#INTERNET ANGEL'S DESCENT
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SYSTEM INTRO !! ^^
GREETINGS EVERYONE!! We are Starbound manor!! I decided to make this blog for shits and giggles, for us to post our stupid little thoughts etc. Some info on us is here!
HOST: KAngel/Ame, ME!!
Hello!! I am KAngel/Ame, the host! I go by he/they pronouns + some neos!! (Fluffy/Meow/Null/Internet) but you are not forced to use those! It would make me happy though ! <3 Our other alters can make more detailed intros on themselves if they wish. too lazy :p
normal system info:
Alter count: 12 atm!
We're all comfy with Masc pronouns like He/him, and are all collectively ok with the name Silas! We are also a transboy. Traumagenic + Fictive heavy, bodily a !!MINOR!! 18+ blogs or 18+ dont interact please! (MY TAG: #INTERNET ANGEL'S DESCENT)
members list below (LONG KINDA):
Airy (Fictive, He/him/alien/space. #Airytypessomething )
Altair (Protector, Brainmade. He/him)
Cyn (Fictive, She/They/It/Null/Virus. TAG: #CYNPOST^_^)
Goodpuffer (Fictive, He/They)
Lamb (Fictive, He/They)
Puter (Brainmade, Ze/Zir/It/Its/Cursed/Internet/Web/Null)
Uzi Doorman (Fictive, Xe/She/They/Crow/Bat. Tag: #BATBITEZ.)
Victim (Fictive, Caretaker (?) Protector #2 He/They/Web)
Aster (?????? Little is known, they just appeared for a bit in co-con and dipped. might be updated, who the fuck is this guy)
Bill Cipher (<- little shit/j -K. Fictive, He/It/Them/Null/Chaos. TAG: #BILLS CHAOS TAG)
N (He/They/Biscuit)
V (She/They/It. TAG: #DISASSEMBLYCATX3)
+ one little we will not add since they arent allowed to go online in places that arent youtube to watch animal videos etc.
DNI/BOUNDARIES:
basic dni, over 18. Fakeclaimers (we are not letting random strangers on the internet tell us if we have a disorder or not. kindly fuck off) Also please dont drag us into drama + please dont compare us/me to our sources. We are not our sources!! (all we can think of atm might update)
We will also sign off on our posts.
Bye!!! <33
(WE ALSO ANSWER ASKS AND STUFF PLEASE ASK US THINGS OK BYE)
-Yours truly, KAngel/Ame ! <3
#INTERNET ANGEL'S DESCENT#system stuff#traumagenic system#osdd system#plural system#system community#endos dni#awesome#system intro
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back to the mentally ill desktop theme we go
#INTERNET ANGEL'S DESCENT#needy streamer overload#i <3 desktop customizing#KAngel fictive#system community#traumagenic system#system stuff#plural system#osdd system
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Straightwashing The Picture of Dorian Gray?
Two days ago, the Internet discovered a prospective Netflix adaption, that of The Picture of Dorian Gray into a tv show The Grays. (Deadline)
As the title entails, Katie Rose Rogers (writer) has made the choice to give the protagonist of Wilde’s novel a brother. She allegedly decided not to add a new Gray but to turn a pre-existing character into a relative of the oh-so-famous Dorian Gray: Basil Hallward.
The painter of the cursed portrait that contains and manifests all of Dorian’s flaws and villainy, the adoring artist infatuated with his muse and his beauty, one of the characters often analysed in queer studies of the novel, will be turned into Dorian’s brother.
Narrative license is a common occurence in the art of adaptation, but the writer’s choice raises some issues on the Internet considering the original novel, its impact on its author’s life, as well as its importance in the field of research and its role in representing queerness in history.
The Picture of Dorian Gray is an 1891 work of literature written by Oscar Wilde. The novel, itself derived from an early novella-length work, tackles the moral descent of Dorian Gray as it never takes shape on his forever-young angelic face (and thus going against the belief of physiognomic degeneration of its time) but instead taints a portrait made of him by a friend—the aforementioned Basil.
Connoisseurs and those less interested in the works of Oscar Wilde tend to know at least two things about the author:
one, he wrote Dorian Gray;
two, he was a homosexual.
It is no secret that his novel is submerged by the homoerotic feelings the characters harbour towards one another. While the characters do not overtly engage in romance—a feat which would have led to a bigger scandal than it already was—they do present characteristics that are outwardly associated with queerness. Be it Lord Henry and Dorian Gray taking on a mentor/mentee approach close to Greek pederasty (educational), or Basil and Dorian adopting the artist and muse situation-ship often reserved to male artists and their female objects of inspiration and idolatry, the male/male relationships in the book deviate from normative Victorian masculine and homophile behaviours and extend into unspoken homosexual territories.
In the case of Basil, transforming him into Dorian’s brother means erasing the scandalous and ambiguous relationship between the characters that is often read as being one of the many reasons behind the decay of the portrait, by denoting the repression of nonconforming identities. Basil is written as admiring the beauty of Dorian: he considers him his own personal muse, the driving force behind his art, one that cannot be beaten and that pushes him to be a greater artist. He is as enamoured with Dorian as the Pre-Raphaelites were with women.
In the uncensored version of Dorian Gray, made publicly available in 2011, Basil says quite explicitly to Dorian Gray:
"It is quite true I have worshipped you with far more romance of feeling than a man should ever give to a friend. Somehow I have never loved a woman.” (The Guardian)
In the version commonly read by the general public, Basil also tells Lord Henry (about Dorian Gray):
“I find a strange pleasure in saying things to him that I know I shall be sorry for having said.” (Chapter 1)
This simple sentence reveals an unusual relationship constituted of deviant expressions of sentiments between Victorian men.
In the Basil/Dorian relationship, the latter is feminised through his position as Basil’s muse, he becomes an object of desire and obsession, then an enactor of violence through his ever-lasting youth and beauty, making him a relative of the femme fatale type.
Erasing the grey area between the two characters diminishes the complexity of Wilde’s work as a public critique of Victorian gender roles and morality, especially in light of his own trial and prison sentence for which the homoerotic subtext has been used as proof. This raises the issue of straightwashing and how easy it is to erase queerness in the entertainment industry to accommodate to an heteronormative vision.
——————
https://www.theguardian.com/books/2011/apr/27/dorian-gray-oscar-wilde-uncensored
https://deadline.com/2024/08/dorian-gray-series-netflix-katie-rose-rogers-rina-mimoun-greg-berlanti-1236045373/
https://www.history.com/topics/gay-rights/oscar-wilde-trial
#dorian gray#the picture of dorian gray#book adaptation#oscar wilde#netflix#this is for me to practice writing don’t break my knees#gothic#victorian#literature#queer#queer books#queer history#gothic literature#lgbtq books#queer lit#classic lit#tpodg
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Neo Gothic: The Bibliography
These are meanings/refernces made in Neo Gothic, for those who may not have delved into the genre asmuch as they'd like...
This post is in reference to my series 'Neo Gothic' and as such some definitions are written towards to context of the story, this isn't a fool proof guide to the gothic, only a guide for my readers.
Part 1 / Part 2 / Part 3 / Part 4 / Part 5
References are in order of their mention, starting with part 1. Some are my definitions, other are from the internet.
The Gothic: A literary genre that combines Romance and Horror, Characterized by horror, Mystery, and gloom. Solidified as a genre by Horace Walpole, author of The Castle of Otranto.
Dracula: 1897 Cult Gothic Novel about vampire Dracula, who haunts a group from London, trying to turn or kill them.
Lucy Westenra: Mina Harker's best friend in Dracula, She is fed on, then turned, and eventually killed by the group. She was considered promiscuous due to her many suitors. She is given blood transfusions, however we now know the science behind these transfusions are outdated. She is finally killed in her vampiric form by beheading and a stake through the heart.
Carmilla: 1872 Predesscor of Dracula, it follows an isolated young woman who befriends a woman who turns out to be the vampire who has been drinking from her breast for years...
Carmilla (Character): An ancient vampire, often interpretated as a lesbian. In the novel, her death is achived by finding her resting place (her tomb), beheading her, and driving a stake through her heart.
