our wedding and how i was the one who went and ruined it all."

the tears finally spill, and by now the car has already turned around to take another route. your chest heaves with how much you're crying, and you realize that you should’ve reached out to mingyu too.

you waited and waited for mingyu to say something, but you never said anything either. you pretended that everything was okay when it really wasn't. maybe if you'd said something-

"stop, i know what you're doing in there," mingyu breaks your train of thought. "you- don't blame yourself. relationships end and hearts break, but that doesn't mean they don't deserve a second chance."

"mingyu, i- i don't know how i can trust you again," you speak, your voice hoarse. "you said it yourself. we- we crashed and burned. we hurt each other with our love, and i can't go through that heartbreak again."

"let me earn it back," mingyu pleads. "let me make up for my mistakes, y/n. i'd die regretting losing you without having a chance to tell you how sorry i am for doing that to you."

there's two voices in you.

one tells you to let down your walls and let mingyu in again.

the other one curls up in your lungs and it tastes like the bitter alcohol you drank almost every night to forget mingyu. it tells you that you're going to get your heart broken again.

a third voice breaks through the noise, and it's mingyu.

"please, y/n. let me make things right," his voice has dropped to a whisper, and the conflict in your mind stops.

"i'll consider it, if you pay to get the rear bumper fixed."

—

"what if we break up some day?" you ask mingyu when he brings up plans of growing old with you in the countryside of france.

"we've been dating for a year and you're already thinking of breaking up with me?" mingyu gasps, which makes you giggle. "i'm hurt, babe. i'd never do that to you."

"but what if you did? or if i hurt you?" you ask, the question not wanting to leave your mind. "everyone tells us we're going too fast. that we're going to crash. what happens then?"

mingyu exhales deeply before turning to face you. he cups your face with his hands and looks deep into your eyes.

"even if we end up crashing, even if we end up leaving each other, i promise to find you again," he says sincerely. "if it's my fault, i'll apologize till my last breath, till i know that you've forgiven me. and if it's your fault, well — as long as you show up in my life again, i'll forgive you."

"that's not fair to you," you laugh. "you shouldn't let me off the hook that easily."

"to be honest, i would," mingyu disagrees. "because i know that staying away from you would kill me. if you ever decide to come back into my life, i'll welcome you with open arms. i'd rather be hurt with you by my side than die a slow death without you."

"you're so sappy," you roll your eyes. "i hope you know that i won't forgive you that easily."

"i told you, i'd spend all my life making it up to you if i ever hurt you," he vows. "what we have is true love, y/n. it only comes around once. i'll be damned if i ever lose you."

in that moment, you hadn't thought much about mingyu's words. but little did you know, that somewhere down the line, mingyu would really keep his promise to win your trust back.

—

it's been eight months since mingyu crashed into your life all over again, and this time around, you've really taken things slow.

he's still working on gaining your trust back, which you appreciate, because it assures you that he truly means his apology and that he's here to stay.

this time around, you feel hopeful. maybe, if your heart heals, you'll try again. you love him too much not to at least try once more.

on a tuesday evening, just as you reach home from work, you get a text.

. . .

mingyu (7:15 p.m.) :

you free friday evening?

you (7:37 p.m.) :

yeah i am

why?

mingyu (7:38 p.m.) :

i have an exhibition for my photos on that day

it wouldnt feel right without you there

you (7:50 p.m.) :

i'll be there

mingyu (7:51 p.m.) :

thank you :)

. . .

—

the exhibition gallery is packed with people as you walk into it on friday evening. you feel a little overdressed in your wine red, knee-length dress amidst a crowd of people wearing sweatshirts and jeans.

still, you walk forward confidently, you find yourself getting captivated by the sheer magnitude of the exhibition.

there's large displays of streets in different cities bathed in the warm light of the moon, birds soaring in the sky, random people going about their daily lives, and so many small, unseen moments that mingyu always had the knack for capturing.

the composition of all the photographs makes you stare at them in awe. mingyu is extremely observant, which allows him to focus on the finer details others would skip over. paired with meticulous editing, the final photographs are nothing short of stunning.

you spend a lot of time with each frame, reading the captions mingyu has penned down for each of them. you're so engrossed in each picture that you don't even realize that the crowd in the gallery has come to a stop in front of one particular frame.

you try your best to crane your neck to catch a glimpse of the photo, but to no avail. finally, when some of the crowd clears out, you move closer, and then the world stops.

it's the picture you tried to throw out but ended up keeping it on your nightstand. it's the picture you had received in a package from mingyu when he was away.

it was the last picture he had taken of you.

tears pool in your eyes rather quickly, and you walk closer to the picture of you displayed on the wall. it's huge in size, bigger than all the photos, as if this is the one mingyu wanted everyone to see. the one mingyu loved the most.

and it's titled — her.

'the last photo of this exhibit is a picture i clicked of my muse. before her, photography never had an end goal for me. all i did was click pictures of whatever i saw. after her, i began looking for pieces of her in every sight i took in. i tried to capture the warmth of her smile, depth of her love, glow of her presence, and the special feeling she stirs in me. everywhere i go, i find a glimpse of her, and every picture i take till my last breath, she will be the inspiration behind it.'

there's the sound of a mic coming to life, and you whirl around to see a tall figure standing on stage.

he's dressed in a pressed black shirt and slacks, the sleeves rolled up, hair parted to perfection, and posture confident.

but only you can find a glimpse of fear in his eyes.

it melts away when they meet yours.

"good evening everyone, my name is kim mingyu, and i would like to thank all of you for attending my exhibition," he speaks into the mic, and the crowd bursts into loud applause.

"as you all know, photography is not only my career, but my passion. it's what i live for. last year, however, was a rough patch for me. i lost all interest in photography. i hadn't touched my camera in months. it was like the colors of the world had faded away," his voice, although confident, sounds a bit shaky. his eyes are still locked onto yours, almost as if every word’s meant only for you.

"people told me that it was normal to feel that way. maybe it was burnout, or maybe the reality that photography was just a hobby. but, only i knew the real reason all along. all artists have a muse, without which it becomes difficult to breathe life into their art. i too have a muse. she is the reason i'm here today and able to show you what i've done."

"last year, i went into a slump because she left my life. it was my fault; i was too caught up in the lens of my camera to notice that i was hurting her," mingyu's voice is strained and raspy, and you know that tone all too well. sure enough, his eyes are glassy with unshed tears, but he powers on.

"for that one year without her, i lost all my drive and creativity. i couldn't look for the details in nature because my vision felt blurry. it felt like she had taken a part of me with her when she left. by some stroke of luck, i found her again. and this may sound cliche, but, the second i saw her, it felt like the world existed in technicolor again."

"she's here tonight, even though i don't deserve it, even after everything i put her through, and this time, i want to show her that i've changed. that i don't care about all these pictures, not if i don't see her in them. that one day, if she'll ever forgive me, if she'll ever give me another chance, i won't let her down."

you're sure that your makeup is ruined by how much you're crying, and there's a few tears streaming down mingyu's face too. the crowd is muttering sadly, wondering who the girl could be, but no one in that room will ever know that it's you.

"my muse, this exhibition is my whole heart, and tonight, i give it to you. you can take your time to accept it, i'd wait a lifetime for you anyway. and to everyone who attended, thank you once again."

as mingyu steps off the stage, you can only hope he doesn’t notice you slipping out of the gallery and into the cold night.

—

when you hear the door to the terrace you snuck into open, you think that it’s a security guard telling you the location is off-limits.

you turn around to apologize, but your breath catches in your throat when you see mingyu standing there, tear tracks similar to yours glistening under the pale moonlight.

“mingyu, i-”

“i thought you left,” he chokes out, and your heart squeezes uncomfortably. “you were there the entire time i was speaking, but then you were gone, and i thought that it was done for good. i thought it was the last time i’d see you, and i felt so scared.”

you can see how his chest is heaving, and his shoulders are lined with tension. there’s this urge in you to close the gap between you two so that you can take that stress away.

“i’m sorry, i should’ve told you before i left,” you gulp nervously. “i just- i needed some air.”

“i’m sorry too, for springing all that on you,” mingyu says. “i just had to tell you everything, even if you wouldn’t forgive me at the end of it all.”

“did you mean everything you said tonight?” your voice is quiet, almost as if you're hoping mingyu won't hear you and your words will disappear into the air.

“of course i did,” mingyu replies without skipping a beat. “everything i did before you and after you has no meaning, because you weren't there. our love was what inspired me the most. it's the truth, y/n.”

you take a moment to process his words, letting the weight of them fully land on you. seeing you go silent, mingyu steps forward, his eyes searching yours.

“if i- if i asked for you to forgive me, for you to give me a second chance, would you say yes?”

you already know the answer, but you bite your tongue to stop yourself from blurting it out. you pretend to think about it, as if mingyu can't read your expression. 

“i never stopped loving you,” is what you say. “even when we weren't talking for a whole year after the photography trip. even after we broke up. even now, after you came back into my life. i've never stopped loving you, mingyu, but you're still the person who broke my heart.”

you can sense mingyu about to apologize again, so you bring your hand up to stop him.

“you're the one who broke my heart, but you're also the one my heart wants. the only one,” letting these words out makes the burden on your shoulders feel lighter, but the tension of the moment still remains heavy. “and that's what scares me. because even if you break my heart again, i'll still love you. i don't think i know how not to.”

“i won't, y/n,” mingyu shakes his head. “i won't make that mistake again. i just want to earn your trust again and show you that i'll be better to you. we can take it slow and figure things out, but-”

“fuck taking things slow,” you cut him off. at some point during the whole conversation, your bodies have gravitated towards each other, and mingyu is close enough for you to reach out and cover his mouth with a hand.

“it doesn't matter if we go slow or fast, i just want you,” you tell him, looking into his eyes so he knows that you're speaking the truth. “i want us to work out this time.”

mingyu's eyes widen with surprise, and he gingerly lifts your hand off his mouth.

“do you really mean that?” his voice trembling.

“i forgave you a long time ago, mingyu,” you let out a laugh, eyes welling up with tears. “i forgave you when you paid for wrecking my rear bumper. again. i just needed time to know that this was real. that we wouldn't crash and burn again. and tonight really sealed it for me. i could see it in your pictures, mingyu. i could see how much love you look at the world with. back then, i thought that your love for photography was more than what you felt for me, but now i know that it's not true.”

“my love for you is what makes me love capturing the world in my lens,” mingyu completes. “i'm sorry i had made you feel otherwise.”

“we're done with the apologies now,” you shake your head. “let's leave the past in the past and start afresh. does that sound good?”

“i guess i'll have to crash your car one more time, then,” mingyu jokes, and you laugh. this time it's a loud, genuine sound; one mingyu had missed hearing. one you had missed hearing.

“maybe let's find a less destructive way?” you giggle, but it quickly turns into a gasp when mingyu cups your face with his hands. 

“as long as it's with you, i don't mind anything,” mingyu says, and then you see it.

a look of sincerity and hope flashing across his face. you know it for sure, because you feel the exact same way.

mingyu's eyes flick down to look at your lips, still hesitating to make a move.

“just kiss me already,” you sigh, and mingyu doesn't waste another second. with one swift movement, he's swooping you in for a kiss. a kiss so soft, yet so deep, it makes you feel like you're floating amongst the stars in the night sky looking down at love blossoming again.

when mingyu pulls away, you're both breathless for a few minutes, the reality of the moment sinking in.

the moment doesn't need any more words or touches. you can see everything you need to know in his eyes, and you hope he can read yours too.

its unmistakable; the glimpse of love that you see in him.

you feel yourself falling all over again, hurtling towards an end that may catch you by surprise, but this time it doesn't feel daunting.

not when you know that mingyu will be there to catch you.

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[silencesscreams]

"is there any chance i can fix this?" where james and reader are best friends since birth but he begins to pull away and spend less time with her in favor of the boys, so she just cuts him out of her life and after a while he doesn't know how to deal with it anymore. hiiiii

sad beautiful tragic

james potter x fem reader (angst)

a/n: sorry about any grammar mistakes, english isn’t my first language (also i’m pretty bad at writing angst but i tried my best) also immediately thought of the title because of the taylor swift song, so hope you don’t mind the association. also the first kiss part came to my mind because of a tiktok i saw a few weeks ago but i don’t really remember who’s it was to credit them

warnings: friendship distancing, kissing, fighting, cursing, a bit short (sorry), happy ending

“i’m sorry, okay? i’m so sorry, honey, please. is there any chance i can fix this? just tell me, please”

you knew james potter and he knew you. knowing meaning comprehending each other, meaning that you stood by each others side for as long as you can remember.

he was your first friend. he was your neighbor and you both grew up together, it was expected that you both would know each other better than anyone.

sure, it felt different when you both started hogwarts and suddenly he had new friends, but so did you. you spent the time you could together, always saving a bit of your days for each other.

during the sixth to seventh year summer vacation, he had spent the whole summer with you, you both would hang out all the time.

until he kissed you.

it was the last day of summer and you both had spent the evening in his room. you were talking about a book you had been reading recently and he listened quietly, like it was the most interesting thing he had ever heard of. until you paused for a brief moment and he moved closer to you. you were sat on the floor with him, the carpet tickling your legs as you played with the fluffy yarn under you.

“honey” he said, you looked at him, doe eyed waiting for him to continue. “a phrase. two words, six letters, two vowels. guess.” he said lowly whilst looking at your lips. your mind went blank.

one vowel for each word. you still didn’t get it.

“what are the vowels?” you whisper back, he smiles.

“i and e” he answers, not taking his eyes from off of you for a second. you knew.

