#I've been procrastinating :)
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inumakkin · 2 years ago
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valssom · 2 years ago
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감각 따윈 없어, no more pain 어차피 너와 나는 love or hate
LOVE KILLA SEOWON EVERYONE!!
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roleplayingorchids · 3 days ago
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Moss wanders the village with a bunch of flyers dropping a few as he goes. His pacing suggests he is doing something he believes is of the upmost urgency. The flyers seem to be a PSA about staying away from some sort of forest with pale trees. He is so distracted by his task he fails to notice anyone nearby.
[@the-village-doctor]
Orchid had just been seeing the villager putting up their posters, She quickly read the flyer as he put it up, Realizing She has come across something similar to the description of the poster...
" Excuse me, I believe I've come across what you're looking for..." She said calmly with a smile
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moonlight-prose · 3 months ago
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okay i actually need to go sit and write.
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teddie-laundrybear · 1 year ago
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You guys I'm scared to keep watching OUAWL Help Help I need support I'm scared, (on episode 39)
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loveroped · 2 years ago
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Writing the last scene of this oneshot. Might actually finish it today. After months
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itskaeee · 2 years ago
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someone bully me into doing my tasks again please
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starfoam · 2 years ago
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//Please tell me to cook dinner
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artkaninchenbau · 8 months ago
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A h-heartfelt reunion..?
Bonus
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love-from-anie · 7 months ago
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aliettali · 19 days ago
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the jiggle jiggle skin
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synark25 · 1 year ago
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The Secretary!!
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One of my silly RW oc’s!! they and jester are so. so silly. so so so silly. my two beloved’s.
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starmocha · 1 month ago
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Hide-and-Seek [Sylus + Daughter ★ 1247 words ★ Masterlist ★ Series Index ★ AO3] Sylus shows his daughter a fun trick. A/N: Hi, hi, I’m going to try to work on the LNDS men + their kids series again. (the plushie trend going around is giving me baby fever again :’))
“…Daddy…Daddy…”
Sylus groaned softly as he woke up, hearing a tiny voice just outside his bedroom calling for him. He blinked his bleary eyes, looking at the clock. It was almost nine in the morning, but for the Onychinus leader who followed a nocturnal schedule, that meant that he had not slept for too long. He could hear the voice outside his bedroom door getting louder, hearing a little girl crying, and he instantly recognized who it was. He immediately bolted up and gotten out of bed, racing to the door in a flash.
He opened the door, his eyes softened as he saw his little girl sitting there holding tightly a Grumpy Crow plushie and wiping her eyes as she cried softly, “…Daddy…Daddy…”
He immediately scooped her into his arms, smiling softly as she buried her face into his neck, crying harder as she clung to him. He rubbed her small back and shushed her gently. “Baby, why are you sitting there crying? What happened?”
The little toddler sniffled. “I can’t find Lukey…and Kier-Kier…”
Sylus raised his brow in confusion. “What do you mean? Are they not watching you?”
Sylus closed his bedroom door and walked over to his bed, sitting down and setting his daughter on his lap. He wiped at her eyes and shushed her softly again. “What do you mean you can’t find Luke and Kieran?”
The girl continued to sniffle, wiping at her runny nose furiously. She hugged her plushie tighter. “We’re playing hide-and-seek…”
Sylus immediately understood.
“I can’t find Lukey and Kier-Kier…and…I got scared…”
“Oh, baby.” Sylus immediately held his daughter closer to him. “Do you want Daddy to help you find them?”
The girl looked at her father confused. She sniffed.
Sylus smirked. “Daddy has a fun trick. Do you want to try it?”
Forgetting her tears, the girl nodded excitedly.
“Alright, hold onto me tightly now, my little birdie.”
Dropping the crow plushie, the girl wrapped her little arms tightly around her father’s neck again, and then within a flash, Sylus used his Evol, disappearing from the room, leaving behind only a faint mist of energy.
In the next instance, he reappeared in the hallway, his daughter’s giggles resounding loudly down the long, empty corridors. He shifted her in his arms and they both looked around. “Not here,” Sylus mumbled thoughtfully, hearing his daughter echoed his words. He smiled and tickled her, hearing her delightful laughter again. It was the sweetest sound he had ever heard. He just wanted to greedily pocket all of her laughter and smiles for himself.
