#I've wanted to make this post for SO LONG but it's a very common thing in a lot of fics that I otherwise REALLY LIKE

[abitofboth]

GOD HELLO YES I’M SORRY IVE ONLY JUST SEEN THIS BUT ABSOLUTELY!!!!

I've started to see more welsh!owen popping up in the fandon recently which is making me SO happy!! it's one of my favourite headcannons for him and honestly, at this point, it's cannon in my eyes lmao

it started for me because I'm welsh myself and I hit all my favourite characters with my welshification beam, but aside from that, one glaring reasoning is his name actually! the origins of 'owen' come from the welsh name 'owain' (pronounced oh-wine) which is a pretty common welsh name.

there's a very famous man in welsh history called owain glyndŵr (oh-wine glind-ooh-er) who was the last native welsh person to hold the title the prince of wales, and he was born in 1359 so it's been a pretty long fuckin time since someone welsh has been on the throne (not that I support the monarchy, but it's worth noting because there's a lot of history between the welsh and the english with a lot of animosity between the two nations). all of this to say, owain glyndŵr led a 15 year long revolt to end english rule in wales, which I think is interesting to think about the comparisons of owen going against the world's leading governments with his work with chimera post-fall, even if the contexts are wildly different lmao. (glyndŵr did a lot of other very interesting things in welsh history which is definitely worth a read about)

I also really love the idea that owen was born in and grew up in wales, then later moved to london when he was a young adult. the thought that once he crossed over the border, he was saying goodbye to his old self and signing his life away to the british government and fully stepping into the world of spies. combined with him then going on to dedicate his life to chimera's cause, it's kind of heartbreaking to play with the idea that once he left wales his life was never really ever his own. he just became weapons for other people.

I also have the hc that he taught himself his RP accent. not so much any more, but back in the day many english people looked down on the welsh (look up the 'welsh not' for example) and I feel like owen would have this fear that his welsh accent would hold him back. he worked with/for the most powerful people in the world, he rubbed shoulders with the british government, he wanted to be respected, he wanted to be in a position of influence within the agency: he was not going to get that if he didn't sound like a rich english man. he had to fake his existence in high society and the easiest way was to force the accent out of himself. I like the idea of him involuntarily slipping back into it when his guard is aaaaaaall the way down (namely, when he feels safe with curt. :') )

speaking of, I LOVE the idea of him throwing in welsh words and phrases every now and then. I don't think he'd be fluent, but definitely knows enough to hold conversations with family etc. he absolutely calls curt 'cariad' (love/darling). 'del' is another cute one that can mean pretty/sweetheart that I think he would like using- “ti’n iawn, del?” would mean "you alright, sweetheart?" which HELLO!! is such an owen phrase to me

I also have a separate owen hc that his favourite book is the hobbit, and tolkien was pretty heavily inspired by wales when writing those books!!

and one last thing because I realise I'm word vomiting here: the welsh word 'hiraeth'. there's no direct english translation for this word, but it's essentially the feeling of a deep longing for something, especially for one's home. I think owen's entire being is stained with this feeling. a grief filled homesickness- whether in the context of his actual home, or the home he finds within curt, he goes kind of mad with it. it's even more heartbreaking to think of this feeling immediately after he fell and was left alone with no home to speak of. owies!!

I've sprinkled welsh owen into a few fics I've written in the past and I love seeing it pop up in other people's fics (one I remember and love was written by @considerablecolors with such a lovely subtle detail of owen's first crush being a boy called gethin) and it's just a hc that I really hold near and dear!! I've probably missed things out that I'd love to talk about but this is very much just a stream of whatever came spewing out first. I'd LOVE to read other people's thoughts and headcannons if anyone is willing to share!! <3

owen carvour my welsh king

[charlesemersonwinchesteriii]

Ignore all logistical considerations of "would they ever meet each other under these circumstances". If you don't think Jules Bashir would have chosen to join Starfleet, imagine he is on the station for some other reason, or they meet in some other location.

I wanted to make this poll because I've seen various fics where Garak reassures Julian that far from being upset over him being augmented, Garak is grateful for it, either explicitly because (he thinks) they wouldn't be able to have their usual conversations if it weren't for the augmentations, or simply because he likes Julian "just the way he is" and wouldn't want him to be "different". I disagree that Garak would think like this (or at the very least, I think Julian would react negatively if he did, rather than be reassured), so I wanted to hear everyone else's thoughts.

[britneyshakespeare]

I feel like certain people on Tumblr have really been fighting for backwards progress when it comes to how we talk about mental illness and abuse. I see posts at least several times a week on my dash that seem to have the purpose of implying people with insert-mental-illness and/or insert-symptom are not abusive when they do insert-action-that-makes-people-uncomfortable, often times meaning to promote a more positive image of people with particularly stigmatized conditions, like personality disorders, mood disorders, psychosis, addiction, or neurodivergence. And I really really hate it because these posts almost always have the ultimate purpose of telling people not just "This thing is not inherently abusive," but often it comes across as "You were not abused."

I just find that to be really unhelpful and unintentionally hurtful, and for what? I believe that destigmatizing various mental conditions is a worthy cause, but at the same time this type of rhetoric seems to be so protective of people in whichever stigmatized group they're trying to advocate for, that it comes back around to a sort of respectability politics. Anybody can be an abuser. And someone's means and methods of abusing can very much be influenced by a condition they have. Why wouldn't it be? Their conditions will affect every aspect of their life and their interpersonal relationships. Especially if these issues are going untreated or being insufficiently managed. I don't understand why anyone would want to make it appear as if abusers are mostly neurotypical and mentally well people, or that if they aren't, then their conditions have nothing to do with it and the overlap is merely incidental. What? It makes it so hard for anyone who is a victim to come to terms and identify the dynamics of what they've gone through.

Addicts and mentally ill people don't have to be unproblematic in order to be humanized and accepted. And nobody profits from writing hard and fast rules about how abuse apparently works, drawing clear lines between which behaviors can, and cannot, ever be abuse.

[the-moogle-of-your-nightmares]

i gotta say that i'm grateful for food metaphors because a) they make What Codependency Actually Is way, way easier to explain, and b) they give enough of a buffer to explain said things without delving too much into gory details of one's personal experiences

[monsterfactoryfanfic]

if I've learned anything from grad school it's to check your sources, and this has proven invaluable in the dozens of instances when I've had an MBA-type try to tell me something about finances or leadership. Case in point:

Firefox serves me clickbaity articles through Pocket, which is fine because I like Firefox. But sometimes an article makes me curious. I'm pretty anal about my finances, and I wondered if this article was, as I suspected, total horseshit, or could potentially benefit me and help me get my spending under control. So let's check the article in question.

It mostly seems like common sense. "...track expenses and income for at least a month before setting a budget...How much money do I have or earn? How much do I want to save?" Basic shit like that. But then I get to this section:

This sounds fucking made up to me. And thankfully, they've provided a source to their claim that "research has repeatedly shown" that writing things down changes behavior. First mistake. What research is this?

Forbes, naturally, my #1 source for absolute dogshit fart-sniffing financial schlock. Forbes is the type of website that guy from high school who constantly posts on linkedin trawls daily for little articles like this that make him feel better about refusing to pay for a decent package for his employees' healthcare (I'm from the United States, a barbaric, conflict-ridden country in the throes of civil unrest, so obsessed with violence that its warlords prioritize weapons over universal medical coverage. I digress). Forbes constantly posts shit like this, and I constantly spend my time at leadership seminars debunking poor consultants who get paid to read these claims credulously. Look at this highlighted text. Does it make sense to you that simply writing your financial goals down would result in a 10x increase in your income? Because if it does, let me make you an offer on this sick ass bridge.

Thankfully, Forbes also makes the mistake of citing their sources. Let's check to see where this hyperlink goes:

SidSavara. I've never heard of this site, but the About section tells me that Sid is "a technology leader who empowers teams to grow into their best selves. He is a life-long learner enjoys developing software, leading teams in delivering mission critical projects, playing guitar and watching football and basketball."

That doesn't mean anything. What are his LinkedIn credentials? With the caveat that anyone can lie on Linkedin, Mr. Savara appears to be a Software Engineer. Which is fine! I'm glad software engineers exist! But Sid's got nothing in his professional history which suggests he knows shit about finance. So I'm already pretty skeptical of his website, which is increasingly looking like a personal fart-huffing blog.

The article itself repeats the credulous claim made in the Forbes story earlier, but this time, provides no link for the 3% story. Mr. Savara is smarter than his colleages at Forbes, it's much wiser to just make shit up.

HOWEVER. I am not the first person to have followed this rabbit hole. Because at the very top of this article, there is a disclaimer.

Uh oh!

Sid's been called out before, and in the follow up to this article, he reveals the truth.

You can guess where this is going.

So to go back to the VERY beginning of this post, both Pocket/Good Housekeeping and Forbes failed to do even the most basic of research, taking the wild claim that writing down your budget may increase your income by 10x on good faith and the word of a(n admittedly honest about his shortcomings) software engineer.

Why did I spend 30 minutes to make a tumblr post about this? Mostly to show off how smart I am, but also to remind folks of just how flimsy any claim on the internet can be. Click those links, follow those sources, and when the sources stop linking, ask why.

[ckret2]

So a while ago some friends were talking about fans who claim the Same Coin theory is canon. And I made the mistake of saying:

Do you know who also has tons in common with Bill? Mabel. Yet nobody claims Bill reincarnated as Mabel. …wait now I want a "same coin but it's Mabel" AU. Funniest Bill reincarnation option. The all-seeing arsonist is making macaroni glitter art. The omnipotent tyrant is crying because a unicorn called her a bad person.

And then I overthought it for two months.

So—AU where after death, Bill's soul shoots 13 years into the past and reincarnates as Mabel. I'll call it ✨ Sparkly Coin AU ✨

Don't leave yet. Lemme show you why it works. Behold the eerie amount of parallels in their personalities, dialogue, behavior, mannerisms, tastes...

I could have kept going but my attention span ran out. All right, we all on board now? Convinced we could segue from one personality into the other? Great. Now here's why you should be interested: the juicy post-Weirdmageddon angst potential.

As long as a small fringe of the fandom still thinks Weirdmageddon is Mabel's fault, why not amp that up x100 and have some fun with it?

Is everyone sold now? Great. Let's get into the details. I've got 8 more pieces of art under the read more.

So the AU starts the instant Bill dies. Thanks to invoking his deal with the Axolotl—one way to absolve his crime, a different form, a different time—the Axolotl gives him a new shape and shoots him thirteen years into the past. Apparently, the Axolotl thought it would be very funny to stick Bill in the family that defeated him.

Which probably made for a jarring transition.

(It's fine, she's like 10 minutes old, she probably can't even tell who she's looking at. Not being able to tell who she was looking at is what got her into this situation ayyyy)

When Dipper & Mabel come back from Gravity Falls complaining about this triangular jerk Bill, their parents mention that Dipper's name was nearly Bill. See, after they knew they were going to have a boy, one night their mom dreamed about a visitor—some kind of magic pink salamander??—calling her child "BILL." Then at the next sonogram they found out they were having twins, the girl must've been hidden at a weird angle the first time, and they wanted matching names, so they thought, Bill and Bell. But they didn't really like Bell; but eventually they stumbled on Mabel, so to keep the names matching they switched from Bill to Mason. Isn't that the darnedest thing?

(Of course, Mabel and Dipper assume Bill harassed their parents to try to trick them into naming a kid after him. To be a jerk.)

When Bill meets Mabel, he's unaware that she's his future self—Bill's notably bad at doing things like, say, double-checking to see whether he's going to die anytime soon—but like... he can tell something's up.

Naturally, before visiting Gravity Falls, there were echoes of who Mabel used to be—but nothing anyone would be able to identify without context. All her Bill-ish quirks either smoothed out with time (see: how between second grade and fourth grade Mabel went from being the "freak" to the popular girl in class), or else they were accepted by her family as Mabel-ish quirks.

After they meet (and kill) Bill, they have the context to understand some of Mabel's behaviors... and unfortunately, some of Mabel's latent Bill-ness starts surfacing after she's been directly exposed to her prior incarnation.

The part of the Pines family familiar with Bill thinks the worst case scenario is that maybe Bill's survived and is slowly possessing Mabel; but far more likely, they think this is just some weird way of trying to subconsciously process last summer. Mabel doesn't think she's being weird, you guys are being weird, stop giving her weird looks. They get attacked by one triangle and now she can't wear yellow or pick up macrame as a hobby??

(It's not all red flags and uncomfortable triangle imagery, though. When Stan asks her what she'd like as a gift for some important event, she shyly admits that she thinks she's starting to outgrow her plastic gem jewelry and maybe she's old enough to get her first piece of real gold jewelry, if that's not too expensive? And Stan's never been so proud of her. Thirteen years old and already thinking about buying gold!)

But of course, the real fun starts when Mabel finds out.

That's the face of a girl who's just discovered that she tortured her great uncle. Now imagine running into the brother she possessed.

But I've already spent a million words and thirteen images on this post. If enough folks are interested in the AU maybe I'll expand on it later. Let me know what y'all think.

[fucktoyfelix]

Choking Safety

I've been seeing some kind of scare-mongering type posts going around about choking during sex, so I wanted to address how to approach choking in a safe way. Choking is not a 0 risk activity, but it is also not so dangerous that you will just randomly die either. Anyone who does martial arts will confirm that thousands of teenagers are being successfully trained to choke each other safely (for self defense) every day! There's no reason you can't learn to do it too.

First you should be familiar with some basic anatomy of the neck and throat:

The carotid veins on both sides of the neck and the trachea/windpipe in the center are the most important things to be aware of. If you want to enjoy the psychological element of having someone's hands around your neck with relatively little risk, you can do "choking" play that avoids putting any pressure on those arteries or the trachea. As with all choking play, safety is highest when both parties are fully sober. I'm not actually sure if there are people out there who are into having the windpipe or trachea blocked. This tends to hurt like fuck and cause an autonomic choking response. You'll know if you went too far center because generally the bottom will be like "WTH". I don't know if there is a way to do this play safely or not as I don't have experience with it. It probably carries some risk of the trachea collapsing which would be a hospital trip for sure. Most choking play is done with the intention of cutting off the blood supply to the brain by applying pressure to both the left and right carotid arteries. This type of choking is not really "breath play" because of the way it works (though many people refer to it that way.) This creates a pleasant light headed feeling, but is also where the higher risk comes in. It often doesn't take long for a person to lose consciousness once these arteries are blocked, often less than 10 seconds. Sometimes getting completely choked out is the goal, sometimes not. Either way, the top has to pay very very careful attention to every aspect of their bottom's body language. Once you realize that a person has lost consciousness, the choking must stop immediately. Because of this: the most dangerous way to do this kind of play is alone. (hence all the auto-erotic asphyxiation deaths you hear about) It goes without saying that intoxication also dramatically increases the risks. It's not recommended to lose consciousness this way on a regular basis. It's just not good for your brain to repeatedly go through, especially in rapid succession. Generally, the more time spaced out between this type of play: the better. Though some people may have medical conditions that make the risk higher, as long as you stop choking when you reach the desired headspace, this play is approachable. Anyone who's REALLY into the idea but feels unsure or scared, I highly recommend taking a few martial arts classes. MMA guys do this to each other all the time! For sports! The key is just stopping at the right time. There are two main ways to go about blocking the carotid arteries. The main one used in martial arts and self defense is the rear naked choke.

This type of choke is incredible effective at choking someone out quickly and easily. The forearm and the bicep are squeezing each artery until the desired effect is achieved. The risk here is how quickly it works in combination with not being able to have a visual on your bottom's facial response. When someone loses consciousness they will go limp and begin twitching somewhat. This is normal, and you should stop immediately if you notice those signs. The more common method of choking play during sex is what looks more like typical choking. Facing your partner, using both hands.

You want to find the arteries with both hands, and use the meat at the base of your thumbs to apply gradually increasing pressure upwards towards your partner's head. You can keep the thumbs tucked to avoid accidental pressure on the windpipe. (Though this is not required so long as you remember not to apply pressure to the windpipe.) This type of play has a few safety benefits. First, you can see your partner's face so it's more obvious when you can see they've hit a headspace that is desirable. Additionally, it's just a little more difficult to find the arteries and push up on them correctly. If your goal is to get a little light headed without losing consciousness, this is more easily accomplished with this type of choke. However, losing consciousness is still a risk and both partners being fully alert will ensure the lowest risk environment. I know choking play is incredibly popular, even 'vanilla' people participate in this type of play on a regular basis without really knowing the technical details. Most of them don't get seriously hurt...but knowing what you're actually doing with risky play is a base component of risk aware consensual kink. Anyway I hope people find this helpful! Happy choking!!

[gothwineaunts]

Well hello there, readers!!

So, I have been lurking on our socials and in the webtoon comments of Nevermore's finale episode and have picked up some very subtle hints that y'all want to know when we're going to drop Season 2. Firstly I do want to let all the smarties who guessed we'd come back on Halloween based on our Ulalume quote know that they were onto something. When we originally left that hint for you, we were indeed planning to return in late October, but some unforeseen setbacks over the summer pushed our production schedule back. Still, I wanted to say congratulations for getting the hint right! We were impressed so many of you figured it out.

As for the updated launch of season two? While I don't have a specific date to share yet, I can tell you it'll be in January.

I know, I know. Trust me, I wish it was sooner too. I can't tell you how much Flynn and I miss updating weekly. Y'all make creating this series so exciting for us with your energy and excitement and creativity!! The talent I've seen in this community is off the charts. We feel unspeakably lucky to have readers like you along for the ride, and can't wait for you to see the episodes we've been working on.

If you're new to Flynn and I, it might not be common knowledge that we always do the absolute most all the time, compulsively, without stopping ever (save us, ahahhaa). And let me assure you that the opening episodes of season two? Are very most. A lot of most. Super long. Really, extra pretty. I wish I could post them now but I think webtoon might um. Be upset with me if I did that, so. Just trust me, ok? One thing I can share in th emeantime is some of the S2 character concepts. A few characters are getting minor glow ups. See if you can spot the differences!

Okay, well! We'll see you in January!! Or before, if you hang around our socials. I mean we're not disappearing. We'll be here, just. Plodding along on buffer in the background. If you're dying to spoil yourselves with wip streams you can hit up our patreon but I almost wouldn't recommend it on account of. You'll be so confused, at this point. Lmfao. Like. Wow, it would be a really weird time to join a wip stream with no context. This sounds like a shameless plug but I'm being serious when I say it's probably best you don't hop in at this particular moment?? But I mean. I'm not a cop. I'm just your weird goth wine aunt. 🍷

Cheers, Kit Trace

[astrobydalia]

🐍New year astro observations

first post of 2025, the year of the snake!

– astrobydalia

A thing I've noticed is that degrees can carry some energy from the dignities. For example if you have your Mercury in 21º degree in whatever sign, that mercury can express characteristics of debilitation since that's a sagittarius degree and mercury is debiltated in sagittarius

Aquarius placements, specially venus, appear picky when choosing their friends or people they truly like but honestly I've noticed that all they want is someone who has a personality. Like literally just be your own person and they’ll love seeing how you’re someone with many layers to you. It sounds simple but we live in a society where the instinct is to imitate others to fit in and Aquarius placements like it when you're (genuinely) true to yourself. Does not mean they will make you their bestie cause that depends on each individual but they at least appreciate the authenticity.

^^I remember this Aquarius Venus guy had a crush on me back in college and he once said to me "I like you because you're complicated"😭

Aquarius/11th house placements befriend people who share their political/philosophical/spiritual ideals. I’ve noticed that the people they ghost the most are the ones who don’t share their visions

Mercury rx natives are very good listeners actually. Even if they have the planet in domicile or exaltation, they are very patient when it comes to obsorbing info that's why I've seen this placement is common in "nerds" or book worms. They take their time understanding things and can come across as slow sometimes but they’re just very meticulous.

Capricorn Moons and their “facts don’t care about your feelings” attitude while simultaneously being the most sensitive and emotional person in the room

Something else I've seen with debilitated moons (scorpio/cap moon) is that they tend to have no patience or sympathy for people who seem to have it easy in life in some way. They only seem to respect people who know what it's like to struggle like they have

Virgo Mars natives are low-key misanthropic and/or introverts. They don’t like being around people for too long cause they very easily feel a lot of disdain for others' dumb and nonsense behaviors. It’s like they seem to be so easily exasperated by everything and everyone ​

Also, I’ve noticed Virgo Mars people are the type to stay low profile during conflicts or tense situations, mostly choose flight over fight response. They are surprisingly calm and collected and will find a solution or escape in no time. When they feel threatened and choose to fight tho… they get cold-blooded af

Taurus Venus natives are so POISED and elegant and I say that as a libra venus. You will never see them being messy, they behave with a lot of class always

Venus-Sun conjunction in synastry is actually not so good imo. In a natal chart this is considered a weak aspect for relationships because venus is combust. When we find it in synastry, this means Sun person combusts venus person. At best Venus person almost worships Sun person to their detriment. At worst Venus person feels like sun person is too much and tends to see the sun person as too obnoxious

I also think this is why Sun-Moon conjunction in synastry is overrated. Moon is too soft of a planet and sun feeds off of the moon’s affection while moon becomes attached and drained. I’ve very often seen with this aspect how sun person unknowingly offends or hurts moon person in some way

Also, strong venus synastry between women can manifest as toxic competition, "cat fight" energy

Venus opposite/square Moon is a very phony aspect tbh specially the square. They appear to be way nicer than they actually are

I've noticed men with Leo placements tend to be pretty sexist and openly defend traditional gender roles or patriarchy values. The instinct of Leo men is to be the 'king', the leader and Alpha just like actual lions. However if they also have strong feminine energy in their chart such as major water and earth energy they tend to show more benevolent sexism or chivalry behavior

Gemini placements will immediately like you if you are someone who is open to chill chats with them and you overall make them feel like they can freely rant to you about random stuff

Cancers are very infantilized but imo they are the least naive and most intelligent out of all the water signs. Cancer Moons in particular I've noticed can actually have a very accurate and impartial intuition. Cancer Moons have this ability to just understand and accept people's feelings, intentions and situations exactly for what they are without any judgement which makes them VERY intelligent people. Idk I’ve just seen cancer moons are actually the most level-headed out of all water moons

Leo Venus honestly give me huge pick-me vibes and low-key have the personality of a spoiled brat fr. I've seen ppl with this placement be a lil to obsessed with getting sexual attention and being the most desirable person in the room

honestly I've noticed that the people I genuenly get along with the best in the long run are people I have 1st house synastry with. There's something about 1st house synastry that feels SO uplifting and refreshing like there's this spark everytime you see or are with this person and you just naturally get eachother's vibe

That said, 7th house synastry is a bit overrated imo. Again, not saying it is bad but this is the house of open enemies as well as partnerships. 7th house represents parts of yourself you have a hard time accessing and that's why you attract people with this energy. Therefore 7th house synastry often creates love-hate dynamics, cause it's like yeah you like the person on a surface level but there's always some hidden 'BUT' bc they low-key embody the exact opposite of what you identify (1st house)

6th house synastry is very common in people that dislike each other, specially the house person disliking the planets person

Virgo placements are STARVED for validation like no other sign but they hide this well cause they don't wanna appear desperate. They tend to carry this teachers pet behavior to all sorts of aspects of their life hence the trope of virgo being obedient or goodie-two-shoes

I need to ask Capricorn Mars people: when do y’all sleep? Every single minute of these people’s lives is occupied with some activity, be that work or leisure. And funny thing is they never seem to be overwhelmed or tired at all, in fact the more they do the more energized they seem to be

Something else I’ve noticed with Capricorn Mars is that they tend to have a very bold and obnoxious personality. Even if they are more introverted, they tend to be a little too direct to the point where they can come across as rude, insensitive and power-hungry. But at the same time this makes them appear competent and confident and a lot of ppl like that about them

Scorpio Juno natives tend to be very opportunistic and greedy when it comes to business. Sometimes to the point of having questionable work ethic sometimes. Overall this is a major placement for indicating talent in business or finance and making a lot of money

Libra Venus natives have a wondering eye definitely. What makes them start to consider someone as a potential partner is looks first and foremost, the rest comes later lol

I once saw an observation that said “gemini placements want you to listen to them but they won’t listen to you” and let me tell you this is a FACT. Talking with a Gemini placement feels like they’re just brain dumping stuff on you💀💀Love you guys tho

Libra loves to flex their wealth, achievements and status a lot more than Capricorn/Scorpio/Leo

Capricorn placements are naturally good educators and they honestly give me influencer energy low-key. They just naturally have this trustworthy and competent energy that when they lean into guiding and teaching people in some way they really excel and attract success the most

Venus-Venus synastry >>>>>> Venus-Mars synastry. With Venus-Venus aspects (even harsh ones) there’s a natural desire to bond/come together with this person in some way no matter what, so the attraction is most of the time mutual and very lasting. You also just naturally like each other and genuinely enjoy each other’s presence. If the relationship is sexual then the sex is just as good if not better than with Mars cause Venus rules pleasure and you’ll both want to please each other while Mars tends to be more self-serving sexually

This is not to say Venus-Mars aspects in synastry are bad, they definitely can create nice bond, chemistry and all of that. But Venus and Mars have opposing natures which can create strong attraction and irresistible pull because they compliment each other but at the same time it can also manifest as mismatching dynamics in the relationship where you aren't always in the same page, specially with harsh aspects. Just my opinion tho.

