#I've finally figure out the pattern design

[rinshey46]

Cleon's headcover [WIP]

[viscerism]

king of one thousand restarts

[runningwithscizzorz]

(1)Learn the rules before you break them + Gather proper references

(2) Understand what you want to break and how

(3) Can't do it? Find someone who can

(4) It's going to look really bad for a while

(5) Have fun with it!

(1) -Yes, I am that kind of artist. Yet, not in the conventional way. I encourage people to go in guns blazing when it comes to drawing something new, then coming out analyzing what they know, and what they need to learn more of right away.

-Here, I broke down the anatomical pieces of Nour and Narinder's face with the same labels so you guys can understand this weird invisible pattern that I follow in my work. Doing this with any animal you're attempting to draw greatly improves your line confidence when drawing different face shapes. Also understanding the biological function for why animals look a certain way helps you keep consistency.

(3) Time to throw any artistic guilt you have for heavily referencing people's art OUT THE WINDOW and start ANALYZING PEOPLE'S WORK YOU WANT TO BE LIKE✨ I've always done this, having a reference of someone else's amazing work right next to my own drawing so I can try and understand how they make their magic work! No shame, no embarrassment, nada. Pure, unadulterated will and spite that I would be just as good as the artist who made me so motivated and happy with their work! I couldn't figure out how to make Nour's face both sheep-like, and humanly expressive, so I looked at a LOT of Zootopia and old Disney art for help!

(2) With how I draw narilamb, I'm still working on it (as you can see) but I wanted to break Narinder's face to be fluffier and slimmer, while Nour's face would be shorter and flatter. If you look at it for too long, it's absolutely going to look weird, in the way that if you look at Anna from Frozen for too long she starts looking really weird. The anatomy isn't meant to be correct or consistent, it's meant to convey the emotion and energy I want out of the characters in that moment. If you're able to properly get that across, then you don't need to think about how broken something looks, as long as your eye is happy enough to trick your brain into thinking what you're seeing is canny.

(4) Yeah, I hate this part too. It's going to look like shit at first. I can't even look at my art from a few months ago when I was figuring out their designs... God, so fucking ugly. If it weren't for the shittiness of those drawings, I would have never gotten here! Wading through the "trust the process" stage always really sucks, but it's absolutely worth the relief of when you finally get something to look right.

(5) Art is work, yes. It's stressful, it's long, it's straining, its draining, it's exclaiming, blah blah blah. But, I try to keep my art FUN. If I find my artwork becoming slow as I depressingly drag my pen over my tablet, I'm failing. You MUST keep spirit and life in your work. The spirit of emptiness or the life of sadness can have a very meaningful place in art, but those can only exist with keeping work light, easy, and fun! If you're stressing how a specific thing looks or how you can't get something to look right no matter what, FUCK IT. Draw something to bring the flavor back in your work! I'm kind of rambling, but just, HAVE FUN!✨️ Be messy, scream, laugh, slash canvases, throw paint, smash sculptures, tear apart books, GO CRAZY

[froggiewrites]

hey, congrats on 100 followers! i love the way you write zoro and sanji and the final chapter of "picture you" has me craving some zoro x reader x sanji smut. could we maybe get a taste of that, please? 🙏

I've been thinking about writing a threesome for Sanji and Zoro since I finished Picture You, but I was nervous to try it, so thank you for giving me an excuse to push myself out of my comfort zone a bit 😊 I hope you enjoy it!

Two for One

Pairing: Zoro x Reader x Sanji

NSFW

Summary: Sanji and Zoro have been fighting even worse than usual lately for reasons beyond your comprehension, and everyone else is growing sick of it. Once you finally figure out why, you decide you three are all going to solve this together. Warnings: Smut, Clueless Reader, Canon Typical Zosan Fighting, Praise Kink (if you squint) Word Count: 3.2k

“Shut the hell up, mosshead!”

“Only if you get out of my goddamn face, you damn cook!”

Your crewmates were moments away from tearing each other’s throats out. They always were, of course, but the tension had grown so thick lately it was almost hard to breathe in the same room as them. You have no idea what caused them to turn into rabid dogs, constantly barking in your ears, but it was absolutely unbearable.

“Will you two stop?” Nami smacks them both softly upside the head, glaring harshly. “Don’t make this our problem. Look around, you two. Look at what you���re doing.” There’s something behind her words you can’t quite make out, and both of their gazes turn specifically to you, taking in your tense shoulders and the way you’ve begun to hunch in on yourself a bit. The tension eases slightly as they both slump a little with shame, before Sanji quickly grabs your hands.

“I’m so sorry, my dear. I never meant to make you uncomfortable. The brute and I will stop now. “

“Brute?” Zoro snaps. “You little–” He looks at your face before stopping, letting out a huff, and storming out.

Sanji reluctantly lets go of your hands when a timer goes off in the distance. “Well, duty calls, angel.” He skitters off into the kitchen.

The rest of the crew lets out a relieved sigh. Brook places a skeletal hand on your shoulder. “Good luck with that.”

“What?”

Robin and Franky chuckle, like this is a joke you aren’t in on, and Nami sighs. “You really don’t know?”

“Know what exactly?”

“Oh my god.” She sighs, resting her head in her hands. Everyone else laughs again, slowly filing out and patting her on the back, silently designating her with the task of explaining.

“What is it? What don’t I know?”

“The reason they’ve been fighting. You haven’t noticed a pattern at all?”

You think back to all of the most recent arguments you’ve witnessed, and you can’t think of a single thing that connects them. One about who was more handsome, one over who was stronger, and, strangely, one over who was better at fishing, which is something you didn’t think either of them were particularly invested in. “They’re the same stupid fights they’ve always been, just worse.”

“Not…exactly. Think harder. Have you walked in on any fights recently? Or have they always started when you’re there?”

You’ve been unfortunate enough to witness the rising tension firsthand every time recently. “I’ve been there for all of them. It’s sucked.”

“So you’ve been there for every single one.”

“Well I don’t know if they’ve fought when I’m not around. I’m not there.”

She sighs deeply. “I–okay. That’s fair actually. If I told you they barely ever fought when you weren’t around, would that help at all?”

You narrow your eyes, puffing out your cheeks slightly in thought. “It’s…my fault.”

“Yes?”

“They’re…mad at me.”

“Wait–”

“They hate me.”

“No! Oh my god. They’re fighting over you. Because they’re in love with you.”

Your eyes widen, jaw going slack against your will. “What?”

“You really never noticed? Why do you think Sanji insists on dragging you to the kitchen and slowly rolling up his sleeves directly in front of you, and constantly unbuttoning his top button? Or why Zoro insists on training in front of you, or doing push ups with you on his back?”

You pout. “They’re my friends and they wanna spend time with me?”

Nami hesitates at that. “Okay, um. Yes. That too. But they only do it with you. Sanji hates letting other people into the kitchen that much. And Zoro hates being bothered when he’s training. They’re trying to show off. They want to show off how strong and cool they are, because they want you to fall at their feet and beg to have sex with them.” She sees your eyes dim a bit at that, so she quickly corrects. “They want you to like them, is the point. I mean they definitely also want the sex, but really they just want you, and the idea of the other one getting you first pisses them off.”

You blink. “Oh.” You shift, eyes narrowing in thought. “So…they want to have sex with me.”

“Yeah. A lot.”

You think for a moment, wondering how you could possibly choose between the two of them. Your dear friends, your dear, wonderful, handsome, sexy friends. “What do I do now?”

“You pick one, I guess.” Nami sees the frown on your face, and you can see the realization sink in. “Or…you don’t?”

“Do you think they’d be okay with that?”

“For anyone else? No, probably not. I think their pride would get in the way. But for you?” She smirks. “I think they’d do anything you wanted, and they wouldn’t even have to think for a single second about it.”

“I wouldn’t want to push them into anything they’re uncomfortable with.”

“You think they of all people could be pushed into anything they’re uncomfortable with?” She laughs. “I promise you, they wouldn’t. Just go ask. I think you’ll be happy with their response. And the rest of us won’t have to listen to their stupid dick measuring contests anymore.”

You leave the kitchen, steps lighter and filled with determination. Your extremely hot and wonderful friends want you, and you want them. You have great things ahead of you.

Zoro is up in the crow’s nest training, shirtless and sweating, which seems to be his default state. He sees you out of the corner of his eyes, and his next slash is particularly strong and dramatic. He even looks back to see how you react. How did you not notice the way his eyes lingered on you before?

“Hey Zoro?”

“Yeah?”

“Can you meet me in my room in about an hour? I need to talk to you.”