Ann Radcliffe: Gothic author, known as 'The Enchantress', she published many acclaimed gothic novels in her time, including The Mysteries of Udolpho, she also wrote many essays that were published after her dath that have become acclaimed for their insight.
Rosemary's Baby: 1968 horror film directed by Roman Polanski, following a woman who is being victimised by a satanic cult.
The Exorcist: 1973 film directed by William Friedkin, following a girl who is possesed by an ancient demon.
Creed (Barbra): Professor of Cinema Studies, wrote collection of essays named "Monsterous-Feminine: Film, Feminism, Psychoanlysis"
Abjection: subjective horror, or someone's reaction to physically or emotionally disturbing subject matter
The Yellow Wallpaper: 1892 Novella by Charlotte Perkins Gillman, follows the descent into maddness of a victorian woman perscribed a "rest cure"
Dracula (character death): He is beheaded and stabbed through the heart, afterwards turning to dust.
The Castle of Otranto: 1764 novella by Horace Walpole, tricks reader into beleiving it is a true story of an ancient catholic family in italy, who are victim to spiritual haunting due to their transgressions.
Castle of Otranto Death: At the start of the novel, Manfred's (The villian) son is about to marry the virtuous Isabella, however in a tragic turn of events, he is crushed to death by a giant suit of armour, the helmet becoming stuck.
Frankenstein: 1818 Novella by Mary Shelley, follows Victor Frankenstein in his abjection after playing god, and bringing life to mixture of corpses.
Annabelle Lee (poem): explores the theme of the death of a beautiful woman. The narrator, who fell in love with Annabel Lee when they were young, has a love for her so strong that even angels are envious
Raven: Inspired by the poem, 'The Raven' by Edgar Allen Poe
Terror: Psychological fear, feeling like you're being watched/Thinking you heard noise.
Horror: The physcial reaction to fear, a scream, the unsettling shake when you're scared.
Sanguinary/Sanguination: involving or causing much bloodshed.
Sanguinary Rosebud: Reference to Angela Carter's short story "Lady in The House of Love"
Sublime: The state of all striking awe of the natural world.
Gothic Heroine: The gothic heroine is often characterised by her lack of agency or control in her situation. Often in a vulnerable position, she is often targeted by the immoral.
Naturalist: naturalism, in literature and the visual arts, late 19th- and early 20th-century movement that was inspired by adaptation of the principles and methods of natural science, especially the Darwinian view of nature, to literature and art.
Byron: Lord Byron was a romantic poet in the 19th century, well known for his sexual escapades.
Dr Bell: Bell was the last name used in the Pseudonmys that that Bronte sisters shared when publishing.
Dr. Purcell: one of sheridan Le Fanu's pseudonmys
Quarles: One of Edgar Allen Poe's pseudonmys
#criminal minds#spencer reid x reader#criminal minds prompts#criminal minds fanfic#spencer reid fanfiction#spencer reid fanfic#spencer reid fluff#spencer reid angst#spencer reid#spencer reid imagine
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GIF PACK -- #91 gifs of MUSKKAAN JAFERI in Call me Bae (season 1 / 2024) are now available through payhip for €2.00. These gifs were made from scratch, please don't claim them as your own.
MUSKKAAN JAFERI (born 1994 or 1995) is an Indian actor of unspecified Indian descent, known for known for her voice-over work, doing the hindi voice of moana, alita (alita: battle angel), and vanellope (ralph breaks the internet). They were most likely 28/29 year old at time of filming.
-- Trigger warning: flickering lights.
For more gif packs made by me, check it out HERE! ALL MONEY EARNED FROM MY GIFPACKS WILL BE DONATED.
#muskkaan jaferi#muskkaan jaferi gif hunt#my gif to you#gif hunt#usermina#fcxdirectory#poc gif hunt#gif pack#supportcontentcreators#gifsociety#indian fc#underused fc#dearindies#userdevon#userbru#usernare#tessgifs
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have anybody listened to the Floweytale by man on the internet? would make a really good adamsapple story. i might go back and add more, but thought it was interesting.
just something fun i noticed and thought i'd write something...
p.s this is the abusive relationship between eve and Adam. The one-sided romantic relationship between lucifer and Adam (Adam lost his soul so it is one-sided) Adam goes back to eve because he doesn’t know what else to do…before he comes to truly understand how unhealthy their relationship is.
Adam's Apple: The Tale of Eve's Descent
Nobody knew the depths of Eve's deranged, twisted mind. No one could fathom the darkness lurking beneath her flawless exterior. Eve, the epitome of innocence in Eden, concealed her true nature with a sweet smile and a glint in her caramel eyes, manipulating everyone, even deceiving Lucifer and Lilith.
Except Adam. Adam knew all too well the monstrous reality of what she was, of the sadistic pleasures she indulged in. Yet, he bore a measure of guilt, for she was born of him, crafted from his rib...
Eve committed unspeakable acts beneath Heaven’s notice. Her malevolence was mirrored in Adam's punishment, for Heaven believed him to be the perpetrator. She stood by, a smile playing on her lips, as he suffered for her sins.
After becoming a Fallen Angel in Hell, Adam wandered soullessly until Lucifer found him, a broken man. Lucifer, already estranged from Lilith, took Adam under his wing. Lucifer fell in love with Adam and the two shared many nights together. Despite Lucifer’s efforts to heal him, Adam remained numb, devoid of feeling.
Desperate for solace, Adam fled to Lilith, but her attempts to help him also failed. In a fit of despair, he cursed the heavens and took his own life.
Each time Adam died, he awoke back in Eden, the cycle beginning anew. He experimented with death, killing himself repeatedly, only to return unscathed. This tormenting cycle left him without a soul, unable to feel.
Initially, Adam sought redemption, following Heaven's path and giving everyone happy endings. However, ennui set in, and he began to wonder if the world would change if someone important died. He embarked on a macabre journey, killing everyone he knew—Lilith, Lucifer, Eve, Charlie, Emily—resetting the world each time to observe the changes.
The predictability of their responses bored him. Adam became a puppet master in a world of marionettes, able to foresee every action and word. Disenchanted, he reset the world once more, choosing to merely follow the flow.
In his twisted curiosity, Adam managed to bring Eve back. But this time, she was more malevolent than ever. When Adam died, he went to Heaven before falling to Hell. Eve’s soul, deemed too corrupted, had been sealed away by God. Yet, Adam released her, unleashing an even greater evil.
Eve, now truly the embodiment of ruin, sought to annihilate Heaven and Hell alike. Adam, at first intrigued, soon realized the peril she posed. She intended to use his power to achieve her apocalyptic vision.
Here, Adam's haunting recollection of his journey unfolds:
----
“I remember the first time I woke and saw the light
Armless, legless, I laid there
Oh, Eve, I was terrified
Then I learned I was reborn
As the another Sinner in this form
I called out, I screamed, I prayed
And yet nobody came
Then the king found me crying
So I explained everything
He held me tight Said, 'It's alright'
But I felt nothing during our first night together
Even with Lucifer
Can't feel anything
Please believe I was trying
But I stayed determined!
Ran away to the queen's place
She failed too
Always the same
No use there
I cried, I tried to care
Felt like I couldn't live anywhere
A world without love
A world without happiness
It is supposed to be easier away from you
I followed your path
Succeeded too
With no soul
What comes when you die?
Something primal burned inside
Screamed at the heavens 'This is not how it ends!'
Then I woke up like from a dream In the garden again
I could experiment
So over and over I died
But with determination I came back alive
Friends I made
Happy ends I gave
But I'd always predict
What they'd do, what they'd say
I believe In curiosity 'What'll happen if they die?' '
Well, let's see!'
It liberates to be this way
To kill just to see
How the world can change
Nowadays it's all the same
I've read, I've burned, killed, saved, redeemed
I have seen it all I have played every game
People spouting the same lines 'with your claws still in my mind’
Eve, I can't predict you
You surprise me every time
I saw you almost did forget
You'd stay determined yet
You came back from death, like me
Only one question remains
Why'd you come back to play?