I know I've said this before but I wanna reiterate that Mars in the 7th house synastry does not reap good results in the long run as per my observation. Its giving friends-to-enemies or lovers-to-enemies energy. There's this feeling of instantly clicking with this person but very soon becomes evident that the two people have conflicting drives and desires which creates a LOT of tensions and unspoken competition/resentment. I've noticed it creates a dynamic where eventually one or both but specially the mars person in particular ends up resenting the house person

I’ve also talked about this before but I just keep observing that Moon-Saturn conjunction often appear to be very thoughtful, mature and kind because they’re very calm and observant of others but you very quickly notice that they actually seem to be completely and genuinely apathetic towards others’ emotions fr. They are aware of people's feelings and can actually understand them fairly well but it's like they observe them from an outside perspective like they're studying others rather than getting emotionally involved with them in an empathetic way. This behavior can have its positives but honestly for the most part I've seen that it makes the natives pretty shady and two-faced due to the strategic nature of Saturn. People with this aspect can play double agent exceptionally well

The most short-tempered mars sign as per my observation is Taurus Mars hands down. They're moody and unpredictable af.

Gemini Mars people have this oddly calm and aloof energy to them where they look like they’re only two sentences away from sending you to the therapist if you upset them in the slightest (they scare me)

I’ve noticed it’s actually Aries and Aquarius placements who love the enemies to lovers trope. Aries is the type to enjoy playful bullying or little dramatic arguments while Aquarius is more about the cat and mouse dynamic, flirting while acting uninterested and things like that. I've noticed they both love this vibe of almost daring the other person and feeling intrigued.

Speaking of, Aries Venus people confuse the shit out of me cause you gotta be a lil bit of an ice queen in order for them to like you😭 And they themselves act in ways that you'd think they hate you and wanna piss you off or create tension but they're just teasing, they wanna see what you're made of. That's why I said they "lack charisma" not because they don't have any but cause they have a very specific charm that can very often rub a lot of people the wrong way (cause it goes against venus' universally plesant nature), same with the other debilitated Venus positions

Gemini moons 🤝 being emotionally unavailable.

Gemini placements 🤝​ being forgetful AS FUCK. Not so much if they also have taurus placements tho

Something I've seen in a loooooot in the synastry of those married couples where the man is head over heels obsessed with his wife is the man's Lilith conjunct the woman's inner placements or angles SPECIALLY her ASC or Venus. She is his weakness and it's that kind of relationships where he can't take his eyes (and hands) off of her and he is fiercely determined to make her his

Something else I've seen in the synastry of married couples is the man's mars falling on the woman's 4th house. He wants to protect her and start a family with her

Aquarius ASC in the composite chart gives off HUGE situationship vibes frrr. I've noticed that couples who have this tend to fully act like they're in a relationship but if you ask them if they're dating they'll tell you they aren't cause they never made anything official. This is the type of connection where they've been together for years but it is uncertain where there relationship is going long-term, nothing's ever officialized or set in stone (Cap 12th house) kinda like "yeah idk one day we'll get married I guess who knows"

astrobydalia

[iveleftitwithyou]

casual | paul lahote x reader smut

NSFW | 18+ | minors DNI | word count: 2.38k

warnings: smut, dom!paul, slight angst, mention of fighting, i think that's it?

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i asked you guys if i should post this now or incorporate it into ruderal, and the result was overwhelmingly to post it now, so here it is with some plot adjustments! i've been OBSESSED with this song by chappell roan and knew i needed to make it into an imagine, although this song is probably about a woman lol. highly recommend listening to the song as you read this. this is my first time EVER writing smut so i hope its not too bad - as always, let me know what you think :)

ALSO this is in an alternate timeline where the guys are all like 21+ and so is y/n :)

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Paul’s hand lingered on your thigh as he drove the winding road back to Forks, his thumb rubbing small circles on your outer leg. the radio hummed with a song you couldn’t manage to pay attention to, instead focusing your gaze on the motion of his finger on your bare thigh. while you assumed the gesture was meant to comfort you, it did a lot more than that. you hoped that the darkness would obscure Paul’s peripheral vision enough for him to not realize you were ogling his muscular arms and unusually large hands. his veins protruded in a way that drove you crazy for some reason, and as much as you were still upset with him, you couldn’t help the rush of hormones that flooded at the sight.

Embry had made some stupid joke about you at the bonfire at Emily's that night, a common occurrence when you hung out with the pack. he didn’t mean anything by it, you joked around with each other like that all the time, but Paul had been extra sensitive for the last few weeks as he spent more hours on patrol. Victoria’s looming presence and the mystery murders happening around Washington meant the reservation needed increased protection, and the men in the pack had to step up. Embry’s comment led to a fight where the pair both phased, snarling and snapping until they both came to their senses and things went back to normal. you hated when Paul shifted because of you, even if it was just indirectly your fault like it was tonight. 

you two were meant to be casual, despite Paul having imprinted on you, as you had just gotten out of a long-term relationship and weren’t ready to commit to someone again. you’d been seeing each other casually for months, hanging out, and getting to know each other better. as much as you were hesitant to let him into your life completely, you couldn’t deny your attraction to Paul. he’d been nothing but a gentleman thus far, bringing you flowers on dates, opening doors for you, and following your boundaries to a T, terrified to mess anything up with you. of course, his physical form was unlike anything you’d ever seen - you were lucky that he preferred to hang out without a shirt on. things had gotten hot and heavy between you two a few times but hadn’t gone farther than some very intense making out. though, the way Paul’s hand touched you now was enough for you to throw those boundaries out the window; you wanted him - no, needed him.

you focused your eyes back on the road in front of you, only being able to see as far as the truck’s dim headlights illuminated. breathe in, breathe out, you reminded yourself, trying to calm down the butterflies in your stomach. you were unsuccessful, and it didn’t help that Paul’s hand was inching closer and closer to your hips.

suddenly, his hand snaked further inward and his grip tightened, engulfing your inner thigh. your breath hitched, and you unsuccessfully tried to mask it as a cough. you saw Paul smirk out of the corner of your eye, but he didn’t look over at you. 

you once again reminded yourself to breathe as the ache between your legs became more apparent. his hand loosened its grip and continued its journey towards your core. half of you thought about stopping him purely as punishment for fighting with Embry, but the much louder other half wouldn’t dream of it right now.

you couldn’t help but let out a small groan as his hand finally reached your jean shorts, his fingers tracing the seam that ran between your legs. the slight pressure he applied drove you absolutely crazy as you wished for more friction.

the sound that escaped your lips seemed to do something to Paul as he let out a breathy groan of his own. “alright, that’s it,” he mumbled, turning the wheel toward the side of the road. he must have known exactly where you were because he easily pulled the truck behind a set of bushes that obscured most of it from the road. any passerbys, which were few and far between at this time of night anyway, wouldn’t notice the vehicle.

almost as soon as he slammed the gear shift into park, his lips were on yours. he kissed you with a passion you’d never felt before. you melted into his lips, reminding yourself for the third time that night that if you didn’t start breathing, you would pass out. he gripped the back of your head, tangling his fingers in your hair as you continued to make out. his other hand traveled down your arm, to your hip, and unbuckled the seatbelt you’d been wearing. in one swift, but slightly awkward motion, he disconnected your lips for a brief moment and grabbed each side of your hips, pulling you across the center console onto his lap. you were careful not to lean too far and hit the horn with your back as you settled onto him, silently thanking Paul for owning such a spacious truck. your knees settled on either side of his legs. 

as you sat down on his lap, you brushed his hardening length with the same seam of your shorts his hand was just on, eliciting a quiet moan from both of you. impatient, Paul once again gripped your scalp and slammed your lips together. you allowed your hands to slip underneath the hem of his shirt, feeling the outline of the muscles on his bare abdomen. this feeling, combined with the warmth radiating from his bare skin, drove you insane. 

“take- it- off-” you mumbled in between kisses, tugging the hem upwards. you were unsure of where the forwardness came from, but you didn’t stop long enough to be embarrassed. 

“you don’t get to tell me what to do,” he snarked half-jokingly but obliged.

the moonlight streaming in from the windshield was just enough for you to be able to see the outline of his pecs and abs, and you really couldn’t help but stare.

“like what you see?” he chuckled, noticing your eyes widening at his physique.

you nodded, unable to form words, instead opting to smash your lips back together with all of the strength you could muster. you’d had enough of looking flustered - you wanted to take initiative.

you raised your hips again, pushing your abdomen against Paul's and lowering yourself onto his member. you rocked your hips back and forth as he moved his lips down your cheek, then your jaw, and eventually to your neck. the friction as you continued to grind against him elicited a low growl against your neck as his lips attached to your skin. you moaned embarrassingly loudly as he sucked at the delicate skin, but you couldn’t find it in yourself to be sheepish. in fact, the only emotion surging through your body right now was pure desire for the god-like man leaving a series of hickeys on your neck.

“Paul, that’s gonna leave a mark,” you whined. you knew you’d regret letting him do it in the morning but right now you wanted nothing more than for him to mark you as his. you wanted to be his.

“don’t want anyone else getting any ideas. you’re all mine,” he retorted, lifting his head up to look you in the eyes. his were almost completely black with lust. “say it.” he commanded, holding your jaw tightly in his hand. “say you’re mine.”

“i’m all yours, Paul” you panted, your hips continuing to move back and forth on Paul’s lap as you stared into his dark eyes. despite your relationship still being undefined, truer words had never been spoken.

“good girl. now shut the fuck up and get back in the passenger seat.” his harsh words did nothing to discourage you from obeying as you scrambled to sit back where you were a few minutes prior. this was a side of Paul you had only seen when he was angry: dark, commanding, dominating. usually, you would have to try to calm him down when he got like this, but right now, you were very much enjoying him telling you what to do. you already missed the warmth of his body on yours as you climbed back over to the other seat, but you instinctually knew better than to voice your complaints right now.

Paul leaned across the console, reaching his hand between your knees and under the seat to move it back as far as it would go. once he was satisfied with that, he reached across your lap and pulled the reclining handle, his other hand helping to lower the seat back slowly so you weren’t sent flying backward.

“scooch back” he ordered again, and you moved your hips backward on the seat, supporting yourself with your elbows on the very edge of the seat near the headrest.

you were confused as he opened the driver-side door and hopped out of the truck. you watched as he opened the passenger-side door, it becoming clear now what his plan was. you pulled your knees towards your chest as he climbed back in, kneeling on the floor mat in front of you. god damn, this truck was spacious, and you were incredibly grateful for that right now.

his large hands fumbled to unbutton your shorts. he pulled the zipper down and you lifted your hips, followed by your legs, so he could slide them off. not wanting to wait another second, he pulled your underwear to the side and connected his thumb to your clit. you let out a loud gasp at the sensation and he chuckled proudly, knowing how good he was making you feel. Paul rubbed small, tight circles on the sensitive nub for a few seconds before you felt a finger dip into your wet folds. a guttural moan escaped your throat as you finally got the sensation you had been waiting for since his hand had rested on your thigh earlier in the night.

he added a second finger shortly after and continued to pump in and out of your heat, his thumb continuing its circular motions on your clit. you could feel your orgasm building inside of your core, and it was almost euphoric knowing it was Paul making you feel like this.

“Paul, i’m gonna-” you moaned, getting close to the edge. “what the fuck?” he’d removed his fingers altogether upon hearing this and you were not happy about it. 

“patience, princess.” he chuckled, making eye contact with you once again as he raised his fingers to his mouth to taste you on them. you were still pissed at him for teasing you like that, but the sound he made as he licked your wetness off himself almost made it worth it. almost.

“let’s take these off, shall we? or should i rip them off?” his fingers slipped under the waistband of your underwear.

“don’t you dare,” the one rational brain cell you had left replied, lifting your hips for him to slide them off like he did the shorts. you liked this pair. Paul held your hips back down as he spread your legs open, leaning his torso over the seat until you could feel his breath between your legs, amplified by the wetness that had come with the teasing.

“god, you look so fucking good” he took a second to admire the sight before him before he groaned lustfully and connected his tongue to your cunt. he made quick work of finding all the right spots to hit, causing your legs to tremble and your eyes to roll back in your head. at this rate, you wouldn’t last long, but you never wanted this moment to end.

“oh, fuck,” you moaned as he continued to circle the sensitive nub with his tongue. you had never felt this connected to someone before, not any of your exes. no one had ever made you feel as good as Paul was in this moment. as he continued the motions of his tongue, you realized Paul was perfect for you in every way, including this one. it was like pre-nut clarity.

you felt the pressure building up again, somehow even stronger than last time, unable to contain your moans. “fuck, Paul, i’m gonna cum” you groaned, arching your back against the seat as Paul continued to hold your hips down harshly against it. you figured there would be bruises there tomorrow, and the thought of him marking you up even more only exacerbated your growing orgasm.

“cum for me, princess” Paul mumbled against your clit, giving you permission to let go. it only took a couple more swipes for you to come completely unglued against his mouth.

Paul gradually slowed down his motions, guiding you through your orgasm as your hips attempted to buck against his face, craving the stimulation. eventually, your brain started to function again, and the first thing you thought was that that was definitely the best orgasm you’d ever had. you couldn’t tell Paul that, though - it would boost his ego way too much, and he already had a huge one to begin with. the second thought that went through your head was that you were ready for Paul to be your boyfriend. no man could eat you out that good and get away from you.

he admired his work as you panted in front of him, a smirk of pride on his face. he loved knowing he was the one who made you feel so good. he raised himself up on his knees to hover over you, one arm resting on the seat to support himself as the other snaked behind your back to pull you to his chest. you wrapped your arms around his back, settling your face in the crook of his neck. your breaths were soon in time with each other, basking in the body heat radiating from the both of you.

you could have stayed like that forever, but after a few minutes, Paul pulled back slightly to look you in the eyes. he seemed deep in thought before he smiled and opened his mouth to ask you a simple question: “is it casual now?”

------

part 2 here :)

[tetedurfarm]

get started in meat rabbits masterpost!

yesterday i accidentally hijacked a friend's post and got way more engagement than i expected, which is both amazing and exhausting. so today i present to you: a big post full of resources and answers to the most common questions i've been getting! please refer to this now before dming me with questions <3

information below the cut!

why rabbits?

because they're one of (and in my opinion, THE,) best small-scale meat animal out there. they are relatively small, extremely quiet, can live in cages and therefore do not take up much space, and have a higher feed conversion rate (meaning they make more meat per lb of feed) than chickens, and their poop is AMAZING for gardening! in the footprint of a washer and dryer you can have a trio of breeding animals and space for growing out their litters if you use stacking cages. you just can't beat that.

what do they taste like?

like chicken or turkey. domestic rabbit meat is a very mild, white meat, and can be substituted for chicken in almost every meal. most of my rabbit i grind into mince and use it in place of ground beef. my rabbits, at least, get enough fat to make it unnecessary to cut the mince with pork or beef fat, so even the burgers are really juicy!

will you sell me some meat?

unfortunately in the state of washington it is illegal to sell meat that has been processed at home. at best i could sell you a whole rabbit but you'd have to butcher it yourself.

how much do they cost?

this depends heavily on where you live, though imo they have a fairly low upfront cost relative to other livestock. your biggest upfront expensive will be cages, though you can find good deals on cages and other equipment at livestock auctions/swaps and craiglist/kijiji/similar. the rabbits themselves can be anywhere from free to $100+, though i personally would not pay more than $30-$35 USD for a meat animal (but again, your average prices may vary.) after that, it's all in the price of feed.

feed costs vary from area to area and brand to brand - generally a locally milled feed will be a bit more cost-effective but they can also be lower quality so do your research. depending on your area, you can also feed rabbits partially or even completely on forage or pasture, just make sure you keep an eye on your parasite loads and weights to ensure they are eating enough.

this is a good site that discusses rabbit safe forage: https://riseandshinerabbitry.com/2012/02/26/safe-food-list-for-rabbits/

and this is a good site discussing hay: https://hoppyharlequinsrabbitry.weebly.com/hay-chart.html

this page is focused on other larger livestock but is a decent basic rundown on reading a feed lablel: https://s3.wp.wsu.edu/uploads/sites/2070/2023/03/FS138E_Reading-a-Feed-Tag.pdf

and a basic overview of rabbit nutrition: https://www.merckvetmanual.com/exotic-and-laboratory-animals/rabbits/nutrition-of-rabbits#Pelleted-Diets_v54343534

i do not personally believe that feeding hay is necessary for rabbits to be healthy, which is contrary to what most of you may have heard from online sources. we'll talk about that in a minute. all commercially-available pelleted rabbit feets are made with hay, and the 'long-stem' thing you read about is based on studies in ruminant animals that DO need a 'grass mat' to digest properly...but rabbits are not ruminants. they chew up their hay into fine dust, which is basically what pellets are anyway.

what other equipment do i need?

obviously, your first step should be cages. i prefer cages that are either 24x24 or 30x30 inches depending on the size of the rabbit. you generally want a cage big enough for the animal to lay flat on its belly with its legs out and not touch at least one of the sides (i prefer them to be able to touch none,) and tall enough that they can sit up comfortably. i like to err on the side of larger for breeding does, since their nestbox will take up floor space for a few weeks, and the kits need room to run around and grow before they are weaned. weaned kits need a larger cage or hutch to grow out in until they are eating size.

these cages can be wire bottomed or solid bottomed, just be aware of the hygiene differences between these styles of cages. wire cages are not evil, and will not harm a rabbit's feet provided it has proper density of fur. you can avoid foot problems by buying and breeding rabbits with well-furred feet.

other necessary equipment includes: feeders (j-feefers or pro-b feeders are my favourites), some way to provide water such as bottles, crocks, or an automatic watering system, a hay rack if you want to provide hay, grooming tools such as combs and brushes (if applicable; most rabbits will not need much grooming,) nail clippers, a first-aid kit containing things such as scissors, vet wrap, antibiotic gels and drops, saline solution, fenbendazole (brand name panacur, a dewormer,) gas medications such as simethicone/gas-x, critical care (a specially formulated powdered feed that you can mix into a gruel and syringe feed rabbits that won't eat on their own,) probiotic powder, electrolyte powder, and of course, toys!

make sure any provided toys are edible (so avoid plastic,) and will not get turned into mush and cause dirty mats in the cage when peed on. toilet paper and paper towel tubes are great, as are just chunks of untreated lumber offcuts, wooden baby blocks, or soda boxes. if you have some splurging money, bird toy websites like abirdtoy.com have amazing selections of things that rabbits love destroying. i recommend the refillable skewers!

what about vet care?

this is a fairly divisive topic. most vets do not know much about rabbits, and those that do are typically operating on outdated or simply untrue information that aligns with animal rights groups. therefore, a lot of meat and show breeders do not trust or use vets unless the situations are dire or there is disease testing to be done, and then generally we'll go to our state's ag exstension or college lab. i don't want to come off as anti-vet, i am far from it. but i and most people i know have not had good experiences with vets treating rabbits.

in general, exotic animal vet care (and yes, rabbits are considered exotic pets,) is extremely cost-prohibitive in general, much less when you have multiple animals. like most farmers, rabbit breeders typically handle basic medical situations ourselves.

medirabbit is a great resource for rabbit medical information including illnesses and medication dosages: https://www.medirabbit.com/

how many rabbits do i need?

the average litter size is between 5 and 8 kits, and rabbits can breed montly (though i recommend giving the girls breaks between litters depending on how they kept condition.) a trio of one buck and two does can produce a very good amount of meat for a one or two person household. my spouse and i lived on five or six litters a year for a very long time, using rabbit as our primary meat source!

do they need friends?

no. despite what house rabbit circles tell you, rabbits do NOT need companions and in fact having cagemates can stress them out unnecessarily. rabbits live in warrens in the wild, yes, but that is a survival tactic and the warrens are usually very violent and only work because they can run away when they need to. in capitivity, rabbits that are cohabitated can and commonly will KILL one another. it is much safer and less stressful to keep rabbits in their own spaces. i promise they won't mind.

rabbit colonies, where they are raised together in more 'natural' systems, are becoming very popular with homesteading circles but you should not jump into colonies as your first way to keep rabbits. they require just as much if not even more time and effort to manage than your typical cage setup. plus, you have to have the space to do that, which not everyone has.

can you help me find rabbits?

maybe! if you live in the united states and are comfortable sharing your local craigslist, i can take a look and link you to any rabbits or equipment i think would be worth your time. if you are local to me in western washington's i-5 corridor counties, i may have rabbits i can sell you for the price of feed and gas, but that depends on availability. if you are on the olympic peninsula in kitsam, jefferson, or clallam counties, hit up my buddy ren @buttonbuckfarm for similar services.

arent't they really fragile?

yes and no. rabbits are prey animals with an extremely specialised digestive system. if you are familiar with horses...same deal. if a rabbit stops eating, it will die, and they love bloating/colicking just like horses. there are also a few diseases that are common in rabbits that you should keep an eye out for, especially if you pasture or forage raise.

that being said, rabbits are not made of glass. you can flip them, you can poke them, prod them, put them in a car, drive them across the country, and squish them into weird shapes on a show table. as long as you take precautions during stressful situations and desensitise them to things like handling and transport early, they're shockingly physically hardy despite their sensitive guts.

i'm scared to kill them...what if i mess up?

it's perfectly understandable to fear the end of the process of raising rabbits. and accidents do happen. slaughter is a skill that must be practiced, and maybe you can take solace in knowing that we have all messed one up at some point or another. when this happens, the only thing you can do is try again as quickly as you can until you can confirm the animal is dead. and then take a minute to decompress.

it comes easy to me, but i know that is not true for everyone. but i am a firm believer that if you are going to eat meat, you should know where it comes from and how it gets to your plate. the best thing we can do for our food is to give it a wonderful life, kill as kindly as we can, and use as much of it as we are able.

here is the AVMA's list of approved humane slaughter methods: https://www.avma.org/sites/default/files/2020-02/Guidelines-on-Euthanasia-2020.pdf

and you can find pretty good videos of the various methods demonstrated on rabbits specifically on youtube:

broomstick, choke chain, bunny ballista, hopper popper

please be aware that the above videos show animals being killed. though if you are reading this i imagine you are prepared to see that.

how do i process them once they're dead?

this is another one you can find pretty good videos of online. visiting a local rabbit show may get you in contact with someone willing to teach you in person, as well!

i am working on a big project website that is basically all i think you should know about raising rabbits, which will include detailed slaughter, skinning, and butchering videos, though as of now these are not available. i plan to have this project at least usably done by the end of the year!

ok so what's the thing with pet owners vs breeders

you may have noticed that i've been doing some 'as you may have heard' debunking in this post. that's because there is a very huge divide between the beliefs and practices of pet rabbit owners versus show and meat breeders and owners. why? well, that's complicated, but the big bad evil guy that is the first place to point at is the House Rabbit Society, or HRS.

the house rabbit society is basically rabbit PETA. i am not joking. here is a big masterpost on all their bullshittery: https://www.tumblr.com/o-i-have-too/185596917579/a-masterpost-of-house-rabbit-society-bullshit

i know this comes off as me having an agenda, and i guess i can't say that i don't, but i believe that the HRS' rules and rhetoric are not just wrong they are actively dangerous to follow. i have owned rabbits for nearly a decade and have produced more somewhere in the 1,500 range of animals in that time. i have owned a LOT of rabbits and have experienced all the different ways they can thrive and die and have done a lot of experimenting to find what works. just about everything the HRS says about caring for rabbits is blatantly false according to my experience. proper wire cage floors do not destroy feet. rabbits do not need hay if they eat a good pelleted diet. pellets are not evil or 'fattening' or the main cause of stasis. rabbits do not need leafy greens or veggies. rabbits do not need to be bonded. they are perfectly happy living alone, in cages. flipping a rabbit is not torture and is in fact sometimes necessary for many reasons. meat and show breeders are generally not contributing to the 'overpopulation' problem - if we don't want an animal most of us just eat them. breeding for meat is not evil if it's done appropriately and they are killed humanely.

unfortunately the HRS won the google SEO game and so their website and the sites of others that believe their rhetoric are the only thing that comes up on the first pages of search results. i'm not saying you have to blindly trust me, but i have the experience, and the combined experience of many of my peers both online and offline, that says that basically everything they believe in and preach is just...not true.

anyway that's it, hope this answers most of your questions! i may add to this in the future depending on what other questions i may get. stay tuned for updates on my website project and in general more farm content, rabbit and otherwise :)

[fatesundress]

⭑ for the love that used to be here. tom riddle x reader

summary. you and tom are the only muggle-borns in slytherin, until one day he isn’t.

tags. angst, afab reader who is referred to as a witch a few times and rooms with girls but i don't think i ever use she/her pronouns or say the word girl/woman, biggest warning is that this is SO long (idk what compelled me to write a year 1 – post-hogwarts fic but here we are twenty thousand damn words later), blood purity and bigotry, dumbledore is greatly offended by the bonding of two orphans until he can capitalise on it, frequent wwii mentions (specifically the blitz), book clerk tom, MURDERER TOM… ministry reader, kissing, smut once they’re 21/22 May all the minors in the room exit at once, more angst, sad ending kinda, me spreading a very personal and very nefarious tom riddle agenda that is canon to ME but probably only like two other people

note. i need a shower and an exorcism after writing this shit. i'm exhausted. i don't even remember half of it. but i'm also SO stoked, this is my little (very large, frankly) 100 followers celebration! i've only been on here for about a month and the love has been so crazy so thank you mwah mwah mwah ♡

word count. 21.8k (i know... i KNOW)

You learn quickly that your shade of green is not the same as theirs. The rest of them are emeralds, even at that age — they glitter with their parent’s polish. You are flotsam, sea-sick, envy green; the putrid boiling stuff that brews in your cauldron when you look away for a second too long, and, really, it’s more of a stain than a colour at all. There is a fraction of a second where you find something powerful in that. You are not an easy thing to remove. And then it’s gone, because they want to so badly.

