#I'm truly sorry but also not sorry

[cavernfullofexistentialdread]

Me: I'd say I'm pretty diverse in my headcannons! Sure i'll take inspo from that one post but overall its pretty broad!

Also me:

Blue Diamond! Bisexual!

Veronica Sawyer! Bisexual!

Cathy Parr! Bisexual!

The Queen! Bisexual!

[egophiliac]

bring your son to work day

[soosoosoup]

snowzone

[poorly-drawn-mdzs]

Lan Wangji Goes To Lotus Pier AU: Part 3: Enveloping Feelings.

(Part 1, Part 2, Part 4)

[ghost-proofbaby]

foolishness and all

summary: your boyfriend puts your love to the test when his heart is set on a certain unsightly purchase.

pairing: eddie munson x gn!reader

warnings: jar jar binks. not edited, i was laughing too hard.

wc: 1.8k+

a/n: this is the product of a very insane conversation that occurred in the middle of the night last night with @emmaisgonnacry, @lokis-army-77, and @emma-munson. forever sad we can't get the jar jar watch </3 (but at least emma got the darth maul one!) ((thank you for making me laugh until i cried last night, friends.))

“If you buy that thing, I’m breaking up with you.”

“No, you aren’t.”

“Yes, I am.” 

“I’m getting the watch.” 

“And I’m getting a new boyfriend.”

You glare at your boyfriend for several beats of tense silence, narrowing your eyes as if it’ll do anything to change his mind. His heart is already set – there’s no stopping what’s about to happen. 

“Edward Munson,” you stress, hand shooting out to hold his wrist, but he’s already whipping it out of your reach, “That thing is hideous. We’re shopping for a nice watch for Steve’s wedding, not that.” 

“This thing has a name, sweetheart,” Eddie smiles toothily, tilting his head tauntingly at you, “And I think it fits the theme perfectly.” 

“In what fucking world?”

You're whispering harshly now, trying to keep from causing a commotion in the middle of the store and garnering any more unwanted attention. The workers had given you strange enough looks when Eddie had first laid eyes on his prize, his little yelp of excitement seemingly startling them. 

The less people who witnessed the atrocity on Eddie’s wrist currently, the better. 

Eddie goes against that wish entirely, holding his wrist high in the air for the entire mall to see at this point, “In my world. He did say it was meant to be open for interpretation-”

“Not like this.”

“And my interpretation is buying this absolutely priceless Jar-Jar Binks watch.” 

The thing looks down at you, almost as if it’s laughing at you just as Eddie was right now. 

Part of you wonders if it’s all a bit – something Eddie noticed set you off, and he’s now making it into an entire catastrophic situation solely for his own enjoyment at your irritation. But part of you also knows that even if it is a bit, Eddie Munson will commit wholeheartedly to it. 

It doesn’t matter if it’s a joke or not. He’ll be leaving this store as the owner of that watch, and the thought mortifies you. 

“Please,” you finally resort to begging, feeling a bit childish as you give a pitiful hop to reach his wrist. It’s useless. He only stretches higher, shirt riding up to expose that strip of pale skin beneath the fabric. Your eyes catch on it momentarily, but you force yourself to not get distracted, “Eddie, baby-”

“Nuh uh,” he’s quick to shake his head, taking a full step back from you, “Nope. That baby shit isn’t working on me this time. I’m buying it. End of discussion.” 

Fine. The sweet talk route didn’t work. That’s fine. 

You had more than one weapon in the arsenal. 

Before he can even think to step any further away, you reach out and hook your finger through one of his belt loops, giving a tug that further exposes the band of his boxers all while forcing him closer to you. 

You’re back on your tip-toes, no longer reaching for the watch, but to let your lips barely graze over his as your whispers, “What if I ask you not to very, very nicely?” 

That has him faltering. Complete hesitation as he takes a deep breath and visible gulp, arm beginning to drop ever so slightly. 

“I would… I’d…” he trails off, clearly losing focus as your lips stay hovering just out of touch, “I’d probably… I-”

“Probably not buy it – right, handsome?” 