Were you buried in the ruins?
Did you hear me call your name?
Guess it doesn't matter how
The tale will end now I'm tired of everything
Tired of being a Angel, A fallen Sinner
Tired of being a Human
Only one thing that's left, Eve
Let's finish what we started
Show them it's kill or be killed
Leave them all broken and scarred!
I had plans, I had designs
Seeing you changed my mind
Eve, with you by my side
Life seems ten times worse!
Killer from the world of man
Only you understand
We're pitiless killers, both
So just follow my plan!
H-hey... what is this feeling?!
Why can't I stop shaking?!
E-Eve. Be honest here! We don't have hard feelings!
Hey! Back off!
I changed my mind! This isn't a good idea!
Go back! This place is fine! Hell is just fine!
I’m happy! I am able to someday love again!
Stop making that face!
This isn't fun!
You're sick in the head!
That's enough!
You've won!
You still think there's more to do
Your killing is never through!
Are you still human inside?!
What kind of monster are you?!
Long past time to end this game
Now nothing feels the same!
Eve, did you do all this when you heard me call your name?
Eve was abusive to Adam
Lucifer loved Adam
Lilith cared for Adam
Adam had lost his soul when he became a Sinner
Both Lucifer and Lilith tried to help him but Adam became frustrated that he still couldn’t feel anything. Especially when Lucifer is showing love and affection towards him.
Adam’s death reset the world and he just kept killing himself to reset the world
Nothing changed until he accidentally called Eves name when he wondered if his life would have been easier if Eve was still abusing him. This is able to wake Eve up.
They return to their abusive relationship. Adam believe this is what he wants but it is not.
Adam realises hurting just him isn’t enough for Eve and she wants to destroy the world.
Should he tell Lucifer the truth? Both Lucifer and Lilith are aware of his missing soul but not about the reset.
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Hey so I am starting to get into Jupiter Ascending fandom (a couple years late but what can I say). I was thinking of writing a fic. Do you have any resources for JA extra information?
Thanks in advance. Also I am loving your fic (it's how I started getting into the fandom lololol). can't wait to reread!!!
HOOOOOOO BOY!!!!
I'm paging @bemusedlybespectacled, @gallifreyburning, @vr-trakowski, @sorrelchestnut, @florentinequill, @fuckyeahjupiterascending, @vrabia, and honestly ANYONE ELSE who wants to chime in here, bc HOOOOOOO BOY!
(I made that sweet puppy in fucking 2015 on my dying laptop in the travel study dorm in DC, JUPITER ASCENDING HOW I LOVE THEE)
The eternal fucking tragedy of Jupiter Ascending is that the wider world doesn't love it like we do. Does it have every single thing that turns my crank, id-wise? Sure! Does it have gorgeous over-the-top sequined costumes and extravagant set pieces that remind you at every minute that this movie specially thanked Swarovski Crystal in the credits? Sure! Does it have theeeee single most pinpoint reading of MY PERSONAL FEMALE GAZE that Channing Tatum has ever done? (sorry mister Magic Mike, but you do not even come CLOSE to "may I kill him?" in terms of sexy) SURE! Was this movie a commercial or critical success? Absolutely not 😔
There isn't, as far as I'm aware, an art book. There isn't an official novelization. There isn't even an actual script posted to the usual internet databases that isn't just an automatic shitty talk-to-text rendition of the movie dialogue. There are concept art paintings and old cast interviews floating around, and this auction website where the Wachowskis auctioned off some of the props from the movie, but as far as canon resources and extra material beyond the movie itself there isn't much. A quick duckduckgo search would probably be more helpful to you than anything else, if any of the websites still have the articles up - it WAS eight years ago, and doesn't that just break my fucking heart.
My corner of tumblr LOVED this movie. In 2015, there were TONS of posts gathering interviews, posting concept art, making cosplays, all the signs of a small but healthy fandom ecosystem. However, we call this the blue hellsite for a reason - not all of those resources are still there, and the ones that survived time and incompetent archival site coding are probably difficult to find. I would definitely recommend trawling the JA tags of all the blogs I tagged at the start of this post, as JA introduced me to two of my longest and most beloved of all mutuals. ALL of their insights were key to A Fine Chain.
There is also my own jupiter ascending tag and my more specific jupiter ascending meta tag, although I don't know how bored you are lol. The general JA tag is 105 pages - I would almost recommend just starting at page 105 and working forward from there since it chronicles my descent into kinky space angel werewolf brain rot pretty nicely. There are also my ao3 bookmarks for JA.
I WILL SAY that it has been 8 years, and I have changed into a very different person than the one I was when I first saw this movie. I don't REGRET the first few chapters of A Fine Chain, or any of my breathless meta posts, but I do think that if I were to write any of them over again, I'd hope that my writing style has matured and I'd have lots more extra material to draw from. Actually graduating from law school, writing long fic in another fandom, and generally percolating more as a person has given me lots of new perspectives on JA that make it more interesting even as I still enjoy it (for example, HBO's Succession is ODDLY RELEVANT and I wish there were more JA fanwriters to take advantage of that fact).
...I hope that was helpful? I will ETERNALLY mourn the fact that this fandom wasn't isn't bigger - we haven't even broken 1k on ao3! But EYE MYSELF am here to discuss JA stuff as long as this weird spurt of creative energy sustains me, and my inbox is always open!
#jupiter ascending#fandom#my posts#jupiter ascending meta#if NO ONE WILL LOVE YOU MY GLITTERY SPACE EXTRAVAGANZA I WILL LOVE YOU#was it perfect? no. was it a bit of a hot mess at times? yes. BUT DO I LOVE IT? HELL YEAH#long post
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Village complete listen through
30th October 2023 as i said some thoughts that are simply made me curious enough to look at the tracks on my phone
(started scrowling through gallery on the wiki and found this picture and this should have been a cover for the physical release no idea why there is so many things on fire)
Monologue
Summer Twilight: whatever you think of the title it is not what you think
Memory of Mia (mom for short)
a bad feeling: is interesting
pain in the darkness
Luiza's House
Villagers
Off the Hook: I wonder what scene this is paired with
Danse Macarbe
A moments respite 1 and 2: basic soundtrack love it dearly
In the Mist and Stay With Me: really eerie
Music Box: what it says on the tin really
Phantom
Promenous- nous dans les bois: Angie boss really uncomfy to listen too
Beasts
treading water and acid rain (basic soundtrack)
attack from the air: initially i was confused about this and i still am as i am typing this
internet cut out and the music paused so I missed roll out
confrontation
eradicating evil and rose: basic soundtracks i just love them
Take Us Up
I Know: listening to the preview was good full thing is better and it turns fairly sinister around 1:53 (is it when we see the mysterious figure? probably) for a moment then turns nice again
memories
the mercenaries titles (RE4R sounds like it a little)
the mercenaries village
Shadows of Rose
Dive
Just Like Me
They're everywhere (kind of made me jump reminds me of Coraline and has the sound effects of face eaters)
Guardian Angel
Touch My Word
Michael
Tick Tock
Reward
Executioner 2 (sister walked in on this and we were both cringing it is a lot that's the only way i can describe it)
Jump
welcome rose
Playtime: very short
You did it! is when we cut open the teddy bear
Dolls: or as we called it hide and seek if there were any way to download mp3's from youtube this is one of the songs i would have gotten for sure
Malice
No one loves you
that voice
deeper
the purifying crystal: the tale end
Run! Rose!
I've got this
Offer Yourself (other song I love the remix of eradicating evil)
I'm Okay: has the same notes as Rose and it makes me sad
Begining of the End: okay title and sounds a little bit like descent into the village and has vocals at the end
In Life and In Death
Blood and Death: goes silent for the last few seconds and it is effective
Light At the End: might be a trailer song because of the lyrics from Yearning for Dark Shadows (long ago i went searching for berries) but i really like it
The Winter's Legacy: is great and it still sounds like two steps from hell song (i just can't think of which one)
Roll Out is a cool its kinda reminiscent of the first Alice film which is interesting comparison to make
#resident evil#ethan winters#mia winters#resident evil village#long post#pictures not described#rosemary winters#shadows of rose dlc#re8#resident evil 8#alcina dimitrescu#chris redfield#karl heisenberg#purely self indulgent#picture additions#the shadows of rose pick was a fight to decide between the one where she looks at the castle and this one#obviously went with this one because glowy hands#really enjoyed it
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Angel Members Lore Dump
Maya was born in Georgetown, Guyana. While she wasn't necessarily rich, she was well off and grew up comfortably. Marlon and Tamera Harrison, her parents, were both educators; a piano teacher and university professor respectively.