You learn, with a bit less tact, that you doesn’t actually mean just you; that it’s you and him whether you like it or not.

He evidently does not.

“It has to be completely fine,” Tom says to you in Potions, his voice small then but just as practised.

You narrow your eyes. “‘Scuse me?”

“I said the powder has to be completely fine.”

“I heard you completely fine. I know how to read.”

He stares blankly at you before returning to his own station, and that’s that.

It isn’t unheard of for muggle-borns to be sorted into Slytherin, so you’ve been told, but one glance around your common room and you can see it’s pretty damn rare.

There’s Tom Riddle, there’s you, and there’s a seventh-year girl whose knuckles are always white like she’s spent so long with her hands balled into fists that they don’t know how to do anything else. Tom Riddle is a prat, the girl is too old and unapproachable even if she wasn’t, and you are very good at being alone.

That decides it. Flotsam still floats.

Everything is — fine. It’s fine for months; you have no one and need no one and sometimes you catch a jinx in the back of Charms that zips your mouth shut or bends a foot the wrong way (a cruel reminder of how much more these people know than you) and your broom occasionally pivots so sharply the Flying professor has to stop you from careening into a wall and breaking enough bones for a week’s worth of Skele-Gro, but it’s fine. 

…It’s just that he’s insufferable.

The boy is eleven years old and he speaks like he’s stealing glances at an invisible lexicon between every word, more refined than any of the orphans you grew up with which makes you wonder which sort he’s surrounded by, and you take it upon yourself to theorise in passing if you could ever scare him badly enough his real voice would slip and he might just appear human for once.

Only it becomes clear when you’re stirring awake in the Hospital Wing after a mysterious bout of dragon pox (conveniently, all the pureblood children developed an immunity after catching it young) has rendered you bed-ridden and pockmarked, that you don’t think anything can scare Tom Riddle. He’s suffering just as well in the bed beside yours to keep the contagion to the two of you, and he’s all cold, eddied rage under sallow skin and beetling bones. 

“They’re going to kill you,” he says after three days of silence, when the room is dusted in moonlight so thin it’s like squinting through cinema noise or mohair fluff to try to see him.

You blink at the vague shape of him. “What?”

“If you don’t hurt them back, eventually, they’ll just kill you.”

In hindsight, it’s an assumption so hastily bleak only a scared child could make it.

I want to hurt them, you try to say, but for what follows you cannot: I want to hurt them but I’m not good enough to do it.

You roll over and pretend to sleep, and in the morning, you hurt them anyway.

It’s Avery who’s unlucky enough to be the first to test you when you’re three assignments behind in Transfiguration, still a bit groggy from your last dose of Gorsemoor Elixir, and actually, physically green. He tugs your hair and stings your cheek with the promise of “bringing a bit of colour back to your face” and it’s sort of funny how banal it is compared to the other transgressions you’ve been dealt — that this is the thing that makes you bare your teeth, grip your wand in a hand that still can’t hold half of it, and send Avery flying across the room with a Knockback Jinx.

Tom sits with you in the Great Hall for dinner that night, and he never really stops.

You practise spells by the Black Lake between classes and he’s anything but kind about the ordeal, but you teach each other. You end your days with singe prints and sore wrists and you often take more damage than he does, but sometimes, as spring settles in with warm tones (apple and jade and moss — all the greens you’d never imagined), you leave with less bruises than he does. It hardly feels like friendship. It feels much more like purpose.

When summer comes you don’t write to him, and you don’t expect he will either. You don’t suppose you’ve actually written a letter in your life. Instead you try new wand movements under your quilt every night and wait for August’s departure on a big red train.

You sit together when the day does come. He asks you if you’ve been practising. You frown and tell him you’re not allowed to use magic outside of school.

Second year is nothing but monotonous, antiquated theoretics. Most everyone complains. You don’t see why they should — they’re already aeons ahead of you — but that means you finally have a chance to catch up in your less-than-school-sanctioned meetings with Tom while the rest remain practically stationary. 

Deputy Headmaster and Transfiguration professor Albus Dumbledore is imperceptibly less soft with you than he was last year when you make the apparently poor decision to sit beside Tom on the first day, and you file the subtle shift in demeanour into some mental cabinet to review later.

You find workarounds with the librarian, Madam Palles, inclined to sympathy for the poor, orphaned muggle-borns to grant relatively unfettered daytime access to the Restricted Section so long as you keep it tidy and none of the books leave the library. That’s where things get a bit more interesting.

For a month you remain innocuous as can be. You browse through rare historical tomes and foreign biographies that would charge more galleons than you can conceptualise, and you never leave so much as a tea stain on the parchment. You smile at the Madam when you return the key each night, and walk back to the dungeons with your hands behind your back. It is, of course, totally unrelated that a month is what it takes for Tom to master the third-year curriculum’s Doubling Charm. An entirely separate affair when you meet him in the most secluded alcove of the library, slip him the key, and stifle your grin as he duplicates it perfectly. 

You discover Christmas break is your favourite time of the year. Nearly all the purebloods go home. The Slytherin dormitories are effectively halved.

It’s two weeks of earnest, uninterrupted work and sleep without fear of waking up with jelly legs or whiskers.

Madam Palles, most nights, makes a slight, drowsy effort of searching the library for leftover students before she casts the lights out and closes the door. Then, it belongs to you and Tom.

You’re splayed rather ridiculously over one of the big reading chairs on Christmas Eve, Lore of Godelot in hand, enthralled by a chapter detailing his controlled use of Fiendfyre through the power of the Elder Wand.

Tom is cross-legged and sat straight, his brows furrowed in concentration.

“What’ve you got?” you ask, leaning over to answer your own question.

Tom as good as rolls his eyes, holding up the book to give you an easier look.

“Magick Moste Evile?” You scrunch your nose. “Bit much, don’t you think?”

“It’s the stuff they’ll never teach us.”

“I wonder why.”

He steals a glance at your own book and smiles in that smug way that makes you want to slap him.

“What, Tom?”

He shrugs. “You might want to know you’re reading stories about the author.”

You look down. Lore of — Godelot wrote Magick Moste Evile? 

It shouldn’t really be surprising. Three chapters ago your book was recounting his months in Yugoslavia grave-robbing magical burial sites.

“Whatever,” you mumble, “It’s just a biography. Least I’m not reading the words out of his mouth.”

“Well, they’d be out of his quill.”

“Oh my God, Tom, shut up.”

All good things must come to an end. Term resumes and your hackles are back up. 

Abraxas Malfoy, Antonin Dolohov, Walburga Black and the best of the worst of your house have returned, sleek-haired and insatiable and deranged, truly, in such a manner that you don’t think you can be blamed for the instinct you feel every time you pass them to lunge like a wild predator or run like wild prey. All Tom does, though (and so you follow, because he’s standing with you and who has ever done that?) is meet their gazes with equal assuredness. He never seems bothered. He never seems animal. You are still all hammering heart and heavy lungs, and you are learning not to see the world through the eyes of someone who’s only ever had their fists to fight. You have magic, you remember. You’re good at it. You could hurt them, if you really wanted.

Not much is different that summer than the last. The war is hard. The food is hard to chew. You chip a tooth. You’re too afraid to fix it with the Trace on you, but you still smile because you will, and everyone seems put off by that. What is there to smile about? 

You suppose, for them, it’s a question with few answers. 

For you — you’re back on a big red train musing about the functions of muggle warfare with Tom Riddle, chucking a useless card from a chocolate frog out the window and moaning about how you wasted the sickle you found under your seat.

He’s gotten very good at ignoring your theatrics and going right back to whatever it was he was talking about. And you note, unrelatedly, he almost looks like he’s learned how to open the windows at Wool’s. (You dare not suggest he’s doing something so ludicrous as sitting in the sun too, but this is a start.)

Dippet, or the Minister, or whoever it is that’s in charge of the practicality of the curriculum, has become fractionally less stupid in the last three months.

You don’t have to rely on nights in the Restricted Section or weekends at the Black Lake to actually learn something anymore. Of course, without the assistance of those illicit extracurriculars, you wouldn’t be able to match up to your peers the way you are this year, but it’s nice to duel with dummies instead of motioning your wand vaguely over a desk, and you and Tom still climb the notice boards in rapid succession. 

They hate you for it. One of your roommates makes a pointed effort each night to glare at you from her bed like those jelly legs are back on the table, Orion Black (two years younger but just as nasty as his cousin) nearly trips you on your way to Divination, Abraxas Malfoy develops what you think borders on obsession with Tom, and for once it feels almost offhand to not care about any of it.

You’re beginning to think even at its best, Hogwarts is remarkably insufficient. This leads you to books mercifully unrestricted so you can read about a few of the other magical schools for comparison. Beauxbatons is renowned for providing most of the worlds alchemical developments, Uagadou’s early propensity for wandless magic makes it unfathomably more practical than Hogwarts, Durmstrang (though you scoff at their violent anti-muggle sentiment) teaches the Dark Arts as something beneficial rather than unforgivable, and — what do you learn here? Even with the hair’s-breadth of magical leniency you’ve been allowed this year, it’s no surprise so few recognizable names in wizarding history are Hogwarts alumni.

“Let me have a look at that,” you say to Tom one evening, when he’s peering once more over the pages of Magick Moste Evile. He’s a purveyor of knowledge in all forms, but he always seems to come back to Godelot in the end.

He raises a brow, handing it to you like your intrigue doubles his. “No more reservations?”

“Don’t get ahead of yourself. I’m only curious.”

“Curiosity—”

“Killed the damn cat, I know.” You glare at him through the pages. “I think that’s you, in this case though, since you’re the one in love with the bloody thing.”

He shakes his head as he reclines in the low light of the Restricted Section, muttering something that sounds like “ridiculous,” or “querulous,” or something else unimaginably fucking annoying.

You might be wrong. Retract your last quip and expunge it. If Tom’s in love with any book, it’s the behemoth dictionary he’s been spitting stupid adjectives out of since he was eleven.

But Godelot’s musings on the Dark Arts are fascinating enough that you can understand the appeal. He’s no wordsmith, and you appreciate that in a way you’re sure Tom deems regrettable, but his points are straightforward but thoughtful in such a way you can read in them how he was guided by the Elder Wand through everything he did. There’s a stream-of-consciousness to them. Something doctrinal you’re surprised to enjoy for all the obligatory English creed they washed your mouth with at the orphanage.

“Find what you’re looking for?” Tom asks, combing with little interest through the tomb you’d put down in favour of his.

“I’m not looking for anything. I’m just…” You sigh. It’s almost painful to say. “I think you were right, and — oh, shut up, don’t look at me like that — I don’t think we’re learning anything here. Not really; not as much as they do at other schools.”

“Of course,” he says blankly. “Hence this.”

This — restricted books and furtive duels — should not be necessary. 

“You know that’s not gonna be enough. For the rest of them, maybe, but not us.”

He tenses how he always does at the reminder of his difference. And you get it. Sometimes in moments like these you forget the reason you’re here in the first place. It isn’t just the rebellious divertissement of two academically eager students, it’s… survival. What future do you have as a penniless orphan in wartorn London? What future do you have as a muggle-born Slytherin who’s apt with a wand when there are a thousand more your age, just as skilled and twice as pure? 

It isn’t enough to be as good as them. You have to best them, and you have to do it forever.

The night stumbles into an exhaustive silence because you both know it’s true and it’s a bit too heavy right now. The answer isn’t in this room. Just you. Just him. So you sit in the dark and you stare through that muffled nighttime noise playing tricks on your eyes. The worst of the world can wait until morning. 

The worst of the world has impeccable timing.

A fault of both sides of the coin; the muggle world is a travesty and the wizarding world is just a bit fucking late, really.

So there’s the newspaper. It’s October first and the date reads September tenth. School owls are a joke and you can’t afford anything better.

And it’s a dirty, ashen grey. It smudges your green if you ever had it at all. You were born to this and you will return to it always.

BOMB’S HAVOC IN CROWDED PUBLIC SHELTER

MOTHERS AND CHILDREN AMONG THE CASUALTIES

DAMAGE CONSIDERABLE, BUT SPIRITS UNBROKEN

All you can hope to do is pass the paper to Tom and wonder without words what you’ll go home to.

The answer is very little when the summer clouds your vision with dust and you stand dumbly with your suitcase in front of nothing at all. You’d tried your best until your departure to keep up with muggle news, but it had remained, routinely, a month behind with the owls. By the time June arrived you were still holding your breath through May. Tom had attempted to reason with Dippet for summer lodgings at the school but you were both denied in light of the exquisite mercy — the bombs have stopped! The Blitz has ended! Go back to the aftermath and make do with the craters.

It’s a bit ironic that Tom’s orphanage survived and yours didn’t. At least you can finally see what all the fuss is about.

In truth, it’s more strange than anything. You feel unreasonably like you’re impeding on a part of him that has never belonged to you (if any of him does); that place where you intersect but never draw attention to. You remind yourself you had no choice in the matter. The system puts you where it wants to, and these days the options are slim. But it’s — the walls are amber-black tile and plaster, lined with sanitary-smelling hospital beds and a cupboard per room. Per room, you think; you’ve got one of those now, and with only one girl to share it with. 

You figure the reason for the extra space is probably not one you want to know.

Anyway, you don’t actually see Tom for two days. The caretakers bring you a tray of dinner that’s vaguely warm and a bit too salty and you sleep off the debris you think you breathed in that morning, half-sated and sun-tired.

But then you do see him, and he’s in these funny uniform shorts and a thick blazer and your greeting is an offhand joke about the scandal of his knees that he doesn’t seem to appreciate. He eyes your muggle clothes while you wait for your own set and you know you really don’t have any room to judge. 

He doesn’t, or at least doesn’t say he minds your relocation.

You spend half the summer waking up in the middle of the night to acquaint yourselves with the London tube stations, and the other half in whatever crevices of the orphanage you aren’t harangued by Mrs Cole every five seconds, which are far and few between. She seems to have decided fourteen is old enough an age to worry about your intentions unchaperoned, like it’s the bloody 1800’s, and admonishes you and Tom relentlessly despite only ever finding you quietly buried in useless books. 

You begin to miss Madam Palles and her invaluable pity. Everyone’s an orphan here. No one’s sorry.

“What’s his deal?” you ask one stuffy afternoon, reclining in your creaking seat to prop your legs on the desk.

Tom knocks them off (he’s so well-mannered that you sometimes push these little gestures of impropriety just to bother him) and glances at the target of your question. Some broad, blond boy who skitters down the corridor a shade paler than he arrived. You’ve yet to properly introduce yourself to anyone you don’t have to, so names are muddy when you try to apply them to faces.

He shrugs, but there’s a flash of something in his expression you’re fascinated to realise is unfamiliar. “He’s an imbecile.”

“...Riiiiight, but that isn’t a proper answer.”

You smile. Legs return to table. Timeworn Oxfords muddy the surface. Tom scowls. 

“There was an altercation last year,” he says tersely, “he’s rather fixated on the matter.”

“An altercation.”

“Very good, that is what I said.”

You narrow your eyes and he sweeps your legs off the desk again, gaze catching the unmistakable ribbon of an old bullied scar on your shin. 

“And I suppose you’re above such incidents,” he muses.

You cross your arms and huff. He always wins games like these.

You’re grateful when you return to Hogwarts in one piece after your final night of summer is spent underground, and the certainty of knowing where you’ll rest your head for the next ten months cannot be understated. 

But the worst thing has happened, and you blame it on the flicker of a moment where you missed Madam Palles like it was some jubilant, accidental curse to ever miss anyone. A foreign thing you remind yourself never to do again. 

She’s only gone and jinxed the locks to the Restricted Section so they cry like newborn Mandrakes when Tom’s replica key clicks in place.

For a second you both stand there looking stupidly at each other. Getting caught was a fear two years ago; you’d almost forgotten it was still possible.

Tom is quicker to collect himself. He grabs you by the arm and casts a Disillusionment Charm, and you don’t burst running out of the library like two blurry suncatchers reflecting the candlelight as your instinct heeds; you cling to the shelves and you slither silently to the door. (You’ll make a joke about it when you can breathe.)

Madam Palles the Traitor comes heaving into the library in her nightgown, a blinding blue light baubled at the end of her wand, and it’s really just theatrical at this point to use Lumos bloody Maxima when the basic spell would do the job just fine.

“Has she suspected us the whole time?” you say on gasp once you’ve made it to the dungeons.

“Perhaps someone else has,” Tom suggests.

“What? Malfoy?”

You think it’s a good first guess. It could have been any of the Slytherins, upon consideration, but Malfoy seemed most fixated on Tom last year and it wouldn’t surprise you to learn he’d been observant enough to follow you to the library and notice you don’t leave with the other students.

But Tom quashes the idea. “I’m doubtful. Malfoy is attentive, but Madam Palles is hardly partial to him.” (He had, in second year, set one of her books on fire while studying offensive spells.) “I suspect it was someone with more influence.”

Only no one has more influence than Abraxas Malfoy. The rest of the Slytherins follow him like lost pups. But then Tom might mean —

“A professor?”

“It may be.” He says it like he’s already decided his suspect.

He is, as always, and ever-infuriatingly, correct.

It’s that file you tucked away for later, reoccurring when you return to Transfiguration in the morning like a second epiphany: Dumbledore.

He assigns the term’s seating arrangements, which he’s never done before, and there’s something in his tone when he pairs you with Rosier that feels intentionally like not pairing you with Tom. You don’t think it’s paranoia clouding your better judgement, and by the way Tom’s gaze hardens as he takes his seat beside Malfoy, neither does he.

Dumbledore is suspicious for a number of reasons. He disappears for weeks at a time. The Prophet writes articles on his sightings in Austria and France like he’s an endling beast. He’s being sighted in Austria and France — two notable countries in Grindelwald’s ongoing war. Perhaps ancillary, you’ve decided the charmed glass repositories he uses to hold his old artefacts are the same ones encasing the least permissible books in the Restricted Section. And if that isn’t paranoia (which, you’re willing to admit, it may be) then you assume he has them so proudly on display because he wants you to know.

You consider it a warning.

Tom does not.

“Just give it up,” you hiss over a game of wizard’s chess, “I bet we’ve read every book in there twice already anyway.”

His jaw ticks as the sole indicator of his annoyance, and he takes your rook. You scowl.

“Tom, that man thinks you’re devil-spawn. You know he’s just waiting for an opportunity to catch you doing something wrong.”

“So?”

It sounds so petulant you think he’s been possessed by his eleven-year-old self. Then you think he was a lot wiser at eleven.

“So?” You make an aggressive move with your knight. “So don’t give him one!”

He stares at the board and his breath is just a trace sharper and you hate that you know him like this and no one else. You wonder if he knows you like that too, but resolve with ease that he does not. You’re hard frowns and lewd jokes and trousers torn at the knee to bare scars with stories you wish you could forget. There’s no mystery there. Tom is nothing but — gordian knots and fixed expressions and little patterns to learn like the rules of this stupid game between you. You must know Tom Riddle by every atom or not at all. And that isn’t a choice, really. You’ve never known anyone else.

“Are you stupid, Tom?”

You glance at the board. He’s got Check. A terrible, true answer.

“No,” you finish. “Then don’t act like it.”

Your king glances at you and you nod. He falls. The game is resigned.

Tom acts stupid.

Dumbledore knows.

It all happens very fast.

You strike Tom harder in the arm with Confringo than is likely necessary that night, and he returns the favour with a Knockback Jinx that thrusts you into the shallows of the Black Lake.

You gasp. The cold water feels like it’s swallowing you whole when it strikes, an envelope sealed around you and licked shut for good measure. Everything holds to you, and it’s fucking November. Your senses are so overwhelmed that you forget to murder Tom the instant you sink in. You forget to do much of anything.

You wade trembling out of the lake when sense returns and Tom huffs, peeling off his robe to treat the burn on his arm.

“You—idi—iot,” you mutter, trying to find the incantation for a warming charm but the words get stuck between your chattering teeth. “You stole a re… stricted book.”

Tom glares daggers at you between his poor healing job and you scowl, mincing through the grass and grabbing his arm. “Fucking imbec-cile…”

You’ve done enough damage that if he were anyone else you’d be proud of yourself, and somehow, simultaneously, if he were anyone else you’d be able to manage a pinch of guilt. But he’s Tom, and you know him by every atom, so you cannot be proud, and he’s Tom — he retaliated by tossing you in freezing water and now your clothes are clinging sodden and heavy to every inch of you, so you certainly can’t be guilty either.

“I borrowed it,” he says tightly. As if that means anything at all. And then he takes his robe and drapes it spiritlessly over your shoulders. “You could attempt communication before curses.”

“I could attempt communication,” you scoff, uttering a charm to partially close the gash on Tom’s arm, “Fucking h-hypocrite. I did communicate. You lied.”

“I —”

“Omitted information? Withheld the truth? Watch your mouth or I’ll steal your fucking dictionary, Riddle.”

You swear a great deal when you’re cold and mad, apparently.

