#I'm way too emotional about this

[r0bbers02]

My babies

[titstatstummy]

the thing is i want to care about the other storylines... i want to care about Madney having another baby. i want to care about Eddie working on himself and getting better. i want to care about how good Eddie's confession scene was. i want to care about the hot priest. i want to care about the rescues. i want to care because i love all the characters. i love the show. but right now i can't enjoy any of it because of how bad they fucked up with BuckTommy. i can't care for my faves because all i see is the biphobia. all i see is Tommy ending up alone and hurt. all i see is Buck getting his heart broken out of nowhere. all i hear are Oliver's words which he doesn't seem to understand were hurtful. and it sucks. because i want to care. i want to enjoy my favorite show

[inkskinned]

okay is she being actually immature or is it just a woman over 30 expressing a human experience you find to be immature.

like yeah. at certain ages... let shit go. im not defending the real immature shit. im not defending the karen you're picturing. i worked in retail i hate those people too. (once somebody got mad at me because she didn't like how our winter window decor was a snowman smoking a pipe. i wish i was joking).

but men at 57 will write books about how 17 year old girls are soooo sexy. they will invent worlds where women have to be naked for "armor reasons." they will write songs that treat women as objects. people rush to defend them. meanwhile a woman at 35 will be like "heartbreak is hard, actually" or "i feel betrayed by a friend" or "i am struggling with something emotionally." immediately people will say stuff like this woman is 35 by the way. by the way this woman is SO OLD to be experiencing this. BY THE WAY.

im 31, almost 32. the other day a poet was blasted online because at her "big age", she had written a poem about feeling unloved. top comment was "this woman is 29 by the way." this woman is too old to still be useful, by the way. she has to behave better . maybe if she was a good wife and mother she could stop existing loudly, and the story could continue on without her. this woman has served her purpose, by the way. she's so cringe, by the way. at 29 - so old! - she still hasn't figured out that her existence should be one of shame.

[secriden]

Just going to cry again (see: my previous post about the parallels between the storage room scene and the abandoned factory scene) about parallels and juxtapositions in the store room scene vs the one in Styles bedroom:

Both these scenes have such a tone of desperation and are characterised by an overflowing of emotions, but in drastically opposite directions.

(Note, some of what I say in this post directly relates to concepts and themes I talked about here, so it may not wholly make sense without that context.)

The scene in the storeroom is filled with frustrated desire. Fadel kisses Style because he wants Style's body and also wants to take his frustrations at Style out on his body. He doesn't need to look Style in the eye (and in fact very intentionally only does so only in small snatches) because this isn't about a connection as much as it is about a release. Fadel's kisses come fast, hard, and are intended to bruise more than to adore.

But episode 5's scene is filled with much more quiet and tender sort of desire. Style is kissing Fadel so much more slowly and purposefully. He keeps looking back at Fadel, checking in to see how he feels and whether Fadel is enjoying it. Everything Style wanted in Episode 3, he now gives to Fadel here, pours the secrets of his knowing and choosing Fadel anyway into the way he presses his lips onto Fadel's skin. His kisses linger, they carry a weight but are somehow infinitely gentle still; Style's kisses contain a purpose that Fadel's kisses couldn't in Episode 3 because in all honesty they were relative strangers back then.

There's also the way there's such a ferocity and carelessness in the way Fadel starts the encounter in episode 3 that is juxtaposed beautifully by the slow, tender, almost hesitant way Style slides his lips onto Fadel's. Both of them are in such different headspaces, between these episodes and its especially evident in the way they care so much more about the other person's comfort and how intentionally they showed that to the audience.

There's hunger present in both scenes but what this hunger is focused on is so drastically different. In the storeroom, they're both mainly focused on a physical release; its primal and visceral but lacked emotional resonance. Fadel gives Style what he knows Style wants (that hint of danger, with the hand on his neck), but its not because he really cares about what Style wants on anything more than a physical level. In Style's bedroom, however, Fadel is drunk (intentionally and by his own design) and desperate to open himself up to Style on an emotional level. Meanwhile, Style wants that desperately too, but knows that Fadel shouldn't because of his own terrible secret. So this kiss is what they both will allow themselves - an honesty and a hunger for this deeper connection they can only share in act but not in words.

In the storeroom, Style wants Fadel to want more than his body but knows (or thinks) he can't push for it yet, so he remains passive, lets Fadel do whatever he wants, lets him turn and shove and place Style how he wants because at this point, this is all Fadel will give him. Here, Style is passive in spite of what he wants. But in the bedroom, Fadel is passive because it's what he wants; he wants to let Style do whatever he desires to and with Fadel's body. He wants to lay himself as bare as he possibly can, which is only physical, and so he does.