He kissed her forehead. “Alright, where should we try next, baby?”
The girl hummed thoughtfully. “Kitchen?”
Sylus nodded. “Alright, kitchen it is,” he said, and they both vanished in another mist.
A moment later, the father-daughter duo reappeared in the kitchen. Sylus could faintly hear an unfamiliar noise nearby. He motioned for his daughter to be silent and she obediently covered her mouth with her two little hands. Sylus had to refrain from laughing at her adorable behavior. He whispered softly so only she could hear him, “Let’s try the pantry, baby.”
The girl nodded and clung to her father as they teleported from the kitchen to inside the pantry. A moment later, Luke let out a scream.
“That’s not fair, Little Miss!”
The girl giggled. “Lukey!” She held her arms out for the younger man and Sylus let her jumped over to Luke’s arms.
“Jeez, I didn’t think you would join in on the fun, Boss.”
“I didn’t think you two would let my daughter cry alone in the hallway.”
Even though Luke was wearing his mask, his demeanor changed the moment he heard Sylus’ words. He looked down at the little girl in his arms and apologized to her. “I’m sorry, Little Miss, were you scared?”
“A little…”
“Kieran and I will do better next time,” he promised. He smiled when the girl wrapped her arms around his neck and snuggled closer.
“Ah—Lukey, cookie!”
The two men watched the girl, confused. They followed her hand motion and looked at the shelf behind Luke to see a jar of white and pink-frosted animal-shaped cookies with little pastel-colored nonpareils sprinkles.
“Boss?”
Sylus crossed his arms over his chest and smirked, amused when his daughter turned and gave him her large, pleading puppy dog eyes. “Alright, just a few,” he said as he walked over and grabbed the jar on the shelf. He opened the jar and held it out to his daughter, watching with a smile as she happily and greedily grabbed as many as her little hands could hold. He lowered his voice and kissed her forehead as he spoke, “We won’t tell Mommy.”
He laughed when she held out a tiger-shaped cookie for him. He opened his mouth and let her feed him the cookie. It tasted sweeter than normal, Sylus thought, smiling as his daughter turned and held up a giraffe-shaped cookie for Luke, pushing up his mask enough to feed him.
“Well, thank you, Little Miss,” Luke responded, chewing his cookie.
“This one is for Kier-Kier,” the girl said, holding up an elephant-shaped cookie. She looked at her father with a pout, “Daddy…can we go look for Kier-Kier?”
“Of course, baby,” Sylus said as he took her back from Luke.
“Try the foyer,” Luke suggested, and Sylus nodded before disappearing once more.
In the next instance, Kieran’s scream could also be heard within the base.
“B-Boss?! Little Miss?”
“Kier-Kier!”
Kieran instantly caught the little girl that jumped over to him. He appeared surprised when he saw her holding something in her hand to him. “What’s this, Little Miss?”
“Cookie!”
Kieran seemed to smile under his mask as he took the cookie from the little girl. “For me? Little Miss is the sweetest,” he said as he lifted his own mask enough to eat the offered confection. “Yummy.”
“Alright, baby,” Sylus said, walking over and patting his daughter’s head, “It looks like you won this game of hide-and-seek.”
The girl giggled, looking shy. “Daddy helped…”
“Little Miss knows how to use her resources,” Kieran quipped.
“Smart little birdie,” Luke’s voice joined in as he walked into the foyer, clapping in approval.
The girl seemed to blush from embarrassment at hearing all of these proud praises. Suddenly, everyone heard the sound of a motorcycle approaching from outside. Sylus smirked as he reached over for his daughter again.
“Oh? Is that Mommy?”
The girl nodded excitedly, recognizing the sound of her mother’s motorcycle. “Mommy’s home!”
“She’s very early today,” Sylus quipped. He whispered to his daughter mischievously, “We should go greet her.”
The girl clung tightly to her father again, her own mischievous smile identical to his as they disappeared from the foyer.
A moment later, a third scream was heard at Onychinus base that morning.