“I won’t be caught.” His calm is infuriating. “It would hardly earn expulsion regardless.”

“It doesn’t matter! He knows it’s you! He was staring at you all class!”

“So nothing novel then.”

“D’you want me to blast you again?”

His lips form a flat line. No. That’s what you thought.

You sigh, clutching his robes in your fists to quell your trembling. “What’d you take, anyway? We never touch the encased stuff.”

That is, you assume, why Dumbledore was vexed enough about the whole thing to mention it in class today. A highly valuable book has gone missing, from a repository you dare conclude belongs to him, and he has to pretend all the while not to know it’s Tom who took it. You are out of the question. Theirs is some delicate vendetta you can’t begin to unfurl.

“Nothing anyone should miss,” Tom says, a complete non-answer as he stops to murmur a warming charm you could probably manage yourself by now.

“Tom.”

“It was an encyclopaedia. It’s entirely in Runes. I suspect it will take months for me to decipher.”

“God’s sake,” you groan. He really is exhausting. “I think Dumbledore’l take his chances and loot your dorm before that happens.”

Tom wipes a stray droplet of water from your cheek. His fingers are soft. “We should return. You look half-drowned.”

“I am half-drowned, dickhead.”

And you accost him in hushed tones the whole walk back. Runes, Tom, really? Threw me in the damn lake over a Runic Encyclopaedia? He accosts you just the same; You burned me first.

It does, in fact, take Tom months to decipher the Runes, and he’s quite secretive about it. He won’t let you see the book, won’t tell you what it’s about, won’t indulge your queries on how far he’s gotten or if it’s worth the way Dumbledore bores his eyes into the pair of you in the Great Hall with nothing but the glass of his spectacles to soften his censure. You consider — well — you consider taking your chances and looting his dormitory.

The day everything changes starts the same as any. 

You muse over breakfast about muggle news and how the way Tom holds his wand when he casts defensive spells is too sharp when it should be circular. He argues. You soften the criticism by telling him his offensive magic is stellar but you’ll always beat him in defence if he doesn’t swallow his damn pride and listen to you for once. (So, really, you soften it very little.) He doesn’t take Divination so you don’t see him until Herbology that afternoon and he’s silent enough during the hour you share with your wormwood plant that you know he’s done it sometime between breakfast and now. 

Tom has cracked the book.

It’s late spring and the night takes longer to settle than it did in the winter. Errant sunbeams still sparkle on the water when you meet him by the lake, and it’s warm enough to forgo a coat.

“Are you going to tell me what it’s about now?” you ask without preamble, arms crossed over your chest as he approaches.

He hands you the book like it’s worth something to you without his explanation, but you’re intelligent enough to gather something from the illustrations of two twined snakes embroidering the cover.

“I should have suspected it sooner,” Tom says before you can comment. “By the way Dumbledore acted when I told him… I should have known he would have wanted to keep it from me.”

“Tom, I have no idea what you’re talking about.”

“It’s an Encyclopaedia on Parseltongue and its known speakers.”

You flip through the pages and none of it means anything. “Parseltongue?”

“The language of serpents,” Tom supplies, and the two of you walk along the edge of the forest. “It’s almost exclusively hereditary.”

“Okay, so, what — you’re trying to learn it anyway?”

“I have no need.”

You frown. “You… you already know it.”

“I always have,” he says, and there’s something almost unrestrained in his voice. He’s proud in a new light, and it takes you a moment to understand and you’re not sure why exactly it makes your heart sink, but —

“You’re not muggle-born.”

“No, I’m not. And Dumbledore knows.”

“So, he —” You try not to sound crushed because why should you be? Why should it matter that he isn’t some exact reflection of you? He’s at your side, he’s still there, he’ll always be there — “How does he know?”

“When he came to Wool’s to inform me I'd been accepted at Hogwarts. I hadn’t known anything, certainly not that speaking to snakes is emphatically rare, so I asked him. He said it was ‘not a peculiar gift.’ Perhaps to keep my interest at a minimum.”

“Why would he lie?”

“Because it isn’t just that I’m of magical blood. I’m a descendant of Salazar Slytherin.”

You can’t be faulted for laughing. It’s not often Tom makes jokes, let alone funny ones.

“That’s good, Tom. Morgana used to have tea with my great-great-hundredth-great-grandmother, so that works out nice.”

He sighs, taking your hand and leading you further into the woods.

“Are you trying to murder me?”

“I might.”

“You’d be the first suspect.”

“No, I wouldn’t. You’ve far too many enemies.”

Not by choice, you start to scold, and then he stops, not so far into the Forbidden Forest that you’re afraid, but far enough you understand this is not something he’d chance showing you in the open.

He closes his eyes and whispers, and it’s — decidedly not English. And you know the sound of a few other languages, at least; this doesn’t sound like words at all. His consonants are pointed, his S’s stretched, the syllables repetitive but separated by a difference in cadence someone less perceptive might not notice. 

It shouldn’t be surprising; it’s exactly what he told you, but it startles you how much it reminds you of a snake.

“Tom?” you murmur, unsure at the prospect of speaking some ancient, unknown language into the air of the Forbidden Forest, and, underneath that, still reeling with the knowledge that this is real at all.  You’ve pinched yourself a few times to make sure.

There’s a low susurration in the grass, wet with dew that catches the moonlight, and you gasp, clinging to Tom’s arm when you see the blades part in helices for the space of an adder.

“It’s all right,” Tom says softly, almost elsewhere, his eyes zeroed in on the snake. “It won’t hurt you.”

You’re still by the balance of his arm and some petrifying awe as he extends a hand to the grass and the adder coils around it, weaving upward to his shoulder.

“Oh my God. Oh my God, Tom.”

The adder points its beady gaze at you, and Tom whispers something else in that strange language before it retreats in agreement or compliance or whatever could come close to expression on the face of a fucking snake, and maybe you’re dreaming this despite your pinching. Maybe you’ve lost your mind.

“Hope you didn’t just tell it to bite me,” you try, and it comes out half-choked.

He smiles. It’s partly for you and partly for this venomous little thing on his shoulder, and that’s a bit startling. Tom Riddle smiles for adders and you and not much else. 

“Should I?”

And all you manage, for whatever reason, is, “Don’t be like them now that you’re not like me.”

It’s out before you can stop it, welling from a small, scared place that embarrasses you to return to. A hospital bed when you were eleven. The walls of a bedroom ravaged by bombs.

Tom’s smile fades. “We’re nothing like them.”

The thing is, neither of you know that’s the day that changes everything.

You celebrate your fifteenth birthday in the Deathday ballroom with Tom, a stolen dinner pastry, a green candle, and a few sad ghosts. You try to learn how to dance. Tom thinks it’s silly. You tell him that’s only because he’s upset he keeps stepping on your toes.

Summer blisters when it comes.

Some of the children take jobs as mail-sorters and steelworkers and you clasp for whatever you’re (one) allowed and (two) capable of, which isn’t much. You’re both old enough at the end of the day to explore London on your own, opting to spend as much time away from the orphanage as Mrs Cole allots, but you only have knuts and pennies and you warn Tom it would be unwise to swindle muggles and risk a letter from the Ministry. So you work where you’re needed and you eat the rationed nonsense you always do and you miss Hogwarts terribly. It’s much the same: you’re together, you’re hungry, and you’re nothing like them. 

And then it’s different: Tom makes Slytherin Prefect, is suddenly tall, and you wonder in fleeting moments if his face has always suited him this well.

A stupid remark. You fervently ignore it.

Fifth year begins and you have almost the same number of electives as you do core classes, Tom has duties in his new role that take much of his spare time, and despite popular belief, you and him are not a mitotic entity, so this splits you up more often than it had in previous years. Which is fine. You still have plenty of things to talk about during meals and between duels, and you reckon you’ll share DADA until you graduate.

But in his absence, your attentions are forced elsewhere, and you should be grateful they land on something potentially promising.

It’s like Transfiguration just clicks for you this year. You’ve never been the greatest at Transformation (importantly though, you’ve also remained far from the worst), but fifth year launches you into Vanishment and something about that feels like a perfect equation. There are no complicated half-numerals and objects stuck between inanimacy and being — just unmaking the made. Nothing or not. You’re fucking excellent at it. You glean the theoretics fast and then the practise comes like breathing. Even the purebloods struggle as you Vanish Dumbledore’s Conjured garden snakes in brilliant tendrils of light. You exult unabashedly when you brush past them on the way out of class — who was it that didn’t belong in Slytherin?

You say the same to Tom and he rolls his eyes, but the amusement is there.

“Think you can talk to my snakes for me?” you tease, nudging him on the path to Hogsmeade.

“If they’re yours, I doubt they have anything worth discussing.”

And Dumbledore is… a hue nearer to the man you remember from first year. He praises your improvement and smiles when you can’t hide your giddiness as if equally impressed.

He doesn’t shelve people the way Slughorn does (you’re dismayed to find Tom has been invited to join the Slug Club and you have not) but you think if he did you’d be rapidly climbing your way to the top. Maybe get put in one of those neat little repositories he keeps all his best treasures in.

Dumbledore does, however, offer additional assignments for those who are interested, and tasks you with a few if you’re up to the challenge.

You always are.

The Tom-Dumbledore-Encyclopaedia debacle is apparently either resolved, or your part in it forgotten. 

Tom humours you when you’re both singed at the fingers from duelling, yours dipped in the lake while he buries his in the cold moss, about how Abraxas takes the seat beside him at every Slug Club dinner. He tells you he pretends to be very interested in the Malfoy’s business affairs and their stock in the Bulgarian Quidditch team’s win this coming spring. He tells you he finds it amusing to let Abraxas think he can make Tom his pet. Tom says he considers searching for Salazar Slytherin’s fabled Chamber of Secrets and showing Abraxas what a real pet looks like. You smack him in the arm.

He’s had an ego forever. He just has a few too many reasons for it now.

And maybe that’s why you push harder in Transfiguration, dedicate the majority of your studies to it, spend your Saturday nights scrutinising advanced techniques while Tom makes nice with Potions experts and politics with people who don’t even know what he is but like him anyway. It’s patronising, of course — borderline fetishistic; not a real like — but it scares you. Tom Riddle would not allow himself to be anyone’s pretty mudblood show pony if he didn’t have an ulterior motive.

Everything changes but the observable truth that he is still insufferable.

You’re lucky to see him twice a week if it isn’t in class, and the way it starts is so slow you don’t even fully understand what’s happening until Christmas break when Abraxas stays a few extra days and leaves by Dippet’s Floo instead of the train.

You don’t dare ask where Tom has vanished to in that time or why the hell Abraxas Malfoy would willingly subject himself to unnecessarily extended time at school with all his lackeys gone, and it isn’t because you don’t want to. It’s because he won’t tell you himself. It’s because you’re terrified the answer will feel like a broken promise, and you’ve come to realise (it’s been there for so long; such an obvious, tiny thing that you’ve never stopped to really dissect it) that it’s quite difficult to know someone at every atom and not love them a little bit.

You’re suddenly aware of the risk of it: you love him like an inextricable piece of yourself, and, well, you’ve seen war. You know what amputation looks like. You’ve seen the remains of structures designed to stand forever, and you’re strong like them — casts and gauze in all the weak spots because you remember the pain of breaking them — but those were blows dealt without the complication of loving the bombs behind them.

Tom is the green on your robes, the dragon pox tinge you sometimes think never truly faded when you look in the mirror too long, and all the shades you never imagined. Apple, jade, moss. The beginnings of emerald. (No, he couldn’t be that.) 

You wonder what the world would look like if he stole those colours back, and it’s much worse than some brutal decimation; it would leave you with too much. You would just be you without him.

So you love him into June like you always do, and you pluck his Prefect badge off on the last day of school and tell him it makes you jealous like a joke when it’s half-true. 

It’s raining when you walk to the train together, miserable for what should be summer but not at all remarkable in Scotland. Tom wipes it from your cheek. Your wrists are sore from vanishing bits and bobbles all night while you still can, never truly prepared for three months without magic, and you curl into your seat as soon as you’re in it. Tom wakes you up when you arrive back in London, startling you to find that you fell asleep at all.

It rains a lot that summer. There’s nothing much to see in the city and you can’t get anywhere else (you note: the Trace cares little about broomsticks but you can’t afford one of your own and flying might be the only thing Tom is bad at) so you’re stuck to the library again with a noseful of old paper and a certain prose that magical literature cannot replicate. You theorise a lifetime of reckoning with the mundane forces one to be more creative.

Perhaps it’s the cold that makes you sick. Perhaps it’s the state of your meals. Either way, your final weeks before sixth year are hell. Biblical, blazing hell.

The nurses aren’t sure what it is — another influenza epidemic you’re the first in the orphanage to catch — but they isolate you immediately and there’s not much care they can offer. 

You hear Tom arguing with one of them outside your door but can’t make out the words. Everything is dizzy, sweaty, halfway to unconsciousness but without its relief. You’d take dragon pox over this.

Some days later (though you can’t be sure because it feels like bloody centuries), he’s at your bedside, and you think even if you were lucid enough to ask what horrible thing he’d done to change the nurses’ minds, you wouldn’t. 

But you know he’s not beyond breaking wizarding law, because he’s muttering healing spells with a hand to your damp forehead, and you hazily find yourself reaching for him, trying to shake your head no.

“Not allowed,” you mumble. Your throat is sore and your nose is stuffy. You sound terrible and you probably look worse.

Tom is slightly blurry but you think he’s staring at you. You know if he is it’s with the utmost incredulity.

“Not allowed,” he repeats slowly. It’s very easy to picture him clenching his jaw. “I wonder, if the Trace is so exact that it can detect all forms of magic, it can’t also detect malady. You’re burning — and I’m to consider whether saving your life might be illegal?”

He’s angry. He’s angrier than you’ve seen in a long time; and you can actually see it now. His magic courses through you and your vision clears, bit by bit, until your depth perception steadies and you realise he’s closer than you thought. His jaw is, in fact, clenched.

You move to catch his wrist and manage it this time. “Tom.”

“Don’t argue,” he says thinly.

“You’ll get sick.”

His face is far too neutral for the way his fingers stroke your damp cheek. “Hm. Then it’s a good thing you’d break the law for me too.”

Of course he’s right — you love him. Which makes it a good thing he doesn’t get sick.

Some of the younger children do. The fever comes overnight for a girl who wasn’t in the orphanage last year, and it takes her by the next.

When you get back on the train to Hogwarts, the virus is circulating Britain and you’re livid. 

What Tom said is true; you consider the Trace’s precision and the details of the laws on underage magic — how one of the technicalities is that a young witch or wizard may be absolved of the consequences if the circumstances are life-threatening. You think about how it supposedly doesn’t care about broom-riding or Portkeys or Floo travel, and if the Trace is that complex, surely it understands sickness.

You only wonder if the Ministry would understand it. There haven’t been any epidemics in the wizarding world since Gorsemoor cured dragon pox in the sixteenth century, and when there isn’t healing magic there are antidotes and Pepper-Ups and herbs that muggles simply don’t have. The fatality of a fever of all things is not something you imagine could be comprehended by the sort of people who sent you and Tom back to London in the wake of the Blitz.

Of course, the Ministry hasn't written to you, you haven’t been forced in front of a representative from the Improper Use office, and you have no real reason to be upset.

You are regardless. 

It shouldn’t even be a thought: you immolating into oblivion protesting rescue because one of you might get in trouble for it.

A world you’ve never much cared for is blanketed in ash and its people are dying and you can’t help them. A girl is dead. You’ll return next summer and there will certainly be more.

Life is for the magical, you find. The muggles can burn.

It’s what makes you start to panic this year, knowing you’ve only got one more after it. You have no idea what you’re going to do after school, and it doesn’t help that Tom doesn’t appear to share the sentiment. He’s got Head Boy in the bag and when he isn’t with you he’s with Abraxas, who can surely provide him connections if whatever game Tom is playing at works (and you have no doubt it will), but it’s like you said in third year: that isn’t enough for you.

You remember with a small ache that you no longer means you and him.

And then — it makes sense. You feel incredibly stupid.

“You told him, didn’t you?” you ask Tom the first opportunity you can get him alone, in the glum blue light of the Deathday ballroom on your way back from supper.

He sighs like it’s a conversation he’d hoped to put off for longer. “You’re referring to Abraxas, I presume?”

“You’re referring to — yes, you prick, I’m referring to Abraxas. Of course I’m referring to Abraxas, or are there others? Dolohov and Nott seem unusually enthralled by you, now that I think about it.”

“And for a reason I’m supposed to be aware of, this is an error on my part. Should I be apologising?”

“Why did you tell him, Tom?!”

“Why?” he deadpans.

You throw your hands up. “Oh, for fuck’s sake.”

“Shall I provide you with my itinerary as well? Would you accompany me as I tour the third-years around Hogsmeade? Or can you do me the favour of trusting me to make my own decisions with the nature of my ancestry?”

“You’re keeping something from me and there’s a reason,” you say, stepping closer to him, “and forgive me if I want to know what it is when you were willing to tell me you’re the Heir of Slytherin and you can talk to snakes. What — what could possibly be bigger than that?”

Tom returns your approach with one of his own. His eyes are steady, dark, thick with lashes and you can’t reminisce on the details of the rest of him because that would be strange for a friend to do. Stranger to do it now, when you’re angry with him and there’s two sleeping ghosts in the corner and he’s framed by deep indigoes like the ripples in the Black Lake and — you’re doing it anyway.

To be short, he’s close, he’s very beautiful, and sometimes you despise him.

“Trust me,” he says again, without the derision of the last time. “This will change things for us.”

You frown, but it’s a weak upset in contrast to the explosion you came in here willing to make. There were at least twenty questions you meant to ask and you only managed one.

You are not his keeper. You know that. 

“Change them for the better, Tom,” you say on a sigh.

He blinks, and you think he’ll respond with a nod or a slightly offended ‘of course’ but he does not. He blinks and he just keeps looking at you. It’s disarming. It probably resembles the way you often look at him. There’s a rationale somewhere; you never see each other anymore, life is so incredibly busy, maybe he’s forgotten what you look like.

And he does nod, finally, but he does it with his thumb brushing the corner of your lip.

What? Sorry. What’s going on?

He pulls it away like he’s heard you. “You had something.”

You’re almost positive you did not.

Transfiguration this year brings Conjuration, which is an advanced and welcome distraction, and even more exciting when you consider no longer having to Vanish things you have no idea how to bring back. Dumbledore’s is one of three N.E.W.T classes you’re taking — Defence Against the Dark Arts and Alchemy besides. It’s easily your favourite.

You share it with eleven other Slytherins and twelve Ravenclaws. Four of them are muggle-born, and it’s hard to describe the ease you feel among them because you don’t think you’ve ever had anything resembling ease with anyone but Tom.

Your schedule is more crammed than it’s ever been, but it’s good. Two of the Ravenclaw girls invite you to Hogsmeade every other weekend, you share butterbeers when you can afford one, you study until you collapse, you take Dumbledore’s extra assignments and consider trying out for Chaser on one of your more restless evenings before waking up in the morning and resolving there is such as thing as too much of a good thing. Best not to get ahead of yourself.

Your contentment is remedied quickly.

Someone is found unresponsive in the dungeons. Dippet makes an announcement at breakfast that the boy isn’t dead, rather, petrified. No one is quite sure the cause, but the Headmaster warns a few minor precautions, suggests a buddy system, and says that after dinner studying should remain in everyone’s respective common rooms rather than the courtyards or library.

You know next to nothing about petrification, but the victim is muggle-born, and you suspect it was the result of a poorly performed statue curse by one of the many blood zealots in your house. The whole thing makes you hold onto your wand a smidge tighter, but you’re adamant not to let it drive you to paranoia like it would have a few years ago.

Tom nods at your theory when you manage to escape to the Black Lake together in November.

“That isn’t unreasonable,” he says. High praise.

You sink into the moss, sighing. “Do you think there’ll be more?”

He looks out onto the lake, the lapping waves, the crystalline beads that furrow them, midnight algae and flotsam you don’t think you belong to anymore.

You peer up at his silhouette in the dark. “Do you think whoever did it will do it again, I mean?”

“I don’t know,” he says finally, and after another pause: “but I don’t think it would be you.”

“How’s that?”

“No one would be senseless enough to try.”

And he sinks beside you with that, breath shaping the cold in steady, rhythmic clouds while yours are scattered. His robes brush yours and you take his arm with a sleepy hum, tracing patterns in the stars until your eyes feel heavy and he insists on taking you back to your dormitories.

One of the Ravenclaw girls, Marigold Wright, distracts you with a spare blue scarf and an invitation to her next Quidditch match. You watch from the stands and cheer as she catches the snitch to beat Gryffindor.

It’s a bit strange — having a distraction — having a friend. Mari is kind, smart, a good study partner who’s as keen on stepping into the advanced theoretics of Human Transfiguration a year early as you are. She’s funny in a vulgar way, introduces you to all her friends, shows you the best way to sneak into the kitchens, and you sometimes wonder if she was sorted wrong, but — her methods are creative, and she’s definitely intelligent. She’s also definitely not Tom.

You see less and less of him and more of her, Dumbledore, the Ravenclaw common room and the pages of progressive Transfiguration methodologies. He sees less of you and more of Abraxas, Dolohov and Nott and all the other purebloods, Slughorn’s soirées and Prefect meetings that cut into meals.

It happens again.

Second floor lavatory. A girl called Myrtle Warren. She isn’t petrified.

There’s a vigil the following week and her parents are there, two muggles whose sobs wrack the Great Hall even as the students clear out. Flowers descend from the charmed ceiling, little bluebells and white chrysanthemums.

You cry that night. You can’t remember the last time you cried.

This time, you don’t have to seek Tom out. He catches you on your way back from Alchemy and brings you to the Deathday ballroom with a melancholy glance in your direction that you don't hesitate to follow. You realise it’s an odd place to continue to end up in, but no one else goes there and you suppose that makes it yours.

You’ve seen Tom skinny and sickly and olive green, but today his eyes are circled with veined violets and the lack of summer sun this year has whittled him grey once more. He’s still beautiful. He’ll always be beautiful. But he’s tired and — sad — and for the six years you’ve known him you aren’t quite sure what to do with that.

You don’t spend too long pondering it. You just hug him with the dawning newness of a thing like that; a thing you’ve never done, and never really thought to do. (You ask yourself in bewilderment how you’ve never thought to do it before.)

He’s warm. He’s uncertain. He doesn’t reciprocate immediately. 

And then he does, and you understand without caveats or concerns that you stopped having a choice in your destruction the moment you chose him. He’s home, and that’s going to ruin you one day.

Your arms tighten around him and his around you, the rhythm of his breath holding you to earth when you begin to float away. Nothing makes sense in this moment but the mercy that in all the death you’ve seen, you swear to God you’ll never see his. As long as you’re alive, he must be too.

And there’s something to be said about the innate self-slaughter of loving a person (of loving Tom Riddle, especially): that it’ll cleave you in two, that you’ll say feeble things in his embrace that you should be above saying, like ‘I’m scared’, that his hand will find the back of your head and he'll tell you he knows, that that should not feel like enough but it will be. You’ll clasp your hands under black robes and hold this singular embrace together by the faulty adhesive of your fingers. Maybe you’ll cry again, like your body can suddenly comprehend its capacity for it and is making up for lost time.

The first sign that something is wrong, more than the obvious grievance of the death itself, is the Ministry’s happy acceptance of Rubeus Hagrid as the culprit.

The boy is maybe fourteen years old, half-blood — half human, mind — and no one has a bad word to say about him other than he likes to keep eccentric pets. Which leads you to wonder what pet he possessed with the ability to petrify one student and kill another and what cause he’d have for it in the first place besides two terrible, miraculous accidents.

That question draws an even stranger path. Mari says over butterbeers (on her, bless her soul) that she read somewhere years ago that Gorgons can induce petrification, but that she doesn’t remember much else.

One of the boys in DADA says that his father’s an auror, and heard from him that Hagrid’s pet was some sort of arachnid. Tom deducts five points from his house after class with a scowl on his pale face, muttering about conspiracy.

