#I've moved on to better things

[unluckysatellite]

i just wanna say thank you for your mysme guides!!! i kno this is a long shot to ask but are you going to make a guide for ray's ae or for jumin's dlc?? 👉👈

You’re welcome but

No. No I will not.

I could have sworn that I said this before but I will not be making any more guides to mysme — Sujin Ri will have to break into my home and point a gun in my face before I will ever play those garbage beyond garbage pieces of canon rape.

And so, I will be updating my guides to include a note to stop asking me about that particular dlc.

[sandflakedraws]

How about Floyd, who came back as promised, hugging little Branch who just saw Grandma Rosiepuff get taken/eaten by the Bergen Chef?

Or how about Floyd, who came back as promised only to find the Troll Tree devoid of life and Rosiepuff's pod empty, going grey as he mourns baby Branch whom he thinks got eaten?

Hey so! Totally fun (and not hurtful at all) fact-!

For Trolls Band Together, the story the writers wanted to go with (according to the Artbook and novelization), implies that Brozone's disbandment happens before Bergen Town is even a thing, which has such severe implications to me.

so.

tfw you return to your home to find that

actually, the forest that sheltered you is eradicated, replaced with a giant town whose occupants' sole form of joy consists of devouring you.

the tree that served as your home is the only thing left of that forest, and it is decayed, withered, and desiccated... displayed in the middle of the town in a cage.

your pod, your home, is empty. every home around it is empty too. there are no trolls in sight.

as far as you know, everyone that used to be here is gone. or dead. most likely dead.

you will never see them ever again.

you were just a teenager.

[thatonecrookedsmile]

Recovered photo of Joey Drew. Taken December 31, 1944, during a New Year's Eve party at the Arch residence, photographed by George Parker. Photo depicts Mr. Drew shaking hands with an unknown man in a hat. Attempts to identify the man and his whereabouts have been unsuccessful. -The ArchGate Preservation Society.

-Record-

-----

Alternatively: 'Unknown' - Return to the Studio AU.

Even though he was the one who personally invited every guest at the party, when Joey later asked him who the "strange man" was, Nathan had no idea who he was referring to, even with Drew's specifics.

After several years have passed, looking back at the photo, Nathan still has no idea who this man is or how he got into the party.

Joey described the encounter as something that "started out pleasantly, and ended on a very uncomfortable note."

[softpine]

she's looking especially sacrificial lamb today 🥩

[canisalbus]

Look, I know it's supposed to end badly. But I need to admit that in my head, they declared a mutual "fuck this shit" to the world and society. Packed all the stuff they could one late night and escaped to a remote open plain in the middle of some thick woods where they spent the rest of their lives healing and living freely in nature.

I've been having a lot of intense feelings about them as well. The tragical elements are so baked in to their story and setting, it's hard to imagine a happy ending for them. But every now and then I find myself thinking of scenarios and AUs where they both live and grow old together. For coping purposes, I suppose.

[korrasamibottles]

Yeah Venom of the Red Lotus showed us how crazy powerful Korra is but The Last Stand had Korra transform the destructive power of a massive bomb blast into something regenerative in the culmination of one of the best character arcs I've ever seen. In my OPINION!!

[elllteo]

Creators I love you but it's time to wake up

Among rumors about our tumblr user data being sold off to Midjourney/Generative AI, recent Extremely transphobic events (that have been ongoing) coming to a head, another extremely concerning internet censorship bill being pushed in upper levels of government, and a general air of frustration over how the site belongs to and is operated by perhaps the second stupidest CEO (second only to twitters own) of our age, I'm very done with the last few vestiges of what the old internet held for artists.

And if you're reading this, you probably are too.

I know we're tired. We are all tired. It is not always viable to pack up shop and move, again and again and again.

From tumblr to twitter to anywhere else we've ever grown up posting, things no longer work. Our audiences are kneecapped by aggressive and hostile algorithms, our reach is abysmal - if we aren't shadow-banned or silenced for one (transphobic) reason or another, we're thrust into an ever growing pit of hostility where the only thing that drives clicks is fighting and contention.