Maya Harrison
She loved music from a young age. Maya began teaching herself how to play various instruments, starting with the piano, and to sing. Then she began writing and composing her own music. The next instruments she taught herself to play were the guitar, violin, and flute. She joined her school's orchestra while continuing to be a pianist. By the time she reached high school, she was considered a prodigy.
Inspired by Donna Knightley to pursue music as a career, Maya started as a backup vocalist for various singers. She also did competitive piano and posted videos of herself singing covers of her favorite songs on the Internet.
Stellaluna Ricci
Stellaluna was born in Florence, Italy to wealthy parents Kwame and Eniola Ricci, a former footballer (soccer player) turned entrepreneur and music producer. Her father is of mixed Italian and Ghanaian descent while her mother is Nigerian. Her and her sister Sole were raised to be debutants.
As such, Stellaluna grew up to have a number of skills including ballet, equestrianism, and most importantly: singing. The last one was her most favorite. Her original dream was to be an opera singer. She started singing with her church's choir before moving on to local singing competitions. Stellaluna also sang for commercials and advertisements.
She began writing her own songs, hoping to perform them one day.
Audrey Laurens-MacDonald
Audrey was born in Queen's. Gillian worked as a plumber and her mom Ke'Ana worked at a deli.
Before she became a singer, Audrey wanted to be a rapper. She started rapping at 12 and performed at school talent shows, amateur nights at local music venues, and other places. She based her style off of characteristics of drill and battle rap as well as elements of hip hop.
In high school, her and few friends formed a music group called FFF (Fierce, Fabulous, Famous) under the name OG Audrey. However, she needed to learn how to sing since it was going to be a pop group. She got singing lessons from her school's music teacher. Audrey left FFF shortly before becoming a member of Angel.
Kamala was born in Bombay, India as the middle child of four girls. Her father Darshan was a chef and her mother Ishani was currently working as an accountant.
Kamala Singh
She kept her love of music hidden because she thought her parents wouldn't approve. She was mostly fascinated by electronic and synth. Part of her free time was spent watching videos on how to play the keyboard. Kamala used some money she got from relatives to secretly buy a keyboard (which is the one she still uses to this day) to practice.
Kamala's musical talents were eventually discovered when she played at one of her cousin's weddings. Everyone was shocked but enjoyed her performance. She confessed to her parents that she wanted to be a musician and that she hid this from them because she thought they wouldn't approve. Her mom said it was fine as long as she got to be in charge of her finances.
Shauna Black Crow
Shauna was born in McAllen, Texas to singers John Black Crow and Maria Sofia Black Crow.
She was a member of the Black Crow Family Band, consisting of her, her siblings, parents, and a few aunts and uncles on her father's side. Essentially she was a child star before she was a child star. Shauna played the guitar with her older sister Dove and brother Eddie. She stayed with the band for a long time until she joined Angel. In high school, she joined her school's mariachi band to expand her musical range.
Being a big star based on her own merits and talents was always her dream. She grew frustrated with her and her siblings being known as just John or Maria Sofia Black Crow's children and vowed to become a big star.
Tsubaki Chisaka
Tsubaki was born in Kumamoto, Japan. Their parents, Hachiro and Toyoko, were members of the Catholic church. Hachiro worked in finance (red flag) while Toyoko was a stay at home mother.
Unlike the others, Tsubaki didn't consider music as their career choice. In fact, it started out as just a hobby to them. They sang in the choir for a bit before Toyoko pulled them out. They didn't really like the music they had to listen to, especially in the years leading up to their parents' divorce and their own pessimistic feelings towards the church. But because worldly music was banned in their home and they weren't allowed to have their phone outside of school or errands (another red flag), they didn't have any access to other types of music.
Tsubaki discovered grunge music through an American cousin (who was also in a band stay with me here I'm slowly building the celebrity world) who also taught them how to play the bass guitar. They were taken to their first garage concert after Toyoko and Hachiro sent them to stay with an aunt for the summer. Another thing they were exposed to was queer culture.
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prompt from @adriftwords: Instinctively ordering their takeout order. (full list here)
December 31, 11:50pm 1999 - New York City
Aziraphale knocks firmly but still rather meekly on the drab little door of Crowley's flat. New York City is an entirely different creature to London and he feels so out of sorts. Still. This is where Crowley is planning terrible things for the humans again, and so this is where Aziraphale must be.
Crowley opens the door and seems unsurprised to see Aziraphale, shades reflecting the yellow hallway light. There's a white phone shouldered against his ear. Who on Earth is he speaking to? He absently twirls some of the cord around his finger.
"Ah, yes, hi," he says this with a grin at Aziraphale. "Can I have three slices of spicy chicken cheese and also two cheese light marinara sauce. Please don't get those confused or you'll have a devil of a time later." He winks.
Aziraphale rolls his eyes as Crowley disappears into the flat, and he barges through the threshold in pursuit. "Are you quite done?"
"What? Everyone's always talking about the pizza here, figured we might as well try it. Plus it was the only thing open this late, what with everyone being afraid of the end of the world and all. You know, for someone who can't stand hellfire, you enjoy some very spicy food."
"You can't cause Armageddon yet, this Y2K thing—"
Crowley laughs. "Oh, that? Yeah, bit of fun, isn't it? Was an accident, actually. I was speaking to some kid on the internet through some chat group and asked wouldn't it be scary if all this new technology went away in the year 2000 because we didn't account for it. I didn't think it was an actual thing." The demon shrugs.
There's a television on in the center of the room. The ball in Times Square is about to begin its descent. Crowley gestures to a disgustingly old blue couch with holes and stains. "Well? Let's see if that ineffable plan factored in the new millennium."
With an indignant hmph, Aziraphale sits. The two watch the countdown nervously. Crowley isn't so amused anymore as the final seconds tick, tick, tick. Five, four, three, two...
There's a knock at the door. Both angel and demon give a yelp.
"Pizza," a bored voice yells.
"That was fast," Crowley mutters, standing.
The power is still on, the music on the television continues, the announcers seem equally relieved. Aziraphale gives a little laugh. "Well, I suppose trying a slice or two won't hurt."
#andi drabbles#good omens drabbles#good omens#aziraphale#crowley#ineffable husbands#it's been a minute since i've written anything#this was good practice to just get a scene out and not stress about it being perfect#and to practice description!#im feeling good about my writing right now#also these two have been on my mind because good omens season 2 is so close
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CUT COVERS11:00 A.M.
Keke Palmer Is the Internet’s Sweetheart
But the multi-hyphenate is more than just the Queen of Meme.
Photo: Micaiah Carter
Keke Palmer grips the false lashes on her eyelids with two fingers and slowly peels them off her skin. She’s had a long day, and it’s nearly 7 p.m.
The sun in the window behind her is blaring over a palm tree without any sign of eventually making its descent somewhere behind the horizon. And yet, Palmer has endured multiple flight delays from Las Vegas to Los Angeles, had a glamorous hours-long photo shoot, found herself at the center of Twitter discourse about her relationship, and still made it home in time to feed her new baby his early-dinner bottle. “Yup, he’s asleep,” she says, looking over playfully at her 4-month-old son, Leo.
About that discourse: Palmer’s motherhood recently became an uninvited topic of conversation online. Last Wednesday, while she was photographed and interviewed for this cover, a video circulated of Palmer, clad in a sheer black dress with a bodysuit underneath, getting serenaded by Usher at one of his Las Vegas residency concerts. Darius Daulton Jackson, the father of her child, saw the video and tweeted his criticisms of Palmer for her outfit choice, later doubling down on his stance when her fans swarmed his replies. While on set and by the time we spoke, Palmer hadn’t yet engaged, but internet bystanders rallied around her, forming a sort of virtual shield attempting to protect her and, in turn, shunning him.