And just as quickly as he’d fallen victim to the game you’d started playing, he’s pulled from it. 

He leans back as far as he can with your finger still clinging to his pants, scrunching up his nose, “I see what you’re doing. Not fucking fair. It’s only thirteen dollars, anyway. I bet if Steve was here right now, he’d tell me to get it.” 

“He wouldn’t!” you whisper-yell, giving up and pulling back as well, “It’s his wedding, Eddie. He told us to get something nice to fit in with the black tie dress code,” you can see him ready the argument of interpretation once more, and nip it in the bud, “No amount of interpretation can ever qualify the head of Jar-Jar Binks turned into a watch as something that fits into black tie attire.”

He’s not convinced. Not of the point you’re trying to make – no, you know he agrees with you and is just being a little shit at this point – but of not buying the watch. 

“What if I just bought it?” he barters, “Maybe I don’t wear it to the weddin-”

“There’s no maybes about it. You can’t wear it to the wedding. You’re one of the groomsmen.”

He lifts his other hand just as the one adorning the eyesore finally drops to be eye level once more, “Fine! Fine. I won’t wear it to the wedding, but I’m still getting it.” 

It’s a compromise. Or as close to a compromise as you and Eddie were going to get to right now. 

With his wrist finally lowered, you can finally get a proper look at the thing. It’s Jar-Jar’s head with a band to mimic his skin, no clock in sight until it’s flipped open. The inside might be even worse though. Vivid font curling to spell out Jar-Jar, a light orange background with darker swirls, and the world’s smallest sliver of a screen to display the digital time. 

It absolutely blows your mind that anyone thought it was a good marketing idea. But then again, people like your boyfriend exist. He was the intended audience, not you. 

“It’s not even that cool,” you weakly still try to fight the losing battle, gingerly grabbing for the wrist this time with your free hand. Your finger hasn’t left Eddie’s belt loop, now resting comfortably in it, just growing fond of the closeness rather than weaponizing it against him. 

And maybe as a way of keeping him from running up to the counter to complete the purchase. Maybe. 

“It’s the coolest fucking thing I’ve ever seen,” he proudly proclaims, right there in the middle of the Radio Shack, never having looked more satisfied with himself, “It can just be a conversational piece. I promise, I won’t break out the secretly evil little shit-”

“What?”

“Unless the occasion actually calls for it.” 

“I’m sorry, can we go back to where you just called Jar-Jar secretly evil?” you ask, more perplexed than concerned at this point.

He was getting it. You were hating it. You had bigger wars to win with the man before you at a later date, surely. 

His grin makes you regret asking, “Oh, you haven’t heard the theory about Jar-Jar being a Sith lord, have you?” 

Your finger slips from his jeans, and your eyes nearly roll out of your head. 

“Go buy that thing. I’m waiting in the car.” 

“Wait, babe, no!” 

“Nope. I’m not listening to this.” 

You turn from Eddie to walk away, making sure he can’t see the corners of your mouth twitching with a smile you’re so desperately fighting, but it’s no use when he grabs onto your elbow to spin you back around. 

“Eddie, I’m not-”

You’re interrupted with his lips on yours, an unexpectedly genuine kiss ensuing. The kind that reminds you why you’d ever deal with someone who wants a Jar-Jar Binks watch, the kind that reminds you why the occasional embarrassment Eddie purposefully puts you through in public is all worth it. 

All the butterflies, all the sweetness, all the tenderness. The way his thumb traces over your skin as his hand stays wrapped around your elbow, the way his other hand comes up to cradle your cheek. You can still taste whatever sour candy he’d bought moments before walking into the store all over his tongue and lips, hiding his last cigarette from hours ago. 

It’s a good enough kiss to forget the entire interaction that had just occurred. 

When he pulls away, you’re a little breathless, all fluttering eyes glazed over as you look up at him, “What was that for?” 

His smile could melt your entire existence. Turn you right into a puddle of all the love you struggle to contain, just for him. 

“Just because,” he shrugs, but then he continues on, “And for putting up with me. Thank you for that.” 