We're tired. We're so fucking tired. We aren't businesses, we aren't content mills, we cannot keep this pace that modern social media has set for us, to wring every ounce of creativity out of us to profit from and leave us rotting.

The key to staying afloat here, and I cannot stress this enough, is to stay connected to your peers.

Pack up and move as units if you must. Exodus from the sites that are killing us. Push your entire friend group of artists to move from one site to the next that promises you a kinder experience.

Art drives movements, it drives change, it is all that encompasses being human. If you take that away from the shitty places, they will be left with nothing but a cesspit of inhumanity and the people who follow you will be more incentivized than ever to move with you.

Yes, this is terrifying. There are no guarantees. There never was, and never are, and never will be.

But stay connected. Stay human.

Support each other and be willing to hold hands and jump when we all - as a group - need to jump from the flames we're all trying to convince ourselves wont kill us before rescue comes.

Rescue isn't coming, rescue will be found hand in hand with each other. I'm offering you my hand, please take it. There's always a new start, there are always helping hands reaching for you. You have to look up from the doom-scroll long enough to see and take them.

[iknowwhereyousleepatnight]

i hate doing laundry ough it's The Worst

[sysig]

Moving out of concept art and into what’s Actually Done! Showcased here are a couple expressions for both pets so far with their dialogue balloons - mostly pulled from NPC references, but I did get a screenshot of my pet in-game using it in reply, not just in Kinzchat! So cute <3

They’re both introducing themselves here with the names I’ve given them, but I really wanted the process to be as Webkinz-like as possible, with a few extras :)

Which started with being able to pick pet pronouns! Thinking about it now, Webkinz doesn’t ask for player pronouns, does it? :0 But I wanted that to be an option too! It was...something of a process to go from one set of adjustable pronouns to three, especially as I haven’t played with any Ghosts that give you the option to assign both the character(s)’ and player’s pronouns! I had to give it a fair bit of thought of what to check against and how to not have them interfere with or overwrite each other (which did happen early on lol), but I got it! Only took a couple hours of frustrated-sleepily hammering away haha

These screenshots were taken pretty much back-to-back - the only thing changed here is what shell is being used, and shell-checking has come in soooo clutch here ahh, thank goodness ♥ Many and big thank-yous again to @cherryistired​​ for helping me troubleshoot menu shell-switching! Exactly what I needed, am very grateful :D

My original concept sketch of this process was perhaps a little overconfident in what I could accomplish for my first time playing in code lol; I have seen custom pronoun-setting though! And I think I probably could do that, but multiple pronouns... Again, I think I could, but... The name of the game was limiting my scope (lol) to see how many Different things I could implement in short order, so I’ll gladly take my three sets of pronouns and pet names vs. player name and go haha

It’s also a bit funny to look back on this little Diamond - I really haven’t drawn her much! Kind of loosely following Webkinz’ style, her face looks especially silly I think haha

I’ve also got my main menu balloon looking rather fabulous imo ✨ Technically there’s two - More and Back - and most of the features are Very Much in the Coming Soon To A Ghost Near You phase lol, but they’re all {bracketed} up to be filled in as I get their assets made :D There’s still a few placeholder pieces here and there - especially since I haven’t gotten to inter-Ghost communication just yet. Everything in its own time!

I ended up having a lot-a lot of fun with naming and renaming, I went a little silly with Just How Many reactions the pets could have to their names haha

They’ll refuse to be named after any of the Hosts directly, and they’ll give you a side-eye if the name is Close To but not Quite a match haha

The mischievous expression has gotten an awful lot of use already! Although I’ll probably change the “Nu-uh!” expression to something else once I have an alternative that fits better - I need that gradient-to-mad expression set so bad!

And although they won’t accept NPC names, you can name yourself after a Host, and they’ll react! :D There really is so much flexibility for Easter Eggs like this ahh, it’s fun!