His eyes absolutely light up, even if his face remains neutral. “Hm? Yeah, sure, I can do that.” When he thinks you aren’t looking, he has the smuggest smirk you’ve ever seen on his face. He thinks he’s won. And he has, in a way.

You wander to find Sanji in the kitchen next. “Sanji?”

“Yes, my love?” He gives you an affectionate smile before returning his attention back to the onions he’s chopping.

“Can you meet me in my room in an hour? I have something important to talk to you about.”

He doesn’t try to hide the way he lights up, giving you a heartstopping smile. “Of course, angel! I won’t keep you waiting!” He starts humming a love song as you leave, affection written clearly on his face.

And then you wait. A few times you wonder if this is a bad idea, if it will make them hate you, but you reassure yourself that Nami would have told you if it would fail. She wouldn’t let you walk into a trap like that. You bounce your leg anxiously as you wait for your friends to arrive.

Sanji is first, of course. He shows up exactly an hour from when you talked, down to the second, an offering of your favorite drink in hand. “Hello, darling. I brought something for you!” His smile is so excited you almost feel bad for not letting him know the rest.

“Thank you, Sanji. That’s so sweet.” You take it gladly, taking a grateful sip and letting the flavor wash over you.

“So what did you want to talk about?” He’s leaning closer, longing clear on his face, but you hold strong instead of kissing him senseless like you want to.

“I can’t start until we’re all here.”

“We? All?”

Zoro opens the door nearly immediately after, joy clear on his face before it sours at the sight of Sanji. “What the hell is he doing here?”

“Darling, why is this bastard interrupting?” Sanji is glaring at him, putting himself between you two as though he’s protecting you.

You set your drink down on a table before regarding both of them. “I need to talk to both of you. …If you’re okay with that.”

They regard each other a moment before humming in affirmation, looking at you expectantly.

“So I found out recently that you guys are…fond of me.”

They nod.

“And I’m fond of both of you.”

Another nod.

“And I thought that…maybe…we could all share in that fondness. Together. At the same time.”

“You want a threesome?” Zoro is straight to the point.

“Well, more than one, ideally.” He laughs, while Sanji sits in silence, brow furrowed in thought. You continue, unable to stop yourself in your anxiety. “I like you guys a lot, and I was hoping you’d be okay with this, but I understand if you aren’t–”

“I’m okay with it.” Sanji speaks up with a firmness you didn’t expect. You expected an argument, maybe reluctant agreement, but he seems to have no reservations. “Whatever you want, I’ll do. Simple as that.”

“I don’t want this if you don’t, though.”

“I do want this.” His cheeks turn a little pink. “The thought is…not terrible.”

“I’m also down.” Zoro immediately starts approaching. “So we should start now, right? Break this whole thing in?”

You freeze for a moment, a deer in headlights. You really expected at least a little arguing. “So you guys are really okay with it?”

“Yeah.”

“Absolutely.”

“Shit. Um, okay. I wasn’t ready for this to go well. Uh, let’s start then. I guess.”

“Yes ma’am!” Sanji is on you before you can even process he’s moved, hands hooking under your thighs and pulling you against him. He kisses you hard, but before you can sink in and enjoy, he’s flipped you around to face Zoro. “Let’s christen this voyage, huh?”

Zoro scoffs. “That was so cheesy.” Even with his annoyed grumble, he seems pretty thrilled. He captures your mouth with his own, rough and demanding. His lips are chapped, and he quickly slides his tongue across your lips, demanding they open. You do so gladly, allowing his entrance, and you’re quickly overwhelmed by the sensation of Zoro taking what he wants from you as Sanji grinds against you, hands wandering and squeezing everything they find. He gropes your breasts, your thighs, before eventually landing on your clothed cunt, making you gasp into Zoro’s mouth.

“God, darling, you feel just as wonderful as I imagined.” Sanji’s voice is dripping with affection and lust as he squeezes you again. “So soft, so perfect. Absolutely made for us.”

Zoro parts from you just to comment. “You really are,” he mutters, squeezing your tits. “Absolutely perfect. Can’t wait to ruin you.”

Sanji makes a soft tsk. “Not ruin. You could never ruin such perfection.”

“Watch me.”

Zoro quickly sheds you of your top and bra, leaving your tits on display for the two of them. They both pause in their movements a moment, just quietly admiring your body, before their hands fight over who gets to feel you first. Sanji ends up with your right breast and Zoro ends up with your left as they both squeeze and prod however they want. When Zoro gives a particularly hard squeeze to your nipple you can’t help but whine, rolling your head forward into his shoulder. This makes you miss the shit-eating grin he gives Sanji, but the other man notices it immediately. In response, he shoves his hands down your pants, rougher than he would normally be, quickly finding your clit to rub.

“Oh god,” you cry, muffled by the fabric of Zoro’s shirt.

“Hear that, mosshead? That was all me.”

“Oh yeah?” Zoro’s voice is cocky as he rolls your breast in his fingers again, making you moan. “I’d say that was me.”

“You two are insufferable,” you murmur.

“You think?” They chorus, and you realize that there’s always one thing they can agree on: a common enemy. Quickly their hands start to work in unison instead of opposition, Zoro always squeezing whenever Sanji takes a break and vice versa. They don’t allow you a single moment of peace, always pushing you closer and closer to the brink, closer and closer to losing yourself, before they pull back, not quite ready to give you your pleasure quite yet.

You don’t remember losing your pants. You were too focused on the feeling of Sanji’s bare erection pressed against your ass, the feeling of his warmth against your back, the sight of Zoro’s scarred chest and perfect cock right before your face. Sanji pushes you down so you’re eye level with it as he lines himself up with your entrance.

“Get ready, sweetheart. We’re not going to go easy on you.”

“Don’t listen to him, angel. We’d never be rougher than you can take.” You can’t help but notice the implication that there is a level of roughness you can take, but you don’t voice the thought, left silent by the heat of their bodies and the tension in the room. You’re practically drooling at this point for somebody, anybody to fill one of your waiting holes.

“Please,” you mutter, unsure exactly what you’re asking for, or from who you want it. You just want them, all of them, and they’re more than happy to provide.

“Of course, sweetheart. Just relax. We’ll take care of you.” Zoro’s voice is gentler than you’d expect when brushes his tip against your mouth. His hand tangles itself in your hair, ready to guide you forward, but he’s careful not to pull too hard.

“We’re here for you, always.” Sanji’s voice is gentle as well, but his hands on your thighs are rougher than you’d expect. You had always imagined him a tender lover, treating you as though you’re made of glass, but it seems the spirit of competition has made his hold a little tighter. You’re excited to see if it makes any other parts of him rougher as well.

They thrust in at the same time. Zoro fills your throat slowly but steadily, and Sanji fills your hole in a single thrust, pushing you forward into Zoro. You moan around him, and he shivers at the feeling of the vibrations. He pets your head affectionately, muttering quietly, “That’s it, sunshine. Just like that.”

“Oh god angel, you’re even more perfect than I imagined.” Sanji relishes in the feeling of bottoming out in you, in your warmth and wetness. He allows his eyes to close for a moment, head thrown back with pleasure, before he allows his hands to settle on your hips and prepares himself for the job ahead.

They make eye contact, sharing a single nod before they begin to move without mercy.

You expect Zoro to demolish your throat without hesitation, but his movements are slow and precise. You expect Sanji to take his time enjoying you, but his thrusts are quick and deep, relishing in the feeling of you. You wonder if having them together has evened them out, bringing them to a center between Zoro’s harshness and Sanji’s carefulness that allows them both to lose themselves a bit, treating you less like a toy or glass and more like another person who’s simply thrilled to participate.

As you move, Sanji squeezes your hips just firm enough to keep you still without risking bruising your skin. He leans down, pressing warm kisses to your back, muttering praising words, yes and more and just like that, angel against your skin. Zoro is also whispering to you, as one hand rests in your hair and the other rests on the back of your neck possessively. His words are less obviously worshiping but no less affectionate, even as he whispers more and yes, good girl and fuck to nobody in particular. You close your eyes, soaking in the words of the men against you, absorbing their warmth and affection and need. You don’t think you’ve ever heard their voices turn more desperate or wanting than they are right now.

Sanji gives one particularly hard thrust, pushing you further up Zoro’s cock until your nose is resting in his pubic hair, and they both give a deep moan in unison.

“Yes!”

“God, there you go!”

You honestly couldn’t tell who said what at this point, too lost in the sensation of it all.