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Even though the 29-year-old actor and producer finds herself in an entirely different life stage from me, it’s impossible to shake the feeling that we grew up together or that we have some sort of shared history. Not in a traditional sense, of course, considering she’s been a movie star since the tender age of 10, but by way of having a front-row seat to her organic matriculation through life, from project to project. She starred as a strong-willed spelling-bee champ in Akeelah and the Bee, a double-Dutch savant on the Disney Channel movie Jump In!, and a teen fashion executive on True Jackson, VP, and many of us who were once precocious little girls watched a young Palmer on the screen with awe as she evolved into the powerhouse we know her as today. By the time she was getting Oscar buzz for roles in more grown-up fare, like Lorene Scafaria’s Hustlers (based on a true story originally reported in this magazine) and Jordan Peele’s Nope (a New York Times critic’s pick that won her widespread acclaim and an invitation to the Academy this summer), we became acquainted with Palmer in her role as a serious, well-adjusted, fully fledged actor. And, of course, along the way was her music career, which she’s still working on, anchored by her song “Bottoms Up,” a pivotal moment in the Zeitgeist for teenage girls everywhere. (She released a sequel of sorts to the track last year.)
In the same way we’ve come to know her, she feels as though she’s come to know us: “I do feel like America’s little sister, little cousin. I feel very much so related to everybody,” she tells me. “I’m like that second cousin that you see every two years at the family reunion.”
Now, as she branches off into newer, more experimental ventures with KeyTV, an avenue for Palmer to support other young creatives of color, and her podcast, Baby, This Is Keke Palmer, on which she has interviewed guests like Vice-President Kamala Harris (Palmer asked her to clarify both if she does have a silk press and what policies should be developed to deal with the maternal mortality crisis), John Stamos, and fellow child stars Aly and AJ Michalka, Palmer is entering her “big boss era,” as she’s dubbed it.
Online, Palmer is generally unafraid to discuss potentially taboo topics, like acne and breast milk, while also finding ways to inject humor into whatever she’s speaking about. From “Sorry to this man” to “You know it’s your girlllll,” she has kept the culture quenched with a steady stream of delightful sound bites, which inevitably become endearing memes. Admittedly, as a self-described citizen of the internet, she loves this too: “When people see themselves in me enough to repost a meme or use a GIF, it really humanizes me in a way that I think sometimes feels lost in my life,” she says. “So I really do feel appreciative of being a meme.”
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There are a lot of moms hyping you up online right now, defending your integrity. What’s something you would say to them?
Do you, new moms. Do you. Girl, if there’s one person on this earth that loves you for sure, it’s that baby. Be happy, because there’s no love like it. Somebody loving you like that, hell, who cares?
You just had a baby, you host a podcast, and you also started a production company called KeyTV. Tell me what that’s about.
I came from a very traditional space in entertainment, and it was very hard for me to create my own narrative and help get the work that I ended up getting as I’ve continued to evolve as a creator. Because of the internet, I was able to produce and create my own content and make a financial career that invests back into itself. It helps to keep the creativity going, especially when you think about brands and sponsorships. Not a lot of Black creatives get those same opportunities. KeyTV is an opportunity; it’s a way to bridge the gap and feed more eyes back to the work of BIPOC creators, and using my brand as a launchpad. It is inspired a lot by AwesomenessTV.
Let’s talk about Baby, This Is Keke Palmer, your podcast. What made you want to flip the table and start a podcast? Why did you want to be on the other side of an interview?
I started hosting stuff when I was about 17 or 18. It came from me being a curious person. This was when Twitter started really kind of becoming a thing and you only had so many characters. I wanted a forum where we could discuss the things we’re talking about online with one another. That made me want to have my own talk show that I did shortly on BET for a season. From that moment on, I was always looking for an opportunity. I wanted to bridge the gap between millennial and Gen-Z audiences. That’s always fun for me.
What excites you about talking to somebody you’ve never met before?
That everything is going to be a surprise! I genuinely am so jazzed about life at all times. On regular daytime talk television, you have only a few minutes to really talk about a few things. On a podcast, you can go from talking about aliens to talking about all types of weird stuff. Just from the simple fact that a podcast has no limit.
Which guest has surprised you the most?
When we think about the Black Eyed Peas, we think inspired, fun, wholesome but cool, worldly music that makes people feel good. When I was interviewing Will.i.am., it was just so incredible because that’s in every aspect of what he does, whether it’s in technology or music, because he wants to transfer his mentality.
Who is your dream podcast guest?
I absolutely would love to talk to Taylor Swift. And Nicki Minaj. Both for similar reasons. I would totally do it at the same time because it would be a big boss conversation, Ms. Lady. I think they’re both Sagittariuses and I’m a Sag moon. They’re not afraid to talk about the business, the music industry, and the things that people don’t understand. Nicki Minaj has spoken to the things that she’s trying to overcome and how they’re able to get in certain rooms or awards or conversations, etc. She’s very much so wanting to gun for some old ways of things being done.
And it’s the same thing with Taylor Swift when it was coming to owning her masters and just … I’ve also talked a lot about my experience in the music industry, but I just think it’s really cool when you can sit down with your peers and you can discuss the real deal that goes on behind the scenes with the industry.
To hear from us three women would be great. Obviously, I can name a whole list of people that have done similar things. We could talk about Master P., we could talk about Tyler Perry, we could talk about Beyoncé, the list goes on. But those are just two that most recently had spoken about these things. We could have a really good deep conversation and unpacking lyrics because Nicki writes down, and so does Ms. Swift. It’s giving astral projection, it’s giving lucid dreaming.
So when you’re being interviewed now, do you, ahem, judge the interviewer’s questions from a different lens?
I don’t want to say judge, but I definitely try to figure out where we can go. I’m always willing to go somewhere. When I’m talking to people, I’m obviously giving them the respect of knowing whatever their boundaries are. But when they’re answering, I’m thinking, Well, where else would they want this to lead to?Another thing I’ve learned is that pre-conversations are really awesome because you can talk to that person about where their headspace is, what kind of things are most important to them right now.
Well, then let me backtrack a little bit, because we didn’t get to have much of a pre-conversation. What’s your mental headspace and what’s important to you today?
After having my baby, I’ve just gotten so much more powerful. I’m just so strengthened in a crazy way. Strutting my stuff, enjoying. I’ll be honest, I think before I even had the baby, I was really actually quite self-conscious. In a way that you would expect, considering the kind of work that I do as a public figure. Always trying to be on point with my body and always trying to make sure I’m taking care of this and that. There’s a lot of physical attention. Being slim and being fit in a particular way was always something that I was gunning for. After having the baby, my body got so much bigger and I started getting fluff in areas I never had before.
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Obviously I don’t know you like that, but when I see you from the outside, you have always seemed like a woman and a girl who’s always stood in her own power. Sometimes women are expected to shrink, and I feel like when I see you, I don’t see a woman who shrinks.
I think it’s important to say that both things can be true, which I’m sure you know. I’m ready to talk to you, you are also very confident, but both things can be true. I speak to my insecurities and it actually makes me feel more confident. Because I’m not trying to hide. When I really talked about my skin issues and stuff like that, it was really for me.
As I confront my issues head-on and I’m like, “Well, I feel terrible about this,” or, “This ain’t work for me,” I turn it into a joke, but I don’t ignore it. I try not to hide it. Confident people, it’s not that they’re not insecure, it’s that they just accept the fact that they’re going to have some insecurities, work on them when they can, and love themselves. Because at the end of the day, what else are you going to do? Hate yourself for who you’re not?
This is a weird question, but what would you say your brain looks like, sounds like, and smells like?