The second sign that something is wrong is that only one of those things would need to be true for the entire case on Hagrid to be called into question. If Mari’s memory serves right, how the hell did Hagrid come into ownership of a Gorgon? (Could Gorgons even be owned?) If the auror’s son is worth your credence, then what species of arachnid is capable of petrification?

You take to the library.

Unsure of where to begin and hesitant to draw attention, your research lingers into Christmas break and stalls some of your extracurriculars in Transfiguration. Tom is busy enough not to notice the new step in your routine, and you’re grateful not to have him breathing down your back, telling you you’re looking in the wrong places or you shouldn’t be looking at all.

The third sign is the end. 

You wish to retract it all. There are time-turners and memory charms and potions that could dizzy you enough to manipulate the truth; there is anything but this. You’d suffer the consequences for the bliss of loving him with one more day before the ruin — you’d write it down to remember through the fog: look at him, duel him without wanting to hurt him, kiss him to know that you did it at least once, have him, be had. You never will again.

He’d shown you the adder. He’d joked about the Chamber of Secrets. He’d spent months disappearing with Abraxas, earning the trust of the sons of the Sacred Twenty Eight. 

And he’d killed Myrtle Warren.

So it’s statue curses and Gorgons and Tom — speaking to serpents when no one else can, buttressed by pureblood boys who want people like you dead.

Don’t become like them now that you’re not like me.

He’s something else entirely.

What do you do in a moment like this? Panting into an empty library at a revelation you wish you could unknow, fingers digging into the hickory of your desk — another memory carved among the initials and hearts; how do you stand from your chair and leave like the world outside this room is the same as it was when you entered? There’s nothing to orbit. You are cosmic debris, tea dregs in a barren cup, flotsam.

You stand; and you tell no one. Not even Tom.

His presence in your life is so infrequent that you don’t even have to come up with excuses for your distance until three weeks after your discovery when you’re paired together in DADA to practise stretching jinxes. 

You almost laugh. He’s standing beside you, tall (lanky like he was when he was a boy if you look long enough) and serious, and you love him without knowing who he is anymore. You’ve skirted corners to avoid him and sat with Mari during lunch and breakfast like he’s some scorned lover to escape confrontation from and not someone who held you through a grief inflicted by his hand. 

“You look tired,” he says, inspecting the daisy you’d been tasked to elongate.

You glance at him. You are tired. It’s exhaustive, bone-deep, aching like nothing you’ve ever known, and maybe that’s why you can look at him and smile sadly instead of thrashing against his chest screaming for what he did. You suppose it happens enough in your head to satisfy. When you can sleep, you sleep to the thought of it. The waking moments are just blank.

“Mhm,” you hum, transfiguring the daisy stem back to its regular length.

Tom observes it with curious eyes. “You’re getting good at that.”

“I’ve been good at it.”

His lips turn, a small frown before he puts it away. You make the observation that he’s tired too; there are still bags under his eyes and his hands tremble ever-so-slightly with his wand when he loosens his grip on it.

His own doing and still you flicker with some relentless hope that he's drowning in regret.

“Sorry,” you say. A ridiculous thing. Do you intend to slowly push him from your life with weak disinterest and diverging academic avenues? As if he were something extricable. He’d never let you.

You’ll have to confront him, and that’s a revelation that holds its weight on your chest until you think you'll suffocate under it.

You’re in the blue light of the Deathday ballroom with a face you've never worn before when it happens, deep into spring, and you know then that you were wrong all those years ago.

He sees all of you.

Takes you in in the flash of a second and maybe it’s your quivering jaw that reveals you or the flint of betrayal in your eyes waiting to be struck and lit. Yes, you were wrong — Tom Riddle knows you at every atom too.

“Are you going to let me explain?" he asks before any hello. His jaw is tight but there’s nothing else to go on to judge his disposition. He's settling into impassivity like an animal drawing its shell. You will not be allowed in if you're going to make it hurt, and you might be the only one who can.

“Explain," you copy with a hard exhale, “Just tell me it wasn’t you. That’s all there is to say."

He stares at you. There’s nothing there.

“Tell me, Tom.”

Your breath catches on an automatic please but you don’t want to offer him that.

“I cannot.”

Then make me forget, you want to scream. Let it be summer. Let us work for pennies and breadcrumbs and be no one together.

It’s late winter and it’s too cold.

“You killed her,” you say quietly.

“If I told you I did not wish for it, would you even believe me?”

“What are you… so it was an accident?”

“There was — an opportunity presented itself that may never have come again; that does not mean I don’t find the nature of it regrettable.”

“Regrettable.” You’re laughing or crying or both, and you must look unwell. Halfway out of your mind.

He’s so composed in the face of it that it only makes you more incensed.

“You told me to change things —”

“You killed someone! Can you understand that?”

“You nearly died,” he hisses, “and if I am to apologise for recognizing it only as the first of many times, I will not. If I am to apologise for doing whatever is necessary to prevent it, I will not. The hand we were dealt will not be the hand we die to — so yes, I understand it. And one day so will you.”

“Don't," you spit, and your anger must look pathetic under your welling tears. “Don't you dare tell me that this was for me.”

“Do you want me to lie?”

“What could her death possibly bring me, Tom?”

“Her death is the first step to —”

“God, stop dancing around the fucking question!” Both hands have wound their way to your head, clutching at your skull like the brain matter might spill through one of the cracks he’s wearing down. “Just… tell me.”

“You recall Godelot's work," he says stiffly. The question of it takes you by surprise, peels the moment back like the rim of a fruit and you're left uncertain.

All you can do is nod, arms falling to cross over your chest.

“There was one form of magic he refused quite concisely to impart. I searched the Restricted Section for days, and under Dumbledore's watch that was not an easy thing to do."

You stole from him, you're urged to remind him, but it's something you'd say with a nudge of annoyance and a roll of your eyes. Such admonishment is small and far away.

“I found it at last in one of the repositories," he goes on, “Secrets of the Darkest Art."

“...What?"

“It's called a Horcrux,” he says. “Murder, by nature, splits the soul. The Horcrux simply makes use of the act; puts the soul fragment into something imperishable so that it is protected, rather than abandoned. In turn, your life cannot be taken. By malady, by magic, by sword — the vessel is destroyed but the soul lives on.”

You blink, feeling dizzy. “Myrtle was the sacrifice.”

“Myrtle was there,” Tom remedies.

“How lucky for you.”

“The circumstances could be ameliorated if one were to be made for you. I would have preferred it be someone who deserves it.”

“For — you’d do it again? Again, Tom?”

His brows crease, and even his upset seems contrived. There’s this barricade he’s placed that you, in all your infallible knowing of him, cannot puncture. It’s agony to begin to question what he could possibly be keeping from you in a confession like this.

“You killed someone, Tom. You — I would never ask you to do that. I would never live at the cost of someone else."

“No, you would not,” he agrees, though he shakes his head like it’s incredulous of you. “Do you think, even if I knew it were certain,  a summons from the Ministry would have stopped me from saving you this summer? Do you suppose the threat of punishment would cause me to waver at that moment? I know it would not hinder you. So, you have your lines and I have mine — you never needed to ask.”

And now it hurts. The emptiness clears and you can't stand yourself for crying, but you do. It comes out in ragged, breathless sobs, clasped behind your palm as you turn away from him. 

You've loved him since you were eleven. It's always been you two — it was always supposed to be you two. What is there to say to him? He's blurring in your periphery like in the midst of your sickness, and there's nothing he can do to heal you this time. Your vision will clear and Myrtle Warren will still be dead. He'll still be a stranger in the face of the boy you love. 

“Why," you whine, a wet, hollow stain in your voice you've never cried enough to hear before. “Myrtle was — wasn't — uh —" You swallow, hysterics severing your words. You can't really think right now. Your body wobbles and your head feels puffy and hot. This might be shock. 

Tom scowls like it irritates him to watch you push yourself, like this is just the unfortunate effect of you depleting your energy in a duel, not eating correctly, treating yourself carelessly. 

Of course you can't stand or talk or think. You're you, contemplating a life without him.

“Sit," he says in frustration. You smack his hand away when he reaches for you, but the world has turned a shade darker and you're slipping into it. 

He tugs a chair towards you with a silent charge and a reprimand, and your body doesn’t possess the wherewithal not to collapse into it the second it’s under you.

After a moment you can speak again, shaking hands steadied by your knees. “Did you… did you think I wouldn't find out? You know, the only thing that can petrify someone besides a serpent is a Gorgon. And — where would Rubeus Hagrid have found one of those?"

“I thought I would have time.”

“To come up with a good lie? Something I’d sympathise with?”

He bites his cheek. “Evidently the particulars matter little to you.”

Fuck him. “Fuck you.”

“Very cogent.”

“No, fuck you, Tom. We could have — we only had a year left and then we could — we could've done anything we wanted." You're crying again. You don't have the energy to be embarrassed. “And you chose this."

He’s indignant as he steps closer. “With what money? For what life? We are better than all of them and it’s never mattered. It never will; you know that. You told me that. You’re angry now, but you must know the truth of it. I would not forsake you. I would not lose you.”

You blink up at him, mouth stuck with some cottony feeling and cheeks stiff from crying.

“You have lost me, Tom."

He stills as if suspended. Some maceration must follow but it doesn’t.

You stand on weak legs to look him in the eyes. You wonder if he can see the love in yours. You wonder if he knows you will walk away despite it. (Of course he does. You’ve never lied to him.) 

You think about how his fingers seem to always find their way to your cheek and you put yours to his. The bone there is sharp, but the skin is soft. Boyish. 

There isn't a word for a goodbye like this. It shouldn't exist and so it doesn't. You just leave.

You fail your N.E.W.T courses. Quite spectacularly.

Mari sits beside you on the train with a soothing hand on your shoulder, and doesn’t ask what’s rendered you into a comatose husk since March. There’s no crying. You chew numbly on soft caramels from the trolley and stare out the window onto the hills.

That summer is spent in your bedroom unless you’re forced elsewhere. A new girl with skin so white it’s nearly translucent sleeps in the bed beside yours, taking meals on trays like you did in your first days here, tracing the cracks in the tiles, humming to herself in the dark. She makes you feel less pathetic for doing much the same. 

You’d been right in your assumption that there would be more dead upon your return, and wrong that there would be more empty rooms. There are always more orphans being made.

And then you receive a letter. It isn’t delivered by owl (only for secrecy, you assume, because there are no muggles who’d be writing to you) but it’s stamped with a vaguely familiar crest. Not Hogwarts’ waxen seal, but something undoubtedly magical. A cockroach and a cup, you think, squinting. Transfiguration.

You tear the envelope open and pull the letter out.

It’s from Dumbledore. Some of it melds together, but the key words stand out.

Spoken to Dippet… Exceptional promise… N.E.W.Ts… May be reconsidered… Upon dispensation… Be well.

Be well.

You are not. You are something half-drowned and half-burned, never enough of one to quell the effects of the other. Sunlight is sparse through your side of the orphanage. On the radio, they warn a pattern of one bomb every second hour. The only other warning is the sound when they fly overhead, and if you can’t run fast enough —

You write your answer in a crowded tube station with a spotty ballpoint pen. Tom is there, looking between you, the dust, and your shaking hands as if to say: tell me I was wrong.

Some of your letter melds together but the key words stand out.

Thank you, Sir. Whatever you need.

It’s a shock that you live to seventh year. It’s a shock that you do it without him — though he watches, and in his gaze you feel regressed. You’re alive, yes, but there’s something there… his dead weight, death-grip; his haunting. They always speak of the dead as something heavy. Something that holds onto you even after it’s gone.

You find that to be true.

Dippet’s condition that you remain in Dumbledore’s N.E.W.T class is that you achieve more than the standard requirement. Essentially, your final exam will be much harder than everyone else's: Human Transfiguration, mastery of petty Transformation (through the means of Wizard’s Chess pieces), Conjuration and Vanishment of various delicate objects — all done nonverbally.

Even Dumbledore seems sceptical, but it translates to more rigorous practise rather than resignation, assignments he doesn’t even task to Mari, though she’s just as good, and you can’t begin to understand why he cares so much. 

“I’ll entrust you with these while I’m away,” he says before Christmas break, sliding a sheet of parchment your way with a flick of his wand.

You frown, unfolding it. His instructions are always short now — you’ve learned to decode his meaning well enough without much exposition. 

Teacup to gerbil — to cat, and inverse.

Inanimatus Conjurus spell (cockroach and cup, as instructed) to be Vanished when perfected.

Study Antar’s Doctrine. Miss Wright will act as your partner.

Due February.

It’s far too much to be done in that time. “Sir?”

Dumbledore lugs a messenger bag over his shoulder that appears small, but he carries it in such a way you suspect it’s magically extended. He smiles wistfully, pushing his spectacles up the bridge of his nose. “You know, I often regret how much this war asks of me. A consequence of my own doing.”

Right — Grindelwald. Sometimes you forget between awaiting the next muggle paper. War is everywhere.

You nod. “I hope… Good luck, Sir.”

Another half-smile as he twists open a jar of Floo Powder, and then he shakes his head with something you almost decipher as amusement. A brittle sort. Tired. “Good luck to you.”

And then he’s gone, in a swath of green flames that do nothing to inspire any desire for Floo travel in you.

Antar’s Doctrine is simultaneously prosaic and grandiose. They read like excerpts of a journal and you yawn into them over your morning tea, stirring amongst the first-years, who are the only people at the Slytherin table you can stand to sit with. Your blood status is apparently nullified by your age, and the worst they do is look at you funny. You aren’t sure what Abraxas’s — Tom’s (the new hierarchy never fails to stagger you) — lackeys would do if you sat with the other seventh-years instead. A part of you longs to know. They certainly don’t bother you in class the way they used to, you aren’t tripped in the corridors, but you wonder how far Tom’s influence can stretch. He is the Heir of Slytherin, and he’s earned them. But you are nothing.

You’d like it if he would let them hurt you. You think the incentive would be enough to hurt him back. And God — God, you want to. You want to hurt him almost as much as you want him.

You practise through the doctrine with Mari, as Dumbledore directed. When you’re able to sever Antar’s egotism from his abilities, you can see why Dumbledore would recommend his book to you. It feels like slipping through a crack in glass without shattering the whole thing. You weave in and back out, and Mari grins when she returns from the shape of a teapot to her body without you needing to utter a word to do it.

In the back of your mind, you’re aware what you’re doing is nearly unprecedented. It’s spring, you’re months away from eighteen, muggle-born, and mastering nonverbal Human Transfiguration like it’s a Softening Charm. Mari tells you you’re the smartest person she’s ever met. It makes your cheeks go hot to hear such open praise, worse when you snap out of the thought that you believe her.

Grindelwald falls. The school celebrates in whispers until the evidence is in front of them — Dumbledore, returned without a scar, a new wand in his hand — and then they’re cheers. The feast that night is a great one, and he toasts to you from the end of the staff table, a discreet tilt of his cup before he takes a sip and returns to converse with Professor Merrythought.

You take from your own, and your eyes land on Tom, spine of his goblet tight in his hand. He’s looking at you like you’ve affronted him somehow. You could laugh — by choosing Dumbledore. Of course. As if it was a choice at all.

But if it bothers him… if it feels anything at all like the betrayal you felt, then — good.

You drink, and don’t look away.

By the time your N.E.W.T.s arrive you have a renewed confidence that you’ll succeed, even with the obstacle of performing each exam wordlessly.

There are only twelve students who came out of your sixth year class, so to divide resources for the tests is no grand task. You’re given a Wizard’s Chess set, a desk with assorted vases and goblets, an intricate epergne (you had to whisper to Mari to learn its name), and a Ministry worker borrowed like some laboratory mouse. You suppose it makes sense, though — you’re all capable enough of Human Transfiguration not to mutilate anyone, and performing on a classmate could obfuscate the results. It’s far easier to Transfigure someone you know than someone you don’t.

You start with the chess set, Dumbledore and the Ministry worker observing you as you turn pawns to knights and rooks to kings, the minutiae of the pieces drawing sweat to your brow. They change, and change, and change, and you don’t mutter an incantation once. The Ministry worker puts the set away and directs you to the glass. You Switch the vases with the goblets, Vanish them, and Conjure them again. The Ministry worker takes notes. Dumbledore nods affirmatively at you and you can exhale. The epergne is the hardest; so kitschy and elaborate you don’t know where to start when you’re tasked to Transform it into an animal. 

An animal — like that isn’t the vaguest instruction you’ve ever received.

You look at it on the desk, mirrors and glass and gold on protracted arms, and you go for the first thing you think of because the Ministry worker is staring at you like you’re inept and you see it in his eyes — this is the muggle-born one, this one can’t do it. 

You’re better than them. You can do it forever.

The epergne spins at the dip of your wand, and emerges more than an animal. A big glass tank appears in its place, round and gold-rimmed, water lapping at the sides. Inside it is a jellyfish. Emerald green, bobbing, tentacles and oral arms coiling against the glass like the limbs of the epergne had spanned its centre.

The Ministry worker swallows. Dumbledore smiles.

“And — and back?” the worker says, like that will be the thing that stops you.

You point again, mouth tight with irritation, and reverse the Transformation. A droplet of water smacks your face and you’re lucky to be so hot you can disguise it as sweat. You suspect even an error that small would cost you a mark.

You wipe it away. A strange thing happens; you imagine Tom brushing the water from your cheek at the Black Lake. You imagine his fingers in the rain.

The Ministry worker steps closer with a shameless frown. He tells you to turn his hair red. You do. He regards himself in the mirror and scribbles something down. He tells you to turn it back. You do. To grow him a beard, to change his clothes, to make him taller, shorter, this and that — all read from a list he does not appear enthused to recite. You do it all.

He shakes Dumbledore’s hand when it’s done, duplicates his notes for him to keep, and follows the other Ministry workers through the fireplace when everyone’s exams are finished.

You find out you’ve passed with an Outstanding on your birthday.

Mari drags you to the Three Broomsticks to celebrate, butterbeers on her. (They always are.)

“Can’t believe we’re about to graduate,” she says into her cup, froth on her upper lip.

You sigh into your own, partially giddy and mostly nervous.

Mari squeezes your face between her thumb and finger so your frown is puckered. “Chin up, genius. You’ll be excellent.”

You push her hand away but can’t help a small smile. “Outstanding,” you correct.

“Outstanding!” She bursts out laughing. “Bloody ego on you now…”

“Well, I am the smartest person you know.”

“I take that back.”

She pushes out of her chair with a slightly inebriated wobble. “Going to the loo. Don’t touch my chips.”

Your hands raise in surrender, and you steal only one when she’s gone.

You aren’t the only ones here to celebrate. (Your birthday and your mutual achievement, yes, but the Three Broomsticks is filled wall-to-wall with seventh years drinking their final nights at school away.) There’s music charmed to reach every corner, even yours at the little alcove hidden from plain sight. It’s nice to watch from here — the stumbling, the kisses meant for mouths that land drunkenly on cheeks and noses, the barkeeps that roll their eyes as soon as they turn away from all the newly adult customers, not yet learned or careless in their drinking manners.

It is not nice to be occluded from plain sight in such a way that you don’t notice Tom Riddle until he’s inches away from your table. It is not nice that no one else notices either.

On instinct you don’t make any impressive exit. He slides into the booth next to you and your brain short circuits for a moment at the warm familiarity of his presence beside you. Then it occurs that it’s been more than a year since this was remotely commonplace — that you cannot forget the reason why.

There’s not much time to decide whether you want to be vicious or indifferent or to debate on past precedent which would bother him more. You haven’t attacked him despite being concealed enough to do it unnoticed, and you haven’t shoved furiously out of the other side of the booth.

Indifferent it is. 

“Can I help you?”

“You’re causing quite the stir,” he says, taking one of Mari’s chips.

You’re allowed. It’s infuriating when he does it.

“Am I?”

“It’s enough to fail a N.E.W.T level class and be expressly petitioned back, but to have a special criteria set for your exams and manage an O on top of it all…” He inclines his head as if to appreciate your face so close after so long. You should not let him. “You are incomprehensible. It terrifies them.”

“They’re afraid of the wrong mudblood, then, aren’t they?”

Indifference effaced. You’re angry.

He seems to have come prepared, and shrugs your scorn off like a scarf you would have forced him to wear winters ago. “Of course, they have no reason to suspect Dumbledore might have ulterior motives.”

Ulterior — you certainly hope he isn’t suggesting this is based on anything but your merit, but then — you couldn’t begin to understand why Dumbledore cared so much, could you? You’d made brief inspections of his disdain for Tom in second year, his waning shades of kindness and the matter of his stolen encyclopaedia, but you hadn’t… you hadn’t thought at all about how his dedication to your progress only begun after you’d stopped sharing a class with Tom, how it had developed as you began to drift from one another in fifth year and accelerated in sixth after the first petrification and Myrtle’s death. How Tom had worn you down with a weighted glare at Dumbledore’s little toast.

It wasn’t because you had chosen Dumbledore, you realise. It was because Dumbledore had chosen you.

“Why don’t you worry about your pets, Riddle?” you snarl, “I’m sure there are bigger problems with your lot than my exam results.”

Something in his face shifts at the name. You swell with distorted pride.

He mends the reaction by looking you over in more detail, his features schooled into something he must know you can’t deduce. You try not to squirm under the intensity of it.

He reaches almost mindlessly for your collar (there is nothing mindless about it, you’re sure) and smooths the fabric gently with his fingers. “I always liked you in this colour.”

You blink. His thumb just barely brushes against the skin of your neck before retreating, and your mouth falls open.

“Don’t do that,” you say. Truly a sad attempt. Your repulsion is more with yourself than him, and that’s not at all right.

Where is Mari?

“Your friend was at the bar, last I saw her.”

You stare at him with wild eyes. How the hell — ?

“You were always easy to read,” he supplies, and leans in so you can follow his line of sight to the tiniest sliver of the bar visible between two columns, where Mari looks deeply engaged in conversation with Leo Ndiaye, one of the Gryffindor Chasers.

You take a sharp, exasperated breath at her antics. She might be more in love with the competition than the boy himself. They’d never last without Quidditch to bind them, but you can’t fault her for wanting a bit of fun.

“Well then —” 

Right. Tom hasn’t actually moved away. You turn and his face is just there.

His eyes dart forthwith to your mouth, and — no. No, he won’t be doing that and neither will you.

“...I’m off to bed.” Stop talking to him like he’s your friend, you think miserably. Stop looking at him like he’s your —

“That would be wise.”

He’s still looking at your lips.

No one else is looking at you at all.

It could exist in just this moment, you deliberate; separate from everything else.

Except nothing about Tom exists in its own moment. He’s all over you all the time, skin and bone and soul. You hope you still have a place in the broken fragments of his.

“So I’ll be going now,” you say again.

“I haven’t protested.”

But he’s leaning in, and he has to know that’s impedance enough.

“But you will.”

His lips touch yours. “Yes, I will.”

You grab him by his shirt and you’re kissing him. You’re kissing each other like either of you know what the hell it means to kiss anyone, but you’ve learned the rest together, haven’t you? Your noses bump and you don’t care. You just need to kiss him, and — God, you make some noise against his mouth and the hand cupping your face spreads to capture more of you, greedy and wayward — he needs to kiss you too. It’s a horrible thing to know. It leads you to pose too many questions.

The need must have begun as want, and when did the want begin? How long has he looked at you and wondered what you’d feel like to kiss, touch, mark? (He’ll never have the latter. You swear that.)

You’re pulling away in intervals. “You don’t have me, you know.”

“I know,” he responds, lips on the corner of yours.

“You still lost me.”

“I know.”

“I hate you.”

He pauses for a moment. “I know.”

You kiss him again. Long and soft, memorising his cupid’s bow and the tip of his tongue, and when one of his hands moves to your waist you part from him like you’ve been burned.

“I —” You resist the urge to touch a finger to your lips, standing abruptly from the table and adjusting your shirt. Your body feels like an evolutionarily faulty vessel, too easy to please, though you can’t imagine it responding to anyone else this way. Or perhaps your mind is the problem. Not wired well enough to resist an evidently bad thing. “Goodnight, Tom.”