As their thrusts grow rougher and more sloppy, Zoro’s hand starts to grip your hair tighter, pulling in a way that makes you keen. Sanji slides one of his hands from your hip to your clit, rubbing small precise circles around the bud. You thrust your hips slightly when he does, and you can hear him chuckle. “Almost there, darling. Just a little more.”

Zoro cums first, thrusting deep into your throat and holding you there as he cums in your mouth, inadvertently forcing you to swallow it all. He gives a few small thrusts into your mouth, fully emptying himself, before he pulls out. You manage to ground yourself for long enough to look him in the eye and open your mouth wide, sticking out your tongue, showing him not a single drop was wasted. He groans, lust clear on his face.

You expect Sanji to be second as his thrusts grow more erratic, but then you hear his soft whispers. “So close, angel. Just a little more. Together now.” His finger on your clit is relentless, calluses rubbing you in all the right ways. It’s only once you let out a high pitched moan, tightening around him, that he allows himself to release into you, painting your insides white. You clench around him, and he leans forward, biting gently into your shoulder, just enough to ground himself. He continues thrusting into you and giving attention to your clit until he’s sure you’re finished, before he finally pulls out, cum leaking from your cunt onto the wooden floor.

You’re about ready to collapse, but before you can, a pair of strong arms wraps around you, guiding you to your bed. “You did great,” Zoro murmurs softly, resting your head against your pillows. Sanji disappears for a moment before reappearing with a damp washcloth, which he uses to lovingly clean you up and erase any trace of the act other than the bite mark on your shoulder and cum inside of you.

“Did you like that?” You murmur sleepily. You know they did, felt it firsthand, but you still feel the need to confirm.

“More than you could ever know,” Sanji whispers tenderly. He then grows a vicious smirk. “And it felt wonderful to be the first one to make you cum, darling. I’d do it again in a heartbeat, with or without current company.”

Zoro scoffs. “You may have made her cum first but I’ll make her cum faster next time, just you watch.”

“In your dreams, mosshead. Though I guess you do know something about cumming fast.”

“Watch yourself, cook.”

You laugh as you realize this didn’t solve any of the arguments your crew thought it would. That’s alright, though. You didn’t mind. They could fight over you any day.

[kozachenko]

Here's a digital sketch dump of some pose/anatomy practices and some 2hu doodles, I think from now on if I don't have any big final piece to post, I'll just post sketches I liked that I did digitally (might also reblog some drawings of mine that I want more people to see, maybe idk).

Artist's Notes:

Ok so after the recent Hifuu fanart I did, I've been hoping to experiment more with how I draw faces, how I render, as well as how I stylize things. In some of the earlier sketches I did, I had an idea for a pose that I wanted to try drawing, so I took a ref pic of myself doing said pose (the leaning one btw) and then did a sketch over top of it just to get an idea for the shapes, negative space, and silhouette. After that, I wanted to do some simpler breakdowns of the shapes so I can get better at simplifying the body (these ended up being the bottom right sketches in the post). I also did some experimenting with how to push certain parts of said sketches to create a different body type (via liquify and then a more refined version based on that sketch), as well as figuring out what makes a pose feel natural and not stiff. This was also a bit of a foreshortening practice just so I can get more confident with it, and I ended up using the arms from the liquified version for the coloured Zanmu sketch I did since I liked them so much (dw I'll get to that).

The next thing I wanted to try and draw was Hisami, mainly because.... I am very bad at drawing her in my style. Last time I drew her I made her look really creepy and spindly, and it is my headcanon now that she can switch between a more human, and more creepy look whenever she wants. I'm liking where the face is going a lot, might have to refine a few things about it in the future, but it's cute (I also made the blush purple which I think is what I'm gonna do with her face from now on). I also like how her hair in the sketch turned out a lot, but the outfit..... not as much... Ever since I started changing my style to something less cartoony, I've had a hard time drawing her outfit in my style. Especially the flower veil thing she has on, which, I did try to find a way to draw, but I ended up deleting that sketch because I didn't like it. I'm also not a fan of using the colour purple, like, pure purple, magentas are fine, indigos are fine, but not strict purple. I also have a hard time with drawing all the little pattern details on her dress. I also need to find a way to draw the flower veil in a way that looks good because everytime I try it ends up just looking off (very similar to whenever I try to draw Zanmu's blue spears). I think the only solution to this problem is to do what I normally do and make my own version of the outfit, but with adjustments to suit my style while still trying to keep core elements from the original design intact (like I do with Zanmu and Keiki, and yes I am going to get to that Zanmu drawing just gimme a minute).

Ok next up is Keiki, my favourite Touhou character who I haven't drawn since the beginning of the year. Since my style has changed a lot, I wanted to just do a face sketch of her to get a hang of drawing her again, and I..... really really like how it turned out! When I drew her eyes, I realized that a good way of keeping faces too same facey can be via varying the sizes of their pupils, so that's an idea I'm gonna keep in mind from now on. I had a lot of fun with her hair, I initially was gonna do it like how it is in the official art, but I ended up not liking it, so now I'm gonna draw Keiki with wavy heir like this because it's fun and it looks nice. I also included my base sketch for Keiki's face since I was initially struggling with drawing her bandanna, and in the coloured sketch I added some more detail into her hair.

Now to finally talk about the sketches for Zanmu. Good lord was I having a tough time with her face. I also did this sketch before I figured out how I wanted to draw hair, so that's why the rendering on her hair is different (I did this soon after the Hisami sketch actually). Since I changed my art style a lot, I had to find a way to translate her face from my more cartoony style to my more detailed style, so while the face shape, nose shape and mouth was fine, I was really struggling with the eyes. I did get somewhere eventually though, and I am super happy with how it turned out. I wanted to lean more towards the androgynous side of the gender presentation spectrum, mainly because I think that makes sense for her character. Also made sure to include the silver hairs and some wrinkles just to bring some signs of her aging into her face because those are just staple features of how I draw Zanmu at this point lol. You will also notice that I gave her some scars on the right side of her face, and that's because I am a Zanmu-with-scars truther, I fucking love it whenever I see someone give Zanmu visible scars like that it just adds so much omg (I also tried to put a wolf bite mark on her arm in the full body drawing but idk if it reads well). While you can argue that her not having scars sells the idea of her being this "powerful, untouchable mastermind who is impossible to defeat," I'd say that instead of those scars representing times she got injured, they represent everyone who has failed to defeat her.

As I was drawing Zanmu's face, I referenced my sketch of to help with contrasting their features since I made Keiki's face more traditionally feminine. I also didn't mention this in my commentary on Keiki's face because I wanted to save it for here, but giving Zanmu scars also plays into the fact that she used to be human, wheras Keiki doesn't have any scars because she's a god who doesn't follow the rules of normal human biology. Plus I'm thinking about the two of them interacting again (return of Zan/Keik??? (I'm a multishipper btw) maybe???) so drawing their faces together will definitely help me in the future if I wanna draw them together (again, maybe as a ship? I've kinda been ironing out the kinks in their potential interactions (romantic and non-romantic) for a while now so idk maybe expect that in the future lol).

And now for the full body drawing, when I was doing the face sketch I did this little snippet of an outfit, had a vision, and the made it into a reality. I'll admit, part of me was worried that it would end up looking too much like Yuugi's outfits in the spinoffs and mangas, but I feel like I made enough changes to differentiate them. I tried to keep a few of the major details in Zanmu's design (i.e. the red tassles and yellow lining on her shirt) while putting a new spin on it. I also dialed up the scars to 11 since without them the whole thing kinda looked incomplete. Also, while I could say that the leaves on her kimono are "a nod to the fact that technically she should be a tengu because back then people belived that corrupt monks would turn into tengu but no Zanmu is an oni and they're maple leaves because...tengu...ahahahaha" what really ended up happening was that I looked up clothing patterns from Sengoku era Japan, liked the leaves the most because the red picked up on the red from the rest of her design and just ran with it. I also always had the idea to put Zanmu in men's clothing from Sengoku era Japan and while the accurate thing to do would be to put her in a Buddhist's clothes from that era.... from a character standpoint, I don't think Zanmu is pious enough to strictly wear the proper monk uniform, and also since she's basically the king of Hell, she would probably dress herself like royalty from that era. TBH, I probably could've been a bit more historically accurate, but again, this was mainly for conceptual purposes because I had a vision and I needed to see it through.

If I were to draw her in this sort of outfit again, I should probably try and use more references, although now that I look at it, if she were to wear it properly this would maybe, probably look a bit closer to a Kyūtai sugata (a very huge stretch, but it just kinda reminds me of that) just without the layers under and over the main piece of clothing (In the website that I searched up to try and compare the outfit in my sketch to, they name the outfit pieces but don't label them on the image, so I don't know 100% what everything is called) so I will definitely have to use that style of clothing as a reference going forward.

