#IMDbTV

[daphenalexfan]

Dazzling on and off the screen!

Excited to share this stunning shot of the talented Daphne Alexander. From captivating performances to IMDb brilliance, she's a force to be reckoned with. Check out her incredible journey on IMDb now!

[gecbunlaricom]

Film ve dizi sektörünün hızla büyümesi ve aynı zamanda insanların günl... https://gecbunlari.com/ucretsiz-film-izleme-siteleri-en-iyi-yasal-platformlar/

[powerpolyculeshowdown]

I am submitting pre-Round 3 Leverage propaganda, but it’s not actually propaganda it’s just me wanting to make sure everyone knows you can watch all of Leverage for free on Freevee (IMDbTV post Amazon purchase and rebrand). It is worth noting that they have season one in the broadcast order, which is different from the DVD order because network decision reasons. There are only minor continuity errors but if that is something you care about here is the season one recommended watch order (via the Leverage Fandom wiki):

this is fucking me up why is season one like that.......

but also thank u very much im v curious and wanna watch it eventually!

[theclassymike]

Cole Sprouse for IMDbTV promoting 'I Wish You All the Best'

[comicaurora]

Hi Red! Any chance you can pretty please drop the link to where we can watch Leverage? I think I heard you mention on a podcast that you can watch it somewhere for free (I think you said IMDBtv?) but I haven't been able to find it. It sounds like a show me and my mom would enjoy, we have been looking for new things to watch. I love the comic and the channel, your work is amazing!

IMDB TV has recently rebranded to "freevee", which works with an Amazon account. The link to the series is here!

[tellytuber]

12 Shows of 2022

The new (and sometimes old) series and seasons that made my year.

Law & Order (S1-12) + Law & Order: Criminal Intent + Law & Order: Los Angeles I started off the year catching the early (and Best) seasons of the mothership via cable reruns; got Peacock for CI; and then returned midyear when I was half-gone from covid and blearily endured the commercials of what was then IMDBtv for the very LA edition. While I am not technically a "geriatric millennial," I am a millennial and with geriatric interests. For me, peak television has become something that I can either focus on fully or play in the background while I do other things and be equally thoroughly entertained. That is why this franchise has become my number one comfort show.

Shrink + Michael: Tuesdays Thursdays Grouping these into one because I just so happened to watch one immediately after the other, and because they're both about moderately adept therapists who are codependent with their patients. They are also both incredibly funny! These got the biggest laughs out of me than anything else all year. (A shame I didn't get to them till December.) While they are both hilarious, each manage to sweep into very heavy topics and deep emotion without toppling over. #ReviveShrink

Big Love While I’m pretty sure I’ve watched more L&O than anything else this year, I’m deeming 2022 the year of sister wives. In my post marathon blues, I went surfing on HBO and turned on Big Love (after once trying the pilot a while ago and being turned off by its HBO-ness.) But this time it hit me right in the late-00's cable nostalgia. The melodrama, the humor, the cast - Mary Kay Place! It's a (new) classic for me.

Grand Crew (S1) With its simple if derivative set-up, this delightful sitcom got better and better every episode! The ensemble is funny and charming, and the stories silly and fun. Thank god it snagged a renewal and will return because I will need my weekly fix of Carl Tart in between his Comedy Bang! Bang! appearances.

American Auto (S1) At base level, it's just another workplace comedy with a pseudo diverse cast. And the setting of the executive floor of a car company is quite baffling. (It's not even a riff on Telsa. Neither is it too concerned with Detroit.) But it all came together during the commercial episode: During which the team spiral in heated disagreements over how to shoot a commercial that is appropriately inclusive but not too inclusive. Funny! From then on, I started to watch it from a new angle. The ensemble itself is a focus group - and every week is a new satirical debate on the weird standards of contemporary ethics. The show is at its best when it’s everyone in the conference room talking over each other in the voices of their respective demo. I still don't necessarily like it - But it does get me thinking. (About all that I wish it was!) But honestly, I'm only really including this on the list because of the perfect Cyrus played by Michael Benjamin Washington who is never not incredibly funny. He was my favorite character/performance of the year.

Severance (S1) Part Office Space, part Fringe, with the style of Legion. This trippy, beautiful, and exciting drama was a dream to watch! Especially since I watched most of it in the very very early morning with a cup of coffee - the very best way to watch something creepy.

Claws (S4/final) While, the finale was one of the worst I've ever seen (Niecy Nash's scenes were almost exclusively Facetimed!) - This show will go down as being one of the most iconic. The outfits, the colors, the insane swings. It was never not outrageous and gonzo. Did it always work? I don't know. But they had a Vision and Went For It! It was always a wild ride, and I had fun.