“kiss me?” and so he did. his lips met yours abruptly, his hands grabbed your hips and yours went straight to the back of his neck. it completely changed the way you ever saw him, hell, it completely changed your expectations to a kiss. it was better than anything you’d ever experienced and you loved it.

when you got back to school, it seemed like he didn’t do that, actually, it seemed like he didn’t even talk to you the whole summer.

sure, he did casually say hello in the halls and you might’ve shared one or two conversations, but what the hell? he kisses you like that and expects you to just forget about it? that was the most fucked up thing anyone could’ve done. as the semester went on, your mind was absolutely torturing you over that kiss.

it made you overthink every single thing you ever did around him. but maybe he didn't have time, maybe he was really busy with his studies and quidditch, right? that was probably it.

he saw you every once in a while, said an awkward hi or whatever that thing signaling head thing he did was.

the crush you had developed for him didn’t help at all. it made you crave his presence in your life, even now that you hated him more than you ever thought you possibly could. you missed his pet names for you, ‘honey’ and ‘sweetheart’ sounded so amazing coming out of his mouth.

but from the moment he started to ignore you, you decided he was absolutely done. he was never going to see a smile coming from you ever again, he was never going to get another hello, nothing. james potter didn’t deserve a single thing from you.

your friends agreed. they thought he was a piece of shit and said you should’ve cut him off a long time before.

life went on without him, you barely thought about him. your studies were going well, everything was great.

christmas break came up and when you saw james at the train station, you were pissed. you knew he was going to be there for christmas dinner, he was always invited alongside with his family. you didn’t know how he was going to act then, was he going to pretend it never happened?

when you got home, your mother instantly started asking you what you wanted for dinner and you were glad to be home, you just hated that he was in the house next to yours.

a few nights after you both got home, you were invited for a date by steven, who worked at a bookstore near the city park. you said yes, he took you to see a shitty movie and tried to kiss you after dropping you off at your front porch. you dodged it and gave him a good night kiss on the cheek. james saw it all.

once the date left, you heard him yelling from his porch:

“who’s that?” you ignored him and went inside, sure, you weren’t going to see steven again but james didn’t deserve to know that.

on christmas day you went to the potter’s for dinner, your parents insisted for you to go, even though you tried to fake being sick. sirius was there too, you politely greeted all of them and didn’t bother to answer james’ “hey”.

when you sat at the side of the living room table james sat next to you, even though that wasn’t his usual seat. you played with your dress awkwardly and ate less, being there was making you so irritated you lost your appetite.

after taking a bite from your dessert, you thanked euphemia for the food and told your parents you were feeling a bit sick and that you were heading home, telling them to enjoy the rest of their night.

as you were opening the door to head out, you heard footsteps behind you. you knew james was there and you had no interest to talk with him.

“don’t” you simply stated, stepping out and shutting the door lightly on him, he followed you during the small walk between both your houses.

“hey!” he shouted, trying to get your attention. you were about to shut the door to your house on his face, but he held it with his foot, going into your house.

he pulled you by your wrist but you tugged it away from him.

“don’t touch me!” you shouted at him, staring into his eyes for the first time that night.

“now you can talk to me, huh? ‘the fucks up with you?!” he shouts back, brows furrowed. you couldn’t believe him, what a fucking nerve he had.

“whats up with YOU?!” you step closer to him, throwing your keys on the coffee table in the middle of the living room. “you’ve ignored me for the whole semester and now you wanna talk?” he had never seen you like this. you had never been this angry at anyone or anything around him.

“i’m sorry?” he had no reaction, he knew he was wrong, he just couldn’t deal with it. with anything. he didn’t know what to do after he kissed you, he couldn’t handle any of it. he knew that if he spent more time around you he would fall harder, he couldn’t risk it.

“i’m sorry! now that you don’t have anyone else near for you to talk to, i’m worthy of your attention? i’m so lucky, right?!” your eyes started to tear up, but you held it in, he was not getting to see you cry.

“honey, i’m sorry i didn’t talk much with you these past few months, but i tried to speak with you tonight and you didn’t even bother to answer me!” he ran his hand through his hair, looking at you as you sat down on the couch, staring at your hands.

“you didnt even look at me. the entire fucking night. one lousy ‘hey’ is not trying to do anything” he handed you a piece of paper, it was crumpled up in his jeans’ pocket. you knew he was bad with words, but the paper was written front and back. what was he even trying to do? did he think a letter was enough to fix the damage he had done?

“really? you’re a little too late for this, don’t you think?” you said, looking at him angrily.

“fine, don’t read it then. just keep it, okay?” he knew you were about to cry. it was the worst feeling he had ever felt.

“you don’t get to do this to me, james” you hold back tears once you say it.

“i know, honey, i know” he tucked a strand of hair behind your ear, cupping your face as you try to not melt because of his touch. he kisses you, but this time you pull away.

“no. don’t do this to me” you say, a single tear streaming down your face, he wipes it off but more tears just keep coming

“im sorry, im so sorry for everything i did and-“ you interrupt him.

“could you just try to listen?!” you shout, pulling away from his touch again. “what makes you think that i want this? after all you did, better, all that you didn’t do?! you kiss me and expect me to forget about it? expect me to be okay with you ignoring me all the time just because you kissed me again? i can’t be okay with any of this unless you actually explain to me what happened. i really try to understand you, but all of this doesn’t help!”

“i love you” he says “i have loved you all my life and i didn’t know, after i kissed you it all hit me and i couldn’t trust myself around you anymore, i didn’t want to hurt you so i pulled away, i just didn’t know it would hurt you more like that. i’m sorry, but im here now and i want to show you how much I do love you” he pauses and sits next to you on the couch.

“i’m sorry, okay? i’m so sorry, honey, please. is there any chance i can fix this? just tell me, please” he wipes the tears from off your face again. you knew he meant it, you just didn’t know how to trust him again.

“i don’t know” you whisper, looking into his eyes, you had never seen him look this sad. you wanted to trust him, you really did, but how could you? how could you know he wasn’t going to pull something like that again?

you couldn’t be sure of anything, you could only hope for the best and be careful. so you gave it a shot.

“come here” you say lowly, pulling him in for a hug. he buried his face in the crook of your neck and gave you small kisses.

“i’m so sorry, baby” he whispered.

“i know” you whisper back, he looks at you and gives you quick kisses all over your face. you can’t help but smile.

it was going to take a while for you to trust him again, but you knew you could.

[linkspooky]

JASON TODD VS. DABI: WHY NOT ME?

"You haven't been here long but you've seen him, right? The batman. The batman. He lives in darkness, to find the helpless and bring them into the light. So I have to wonder...why couldn't he do it for me?" The Boy Wonder: Issue #2

This is the story of the boy who didn't get saved. The story of a boy who really ought to have been saved. Of course, every victim deserves to be saved, but this boy was the son of a superhero. Can a hero who saves everyone, but fails to save his own son really be called a hero? As for the son, how does it feel to watch his father save complete strangers but let him fall to the wayside?

Jason Todd and Dabi are two characters with similar backstories and motives (so similar it's possible Dabi is outright based on Jason Todd) which are worthy of comparison. These are two tragic arcs which explore the conflict between a hero's responsibility to act as a father, and their responsibility to save people. As I said they are tragic because in both cases the hero fails, as a father, and a hero. However, I'm comparing the two because Jason Todd's story is a well written tragedy, and Toya's story is not.

If you were to write a story of my life, it would surely be a tragedy.

Aristotle's Poetics is the first attempt to define what Tragedy is, not as a story where sad things happen but a specific story structure. He outlines not only what makes tragedy, tragedy, but also what makes a good tragedy.

The Plot, then, is the first principle, and, as it were, the soul of a tragedy: Character holds the second place. A similar fact is seen in painting. The most beautiful colours, laid on confusedly, will not give as much pleasure as the chalk outline of a portrait. Thus Tragedy is the imitation of an action, and of the agents mainly with a view to the action.

I use this quote because the painting metaphor is a great way of explaining what I'm getting at, you can have a painting with the most wonderful colors, you can have a story with really good ideas like the Todoroki family plotline but if you don't use those colors correctly all you're going to end up with is a bad painting.

In poetics Aristotle clearly defines a tight well-structured plot as the first priority for effective tragedy, character as second.

Again, a beautiful object, whether it be a living organism or any whole composed of parts, must not only have an orderly arrangement of parts, but must also be of a certain magnitude; for beauty depends on magnitude and order. Hence a very small animal organism cannot be beautiful; for the view of it is confused, the object being seen in an almost imperceptible moment of time. Nor, again, can one of vast size be beautiful; for as the eye cannot take it all in at once, the unity and sense of the whole is lost for the spectator; as for instance if there were one a thousand miles long

To make sure you understand, it's vital in tragedy for all the pieces to fit together. Tragedy is a specific story format. Good tragedy uses the parts of a story well, but bad tragedy is sloppy and poorly put together. In tragedy, the whole has to be greater than the sum of its parts. The Todoroki Family are all good characters out of context, but the story could have enhanced their characters but detracted from them due to how poorly it is told. The fact that a lot of MHA fans are in love with the Todoroki family out of the context of the story, but also have constant complaints for how Horikoshi handles their plotlines is, in my opinion, very telling.

What Aristotle goes on to posit is the best tragedies do not come about by accident, but rather by the direct actions of the characters.

But again, Tragedy is an imitation not only of a complete action, but of events inspiring fear or pity. Such an effect is best produced when the events come on us by surprise; and the effect is heightened when, at the same time, they follow as cause and effect. The tragic wonder will thee be greater than if they happened of themselves or by accident; for even coincidences are most striking when they have an air of design. 

Therefore Tragedies require consequentialism, like Newton's Third Law, every action will have an equal and opposite reaction. To simplify a good tragedy arises from the consequences of the character's actions (or inaction). The most basic form is that the hero of the story will have a tragic flaw that they fail to improve upon in time and then leads to their destruction. In essence, tragedy is where the hero fails. Not only does the hero fail, but the hero loses, and that irreversible loss is what defines tragedy. Medea slays her own children, Oedipus rips his own eyes off and deserts his kingdom, Creon Antigone is buried alive and Creon's son, her fiancee, commits suicide.

These events share two things in common, they are irreversible (hence why they feel like good endings), and two they evoke catharsis. Aristotle defines the goal of tragedy to evoke terror and pity. We feel alongside these heroes, Medea was abandoned by the husband Jason who she left her home and slaughtered her own brother for, Oedipus did all of his crimes unwittingly and is a victim of fate, Antigone was doing the right thing by burying her brother so his soul could pass on to the afterlife.

There's all different sorts of tragedies, Hamliet explores more here. I'd say UTRH and Hellish Todoroki Family are tragedies centered around grief.

Tragedy works on extreme emotions, and extreme hard-hitting consequences to the hero's failures. The worst thing a tragedy can be is boring.

The Tragic Hero

Now that I'm done lecturing you let's actually talk about both My Hero Academia and Batman like I promised. Both of these stories don't actually feature the central victim as their protagonist, and that is a feature not a flaw.

Rather, the story we are being told is that of a tragic hero, failing to save a tragic victim because of their own personal flaws.

These flaws are called (hamartia) or "error in judgement". A hero, being called a hero of a story is often unaware of his flaws which is central to what makes them unable to fix those flaws in time. That flaw can later lead to a moral failing, such as Othello's jealousy, initially jealousy is an understandable emotion, but then it leads to him trusting Iago over his own wife and killing his wife in a rage.

Most importantly, the hero’s suffering and its far-reaching reverberations are far out of proportion to his flaw.

Let's begin with talking of the heroes and their flaws, Batman and Endeavor. My main reason for comparing these two is in these specific stories they have the same flaw, inability to move past their personal guilt towards their son, and the same conflict the duty of a father versus the duty of a hero.

However, Batman functions as a tragic hero, and Enji does not. The summary of their conflict is right here in these two panels.

A parent is required to place their children above everything else, because they are the ones responsible for bringing that child into the world. Bruce Wayne made the decision to adopt Jason. Enji made the decision to have children, however with Enji you have the added insidious motivation of he only wanted to make designer babies and just didn't care for the ones who didn't turn out right.

Bruce attempts to do both, to act as a father for Jason and also a crime fighter as batman but he can't do both. This comes to a head in Death of the Family when Jason is having serious trouble because of his lack of a strong parental figure, and Bruce knowing that Jason is in trouble chooses still to go off and fight crime instead of staying with him. The choice to place crimefighting over the child they chose to take responsibility for has the unintended consequence of getting that child killed.

Whereas Enji makes the same choice over and over again, ignoring Toya's clear troubles at the fact his father no longer spends time with him and choosing to run away to the world of heroes because he doesn't want to face the fact that his actions are severely hurting his son. Bruce's motivations are more sympathetic admittedly he wasn't actively practicing eugenics, but the choice is the same and the consequences are the same.

Both Bruce and Enji are forced to bear witness to the deaths of their children when they are not there, specifically because they made a choice to be a hero instead of staying by their child's side. A situation directly caused by their choice to be a hero over a father, and a situation that would have been avoided if they had stayed with their child in their time of need. Jason runs off when Batman tells him to stay and gets kidnapped by the Joker, if Enji had been on Sekoto peak that day Toya would never have accidentally lost control of his fire.

This is just the backstory however, the main event that kickstart this plot is the unexpected return from the dead of both Jason and Dabi. Each story follows the same plot beats. A new villain appears to challenge Endeavor / Batman. The villain reveals themselves as their dead son. Both Endeavor / Batman are given a chance to try reaching out to their sons, but they choose not to.

Then even though they are given a second chance with a miracle of a dead son coming back to them, they choose the exact same thing they chose before, being a hero and because of that the tragedy repeats itself. For both of them they are unable to save their son again, and the son goes through a second death. History repeats itself, the lesson isn't learned.