Also, I was kind of inspired by the ToTK design for Ganondorf since I have finished the game a while ago and I absolutely love what they did with his design (it's just so fucking cool omg) and I thought that sort of look would look good on Zanmu, so yeah got some inspo from that.

And those were all the notes for each of the sketches, I'm motivated to draw rn but kinda art blocked, so doing these little coloured sketches helps a lot.

[yanderestarangel]

DOUBLE PUNISHING PLEASURE - KUAI LIANG AND BI HAN X AFAB READER

Synopsis : you were one of the Lin Kuei ninjas, but you were a poorly raised brat, often making Bi Han angry on purpose, so he decided to get back at you along with his brother.

TW: Double penetration, anal sex, vaginal sex, blowjob M!receive, degradation, asphyxiation, saliva, pet names, submission, master!kink, porn plot, smut, nsfw, punishment, afab reader, power play.

A/N: I did this after seeing a horny comment that would fuck these two, so here's this sinful shit for you guys.

Kuai Liang is the lines marked in orange and Bi Han is marked in blue.

You were thrown hard against the wall of the empty training room, the pain in your back from the impact showed signs immediately, your flesh tingled as you saw the tall figure of Bi Han, your grandmaster, you two didn't get along, Bi Han was the typical brutish and authoritarian leader which made you irritate him with small actions being rebellious with his orders was the main one but this time, even you recognized that you had crossed the line by purposely disrupting a clan mission.

"-I'm tired of this shit (Y/N), you're a fucking brat I've tolerated your behavior for too long." -Bi Han shouts at you, pointing his index finger in your face, obviously he was very angry with you. Soon Kuai Liang also appeared, upset but a little calmer.

"-Calm down Bi Han, I think (Y/N) also made a mistake but let's maintain control and find a punishment that matches the mistake that was made." -Kuai spoke calmly, smiling sideways with a predatory and lustful look at you. "-After all, (Y/N) may be a brat, but he's/she's a cute brat." -He completed by placing his warm, calloused hands on your shoulders, while Bi Han smiled sideways, with an extremely sadistic and dominant look, practically dripping with lust with each step he took towards you.

"-Oh yes, you finally have a good idea Liang, I think I have an idea for you (Y/N)." -Bi Han said, holding your chin, squeezing the flesh of your face. "-You will accept and obey our commands like a good boy/girl right?" -He spoke in an authoritarian tone, with no room for discussion.

Bi Han knelt you down in front of him while Kuai locked the door.

"-You're going to be the fucking little slut you were born to be... Now..." -Bi Han quickly lowered his pants, enough for you to suck him, his dick jumped out of the black fabrics, his veins throbbed and a small, shallow path of hair could be seen below his navel going down to his groin. "-Suck my cock now, like the good slut you are." -Bi Han complemented in a growl, bringing your head to his dick, pushing with all strength and aggression your mouth to his dick, your lips forced themselves to accommodate the salty and musky taste that the grand master's dick had, while Kuai stood behind you, the yellow ninja's fingers traced waves on your pants, making designs on the edges while exposing and teasing your wet pussy, making Liang laugh at the result.

"-Do you get excited this early? I thought you were more of a brat than that (Y/N), you're just a pretty little slut in heat, aren't you?" -Kuai speaks in a murmur, while you saw him take off your pants, fully exposing your pussy.

Bi Han continued to thrust into your mouth, the hard length became even hotter with each erroneous but painful movement he made in your oral cavity, his pink glans hit your throat in a pattern, making you choke and cry with pleasure and pain, the burning of Bi Han's need to achieve his own release using you like this was inexplicably pleasurable but painful, but he didn't care, just smiling as he watched you cry on his dick.

"-You love having my cock in your mouth, don't you? Such a good little slut." -He growled with authority, as he grabbed your head with both hands, the tears that came out of his eyes only drove him to fuck you into oblivion even more.

"-Well, well, well, look at that sweet pussy. Just begging to be fucked, isn't it?" -Kuai Liang says smiling, running his fingers provocatively over your smooth folds, making you shiver. Liang knelt behind you, while using his tongue to pass through your smooth folds, on the outside of your pussy, first teasing your clitoris, he was going to give you pleasure, but he was going to torture you first. You moaned against Bi Han's cock as you felt Liang eat you from the outside with his tongue, but Bi Han didn't let you move a muscle on his cock.

"-That's it, lick me and suck me anyway. You're doing great, my slut." -Bi Han spoke mockingly, pretending to be falsely proud of you, then he felt you suck him harder.

Kuai, getting tired of playing with your pussy on the outside, decided to fuck you another way, with his dick. He took off his pants quickly, while stroking his own member, he teased your clitoris again with the head of his cock, as he slowly pushed his length inside your wet and needy little hole, making you moan loudly against the ninja's cock. old man in front of you.

"-Don't worry, baby, I'm going to give that pussy the pounding it wants, you're going to take every inch of my cock, like a good boy/girl, aren't you?" -Liang spoke with a hoarse tone, while moaning lowly, grabbing your hips while squeezing the soft flesh on your sides, Bi Han didn't release you from his mouth, even though you choked until you hit his groin with your nose, smelling his woody soap that overflowed from the grand master's rough skin, while his cock curved into your throat, leaving you breathless for a few seconds.

"-Holy shit, you're a fucking Brat in heat, hungry for cum, aren't you? I'm going to fuck you so much that you won't be able to think about anything other than serving me." -He spoke between his teeth, freeing you from the cruel grip of the painful blowjob you gave him, after he came all over your tongue. But he soon grabs your face, squeezing your cheeks and telling you to open your mouth, even though you were too embarrassed to do such a task.

"-Open your mouth you cumslut, open that dirty mouth of my cum, now." -the grand master ordered, squeezing your cheeks even more, to the point of pain. Liang noticed this behind you, making him fuck your pussy even harder, making you feel him hitting your womb repeatedly, making you moan and open your mouth, making Bi Han smile satisfied as he watched his cum leak out of your mouth, running down your chin, lips and neck, with strands of saliva connecting to your teeth.

"-Such good little whore..." -With that he spat in your mouth, his saliva mixed with the semen he had on your tongue, telling you to swallow it all, which you quickly obeyed. Kuai took his dick out of your pussy, while he supported you in his arms, hugging your body as he put his throbbing dick inside you.

"-You love being fucked by a real man, don't you? Enjoying every inch of my thick cock deep inside your tight little hole." -Liang's desire grew with every movement of his hips, the feeling of your pussy gripping him tightly bringing him closer to the edge.

Bi Han saw your tight butt hole, but already lubricated by your pussy juices, causing him to smile devilishly, as he took his dick to your second free hole, he entered painfully and quickly, widening you with a single thrust, while you she was shaking in Liang's arms, who just said: "-You're a good boy/girl, you'll handle everything, right?"

They both started to move at a steady pace, Bi Han's hips were bumping against his ass, while Kuai Liang's were against your pussy.

"-You're so good, baby, so tight and wet. Just how I like it, a good pet for my pleasure." -Bi Han said with an extremely sadistic smile while fucking her ass even harder. "-This is your fucking punishment for being such a fucking brat." -He added again, moaning hoarsely while you just moaned, feeling your two holes being filled by both men.

Without prior warning, Liang let out a loud moan, giving a few more thrusts into your pussy, enjoying the hot and sticky liquid on your soft walls.

"-Fuck (Y/N) so beautiful and tight, made me cum early." -Liang spoke softly, smiling as he saw your pussy tremble around his cock, but he soon pulled out, denying you the orgasm you wanted so much. Bi Han still fucked his ass while holding his hips, purposely hurting the sensitive flesh with loud, punishing spanks.

"-Just a little hole for my cum, craving my thick cock deep inside you."

Bi Han soon left you too, kneeling you again, your knees hurt from the impact with the hard floor, while you watched him jerk off quickly, just stimulating his already sensitive thick cock, while he held your face in place and cummed, dirtying your cheeks, lips and every area that Bi Han's sperm jets could reach, he slapped you hard on the face, while smiling satisfied.

"-Was that really necessary? The slap?" -Kuai says to Bi Han, who just laughed looking at you, a dirty, shaking mess on the floor, denied orgasms and marked by slaps and semen.

"-It was necessary for him/her to learn, wasn't it (Y/N)?" -Bi Han replied categorically, leaving the room while Kuai covered you with a sheet, giving you a quick pat on the head.