Better Things (S5/final) Every year Better Things airs, it automatically gets a spot on my list. And this is the last time. A beautiful show so full of humor and love and art and great music and lots of food.

Search Party (S5/final) Every season comes with a genre turn. And when this one turned, I didn't want to believe it. It wasn't until it turned to black without the Actually It Was All A Dream rewind I was expecting did it set in. I have yet to rewatch it, but when I do I'm sure I'll love it (as my experience with S3). But I do understand it. For Dory, who began the show adrift and yearning for a meaning to her life - to enact some sort of change, to literally change the world is a fitting end. (For me, S4 is the real ending and this is a bonus season.) Either way, it still earns a spot in the TV Hall of Fame. A crazy comedy with twisty mysteries. Extremely sharp and biting, confident in its hipsterness, unafraid of being unlikable - An ideal close to my heart.

Sister Wives (S17) As Elizabeth Laime so astutely put it in the Sister Wives spin-off of Bitch Sesh: There is no other show in which less time was spent making it than time spent watching it. Save for the very beginning (of the end) when Robin joined the family, nothing has happened. (Save for The Catfish, and even then nothing actually happened.) But all that nothing was for the cameras. Big Happy Family propoganda. And this was the season it all fell apart. Now, too much is happening! Cody-19! Christine leaving! Robin wants to talk! Janelle needs a truck for her trailer! (To Cody's dismay) Meri is also there! The knife to the kidneys! As I said before: This was the year of the sister wives. Incredible television.

Evil (S3) The beginning of this season had a lot of splitting up of the trio, which bummed me out. But it made the eventual reunion of the team that much more satisfying, and each of their individual crises of belief more affecting in their isolation. Every season is more weird, more tense, more absurd. I love it so very much! 

My Liberation Notes Every year I have one thing that completely consumes me. This year it was My Liberation Notes. It captured me from the very first episode: A story about a introversion and anti-socialism, when to hold on to it and when to let it go. A story about adult siblings, reared together yet all very different people seemingly in different worlds. So many existential ruminations. Plus an exceedingly slow teasing romance, barely one in the conventional sense, but deeply so as a connection of souls. All about life and its disappointments and mundanity, what beats you down and how you change, how people change you and how you change others.

[sillylovingpupper]

Was anyone going to tell me Amazon bought imdbtv or was I supposed to learn that on my own

[zetflixonline]

Босх: Наследие (2022)

Являясь приквелом к популярной криминальной драме "Босх" от Amazon, сериал "Босх: Наследие (2022)" повествует о первых годах работы детектива убойного отдела полиции Лос-Анджелеса Гарри Босха в 2003 году. Сериал доступен исключительно на IMDbTV с января 2022 года. Вновь сыгранный Титусом Велливером, Босх - ветеран войны, которого преследуют травмы его прошлого, начиная с того, что он был туннельной крысой во Вьетнаме, и заканчивая смертью его матери. В сериале "Наследие" мы видим Босха до того, как он стал тем опытным детективом, каким мы его знаем, - он все еще работает над изнурительными делами в голливудском отделе убийств, где его часто встречают недоброжелательный командир и мешающее начальство. В первой серии Босх знакомится с новым напарником - колоритным и кокетливым Джерри Эдгаром в исполнении Энтони Гонзалеса. Они сразу же приступают к расследованию жуткого дела, связанного с трупом, найденным в мусорном баке. Босх убежден, что это убийство, несмотря на то, что судмедэксперт констатирует случайную передозировку. Он неустанно преследует подозреваемых, рискуя своей карьерой и личной жизнью, а Эдгар следует за ним, беспокоясь, но храня верность. По ходу сезона Босх и Эдгар разбираются с чередой убийств, связанных с кражей произведений искусства. Им приходится действовать быстро, чтобы остановить убийцу до того, как он нанесет новый удар, и при этом ориентироваться в политике полиции Лос-Анджелеса, включая внутренние расследования и влияние влиятельных кругов. В "Наследии" появляются и некоторые другие персонажи из вселенной Босха, в том числе бывшая жена Босха Элеонора, которую сыграла Мими Роджерс. Несмотря на развод, они по-прежнему испытывают друг к другу чувства, что периодически осложняет их рабочие отношения. Мы также видим наставника Босха и его коллегу детектива Джона Джека Томпсона, которого играет Джейми Гектор, а также других знакомых лиц, таких как шеф Ирвин Ирвинг и заместитель окружного прокурора Април Чау. Название сериала "Наследие" связано с морально-этическими уроками, которые Босх пытается преподать Джерри Эдгару. Молодой детектив амбициозен, но наивен, и Босх пытается наставить его на более честный и неподкупный путь. На протяжении всего сезона есть несколько пикантных моментов, когда Босх делится историями из своего грязного прошлого, чтобы проиллюстрировать свою точку зрения, раскрывая еще больше измученную психику, с которой мы познакомились в предыдущих сезонах. Производственные ценности сериала находятся на высочайшем уровне, с той же гладкой кинематографией и саундтреком, которые зрители привыкли ассоциировать со вселенной Босха. Тон сериала стал более мрачным и жестким, чем когда-либо прежде, с откровенным насилием и откровенным обсуждением расы, класса и власти. Сериал глубже погружается в грязную подноготную Лос-Анджелеса, раскрывая сложные взаимоотношения между бандами, полицейскими, политиками и СМИ. В целом, "Босх: Наследие (2022)" - захватывающее дополнение к уже ставшей отличной криминальной драме. Он с уважением относится к первоисточнику, при этом исследуя новые территории и углубляя наше понимание загадочного центрального персонажа. Поклонни��и оригинального сериала не будут разочарованы этим приквелом, а новички найдут в нем увлекательную точку входа в мир Гарри Босха. Read the full article