Their fatal flaw is their guilt. This is a story about grief and mourning after all, a son who is died, buried, but never grieved properly, never mourned, an open wound on the father suddenly coming back. The inability of each to process their grief blinds them from seeing the fact the son has come back, and they have a second chance.

Toya has internalized he is a failure, because Enji literally called him that. Jason believes that Batman thinks he is a failure. In both cases the father is the one who failed, Bruce at least acknowledges this but cannot communicate it in any way shape or form.

This guilt and responsibility both Enji and Bruce feel causes them to self-sabotage. They no longer have the confidence they are in the right (they no longer feel like heroes because they have failed to be heroes to their own son).

You can also add the layer of complication that since both men chose to be heroes in the past, they do not know how to handle the situation as a father now that they're being challenged to step up as one. Unfortunately, they are not the fathers that stepped up.

The reason their grief becomes a flaw is because they put their grief over their victims. . Each man is aware too much of their own failure, and while they should feel guilty they make the classic mistake of placing their own guilt over the feelings of the victim. The guilt they feel for causing the death and the genuine grief of losing a son is given priority over Jason and Dabi who you know... actually died.

An overwhelming grief and guilt is understandable because grief is a messy and human emotion, losing a child is an unimaginable tragedy that should never be inflicted on anyone.

Yet at the same time both Dabi and Jason are grieving to. This paradox that Batman only thinks of his own grief at losing a son and never stops to think about how Jason must feel leads to one of the best lines in Under the Red Hood.

"The father had lost a son, and now the son had lost a father."

Batman's guilt is so strong over being the cause of Jason's suffering, that the suffering of the victim himself is ignored. To be fair to My Hero Academia, the Todorokis say a similar line to Enji.

However, this is where I begin to get into the difference between ideas and execution. Tragedies are stories of actions and logical consequences, every action has an equal and opposite reaction in Under the Red Hood. Batman is punished for the choices he makes, the choices he doesn't make, and the choices he fails to make in time.

The Todoroki plotline features almost none of its character making any choices of substance, and because of that the plotline says the right things over and over again, but it all comes off as tell don't show.

I'm going to quote @codenamesazanka's post right here a couple of times because they describe the complete failure of the Todoroki plotline to show us a reason why we should be feeling things for the characters artfully.

We've heard Enji say this before - I'm sorry, I intend to atone. It's indeed the right thing to say, it's exactly what he should be saying and acting. Natsuo is declaring no contact - That's fine, I'm sorry, I accept this as part of my atonement and will continue. Touya calls him a coward - That's fine, I'm sorry, I accept this as part of my atonement and will continue. The public hates him - That's fine, I'm sorry, I accept this as part of my atonement and will continue. But you can only hear this so many times before you want to snap and beat the character, the story, the writing over the head with Enji's wheelchair. Why is that? He's behaving exactly as he should, and yet...

The reason why it fails to evoke strong feelings is because of what we'd called "narrative dissonance." The actions of Bruce and Enji are the same, they both neglect to do anything, make any real attempts to reach out to their victims because they're paralyzed by guilt.

However, we are told that they have entirely different arcs. Bruce's arc is a tragic fall. He's failing as a hero. While we are being told that Enji is experiencing an arc of atonement. Enji is supposed to be improving himself, and Bruce is supposed to be experiencing negative character development but they both do the exact same thing in story. Bruce neglects Jason, we are told by the story, by the characters in the story that Bruce is failing Jason. Enji does nothing in time to actually atone for Toya or try to help him, yet, we are told again, and again, and again, and again, and again, and again that Enji is atoning with nothing substantive to show us this is the case.

To show what I meant instead of telling this scene is in chapter 252.

This scene is the ending point in chapter in chapter #426.

It's just him repeating the exact same sentiment and yet in a more than 150+ chapter gap, Enji never made any action to show he was now placing his family first. Enji didn't say anything to Dabi when he revealed himself as Toya. Enji didn't look for Toya in the months before the final war arc. Enji literally appeared on live TV in a broadcast that Toya was watching and said the very selfish "Watch Me" atone for the crime of creating Toya instead of literally talking about Toya or too Toya. Well, that would have rocked the boat too much... THAT IS LITERALLY THE POINT. Enji had to somehow break from tradition or make some significant sacrifice onscreen to his social standing to show that he's willing to put his family first. Enji decides to go along with Hawks decision to not face Toya head on, making the decision to be the hero for the final time which directly causes Toya to get up after Shoto brings him down non-lethally and make one last attempt to suicide bomb for his father's inaction.

Bruce does nothing for a long time in Under the Red Hood. He ignores his initial instinct that Jason came back and instead makes a long investigation on whether or not someone can come back from the dead in order to distract himself. When Jason takes the mask off, Batman already knew but was pretending otherwise because he didn't want to face the reality.

Even when Jason takes his mask off, Bruce still takes on the "I need to investigate this" angle even though Jason calls him out that deep down he already knows it's the truth. This of course foreshadows Bruce's underlying flaw, he doesn't want to face Jason head on because he feels too much grief about what happened to Jason and his guilt is more important than Jason's own grief. Just as the father has lost the son, the son has lost the father.

What follows is several chapters of Batman fighting crime as usual and making no attempts to directly search for Jason. They cross paths a few times but when they do Bruce doesn't follow. In fact, Bruce only shows up when Jason sends Bruce a sample of the joker's hair and Bruce knows that the Joker has kidnapped him out of Arkham. Bruce almost lets Jason get killed by Black Mask because he doesn't know whether to stop Jason or save him yet again, and then they have their final showdown where Jason has kidnapped the joker to demand Bruce kill him, and Bruce finally attempts to talk him down.

Out of context it sounds like I'm describing the same plotline, to the point where if you haven't read either, it looks like I'm complaining baselessly. Why is one hero doing nothing until it's too late good, and the other bad? The difference is of course context, or rather framing. Bruce's actions are called out by the people around him (Dick, Jason, Alfred) as him handling the situation wrong. Whereas both Enji's internal monologue and other characters say that he is doing his best to atone for his actions and deserves a chance, but the events we are shown in story are the exact opposite.

Here's another example to SHOW my point. Here's Dabi with my special, hardcover edition of under the Red Hood.

I reread the entirety of the fourteen chapter plotline and the majority of internal narrations come from characters outside of Bruce observing his behavior and commenting on how differently he's acting. Jason's backstory for instance is told by Alfred, not Bruce. Dick Grayson the first Robin comments on Batman's odd behavior. The rest are the third person narrator. Bruce has four instances of internal monologues spanning a few pages each in a 378 page story. (Alfred has the most internal monologues and he's presented as a more trustworthy unbiased narrator than Bruce, to get us to question Bruce's actions).

"Information travels on many routes, sometimes it comes predictably like the tides. You just need to know where to stand and meet it. Other times it's elusive and you have to root through the garbage to find it. In the last few years I've come to rely on Barbara Gordon, Oracle, we all did. Utilizing every form of surveillance equipment she has been the eyes and ear [...] but those days are over. I can't rely on anyone anymore. [...] and tonight it's also about the company I keep. It's different with him [night wing] out here. I think about when he was younger, when I was younger, it was different, simpler and I miss it. I miss those days, for that it's hard to be around him.

This first internal monologue is a case of unreliable narrator, because as soon as finishing it Dick Grayson / Nightwing shows up, offers Batman his help and while Bruce at first refuses it the two of them are forced to work together to fight Amazo. What does this show us? Bruce is not alone, but Bruce actively acts like he's alone ignoring the feelings of the other people around him. It exhibits a flaw of Bruce and the bad headspace he is in mentally (if I remember correctly Stephanie Brown recently died in the comics while this storyline was being published. It establishes Bruce's improper coping mechanism with grief, and how he is going about it the incorrect way.

Bruce says I work alone, and then Bruce says it's easier working with Dick, I miss it, but I can't go back to those days. It's bruce's contradictory thinking patterns in the same chapter that stop him. it's bruce's fault he cannot connect to Dick, and he is actively mourning the past because his relationship with Dick has changed.

Now the final part of the monologue in that chapter.

He's quick. Not just fast, agile. He's not thinking about his next move, he's just making it. He's been trained well. And there's something about him. Something familiar. There was something interesting about before he cut the line, before it had been taught. That had to have been practiced. Either that or just plain dumb luck. No it's not luck.

This is the first hint that Bruce already suspects it's Jason from early on but is in denial about it. This unreliable narrator trope also gives an agency to Bruce's decision, he is actively choosing to ignore the possibility that it's Jason because it doesn't want it to be.

Whereas, a lot of Endeavor's plot takes away any agency from him. For example, he doesn't even know that Dabi is Toya, because if he had the sneaking suspicion and ignored it like Batman did that might have made him look bad. We can't have the main character in a tragedy looking bad now can we?

The second monologue is more denial.

That device is from Kord industries. I should know. Ordered it special from them. How can he have it? No more dead ends. No more questions. No more guessing. Tonight I find out what is passing for the truth.

Reading between the lines this is outright confirmation Batman already knows.

The third is a brief reflection in his feelings for Jason.

The armor has to be light enough to fit but strong enough to protect. But sometimes a great many times, it's not strong enough. It wans't strong enough for Barbara who has to fight from her chair. It wasn't strong enough for Stephanie, other dear soldier enough dear grave. And it wasn't enough for Jason. Willful Jason. Who ignored the danger. Who spat at risk. Who was never frightened enough. I've always wondered... always... was he scared at the end? Was he praying I'd come save him? And in those last moments when he knew that I wouldn't. Did he hate me for it?

This monologue directly shows without stating it outright, Bruce is prioritizing his feelings of grief and failure mixing them in with his genuine grief over the loss of a son. it's selfish of him, but grief is a selfish emotion.

Here's the thing Bruce is allowed to be selfish and to not have the correct reaction to his grief, because the whole story is centered on Bruce being unable to get his shit together in time, and this picture into his emotions is an explanation as to why. Bruce is afraid of being hated by Jason. Jason of course has every right to hate him for failing as a father, but still I think not wanting to be hated to a person you loved so much and feel genuinely sorry over what you let happen to them is an understandable reaction.

Meanwhile we have Enji saying repeatedly all the right things in his monologue, the selfless, I don't need to be forgiven, it's okay if they hate me, I just need to atone but he never actually does anything. There's no explanation for why he isn't doing anything either, so that narrative dissonance. We're shown why Bruce doesn't act in time, he's internally a mess to be frank. We are not shown why Enji doesn't act in time because his internal monologue tells us again and again he's committed to atoning and he understands what the right thing to do is.

As Codenamesanzanka says:

Enji is still saying all the right things, but the story isn't giving him the opportunity to actually do the right things. To have his new actions matter. I have no doubt about his sincerity in his mantra, but without the 'show', it's hollow. Similarly, "Let's talk" is actually kinda bullshit too, because it's so vague. This is less about Enji, and more about the writing, how it set up this scene. "Let's talk" or "I want to talk" or any of that variation is repeated 6 times, without anything more or specific added.

There's an excess of repetition of Enji saying he wants to atone, he's ready to atone, without any of that materializing in the story.

As @class1akids says in this reaction post:

It also feels also super-hollow to say he's sheltering the family from the fallout, after they've just talked about how Fuyumi lost her job (and got a new one through the connections she herself built). How is he going to do that?

The fourth because I don't want to write it down, it's just Batman monologueing on how his partnership with Jason is still good and explaining the technical details of his fight with count Vertigo. It's in chapter 10 if you must look it up.

So four monologues total. Two monologues establish indirectly that Batman knows that Red Hood is Jason and doesn't want to face him. The third monologue establishes why he doesn't want to face him, he's afraid of being hated. The monologue is in line with Bruce's actions in the story, Bruce investigates several ways of reviving from the dead instead of looking for Jason.

The character's reactions around Bruce are also talking about how he's not acting like himself. Especially Alfred's who speaks of Bruce's indecision, on whether to put a stop to or save Jason.

"It is curious. He is lost in thought. It is not like him to spend vast stretches of time immobile, where his mind is gripped in the solitary process of deduction. This is quite different. He is hesitating. At a loss for what to do. I believe it is about Jason. And whether or not to stop him or save him."

This is illustrated in two scenes later where Jason spends a long time simply watching when Jason is fighting enemies, first in a fight against Captain Nazi, and second Black Mask. Jason even gives a direct callout of that behavior.

Jason: What the hell took you so long? Couldn't decide if you wanted to let me live. Batman: Shut up and fight.

Observed by Alfred Bruce is completely stalling and can't choose, observed by Jason Bruce can't decide whether to let Jason live or not. Bruce hesitates twice. We know why. We see it in action. It's called out as flawed behavior.

Now let's cover all the tell that don't show that is Endeavor's many monologues.

Pro Hero Arc:

I have to safeguard the future for them. That's the job for whoever's on top. What about the lives I cut short? Just demanding forgiveness isn't enough, it's too late for that. At this point I need to atone there's no other route.

Hellish Todoroki Family 1:

I'm trying to make ammends going forward. It might be too late. but I fall asleep every night thinking about it. Lately it's been the same dream. The wife and the kids looking happy at the dinner table. But I'm never there with them. It might be too late but I fall asleep every night thinking about what I can do for my family. I wish you could be here too, Toya. It's always the same dream. My whole family's there but not me. If I really care how they feel [I'll remain here].

I'm not going to read 200 chapters so I'm just going to ballpark it based on memory. Here we go.

Dabi's Dance:

My eldest, Toya didn't harbor frost within him. He didn't have a way to overcome the inescapable downside of overheating but I nevertheless sought to raise the boy as a hero. [...] Because Toya had more potential than me I placed my ambitions on his shoulders. I thought it could be you. You could have been the one to reach my eternal goal. My frustration... My envy... The ugliness in my heart... you could have been the one to smash it all to dust.