All told, I ended up playing the most in Bootend, Menu, Nameteach (hgh), and String, although I’m realizing now that maybe a lot of the stuff I put in String belongs in Word...? It’s all been OnFunctions anyhow, and it’s organized in a way that makes sense to me but is perhaps not as intended lol - nothing says I can’t go back in and move some stuff around, as long as it continues to function properly haha. I’ve kept my error log neat and tidy!! As many times as I’ve broken something, I’ve fixed it thereafter! :D It’s a very satisfying process ♪

[uncanny-tranny]

It is okay if you can never forgive somebody who has harmed or abused you. You don't have to forgive them, but you deserve to find peace in other ways. If you can't forgive or forget, then do things for your sake. Find what fulfills you, if to make it easier for yourself. That is okay. Forgiveness isn't forgiveness if it is demanded or expected, and it isn't fair for you

[rubberduckyrye]

You ever see a post that you agree with and you wanna add on your own two cents but your brain is like "Hmmmm.... nah. I wanna watch House MD clips instead."

[runawaymun]

the whole tiktok ban situation is super crunchy and I'm conflicted. Because on the one hand...it does feel startlingly close to a kind of censorship and I think the whole 'chinese government links' thing is pure scaremongering. But on the other hand I genuinely think that tiktok has accelerated the rate of enshittification of so, so many things. Like it has been a net harm in basically everything. Even the publishing industry is suffering now. As someone who wants to get novels published, the entire state of the publishing industry catering to tiktok and the quality of even bookbinding rapidly deteriorating in the past couple of years, I've been reconsidering and thinking about simply setting up a website/archive to self publish my work.

So...I don't know. It's not as if other social media sites (X, Facebook, etc.) haven't done harm, and it's not like huge media giants like Google haven't caused possibly irreparable damage to how things work now, but...I just distinctly remember a pre-tiktok, pre-covid world and things legitimately weren't as bad online then as they are now. Tiktok actually feels uniquely bad. The change happened so rapidly, too. At what point do we decide that a product causes enough visible harm that it needs to be removed? Because that's what tiktok is, at the end of the day. It's a product. We don't have the same clear measurement as we do with, say, lead paint on children's toys, but idk idk idk...

[seaofreverie]

Sparkstember Day 16: Gratuitous Sax & Senseless Violins (When Do I Get To Sing "My Way")

So, well, what an era this was, right. Comeback of the century! Gratsax just has that certain *something*. It's brilliant! One of the best albums ever made if you ask me. The fully electronic style is so perfect for Sparks and they just do it here like it's nothing and like they've been at it for many years. Of course there's the hiatus that took place in the years before it to keep in mind but even then, this album is a HUGE accomplishment and an incredible standout in a catalog of releases that's already full of standouts of all sorts. And it's definitely a personal standout for me too, thinking about how it's been almost a year since I first heard it really freaks me out! It was such a different time for me I feel like, but many things are also exactly the same as back then. It's weird to feel nostalgic about it now but there's really no better word to describe what this feeling is like exactly.

I think this album is meant for vinyl listening in a way. It just fits it so well!! And it's not just the quality to the sound that it has this way (and I don't mean that it sounds necessarily "better", more like just, different and that somehow complements the music even more), but also the ability to have an actual good view of this wonderful album cover that's among my top favourite Sparks things ever. So cool looking! So funny and memorable! One of the finest instances of the music sounding exactly like what the cover looks like. (and learning that the cover is a homage to a SPECIFIC magazine rather than just tabloids in general, that only made it more amazing because it really does look so alike, stuff like this is really cool to me for whatever reason lol)

Also I like the fact that I bought this silly little "disco" lamp around this time last year, so plugging it in for extra vibes during listening makes it all just kind of perfect. And another thing on the visual aspect of it all: this is such a good era for music videos, they're all SO GOOD! Some of my very big favourites for sure and the My Way video might really be one of the best music videos EVER MADE.