[mirandamckenni1]

Liked on YouTube: Sci-Fi Short Film "Apotheosis" | DUST || https://www.youtube.com/watch?v=XlcuKadMBlE || Explore the DUST Multiverse on our App: https://bit.ly/DUSTChannel Selene, a young aerospace engineer, dreams of going to space, but was born naturally in this near-future society where the first generation of genetically engineered humans has come of age and has more privileges than those born like Selene. When her mother loses her job, Selene decides to compete against these genetically engineered humans in order to secure a job position on the first habitable space colony, Rusk Venture's Ourania. However, she'll be competing against her friend Fabrizio, Rusk's engineered son. Their friendship is pushed to the limit as their willpower and determination are put to the test. "Apotheosis" by Max Pearce Connect with the Filmmaker: https://ift.tt/VHtocZ7 "Apotheosis" Credits: Selene - Rene Leech Fabrizio - Dor Gvirtsman Minerva - Jane Casserly Rusk - Ross Turner Trainer - Vincent Stalba Newscaster - Wei Wilson Swimmer 1 - Hallie Kingsey Swimmer 2 - Oscar Martinez Baile Swimmer 3 - Rielle Oase Swimmer 4 - Keanu Ross-Cabrera Director - Max Pearce Produced by - Maria Sara Santoro Co-Producer - Brian DeAngelis Written by - Max Pearce & Maria Sara Santoro Director of Photography - John Burroughs Hanle Production Designer - Maria Sara Santoro Edited by - Riley Sweeney Lynch Costume Designer - Sonya Berg Visual Effects by - Shaman Marya Music by - David Myles Lewis Associate Producers - Hatuey Rodriguez, Josh Powell First Assistant Director - Tony Gx Shi Second Assistant Director - Yizhi Shi First Assistant A Camera - Catalina Parra First Assistant B Camera - Amber Rose Jones Second Assistant A Camera - Sayali Upadhye Second Assistant B Camera - Caleb Smith, June Kim Steadicam Operator - Lars Struck Gaffer - Louven Ryes Key Grip - Laura Stone G&E Swings - Sean Farley, Chris Hall, Chris Ube, Cory Ewing, Devon Johns Sound Design - Carter Tate Sound Recorder - Evan Hartney Sound Mixer - Vera Tin Art Director - Cat Johnson Set Decorator - Addison Rolleri Hair and Make-up - Kaia Langois Set Production Assistants - Ziqi Huang, Bingliang Li, Victoria Interiano, Greg Shell, Elizaveta Kaminski, Tayla Dixon Script Supervisors - Santos Herrera, Ian Kent, BTS Photographer - Rielle Oase Storyboards - Nhan Le Concept Art - Catherine Wu Additional Visual Effects by - Josh Steede Colorist - John Burroughs Hanle Titles and Credits by - Craig Lief On-Set Lifeguards - Devon Coates, Kyle Brandstater USC Faculty Advisors - Mike Fink, Brenda Goodman Festivals & Distribution/Licensing - Sandrine Faucher Cassidy Catering by - Too Tasty Catering Stock Footage Provided by - Pexels A USC Short FIlm Subscribe to the DUST and ALTER newsletter: https://ift.tt/OeWPSBf Subscribe to DUST on YouTube: http://bit.ly/2aqc5vh #DUST #scifi #shortfilm About DUST: DUST presents thought-provoking science fiction content, exploring the future of humanity through the lens of science and technology. From timeless classics to cutting-edge movies, series, short films, and podcasts, DUST acquires, produces and distributes all content types. DUST is also available on Amazon FireTV, AndroidTV, AppleTV, Fubo, IMDBTV, iOS, Peacock, Roku, Redbox, Samsung TV, Sling, STIRR, Tivo, Vizio, Xumo and 7Plus. On our OTT platforms, we offer cutting-edge and classic feature films, series, podcasts, and our entire shorts library. #TheFutureAwaits Watch on the DUST App: https://bit.ly/DUSTChannel Subscribe to the DUST Newsletter: https://bit.ly/signal_newsletter" Connect with DUST Website: https://ift.tt/UdAKuWp Sign-up for DUST newsletter: https://ift.tt/a1FEv05 Watch DUST on your TV: Available on Roku, Samsung TV, Apple TV, Android TV...and more Watch more on YouTube: http://bit.ly/2amTSen Follow Us on Facebook: http://bit.ly/2aqYgtZ Follow Us on Instagram: http://bit.ly/2amAhRt Listen to the DUST podcast: Apple: http://bit.ly/DUST-Audio Spotify: http://bit.ly/DUST-Spotify Stitcher: http://bit.ly/DUST-Stitcher Castbox: http://bit.ly/DUST-Castbox iHeart: http://bit.ly/DUST-iHeart About Gunpowder + Sky: Creating content that resonates and impacts pop culture conversation, by empowering creators to take risks and experiment relentlessly in the pursuit of novel stories and formats. https://www.youtube.com/watchdust