Plot twist this is the only monologue I like. It's different from all the others, and it's the only one where Enji is being emotionally honest. He put the emotional burden of his own emotional insecurities on an eight year old child, and expected to live vicariously through him and when Toya failed to live up to those expectations he just abandoned him. It alligns what we have been shown so far, Enji is not acting like a reptentant man here who realizes the harm he's done to Toya and only thinks of Toya as an extension of himself and his own regrets.

The Fight Against AFO:

My mistakes took the form as Toya leading to many stolen futures. The past never dies. Rage, resentment and even penace wound together toward the future. And the future is a path for the young. A path with so many branching choices. That's why I must win this. [I'll keep paying my penance. I'll win today and keep my eyes on Toya.]

When Enji decides to double Suicide with Toya:

I take full responsibility. I swore to bear the burden and live my life atoning for it all. However, you've been watching me all this time. While I couldn't be there to watch you. You were someone I especially needed to do right by. No I can't let you meet your end alone, but I won't let anyone else get caught up in our tragedy.

Hellish Todoroki Family Final:

I came to talk about what's to come. I'm retiring as a hero. That was my initial plan even before the war started, but now I can't even walk on my own. The hero endeavor burned to death. Your flames were really stronger than mine. [...] You're right. You know everything about me, Toya. After all you were always watching me. And you wanted me to do the same for you, but I didn't. Not matter what anyone says your heat does come from my hellflame. From now on I'll come everyday, so let's talk. It's too late now, so let's talk. [...] You're free to hate me. Anything is fine really, so throw it all at me.

This one is spoken dialogue but it's still a four-page long monologue. Every one of Enji's monologues with one exceptionsays the same thing: I'm sorry, I'll spend the rest of my life atoning for my actions.

We're repeatedly told Enji is atoning but he acts like Batman. Then, his actions should be framed as Batman, not atoning but avoiding any responsibility.

As observed by Class1akids when we were discussing the update:

Everyone else faces an uphill struggle with their lives, but we should all feel sorry for Enji atoning and being in hell. I hate Hori's compulsion to over-write his abusers and over-explain their atonement. He does this with Bakugou too but with Enji it's more irritating. It was so much more enjoyable when he just wrote the thing but didn't point at them and say -> look, they are atoning. Aren't they soooo cool??

Enji's internal monologues and the other characters frame him as some sort of martyr, while on the other hand it's clear by both Batman's actions and Alfred's observations he's not acting like his usual self. In fact, this is an interpretation of Under the Red Hood that I love from the writers of the video game Arkham Knight that does a less tragic retelling of Under the Red Hood:

Batman doesn't fight victims. He saves them.

Therefore if Batman is fighting Jason, a victim, he's not acting like Batman. I'm also fine with Arkham Knight being an Under the Red Hood retelling because it's a different story. Comics do this all the time, different universe versions, popular storylines adapted into different mediums. It also works as a commentary on the original story, by showing what Batman could have done to lead to a more positive outcome it makes Batman's choices in Under the Red Hood worse and more tragic because he could have saved Jason, there was still a chance.

So here we have two flawed tragic heroes who are meant to be both pitied and condemned for their actions. One of them is all pity with no condemnation. The other is both pity and condemnation, Batman is grieving, but also he's failing his responsibility towards Jason. Therefore one protagonist works, the other fails utterly.

I'm not saying abusers don't deserve redemption. I'm not saying Enji should have died in order to atone. I'm not saying that the underlying problem with the arc is that they decided to make Enji sympathetic and a focus of the arc. The most important problem is the breaking of one of the fundamental rules of storytelling: Show, Don't Tell.

The Tragic Villain

Not only does The Hellish Todoroki Family plotline fail to make Enji a compelling protagonist, it also fails it's biggest victim. Now, these are both stories that end with the hero failing to save their victim. So if both of these stories have the same ending, why am I saying it failed Dabi, but not Jason?

Well, let me explain.

Dabi and Jason are both villains turned victims. The stories themselves are about this ambiguity. How much should the be held responsible for their own choices? If they are actively harming innocent people, then shouldn't they be stopped? Should they be automatically be forgiven just because of the pain and grief they've suffered, even if they've been causing it to others?

Both characters are also reflective of their fathers because they are too being selfish in their grief, they want their grief acknowledged and so are violently lashing out.

Jason and Dabi both make plays at being vigilantes at first, Dabi wants to inherit Stains will, and Jason Todd wants to be a better bat-man by taking control of the drug trade in Gotham and cutting crime down by executing gang heads. However, neither of them are being honest with this and it's shown through their actions, both of them abandon their original plans.

In the final showdown all Toya cares about is facing Enji on the battlefield, and when he's on the brink of death his mind erodes to the point where all he can do is scream for Enji's attention while his flames get hotter and hotter.

Let's take about Jason first and how his narrative treats him a whole lot better and more sympathetically, with more humanity than Batman. Jason is still held responsible for his choices, he is criticized by Bruce for murdering gang leaders and passing it off as justice. He's also blatantly shown to be a hypocrite. My favorite scene from Red Hood: Lost Days, the official UTRH prequel.

"I want to kill the joker in a cool way. Just sniping the Joker from a rooftop isn't dramatic enough for me."

This scene, and the final scene of UTRH underlines Jason isn't executing criminals because he believes it's the right thing to do, or because of his stated motivation that killing the joker would prevent more future victims.

Instead his every action is to set up a scenario where he makes a selfish demand of Bruce. He wants Bruce to prove to him that he would choose him over being a hero, by setting up his final scenario. Him, the Joker, and Batman. Jason will shoot the Joker. Bruce has a gun. He can either choose to let Jason kill the Joker, or kill Jason to stop him, either way it makes it clear what Bruce's priorities are.

The underlying reason for this is similiar to Bruce. Just like Bruce, Jason is deeply afraid that Batman doesn't love him. That he thinks of him as a failure. (This is Toya's main reason too).

He also interprets Bruce's failure to avenge him to mean that Bruce didn't even care enough to mourn him. If Bruce loved him enough, he'd choose him over the joker, but he's so afraid that Bruce doesn't love him enough that he's going to force Bruce to choose.

Along the way he's also going to behead several crimelords in order to put an exclamation point on that point.

The way Jason completely unravels in the confrontation shows this insecurity, he begins with monologueing about how batman should totally kill people, until his fear that he wasn't important enough, and his grief at losing his father is revealed.

Batman: I know I failed you, but I tried to save you. I'm trying to save you now. Jason: Is that what what you think this is about? Your letting me die. I don't know what clouds your judgement worse, your guilt or your antiquated sense of morality. Bruce, I forgive you for not saving me. Jason: But why on god's green earth is he still alive? Ignoring what he's done in the past. Blindly, stupidly disregarding the whole graveyards he's filled with people. The friend's he's killed. I thought killing me - that I'd be the last person you ever let him hurt. Jason: If it had been you that he beat to a bloody mess. If it had been you he left in agony. If he had taken you from this world. I would have done nothing but search the planet for this pathetic pile of evil, this death worshipping garbage, and sent him off to hell.

Direct statement, it's irresponsible of Bruce to let Joker live after killing Jason and should have put him down to prevent future victims. Reading between the lines, Batman not taking revenge for Jason is a sign that he didn't love him enough, Jason loves Batman more because he would have taken revenge.

As the confrontation continues and Jason's mental spiral worsens, to the point where he can't keep up his pretense of self-righteousness.

Jason: I'm not talking about killing cobblepot, or scarecrow, or riddled, or dent. Jason: I'm talking about him. Just him. And doing it because...he took me away from you.

The father had lost the son, and now the son had lost the father.

Jason's revenge is just a cover, for his grief at losing Bruce. I think this also shows a really positive aspect of Jason's character to humanize him instead of condemning him for his actions to ignore or even justify the suffering he endured: Jason really loves Bruce.

I mean how meaningful is the statement: "Bruce, I forgive you for not saving me."

Bruce has been afraid to hear the whole time that Jason hates him, that he won't forgive him, but Jason loves him deeply. In fact his love is almost equal to his rage because Jason is a deeply emotional person, and these little details make him human and not just like a plot obstacle that Bruce has to face. A metaphor for his past failures.

Dabi is drawn as a crying boy who wants comfort, Jason is shown to be a crying boy who wants comfort through both dialogue and action without us directly needing to be told. It's a heartbreaking line and doing it because he took me away from you and it lands perfectly because the narrative wants us to just look at Jason's grief. It doesn't add an asterisk* even though he was in pain, he's done unforgivable things that can't be justified to undercut Jason's suffering.

In fact that might be another underlying problem with The Hellish Todoroki Family, the narrative tries too hard to make you feel a certain way instead of just presenting things as they are to make you come to your own conclusion. UTRH doesn't support Jason's revenge based serial killing of villains. It doesn't say he's justified to cut off the heads of mobsters. However, it doesn't excessively state "Well, I'm really sorry what happened to you but what you've done can't be forgiven" so we don't have to challenge ourselves to feel too much empathy for Jason's suffering.

Meanwhile even when Toya tries to express his rightful anger and grief, we're always met with someone shutting him down and saying well yeah, but you're wrong, involving innocent people is unforgivable.

As said by @stillness-in-green in the replies to this post:

I think so much harm (in-universe, but the state of the Twitter fandom makes me think the messages are pretty toxic irl, too) comes out of portraying the Heroes as needing to weigh in on the *morality* of the Villains' actions before they gauge "saving" them, when that is not a thing that glorified cops have any business thinking they have the right to do. Demanding repentance before the rehab is so bizarre.

You can say someone's actions are wrong without using it as a factor to consider whether or not their suffering as a human being should be acknowledged, and like I said there's multiple instances of people just yelling at Toya how immoral he is instead of addressing the elephant in the room.

You're wrong, you're wrong, you're wrong, you're wrong.

(Okay, I understand that some people have interpreted this as a show of Honnae and Tatamae, the Todoroki's who are a very repressed household are finally talking about their feelings even if those feelings are selfish and ugly).

(I'm not criticizing Shoto for saying that the people he killed were his own choice necessarily, Shoto is a character who's actions need to be read more deeply than his words he was dedicated to bringing Dabi down without him burning himself any further start to finished. My criticism lies in the fact that Hori uses Shoto as a mouth piece because he thinks we need to be reminded that murder is bad).

However, even acknowledging that time and place man, time and place. They couldn't have done that in the aftermath, when Toya isn't burning to death?

Hey buddy, you're being selfish.

Toya: AHHHHHHHHHHHHHHH I'M MELTING, I'M MELTING.

This is I feel the underlying problem with the way the arc is written, not because the Todorokis are a very traditional Japanese family and there are cultural reasons they express their emotions differently, I'll give a caveat to that it's a nuance I might not understand.

However, I am arguing the actual problem is tell don't show. Horikoshi thinks that we as an audience need to be told multiple times that murder is bad, and we cannot be trusted to interpret that on our own.

Under the Red Hood shows both sides of Batman and Jason's debate, and let's us just come to the conclusion that Jason is in the wrong because revenge isn't justice. Horikoshi reaches no shit sherlock levels of telling us that we're not supposed to approve of Dabi's murders.

it's also a matter of giving Dabi narrative space to express his feelings, like every time Dabi tries to talk he is continually shut down (Shoto does engage Dabi talk to him and listen to why he didn't come back though I'll give him that) and it seems to be to push forward this weird idea that you shouldn't sympathize with the pain Dabi has endured or the ways he's dehumanized unless he does something to prove he deserves to be treated like a human being first.

Jason gets to monologue and make an entire argument, and his argument also shows the depths of his love for Bruce and what a deeply feeling person he is, and how those feelings being hurt and twisted could logically lead to his lashing out.

Compare this to Dabi who doesn't get a final monologue, but is instead reduced to a completely mindless state where he just cries out for his dad's attention. He doesn't get to make his argument.

Jason and Dabi both choose to blow themselves up, but Jason gets enough character agency to show this is a deliberate choice he's making even if it's the wrong one. He retains his character agency and ability to make decisions until the end of the narrative.

Jason's also you know physically crying. The end result of the narrative is about wrong choices that both Bruce and Jason make together, and then suffer the consequences together. Bruce watches the same failure play out again and he isn't able to save Jason, Jason doesn't get what he wants, he doesn't get revenge and he doesn't get to reunite with his father. It's tragic for both of them, and brought about by decisions both of them made.

Whereas yes Dabi makes a lot of bad decisions leading up to the last war arc, but in the end his final fate is up to a choice Enji made to not face Toya in the final battle.

However, while the final consequence of the battle is brought about more by Enji's decisions than Toya's, it's Toya who endures all the suffering and punishment. It's Toya who is in an iron coffin, and doomed to slowly and agonizingly die with all of his skin burnt off unable to move. Toya doesn't even get agency after the arc is over. Enji still has a wheelchair, Enji can still move around, Enji's still fucking rich, he's not in prison for his actions, he as Rei wheeling him around.

Toya's agency and choices are all taken from him, presumably to serve the plot purpose of making Enji save him to finish off his arc, and then ENJI DOESN'T EVEN SAVE HIM.

Also I think it's important to mention, Bruce's tragic ending is brought about by him attempting to save both, trying to save the joker and Jason with the same action. Whereas Enji's tragic ending is brought about by Enji NOT LIFTING A FUCKING FINGER TO HELP. Yet, it's Dabi who has the lion's share of suffering, and is sentenced to this horrific state of being skinless in an iron coffin and only being able to be awake a few minutes a day with no choice but to waste away.