“I don’t put up with you,” you say immediately, and mean it.

Even when he’s being insufferable. Even when he’s still wearing the goddamn Jar-Jar Binks watch. You don’t put up with him – you love him. Foolishness and all. 

Your finger returns to his belt loop, and this time, you tug him in for another kiss. Something short and sweet, something just because. 

“You know,” he mumbles against your lips, arm wrapping around you so you can’t leave him just yet, “They have a Darth Maul one, too…” 

Your hand comes up between the two of you, only a slight struggle, just for you to smack him in the center of his chest, “You can only have one, Munson.”

“We could match!”

“I am not wearing that thing.” 

He throws his head back and cackles, a certain glee only born of being with the one you feel safest with flooding his features. All those wrinkles in the corners of his crinkled eyes, the stretch of his lips that bring on the appearance of dimples you could bury yourself in if given the chance. A boy made up of stardust and felicity. Your boy made up of every good thing that could have ever existed in this lifetime. 

You’d rather bicker over the useless things with him a hundred times over than ever live a life without him. 

“It’s fine,” he finally sighs dramatically, “I’ll just wear the Jar-Jar Binks watch to our wedding one day.”

Our wedding one day. 

Your heart just about explodes, and the only thing you can do to not choke up is smack him even harder. 

Our wedding. 

It has a nice ring to it. 

“I’m going to fucking kill you,” you tell him instead.

There’ll be plenty of other moments to talk about that. Now, when he still wears the ugliest watch you’ve ever laid eyes on, is not the time. 

“Gotta catch me first,” he teases as he slowly backs away, a twinkle in his eyes that makes you question if he knows how you’d secretly felt about that joke. That makes you question if he and Steve Harrington had really only been shopping for Steve’s rings for the last year. 

He doesn’t even run to the counter, knowing that you won’t be chasing him. You’re content to stay back and wait. You’ll always wait on him, really.

Even if it meant waiting for the day he wore that goddamn watch on your wedding day, because at the end of it all, you’d probably let him. You’d even wear the Darth Maul watch to match if he insisted. 

You’d let him wear whatever he wants, and you’d wear whatever he insists upon, because at the end of the day, it wouldn’t matter – it’d be enough to simply marry the dork that just tripped on his way up on the counter while giggling over a watch on his wrist, and know that he’s yours, forever.

eddie's taglist: @capricornrisingsstuff @thisisktrying @mediocredreams @vol2eddie @corrcdedcoffin

@ches-86 @alovesongtheywrote @its-not-rain @feralchaospixie @cheesypuffkins87

@thebook-hobbit @babez-a-licious @eddies-acousticguitar @aysheashea @kellsck

@cosmorant @billyhvrgrove-main @micheledawn1975 @eddiesxangel @siriuslysmoking

@witchwolflea @tlclick73 @magicalchocolatecheesecake @mizzfizz @nanaminswhore

@mikiepeach @ali-r3n @hawkebuckley @alwaysbeenfamous @darkyuffie-blog

@vintagehellfire @lilmisssiren @elvendria @loveryanax @stylexrepp

@princessstolas @fangirling-4-ever @eddiesguitarskills @babez-a-licious @josephquinnsfreckles

@writinginthetwilight @trixyvixx @kittydeadbones @munson-addict @bluejeangenies

@cryingglightningg @joannamuns9n @missmarch-99 @rhirojo @findmeincorneliastreet

join my taglist!

[blanketforcas]

do say more, jensen [x]

[dootznbootz]

Odysseus always trusted Penelope. He was ordered to lie to her and it hurt him to do so. Penelope was distrustful of this stranger until she had absolute solid proof.

There are way too many people talking about how "Odysseus lies to Penelope. What a prick!" and it makes me sad/mad as that's not the case at all

The whole "Odysseus usually always has a reason to lie" maybe upcoming essay aside, He was literally commanded by Athena to not tell anyone. And it was with Penelope that he had the hardest time keeping up the act with. Not only because she's smart af and figured him out almost immediately (that essay coming soon too) but because he was trying to keep himself from crying with her.