"-Maybe next time, if you're obedient, you'll be able to cum, okay?"

⸺It was up to you now, to decide to face both again and be punished or to be obedient and see what the future would bring you.

[faintlight]

i've only been into stex for about two months now but i was possessed by the need to create a physical version of my number one favorite train and thus was born CB the doorstop, complete with the ability to do splits!!

progress photos and details of how i made him under the cut!

i started with the pattern McCall's 8708 for Raggedy Andy mostly because the picture on the pattern was him doing a split. this meant that he turned out WAY bigger than intended (he's a couple feet tall standing up)

this was my original sketch, i still love how his little face looks :3

the pattern came with an iron-on face print which i used to figure out the position of the eyes and mouth, i embroidered all of this on and sewed on red felt patches for cheeks cause i adore his clown makeup look

next i sewed the pieces of his body together so he looked like a little ghostie

then he got stuffed! and joined me as i watched a boot lol

next were his very very long legs and his little shoes! sewing the legs to the body was very undignified

the next day i made his clothes! the pattern made a shirt and a pair of overalls, i added white ribbon on the sides of the legs to match his costume and put the overalls under the shirt (which is sad cause they're so cute but that's not his design)

the day after that i made his accessories! i made the hat out of felt that i cut and sewed freestyle. i cut a piece of stretchy red fabric to be vaguely square and tied it around his neck for his kerchief. i made his elbow and knee pads out of black fabric with white ribbon i sewed to it diagonally. i made his epaulettes out of felt that i glued to cardboard to keep its shape, and then attached them with rubber bands so they stayed on his shoulders. i also made his belt out of the same black fabric and red felt. i made his boot cover things from black fabric and sewed red ribbon onto the sides. finally for his skates i sewed felt circles to the bottom for wheels, and sewed snaps to the toes of his shoes to attach rubber corks for toe stops!

and then he was done!! here's him meeting one of my cats.

i had so much fun making him!! the whole process probably took around 15-20 hours over three days. this was my first time ever making a doll and doll clothes/accessories. my next project is making rusty and dustin dolls for @wilddoveofaphrodite <3 thanks for reading!!

[monbons]

Stitch Sunday

It's a slow and rainy Sunday over here, so I figured I'd post an update.

I've had no success with writing sentences this past week, but I have been very busy with stitches. I finally finished MRB Simon. If you didn't get a chance to see the post yet, he is glorious!

While I don't think I can continue to preview sentences from my EGF fic until we get much closer, my in-progress stitch project this week is for my fic. We are leaning into felt smut... below the cut.

So, story first.

While I made shoes for many of my early dolls, they are very time-consuming to create and never look as good as real doll shoes. I decided that I was willing to learn how to make everything else about my dolls from scratch, but realistic looking shoes were simply not worth it... so I started a search for shoes I could just order from someone who was an expert.

It turned out to be a long search! Although Baz is almost perfectly Barbie-sized and Simon is roughly Ken-sized (albeit shorter with thicker legs), neither has feet that fit into traditional Barbie or Ken shoes. As I ordered shoe after shoe, I stumbled upon the most beautiful BDSM doll harness, and my EGF idea was born.

Obviously, I ordered the harness, but now I need a doll to wear it. So, I have been working on doll designs this past week. Here is what I was envisioning.

Once I started making the doll bits though, I ran into the issue that my regular Baz parts result in a great looking side-profile, but the ass isn't great.

So I tried again using some of my older patterns from when my dolls were 2D. This body again looked amazing from the side AND had a great ass, but...

The torso is very skinny (definitely not Barbie proportions) and may not fit the harness.

Needless to say, this is very much a WIP. My desk is currently littered with body part patterns in every shape and size, as well as disembodied limbs and half-bodies as I try to perfect a naked doll design that looks great from multiple angles... or at least arrive at a compromise I can live with.

Until next time, hellos and high-fives from the smutty doll factory.

@alexalexinii, @argumentativeantitheticalg, @aristocratic-otter, @arthurkko, @artsyunderstudy

@best--dress, @blackberrysummerblog, @brilla-brilla-estrellita, @bookish-bogwitch, @confused-bi-queer

@cutestkilla, @drowninginships, @emeryhall, @harrie-leithillustration, @hushed-chorus

@iamamythologicalcreature, @ic3que3n, @ileadacharmedlife, @katatsumuli, @larkral

@letraspal, @martsonmars, @messofthejess, @mooncello, @noblecorgi

@orange-peony, @prettygoododds, @raenestee, @rbkzz, @rimeswithpurple

@roomwithanopenfire, @run-for-chamo-miles, @shrekgogurt, @skeedelvee, @stitchyqueer

@talentpiper11, @twinkle-twinkle-up-above, @theimpossibledemon, @thewholelemon, @valeffelees

@whatevertheweather, @you-remind-me-of-the-babe, @youarenevertooold

[thehaberdasheress]

Now at my Etsy shop: The secrets to my success! Do what I do in the comfort of your own home!

Which is to say: I'm finally selling loose sheets of the material I use for all my embroidery patterns, the stick-and-stitch interfacing that dissolves in water. This means you can turn whatever design you want into a super-easy embroidery pattern.

Right now this is an improvement on just buying this paper on Amazon because you can try out a few sheets to see what you think before buying a full multi-pack, and the optional printed grid can really help when sketching out complicated or repeating embroidery patterns. So that's the loose option.

The loose pages are intended for drawing your pattern out by hand with a pen or pencil. But what if you want to print your own digital image onto this paper? That's what my whole business is based on, after all. And I am willing to help other people do that, too!

But, small warning. Pro tip. Do not just buy the loose packs if you want to use your home desktop printer. It will make you cry and waste so much valuable material.

If you want to use a computer printer, buy these packs instead.

It took me most of a year to figure out best printing practices for this material. It's soft and easy to handle when you stick it on fabric, but that makes it a giant pain to run correctly through a printer. So after months and months of testing, I'm finally willing to say I've found a solution I'm happy with.

I make these sheets in my workshop, by coating cardstock pages with a spray that makes them into a kind of beefy post-it note. When you stick your interfacing sheet to one, the backing sheet holds it steady and helps it feed through your printer with minimal fuss, muss, or printer jams. Then you can pull the interfacing off and do whatever you want, and re-use the backing sheet for your future projects. So if you want to print, I've got bundles of backing sheets and blank pages to help you out.

And oh my god, do I love this material a lot. It opens up so many cool creative avenues.

Sound good? Come try it out for yourself!

[cherrirui-official]

Friendlocke Violet Gijinkas (Part 1/7)

Since the edited episodes are starting to come out, I figured that bc of that and the fact that I've been keeping this in the back burner for a loooong while now, might as well complete all my friendlocke violet gijinkas!! Some are gonna stay the same while others are gonna have slight/ complete redesigns, so please keep that in mind!

I plan on posting them in order by groups of three, so there's gonna be seven parts in total, all of which I'll be linking here when done vvv

(Part Two) (Part Three) (Part Four) (Part Five) (Part Six) (Part Seven)

!! These will contain personal headcanons I have for the cast, little fun facts, and also spoilers for Friendlocke Violet (for both the edited vids and the streams) !!

@saltydkart-reblogs

And that's pretty much it, designs under the cut!

LARK:

HUGE nerd. spent most of his time during the Uva Academy studying different kinds of pokemon as well as different fighting styles he can utilize once he is able to go out on his own journey with his very own trainer! Too bad that didn't really help in the long run...

His entire wardrobe consists of McDonald's related outfits. It's fucking insane. He even has some from long LONG ago that aren't available anywhere else.

The bubble pattern on his hair is able to move and change. Nobody knows how this is possible, not even Lark himself. All Lark knows is that his hair looks incredibly stylish!

Speaking of bubbles, he has the ability to blow bubbles whenever and wherever he pleases!

Often keeps himself extremely clean and gets upset if even a small speck of dirt gets on him, despite this he somehow smells like McDonald's food and axe body spray. Disgusting. He's so cool!

Even after death he still likes to hang around the other team members as a ghost, often getting to know the newer members as well as reuniting with the old ones. Sometimes they see him, sometimes they don't. It usually depends.

SARA:

Due to being a human in her past life, Sara is able to actually speak with the other humans in the pokemon world. However she usually doesn't due to it being seen as extremely weird and out of place. She did slip up once while talking in the presence of Arven, who thought it was the weed making him hear things.

Oinkologne are usually unable to do much with their hooves but Sara spent nights practicing how to knit with her new hooves and now she's able to do it flawlessly. I don't know how she managed to do that but go queen!