Not Jeffrey Dahmer, girl! The inside of my brain smells like vanilla or something warm and cuddly. It smells like something safe. It’s like, Hey, we are here for you. What does it look like? Colorful, shit is like synapses are going, you know what I mean? There are some gray spots. There are definitely some gray spots, but most of all, it’s neons, sparkling, it’s electric. Almost like when you have a PC gaming computer and all the colors that are going on in there. That’s how my brain is. What does it sound like? Shit, Jordin Sparks, “One step at a time, there’s no need to rush.” I’m always in some type of coming-of-age comedy.
I want to walk inside your brain, that sounds nice. On the flip side, you’ve got a lot going on in your life. You’re acting, you’re singing, you have a podcast, you’re a new mom, you’re keeping the culture consistently quenched with delightful sound bites and memes. How do you stay grounded and at peace?
My family, my friends, my loved ones. Keke Palmer’s who I am, but it’s almost like Spider-Man. I’m Peter Parker at the end of the day, and at some point, I have to take the suit off. It’s still me, I’m still there. It’s still Keke and there’s no LaurenShe was born Lauren Keyana Palmer. without Keke. There’s no Keke without Lauren. But it’s just one aspect of who I am. We all have cultural aspects of ourselves that we sometimes bring out more or less than others.
When it comes to being able to get balance in my life, it’s taking off that suit, taking off the Keke Palmer side of myself and putting her to rest. Giving her an opportunity to recharge and relax and also know that the other side of me that maybe isn’t that jazzed up all the time, has a place, is needed, is valued, and able to just breathe. It’s really awesome.
Do you ever wish that you could just be Lauren or Keke part two, Keke without the visibility?
Sure, sure. Yeah, absolutely. Sometimes I feel like I would love a little bit of more anonymity, or at least a version that wasn’t so chaotic. We live in a particular generation where the fame thing is a little bit too much. The way that celebrities are idolized. Popularity to some degree is fine. It’s normal. It could be expected, especially if you’re a public servant or someone that’s a public figure. But now it’s the desire and the goal as opposed to being the aftereffect of being good at something or being known for something. It’s just being known to be known.
Fame used to be a little bit more mayorlike, and now it’s almost gone to some type of godlike vibe. That can be quite dangerous and a lot of pressure. I don’t think any human should be that adored. I’m happy when people say that I’m their role model or I inspire them or whatever. I think the basis of anything I’m trying to do is to lead you to you, toward you. You can rock with me. You can buy into my stuff, you can support me. Obviously, that’s my career. But never do I ever want somebody to think they need to be like me. If they want to be like me in any regard, hopefully it’s to be authentically themselves. Hopefully that is the biggest message that they’re receiving.
When you said mayorlike, I pictured you in a little top hat.
Walking around, Mayor Keke, “Hello there. You know it’s your girl.”
Speaking of “You know it’s your girl,” which was a viral clip taken from your Met Gala red carpet interview with Megan Thee Stallion, how does it feel to consistently become a meme?
I felt like that was a hit movie. “Sorry to this man,” I could not have predicted the “sorry to this man” reaction. It’s crazy, but cool and dope at the same time. It’s randomized how that happens. But it’s a very humbling thing because sometimes as an entertainer, people do not have a safe space for you to be relatable. You probably live a drastically different life than them. But at the end of the day, outside of whatever our daily life activities could be, I’m still going to work. I’m still trying my best, I’m still trying to make it in this workaholic country we’re in, we both got 24 hours and we both just trying to get it done.
And so we all are the same. When people see themselves in me enough to repost a meme or use a GIF, it humanizes me in a way that I think sometimes feels lost in my life. I really do feel appreciative of being a meme. Because what they’re saying is, She’s like me, or they relate to it. It doesn’t get any better than that.
You don’t try to go viral? It just comes naturally, basically?
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What keeps you authentic when you are in the public eye? Especially when it could be so much easier, and so many others have gone the route of, Here’s my public persona and I’m going to do everything and be perfect. What is your motivation to be you?
There is such a thing as privacy. I’m not showing y’all my ass at night. I’m a human being. I have things that make me just a normal person. I’m flawed. I definitely try to put my best foot forward. But again, because I don’t like the idealism and I don’t like the kind of era that we are in with fame, I definitely self-deprecate, point to my flaws, constantly say I’m not perfect because I really don’t want people putting me to this unbelievable standard. I don’t live to be a celebrity. I live to do what I love, to share love, to give something positive to the world. Being under a magnifying glass for all of my life, it was kind of a surrender to realizing no matter what I do, it’s never going to be enough, so that’s okay. Let me at least be me.
Are you really online? Do you consume social media? And if so, what does a late-night scrolling sesh look like for you? For me, I’m doing YouTube deep dives of a couple that cosplays like they live in the 1800s.
I’m always looking at weird stuff too. I’m looking at TikTok. I can get crossed in a conspiracy theory. I can be looking at some new articles online and just all types of random stuff. I’m definitely 100 percent like an internet person. I guess that’s a personality trait. A lot of my friends that I’ve met, even as kids, were online. Through chat or MySpace. I’ll see somebody’s page online or I’ll check somebody’s life out and I’m like, I want that person to be my friend. I feel like online literally gives us the opportunity to see in other people’s worlds, to reach things that we otherwise didn’t get to reach. I really do use it as a tool and I really respect it. Especially growing up, being in the entertainment industry, being homeschooled, not having a real school, I really was appreciative of online.
Now that you made me think of it, somebody else that I would love to talk to would be Tom from MySpace. What he created really helped my life because I didn’t have any other way to be friends. I might be a celebrity, but in my mind, in my world, I felt like an outcast. I turned to the internet where I could create space for me, and build my world and have friends and feel like I was normal. It all feels very full circle, me being a meme queen. The internet is a place that I’ve always loved and adored and felt like I could be myself, and in a way, that is a space that was not always given to me in real life. That’s why we all played The Sims too.
Do you think the human race is better or worse off with social media?
I think it’s better, but not when you don’t use it right. When I was talking to Will.i.am about it, he was definitely like, “Yo, I would much rather be in a world where there’s AI and all this kind of stuff than in a world that it’s not.” With the internet, the problem is that it’s extremely powerful and it can be used in bad ways and people have used it in bad ways, and that’s what scares us. But when we use it in good ways, man, we’re able to really do some incredible things.
You recently interviewed Vice-President Kamala Harris and asked her about her silk press. You also used the phrase “poop on a stick” in the interview, which knocked me on my knees. What does podcast prep before you start the conversation look like for you?
It’s different each time. I have support with my producing team. I always script out the top halves of my show. And then the other halves of them are obviously just conversation, but I have bullet points or CliffsNotes of what I want to discuss and talk to whoever I’m having on with me that may not be the actual interview guest, whether it’s my mom or whether it’s Darius or whether it’s Max. We’ll kind of discuss what our POVs are. That way we all know that we have some unique perspective on the topic. When it comes to the interviewee, as much as I have questions that I want to ask them, I also listen and just try to see where their conversation would take us.
Anyone you’ve been nervous to record with?
I was nervous for Kamala.
Who wouldn’t be?
For Madam VP, I was definitely nervous because I wanted to give respect to what she’s trying to do and have a conversation about it while at the same time humanizing the conversation because there’s a huge disconnect, in my opinion, with our generation in the government. It’s beyond just getting people to vote. There’s a bigger flaw where we don’t believe in the system. It’s how to get people to believe that there’s a reason to support our public servants and actually believe that they’re going to be good at their job or they’re going to be worth us listening to. It’s about asking important questions, but also, are you a person in there?
We need to see that these people are real. We need to know why they wanted to get into these positions. A lot of this is starting to look like a joke and has been a joke and looks like a reality show and it just seems like a big money grab and it just doesn’t seem real. But there’s no way to work in any system of anything and be perfectly perfect or do something that’s totally agreeable.
The point is to get to a place where we can at least feel like somebody is human and touchable and real, that they can be reached even if they are working within a system that is clearly flawed and corrupt. We need them to speak to that. I was happy when I was talking to Kamala, Madam VP, excuse me, about this topic. She was saying to me that she knows that people don’t believe, and that’s why she’s doing it. She knows what she’s working against. I wanted that interview to be something that we felt was real so we can actually be engaged. Because right now, honey, it’s giving, like, stale news variety show.