Bruce is also immediately called out for his actions, by the Joker of all people, you handled this all wrong, it's your fault. Bruce is right to not kill the joker, killing the Joker would not have solved any of Jason's problems, but the fact that he put off facing Jason for so long, and his inability to communicate that he loves Jason is what leads to Jason thinking that the only way to prove Bruce loves him is to force him to choose. It's because Bruce has utterly failed to show him in any other way that he is loved.

Joker: Oh my god, I love it! You manage to find a way to win, and everyone still loses. I'm going to be the one who gets what he wants tonight, badda bing, badda boom."

I'd also like to add that a lot of agency in Enji's actions are taken away too, to make him look more blameless. It's not Enji's fault that he didn't say anything to Dabi during Dabi's dance, he passed out because he had a punctured lung. It's not Enji's fault that he spent a month protecting Deku instead of searching for Toya, he had to protect innocent people. It's not Enji's fault that he didn't go immediately to face Toya in the final war arc Hawks told him not to.

It's not Enji's fault that he made Shoto and Toya fight like Pokemon instead of cleaning up his own mess, and also he feels really sorry for it and as soon as he's done punching the bad guy he'll look after Toya he promises.

Enji does get called out for this behavior but it falls flat because it only comes from the villain AFO, and Toya himself. As I stated above too, the ending is more influenced by Enji's actions not Toya's (because Toya's agency is stripped away until he's mindless) but Toya is the one who has to die while Enji gets to live and atone.

That is the real sticking point for The Hellish Todoroki Family, the way it ends.

Themes Are For Eight Graders

The underlying problem with the whole arc and why The Hellish Todoroki Family fails as a tragedy, is because it wasn't written to be a tragedy.

The above quote is from an interview with the writers of the widely hated Game of Thrones Season 8, which took a sudden tragic turn for Dany's character, gave her an incredibly dehumanizing ending of being put down like a rabid dog by her own lover, an ending that was neither foreshadowed nor did it match with anything written before.

In this meta here by @hamliet it goes far more into depth that Game of Thrones isn't a tragedy, but a piece of Romantic fiction (not a love story, Romanticism is a genre of big emotions, the beauty of life, larger than life ideas hence why it fits well with fantasy genre, it can be sad but it doesn't follow tragic structure).

Dany is a romantic heroine, a deconstruction of the idea of the classic warrior princess trope, and you know a colonizer, but she's not meant to be written as an inherently bad person. There are people who say that Dany was going to die in the original books. I'm one of those people. Me. However, context and framing matters, Dany for all her colonizing ways does genuinely want to do the right thing, so it's likely she'd die a heroic death as a reflection of her selfless intentions (and intentions do matter for fictional characters) whereas in the show she's put down as a villain.

Now watch me I'm going to coin a term for future literary critics to use: Narrative Gaslighting.

Narrative gaslighting is different then Show Don't Tell, where an author has just failed to properly show what they're trying to tell you in the story. Narrative Gaslighting is when a narrative deliberately tries to mislead you, straight up lies to you, or just insists things that did not happen totally happened guys. Much like real gaslighting, Narrative Gaslighting makes you feel stupid for interpreting things a certain way and insists you were wrong all along.

Narrative gaslighting is when Tyrian gives a speech that everyone should have suspected Dany when she burned slavers alive that she was secretly evil and would one day turn on them.

Like, no.

Dany is flawed because she is a foreigner, interfering with the politics of a different country that she does not understand in order to gain enough resources and men to return to her home country and invade that country to exercise her right as a Targeryn to uphold the divine right of kings.

Game of Thrones doesn't mention any of that shit that's in alignment with the previous actions in the story, it's just insisting the very ableist notion that Dany was insane all along and her violence towards other people is the result of her mental illness.

(Also before anyone says, so if she's a colonizer than how can she have good intentions, everyone is Bad in Game of Thrones, they're all waging war to vie for a throne, monarchy is bad guys. IDK how to tell you that Game of Thrones has gray on gray on gray on gray morality).

(Also this aside ties into the hangup of MHA and most popular fandom culture on Twitter, that Dany's moral failings somehow disqualify her from her humanity. In spite of the fact that on top of all of that she's a rape victim, and like, Dany's only on that continent in the first place because she was sold as a bride.)

But here's the same weird subtext that Horikoshi's writing of Dabi. The fact that Dabi was continually victimized and denied human dignity does not need to be addressed, because he did the bad things and didn't atone properly enough for it first.

In essence this random post on the gunnerkrigg court forums I found on the same day the chapter came out, displaying apollo's gift of prophecy.

"When someone is persecuted, it's important to inform everyone about their flaws. That way you don't have to feel anything about all the times that they were denied human dignity."

So, Dany is not written as a tragic hero but a romantic one, we as an audience are both meant to acknowledge her flaws and sympathize with her, not demonize her in an ableist way for being insane, and even if Dany is meant to die the tragic way she dies does not match up with all of the narrative foreshadowing that was built before that.

Like, for instance a lot of POC after the show ended kept telling everyone that Dany's actions in a foreign country were seriously problematic, and not only did the audience not listen but the showwiters didn't acknowledge it with the same subtlety as the books. So those people especially were able to pick up Dany's character flaws, and when the show finally acknowledged them it's not even in the way that critiques of the show were pointing out Dany's flaws it was just "she was insane all along." Not like taking time to go "no matter what the intention, interfering with the politics of a foreign country is wrong."

The problem with the Todoroki arc is essentially the same, down to the ableism (because outsiders continually call Dabi either a maniac or insane Demon without even giving credence to his grievances about hero society he's just reduced to an insane fringe element of society, and Dabi himself is reduced to a completely mindless, childish, insane screaming state where he can't make active decisions).

The Todoroki Arc is not set up to us as a tragic one. The ending is pretty clearly telegraphed to the whole audience. People are not wrong for thinking that Toya's ending would be either rehabilitation like Rei with the eventual hope of being welcomed home, or some kind of house arrest where he still gets to be with his family.

Everyone happy at the Dinner table and Enji not sitting with them.

"I wish you could be here, Toya."

"We all have to go stop, Toya."

"In that case, I'll make him sit down for a bowl with me."

Even Shoto's efforts to take down Toya non-lethally are rendered completely pointless, because Toya gets back up again and then burns himself alive (completely by his own choice so no one has to feel bad that they failed).

The story sets up the expectation that Toya is going to be brought home and sit down for a meal with his family. Then it makes you feel stupid for going in an entirely different direction. It was always going to end this way didn't you know The Todorokis are a tragedy?

Well, I just spent a very long section of this thesis statement illustrating that if it's supposed to be a tragedy, then it's still not written well.

It's a written as a romantic story of a family healing, and the villain getting saved, only for the villain not to be saved and the story to just keep on going like not getting saved isn't a huge failure. This is something that should permanently destroy the main characters, that they got the chance to repeat Sekoto peak and be there this time and they all utterly failed. I feel bad for Shoto most of all because he did everything right, and he still loses his brother, but does the story show that?

The problem is the story is blatantly lying to you about the fact that Toya was somehow saved, even though he LITERALLY LOOKS LIKE HELLRAISER. To quote Codenamesanzanka again:

But I feel the story couldn't give us that because it will remind the reader and everyone just how much Touya will be missing. In-story, talking any more will overburden Touya's heart - and how apt is that metaphor? So let's talk about how we'll talk, but that's all that's allowed here for this scene. Else we'll see how unfair it is that Touya has to be confined to this room, he isn't with his family and they have to come to this prison just to tell him about their day, and soon he will be gone. Details make it real, and it would've exposed the lie that Touya was saved in an actual way. The story knows it too - "this extra time Shouto gave us." This is all 'extra', and not the core. [...] If the story was sincere that this is a case of "it's simply too late" - as it should be!!! imo, to really drive in the clear point that they failed, they did not get the save they wanted, because that's the truth - the tone of the chapter isn't tragic enough for that. The tone is going for 'Making Peace With This'. We've skipped the stages of grief and all we have is acceptance. The characters have accepted this, and so must the readers as well.

Therefore it's narrative gaslighting, the story is making us doubt our perceptions and trying instead to manipulate us to feel a certain way. We don't have to question the unfairness of Toya's fate, because look at all the people he's hurt, and look how Enji is atoning and taking responsibility.

The story builds up the idea that Enji will choose Toya. That he will choose being a father over being a hero. Enji doesn't do that, and it's Toya who suffers the horrific, painful consequences while Enji gets off mostly scott free. Mind you it's also ableist to suggest that being in a wheelchair is some sort of life-ending consequence like he's fine. The story even goes out of its way to say how avoidable this ending could have been if Enji or Rei or someone lifted a single finger to give Toya the acknowledgement he wanted, and then gives it a "Too little, Too Late" conclusion but doesn't acknowledge that this is where it's ending and instead tells us that Enji has successfully atoned.

"Everyone's watching me. So this is what it's like. If it was such a simple thing, then why not sooner?"

If it was going to turn out this way Toya should have just died here, not because death would somehow be a mercy compared to life in prison, but because the Todoroki Family doesn't deserve to get to pat themselves on the back. If they let Sekoto Peak happen a second time, then they should have to deal with the consequences of that.

It would be consistent is my point. This is written as a "Too Little, Too Late" kind of ending, but we don't get the emotional response from the Todorokis that they've let Toya die a second time.

On the other hand, UTRH has the exact same tragic ending but it doesn't make me angry because it's honest about it. The Todorokis let Sekoto peak happen a second time. Batman let Death in the Family happen a second time, but look at how even the narration and comic panels of the story acknowledge it.

"Fate is a funny thing. It swells up like a raging current and we are forced to travel. It provides us no exit. No deviation. It drops us in a bottomless ocean and compels us. We either swim, or drown, and sometimes as we struggle against the tide, a great truth arises."

One ends with Enji meaninglessly stating that he'll spend the rest of his life atoning for Toya and watching over him (which I guess will be like two months tops) for the fifth time. The other ends with Batman being lectured by the Joker of all people of how he chose wrong and being forced to watch once again as a warehouse blows up, and he's completely helpless to save Jason.

UTRH ends with the message that Batman sucks, Enji's atonement arc ends with Natsuo calling him cool for atoning and UTRH makes me like Batman way more as a character. Whereas at this point I feel nothing from the Todoroki Family, except for a disgust for the way that Toya not only has to die, but has to die a slow, gruesome death while the rest of his family walks away with the small comfort of "oh at least we'll get to say what we need to say before Toya passes."

Especially with the fact that Toya's greatest fear was that when he died, he died meaninglessly because his family never grieved him and all moved on with their life. I guess we don't have to analyze how gross the underlying message that criminals don't deserve to be sympathized with because themes are for eighth graders.

EPILOGUE

The post is finished but apparently everyone expects me to cover every single possible angle even in posts this long.

You didn't address the cultural aspect. Under the Red Hood is a western story, and Todoroki Family is based on eastern concepts.

The post isn't about that. The post is long enough I can't cover every single topic. Here's someone who covered that topic thoroughly. This one discusses more about the nuances of collectivism.

Also, since the Todoroki Family obviously copied Under the Red Hood's homework, it warrants a comparison. Especially since it seems to critically misunderstand what made the original work.

Which is a valid form of Literary Criticism, as Ursula K Le Guinn once said:

 It doesn’t occur to the novice that a genre is a genre because it has a field and focus of its own; its appropriate and particular tools, rules, and techniques for handling the material; its traditions; and its experienced, appreciative readers—that it is, in fact, a literature. Ignoring all this, our novice is just about to reinvent the wheel, the space ship, the space alien, and the mad scientist, with cries of innocent wonder. The cries will not be echoed by the readers. Readers familiar with that genre have met the space ship, the alien, and the mad scientist before. They know more about them than the writer does.

The Todorkis aren't all to blame for Toya. Natsu, Fuyumi and Shoto are innocent:

You're right. It's just easier to refer them as the Todorokis then specifying "Enji and Rei" each time.

You didn't mention Shoto once in this post:

I have no cricism for Shoto's role in all this. In fact I think he's the best written part. I praise it here.

Shoto is a good boy, and he deserved to spend more time with his brother. The fact he won't be able to sit down and have dinner of him, is the greatest tragedy of them all.

[a3therc0r3]

Boiling Blood

co-creator: @dragonspoems

summary: you wrote poetry during your time on Philos in your and Sylus’ own language; the poems found their way onto Earth and are now highly sought after, working to be decoded and being sold in auctions for billions. When Sylus learns about the poems, he immediately knows who wrote them, recognizing their language instantly. He has now made it his goal to hunt down as many of these poems as he can while simultaneously searching for you. 

content: sylus x f!reader, angst, past-relationship, pre-relationship, poetry, spoilers for sylus' myth

word count: 2,261

a/n: this is my first ever time posting on tumblr so i hope you enjoy!! i have some more fics coming in the near future(fluff, i promise-) also HUGE thank you to my amazing friend and collaborator @dragonspoems who not only wrote the poem in this fic but also gave me the idea for this fic!! go show them some love! this fic was also posted on ao3

first part is from sylus' POV

Appearances can be deceiving. For example, on the outside, one may see a violent lion, while on the inside, there is simply a shaking kitten. On the outside, one may see a calm, collected, well-kept man who sips occasionally on the venue-provided wine; swirling it around his glass in boredom. On the inside, his mind is racing, his eyes scanning the crowd and glancing back down to the list of goods. His knee bouncing as each item is sold off in a painstakingly long manner. Couldn’t they just get to what was important? What everyone was truly here for? Of course they couldn’t, you have to save the best things for last. 

Sylus watched as other guests whispered to one another, sharing rumors about the ancient writing that everyone was anticipating. They would lazily raise their paddles to pass the time, betting on a much less interesting artifact. A protocore here, a painting there, all while mumbling to their friends about the bits of this writing that had been released to the public. Hushed voices muttering about the beauty, the romance of the words. His beloved’s words. His. No one else’s. They didn’t deserve to read her literature, didn’t deserve to even attempt to translate their language. They didn’t watch from far away when she scribbled in a notebook. They didn’t know how her hands would smell of ink when she touched his face. They didn’t know anything and they never should.