I think people forget that he is disguised to look like someone else completely. If a random man claimed to be your missing husband, wouldn't you be scared/freaked out?

Anyways, the 3 most important people in his life are Penelope, Telemachus, and Laertes. He lies to all three.

Telemachus: Lied by letting Eumaeus answer him and still under the orders from Athena, did not cry or reveal himself until Athena allowed him to. (I read it as him being in shock. Last time he saw him, Telemachus' hand could only wrap around one finger and now he's as big as him. a bit shocking to say the least)

Laertes: He teared up seeing him but still decided to question and test his father, not by the order from Athena.

Penelope: He was trying so hard to keep from crying, tried to noodle his way out of lying to her, Under Athena's orders. still couldn't help but basically flirt with her.

Also to get this outta the way: No, it wasn't a matter of trust. He is shown to trust her right away. As this happens even before he gets the chance to speak with Penelope.

Staunch Odysseus glowed with joy to hear all this— his wife's trickery luring gifts from her suitors now, enchanting their hearts with suave seductive words but all the while with something else in mind.

(Book 18, Fagles)

If Odysseus does not trust her, why is he so happy to see her "flirt" with the suitors? It's because he KNOWS what she's doing and knows she doesn't actually want them. If he didn't trust her, he would be upset by this.

Now for the "it hurt to lie to her" bit.

Athena's command:

"Tell not a single person in the palace, man or woman, that you are back from your wanderings; but endure all vexations in silence and submit yourself to the indignities that will be put upon you.'

(Book 13, Rieu)

If you are my son—truly of our blood—                                            let no one hear Odysseus is back home. Don’t let Laertes know or the swineherd, or the slaves, or Penelope herself.

(Book 16, Johnston)

And the people he did reveal himself to, he only did so after being given permission by Athena.

Athene spoke to him. 'The time has come,' she said, 'royal son of Laertes, Odysseus of the nimble wits, to let Telemachus into your secret, so that the pair of you may plot the downfall and death of the Suitors and then make your way to the famous city. [...]

(Book 15, Rieu)

He talks to Telemachus before talking to Penelope.

I’ll stay here, so I can stir the servants even more— and your mother. As she laments, she’ll ask for each and every detail.”

(Book 19, Johnston)

Odysseus is already sweating about having to lie to her

The next part would honestly be me just inserting almost ALL the text for this so I'll go into a summary. It's all in Book 19.

Penelope asks him where he's from. And instead of answering, it's a tsunami of compliments. Calling her flawless. Comparing her to a king. etc, etc,

Probably because he couldn't help himself and had to babble about how wonderful she is Who wouldn't? before finally ending with "Please don't ask me where I'm from. It makes me sad."

Penelope, probably overwhelmed by his praise, immediately goes into how "her beauty left with her husband. It did not. And where did you say you were from again?"

"Fine! I'm from Crete..."

And we all know that as soon as she starts crying, after a lovely description of how her tears "melted", he talks about how hard it was for Odysseus to hold in his OWN tears. Lying to her and being unable to comfort her was painful for him!!!

But though Odysseus' heart was wrung by his wife's distress, his eyes, hard as horn or iron, never wavered between their lids, so craftily did he repress his tears.

(Book 19, Rieu)

I love Robert Fitzgerald's translation so as a treat:

[...] so her white cheeks were wetted by these tears shed for her lord--and he close by her side. Imagine how his heart ached for his lady, his wife in tears; and yet he never blinked; his eyes might have been made of horn or iron for all that she could see. He had this trick-- wept, if he willed to, inwardly.

(Book 19, Fitzgerald)

Even with him revealing himself to Euryclea, when she cried out to Penelope, Athena made sure she didn't hear! It's most likely that he wouldn't be able to tell her even if he wanted. Athena was planning something, just as Penelope was.

She spoke, and her eyes glanced over at Penelope, anxious to tell her that her husband had come home. But Penelope could not see her face or notice, for Athena had diverted her attention.

(Book 19, Johnston)

He desperately wanted to be with her again. Literally daydreaming about it!