I listened to another episode where you talked about being a child star and you said if you weren’t an entertainer, you may have gone into politics. Would you ever go into politics now?
I don’t know what role I would play.
President?
Well, let’s think about it. What is the president’s job, really? Because he can’t change no laws for real. I mean, they can, but it’s like they really aren’t the ones that are doing that work. If the president’s job is to be a figurehead, speak to the issues, encourage the people, represent them and create a positive democracy and good morale, then, yeah, I mean, I could. This is the concept of politics I love because it’s being a public servant. Child, sign me up. I love being a public servant. I love being serviceable.
I know a lot of people don’t think about entertainment as that, but, I mean, I am still doing a service. I’m literally tapping and singing and dancing for you to laugh and enjoy. I’m trying to serve you, for sure. That’s something I’ve already been doing all my life. So in that regard, yes, the part of politics that makes things difficult is feeling like that I believe in what I’m doing and that I can actually believe that I can get something done. If I was going to ever go into politics, it would be because I really believed that I could fix some shit or figure something out. So I think that’s what it would really take is for me to feel like I could actually be useful.
Would you consider yourself America’s sweetheart?
Girl, that is crazy as hell.
Come on.
If that is what the people think, I’m truly gagged and gooped because, wow. I don’t even know what that entails, truly, what that really means. But, by golly, if you all feel like I’m America’s sweetheart, I’m fucking here for that shit all day and night. I appreciate it because it feels like a term of endearment. But what do I think? If I were to declare myself, I do feel like America’s little sister, little cousin.
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Like a lot of people in their late 20s, I feel like I grew up with you, and whatever project you were involved with seemed to mirror whatever life stage I was going through at the time. What was child stardom like for you, and what was it like to have so many eyes on you at such a young age?
Honestly speaking, initially it was traumatic when I really experienced it, like after I did True Jackson, VP. And then I got used to it and I tried to kind of control it a little bit more by setting boundaries for myself and being a little bit more realistic about what I needed from the people that would be around me. Fame is a lot. People think that they want it, but it’s intense. It could be fun and cool in certain times if it can possibly help you get quicker dinner reservations. But a good job will do that. You know, you don’t have to be famous. You just have to network.
I don’t know why anybody wants it. It’s a lot to have a lot of attention on you all the time. It gives you a lot of anxiety. It’s nerve-racking. You’re looking over your shoulder all the time. Is somebody going to try and humiliate me or use me for clicks or likes or, you know, whatever? Not everybody can handle it. It’s just a dangerous game.
Time for a few rapid-fire questions. Do you think aliens exist?
Yes.
Would you ever explore the deep sea?
No.
What would your last meal be? You can have multiple courses or just one bite of something and then move on. It can be anything. Multiple things.
A charcuterie board. I always needed a charcuterie board. I need to start off with a charcuterie board and a nice tall glass of wine. Then, I’d like to take it to a big pizza. From Little Italy in New York. A particular pizza place called Little Italy’s in New York. There’s one right across the street from Papaya Dog.It’s the sauce that they do that makes it what it is. If this is the last meal, I don’t need it to be fancy, I just need it to be good. And, lastly, some snickerdoodle cookies. We got to make it feel like home again.
What do you think happens when we die?
I think we go to nothing. And, I mean that so happily, not in a sad way. I feel like, before we come to our human bodies, we already are in a utopia. The reason why it’s a utopia is because it’s like everything and nothing at the same time. We’re beholden to nothing, we have no attachments, we’re completely and utterly free, and we know in whatever this energy space is that we are all interconnected. So there’s such a freedom and such a happiness. It’s not necessarily we’re riding roller coasters and stuff. We don’t need those things. The happiness and joy is purely innately within us as a spiritual being.
And then I think we come here and we put this suit on, and the suit is actually what makes life really hard, because what comes with humanity and being a human person, as opposed to being an animal, or a rock, or something like that, is our very heightened consciousness and awareness that is sometimes competitive with our spiritual thing that doesn’t actually need words, or language, or actions to just be and understand. And we confuse ourselves when we’re down here.
I think, when we die, we realize, Oh my gosh. It wasn’t that deep. I was always going to be okay. Everything was always going to be all right. Because, this world, this experience is everything and nothing at the same time. It’s so nothingness that it became everything. I think that’s odd. But, I mean, I grew up Catholic. I believe in Jesus. I believe in all the shits. But at the same time, I also feel like some things are like a mixture of spirituality and metaphysical stuff. I go down on the loops. But I be in church too. I’m everywhere with it.
If you could live forever, would you? Absolutely not. No, there’s nothing about that that sounds good. No, no, no, no, no, no, no.
That sounds crazy. I want to have a nice, good long life. I don’t want to be that grandma that’s holding on for dear life and her body falling apart. Let me go looking fine and sexy in my sleep naturally. I don’t want my body to be just turned inside out and I’m like, “I’m still here, kids.” No. Unplug me if I’m falling apart.
What is the most interesting thing in your bag right now?
The truth is, I only carry around one bag. And it’s the mommy bag. And you know what it has in there? My pump, my nipple cream, some contacts, and some prenatal vitamins, post-prenatal lactation supplements.
What is the question that keeps you up at night?
What is this about? I always ask myself, What’s the reason? What is the reason for this all?
That’s beautiful. Can you spell pulchritude?
Of course I can. P-U-L-C-H-R-I-T-U-D-E. Pulchritude?
What does the future look like? What does it look like five years from now, or even in the next few months?
I’m going to continue to be killing these fashions, honey. Continue to expand. I can’t really say exactly what it’s going to be, because I feel like I’m even surprised sometimes about where I end up. But definitely more hosting, and acting, and all that stuff. A lot more stuff behind the scenes too. I really do love producing, and I love helping put stuff together and support people. With KeyTV, we made a short film with a kid from L.A. Film School, supported him with a production crew, and collaborated from different perspectives. I was grateful. To be close in age with him was awesome, too. I’m in a unique vantage point to be able to communicate, and talk, and relate, but also have wisdom that is granted only through the experience that I’ve had.
This interview has been edited and condensed for clarity.
PRODUCTION CREDITS
Photography by Micaiah Carter
Fashion Director Jessica Willis
Hair by Keshaun Williamson
Makeup by Sheika Daley
Manicure by Vanessa Sanchez McCullough
Set Design by Ali Gallagher
Tailoring by Susie Kourinian
Production by Petty Cash Production
TAGS:
CUT COVERS
KEKE PALMER
CELEBRITY
CULTURE
MORE
Sent from my iPhone
#keke Palmer#Keke Palmer#keke#please dump his ass!#just because you are a mother doesn’t mean you can’t dress sexy#and no one should be with someone who thinks they can judge and dictate how you dress#and shame you online#keke palmer#twitter#pls dump him#the fact he didn’t do it in private if he had a problem is a 🚩#also the fact that he expects her to do what meets HIS standards for HIS reputation#View post#dump his ass#i've met people who think once you're in a relationship you aren't allowed to show off your body anymore#what kind of bullshit is that#my thoughts exactly#get his money up and not his funny up AHAHAHAHAHAHA#either way they are all in the wrong the deeper you go into this story#it's bad on all fronts and i feel sorry for no one#honestly you're keke fuckin palmer you don't gotta take this from NOBODY#DUMP THIS BUM#WHO EVEN IS DARIUS DAULTON#He should kill himself#if you cant handle a bad bitch DONT DATE THEM#Reblogs#keep things private if you want them to stay private 🤷🏾♀️#befuuckinreal#darius jackson#black twitter threads
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i feel so pressurized to be like other systems i find so i can feel validated its just been giving me and our system a bunch of unnecessary stress :( like i keep FORGETTING every single system is unique and different. gotta hope i stop being stupid lmao
(THIS POST IS KIND OF A REMINDER THAT THERE IS NO ONE SIZE FITS ALL PLURALITY. ALL OF YOU ARE DIFFERENT. DONT STRESS ABOUT IT, YOU ARE VALID <3)
#INTERNET ANGEL'S DESCENT#system stuff#traumagenic system#system community#osdd system#plural system#vent sorta#<3#endos dni
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Jeni Angel Biography, Wiki, Age, Height, Weight, Family, Net Worth
Jeni Angel Biography: Jeni Angel is an American actress and model of Black descent who has been active in the entertainment industry since 2019. She is 22 years old and was born on March 28, 2001, in the United States under the zodiac sign Aries. Jennifer, also known as Jennifer Angel and Jennifer Redd, has an approximate net worth of USD 100K. Jeni Angel Biography Jeni's hobbies and interests include traveling, shopping, taking selfies, being a dog lover, and internet surfing. Her favorite clothing brands include Calvin Klein, LOUIS VUITTON, Tommy Hilfiger, and Levi Strauss & Co., while her favorite gadgets are a smartphone, digital camera, smartwatch, and laptop. She has not disclosed any information about her educational background, including the schools or colleges she attended or her degree or academic qualifications.