“Sylus!”
With a laugh and as dark feathers drifted all around, Sylus gathered the two most precious girls in his life into his arms, mumbling softly into his wife’s ear, “Welcome home, sweetie.”
“Welcome home, Mommy,” the little girl piped up, mimicking her father’s tone. She snuggled in her parents’ embrace before pulling out a cookie to Sylus’ uneasiness.
“Lion for Mommy!”
“Baby, where did you—Sylus, it’s only ten in the morning!”
“Come on, baby, let’s leave. Mommy is baring her fangs at Daddy.”
With that, Sylus disappeared again in another mist, leaving his wife yelling after him in the courtyard as their daughter giggled and snuggled closer to him.
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scenicphoenix · 2 years ago
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Me seeing badass fanart for Opaline (G5): compelling arguments to finally get into the new stuff
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why-the-heck-not · 17 days ago
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me, a responsible being, working on the coding project as I should vs. me, a dysfunctional shithead, getting distracted by reading about brains (once aGAIN damnit (it's my favorite "I need to study my field but bc I should do that it's an impossible unthinkable feat now, so I'm reading about something else to fool my brain I'm still being productive"-topic))
#but after my thesis me & brains have been on a break bc got tired reading abt them during that (bc I had a topic that sorta allowed me to#sidetrack to brain stuff also) but seems I'm over the brain overload now#yay? i guess#also no one who actually studies medicine/brains/etc. yell at me abt wikipedia and like ''why are u studying that like that''#I'm just going through the wikipedia & reading article abstracts path; nothing serious#also my procrastination has reached inhuman levels like it's a full-time job now#bc I have like a chill week's worth of work to do and then I've done the courses for my bachelor's degree#but sending in that ''heyy i'm done with the courses let me graduate''-thing fills me up with sO MUCH anxiety & dread I'm working so slow#now (even tho couldn't send that in for like a month bc gotta first wait the courses to be graded and stuff so in actuality I should#not be slowing down even a bit bc I need to finally be done with this damn degree asap; gotta move on and should've ages ago (it's actually#super bad how late I'm with it (1.5 mf years jesus christ; I'm not even like a little bit proud abt getting a degree anymore like I'm sorta#just embarrassed if I have to tell ppl like ''yea I graduated'' bc dude ?? only now?? u were supposed to be done with that 1.5year#ago what have u been doing (fuck if I know) so I'm keeping it like ''if anyone asks'' basis)))#(the tags and parantheses started a life of their own lol sorry abt that)#studyblr#studyspo#bookblr#booklr#study#november 2024#2024
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vinceaddams · 1 year ago
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Any tips on learning to make buttonholes? I've been putting it off for.... *checks notes* like three years.... but better late than never and all that. I don't have any fancy machines so I gotta do it by hand but that seems right up your alley.
Thanks!
It IS up my alley, yes, I do most of my buttonholes by hand!
I'm actually part way through filming an 18th century buttonhole tutorial, but I expect it'll be a few more weeks before I finish that and put it on the youtubes, so in the meantime here's the very very short version. (The long version is looking like it'll probably be about 40 minutes maybe, judging by how much script I've written compared to my last video?)
Mark your line, a bit longer than your button is wide. I usually use a graphite mechanical pencil on light fabrics, and a light coloured pencil crayon on dark ones. (I have fabric pencils too, but they're much softer and leave a thicker line.) You may want to baste the layers together around all the marked buttonholes if you're working on something big and the layers are shifty and slippery. I'm not basting here because this is just a pants placket.
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Do a little running stitch (or perhaps a running backstitch) in fine thread around the line at the width you want the finished buttonhole to be. This holds the layers of fabric together and acts as a nice little guide for when you do the buttonhole stitches.
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Cut along the marked line using a buttonhole cutter, or a woodworking chisel. Glossy magazines are the best surface to put underneath your work as you push down, and you can give it a little tap with a rubber mallet if it's not going through all the way.
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I'm aware that there are some people who cut their buttonholes open using seam rippers, and if any of them are reading this please know that that is abhorrent behaviour and I need you to stop it immediately. Stop it.