And because the encounter in Episode 3 lacked that emotional connection, the focus is merely their respective releases. There's a sense of two people trying to find pleasure and 'finish' while remaining emotionally disconnected despite actively having sex with each other. Because in some ways, they didn't really need each other in that moment to get there (there's actually a lot of truth in what Fadel says about it being easier to just jerk off alone). In sharp contrast, the scene in Episode 5 isn't focused on the destination but on the journey. Style is taking his time and Fadel is letting him - Style is choosing to worship Fadel's body, with his fingers, with his lips, to respond to his vulnerability with gentleness and tenderness and adoration. The goal has stopped being about finding a release, it's about allowing both these men to revel in the giving and receiving of pleasure.

The point of these scenes is to show to us the ways in which Fadel and Style have grown to care for and, dare I say it, love each other in ways that are so purposefully portrayed by showing the nature of their physical connection. Because the ways in which these scenes are the same and yet so wholly different showcases how their touches are now no longer merely tied to their senses any longer, but also to their hearts as well.

[buggachat]

(random s5 finale musings) tbh I don't think Marinette chose to keep The Secrets™ from Adrien because Gabriel asked her to. I feel like Marinette keeping secrets like that is so consistent with her character; she hates giving people bad news, she hates rocking the boat, she hates upsetting people, she always chooses to keep any 'controversial' information to herself for as long as she can get away with (examples: bubbler scarf, telling Queen Bee she was benched, confessing to Adrien, warning Chat Noir about Scarabella or Rena Furtive, never told Chat Noir about Chat Blanc, etc) that I just totally believe she would've done it either way. She was even already having nightmares about Adrien hating her for finding out she defeated his father, so I feel like Gabriel's request was moreso giving her a go-ahead than it was a primary deciding factor, yknow?

[yes-asil]

So ill about the Sky cotl AU, I put Siffrin into multiple capes for fun

[soupdreamer]

hey brennan what the fuck

[buttercupshands]

never say never I guess

had a sudden "I want to draw them"

Lyrics from "The Last Goodbye" by Billy Boyd

also a warm up that led to this, wanted to try drawing them again and somehow got inspired a bit

[shepscapades]

This one was a freaking doozy. If I keep talking i think i may be in trouble

[dova-kiin-got-bored]

I'm not a poet or a paleoartist but I am fucking emotionally wrecked right now.

I keep thinking of the tiny little homotherium cub found in the ice. They died thousands of years ago, lived for less than a month - but they're so loved. Of course none of us can say If they were or weren't loved in life, but they're loved in death and makes it so much more beautifully tragic. They died cold alone, freezing and barely old to walk. They were alone like that for thousands of years, but they've been found again and they're so loved.

Thousands of people know about this tiny little thing that lived thousands of years ago and we love them so much.

It's a full moon tonight where I live, light enough that when I went out to get my clothes off the line I didn't even need a torch to see. I keep wondering what that cub's life was like, for the short one it experienced. Did they have siblings? Did any of them live longer, with long enough to hunt with their mother? Was their mother dead before they were? Did they ever get to see a full moon?

This is one incoherent ramble but I'm a mess about this

[focusfixated]

just feeling really emotional about linda today and watching this video of paul in '97, the year before linda passed, performing calico skies for her on repeat. from the in the world tonight documentary.

[starryeyeddreamer21]

Thinking about the ways different Alastor and Lucifer would react to seeing each other

Lucifer would brighten when Alastor walks into the room. He's glowing, he's grinning, he perks up whenever he sees him.

Alastor would soften. His body less tense, his smile genuine. He looks at Lucifer and he melts.

But either way as soon as they see each other they're suddenly the only thing that matters. Everything and everyone else is forgotten, their current mood, the person they're talking to, all they're paying attention to is the other. They always end up stuck together like glue, their eyes never fraying once they connect.

[royalarchivist]

Jaiden: Cucurucho, you have a lot of power, right?

Cucurucho: ...I don't know. Maybe.

Roier: Ah... Yes, you know, don't act like a dumbass, you have it. You have it, man. Eh?

Jaiden: Is there a way for us to protect all the Eggs? Do you know? I don't want anything to happen to the Eggs that happened to Bobby.

Cucurucho: Ha ha ha

Roier: WHAT? [Smacks Cucurucho]

Jaiden: [Bops him] Headpats.

Cucurucho: Maybe.

Jaiden: [Continues to bop him] Headpats. C'mon, I can get it out of you! Headpats! Chin scratches! Belly rubs!

Roier: [Joins Jaiden in bopping Cucurucho, chuckling and laughs]

Jaiden: Yeah? He's comin' around!

[Jaiden and Roier both laugh]

[silusvesuius]

nnnnnnnnnnnnno maa'am

[inkly-heart]

please don’t be sad little sprout, you are loved 🌱 🖤

🌱

[lunarharp]

played dragon age 2...just simple scribbles