But ok, let's get to the point now. Something that stood out to me right away is that every song here is so unique but they fit together so well anyway (not first instance of such thing happening either). There's really lots of variety! I also remember this album fondly because of how it was the first one I listened to with my parents and when my Sparks obsession truly started to become one of the most noticeable things about me to other people, lol. But finally feeling more free and confident with sharing my favourite things that mean so much to me with others is such a wonderful thing anyway, I'd even argue that it helped me live my life more fully than before! And yeah, it's mostly a remark they (my parents) made, that this album nails the balance between keeping to a certain style and offering something new with each song. It's such a wonderful journey!

Alright, once again getting carried away a bit here even though I had no ideas earlier for what to say today. Highlights time then, which is also a bit of a problem because besides one special favourite this album has no spectacularly outstanding highs or any lows, it's all just equally amazing. But I'll try anyway, as I always do.

Favourite songs (and other highlights):

When Do I Get To Sing "My Way": my parents absolutely love this song and well, I do too. No suprise that it's among their most beloved and well-known songs, it really has it all, and it's one of Ron's very best when it comes to lyrics, without a doubt

Frankly, Scarlett, I Don't Give A Damn: so so atmospheric and special, I really like the vocal filter of sorts that's used here, it's just, so cool sounding all around!!

I Thought I Told You To Wait In The Car: this was my LEAST favourite at first but I grew to really like its unhingedness and the part with all "the CAR!!"s on top of each other is just peak of it all and funny as heck

Hear No Evil, See No Evil, Speak No Evil: one of my favourite of Russell's vocal performances! This one and Scarlett are a bit of a duo to me, both simply beautiful songs

Tsui Hark: I LOVE the sound of this one, the piano plus the synth and the spoken word lyrics make this kind of combo that makes it feel like I've already known this one for years and it's just... always existed (which is a term that will apply to a lot of 21st Sparks material anyway, so, that's something to look forward to)

The Ghost Of Liberace: such a big comfort listen to me, I just love this one, makes me feel so at home!!

Gratuitous Sax & Senseless Violins: shoutout to these too because I feel like they might be easy to overlook as these very brief pieces, but they're that extra element that just, really cements this album as a wonderful whole with something to unify all of it into this package of wonder of all sorts

...And then there's the many bonus tracks also, which I'll just mention briefly since I almost forgot about them and because, yeah. I love them all, but the closest to my heart are Love Can Conquer All, She's An Anchorman, She's Beautiful (So What), Mid-Atlantic & This Angry Young Man (Ain't Angry No More) ((and the RON VOCAL VERSIONS OF THEM)) and Katherine Hepburn (love the whole Christi Haydon EP (and Christi is so cool and awesome I need to say that too today) and I should listen to it more, the Boris The Spider cover is fun as heck also)

And now bonus video for no reason from (almost) a year ago, because again, the nostalgiaaaa. (Back when I didn't have a shelf for my record player yet so it took up half of the space on my desk lol)

[shirogane-oushirou]

🌊🦦 Summer Beach Time 🦦🌊

soooo i made comments in the tags of another piece i made about how i want to go to the beach (or a lake tbh, he's a lake guy) with him, and watch him get the zoomies in the water and just. walk around and make the 🥺 face at me when i'm sitting at the edge of the water and he wants to be close.

(i'm obsessed with this pair of dino pattern trunks... ren core...)

[unproduciblesmackdown]

also "textless" versions of these, wahooo

[batsplat]

Just popping in to tell you how great your work for this (relatively) small fandom is. It must've taken so long to go through all those races make all those pointers and observations and compile a list thank you. If batsplat has no fans then I am no longer in this world etc etc

that's so sweet... honestly the compiling bit didn't take that long; this is all based on notes that have been sitting in a google doc for aeons (a lot of them were a product of the pandemic lol). it's nice to share them for a change, and I'm glad people have enjoyed the write-ups!

anyway, as a bonus feature, here are some race notes that I was tempted to integrate into my summaries but did not make the cut:

welkom 2004

sepang 2010

mugello 2012

catalunya 2014

phillip island 2015

argentina 2016

valencia 2017

assen 2018

brno 2018

misano 2019

thailand 2019