You thought there wasn’t a word for your goodbye, but that’s it. So simple it sinks you. Goodnight, Tom. I’ll dream of a morning where I wake up beside you, but you won’t be there.

He grabs your hand before you can go, licking his lips and it haunts you to think he’s savouring you. It stings a place deep in your chest you’d spent all year trying to heal.

“My door is always open,” he says.

He lets you go.

You graduate with Mari’s hand in yours, and you aren’t afraid.

Dumbledore requests that you stay for the summer to help him prepare for the first year’s curriculum in the fall. It’s a ridiculous opportunity for someone your age — free lodgings and a stellar impression on your resume, and — you can only accept it with an ire you haven’t felt since the spread of influenza in muggle Britain.

If he’s offering you lodgings now, he could have done it all along.

It sends you down a horrible train of thought while you move your things from the Slytherin dormitories to a little chamber a few doors down from the staff room; Tom will be removed from Wool’s this year. Will he stay at Malfoy Manor? But Tom is still publicly muggle-born — Abraxas’s parents would never allow it. Will he find a job, a flat? Will he swindle muggles once he turns eighteen and the Trace is no longer an obstruction?

You think of him often. You think of his offer.

My door is always open.

Plenty of doors are open to you now. Why should you want to go back to his?

Still, the Second World War ends in November and you feel like you can breathe at a depth you never could before. The school doesn’t celebrate like it did with Grindelwald. No one but you seems to care at all.

It’s a tempting door.

The year passes in a blur of graded papers and lessons Dumbledore sometimes involves you in and sometimes does not. Most of the first-years care little for you, but there are two Slytherin muggle-borns who look at you like a new sun to orbit. Everything is worth it for that.

You see Mari when you can, and find she’s training with the Italian Quidditch team, who apparently are smart enough to care more about skill than blood. She says she misses the complexities of Transfiguration, but any career in it was always going to be yours. Smartest person she knows, she reiterates. Biggest ego too.

The next summer Dumbledore informs you of a posting at the Ministry. Something small with a smaller wage. He emphasises the weight of his personal recommendation, but that you won’t be respected unless you claw tooth and nail for it. You don’t take long to consider a chance to make an actual income with an actual career doing something muggle-borns simply don’t do before you’re nodding assuredly and asking him what you need.

Better clothes are first, and all you can afford until further notice. You take to Gladrags with intent to purchase for the first time in your five years of wandering in the shop with eyes bigger than your wallet, and the owner looks at you with distrust when you slide her your sickles.

The Ministry job is truly, infinitesimally, insignificant. 

It’s far down in the Department of Magical Accidents and Catastrophes. You’re a glorified secretary, and you recall the few times you’d worked as a mail-sorter during the war. It’s some sick irony that you’ve landed yourself in a pile of paper once more.

But the money, though offensively scant to someone with better options (and it’s infuriating the options you deserve), is more than you’ve ever had, and within the next year you’re able to leave the castle and take a cheap room at an inn in Hogsmeade. You’re close enough to Dumbledore to aid him when he needs you, but far enough to feel like your school days are departed, and you need not worry about memories lurching unexpectedly at every corridor. 

A sick part of you still reaches for your mouth sometimes to remember what it felt like to be kissed. That part of you wishes for Tom. You could kiss him into oblivion. You could find a way to make it hurt him back.

My door is always open.

Then you’ll slam it bloody closed.

Mari invites you to her first professional game and you cheer for her in the stands, a green, white, and red scarf around your neck in place of her old blue.

She wins and you get drinks in a muggle pub. You kiss a man at the bar. You go home with him. His hair is dark, but not dark enough. His lips are soft, but the shape is wrong. He makes you feel good, but you wonder if in another life, the dream is true; you roll over in the morning to Tom beside you, and he makes you feel better.

When you can find time between the monotonous demands of your job, you’re in the Transfiguration classroom, staying behind to help the Slytherin muggle-borns with their Switching spells.

It’s one stupid accident the next fall that changes things.

A muggle bank has been robbed, and whatever idiotic, panicked witch or wizard was behind it apparently found themselves incapable of getting the deed done with a simple Imperius Curse (you can’t imagine, based on the scene, that they’re above Unforgivables), and somehow ended up leaving the building half-charred and teeming with at least six bank tellers Transformed into birds, two chirping into the floor tiles with broken wings.

“Renauld’s on it, though,” your coworker says when the news finds your department.

“Renauld?”

He’s a year older than you, a pureblood with parents in high places, and endlessly fucking hopeless.

“Well, yeah —”

You push out from your desk, files fluttering behind you. “Renauld will expose the whole damn wizarding world if he touches that building.”

“But McCormack sent him.”

“Where is it?”

“I… McCormack said that —”

“Where is it, Flack?”

“Um. Um, near King William, I think. Moorgate or, um —”

That’s good enough. You toss the Floo Powder into the fireplace and go.

The place is a mess. You don’t even have to look for it. There’s some ward around the street, bouncing muggles away like an invisible end to a map they don’t even register is there. At least that’s handled right.

But you slip through it and curse under your breath at the muggles trapped inside the wards. They’re like fish prodding at the dome of their bowl, and some run up to you demanding explanations when they see you unaffected by it. You brush them off — Obliviation is not your strong-suit — though you do shout at a pair of DMAC wizards uselessly standing guard outside the bank.

“What the hell are you doing?” you ask on approach. “Renauld’s supposed to handle the inside, yeah? You deal with fixing them.”

You point toward the frantic muggles, and the officials just regard you with vague confusion at your presence. “Renauld said —”

“Oh my God! Fix. The muggles.”

You afford nothing else before pushing past them to enter the bank.

It’s quite impressive, actually; Renauld, the result of generations of foolproof breeding, is waving his wand around like he’s just stepped out of Olivanders for the first time.

“Heal their wings,” you say without greeting.

Renauld jumps. “What? What are you doing here?”

“Heal their damn wings. They’re easier than human limbs and healing magic’s the only thing you aren’t completely shit at.”

“Who authorised you?” he hisses.

“I did.”

In hindsight, it should have gone horrifically wrong. Your wand could have been taken and your life might have been over in all ways that matter, flung back into the muggle world where you’ve always been told you belong.

But Renauld vouches for you. You Transform the walls, you fix the burns, you mend the bank to something presentable. A muggle robbery — dangerous, financially tragic, but believable. And your suggestion to heal the injured bank tellers in their animal forms might be the thing that saved them. When Renauld mends their wings and regenerates their blood, you Untransfigure them, and the other DMAC officials alter their memories with haste.

You were completely out of line and utterly right.

It isn’t something people like you are allotted.

Your probation period is dreadful. You hide in your room at the inn most days, Vanishing little stained panes on your window to feel the warm breeze of air before you Conjure them again. You help grade papers, though Dumbledore is displeased with you and the night is a silent one. He assures you curtly that he’s doing his best with the Ministry to amend this.

And… he does.

With Renauld’s help and the corroboration of the other DMAC officials, you’re back at work by the start of the school year.

It’s a slow process — almost eight months of meaningless paperwork — before the next incident occurs and you’re hectically ushered to the scene like a belated understudy. And then it happens again. And again. And again.

There’s really no choice but to promote you.

Your heroics are torn from a Gryffindor cloth, so says Flack. You urge him never to say such a thing again.

By your twenty-first birthday, you think about Tom almost exclusively in your sleep. You’re much too busy to think about him anywhere else.

The summer is warm and Hogsmeade is lively. You’ve vacated your room at the inn for a little house on the outskirts of the village, decorating it how you like — discovering what you like. You’d never had a chance to find out before.

Mari visits when she can once you have your fireplace connected to the Floo Network (you yourself prefer Apparating) but her name is slowly working its way from the Italian papers to the British ones, and she has so much to tell you there isn’t possibly enough time in her days to tell it. There’s also the matter of Leo Ndiaye, who has, recently, gotten on one knee and proposed to her. If there had been a bet on them ending up together, you would have been out enough galleons to put you in debt.

After especially gruesome days at work, you and a few colleagues make a habit of getting sherries at the Siren’s Tail, complaining that sometimes the nature of your work is akin to an auror’s but without the notoriety and pay.

“Oh, please,” says Emilia Alves, twirling her straw, “You seen the shite the aurors are up to lately? I’d rather be a bloody Unspeakable.”

“You’d have to be able to keep your mouth shut for that, Alves.”

Emilia punches Renauld in the arm.

“What are the aurors up to?” Flack asks.

“I dunno much. There was a murder all the way in Albania, s’posedly. Reeked of dark magic.”

“Nothing new,” you join, and then frown. “Why’s our Ministry dealing with it though?”

“I dunno. I got word from Hillicker that the Albanians didn’t know what to make of the mess. They’ve never seen anything like it.”

“Hillicker’s not a source,” Renauld scoffs.

“Yeah? How about you ask your daddy for something better?”

“Alves, I’ll have you know —”

You lean in over the counter. “What do you mean they’ve never seen anything like it?”

She grins. “Why? Storming a bank robbery wasn’t exciting enough for you?”

You roll your eyes, taking a drink.

That ought to be the end of it. One extraordinarily lucky incident to push you up the career ladder was rare enough — there is absolutely no way digging around a case that has nothing to do with you or your department could ever end well.

But something about it itches.

You make nice with Hillicker. She’s a year younger than you and far too kind for her own good, and she gushes freely about her husband’s work as an auror (they must be a perfect match for him to gush freely about it with her). It’s a bit manipulative. You have no excellent excuse for it, but… ambition, and all that, you suppose. Flack’s Gryffindor theory is studded with holes.

You are green, through and through.

Emilia’s updates are meaningless when you garner so much information that you’ve already heard everything she has to say over drinks, and at this point her and Hillicker might be a step behind you. Emilia still only knows about Albania; peppery little details of half a story. Hillicker discusses an assortment of murders with no real string between them, and Dumbledore regards you with cool heeding when you bring up the matter with him.

You see him little nowadays but you’ve never been close in any true sense, traces of resentment budding over the years like rainwater collects on glass until the stream finally slips.

You visit Hogwarts mostly for your Slytherins, fourteen or fifteen now, unafraid of the distinction of their blood.

And then there’s one night after you turn twenty-two where drinks take place at yours for a change, Mari and Leo included and happily wed. You have no sherries but your ale is just as well, and it’s only you and Renauld who are sober by the time everyone else is vanishing into the fireplace and going home.

That makes it much worse when you sleep together. 

There’s no excuse of having had a glass too many — so sorry, I’ll be on my way then, and him stumbling over his trousers to get out of your hair. Of course, he does that anyway, scratching the nape of his neck when he reaches your doorway in the morning.

“Thanks for the — well, you have a nice home — I do think I should —”

“Yes.”

“Right.”

“Oh!” He turns around at the last second. “Er — I know you’ve become a tad obsessed with… Hillicker mentioned another, anyway. Hepzibah something. Killed by her own elf, the aurors suspect.”

“Oh,” you echo, sheets pulled up to your shoulders. “Thanks, Renauld.”

“I thought you might like to know. Don’t be daft about it.”

You’re incredibly daft about it.

There’s something reminiscent about Albania in this case that wasn’t there with the others. The tide of dark magic ebbing across the scene, the cherry-picked information released in the Prophet, the claim of an old, dumb House Elf who poisoned her mistress like the Albanian peasant killed in some insoluble accident. 

The itch exacerbates.

You see him in your dreams again. He peers over Runes in a stolen encyclopaedia, he whispers to an adder on his shoulder, he kisses the corner of your mouth and it isn’t enough. He kills you, again and again. You kill him too.

You wake up and he isn’t there.

It’s a new low when you’re invited to the Hillicker’s anniversary dinner and you end up digging through the drawers of their study halfway through the night.

The Albania file offers nearly nothing. There was the charred residue of dark magic imprinted on a hollow tree in the fields of the peasant’s hamlet, but nothing detailing more than a blank imprint of the Killing Curse in his eyes. Still, you tuck the knowledge away for the file of one Hebzibah Smith, whose tea did indeed have traces of poison, but whose den was also ripe with a layer of darkness that didn’t line up with the Ministry’s tale of senile elf.

And then there’s the forgotten matter of her being a purveyor of ancestral artefacts. The file doesn’t recount whether any are missing, since the woman was wise enough not to proclaim all her possessions to the world, but it’s something. A scratch.

You travel to Albania that Christmas. The neighbours in the peasant’s hamlet have skewed memories, so they provide little help, but the man’s house was left almost untouched.

You tear the place apart and Transfigure it back together when you’re done.

All you find, in the end, is a scrap of an old envelope in a suitcase.

R.R

It could be that it’s old. The cursive seems ancient enough. But you swear the letters have the distinct shape of quill ink — too artful for any pen — and maybe that wouldn’t matter if it weren’t for half a wax seal stuck to the torn edge of the envelope. Stained but silver, the barest hint of two ribbons, a crest, and the letter H.

You return to Hogwarts posthaste.

It’s snowing in the courtyards and you waddle with a duotang under one arm to pretend you’re here for something scholarly, an array of excuses prepared in case you run into Dumbledore, but you don’t.

The Grey Lady is as beautiful as she’s rumoured to be. 

You ask her about her mother, and she’s silent, an expression on her face like you’ve struck her.

“Is it found?” she whispers. The snow floats through her.

Your heart hammers as you consider how to approach this. She thinks you know more than you do, which means there’s something to know.

“Yes,” you say. And you dare further with the context you know, “In Albania.”

“Oh,” she hums. “Oh…”

And if she means to say more she doesn’t seem able, washing away through the balusters, then the walls. You think of your house ghost and what he did to her, and you feel sorry for a second.

Madam Palles expels you from the library the moment you find what you’re looking for, and you rush past a throng of staring students to the staff room fireplace. It’s too far a walk to the border of the castle wards to Apparate. You bite back the preemptive sickness, get swallowed by the flames, and go home.

There are blanks to fill in but you do it easily. Rowena Ravenclaw’s diadem. Hepzibah Smith and her assortment of unregistered artefacts. The stain of dark magic. Something so rare not even the aurors recognized it.

But you do, because he told you.

You wonder on your search to find him what object he used when he killed Myrtle Warren. Nothing special, you think — maybe even the closest thing he could find. These murders involved more preparation. He got to mark them however he wanted.

It’s almost disappointing to find him here. In a little flat over Knockturn Alley with a view of charmed coalsmoke and the brick wall of another shop. 

It’s as tidy as his room at Wool’s, the only dirt the irremediable age of the building itself. The whole place looks almost slanted, large enough only for the bare necessities; a kitchen, a toilet, a bedroom that looks more like a closet, and a study/dining room/den you can’t imagine he hosts many gatherings in. You rescind the mere thought. Whatever gatherings Tom Riddle is having these days, you’re sure you can’t begin to imagine at all.

You wait, legs crossed on an old loveseat, fiddling with your wand.

The door clicks open when the snow has turned to hail and there’s no light but the few scattered candles you’d lit on the mantelpiece. 

It strikes you only when he’s standing before you that it’s his birthday.

You’re in Tom Riddle’s flat, on his birthday, adorned by the orange glow of half-melted candles, and you know everything.

He eyes you carefully, a hint of surprise at the sight of you after four years that even he needs a second to recover from. And then he's even, inscrutable Riddle again, and you dare to think, come back.

“I placed wards," he says, hanging his bag on a rack by the wall.

“I thought your door was always open.”

You see his posture change from just his silhouette.

“Wards never work in Knockturn,” you offer additionally, “not really. There's too much conflicting magic; one border cuts into another; leaves a little sliver behind if you’re smart enough to find it. You should know that." 

He turns to you. You take in a moment to acknowledge how he's changed. It's hard to see in the curtained moonlight, and it seems unreasonable to imagine he’s grown, but you think he has. An inch taller, perhaps. Two. Maybe the dress shoes. His arms are bigger under his button-down, but not enough to consider him muscular. His black hair isn't as perfect as you remember, and you suspect a long day of work undoes his curls. You always liked him better that way in school, after a night duel at the Black Lake, his robes askew and his hair a mess. Evidence that you were the only one to dishevel him. Now you were — what? Did he even think of you anymore? Yes. You'd always think of each other.

“Duly noted. What are you here for?” He tries your surname like a foreign language.

You cross your arms, and you're acutely aware that he's observing your changes too. You're not the matchstick witch he once knew. Your emotions are cultured now, taut to mirror his. You wear dull, formal grey, and that glowing green tinge that should be gleaming on you is under a thick carapace. That’s for Mari, Flack, Emilia — even Renauld. Not for Tom.

You wonder if he knows it was Dumbledore who put in the word that got you this uniform. You wonder if he resents you for it.

“There’s been talk at the Ministry," you say finally, “A string of murders. Whispers of something — some dark magic they don’t understand. And you know they're careful about things like that after Grindelwald."

“A string of murders... Hm. That might imply you understand a connective thread. Is there some sort of accusation being made?”

“Oh, I'm sure you'd be flattered by accusations. There’s not enough there, as it stands. Just whispers." You sink more comfortably in the seat and the springs make a concerning sound. “But I know you."

His hard, sharp gaze falters for a moment. You watch the flames dance behind him, the firelight playing against the lines of his shoulders, and feel your heart skip a beat. “Who else is speculating?"

“No one." Your fingers brush over the book spines on the coffee table. “I guess their attention hasn't been drawn to a book clerk yet, even if you have taken residency... here." You say it with no shortage of disapproval. 

Knockturn was never where Tom belonged. You'd once imagined a flat together in muggle London, taking the telephone booth to the Ministry together, changing the world together. It's a wish that's a lifetime away now.

“Is this a warning? I assure you, I don’t need the condescension.”

“I'm not warning you," you scoff, “I — I'm seeing you. God knows I'll probably never get the chance to do that again once you get yourself locked up in Azkaban, which you will." 

You sound exasperated. You sound half-pleading. “What are you doing, Tom? Is this — this is really what you want?"

“Yes."

You shake your head. “I don't believe that." And then some of that fiery spit returns to you, and you feel like a child again, stuck in the London tube stations holding his hand at every plane that flew overhead, scowling that you needed his reassurance. Scowling that you were afraid.

“Well, your conjecture is ever-appreciated. Shall I lend you mine? Shall I congratulate you on your revolutionary position at the Ministry? Or is it Dumbledore I should afford my thanks?”

“I earned this,” you hiss.

“You deserve it,” he amends. “But do not lie to yourself and pretend that’s why you have it.”

“Fuck you.”

He smiles. “There you are.”

“I don’t need your congratulations, Riddle. Dumbledore doesn’t need your damn thanks. But,” you say, biting back the snarl that wants out, “you could thank me. After all, I could turn to the Ministry any minute with the truth of your heritage. I could tell them about Myrtle, the Horcrux — Horcruxes.”

The humour dissolves from his face and you despise the immense glee it brings you.

“Oh, did you think I didn’t know? Didn’t understand the connective thread? You are sentimental under all that… fucking posturing, you know. I’m sure it’s all very romantic to you — making Horcruxes out of Hogwarts artefacts. Shame it’s such an insult to your intelligence.”

“Very good,” he says after a long, terse silence. You’re sure he’s thinking just the opposite.

You hum, meddling with your nails. “So what’s your plan?”

“I’d need a Vow for that.”

You laugh. “I’m not that desperate.”

“You’re also not an auror, are you?” He tilts his head appraisingly. “And yet you’ve found your way here.”

“How many do you plan to make? How many people do you plan to kill?”

“A Vow.”

“Absolutely not.”

“Tea, then? Biscuits?”

“Oh, I shouldn’t. I read in the paper the other day about a poor old woman who had her tea poisoned.”

“Hm. Terrible shame.”

Your fist clenches around your wand. “Is it paying off well, Riddle? It must be a good life if you’re willing to split your soul to hell and back to have more of it.”

He smiles at the barb in your words. “You never were good with subtlety.”

“I wasn’t trying to be subtle. This place is horrific.”

“I was referring to your inability to see more than what’s directly in front of you.”

“Oh, really? And what more should I see than a boy who’s very good at getting weak men to bow and do very little else? I’d try to see the bigger picture, but I reckon it wouldn’t fit in here.”

Tom regards you colourlessly. You are slate, Ministry-grey, impermeable like palace portcullis. 

“I suppose I should have killed you.” He says it with the nonchalance of a forgotten chore. He says it like you’re a stain. 

He doesn’t say it like he feels any terrible urgency to remove you; and you think, this time, you’d feel more powerful if he did. You think it’s far more debilitating to sit here and be looked at like he regrets wanting you alive more than he wants you dead.

“Yes,” you concur, “I suppose you should have.” 

You place your wand down on the table and scoot your chair away for good measure. “It’s never too late to rectify your mistakes.”

Tom, for a moment, looks surprised. That makes you feel powerful. You’d take more of that.

“You have wandless magic,” he tries. A weak recovery.

“Scout’s honour, Riddle.”

He doesn’t move for a moment, then fixes his wand in his hand and rises, doused in the same inscrutable calm that always used to drive you mad. Now something in you gleams with the knowledge that he only ever looks like this when he’s trying not to look like anything at all.

He steps closer and it gleams brighter. It trembles inside you and you know, distantly, that this is insane. You’re weighing your life on a childhood trust that was shattered years ago, and you don’t think you’ve ever been that good at faith, but he’s approaching you and that gleam you feel is reflected in his eyes and you just… know. Your spilled blood once crawled with his. There’s no undoing that. Half of you is made of the other.

“I should have killed you,” he repeats.

It’s a murmur. Stilted. Angry, even. Angry that you made him this and there’s no fucking rectifying it — what a joke that is. What an immensely you thing to suggest.

“Yes,” you agree.

It’s a breath. Low. Proud, even. Proud that you’re his only mistake and he’s going to make it again.

Tom kisses you. It’s a murder of its own kind. You kiss him back, and — you were always going to kill each other like this, weren’t you? It’s you and him whether you like it or not.

There should be no love in it. You know that. Love is far behind the both of you, stifled in a gasp at the back of your throat on your eighteenth birthday and the soft, selfish hands of a seventeen year old boy. This is mutual destruction. Spite and teeth and skin that’s cold under your fingers.

He was your first in everything but this.

You push back at him and feel the hunger, the need in him, like a flame as he kisses you deeper and harder, and you find yourself losing yourself to it all over again, like you're back in the dark alcove of a pub where you told him goodbye, pushing to extend the juncture. And then he lets out a hitched, gravelly sound; not a moan but enough to make you shudder.

You pull him onto the sofa and crawl onto his lap.

“How long?” he asks thickly.

You don’t have to ask what he means. You bite against his neck, nails under his shirt as you struggle to pop the buttons open. There must be a violence in all your want for him because if there isn't it's just loss. It's just another thing you'll give him without taking anything back. 

“Sixth year," you pant, “in the Deathday ballroom when we fought for the first time. You — ah — you put your thumb on my mouth. Since then."

You hear a sharp intake of breath, and his hand moves up your back to pull you impossibly closer. His voice is ragged. “Should I tell you how long I’ve wanted you?"

You shudder a breath. “Since —" And it's a bit hard to talk with the way he's rolling your hips — “Since when?"

His lips twitch into a mirthless smile, hands spanning your thighs as you start to rock against him. “When you burned me, and I sent you into the lake." 

You swallow, agonised by the slow pace his grip forces you to keep when all you want to do is go faster. 

“Your uniform was terribly wet,” he says, mouth tracing your jaw. “Did I ever apologise for that?"

“N-no.”

He tuts, the hushed sound warm and deadly on your neck. “Bad manners. I must have been distracted."

Oh. Oh, you think. It seems pointless to flush in the position you're in now, but the knowledge that he wanted you then and you hadn't even known is... all the more devastating. 

But you shiver at the question of how he’d wanted you, in what amount of detail, in what precise way. You almost want to ask. See it for yourself. 

You don't think you'd manage the words. He’s hard underneath you and your head wants to lull toward his shoulder but a big hand holds you from one side of your jaw down the length of your neck, his tongue laving up the other. Instead you’re balanced only by his hands and his mouth, rolling against him because it’s all you can do like this.

He’s marking you, you realise with a gasp, and your fingers bury in his hair to remove his mouth from its descending assault on your collar. Not that. You’d sworn against that.