When first joining the team she'd often have the urge to eat her food related companions. It was a strange time for Sara, but she managed to overcome it.

When Peppy gets sick, she usually is the one who nurses him back to health. She was a human once so she often is able to figure out whatever sickness Peppy has and treat it properly. I suppose she's like a second mother to him.

The bag she carries with her is full of thread that she collected from various Tarountula she encountered on the journey, as well as little things she knits together in her spare time.

For the most part, Sara forgives... but NEVER forgets.

Did you guys know that Sara has a new YouTube channel? Check it out!

Pastey:

Before joining the team, Pastey was a nameless wanderer. He's been down every road in Paldea and knows almost the entire region (except for Area Zero) like the back of his hand.

He's gotten hurt pretty badly throughout the run (ie. the Mikey fight, the Atticus fight, and ESPECIALLY the final battle), however, he does not gain any (physical) scars from those fights. This is bc he's basically an axolotl, and axolotls are usually able to heal without scarring.

Pastey's "arms" are, to put it simply, mud prosthetics. More info here vvv

Pastey HAS met Mall Bingo once before the run, however, he doesn't recognize her. The only reason he does not recognize her is bc she wears glasses. (You know how people somehow aren't able to recognize Superman bc he wears glasses in his civilian attire even tho his face remains the same? It's basically like that lmao)

Unlike the lightbulbs he eats, the gasoline he drinks isn't really mandatory to his diet. Gasoline is like alcohol to him and he drinks it like an absolute CHAMP.

He goes fishing when there's nothing else to do or when he can't sleep at night. He doesn't do this bc he thinks it's fun or anything, only bc it's a "good time passer" or so he claims. Other members of the team will often sit with him and vent out anything that's troubling them at the moment, and Pastey is always there to listen to them.

And that's pretty much it. Next is Joe, Hannah Ü, and Mykyie!

[midnight-bay-if]

OMG i just have to say the way you write your characters is amazing! Often times when I read books with a large cast of characters a lot of the characters feel like the same and their characters aren't the most distinct but each and every one of the RO's feels like their own individual, with their own voice. If someone threw a random quote from one of your characters in my direction i feel like i could easily distinguish which characters said it because they are each so unique, which is amazing writing on your behalf! 👏 I'm currently working on my own IF and I was wondering if you had any tips on making unique characters or just writting in general? And I hope that your feeling better after your illness and that your writting is going smoothly <3

This is such a nice compliment! 🥺 I'm a little speechless, haha. But this is precisely why I like answering asks from each character's POV. It's great practice, and I've learned a lot about my own characters doing it that way.

Firstly, do not be afraid to start with a trope. They can be great stepping stones to get you started. For me, the beginning stepping stone for the wider story was Umbra. I was going through a really personally tough time when I created them. I needed a way to voice my desperation. Then came N, and with them came the devil on my shoulder. I played around with the character tropes I've loved for so long while figuring out the greater story after. So much of The Midnight Bay was designed alongside the characters.

Empathising with your characters will help you find their struggle and voice. It can be uncomfortable for me to write Umbra at times because so much of my own anxiety has been put into that character, but some people will connect with it, and that's important.

When it comes to finding a character's voice, it's best to start with their background. Consider how the character got to their position and how it has affected them. Their psychology will determine a lot about what they say and how they say it. But equally as important is what they choose not to say, and why.

Their personalities are going to play a large role in their speech. For example, S is a tactician, smart, to the point, but can turn on the charm when desired. All good things, right? Well, yes and no. They have a bit of a hero complex and will always put their teammates in the most advantageous position, even to their own detriment. A fatal flaw of character will always make your characters more interesting. Their best traits can also be their greatest weakness.

Sometimes, it can be fun to switch up which aspect of a character you choose to keep secret. Taj wears all their flaws out in the open, unlike the others. They stand out against the others because their softer side is what is secret.

Also, this is an old tip that gets passed around quite a bit, but it's one I think about a lot; could each of your main characters work as the story's protagonist? Are they fleshed out enough to work as a main character? Can you imagine following them through the main story and still have a compelling story to tell? If the answer is no, consider why not - what's missing?

I'm fighting my imposter syndrome right now in order to deliver these tips, but hopefully, they are helpful and don't come across as pretentious, haha.

This is going to be an anticlimactic final point, but it deserves saying. Writing often is going to be the biggest help. Even if you can only manage a couple of lines a day, it'll help. Some days I really struggle; my imposter syndrome takes over and I feel utterly hopeless. On days like that, I'll search my inbox for a new ask to inspire me, reread my favourite novels or move onto another scene entirely to unstick my brain from its patterns. The most important thing is to have fun with it.

Anyway, hopefully, this was at least slightly helpful. I fear I have just rambled nonsensically, but it's pretty accurate to what my process is like, haha.

Thank you again for such a kind message. It really helped brighten up my day since this illness has been lingering much longer than I would like. I'm getting better as the days go by now, and I'm hoping to get back to work on chapters 3 and 4 starting tomorrow :)

[brawlstars-dragon-au]

Sketch dump time! A whole bunch of requests from the crazy ex-bird app

In Order: Maisie, Pam, Colette, Buster, Chester, Chuster ❤️🧡 (and a teeny Gus), Leon and Sandy (Leondy 💚💜), Bull, El Primo, and Mandy!

Extra notes about each sketch:

Maisie:

Her breath attack is a condensed foam material, similar to that of a fire extinguisher. Using a gas similar to a pressurized CO² (based on gas-based fire extinguishers!), she shoots it out at high speeds. These hits can potentially cause frostbite and even severe damage to the body if left unattended. She's quite powerful in this AU due to this ability 👀👀 being able to put out the fires and overpower another dragon's breath? Now THAT'S some queen moves right there! She can also simply spray out the foam substance at short range without that pressurized gas. This helps with more close range fire fighting work.

Her right wing and front leg were undeveloped, a disability she'd had since she hatched. However! With the help of mechanics, she uses these prosthetics to help her fly. Still gotta test out how to draw it to make sense, as well as sort out how it stays in place. I've been using inspiration from Toothless (HTTYD) and his tail that Hiccup made.

Pam:

Pam is a bulkier dragon, very much on the larger side of all of them. I'm at odds with myself to figure out whether ot not she'll have wings 🤔 so I had two copies there! Perhaps her wings may be a bit smaller if I do give her them.

Pam spits out molten magma that's stored up inside her as an attack. However, it can also be chunks of scrap metal that she stores up. Otherwise, it's just magma.

Though I didn't draw this, I want Pam to be very resilient to fire in general, as her species/family of dragon use their ability to spew this magma (technically Lava after ut leaves her body? I'll do more research on this...) in order to craft and shape metal. While other dragons need to spend some time to build up a fire hot enough, the Junker family line is able to do this much more easily. (Amber is a close second, though)

Her skin has the ability to crack and seep up lava out of it, potentially coating her body in this to give herself a temporary lava shield, something extremely hard to break through. (In the future, little Jessie may also be able to do this... however, Pam doesn't think she's ready at the moment and avoids the topic or any ideas of teaching her how.)

Colette:

Colette flies in a sort of funny way, twirling around and flapping her wings to maintain somewhat of a chaotic flight pattern. Think of a snake slithering through the sky, but with large wings and the grace of... a teenage dragon (not much, but it does work).

When she gets better at flying...pray and hope she isn't able to catch up to her favourite brawlers cause she isn't ever gonna let go of them 💀 It makes for a great attack, actually! Charging at enemies and coiling around them like a snake to prevent movement, like a big hug ❤️ she just loves everyone SO much 😍

Buster:

Finally kinda set on a design for this funky guy! He's a larger dragon (smaller than El Primo or Frank, but still definitely up there in size)

His wings never quite grew fully, so he wouldn't be able to fly 😔 however, that'll never stop him and his dreams of being a cool movie star 🧡🧡

Buster, at the heart of it, is an unstoppable force when he sets his mind to something. He'll charge in with the same ferocity as his favouite protagonists, rivalling the audacity and hard-headed nature of even Bull! All while doing so for his friends 💪 we love Buster in this AU frfr

Chester:

Chester always has theatrics when he flies. Flips, spins, and fun aerodynamic movements up in the sky! He's gotta compensate for his lack of speed compared to other wyverns after all, but he thinks he's pretty great 😎

Loved drawing this kinda unique pose tbh! That's what I loved with these drawings, I got to experiment without really thinking too much for em with how polished and clean that look. It was very fun! 🔥

Chuster ft. Gus❤️🧡:

We love some goofy gays here 🥹❤️🧡 I just wanted to let em have a little nuzzle + smooch! Dragons don't necessarily kiss, but little side boops like this are the equivalent of a cheek kiss.