Sylus’ grip on the list had tightened unconsciously to the point that his nails pierced through the paper. It had practically crumpled in on itself, his chest heaving as thoughts spun out of control. The masked twins beside him glanced at one another before leaning in slightly and whispering, 

“Boss? Are you alright?”

Sylus snapped out of his haze, clearing his throat and taking another sip of wine. The twins righted themselves and nodded, knowing to leave well enough alone. They knew better than anyone in here that hell was about to break loose the minute the poem was brought out. There was a high probability that it would end in bloodshed, considering how important this was to their boss; then again, there was always a possibility things could end in bloodshed with Sylus. 

After what felt like hours of waiting, the auctioneer finally grinned and leaned toward the microphone, 

“Now, ladies and gentlemen is the product that I have a feeling the majority of you are here to see. The antique poem is thought to have been preserved all the way from Philos,” guests leaned forward, their interests piqued, “Very few of these pages have been found, and even fewer have been translated from their original language. However, from what we can tell, these poems seem to be the story of beauty, tragic romance, the tale literally as old as time.” The man chuckled to himself, resting his weight on his hands placed on the edges of the podium, “Your faces tell me that many of you are already interested. Since these are so rare, I expect that there will be quite the competition, though we must ask that you all maintain your composure. Now, let’s start the bidding at fifteen million.”

Paddles raised instantly, calling out higher numbers on top of each other. Sylus crossed his legs and let his head rest against the back of his booth, his fingers turning the paddle over in his hand. He’d let them have their fun, wait until the cost had gone up before chiming in. 

“Fifty million from one forty-three, do I hear sixty? Sixty million anyone?” 

Guests continue to holler out their bids, waving their paddles impatiently. The auctioneer spoke a million miles a minute, pointing to each guest as he acknowledged the prices. Sylus remained silent until the bids had risen into the hundred millions. 

“One hundred and seventy million from Mr. Abrams, we are getting up there, ladies and gentlemen, do I hear eighty?”

Sylus raised his paddle, “Two hundred million.” His voice boomed above the others, a few turning to look at the unfamiliar vote. 

“Two hundred million! From Mr…” the auctioneer moved to spot him through the sea of heads, taking the microphone with him, “Mr. Sylus! Such an honor to have you here, sir! Two hundred million from Mr. Sylus, do I hear two hundred and ten? Two-ten, anyone?” 

A paddle was raised. So, they wanted to keep fighting? Bold move. The bidding continued, raising to two hundred and thirty million before Sylus spoke once more.

“Three hundred million.” The auctioneer practically laughed, “Three- three hundred million from Mr. Sylus! Another decent raise! Do I hear three-ten?”

Another paddle raised, “Three-fifty million,” the voice chimed out.

“Three hundred and fifty from this fine lady! Do I hear-”

The man didn’t get the chance to finish before Sylus cut in, “Four hundred million.” The woman who had placed the previous bet, turned from her seat to glare at Sylus, earning a smirk in response. 

“Four hundred million! The heat is cranking up here! Do I hear four hundred and fifty million?” The man strolled to the edge of the auction block, grinning as he spoke.

A paddle raised.

“Four hundred and fifty million from Mr. Abrams! Do I hear five hundred?” At this rate, it would take an hour to get the poetry. All Sylus wanted was something to remember her by, anything from his past life to cling onto while he searched for his beloved. Something to keep him sane in the meantime. He’d indulged them for long enough and now his patience was wearing thin. Sylus raised his paddle once more.

“One billion.”

More guests turned their heads, whispering to themselves as to why the leader of Onychinus would want a piece of poetry so bad. The auctioneer clapped dramatically, trying to excite the room, even though he had asked for the opposite moments prior. “One billion! Now that is an offer of the century. It’s going to be hard to top that, folks.”

“One point two billion.” The man from earlier–Mr. Abrams–raised his paddle, eyeing Sylus as he did so. 

Oh, so that’s how you want to play. Sylus held his paddle up before the auctioneer could even point to Abrams, “One point five.”

“One point seven.”

“Two billion.”

“Three.” 

The auctioneer chuckled wearily to himself, “Gentlemen, please, wait a moment for me to-”

“Ten billion.” Sylus carefully put his gun on the table, pointing the barrel in Abrams as he crossed his arms. His right eye glowed with such intensity that it made Abrams shiver on the spot as if Sylus could kill him with a mere stare. He probably could. The twins unsheathed their weapons, a silent warning, and had the man closing his mouth before he could voice another offer. It was time to shut up. Mr. Abrams turned back to face the auctioneer, placing his paddle down with a hmph! His wife muttered something bitterly to him.

The auctioneer let out a breath he didn’t realize he was holding in, “Ten billion from Mr. Sylus! Do I hear any higher offers? Anyone? Ten billion, going once, going twice? Sold to Mr. Sylus for ten billion! Congratulations, my good sir!” 

He continued moving on with the next item, but Sylus couldn't care less; he had gotten what he came here for. He rose, taking the last swig of his wine and placing his gun back into its holster. With a flick of his hand, the twins stepped back, allowing Sylus to walk towards the backstage area. A few guests stood to block his path, turning to him with pleading gazes.

“Mr. Sylus, surely I can offer you a much better deal to take the poem off your hands. I could even pay you back the ten billion you lost!” A man stepped forward, his hands clamped together as he spoke.

A woman beside him scoffed, “Please! You don’t even have half that amount,” she stepped towards Sylus, purposefully bumping her shoulder against the man’s before caressing the Onychinus leader’s arm, “I can give you money and a good time.” 

Sylus grimaced in disgust, pulling his arm away as another guest behind him chimed in, “I’ll give you my first-born daughter! A-and any valuables you want!” 

“I’ll give you my daughter and my wife!” a voice spoke from somewhere in the crowd, quickly followed by a slap and a woman yelling in a foreign language. 

The first woman tugged at his sleeve again, “Mr. Sylus, please! Just reconsider and I’ll make it worth your time!” 

Sylus pulled his arm away for a second time and glared at the crowd surrounding him, a red mist pushed through the mob, forcing them to make a path for him. “You’re all pathetic, you sit here and let people piss on you without even the courtesy of calling it rain,” he strode through the swarm of guests that were still whispering offers to him, the twins following close behind him. The auctioneer seemed to be frozen in awe, unsure of how to proceed with the event. When Sylus reached the curtain that separated the backstage from the rest of the room, he turned to his henchmen, “Make sure they don’t disturb us,” and with that, he disappeared behind the fabric. 

The auctioneer let out a nervous chuckle, “Ladies and gentlemen, please return to your seats so we may continue with our schedule,” disappointed mumbles filling the silence as they complied. 

Behind the curtain, Sylus had been led to a private sitting room, where he awaited for the staff member to bring him his winnings. The flickering glow from the chandelier cast warmth through the room, hugging him in a mellow embrace. He crossed his legs, tapping his foot impatiently against the carpet. He could be wrong, the poem may not be what he thought they were. It could all be just a coincidence, every ounce of his past life was truly lost to a wind he would never feel again. Sylus grit his teeth and glared down at the rug, thoughts racing. 

A knock on the door interrupted his pondering, the woman that had escorted him stepped back into the room with a smile, “Your purchase, sir.” She handed him a leather binder with gloved hands and stepped back against the wall. 

He waved a dismissive hand at her. She bowed, seemingly disappointed, “We thank you for your appearance,” and with that, he was left alone. He let out a breath he hadn’t realized he was holding in, opening the binder with a shaky hand. A yellowed and faintly crinkled paper sat in a sheet protector. With careful fingers, Sylus pulled the paper from its film, rubbing his thumb over the familiar texture. He had recognized the handwriting immediately–it had been ingrained in his memory for as long as he could remember–the poem was exactly what he had hoped it was: one written by his beloved. Biting his lower lip, he read her scrawls, 

It’s been years, and yet I still couldn’t explain the ache, from what I was, my very essence. It was painful to contain it. 

It hurts so damn much, going through days knowing what fools I am surrounded by. They don’t know anything yet, born with silver spoons in their mouths, not a gem in their eyes. 

I wished to be like them. Ignorance is bliss to the things I’ve seen, letting them take more–all they think they need. 

Yet his voice, a devil’s call, to grow back my claws, to be the one he fell in love with, to be the one I am, the one I unforgivably was.

I knew that call. I knew that need–the need that claws inside of mine–to let the world be filled with traitors’ screams.

Killing what was mine, forcing my hands into the fire of unbeknownst burning in his chest. 

I hated him, loathed him for it, for he knew who I was–a beast, a creature within that wanted their blood, wanted to dance on their graves for all the wrongs they have done. 

Something in my mind telling me he was, he is mine, and mine alone. He belongs. I belong to no one but us, and the spirits of our own, souls of the same kind.

They banished and looked away, laughed and smiled, celebrated the unbecoming of something that was mine and mine alone. 

Soon enough they will know. They will find what they have done, through my everlasting boiling blood. 

I cannot blame him for what he did, for it is as well the doing of mine.

Sylus stared at the paper, biting his lip harder, blinking rapidly to banish the tears threatening to spill. He took another breath, cleared his throat, and looked down at the initials that sat at the bottom of the page. Your initials. Because it was always you, and it will only ever be. The only one he would spend billions on to read a few lines of poetry. 

Sylus gripped the paper tighter as if it would disintegrate in his very fingers, the same way he once had, lifetimes ago on another world. He gazed up into the flickering light of the chandelier; his mind had been made up the moment the fragments of his soul had blown through that breeze so long ago. He was going to find you, no matter how long it took. He would wait centuries, traverse hellscapes, die as many times as he needed to, to find his way back into the arms of his beloved.

a/n: thank you so much for reading! i hope you enjoyed reading this as much as i enjoyed writing it

[adventures-in-mangaland]

Another Dead Boy Detectives Fic Rec List

Netflix sucks and I'm sad, but the Dead Boy Detectives fandom continues to be awesome, so here are some more very quick fic recs!*

Tonight's the Night You Fight Your Best Mate's Dad by Opossum_Subatomic

Everyone's Alive College/University 5+1 things fic featuring Charles bringing Edwin coffee and slowburn payneland. Also Family/Wedding Drama involving Everyone Thinks They're Dating so acute is verges on Fake Dating. This author is seriously fantastic, everything they write is gold.

You should also check out Kissing Lessons, which is a high school AU that does what it says on the tin while also giving non-binary Monty and polyamory.

Ornithology by Rosie447

Monty gets a job working at Tragic Mick's. This one's not actually payneland, being gen and Monty-centric. I know, gasp. It's a fantastic and very sweet exploration of Monty discovering his sense of self post canon and works as a great metaphor for recovery from toxic family/relationships. Also, the ex-animal solidarity and bonding with Mick is lovely.

what some circumstance stole by Chrome

The Sandman crossover featuring Edwin and Hob being kidnapped and tortured together. Their friendship is really wholesome with eventual Father Figure and Found Family Feels for the whole agency and background Dreamling.

dandelion wine (life and death in summertime) by world_wanderer

Payneland Right Person Wrong Time AU in which neither of them die but they still meet and become friends. The May/December friendship is sweet but tragic, with a bittersweet ending. Superb.

Mirror Image by Anonymous

Charles' afterlife gets taken over my an evil shape-shifting doppelganger, leaving him with plenty of time to regret never talking to Edwin about his feelings. Angsty but with Feelings Realisation and the Power of Love and Friendship vibes.

my healing needed more than time by babyseraphim

Case fic with de-aged Charles! Baby Charles is precious but be prepared for discussions of childhood trauma/abuse.

The same author has also written I'm So Aces at Babysitting, which is a really cute two-chaptered AU featuring Charles and Edwin babysitting the kid versions of each other, with bonus Crystal and Niko doing the same. It's very wholesome and the author writes little kids really well.

Pouring into me by tragedy_machine

Love me some "Charles wants to date Edwin to figure out his feelings but gets turned down" fic. Feelings are hard, OK?

thank u, next by KiaraSayre

Edwin fucks and Charles seethes. It's very funny and also features some interesting worldbuilding with the Fae.

Like We've Never Known Hurt by dearheartdont

Just cute established relationship PWP and praise kink. So good.

all of these hollows by handwrittenhello

The boys are alive again but sans memories. Can they still find each other and prove their devotion to the Night Nurse?? While also evading heavenly and hellish forces trying to keep them apart??? Very interesting concept executed well.

Suo Gân by emryses

The agency takes on the case of a traumatised Edwardian ghost searching for her missing baby... Read it for Edwin family feels.

Where Primroses Bloom by PantryJesus

Reading aloud as a love language and Watership Down feels. Idk, I'm now convinced that Edwin is kind of rabbit-coded with the whole "if they catch you they'll kill you. But first they must catch you" thing. A lovely well written fic.

I'm so sick of online love by Hse11z5

College/University AU where the boys meet through a dating app. It's cute.

you can have the best of me, baby (and I will give you anything) by aletterinthenameofsanity

Again, it's the Friends with Benefits but with real feelings and mutual pining for me. Now has a Charles PoV companion fic.

True Love's Kiss by Asidian

In which Charles curses himself with a Sleeping Beauty enchantment in order to confirm his feelings for Edwin and Crystal is the real MVP. I love this one because the boys are both SO stupid but in very different in-character ways.

I also recommend Promised, in which they kind of play the Green card angle to keep Edwin out of Hell? Which honestly needs to be more of a trope. And Tight Quarters, starring the boys trapped in a magic circle, leading to Forced Proximity induced Feelings Realization (in more ways than one! 😉).