Jeni Angel Biography, Wiki
Jeni Angel Biography
Jeni has not disclosed any information about her family, relationship, or personal life. She is unmarried and has not revealed any information about her boyfriend, spouse, or children. She has no tattoos but is known for her distinctive features, attractiveness, and confidence. WikiInformationNameJeni AngelProfessionActress & ModelNationalityAmericanEthnicity/DescentBlackYears Active2019 - PresentNet Worth (approx.)$100KDebutIn 2019 - As an ActressAwardsNoneNick Name / Stage NameJennifer Angel, Jennifer ReddBorn (Date of Birth)March 28, 2001Age (as of 2023)22 Years OldBirthplaceUnited States Regarding physical appearance, Jeni is 154 cm tall (5 feet 1 inch) and weighs 55 KG (121 pounds). She has brown eyes and black/dark brown hair; her figure size is 32D-24-33, her dress size is 36 (EU), and her shoe size is 7. Jeni has not yet created any social media profiles; her email or Gmail ID is also unknown. Read the full article
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heyyy cib, can you please help me find parents and an older brother for Nia Towle? tysm in advance!
Hello anon, of course! I found out on the internet that she is of African and British descent (I didn't find any information about her real parents), so I'll try to give options with that ancestry too, ok?
Mother:
Angel Coulby (34-42)
Carmen Ejogo (41-49)
Freema Agyeman (35-43)
Gugu Mbatha-Raw (31-39)
Father:
Idris Elba (42-50)
Regé-Jean Page (31-37)
Ricky Whittle (35-43)
Royce Pierreson (32-38)
Brother:
Lucien Laviscount (22-30)
Petrice Jones (20-29)
Reece King (18-27)
Theo Graham (17-25)
(cib)
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Win One for the Gipper (Kamala Harris)
Duo: Hawaiian Coastal Navy, Engineering. Designed Megaman MUSH, due to inappropriate sexual proposition, to Sandi "Khelkhet" MacDonald, spouse of Brian "B-Rock" Monaghan.
Duet: Female Persian, family of Dr. Golden; claims bisexual male, playing Cassandra Cain, whenever Jessica "Bailey", Jessica Valentin, is threatened by a proposal, outside of her father's family, outside adoption or dead in World Trade Center attacks.
Aquarius: Kuwait desert war veteran, American; permanently confined to Pembroke veterans ward.
Peebo. WInchester CIA agent, Iraqi Ba'athist holdover; pinned in place, spying on Israeli biotech, under Trump's watchful eyes; responsible for giving supervisor, Jared Koeschner, a lobotomy, to cover for Mini-Peebo, Mini-Peebo having sniped off a black gangster with the Spanish Mob, "Big Smoke", featured in "Grand Theft Auto: San Andreas", as a cop; a villain.
Mini-Peebo: Hopkinton CIA cadet, in Kilpatrick program, to plant a legend as an alias on the internet, with a paraphrased abnormality of Pentagon internet access of patent through Vatican, as prime method of slipping work to Stephen King, through psychiatric hospitals; next leader to demonize Africans, has comic book or film or video game or virtual reality dedicated to, as a heroin addict female.
Altitron: US Navy draft enlistment on volunteer, to US Submarines; now a quiet guitar player, even as Irish Mob; inherited role.
Berube: Real name, "Andre Betmen"; facing homelessness, recommended to External Security by Mini-Peebo; offered a full suite and access of facilities, by Pembroke Hospital, of Massachusetts; VFW. And after Mini-Peebo, "Chet", visited, a fine repoire with mister Steven "The Rifle" Flemmi, a fine sports player himself.
Libra: James Holmes, the most legendary CIA to grace roleplaying. The takeover, of China, Japan, and India, by three logics, found in Ryan Combs, having been contacted about David Charlebois, and his two friends, Matthew Lennox and Ryan Taylor.
Derek. Homeless, after one final advertising round, "The Geico Cavemen". Joined the place where all communications families go, the gravel round, selling old jingles at campire with a banjo. R-Type. Grandmother of "Chet", Mini-Peebo, having formed the theory, at Ma Bell; for "Those Old Red Green Paintings".
Flem. Canadian Royal Mounted Patrol, vigilance watchman commission; voluntary spies on his computer, to protect his family, against Hell's Angels. Canadian Freemasons, having ridden outside of motorcycle hours, to get a baby sleep medicine.
Leo: Cleveland Rotary Association, by direct descent and link; Native Missourian, with Persian-Jewish blood of Shylock, the Gasts, his thumb able to pull a lapus lazuli through the knot, the Ghetto Works; a fond fan of Pacino, playing his old and new legends.
Gemma: FBI agent, Schuck family, on David's request, "Chet", for the last of Andrew Schuck's power and vitamin, at "Le Chiffre"; spending two semesters, teaching David how to go to college; the goal is the job you wanted as a child, not the one you take on degree. If they're both, you luck out, married. Why are you a cop to me, Mini-Peebo?
Scorpio: Manager of a convenience store, and a cop in the unit; an actual cop, not just a rat, just a retired police officer.
Brick: A homosexual Romalian ROTC, bred in the image of Chet, but gay; Miles Morales, "The Riddler", as an actual Riddler. African Panther, out of the White Supremacist ideal, to use tones and references on white Romalians, ignored by CIA computed, but not nearby children. The CIA sells crack, says Chet.
Corth: Pat Ware, developmental disability; missing chromosome, result of a yeast infection. Grandson of George W. Bush Jr., through mother, too young; Raven Laventi, Arnold Clan; Pro-Life issue in George W. Bush Jr.'s Presidency, like he cares. The Arnolds, savages, out of France.
Culper: Kyle Rittenhouse, new NSA HUMINT; taught, by NSA HUMINT veteran, David Charlebois, to take the issue to trial, to free slaves; a loss of lawyer' rights, but you got it on TV, kid. Mike watched the entire thing, it was symphony.
Mouse: Ellen Page, now back to "Elliott Page", wearing the strapon inside out. Just like in highschool, lover? Erin McBride?
Kung: Josh Moen, who needs his orders obeyed, being unaware he is psychic, due to prenatal Trilophon exposure; torturing some doctor in a coma out there, for his surgeon's rules; a drone, a zombie.
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Follow the source link to 195 gifs of MUSKKAAN JAFERI in the tv-series MISMATCHED (Season 2). MUSKKAAN JAFERI (born 1994 or 1995) is an Indian actor of unspecified Indian descent (possibly Marathi), known for her voice-over work, doing the hindi voice of moana, alita (alita: battle angel), and vanellope (ralph breaks the internet), among others. These gifs were made from scratch, please don’t claim them as your own. Trigger warning: none. For more gifs of Muskkaan go here.
Please consider donating to my kofi!
#Muskkaan Jaferi#muskkaan jaferi gif hunt#gif hunt#gif pack#poc gif hunt#poc gif pack#usermina#userdevon#usernare#userrey#thegifpackreblogs#my gif to you#indian fc#gif packs#supportcontentcreators#gifhunthub#gifpacksgalor#gifpackshq#gifpack#gifhunt#fcxdirectory#gifsociety#south asian fc#asiarph#asian fc#tessgifs#ungifted#medium gifs#userfyp#underused fc
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