Your fingers return to his buttons and he copies you by finding yours, pulling at the fabric tucked into your trousers until it’s discarded entirely. You press your hands to the planes of his chest and watch him, your mouth agape as his eyes linger on your chest.

His heart is pounding and he must know you’re about to comment on it because his lips are on yours again and he adjusts his position and your fingers dig into his shoulders at the delicious new feeling of him pressing into your thigh. 

You move for his belt. He moves for your zipper. It’s some sort of race, whatever you’re doing, and you’re at an unfair advantage when you’re still fumbling with his buckle when his hand is already carving a slow path to the band of your underwear. You're scalding under the journey of it, little stars pricking you under every new inch he explores.

He dips in and your eyes wrench shut, grasping frantically for his wrist.

“Shh,” he says softly, caressing your cheek with his spare hand, thumb finding your mouth how it did all those years ago and you want to curse him. The fucker knows exactly what he’s doing.

You shake your head, chest rising with heavy breaths as you return to his belt and scrabble to unbuckle it.

“So tense,” he murmurs. The hand at your cheek draws over your lower lip before it falls to your back to hold you closer. “Rest now.”

And his fingers trace you where you want him most, brushing past your clit as he pulls his face back to watch you.

You sink into the feeling, still swaying on his lap, a half-efforted attempt at finding friction in the hardness between his legs that feels fruitless because it won't be enough until he's inside. Your hand just grips onto the fabric of his unzipped trousers and stays there. It’s a pause. An obstacle on your path to him that you need just a moment to recover from before you’ll make him feel just like this. Better. Worse. It’s hard to tell which is which.

He’s stroking at you now, pleased by the way you lurch against him with every touch.

You have to recover, you have to make it even, you have to… you…

A finger presses inside and you moan.

“You came back to me,” he whispers, close enough to be kissing you but there’s just the stutter of his breath. It's a fucking religious thing to say, the way he does it.

“Doesn’t make me yours,” you breathe.

He shakes his head. “I know. You’ll still take it though, won’t you?”

Oh, fuck.

He makes a sound of approval. “Good.”

Good. Fine. Your hands slip from his zipper to the meat of his thighs, pushing yourself forward so the shape of him is firmer against you, and Tom slips another finger in.

You’ll take it, won’t you? Yes. 

Maybe you don’t need to tear him at the seams (though you want to) to make it even. Maybe this is punishment enough. That he can have you like this and it still won’t make you his, that he’ll give you everything and you’ll lap at it with half the greed he possesses.

You ride his hand, clutching his shoulders, rocking your hips. You take all of it, and it builds something delirious inside you, that it’s him doing this, his perfect fingers, the shape of his lips, the soft dark of his hair when you find your hands in it again. The feeling makes you stutter, and he has to move you by the waist himself to keep the momentum when you can't do it yourself.

He’s painfully stiff, pushing up against you with a degree of self-control that feels like it can only end disastrously for the both of you, and you start smattering kisses down his cheek. You tilt his head back and lick a stripe down his neck. Rest now, you'd say if you could.

But he adds a third finger and your head falls, a cry planted in his collar when you come, and you don't think you say anything.

Tom holds your legs steady, guiding you through it like this is just another one of his studies. You are what he knows better than anything else, and still he wants to learn more.

“Look at you,” he mutters, dipping you back to press his lips down your chest, unclasping your bra while you’re still breaking, the sensation swelling again when he takes a nipple into his mouth.

“Tom,” you try to say. Your mouth is the sticky sort of dry that words refuse to come out of.

“Will you give me more?”

Give, not take. You fuss into a stolen kiss, grappling again with his trousers, pulling them down until you can palm him through his boxers.

He hisses, gripping your wrist like he hadn’t just done the same to you, and then he’s pulling you up and off the couch, trousers discarded with what must be magic because you blink and they’re gone. Greedy boy. (You have no room to judge.) Your back is to the wall an instant before his fingers are on you again, pushing your underwear down your thighs until it falls at your feet like they despised to ever part from you.

You arch to feel him press against your stomach, pushing off the wall so that you can meld to him but he just closes in on you to do it himself.

He goads the heat from you when his fingers push in again, still wet, coiling how you like, where you like —

“Want you,” you protest shakily, hand on his abdomen.

That must kill him a little, because he curses under his breath (a thing he never does) and the immediate absence of his touch is cruel when he goes to free himself from his boxers. You reach for him without thinking as he does, and he pins your hand beside you when your fingers so much as graze the length of him.

You sound frail, but you have to ask. “Is this how you wanted me?”

A cruder version of you would go on. Is this how you pictured it? Taking me against a wall? Have you waited for it all this time?

And you don’t belong to him but you’re so incomprehensibly, contradictorily his. You’ll want him forever. He could do anything, and you’d be his. You could haunt him into his lonely eternity, and he’d be yours. Then, you suppose — haunting him makes him yours by principle.

Maybe you already do.

Tom practically growls into your mouth, pressing against you and — God, it’s skin on skin. He's right there. You could push forward and —

He slides in. You cry out at the feel of him inside you, the angle of it like this.

“I wanted you,” he says lowly, your legs wrapped around him, “everywhere.”

You’re gripping him so tight you think he’ll bleed under your nails and somehow you still feel on the brink of collapse when he thrusts deeper.

“I thought mostly of your mouth,” he rasps. “It felt depraved to imagine it wrapped around me, but then I thought of you splayed out before me instead. That maybe you’d like it if it was my mouth on you.”

You whimper.

“Would you like that?” he asks, hands spanning your hips to snap them into his, like you are a piece removed from him he seeks to reattach.

If you wanted to answer you couldn’t. You’re clinging to him and the rising surge inside you, carved between your legs like something sweltering and unfixable. It rushes in and he pulls out of you. He pushes in and you cry for the release of it, the moment the wave lurches over the edge, but he won’t let you have it.

“But,” he says, and your eyes want to roll back at how heavy his restraint is, callous in the tone of his voice, some leash at his neck he must tug himself lest you take it from him — “If I knew how well you’d take me like this, I would have thought of it much more.”

Taking him, again — you don’t feel at all like that’s what’s happening. You feel possessed. You are buoyant in his arms: his and his and his.

“You can — uh — you can — ”

"Hm?" He brushes down the slope of your brow, your cheek, back to the edge of your mouth, wiping a trail of saliva from your chin. “Poor thing.”

And he slams into you again, drawing a mewl from you that slices your unfinished thought.

You clench around him, flames wild and fluttering at every contact of his skin on yours, and there are too many to count. Too many points where they intersect, just some blend of bodies connected at every curve.

“You’re going to give me more,” he says, like it’s an epiphany when you already told him you would.

You remember then. What you meant to say. “You can take me too.”

You feel him twitch inside you, his pace stilling for a moment, and the thumb on your lip slips into your mouth. Your lips close around him and he curses again.

He fucks you with a finger in your mouth and his teeth clamped over your shoulder, soothing the sting with his tongue. His pace is too slow when he drags his free hand between your legs, but you understand its purpose well enough that the mere recognition almost destroys you. 

He’s patient in bringing you to the edge because there's time here. A slow agony that severs you from the rest of the world until it splits you down the middle. And he may not ever have it again.

You have to promise yourself he’ll never have it again.

But the movement of his fingers against the same spot he’s hitting inside you is too much at once, and you won’t last. You drool around his thumb. You let him mark you. You can see on his neck you’ve marked him too. And you hope impossibly there’s a scar. You hope the little death you coax from him claims him as yours for eternity, keeps him even when you're gone. You tighten, lurch for the edge, and make him mortal once more.

Tom holds you there, your cries reverberating as he sinks another finger in your mouth, and then he’s gasping at your neck, peeling back to look you in the eyes when he spills into you. Your eyes screw together and he releases the sounds you make by holding you by the jaw instead.

“Look at me,” he says, and for the strained need in it you do.

You come down to earth and you kiss him, wetness dripping down your thighs as he pins you to this moment. You love him. You’ll always love him.

He brings you to his bed after and you let him, legs surrendering their grip on his waist as you pull apart. You pant into the cold linen of his pillow. Everything smells like him. There’s something empty now; the reason you came today; the reason you left four years ago.

You love him and it isn’t enough. Not even to look at him, the sleepy hint of the boy you knew in his eyes, and know that he loves you too.

“Goodnight, Tom,” you say, finding home in the warmth of his chest.

You’ll dream of a morning where you wake up beside him, but you won’t be there.

[writingquestionsanswered]

Not to be a downer, but I actually finished my novel and now I’m confused because I don’t want to publish it. I don’t even particularly want anyone other than maybe my two close friends to even read it. What on Earth did I write 40k words (which I know is not really long enough for a novel, but it’s still far and away the longest thing I’ve ever written) for? I know people say “write for yourself” but like… am I just wasting my time? Help?

(p.s. you can leave this off anon)

(p.p.s your blog is really great 👍)

There's No Such Thing as Wasted Writing

I'm going to tackle this two ways...

#1 - "Write For Yourself" - there's a reason this common phrase has echoed through the Hall of Writers since time immemorial. It's because it's true! Writing doesn't have to be anything more than a pastime. It doesn't have to be anything more than something you do for your own benefit and enjoyment.

I have an in-joke with family members about how any time one of us does something the least bit crafty, DIY, skilled, whatever, a particular family member will always say, "You did a great job! You should do it for a living!" Like, someone can't even crochet a Kawaii mushroom without being pressured to turn it into an Etsy dynasty, or paint a cabinet without being pressured to become the next Property Brothers. And that's such a BANANAS capitalistic mindset, isn't it? This idea that nothing can be done purely for our own enjoyment. That you can't just write a novel because you want to... you can only write it if you plan to share it or publish it? It's just so silly.

And, the thing is, we don't even apply that mentality to a lot of other things people do purely for enjoyment. No one is streaming all of Bridgerton in two nights and saying, "I enjoyed every second of that, but why did I do that? Such a waste of time!" No one spends an hour strumming their guitar under the stars on a beach, and then says, "That was so relaxing and fun, but I didn't charge for that performance and I didn't record it to sell it, so that was obviously a waste of time."

You know what I mean?

#2 - And Anyway, Practice Makes Perfect - And if you keep writing--even if you continue not to share or publish--you'll get better and better with each story you write. Which, maybe all that means is you get to appreciate your own improvement, but also, should you ever change your mind and decide to write something to share or publish, you've now spent time honing your skills. Even if those other stories never see the light of day, they're still an important foundation of the writer you become. Do you know how many unpublished novellas, novels, and short stories I have? Too many to count. Hundreds of fan-fiction and original fiction short stories I've only shared with one or two other people, if anyone. A dozen or so novels and novellas that have only been read by a few people, and some haven't been read by anyone else or have only been read by my CPs. I would never consider those stories and novels and novellas to be a waste of time, because I know every single one made me a better writer. My published work is better because I wrote those other things.

So, I hope that makes you feel better. At the very least you hopefully enjoyed writing your novel--or at least got something out of it--and you definitely honed your writing skills, which matters! ♥

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I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

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[vincentbriggs]

Do you need a sewing machine to start making shirts and vests? Is hand sewing an option worth considering, or should I invest in a machine, in your opinion?

That's really a matter of personal preference!

Do you need a machine? Absolutely not! Every garment ever made before the 1840's was sewn by hand, and a lot of them after that too. I've sewn many garments completely by hand, including the early 18th century tiddy-out-violinist shirt, these bright orange breeches, and this green waistcoat.

Is it nice to have a machine? I think so, but again, individual opinions vary!

One of the costumers I follow sews everything 100% by hand because she finds it meditative and isn't interested in using a machine at all. Some people hate hand sewing and prefer to do everything by machine, with maybe a bit of hand finishing if they absolutely can't avoid it.

I do about a 50/50 split overall, maybe skewing a bit more towards hand sewing. I like to do pants, shirts, and nightgowns mostly by machine with some hand finishing, but for jackets and waistcoats I usually do considerably more hand sewing than machine, because I like 18th century tailoring techniques and think they give a nicer looking result. I do most of my buttonholes by hand, or I do them by machine first and then cover them in hand stitching.

Most people who sew do at least some of it by machine, but again, I don't know which way you prefer to work, so I'd suggest trying out both to see how you feel abut them.

For hand sewing, I suspect a lot of people hate it because they're using shitty needles and/or shitty thread, and perhaps haven't found good resources for hand sewing techniques.

Here's a post of hand sewing advice that I found quite helpful a decade ago. Use good needles because the eyes of the cheap ones have jagged edges and will ruin your thread! Use nice thread because the wrong kind will be twisty and tangly and will fray more!

Thimbles are good and useful, and typically they go on the middle finger of your dominant hand, and you use them to push the needle. I prefer metal thimbles and dislike using leather ones, but some people prefer the leather ones, or rubber ones.

The metal ones come in sizes, and I don't know how to find out your size aside from trying them on in person, but I know I'm a size 11.

One very important thing is that if you're hand sewing a garment, look for hand sewing specific instructions on how to do the construction techniques you're going for. A lot of the time when someone nowadays is trying to figure out how to hand sew a thing they'll just try and copy the machine sewn version, and a lot of the time that's inefficient and more difficult and the result looks worse, because machines and hands work very differently!

This is something I'm going to briefly discuss in the outro to the very long shirt video I'm working on, because it's so very common, and I've done it too! On several of my earlier hand sewn shirts I didn't know to turn the edge in on the front slit and do a little narrow hem, so I instead sewed on a facing for the front slit and cut and turned it, just like I'd seen on machine sewn shirts. This made it about 3x more time consuming, and the result was much bulkier and looked worse.

I've got so many more things to say about sewing but it's almost bedtime and I don't want to make this post too long.

For machine sewing, again there's a lot of personal choice. Some people like newer machines, some people like vintage or antique ones. I'm one of the ones who prefers solid metal vintage machines. I grew up using an old cast iron Singer, and the newer domestic machines just feel so plasticy and insubstantial to me. I'm used to ones that just do straight stitch and can also go backwards, but some people are perfectly happy with ones that can't even backstitch.

I do think that for a beginner the vintage machines are a better deal, because if you're patient and look around for a while you can snag one for really cheap at a thrift store, yard sale, facebook marketplace, etc. Also they're mostly metal and therefore harder to break.

I recently got a Pfaff (from I think the 1960's?) at an estate sale for 25 bucks. The zig zag mechanism is stuck and needs fixing, but I cleaned & oiled it up and it works just fine for regular straight stitching.

There are SO MANY online resources for how to clean, oil, and fix vintage sewing machines, especially the more popular brands, and a lot of the time cleaning & oiling is all they need. Read the manual and get an oil bottle with a nice long pointy thing so you can reach all the parts, and get some compressed air to whoosh out the fuzz. If it's old and hasn't been used in years, turn the hand wheel and observe every single place where metal rubs against metal, and Make It Greasy There.

(If you don't have the manual, you can often find those online too. I even found the service manual for my new-old Pfaff! I have the original users manual, but this one's for the people doing repairs.)

Oh this post is getting much too long! If you don't know yet if you like machine sewing, try seeing if you can use one without owning it, perhaps at a sewing class or in a makerspace. I know some libraries can loan out machines. A sewing class would probably be a good idea actually, if there are any available where you live!

Much like how you'll have a bad time hand sewing if you've got shitty supplies and no proper instructions on good techniques, you'll have a bad time machine sewing if it's not oiled well and if the tension is uneven.

There are so so very many things to learn about sewing and I hope I'm not making it sound too overwhelming, because I promise it's not if you take it one step at a time!

Also, when someone who's been sewing for a long time says "You may think you can ignore (piece of sewing advice), but actually that's bad and you will regret it", they're usually right. Oh, how I regret not learning to use a thimble years earlier than I did...

Sorry this post is so long, I hope it's helpful!

Basically, there's no one best way to sew anything, and you should try different stuff and see what works best for you, because everyone has different preferences.

[writingonleaves]

to not know who i am, but still know that i'm good long as you're here with me - jack hughes

pairing: jack hughes x original female character

warnings: swearing, mentions of alcohol, nothing much else i can think of!

inspired by + title: i like me better by lauv

word count: 6.4k

author's note: hello everyone!! i feel like i've been in such a rut lately but i'm glad i managed to write this one out! this is for the lovely @wyattjohnston for her winter fic exchange 2k25. demi, thank you as always for your hard work in putting this together and i hope you enjoy. sorry that it's a few days late! to everyone, please let me know what you think!!

*****

When Maia Flaherty left her usual lunchtime coffee run with a number from one very Jack Hughes, she didn’t really quite know what to think. 

“No pressure,” he had said with an easy smile. “I just think you’re pretty and the glare you gave that couple that was making out at the table next to you sold it for me.”

As she stares out on her train ride home, she’s deep in thought. This might be just a one date thing and then they find out they have nothing in common and they move on. But she knows herself. She doesn’t fall fast, but when she falls, she falls hard. What if she ends up falling harder than him, setting herself up for heartbreak. But she knows that’s also unfair to him, especially because she doesn’t know him. She appreciates his boldness in asking her out, but she doesn’t understand how he can be so confident and sure that he wants to go on a date with her. To be fair, maybe he’s only looking for something casual, to which she has even less of an idea of how to handle it, because she has never done casual and doesn’t think she could do it. 

As she’s walking the streets back to her place in West Village, she thinks about how to approach this. Knowing her, she’s too curious to not text him and she probably will think on it over the weekend. But, should she protect herself and go into this as just meeting a friend or go into this romantically? She admits that he is cute and she was the slightest bit charmed by him, but she knows that she knows nothing else about him. She takes the time to look up some of his highlights of his career (he had dropped his Instagram handle to her “just so you know I’m a real person”) and she knows that he’s good. Almost annoyingly good. As a University of Minnesota alum, she’s familiar enough with hockey as a whole. She stalks his Instagram and doesn’t find anything much besides posts with family, friends and teammates. Pretty average. But she’s still weary. 

Monday morning rolls around, and on her train to work, she takes a deep breath, clicking on his contact and copy and pasting what she had written last night. 

hi!!! it’s maia from the cafe. if the offer still stands, i’d love to go out on that date 

Not even a minute later, and she gets a response. 

what a wonderful text to get on a Monday morning

the offer absolutely still stands. what’s your schedule looking like this week?

not around during regular people work hours so monday-friday 9-5 won’t work

my weekend is pretty empty atm but idk if that works for you? i’m assuming you have games this week

no games this weekend, for once. all weeknight games.

lucky timing

lucky indeed. you around Saturday for lunch?

works for me!

you’re in jersey right? i can come out to you if that’s easier

are you kidding me?

i’m not gonna make you come out to me, especially because I’m the one who asked you out

where are you in the city? I’ll come to you

She smiles to herself.

I’m in west village, but i can meet you anywhere 

i’ll do some research after practice and get back to you?

sure

i also can suggest some places as well!! 

appreciate it. i got it though. i’m the one who asked so I feel like it’d be unfair to ask you to plan

Huh, she thinks, being surprised again. She doesn’t have much to compare to, but she can’t remember a single date she’s been on where she hasn’t been the one planning.

okay lmk if you need my help! no rush we have a whole week 

(Jack has a break in a morning practice and he’s just staring at his phone with the biggest smile on his face. His teammates are all making fun of him, but he pays them no mind. It’s not new for them to poke fun at him for texting girls, but he knows, he just knows that this one is different. 

He also kinda likes the idea of “we.”)

kinda wish we didn’t

oh?

saturday is so far away 

you’ll survive

She gets into the office just then and her phone is forgotten as she’s thrown into spreadsheets and meetings. It isn’t until 4 p.m. where she has the mental energy and time to look at his responses. The last text he had sent was two hours ago.  

i found a place. well, a couple

i asked some of my friends who know the city better than I do

*screenshot of list in Notes app*

i tried to find places in different parts of Manhattan, mostly in West Village. i don’t know where exactly in that area you are and how easy or hard it is for you to get wherever

sorry, just realized I’m spamming you and you’re probably working

I’m so sorry i left you hanging work was literally insane until now

honestly all of these places sound wonderful

i’ve been to a couple of them before so tell your friends they have good taste

any one in particular you like?

you choose

since you’re planning it after all 

lol

i really don’t want you having to travel that far

i literally live in nyc so if I want to see any of my friends who don’t live by me I have to travel far

and you’re literally coming from jersey

i’ll be fine with any choice you make

seriously 

He chooses one of her favorite Greek food joints about 10 blocks from where she is and she tries to put it away in her mind. She still has this whole week to go. She’s known for years that she gets overwhelmed and stressed if she thinks ahead occasionally, and this is definitely one of those times. 

(There’s a game on Wednesday night, and her best friend and roommate Carrie urges her to put it on TV in the background while they’re eating dinner. Carrie knows next to nothing about hockey, so Maia tries to explain it to her. But most of the time, she’s quiet and her eyes are zeroed in on 86. Or trying to, because everyone skates so fucking fast. He scores a goal and assists another, and she knows that that’s literally his job, but she can’t help but feel something watching him skate around so confidently. 

She’s always respected the skill it takes to play hockey. Skating is hard. But the hockey attitude wasn’t always something that she loved. She understands that she’s projecting a lot of unwarranted judgement. But she doesn't think it’s all based on lies.

As the minutes wind down in the game, she zones out. She really doesn’t understand how or why this literal superstar of the sport just approached her and after knowing literally nothing about her, asked her out. This shit doesn’t happen to her. She also knows the usual crowd that hockey players go for. She’s not blonde. She’s not a model. She’s not anything like that. 

What does he want from her?)

*****

She wakes up Saturday morning a bit groggy, thanks to the glasses of wine her and Carrie had the night before. She goes through her morning routine, but decides to forgo the coffee and make a smoothie instead. She usually likes to sip on her coffee for hours rather than down it all in one go. And she knows if she downs it, she’ll start shaking. 

She doesn’t need to be shaking today. 

Carrie stumbles out when Maia just leaves the bathroom and offers to make a smoothie for her. With a yawn, Carrie nods as she slides past her to go into the bathroom. 

It’s 9:48 a.m. They’re meeting right at noon, so she has a bit of time. Her phone buzzes right after she finishes cleaning the blender. 

good morning! see you soon

She just sends back a couple of emojis, before scrolling around on her social media accounts, sipping on her smoothie. It’s just the waiting now that’s making her more nervous. 

She already knows what she’s gonna wear. An olive green sweater she bought recently that she’s been loving, black leggings, brown booties and earrings that she got years ago when she studied abroad. She’s leaving her hair down and putting some light makeup on. Nothing crazy. This is literally lunch. And she’s not gonna overthink for a boy. 

Carrie proves to be a good distraction, simultaneously hyping her up, assuring her and talking about other things to keep her head level. She walks to the subway station and goes on the train, airpods in. This is all routine. The way there is no stranger to her, often meeting up with her brother for dinner around the area. 

She checks the time. On time. 

She approaches the restaurant’s front at 11:57 and decides to walk in and grab a table. She stops in her tracks when she sees that he’s already there, in the corner by the window that she usually loves to sit at. He’s wearing a gray sweater and blue jeans, a baseball cap flipped backwards on his head. She waves off the hostess and heads in his direction. 

He looks up from his phone and immediately locks it, standing up. She smiles in greeting and he comes around to grab her bag as she shrugs off her jacket. She thanks him softly, to which he just smiles back at. As she’s sitting down, he pours out some water.

“You didn’t get lost getting here?” She jokes. 

He rolls his eyes. “I’m not that directionally challenged. Just not used to it.”

“That’s what you get for living in Jersey.”

“Oh. So that’s how we’re gonna play this?”

And that just sets the tone for the rest of the date. It’s…surprisingly easy. The follow up question immediately is if she’s from the city, to which she snorts and says “absolutely not,” but she’s been living here for over two years now. She grew up in Buffalo, she says, and went to college at University of Minnesota, to which he, of course, widens his eyes. “You went to Minnesota, and you’re not a hockey fan?” She rolls her eyes. “When did I say I’m not a hockey fan?” She talks about how yes, she went to a couple of games when she was there and they were always fun, but she wasn’t necessarily an avid fan. 