[digitaltoolsblog]

#amazon Enjoy The Lord of the Rings: The Rings of Power and other Amazon Originals, popular movies, and hit TV shows — all available with your Prime membership.

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#imdbtv Stop scrolling and start watching. Play quick games to get great picks with the IMDb What to Watch app, available now on Fire TV.

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[outcider]

Dat tagline

[daphenalexfan]

Dive into the captivating world of Daphne Alexander on IMDb! 🌟 Multilingual actress, storyteller extraordinaire. Explore her diverse roles and cinematic journey.

[jaqenhgharyastark]

Another thing I loved about Alex Rider Season 2 was the comedic parts we didn’t have in Season 1. Alex being a little shit in the lift after hunting down Blunt. The two coffee shop interactions with Smithers: him peering so obviously through a sparse tree and suddenly appearing around someone else when Smithers calls him out. Just additional levels of some physical comedy *chefs kiss* I loved it.

[mortaljortlebortles]

My leverage pronoun table feel free to add or correct and stuff- or do your own. But if you do your own tag me I want to see. X

( forgot to add claustrophobia to Elliot, William’s death and trust issues to Sophie’s, Alec’s trauma and Nate’s control issues. Also Parker’s psychosis involves lack of ability to tell reality from fiction-fear of conspiracy theories and thinking Sophie was dead- auditory hallucinations and paranoid delusions -believing Sophie hates her without reason and feeling under constant threat-.

James also struggles to express his emotions which leads to him becoming more controlling and needing to win to express it all

[herroyalbubbliness]

Leverage: Redemption

E9-E16

Photo Credit: IG @leverageredemption

Is it just me or the jobs in this second part felt even more intimate?

We really explore 'redemption' deeper in these episodes and I was totally here for it.

Breanna helping people who had been undervalued and helped bring their original ideas to life.

"Never define love by its length. Only by its depth."

I loved that Sophie bonded with the Jackal over their greatest scores and at least one of them got to be reunited with her greatest score. A true gift indeed.

Our Mr. Wilson bonding with and helping a young lawyer remember and stay grounded in her true purpose and passion before it got corrupted.

You know there will always be people that don't believe you can change even when you are already doing the work, you've got to stand firm. And having people that keep us grounded really helps a lot. The crew really helped our Mr. Wilson. It is what they do for one another really. Holding one another's hands and not allowing anyone to slip.

You never feel alone because there is at least one person that will understand what you're going through.

The character development in this show is so beautiful to watch.

I really enjoyed the conversations between Elliot and Parker expressing their feelings and of course, I always enjoy their banter. Elliot thinking he can't be happy because bad things still happen to good people and Parker scared that he will leave.

I have to say one of the things I love most about leverage is watching characters you genuinely care about being good at what they do, helping people and feeling fulfilled. That's what I aspire to for myself.

"...the single smartest thing we can do is to ask for help." All you have to do is ask- this is family.

The power play in the conversation between Sophie and Bligh giving a play-by-play of the unfolding of the event in real time was a true theatrical experience. I agree with her, this really is her stage!

Looks like some members may be ready to move on and I feel Sophie calling him 'Harry' to him alone, unlocked a deeper level of intimacy in their relationship whatever that relationship may be or not be, my lips are sealed.

I thought we lost a member of the family too! And look who came back! Hahahaha I should have connected it sooner, only one person could be blocking my baby girl Breanna's codes that she would recognise, because of course she is that good! What was I thinking? This family is forever.

[nvmimboring]

" Hope is a good thing, maybe the best of things. And no good thing ever dies. "

- Shawshank Redemption (1994).