#IS AFTER HIS DEATH

[reddeadsredhead]

Sean (to Arthur): I'm with ya brother

Arthur: This time I'll look and you provide the cover

Sean: I'll try me best, brother, but I think I'm seein' double here

And

Arthur (to Sean): I'm glad I'm not your brother

Sean: You are!

[pimsri]

In Defiance of Death

[chloesimaginationthings]

Susie meets the friendly yellow rabbit in FNAF..

[batsyheere]

Duke, who is tired of being bullied for still having only a few spots checked off on vigilante bingo, decides to get even when family game night includes Never Have I Ever. Danny, who is either a friend or basically adopted family at this point, was invited.

He brings up the fact that he has never died and been brought back to life. Multiple fingers are put down, groans and complaints are made, and then they all turn to Danny when he just stares at the ground.

"If it happened more than once, do I put more fingers down? Or just the one?" he asks. The room falls silent for a few seconds before the flood of questions start.

[anxi04]

tim and bruce have an odd relationship to the rest of the family. they don’t act like father and son but it seems like they have a “deeper” bond than the others

bruce seems to take tim’s advice more seriously, bruce actually takes a break if tim tells him, tim still gets benched but not nearly as much as he should, and most confusingly, tim benched bruce once. not alfred benching bruce, TIM.

normally bruce has to be forced to take a break, and normally by alfred, but if tim says “you’re benched for a week” bruce? listens?

they have no idea why. some of them ask dick if he knows since he was there but he’s just as confused

and then despite all that there’s also such a strain between them? it’s really on the line of a professional relationship and almost a care taker. it’s very confusing. and then the times bruce gives tim a present or anything like that and tim stops and stares at him for a second, like he’s dissecting bruce. no one is able to fully figure it. until bruce is de-aged to tim’s robin era.

tim is very adamant about most of them, but especially jason and damian, do not reveal their names to him. for the time being they have a strictly professional relationship with their father who doesn’t know them.

they finally get some of the picture when they see tim start acting as bruce’s caretaker. tim switches between being gentle “hey, you need to sleep” to screaming at bruce. it always works. tim knows exactly which version bruce needs and it scares the team cause that has to require some practice

they’re then also thrown for a loop when they hear bruce call out jason’s name in a shocked voice, which makes sense cause he doesn’t know jason is alive but jason still has his helmet on so what? and then they hear a voice none of them have heard. except dick goes pale and jason’s breath hitches. and suddenly tim is responding to jason’s name and acting weird, almost like what some of dicks stories described jason as. and it’s so fucked up when they’re watching time act like someone else and bruce going along with it

the dynamic they’re getting is also fucked up once again when, during one of bruce’s really bad days, tim straight up acts like bruce’s parent. and bruce reacts well.

they’re all horrified by this. the realization that tim and bruce’s relationship has so many layers and that they do act like father and son sometimes. except bruce isn’t the father and tim isn’t the son

[daisybell-on-a-carousel]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[kaipassedgo]

every day i wake up and am mad at the end of steves storyline and the full and complete lack of people who GET IT

[ruporas]

kiss of the divine

[the-most-sublime-fool]

Then, too, at sea—to use a homely but expressive phrase—you miss a man so much. A dozen men are shut up together in a little bark, upon the wide, wide sea, and for months and months see no forms and hear no voices but their own, and one is taken suddenly from among them, and they miss him at every turn. It is like losing a limb. There are no new faces or new scenes to fill up the gap. There is always an empty berth in the forecastle, and one man wanting when the small night watch is mustered. There is one less to take up the wheel, and one less to lay out with you upon the yard. You miss his form, and the sound of his voice, for habit had made them almost necessary to you, and each of your senses feels the loss.

—a sailor's diary entry, on losing a shipmate, ca. 1834 (from Two Years Before the Mast by Richard Henry Dana Jr.)

[rystiel]

au where ford gets over himself when he gets to gravity falls and reaches out to stan sooner

stan thinks ford still doesn’t want him around and is gonna kick him out the moment he doesn’t need his help anymore ahaha. but like also they’re so sillayyyy

(plus a part 2 & part 3)

[kittysauce]

au where L and Light fall in love during the yotsuba arc ............... i think its a crazy interesting concept

[paristandard]

back on my silmarillion kick!! this time it's the Death of Fëanor with the first Dramatic Death By Fire in the family

[palettepainter]

Still tryna figure out how I draw him, I think I draw his legs too big and his neck too long but either way, he's fun to doodle!

[chloesimaginationthings]

Michael Afton plays FNAF help wanted,,

[egophiliac]

don't think I'm not still deep in the episode 7 brainrot. because OH BOY AM I

(also one more extremely, obnoxiously self-referential thing, I'm -- I'm so sorry)

[noxcheshire]

I am sick, dizzy, and can barely think but you know what would be WILD?

If the DC universe was an echo of Danny’s world. What if the continents of their planet shifted enough where Amity is now in New Jersey and had then become Gotham.

And when Danny died underneath the portal a part of his death fractured and imprinted itself into those various worlds. One of them being Gotham, where Danny’s home ironically used to be where Wayne Manor used to be.

So just imagine it, you’re coming back from patrol, grimy, sweaty, and with questionable intentions by dressing as an overgrown bat when suddenly the lights dim. It dims and brings darkness, only enough light to catch the beady marble eyes of the bats you fear.

And then electricity jumps in the middle of the room, flinging itself around like an agitated snake in wide open circles.

Everyone is backing away, some weary, some cursing, some just half way out of their own suit.

And then a child — barely as old as your youngest now, flickers to life before you, screaming and screaming, wailing in pain as the scent of burning flesh mingles into the air. You can see the boy, black hair and blue eyes that underneath the bright light that burns them is causing black to turn white, and blue to turn green.

The electricity crackles and when the boy is about the drop, limp, certainly lifeless, he vanishes as if nothing had ever been there.

But he comes back, he always comes back, in the moment of calm and in the moment of despair, echoing that painful wailing of death.

It’s so wrong.

It’s very, very wrong.

It didn’t even matter anymore why the boy showed up, only that this moment of pain continues to haunt the cave of heroes.

Continuously haunting, even as some whispered apologizes when the boy appeared. Continuously haunting, even as some provided songs of comfort when the boy appeared. Continuously haunting, even as stories of Gotham are told and promises (though uncertain and flimsy at best) are spoken to the wailing boy who always drops fast and disappears just as quickly.

Always, it was the same.

Until one day it wasn’t.

The electricity crackled like it always did. A spark, and then a calamity of light. And the boy would be there, uncurling himself into a tense position as he would wail.

But not this time.

Instead the boy curled himself in the air, calm as can be, almost as if he were sleeping. Even the electricity that they have learned to dance away from was calm, gentle, like ocean waves.

And when the electricity vanished, the boy did not, instead dropping to the floor where Dick was quick to catch him, grunting in preparation of weight only to show alarm at how thin the boy truly was.

On that face that has haunted them all for months is just a boy, sleeping, and scarred. A boy breathing very slow, slower than what they would like, but here in the physical realm with them.

Dick brushed back bangs of black hair, and slowly, ever so slowly, glazed blue eyes stared back.