He talks about growing up in Toronto even though he was born in Orlando and then going to Michigan and how hockey was literally just his life from a young age, especially with parents who were also involved, as well as an older and a younger brother growing up to play too. Sure, she knows all of this (she couldn’t help herself and did enough research), but it is nice and different to hear from him directly. She does slip for a second and makes fun of his private school upbringing (“It tracks.”) but the shocked delight on his face lets her know that he doesn’t take offense. 

As they order the food and it comes and they start eating, she lets herself be charmed. She didn’t expect him to be so…normal. Normal in the way that she often forgot that he was one of the best hockey players in the country. Normal in the way that parts of him remind her of her closest guy friends. But then he would mention something about his career or just a random detail in his life that would make her remember. 

She notices that he also is very aware of how much he talks. It’s natural for her to ask more questions, because that’s just how she’s wired, but he turns questions back to her that excite her or make her laugh, and then she goes on a minor tangent. It’s very back and forth. Balanced. 

She’s having a really good time. 

She expected him to be more…straight-forward in terms of flirting, due to how he asked her out, but he’s not. He seems a bit nervous at times even, chuckling adorably and avoiding eye contact, but then he says something that’s so just so incredibly confident that makes her flustered or let out a scoff of disbelief. 

Before they know it, they’re done eating. She protests when he immediately grabs the check and pulls out his card, to which he just playfully glares at her for. She does relent and thanks him, and she’ll never forget the boyish smile he gave her. 

They’re both on the same page, not wanting their time together to end quite yet, lingering to leave. And then she suggests grabbing a coffee from a place around the corner and walking to a nearby park. She teases him, asking if he’ll get cold to which he scoffs at (“I’m basically a Canadian and I live at the rink. I’ll be fine. Will you?” She laughs. “I was born and raised in Buffalo. Don’t worry about me.”) 

They grab coffee (to which she puts her foot down and pays and he lets her), him a black coffee and her an iced chai, and she leads them leisurely to a nearby park. It’s a little chilly, but it’s not windy which is good, and they find an empty bench and sit down, their conversation and battering just coming so incredibly easy. Even to the point where sometimes, she’s not necessarily calling him out, but she’s challenging some of his thoughts. She’s not shattering his confidence at all, but definitely subtly giving him a reality check and just being honest.

And not even purposefully. It’s just how she is.

(He really appreciates it, actually. It’s been awhile since someone who he’s just met isn’t afraid to challenge him off the rink. He loves the attention and always has, and she’s giving that to him, but there’s also something innate in her that’s so grounded and in turns, grounds him.)

But it’s also different. It’s different when he randomly throws out a compliment here and there, saying how he loves her laugh and how cute she is. The way he’s paying attention to everything she’s saying. The way he just can’t help but chuckle almost incredulously because she’s so much more than he imagined, even though he’s the one who asked her out. 

Before they know it, it’s almost 4 and they’ve been chatting the whole time. Yet somehow, it still feels like they could keep going. She walks him to the nearest subway station since it’s on her way home. She gives him a farewell hug and he follows his gut and kisses her on the cheek, promising to text her. She smiles one more time before turning to walk back to her apartment.

When she gets back to her place, Carrie’s there and ready for a recap. She says everything she can remember them talking about, which is a lot, while Carrie just listens carefully. Throughout it, she’s trying to downplay it, probably for self-preservation purposes, looking back. Carrie lets her dwell on it occasionally, but also interrupts when needed to try to assure her friend that she’s a catch and there’s a reason he asked her out in the first place and she can’t play herself down like that. 

What she knows for a fact at this point is that she likes spending time with him, and she does have romantic feelings for him. Everything else? She has no idea. She has no idea if they’d pair together well. She has no idea what he wants from this. She has no idea how he actually feels about her, because he could’ve just thrown out those compliments because he’s naturally flirty. It wouldn’t surprise her. And god, she can’t help but let her mind wander into his career and being in the spotlight and how that just affects…everything.

She just doesn’t know. 

(Meanwhile, he returns to an empty place, Luke out with some friends for the night. He can’t stop smiling, replaying the whole day in his head. She’s just so much more than he expected, able to keep up with his quips, often beating them. She laughs and smiles so freely. She’s so damn smart. She’s beautiful. 

He’s had his fair share of hookups and casual things, but this? This is different. It’s scary, he thinks, that he’s this invested after one date. It’s unfamiliar territory, and there’s so much more he wants to know about her. 

He needs to know everything he can about her. Before she figures out that she’s way too good for him.)

*****

Four weeks pass, and they haven’t seen each other. There have been some sporadic texts here and there, but with the chaos of both their jobs and then Thanksgiving, it hasn’t accounted to more than that. 

(She’s trying to get over it and let it pass. He wants anything but that)

On an early December evening, Maia’s just finished cleaning up the dishes when she gets a call. When she sees his name, she blinks. She clicks accept.

“Hello?”

“Hi. It’s Jack.”

She can’t help but chuckle a bit. “Yeah, I know. What’s up?”

“How are you? How was your Thanksgiving?”

“I’m doing okay. Thanksgiving was good! I got to go back home for a few days. How about you? Did you even have a break?”

“Not really. I had some family come to watch some games though, so that was nice.”

“I’m sure it was,” she hums. 

“Listen-I…I know it’s been awhile.”

“Almost a month.”

“Yeah,” he breathes out guiltily. “I-I’m really sorry about that. I’ve…the season’s just been so crazy and, yeah. I’ve been meaning to reach out sooner, but just, like. Yeah. I’m so sorry.”

“It’s fine,” she replies automatically. “I get it. Your schedule is crazy. I feel like you have a game every other day.”

“You’ve been keeping up?” He teases lightly. 

She rolls her eyes. “A bit more than I used to, sure. But that really doesn’t mean anything.”

He laughs a bit, before settling down into a serious tone. “If you have time, or if you even want to, because I totally understand why you wouldn’t, I’d love to go out again. I just, I had a really good time with you last time. Again, I know I…if you say no, I get it.”

It’s silent for a couple of seconds, but she knows her answer. “I’d love to.”

“Really?”

“Really,” she smiles to herself at his surprised tone. “You surprised?”

“A bit. I mean, I kinda fell off the face of the planet. I would understand if you didn’t want to see me again.”

“Jack.”

“Yeah?”

“When are you free?”

He sighs. “This week? Not much, unfortunately. I’m only around for dinner tomorrow and Friday, and then I’m gone for a few days on a stretch of away games.”

“Wanna do tomorrow?”

“You around?”

She snorts. “I’m not as busy as you are, Mr. NHL. I’m free most weeknights.”

He lets out a low laugh. “Okay, yeah. Tomorrow night’s perfect. I’ll actually be in the city in the afternoon to meet up with a friend so I’ll just stay and meet you around there.”

“Oh good. I don’t have to pretend I want to go to Jersey.”

“This again?”

She laughs. “I can choose this time. Do you know where you’re meeting your friend?

“Yeah. I have his address. Hang on, I’ll send it to you.” Seconds later, her phone buzzes and she briefly looks at the location on Google Maps. 

“Oh. Battery Park. That’s close to where I am. You must really like this friend if you’re willing to travel that far. It’s a pretty long way from Newark.”

“Right? That’s what I told him. So, tomorrow night, yeah?”

“Yeah. I can figure out a place and I’ll let you know tomorrow morning the latest if that works? What kind of food do you like?”

“Anything you like.”

“Jack.”

“I mean it.”

“Okay, okay. How does ramen sound?”

“Perfect. I gotta go, but I’ll see you tomorrow, okay? I’ll text you,”

“See you tomorrow.”

“Can’t wait.”

Tomorrow comes, this time at a lowkey but busy ramen place where they’re sat side by side and their knees are touching. Jack’s hair is out this time, and the waves are falling across his forehead and she just loves the way it looks. He notices the two rings she’s wearing as one quickly catches a light in the restaurant. They continue on from the last time they talked but this time, swimming the surface of deeper conversations. 

She talks about her constant doubts about her job and how she sometimes just wants to pick up and movs somewhere else and start new. He talks about how he knows he’s good at hockey and knows this is the only path for him, but how he recognizes that outsiders look and sometimes see a sell-out or someone who doesn’t work hard. But he’s learned to just put his head down and play and to do it well. That’s something she can also relate to. 

She talks about how her relationship with her older brother is one that she’s found to be very grateful for, especially because they’re so far apart in age. A lot of who she is is based on his personality. He talks about being the middle child and being close in age to his brothers, and how competition was always just built into every activity they did. He’s realized, especially as he’s gotten older, how much he appreciates his brothers and having all three of them being in the same league, with Luke on the same team, and going through similar experiences but also completely different trajectories. 

(Somewhere, they both take a few sake shots and Maia’s not quite drunk, but buzzing, her laughter more free and her face redder).

Even semi-intoxicated, she decides not to ask the questions she really wants to yet that focus around them and what they are, unclear of where they stand. They’re sitting so close to each other and she relishes in it, wanting more. When she runs a hand through her hair to push it back, she notices his eyes flickering at that action, which means…nothing. She has to break away eye contact sometimes because he’s just staring at her so intensely. 

No wonder he has girls wanting him left and right, she thinks. She’s kind of no better. 

Towards the end of the night (he paid again and she only let him after he said he would let her pay next time. Next time), they plan out vaguely when they’ll see each other next. He’s away for the next week or so, and she just shrugs. She gets it. It would be naive of her to think she can change it. “I’ll let you know the second I land,” he says, and she just nods. She then jokes that maybe their next date could be skating, and he rolls his eyes, though he takes it into consideration. When he asks if she’s serious, she snorts, “I mean, sure. But you’re not gonna have to teach me how, if that’s what you’re going for.” He laughs. Loudly.

When they part ways, he hugs her tightly and for a long time. She breathes him in subtly, her eyes fluttering shut when she feels him press a lingering kiss on her forehead. 

Maybe that’s when she should’ve asked. Because that act was way too intimate to feel friendly. But she didn’t, and she watched him walk away, chuckling as he turned around to shoot her a parting wink. 

She went to sleep that night, somehow, with so many thoughts circling around her mind)

*****

Maia has an idea of when he’s landing, so she’s not surprised when she gets a call on a Thursday night.

He seems a bit out of breath, and she asks him if everything’s okay. Everything’s fine, he says. He just landed back in Newark and is heading home. He cuts to the chase, and asks if she’s around the next night. She blinks, because she knows he has a game. He clarifies. Is she around after the game? (“Or for the game,” he adds quickly. “If you want to come, I can get you tickets.”) While she’s flattered, she knows that’s crossing a line at this point and she politely turns down his offer. But yeah, she says. I’m around after. What’s up? He asks if he can take her out on a date. And she knows her answer (it’s obviously yes) but she says only if she’s allowed to go to him in Jersey. He protests immediately, but she shuts him up (“Both of our dates have been way closer to where I am. It’s only fair, Maia.”) 

It’s gonna be a late night date, since the game (assuming no overtime) won’t end until at least 10:00. He’s not sure what he has in store, but she’s okay with not knowing. The only thing he assures her of is that he’ll drive her back into the city afterwards. Traffic should be light, so she doesn’t fight him. 

(That should’ve been another hint that this was something worth pursuing. She has a hard time letting go of control of plans, especially with people she hasn’t known for awhile.

She trusts him already)

When he hangs up, she thinks for a second. He had told her during their last date that he would let her know the second he landed. 

And he did. 

Huh.

*****  

The next night, she’s nervous. 

Dinner’s already been eaten. She caught the first period of his game, but had to leave to catch her trains to meet him. With encouraging words from Carrie paired with some hype up music, she’s on her way.

When she steps out of the station on this abnormally warm December night, she immediately sees him leaning against his car. His hair is damp from the shower he probably just took, and he’s sporting a peacoat over a sweater and blue jeans. 

He perks up when he sees her and she practically skips over to him. She smiles and pulls him into a hug, and she feels him press a light kiss in her hair. 

“Hey.” She says softly. 

“Hi,” he mutters in her hair, pulling away to lean down and place a kiss on her cheek. “It’s good to see you.” He opens the door for her as she slides in, and she’s thankful that she followed her instincts and dressed comfortably in her beloved Minnesota sweatshirt, stifling a yawn as she thanked him. She puts on her seatbelt and leans back, watching him climb in. 

He turns to her, “Wanna aux?”

“Are you sure?” She asks, already fiddling around to connect her Apple carplay. 

“Yeah. Why wouldn’t I be?” He chuckles, looking behind him to pull onto the road. 

She shrugs. “What kind of music do you want?”

“Whatever you want.”

She snorts. “You don’t mean that.” She scrolls through her playlists and debates on which one to do. “I saw that you guys lost. I’m sorry.”

“It’s fine,” he replies automatically and she catches his eye and gives him a look of doubt. He corrects himself. “Okay, it’s frustrating, but none of that right now. I wanna hear about you. How’s your week been? Did that thing with your boss get resolved?”

She blinks. Right. She had mentioned that briefly when he called her earlier in the week. “Kinda.”

“Kinda?”

“Yeah,” she sighs. “I don’t know. You gotta learn which battles to fight, you know? This one is one I don’t have to win.”

He nods with a soft hum, stopping at a red light. “Do you like milkshakes?”

She chuckles a bit at the change of topic. “I don’t mind them.”

“Wanna get some right now?”

“Would it matter if I said no?”

“No,” he admits. “Because I want one.”

“That can’t be on the diet plan you athletes have going on.” 

“Oh, it definitely isn’t. Worth it though.”

“Do they have oreo or cookies and cream?”

“Yes.”

“Then yes.” He grins, and she takes a couple seconds just to watch it. “Thanks for coming to get me.”

“Thanks for coming out to Jersey at 10 pm.”

She chuckles. His heart drops to his stomach. “I had nothing else to do on a Friday night.”

He snorts. “Yeah, okay. I don’t believe that.”

“Really?”

He shrugs.

She leans back into her seat. “I don’t have the energy to hang out with people every night. Respect to the people who do. That’s just never been me. I can sit for hours and not talk to anyone.”

“You’re an introvert, then.”

“Is that surprising?”

He takes a second to think about it. “Yes, one, because you always talk about your friends so I know you have a lot. And two, because we literally talked for four hours on our first date.”

She shrugs, looking straight ahead of her to get the courage to respond. “There’s very few people in my life who I can talk with for hours.”

“I’ll consider myself lucky, then.”

She looks back over to him, watching as he shoots her a quick smile before he focuses back on the road. “How’s your week been?”

“The usual. Practices and games and travelling in the west coast, so I’m a little jetlagged, which isn’t great.”

“I didn’t realize that you guys play games like, every other day. Which is dumb, because like, it makes sense, but that just sounds exhausting. What am I saying though? It’s literally your job.”

He laughs softly and she tries to ignore the warmth spreading across her skin. “It can be tiring, for sure. But yeah, I love it, you know? Wouldn’t want to be doing anything else.”

“I know exactly what you mean.” Just then, they pull into this small, unassuming diner and roll right through the drive-thru. He orders a chocolate milkshake and she gets an oreo one, and before he can think about it, she forces her credit card in his hand. He laughs and relents, and they pull out and are back on the road quickly. She sips on her milkshake and smiles to herself, not even asking where he’s driving them to next. 

(She thinks they could be anywhere and she’d still want to keep talking to him forever. He thinks that practically every worry in his life could fade away if he could look at her smile for the rest of his life)

He rolls up to one of his favorite views in Jersey of midtown Manhattan, finding an alcove and backing his car into it. Hamilton Park. They both get out and all she can do is stand there and admire the stunning view, milkshake in hand. She’s literally breathless. The last time she remembers feeling like this is when she saw the Pantheon for the first time nearing midnight with her brother when they were in Rome in 2022. She doesn’t notice him unlocking the trunk and setting up the backseat with blankets and pillows until he softly calls her name. 

(When her eyes met his, the glow of Manhattan in her eyes, he swears to this day that his heart skipped a beat. He was hers already then)

They settle into the makeshift couch, not quite touching but really freaking close. 

“It’s beautiful,” she says softly, just looking at the view. 

He hums, his eyes flickering between the view he knows too well and the girl who makes him feel better about who he is simply for just being around. It sure is. 

She lets herself admire the view silently for a minute or so more, before she can’t take it anymore. “Jack?” She asks, still looking out. 

“Yeah?”

“What are we doing?”

“What do you mean?” 

Wrong answer, if the unimpressed expression on her face is any indication. She nudges her knee with his. “Come on. You know exactly what I mean. What are we doing? What are we?” 

He shrugs, trying to ignore the frogs in his stomach. He should’ve known she was gonna bring it up first. She’s too smart not to. “I-I like you. Wouldn’t have chased after you if I didn’t. You-you’re amazing, you know that? I don’t think you realize how much you can just stay on someone’s mind. I know this is only our third date, but I feel like I’ve known you my whole life and I like who I am when I’m around you.” 

She swallows, pausing to sip her milkshake and wiggling into the blankets. He thinks she’s adorable. “I haven’t liked someone in so long. I thought I forgot what it felt like. But then you asked me out and I see a text from you or hear you through my phone or see you on TV, and I’m like oh. I think I remember what it feels like now. It feels like this.” 

He has to take a second because oh, maybe her dreams of becoming an author aren’t just words. “Yeah?” 

“Yeah.” She swallows again. “But I, I can’t do casual. I never have. I really, really wish I could

sometimes. So if that’s what you want, I can’t do it.” 

“What makes you think I want casual?” 

She snorts, “Because you’re a hot and talented hockey player? You can’t blame me for making the assumption.” 

“You think I’m hot?” 

Maia smacks him in the stomach. Jack laughs. She takes a breath. It’s now or never. “I just, I know you have girls in your DMs and your comments and everywhere else that are prettier and maybe could give you more of what you’re looking for or something that’s not…me.”

“You’re beautiful.”

She lets out a small noise and smiles slightly. “Thanks. But, I-I know that you have so many options. I won’t be hurt if I’m not the one you choose.”

He taps her knee so she’s paying attention and listening to his next words. “I-I’ve done casual before. I don’t think I can do that with you.” 

“You can’t? Why not?” 

“Well, A, because you don’t want to, which leads to B, I don’t want to. Not with you.” It’s his turn to swallow now as he looks at the skyline. “I really, really like you, Maia.”

“Yeah?” 

“Yeah.”

“All in?” 

“All in.”

“You completely sure?” She interlaces her hand in with his and raises his knuckles up to her lips. He’s utterly floored. But he’s nervous. And she can sense it. 

“Yes. I just…it’s, I’m not trying to backtrack. I mean, you’ve already seen some of it. Like, during the season, it’s intense. Game every two or three days, practice pretty much everyday, stretches of roadies and being away. I feel like, not that I doubt you or us or anything, but that’s not, I won’t be around as much as I should be. How is that fair to you?”

“Yeah, I mean, yeah. I figured that from the first day. I get it. Well, as much as I can get it. I’m sure it’s gonna be tough. I know it will be.” She squeezes his hand, leaning on his shoulder. “If you’re willing to try, then so am I.”

“You’re too good for me.”

She scoffs, grinning as he places a kiss on her temple. She places her milkshake by her side, summoning up some courage. She adjusts herself so that she’s fully facing him, and he just watches her intensely. With her white BU crewneck, a blanket around her shoulders, hair falling just past her shoulders, and the soft smile on her face, his mind goes quiet. Peaceful.  

She kisses him first. Innocently and softly, before pulling back to gauge his reaction.

He responds quickly, cupping her cheek and pressing his lips against hers again. They’re both smiling into the kiss and everything feels calm. He wraps a hand around her waist as she maneuvers her hands around his neck, playing with his hair. She’s so lost in him that she doesn’t really realize that she moves herself so that she hovers over his lap, knees on either side of his hips. He has his hands placed on her lower back.

He lets out a low groan, “Baby.”

Her brain short circuits, both at the nickname (she’s always flinched at it before, but she loves the way he says it) and the timbre of his voice, but she has enough sense to pull away. They’re both breathing heavily. “Sorry,” she breathes out, leaning her forehead on his shoulder. She closes her eyes. She needs a second. 

“Don’t be,” he says, bringing her face back up to his and brushing his thumbs on her cheek. “God, you’re so beautiful. I’ve been wanting to do that since the minute I saw you.”

She chuckles, sliding off of him and settling into his side, staring out at the skyline again. “You’ve had plenty of chances.”

“I kinda knew if I kissed you before knowing what we were, it would be more heartbreaking if you rejected me.”

“If I rejected you?” 

“Yes.”

“In what world would I have rejected you?”

“I don’t know. But I’m glad it’s not this world.”

She keeps herself from rolling her eyes, and just leans up to kiss him on the cheek. Because, you know, she can do that now. 

(That night, staring out at the stunning skyline of a city she has grown to love, with the warmth of the blankets over her legs and over her shoulder, a boy she was very quickly growing to care for deeply pressed by her side, telling her he feels the same way, she felt lifted. Free.

Unstoppable)

(When he drops her home, it’s 1:18 a.m. and she doesn’t want to get out of the car. With the way his hand has been attached to her thigh, it seems like he doesn’t want her to get out either. But he has an 11 am practice tomorrow and he just had a game. He’s exhausted. 

He kisses her once, twice, a third time before letting her go. As soon as she steps through the lobby of her apartment building and out of view, his grin practically splits his face. He smiles all the way home)

[euniexenoblade]

I debated if I wanted to mock this post/screenshot for a couple hours and i decided I was just gonna go in line by line and dissect it

"being poly is a choice you make. not an identity you cannot change."

I disagree. I struggled with this through most of my teens and early twenties. The desire to be with multiple people was strong and the concept that I couldn't be with all of them was very confusing and hurtful not just to me, but the people I was with. Had I been taught what polyamory is younger and had known that monogamy is not actually the only way you're allowed to be, i'd have probably been able to stop struggling with this much sooner. Do I think this was as big of a mental struggle as being gay or trans? Nah. But it was certainly an issue that ate away at me.

As much as polyamory was a choice, so was me being trans was a choice. I would say both are inherent to who I am. Just because something isn't inherent to your identity, doesn't mean it isn't inherent to mine.

The second paragraph is a gross misinterpretation of what was said. I said abused poly people in relationships they cannot escape will likely cheat when they do find love. The same is true for monogamous people who cannot escape relationships. This happens all the fucking time. To women. To gay people. To trans people. To poly people. This is so utterly common it's an overused trope in story telling.

"OBVIOUSLY abusive situations aside"

The post was about abusive situations. You're already throwing away the core concept to the post.

"why are you staying with someone you are completely incompatible with"

This shows how this person has no value for relationships. Just because you realize you're poly doesn't mean your feelings for an individual disappears. You want to see if this relationship can still work, whether monogamous or polyamorous. Not to mention so many people would find themselves homeless or penniless by just leaving. There's no actual understanding of love and relationships and the heart here.

"you don't need to pursue any kind of relationship ever"

And gay people don't have to be in gay relationships. Trans people don't have to transition. Doesn't change the longing to experience what you want to experience.

"where exclusivity is agreed upon"

I know poly people who entered relationships under the premise the other person was poly, just for that person to decide "actually I'm monogamous, and I'll kill myself if you leave me." You have no understanding or empathy.

"wanting to be poly does not excuse cheating what is wrong with you people"

Look I agree cheating sucks and violates trust, but acting like it's the worst thing in the history of ever is just childish. I get it hurts but at the end of the day, you do not own another person's body and sometimes shit happens. I just do not care what other people do with their own bodies and you cannot make me believe I'm supposed to care. If my husband goes and fucks someone without my permission (which he commonly does) then that's rad. I hope he has fun. If my wife goes and fucks someone I don't know (which she regularly does) then fuck yeah I hope they both had fun. Y'all are too fucking uptight.

Also the tags

The "monogamous people are losers and shouldn't get a say in anything" was something I said in reply to a heckler on my 'monogamous people often abuse poly partners' post. To take it solely as 100% serious opinion is foolish and childish.

"I cheated cuz waaa"

I've never cheated on any partner. The post isn't even saying it's ok cheat, it's saying that poly people get branded as cheaters whether they do or don't. But I'll say it here just because it's so controversial that it pisses losers off: it's ok for polyamorous people to cheat on monogamous partners. Get out before they abuse you.