Also, a little Gus on the side 🥹🥹 I love this sort of found family dynamic that have! Buster being the cool dad vibe/big bro to Gus, and then Buster being in a relationship with Chester so that he's also a cool dad too 😎 Gus loved these two guys from the very start, they're funny 🤭 never a boring day for these silly lads.

Leondy 💚💜:

My beloveds 🤲 I really do cherish the ship, as well as strong friendship Sandy and Leon have. (Btw in my HCs, Leon and Sandy are 13 & 14 respectively, just to clear that up!)

Sandy, I've mentioned a few times, is very inspired by Capybaras, so Leon finding one is just perfect 🤭 silly little deadpan face lads.

Bull:

BULLDOZERRRR- What a lad! Bull is inspired by- uh, Bulls! Great creatures, large bodies and thick necks to support those headstrong charges 🐂 I love making his posture all confident, strong steps to say, "Yeah. You TRY and stand up to me. I DARE you." Don't wanna mess with him on most days 🏃‍♀️💨💨

El Primo:

Still figuring out a full-body for El Primo, bit he's roughly the same size as Bull! (Maybe a bit bigger)

El Primo has got really small wings, similar to his El Dragón skin. Even his scales and horns are inspired by that mostly! Love when characters have preexisting dragon themed skins 🤭 makes it a lot easier to make ideas!

His "mask" is actually just body paint. He has similar paint on his body, really showing off the vibrant colours and persona he puts on for the crowds.

He WILL beat up his enemies into a pulp in matches. Thank goodness there's the gem powered regeneration and the respawn system in place 😭 I plan to give him a very strong body and tail, enough to support him when he needs to go on his hind legs and overpower his opponents. Buster is designed in a similar way as well!

Mandy:

Last but not least, the Queen of Candy herself. Not even the Dragon AU let's her escape fast food work 😔😔

Her super attack is purely a magical sugar-based rainbow blast, as shown in the sketch. Also, I'm now realizing that I forgot her red spots oml- No wonder she looks so empty 💀 uhh sorry about that, lads 😭 I'll redraw her one day to show off that glowing effect of her spots 🥹🥹

And that's all! Thank you for reading if you made it this far! Hopefully I can make more of these sketch dumps 🤭✨️ maybe take reqs from here too! We shall see. Take care y'all!

[patchworkcuddlebug]

Eclipse

(A Night & Day story)

"It is a pleasure to meet you." The Night Witch reclines at her desk, confidently gesturing to the rest of her study. "Please, have a seat wherever you'd like."

The Day Witch sees a room that is extravagantly themed. The walls to either side of them are covered in carefully painted bookshelves, adorned in their entirety with untouched books, their spines all gamuts of blacks and dark blues. The curtains behind her had tiny holes poked through, in a pattern careful not to have two of them aligned, warping the daylight into an impression of the night sky. The rug is an art piece, a depiction of van Goph's Starry Night woven across the room from corner to corner.

In front of her desk is a folding chair.

The Day Witch struggles to comfortably orient her body into the chair. It is at the same time too rigid and too feeble, threateningly wobbling with every shift.

"Good, now lets get started." The Night Witch plants an elbow on her desk, resting her head on a supportive arm.

Everything is as expected. The Day Witch's coven seeks to have more hours in their night, as they are usually too busy to meet as often as they'd like. In exchange, The Night Witch asks for the power of sunlight, to make the moon grow brighter if she so chooses.

In the midst of their bartering, a doll cautiously opens the door to its Miss's room. The Day Witch recognizes it, she passed it in the hallway. Has it been waiting outside the door this whole time? "This one is sorry to interrupt, but it can provide refreshments if-"

"Bring the refreshments, Luna." The Night Witch commanded, stern and without mercy. "You are an object of service, don't waste our time by asking permission." The doll curtsies as quickly as it can before shutting the door as gently as it can.

"Those things are so damn hard to train." She shakes her head, giving The Day Witch a side-eyed glance. "Would you believe that one's the best I have?"

"I wouldn't know." The Day Witch shrugs, just enough to let a hint of superiority finally shine through. "It sure seems fine enough."

"I suppose you'll just have to figure it out when you start training them yourself. If you turn your back, they always seem to make noises among themselves, always doing something between chores." She leans back in her chair, the excessive cushioning making a muted pomf. "If I wanted to put up with their idle pitter-patter I would work with mortals."

The Day Witch leans back to match, her back straining against unsupported rigidity. "I... can't say I've ever heard a witch speak so impersonally of her dolls, Night." She looks back to the study's door, a tall and extravagantly designed barricade between them and the rest of the manor. "How exactly do you train them, then?"

"Keeping them busy is mandatory." She speaks with a casual confidence. "That way there's less of a chance for them to... develop. But if one does step out of line, simply destroy whatever humanity they've built." She motions with her hand, pulling it into a fist as if crushing something.

The Day Witch chooses her next words carefully. "I see. How... involved, you must be." She leans forward, balancing on the chair's unsturdy legs, to reach across the desk for the enchanted scroll of binding.

The Night Witch reclines with her hands behind her head, smirking. Just as the signature begins to glow with an ethereal finish, Luna returns, with only the Day Witch to acknowledge the sound of the door.

The Night Witch slides the signed papyrus back across her desk. "This is why you don't waste time, Luna. We've already finished with our meeting, and our guest was just leaving." As she scoffs in disappointment, the doll does its best to bow its head without losing the tray's balance. "Yes Miss, this one is very sorry Miss."

The doll retreats before The Day Witch could sample the snacks it brought. "Thank you anyway, Luna!" She calls out before it can leave, trying to impart an encouraging tone.

Luna stops in its tracks, turning to The Day Witch with its mouth agape. It stays like that for only a moment before it finds itself speaking again. Even through its reservation, there was a hint of unsure surprise. "...yes, Miss."

The Night Witch rolled her eyes, ashamed to see an adult playing with toys.

. . . . .

Luna jolts itself from stillness. It tightens its grip on the broom handle, focusing tired eyes onto the tile of the manor's entrance. Surely, this time, it won't miss a spot.

It suppresses a flinch as The Day Witch closes the door behind herself just a little too hard, groaning as she rubs her eyes. In a moment, she collects herself, catching the doll's eye as she glides down the stairway.

She hesitates in the foyer, taking a moment to watch the doll as it tends to its task. Her body is pulled in, afraid to take up space. It moves like a wounded deer, erratic twitching complimenting every movement and smothering the elegance it strives for.

The witch can't help but place a worried hand to her chest.

"Do you like your life, Luna?"

"Yes, miss." It mumbles, not looking up from its work.

The witch looks around her before leaning in conspiratorially. "You can tell me, really. Dolls aren't meant to be treated like this."

The sweeping slows, the doll's head still down.

"Just say the word, and I can take you away. I can see your pain, Luna, I want to help you."

The doll's frozen in place. It wants to leave, more than anything, but it's given up so long ago. It looks back to the entrance to its Miss's study, the door shut tight.

"Are you thinking about her, Luna? What she wants?" She interrupted with a deep compassion. "You don't have to, you're the only one I'm asking: do you enjoy your life, as it is?"

Luna looked at the witch in front of her. Her smile was deeply kind, nothing like the paltry niceties spared for it by Miss.

Luna looked to its side, at the exit, unlocked just feet away.

It couldn't spare the energy for suspicions. It was so, so tired.

"...please, Miss. Take this one away."

[things-about-cars-in-posts]

got any fun tidbits about the porsche 944? :3

I've got a fun bit of one of those Porsches: the right indicator!

And that's a fun story, so I'll go with that.

Porsche, early to rise as always, spent all morning perfecting its latest project, a fancy little sportscar requested by none other than its day-one friend Volkswagen. After a morning spent, just like the days and nights before, working on the project with the trademark Porschefectionism, right on midday's strike the pencil was finally awarded its rightful rest. Attention turned to the phone - its dial was spun in that old, familiar pattern and, a concerning number of tones later, the line transmitted the clattering of a handset being fumbled up.