Go get a buttonhole cutter for 10 bucks and your life will be better for it. Or go to the nearest hardware store and get a little woodworking chisel. This includes machine buttonholes, use the buttonhole cutter on them too. If you continue to cut open buttonholes with a seam ripper after reading this you are personally responsible for at least 3 of the grey hairs on my head.
Do a whipstitch around the cut edges, to help prevent fraying while you work and to keep all those threads out of the way. (For my everyday shirts I usually do a machine buttonhole instead of this step, and then just hand stitch over it, because it's a bit faster and a lot sturdier on the thin fabrics.)
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I like to mark out my button locations at this point, because I can mark them through the holes without the buttonhole stitches getting in the way.
For the actual buttonhole stitches it's really nice if you have silk buttonhole twist, but I usually use those little balls of DMC cotton pearl/perle because it's cheap and a good weight. NOT stranded embroidery floss, no separate strands! It's got to be one smooth twisted thing!
Here's a comparison pic between silk buttonhole twist (left) and cotton pearl (right). Both can make nice looking buttonholes, but the silk is a bit nicer to work with and the knots line up more smoothly.
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I've actually only used the silk for one garment ever, but am going to try to do it more often on my nicer things. I find the cotton holds up well enough to daily wear though, despite being not ideal. The buttonholes are never the first part of my garments to wear out.
I cut a piece of about one arm's length more or less, depending on the size of buttonhole. For any hole longer than about 4cm I use 2 threads, one to do each side, because the end gets very frayed and scruffy by the time you've put it through the fabric that many times.
I wax about 2cm of the tip (Not the entire thread. I wax the outlining/overcasting thread but not the buttonhole thread itself.) to make it stick in the fabric better when I start off the thread. I don't tend to tie it, I just do a couple of stabstitches or backstitches and it holds well. (I'm generally very thorough with tying off my threads when it comes to hand sewing, but a buttonhole is basically a long row of knots, so it's pretty sturdy.)
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Put the needle through underneath, with the tip coming up right along that little outline you sewed earlier. And I personally like to take the ends that are already in my hand and wrap them around the tip of the needle like so, but a lot of people loop the other end up around the other way, so here's a link to a buttonhole video with that method. Try both and see which one you prefer, the resulting knot is the same either way.
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Sometimes I can pull the thread from the end near the needle and have the stitch look nice, but often I grab it closer to the base and give it a little wiggle to nestle it into place. This is more necessary with the cotton than it is with the silk.
The knot should be on top of the cut edge of the fabric, not in front of it.
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You can put your stitches further apart than I do if you want, they'll still work if they've got little gaps in between them.
Keep going up that edge and when you get to the end you can either flip immediately to the other side and start back down again, or you can do a bar tack. (You can also fan out the stitches around the end if you want, but I don't like to anymore because I think the rectangular ends look nicer.)
Here's a bar tack vs. no bar tack sample. They just make it look more sharp, and they reinforce the ends.
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For a bar tack do a few long stitches across the entire end.
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And then do buttonhole stitches on top of those long stitches. I also like to snag a tiny bit of the fabric underneath.
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Then stick the needle down into the fabric right where you ended that last stitch on the corner of the bar tack, so you don't pull that corner out of shape, and then just go back to making buttonhole stitches down the other side.
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Then do the second bar tack once you get back to the end.
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To finish off my thread I make it sticky with a bit more beeswax, waxing it as close to the fabric as I can get, and then bring it through to the back and pull it underneath the stitches down one side and trim it off.
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In my experience it stays put perfectly well this way without tying it off.
Voila! An beautiful buttonholes!
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If you want keyhole ones you can clip or punch a little rounded bit at one end of the cut and fan your stitches out around that and only do the bar tack at one end, like I did on my 1830's dressing gown.
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(I won't do that style in my video though, because they're not 18th century.)
Do samples before doing them on a garment! Do as many practice ones as you need to, it takes a while for them to get good! Mine did not look this nice 10 years ago.
Your first one will probably look pretty bad, but your hundredth will be much better!
Edit: Video finished!
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And here's the blog post, which is mostly a slightly longer version of this post.
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