Something I Can Turn To by DontOffendTheBees

I love some domestic fluff, in this case as an Everyone's Alive/Childhood Friends AU in which the boys are poor but happy living together. I liked how they both survive their respective traumas, but Reality Ensues.

I also recommend Lived My Whole Life Before the First Light for a lovely but melancholy Soulmate AU that goes for the "seeing colours" trope for extra wistful angst.

Dining at the Ritz by TerresDeBrume

Meeting the Parents fic in which Edwin's parents are awful and Charles is Not Having It. This has Everyone Thinks They're Dating and autistic Edwin stimming representation, plus discussions of racism, classism and ableism. The fic is also part of a great Modern AU series in which the boys attended St Hilarion's at the same time and Charles saved Edwin from a non-supernatural but still almost deadly prank. Highly recommended!

The Case of the Couples Retreat by juliasfanart

Listen, I can't get enough of undercover fake dating/relationships at a couples retreat, OK? Some minor angst but overall very cute and fluffy.

acu (aysar cinematic universe) by ObsessedWithFandom

The agency is hired to solve the mystery of Charles' death and bring his killers to justice. I'm genuinely obsessed with this series; I love its OCs and Charles having an exboyfriend gives Edwin a fun crisis. Plus haunting Charles' killers is very satisfying and cathartic. Just imagine they're Netflix execs, y'all.

*Not actually quick, as it turns out. 😅

I love doing these lists because I always think I've only got a few recs and then I look back over my recent bookmarks and I've got a metric ton of great fics to rec. You guys are so talented. ❤️

[lamuradex]

Okay. Here are the things about The Count of Monte Cristo I adore, but I am certain adaptations will get wrong without having watched any adaptations.

Edmond's father being a major motivator for his revenge. Films, for brevity, mainly seem to focus on Mercedes and his ruined marriage. Thanks Hollywood.

Villefort having no connection to the other people who betrayed Edmond. One of the most tragic elements is that Villefort is actually about to save Dantes, right before he sacrifices him to save himself. I'm aware of at least one musical that has Villefort conspire together with Danglars and Fernand. I love the songs but that bothers me.

Caderousse. I can imagine some versions cut him out as superfluous. The musical seems to replace him with Villefort. But he's the fourth conspirator! And the first to fall.

A whole bunch of the subplots. Do the films need all the stuff with Monsieur Noirtier? Maybe not. Is Monsieur Noirtier the best character in the book? I think so. He's the most magnificent bastard in the plot.

The Morrels. Again, is it strictly necessary? I don't know. But, again, is there the scene where they reveal Monsieur Morrel's last words were to remember Edmond Dantes, making it my favourite scene in the book? You bet your ass!

Seriously, so many subplots I can see them cutting, but each one pays off in some way. Vampa, Franz, Eugenie Danglars, the Abbey Fariah's book

That scene at the end where The Count goes back to the Château d'If is beautiful

Adaptations will try to give it a happy ending, getting him back with Mercedes or something. But that isn't the point of the book.

Only a handful of characters get out of the book happy. And most of them have gone through hell first.

Also, The Count never actually fights anyone with a sword. He could, he's apparently lethal, but he never does. He's about to once, but then Fernand fucking panics when The Count puts on a sailor suit.

He literally leaves the room, gets changed, and then comes back in a sailor's uniform. It's so extra and I love it. And Fernand loses his shit! Understandably.

The whole revenge plan is so extra, so complex, so convoluted, there is no way you could adapt it all into a film.

And all because Edmond knows the Abbey Fariah wouldn't want him just killing them. Because that would be against God.

So instead he unleashes hell on them!

It's classic "No, I didn't kill them. They're just trapped in never ending misery for the rest of their days. So it's fine."

Bleed them dry of money, out them as a criminal, introduce poisons to his wife and introduce his illegitimate bastard to society.

I can see why you could never truly adapt this book.

Doesn't mean I have to be happy about it.

[aebinspa]

dopamine

PAIRING: giselle x y/n reader

GENRES: suggestive, angst, reader hates giselle and they end up doing a project for school together lmao, meangirl!giselle, reader and giselle are a menace to society, jimin (aespa) and juyeon (tbz) are in a study group together and they are incredibly optimistic, mentions of sex, kiss, swearing.

WORD COUNT: 2.5k

AUTHOR'S NOTE: english is not my first language! so i’m practicing my writing hoping it can get better and better. AND stream giselle's dopamine it's so good <3

Nothing could have prepared you for the worst news of your life: you, aware that you love loneliness and hate forced contact with others, were assigned to group work with Aeri Uchinaga, famous for not contributing to any group work and for being always in the middle of too many, too many men.

After leaving a resigned sigh you approach your best friend Jimin to tell her about the unfortunate fate that struck you. "Among all and I say among all those that could happen to me, HER" "You’re tragic even if she has a bad reputation. Perhaps a woman like you who does nothing but read, read, and read will surrender and become incredibly willing!" "Funny Jimin. Who did you get?" "Juyeon and they also say that besides being incredibly beautiful he is also incredibly gifted" whispers Jimin, thinking that this could save her from the embarrassment of such a statement. "Enough, I’ve heard enough. I’m going home."

On the way back, angry and sad, you noticed a really nice coffee in which you would have wanted to stop but the change that you had in your wallet would not be enough even for half a sandwich. The puff you pulled out scared a stray cat that was stealing a piece of bread from the ground. Why does everything feel so strange to me?

The next day, as you arrived in class, you noticed Juyeon’s huge body very close to your best friend’s; you came up to check if Jimin was all right only to see that her face had a loving expression. "Good morning guys" you are starting, trying to forget what you just saw. "Hi, Jimin told me a few things about you. How nice to meet you" The two-door wardrobe that took the name of Juyeon squeezed you in a strong embrace that leaves you breathless. Men are really scary. "Hey Y/N, Giselle was looking for you earlier." "Who?" "That’s how us boys call her!" "You… guys?" "Giselle is part of my group, at least once we all go out together!" Juyeon’s enthusiasm was overwhelming but not enough to influence you. "Ah, she's going out with you."

"Y/N" What a hateful voice, not changed by a comma. You didn’t sunbathe at first; you wanted to see how much the little princess could have withstood without a bit of attention. Juyeon - this time with the help of Jimin - thought about involving her. "You might as well look me in the eye when I talk to you." "Go fuck yourself, Giselle. You sound like the 'ass-kicking' girl”. It didn’t take even half a second for you both to turn in the opposite direction. Jimin and Juyeon, moved by the situation, tried to calm things down. “How about you girls come to my house? Jimin and I have to do our project but there’s no problem if you come too. The table is big, the fridge is full and the more the merrier!” Juyeon shouted enthusiastically.

The idea of ​​being alone in an empty room with Giselle terrified you so it didn’t seem like a bad idea to accept without too many problems; the other seemed to agree too.

“Perfect! Then let’s all go to Juyeon’s this Friday afternoon!” Oh Jimin, you could have avoided this.

Unfortunately for you and Giselle, Friday arrives in the blink of an eye. Juyeon’s imposing house stood in front of you and Jimin. “Not only is he handsome and gifted, but he also has a huge house. What more can I ask for?” “You could say a little prayer for me, for example” “Giselle won’t be able to tear your hair out if Juyeon and I are there with you” Jimin smiled at you as if to reassure you. “Good thing you always see the positive side…” you replied, already tired at the idea of having to enter that house.

When you entered, Giselle was already sitting on the wicker chair in the lush garden that was attached to the house. “Girls, here you are. Jimin can you help me bring some snacks out?” Jimin didn't have to be told a second time and rushed to help the boy after sending you a flying wink. You approached Giselle and sat in the chair opposite her, to maintain some distance. It was the first time you had seen her like this. The dark hair that she always combined with clothes of the same shade was this time combined with a long white dress that made her almost ethereal; the glasses made her face prettier than the one she had always adorned only with heavy black makeup which yes suited her well but a lighter shade made it stand out even more. Maybe you found yourself staring at her too much because when your eyes met you saw a smirk of victory on the girl’s face.

“Are you admiring what you’ll never have?” “And what is this thing I’ll never have? Dignity?” “The chance to brag about how beautiful you are” “Oh, the princess of everyone’s bed spoke” “I don’t have sex with men” Giselle replied somewhat upset. “Oh, so all the things they say about you are false?” “My group of friends is made up of all gay men and one straight man” Concern for Jimin filled you for a moment and you stopped the conversation in progress. “Juyeon's not gay, right?” “As if your eyes can't see how he's hitting on your best friend, you dumbass.” "Here's all the snacks!" Your darkened and frowning faces turned abruptly towards the two newlyweds and then shouted "Shut up!" Jimin resignedly rolled her eyes.

The first half hour you and Giselle spent arguing over the theme of the PowerPoint presentation. “This is an old lady color” “This is a funeral color though Y/N!” "You love funeral colors!"

The next two hours were spent looking for information on the same topics which later turned out to be identical; cause for further argument. When Juyeon and Jimin finished their work, you were still in the first part of the project. Your best friend and the guy disappeared somewhere after two minutes; when you received a message from Jimin you found out that the two had gone to stock up on chips.

“So you hate me?” You never expected to see such a piercing look on Giselle’s face. “No, I find you annoying and everything they say around you about you seems to confirm it” “I already told you this is all fucking fake” The black-haired girl ran a hand through her hair and turned her gaze elsewhere. “People love to say everything that comes to their mind. I'm a lesbian, men don't interest me. After I refused to have sex with a guy I was paired up with for a group project, he went around telling people that I'm a terrible partner and that well… slutshaming and other not-so-nice things about me."

The silence that followed immediately afterward was extremely embarrassing for both of them. “I said a bunch of bullshit, I'm sorry. I always imagined you through gossip, even though I know that Jimin doesn’t think of you as a slacker and that Juyeon is your best friend” “Y/N” Giselle tried to butt in. “Listen Aeri, I’ll make it up to you. I don’t like you but I have to admit that despite the various arguments you’re a real looker and what you say sometimes makes me laugh so all in all, you’re not bad” Giselle laughed. “Oh my god, are these supposed to be an apology?” "My apologies" “You should make them better. No nice man would pursue such a lunatic." “I'm not interested in men. They're just accessories to me.”

Giselle only stopped laughing when you said that. “But the two boyfriends you had last year?” Without asking how she knew, you continued with your speech. “A Cover to keep my parents from realizing I’m a lesbian. Same old story. They were nice accessories at least”

The tension between the two of you was growing more and more. Giselle slowly approached you, first placing a hand on the floor where you were lying and then bringing a leg forward. “How long has it been since you kissed a woman, Y/N?” You gulped down. “How long has it been since you kissed a woman, Aeri?” Giselle was a millimeter from your lips, hand on your thigh, and hand next to yours. If only it hadn't been for the scream that Juyeon pulled open the door, something would have happened, Giselle quickly moved away and muttered “What an idiot he is” as if the house didn't belong to him to begin with.

“We’re back! Is everything okay or did you get into a fight?” A restrained, fake laugh came out of your mouth and so did the words that came out of it. “We were one step away from having ourselves by the hair” You couldn't describe the look Giselle gave you.

The next day at school, you noticed that Giselle’s desk was empty. Worried, even though you didn’t want to admit it, you asked Juyeon for the girl’s number. Juyeon couldn’t help but smile as you saved the number on your phone. You immediately texted Giselle, asking why she hadn’t come to school and threatening to break into her house through the window if she didn’t answer. To your surprise, Giselle responded a few minutes later with a raised middle finger emoji; to which you of course responded with another middle finger. The next message made you lose your mind. “Bitch, I'm waiting for you at my house. Don't break my door, please”.

As you walked towards Giselle's house, you wondered where this interest in such an annoying person had come from. Interest was a big word, but yesterday you were the one who almost threw yourself into the arms of a girl you felt like you had hated for a lifetime.

When you arrived in front of Giselle's house, you knocked so loudly that the one who looked out the window was the neighbor and not the interested girl. "Holy God, what a mess you make!" Giselle in pajamas and slippers opened the door and made you smile. “Cute pajamas” “Go shit”

You went up the stairs and arrived in the girl's room. The room, to your surprise, was pink wherever you turned to look at it. “Hello Kitty puked on it?” “Perhaps you mean My Melody” “Even the canopy bed, princess” Giselle lay down on the bed and waited for you to do the same. “Shall we finish the work?” “I’m in”

Compared to the day before, things seemed to be going better. It wasn’t just the arguments that kept the exchange of information going but also the moments where you both dedicated time to listening to each other’s opinions.

“Done! And fuck it all!” “Hopefully we get a good grade” "God Y/N who cares! It's already a miracle to have managed to finish something like this." You nodded to let the other person understand that for once you agreed on everything. You printed out the sheets with the part that each of you had to do for the presentation and then threw yourselves on the bed again, tired of everything.

“Do you find school that fun?” Giselle was the first to speak. “No, simply when I don't know what to do I start reading, reading, reading. At least that’s what Jimin says” “I can’t stand it.” “Maybe you can't stand the people who are there” “Yes, but I hate everything about that place. The desks, the air that makes me uglier, the men, the homework, and group studies" You thought a few more seconds before answering her and, taking a deep breath, you turned towards her. "I can make you change your mind" “You can try but I don't know how well it works” “There's me and Jimin in the class. Then we can study together and everything will seem fun!” “See… You like school” Giselle's face darkened. “I enjoy being with Jimin. There's also Juyeon! And well… I'm here." Giselle turned away and didn't speak to you anymore.

A day went by and Giselle never replied to your messages. That morning you were supposed to present the group project. Not only had she stopped responding to the messages you were sending her under the desk, but she was also late for the presentation. A terrible thought passes through your mind. Did she stay home? She knows that the teacher gives a failing grade when something like that happens.