"whoizziiit?" "Guten Tag, Volkswagen! It's your friend Porsche!" "christus, tone down that vooooooice", Volkswagen yawned out. "Don't tell me I woke you up!", Porsche exclaimed flabbergasted. "i said tone it down, i've still got a splitting headache from friday. -a brief pause protested the incompleteness- and i guess from yesterday after seeing the bills. i'm really messed up. what do you want" "Oh, you will feel better now - I'm finally done!" After waiting a couple seconds, Volkswagen realized that wasn't going to be clarified. "with what" "The sportscar!" The brow furrowing could be heard from the other end of the line. "the what??" "The sportscar project, the one you commissioned me to design!" "what are you talking about?" Porsche adopted a conciliatory, clarifying tone, trying to empathize with the clearly hazy friend. "You called me Friday at 23:47, and asked me to design you a sportscar. You went on about loving me very much and wanting one of my "sick sportscar things" for a while, and then you hung up before I could ask for details. You seemed to be in a very busy room, so I didn't call back and just went to work."

A small silence filled the line.

"are you joking" "About what?" that was a no.

A small silence filled the line.

"fuuuuuuuuuuuuuuuck" "What's the problem?" "what did you design" "Oh, you'll love it! It's a transaxle-equipped, low-slung beauty using a 2.0l to-" "yeah bro, i'm sorry for what i... apparently told you, but like, that's all waaay too hardcore for me" "B-but... you asked me to design a sportscar..." "i was off my sheiβen that night bro. i don't remember anything past the sixth large can of dunkelbier." "Six cans of dunkelbier? But you drink those everyday!" "no, i mean those large cans, uhhh, what do you call them..." "...barrels?" "yeah." "But you do need a sportscar in your lineup... right?" "ugh, if i do i'll just flatten the golf or something. that project sucked all my money, dude." "B-but... I did all this work... and it came out so well... does it all have to go to waste then?", Porsche asked with a trembling voice that betrayed the full extent of the emotional hit - at last, waking up VW for good. "Oh, nonono! Don't worry! Uhh... you can make it yourself if you want to!" "But... but I've designed it to be built with your parts..." "Oh I can sell you the parts, it's no prob" That seemed to restore Porsche's spirits. "Really? That would be fantastic! Oh, I have a wonderful name for it already!" "Oh? What is it?" "924!" "...sure. Alright, we'll figure that out. Sieg heil bro" "Er, we don't say that anymore." "Fuck, you're right. Sorry, still a bit cloudy. Uhhh... what do people say now?" "Auf wiedersehn seems to be a popular option." "Auf wiedersehn then." "Auf wiedersehn"

Thus, Volkswagen went on to launch a lightly stepped on Golf it called Scirocco...

...and the project at the heart of our story would end up being made and sold by Porsche,

and as such, getting incrementally refined year over year over year, evolving into the 924 S, which then evolved into the more muscular 944...

...which itself, after three revisions and countless special versions, evolved into the 968.

Which itself, after a couple of special versions, almost thirty years from the 924's launch... ended production for good in 1995. And frankly, I have no idea what finally compelled Porsche engineers to let the damn thing be. Wait actually, hold on a second...

I have one idea.

Okay, to be fair, the exchange rate situation from the Kadett story had only gotten worse making a now dated platform too expensive to make sense and to low a seller to justify remaking. But worry not, they did still have the 911 to keep messing with. Combine that with Pokémon and they were still plenty enriched.

And indeed like the 911, this platform's development is essentially a long, drawn out cleansing of the VW components it started off heavily based on. While the 356 was simply based on a VW platform, though, the 924 was a hodgepodge of bits from all over - engine from the LT van, brakes from the K70, front suspension from a mix of Golf and Beetle...

(I can feel your pulse thumping at the mere idea of a mix of these)

...and of course, this extended to one of the most recycled part of all: the side indicators. And that's important. Because my old Volksvagen had a broken indicator, and I happened to know of an abandoned 924 'round here. C:

Although it did take some work (while the lens was the same, the base was different, so it had to be transplanted from my broken unit - there were probably a couple variants of this part for reasons), I now officially participate in the popular trend of putting Porsche bits on your Golf.

Not in a way that actually makes any difference, but hey.

Links in blue are posts of mine about the topic in question: if you liked this post, you might like those - or the blog’s Discord server, linked in the pinned post!

[kooldewd123]

my one friend and i have a running joke that pokemon is incapable of creating an actual twist villain because the hair is always the tell. every single time they try to hide the villain, they give them the most phenomenally stupid hair. if you ever get partway through a pokemon game and can't figure out who the villain is, just point at the person with the worst haircut and you're probably right. i mean come on:

nobody has hair like this except mad scientists, ancient kings, and maniacal bad guys - and look at that, lysandre fits all three of those categories. get a comb and try to not look blatantly like a villain next time, okay?

ma'am that is a cone. hair is not supposed to be in that shape. I've seen mummies with fewer chemicals in them than that thing.

I'm genuinely upset I didn't predict penny being the leader of team star pre-release because this is the most logistically confusing hair I've ever seen in any character design. so the hair is in two completely different colors? and the blue hair is, like, covering the red hair? and it's cut in this weird asymmetrical pattern? huh????

rose is fine, actually. hair-wise, at least. this isn't notably more stupid than standard pokemon human designs, but then again, rose isn't notably more anything.

volo is the only time pokemon has ever managed to pull off a twist villain because they somehow finally had the foresight to just give him a fucking hat. no joke, when he went full villain at the end, we just sat there in stunned silence for a moment and the first thing either of us said was "holy shit he was hiding his stupid hair the whole time." excellent work game freak, take notes for the next game.

[mantisgodsart]

[...isolation of the transformation appears to worsen the standard disorientation of a new body. I believe that the familiarity of the upper body may be offsetting the psychological impact of the lower body - as not everything has changed, the subject still "expects", on some level, that their body will work similarly, despite radical changes to organ systems and locomotion and the near-total overhaul of the centre of gravity.]

[The subject appears to be leaning on hexapodal motion as a type of "crutch", despite the size of the lower body making most of these sorts of motions awkward at best - the tournament venue doesn't currently have many internal spaces sufficient to test this one's mobility, but outdoors venues seem more promising for testing, anyways. This confirms something that I've previously suspected, as well - subjects find it more difficult to adjust to addition of new limbs than they do subtraction of limbs.]

[Subject appears to exhibit difficulty with coordination in the lower limbs, and has adopted an extremely "cautious" form of motion, taking steps with one limb at a time. The difference between upper and lower limbs means that this mode of movement is extremely... clumsy, to say the least. I intend to keep them under observation for a few more days before release and see if this resolves within the initial settling period or not. After that, just some periodic check-ins should be...]

Hello, and welcome to: watercolor paintings for Round 2 of @bug-oc transmutations! Mirach by @ghost-of-hallownest. Some extra details under cut because this is a long post and we don't want to make it longer.

This one is based pretty heavily on Dragon!Falin from Dungeon Meshi, but we're bringing through some lizard-y aspects from last year, and very much having fun with the tabby-cat patterns on the back - though technically speaking, Mirach's blue is limited to her wings, adding some markings to the body helps us break up that big plane of sandy yellows and add some interest to the design. We think it turned out well!

If we could fit it in, we'd add a third bit of Marigold notes related to the actual transmutation method, since it's been living in our brain for a while, and we think our Potion Drawing might be a bit... abstract, otherwise?

More or less, the weave - the active transmutation medium - is woven to the inside of the lasso's... lasso, and upon encircling something with it, the weave is transferred to the target, thus making the lasso fall apart entirely as a major component of its structure abruptly ceases to be part of the object.

This transfer-and-break is the same general method through which most of Marigold's "one-use" charms work - as the effect is now tied to the target's body, rather than an object, it simply remains in effect until the weave "wears in" to the body entirely, shifting it from an effect active on the subject to a part of the subject's body.

This means that, before the effect is fully integrated into the body, it can be broken, though as with all charmcraft some effects may still linger. This also makes it so, technically, the charmcraft only casts an effect on the caster - the same effect through which pretty much all Medals work - rather than being a direct interface a la wiring it directly into the bug's body, which is illegal and what Marigold spends a lot of time tiptoing around to produce major effects on a bug's body without the single most useful method for bodily alteration Charmcraft has to offer.

...that was longer than we really expected it to be. We are working on the other contestants, both of this round and the last, though it's going very slowly seeing as the afternoon sun is currently hot enough to melt our brain into a fine sludge. We've got a solid idea of all three other Round 2 designs, and we've finally got a sketch for Mal - though Pola is being delayed, still, due to our poor comics-making decisions. We're working on it! Slowly!

If we could figure out how in the hell to represent it visually, we'd be working on making a loser's bracket, too, but as is... listen, we're not a graphics designer for a reason. If you are a graphics designer and we can outsource designing a loser's bracket to you then please contact us. We have a budget of approximately ten dollars. We can do PayPal but if your payment processor of choice is US-exclusive we cannot help you.