Jimin and Juyeon brilliantly finished their presentation and the applause, luckily for you since you were supposed to present later, lasted for two minutes. “Y/N and Giselle are next. However, I see that one of the two is missing. I will have to give you a good-” The classroom door suddenly burst open and all the eyes of your classmates and yours moved from the teacher to the figure of Giselle, who noisily began with a “Teacher, Y/N and I are ready to present!” A small smile appeared on your face.

Fortunately, the presentation given by you and Giselle surprised the class and the teacher who seemed to have very low expectations. During the break, you grabbed Giselle by the arm and led her to a secluded space. It was she who spoke first. "Excuse" “Don't be sorry, strangely everything went well” A silly bit of tongue from Giselle made you grin. “It went better than expected, yes.” You nodded. That silence that now characterized your relationship was starting to be too heavy to bear. Giselle came close to your face. “Teach me what having fun at school means, you little bitch,” she began while doing nothing but staring at your lips. "I know a better way to have fun." It was your hand that brought your bodies together and united them. Within seconds, Giselle approached your lips and began to kiss you without fear of being seen. Your tongues and legs intertwined as the kiss became more wet and passionate. You were the first to break away from the kiss, leaving you breathless. “We're going a little too fast” “We're just reversing the lessons a little bit. I kissed you first so you can teach me all that bullshit about how great school is." “And what happens after I teach you everything you need to know about school?” The bell announced the end of the break. “Well, after that I can see if I trust you and if we can go further.” "So kiss, school, sex, and only if these three work can we be together?" A loud laugh escaped your lips and Giselle without answering began to head towards your classroom.

“You know Y/N, maybe my plan could work” “There’s never been a plan that I couldn’t make work” The look you exchanged sealed a long and lasting agreement between you.

[babyangelsky]

My Favorite QL Couples* of 2024 💖✨

Welcome to Babyangelsky's 2024 Wrap Up! To commemorate my second year of watching QL dramas, and my first year of actually talking on my blog, I've compiled a series of lists to celebrate all the QL things I loved this year!

My only criteria was that the show had to have either aired entirely in 2024 or had the majority of its run in 2024. No other limits at all (except for tumblr's photo limit). Please feel free to take my categories and make lists of your own and tag me in them if you do! I'd love to see what stuck out to everyone this year 💜

💜 All the lists can be found here! 💜

Without further ado, I'm going to kick things off with my favorite couples of the year!

♡ Tongrak and Mahasamut (Love Sea)

My darlings. My absolute loves. I knew Fort and Peat were going to deliver something special when Love Sea was announced and I am so glad that I was right. My love for them is as boundless as the sea that bonds them.

♡ Almond and Latte (Knock Knock Boys)

These two snuck up on me something serious. I never expected them to be this sweet and soft and bring such comfort to each other. They were my unexpected delight this year and I'm so happy I got to watch them fall in love.

♡ Yu and Ai (I Saw You in My Dream)

These two snuck up on me too, honestly. Never ever thought I would love them as much as I do considering how late I came into this show, but I cherish them very deeply. They're the sweetest childhood friends to lovers and they love each other so much. I don't think I've ever been prouder of a confession than when Yu finally confessed to Ai.

♡ Ken, Seiji, and Japan (Deep Night)

*Not a couple, but a THROUPLE! 2024 was a year of many, many BL blessings, one of the best of which was the fact that we got CANON POLY SIDES COURTESY OF CHEEWIN! We all hoped, we all prayed, we all looked at the workshop photos and thought 'surely we cannot be wrong', and when it came right down to it, we all got exactly what we wanted! I only wish that we'd gotten more of them.

KenSeijiPan you will always be famous.

♡ Ozone and Pie (Battle of the Writers)

Speaking of wanting more, I cannot believe it took this long for Mark Sorntast to get to kiss a boy on screen but damn, was it worth the wait. I want an entire spin-off of daddy Pie and his puppy Ozone because they were truly the best part of this show.

♡ X and Namping (Every You, Every Me)

Thanks to its format, Every You, Every Me gave us lots of great couples and fun dynamics but X and Namping were my favorites, even though their story ended tragically. The love was brief but it was beautiful and real.

♡ Meiji and Freya (Deep Night)

As if giving us canon poly wasn't enough, Cheewin also decided to bless us with milf yuri and then stacked one more blessing on top and gave them their own spin-off miniseries so we could have more time watching them fall in love. They're beautiful and I love them. This is how it feels to win.

♡ Yuan and Qian (Unknown)

I can't think of anything to say about these two that doesn't involve making dying animal noises and gesturing helplessly and maybe crying so just imagine me doing that to convey how I feel about this couple BECAUSE THAT'S ALL I GOT FAM THAT'S ALL I'M CAPABLE OF I'M SURE SOME OF YA'LL UNDERSTAND

♡ Tai x Kram (Two Worlds)

These are by far my favorite roles Max and Nat have played to date. The utter soulmates of it all. The every version of me will love every version of you in every universe of it all. Perfection. I only wish the show had been longer so their love really got a chance to breathe.

♡ Anin and Pin (The Loyal Pin)

Now, if a love ever got a chance to breathe, it was this love. They made you feel it. The yearning, the joy, the sweetness, all of it. We followed it all the way from childhood and it was such a satisfying experience. I will always have a soft spot for couples that are deranged about each other, however loudly or quietly they may go about it, and my girls are no exception.

♡ Phee and Non (Dead Friend Forever)

*scream singing* WE COULD'VE HAD IT ALLLLLLLL, ROLLING IN THE DEEEEEEEEP *cries on the floor*

♡ Tan and Fang (We Are)

AouBoom are never not a delight when they're on screen together, and TanFang were a delight in a veritable sea of delights. They got together early on and spent the rest of the show giving nothing but the best most delicious established couple goodness.

♡ Muenfah and Teerak (Your Sky)

At the time of writing we've only had these two for a few weeks but that's more than enough time for their adorable sweetness to land them on this list. They're darling. The relationship may be fake (for now) but the love is real.

♡ Sun and Junior (Caged Again)

The same goes for these two, and isn't that just the surprise of the year? HOW DID THE PANTHER AND PENGUIN TURN INTO PEOPLE SHOW END UP GIVING US SUCH AN ADORABLE COUPLE?

♡ Shao Peng and Zi Xiang (See Your Love)

They're just so soft and so gentle and they make each other feel heard and understood and I love them so much. Their boyfriend era may actually kill me.

♡ Jack and Joke (Jack & Joker)

*gently shakes Yin and War* Would giving us just a little more horny, loving boyfriend era and fewer horrors have been so hard? Do ya'll think you can get away with it because you're so pretty and so beloved?

Because they are. And they can actually. And they did. I adore them.

♡ Yak and Dee (Wandee Goodday)

One of my favorite things in this life is when a fake relationship slowly turns into a real relationship and two people who think they can be casual about each other are actually completely incapable of being so. Yak and Dee gave me exactly that and I love them for it.

♡ Oyei and Cher (Wandee Goodday)

Another side couple for which I would absolutely love a spin-off, but we did get to see them have their wedding (the first GMMTV wedding since the marriage equality bill was passed!) which is just as good. The love they have for each other, the support they give each other is top tier. They have my heart.

♡ God and Diew (Monster Next Door)

If I were to give an award for amazing communication between a couple, I would absolutely be giving it to these two. It was so refreshing to see them not only love and support each other, but talk and listen to each other. They were a delight.

♡ Myung Ha and Yeo Woon (Love for Love's Sake)

They were so sweet and so sad and they saved each other by loving each other so much that it broke reality and I just love them with my entire soul.

♡ San and Vee (Century of Love)

When this was airing I talked a lot about how it didn't actually matter whether Vee was Wad or not and that what mattered was San making a choice but for the record? Vee was totally Wad. He and San were SOULMATES!

♡ Neil and Sea (First Note of Love)

What if a couple was so gentle and soft that it made you wanna cry? What if they saved each other with music? What if they made each other brave?

♡ Moo and Kang (Only Boo!)

My darling boys. My sweetest most adorable boys who make me wanna curl into a ball and cry happy tears because I adore them so much. Moo's singular desire in this life part from becoming an idol is to save up enough money to marry Kang and NOW HE CAN AND I'M IN MY FEELINGS ABOUT IT EVEN MONTHS LATER.

♡ Karan and Achi (Cherry Magic Th)

They're perfect. In every conceivable way. Their love was just so lovely, it was such a joy. Everything about it and about them was so lovely to watch.

♡ Haruki x Jin (Our Youth)

These two have so much potential to hurt me. In fact, I'm almost certain that they will. But they just --*gestures helplessly*--you know? They hit exactly right for me.

[shutupineedtothink]

More ep 7 thoughts, now that I’ve watched it twice and processed 🫠

Bookending the episode with Lilia’s fall but first it’s down and then it’s up - sick, twisted, beautiful, devastating, I’m crying

The soundtrack really goes hard in this ep

The wildest part about the “ex best friend” line is all of those things are equally insane - ex, ex best friend, or best friend. Like ma’am what hex were you living in

Babysitter is likely a reference to the comics, but interesting also in terms of WV because we saw Agatha babysit the twins only once I think. Does this mean she actually spent more time with them than we know?

Wow once again Kathryn Hahn is doing so much work in this first scene with Billy, she’s going from snarky to wary to calculating to hurt to i don’t even know. She’s doing a masterclass in face acting.

When they start to climb toward the castle, Agatha has her hands clasped behind her back and initially I was just like ma’am, why are you like this, but then I realized oh. Her hands are tied right now.

Waning moon for the Crone trial babyyyyyy called it

Fun and fast transition to get us into the trial, since we know the deal by now

She’s based on me you know — sooooo, tragic, misunderstood, secretly suffering her whole life, constantly judged by others, uh huh uh huh

Prove it - he really doesn’t believe a word she says! And she looks so hurt by it!

The way Agatha sits in the chair omg girl please chill

This is such like an Indiana Jones trap I love it

God I love Lilia’s visions, changing the perspective to hers, the blurring around the edges - sometimes you don’t need to do much, but it’s hella effective

Actually a lot of good camera tricks in this ep I’m not going to point them all out

It’s about limiting beliefs baybeee - once again the writers showing they know their psych

I’m sorry that tea leaves to the underground transition??? Spectacular

“Well tell me what more I should see when I look at you. No, I mean it” - hey nonviolent communication, how’s it going 🤌

God can you imagine how scary it would be to have these visions as a CHILD

Did you not see imminent impalement in your future?? Lol why did this get me

I get the fake nose on Agatha but idk maybe I could’ve done without it

Teenager his full name LOLOL underrated joke

Dory OMGGGGG

Jen being the ultimate Lilia champion this ep and I love it. Also seems to contradict her behavior even more in Agatha’s trial, but she’s still more snappy with Agatha here too

What are you wearing, I don’t wanna talk about it - bruh every line. EVERY LINE.

Did I mention the transitions are killer

Your task is not to control but to see. - I, I can’t keep writing down every line but

I love that as soon as Jen knows what’s going on, she’s totally on board, just asking Lilia for intel, like yep this is normal now

Ahhh the spell book. Interesting that Lilia finds it.

Ohp - I wish Lilia was here. Ask and you shall receive - see the Billy’s Road theory

She calls him baby again 😭

Is snappy dialogue one of my biggest joys on this earth? I think it is

Proper tarot takes time and care. And leads to large gaping wounds - …. You mean like internal wounds? Like trauma? Like you have to bring up the trauma to heal it? Uh huh uh huh cool cool cool cool you said it Agatha not me.

The Magician, the ability to turn all of your goals into reality - Agatha immediately side eyes him. Bruh.

I’m a forgotten woman. Then remember yourself. 🤌🤌🤌

I was falling. I will fall. - CAMERA. MOVEMENT.

What will you do with your remaining time 🤝 all we can do is decide what to do with the time that is given to us. Iykyk.

The subway baybeee get that House of R theory

God this tarot spread scene is so epic.

Ok Jen being the path ahead… I gotta come back to that

Agatha is the obstacle yep that makes sense (but the obstacle is the way)

Windfall - Billy, miraculous transformation uh yep ok

Destination - Death. Such a good reveal, even if I already knew it. Once again the power of good writing. In the end all roads lead to me. UGH WTF

NOT THE GREEN VINES SPELLING A BIG OL “R” WHEN THE DOORS OPEN

The original green witch…. Ok so she is in the coven… but also Billy’s in the coven? It’s a shared black heart? Or it means you can go one direction or the other… hm.

Ughghghghhh her just giving them each what they need before she sends them onward. She’s the GOAT.

Did I mention the music????

This whole scene is so EPIC. The tower upright fuck it up queen

Oh my God Lilia took her power back 😭

We didn’t see a body unlike Alice I’m holding onto that “see you at the end” lyric with all my might at this point

Time in a bottle was sick and twisted and beautiful I love it

I just… can’t believe this is something I got to witness. Like it’s so good I’m mad about it.

A few other quick thoughts:

Jen being the path ahead… if she was birth in the first trial (see my maiden mother crone trial theory), then maybe she’s also REbirth? It’s a circle sewn with fate… we’re going back to the beginning but emerging from the Road this time. Eh??

Patti…. PATTI!! Where’s her Emmy? Where’s the show’s Emmy???

Not only was this a better time travel plot than the rest of Marvel as I said in another post but it’s also better than time travel in Doctor Who for the last 10 years and that pisses me off low key.

Not to jump ahead but buckle up kids cuz if we’re following the loose structure of WandaVision then ep 8 is our flashback/reliving the trauma episode for Agatha and as much as I was destroyed by this ep I am so not ready for all of that.

Anyway. What a masterpiece. I’m DONE.