At those words Dawn rose on her golden throne in a sudden gleam of light. And great Odysseus caught the sound of his wife’s cry and began to daydream—deep in his heart it seemed she stood beside him, knew him, now, at last …

(book 20, Fagles)

Clearly doesn't trust her. /sarcasm

It's PENELOPE that has trouble trusting him. And rightfully so! While she was very certain that was her husband, there was so much going on and of course, she's cautious! He looked like an elderly stranger at first, why is he hiding from her? He somehow took out all those men with only a little help, Athena isn't telling her anything, Helen was kidnapped and she did not want that to possibly happen to her too, etc.

He even understands her cautiousness to be reasonable.

As she spoke, lord Odysseus, who had borne so much, smiled and immediately spoke to Telemachus— his words had wings:   “Telemachus, let your mother test me in these halls. She will soon possess more certain knowledge. Right now I’m filthy, with disgusting clothing on my body. That’s why she rejects me and will not say I am Odysseus. [...]

(Book 23, Johnston)

He even trusted her completely to take care of everything while he was gone before. And he does again when he wakes up and goes to see his father. Telling her about how she too wise to need instruction

Odysseus (and Penelope as well) is well-known for his cunning tricks and how his loyalties are often blurred but one thing that is for sure about him is that he trusts and is loyal to Penelope full-heartedly. He spent every day missing her and their son and wanting to go home to her. The only moment we see his trust in her waver is during the Treebed scene, (which is what she wanted to test).

They are "like-minded". 😭

[rosieofcorona]

my ideal man is a wife guy who is suffering some measure of unspeakable grief and is very divorced, both against his will and as a direct result of his own actions. also he's hot

[bertoyana]

X-MEN: DAYS OF THE FUTURE PAST (2014)

[lyctorism]

#they really did that

[gingermintpepper]

Okay, let's finally talk about EPIC's Apollo

I feel very compelled to say, first of all, that I do not dislike Epic. In fact, I am very fond of Epic and have been following its production and status very eagerly! I attend all the launch streams, I watch all of Herrans' update videos; I am, at the end of the day, a fan and I want it to be known that my words are spoken out of love and passion as much as they are spoken from a place of critique.

So really, what my problem with Epic's Apollo?

In the briefest possible terms; the choice to have Apollo be defined by his musical aspect in God Games is thematically strange. And not in the 'oh well in the Odyssey, Apollo was important to Odysseus and his family so it's weird that that wasn't kept in Epic' strange, strange in the sense that Odysseus' character arc since My Goodbye has been getting more and more obviously Apollonian and so it is positively bizarre that when we get to meet Apollo, the god seems entirely disinterested in him and his affairs. So much so that he is not even defined by any station that would indicate that he has been watching over and protecting Odysseus and his family.

What do I mean by 'Odysseus has been following an Apollonian arc'? I'm so glad you asked!

Remember Them is the last song in which Odysseus explicitly uses his sword until Mutiny where he must use it to defend himself against Eurylochus' blade. He uses it to help enact the plan to conquer Polyphemus and, due to Polites dying in that battle, Polites who wished for Odysseus to put the blade down entirely and embrace a post-war life, Odysseus also retires his sword. This is an action that symbolically separates him from Athena - and the image of Odysseus as a traditional warrior set for him in Horse and Infant - as much as My Goodbye physically separates him from the goddess and her war-ways - from this point onwards, Odysseus will no longer be leaning on Athena's wisdom or methods to solve his problems. Likewise, he will no longer be able to rely on her protection.

Odysseus thusly solves most of his upcoming problems through diplomacy and avoidance. He approaches Aeolus - a strange and ambiguous god (both in gender and in motivation) and appeals to them for help. Circe too, he approaches not with wishes to conquer or for revenge, but for the safe returning of his men and an alternate way forward. In all of these scenarios, there is some Apollonian element which is subtly interweaved alongside the influence of other gods; it is with a bow and arrows that Polyphemus' sheep is slain (and thus it is this Apollonian element which is at the root of Odysseus' spat with Poseidon), it is a vision of Penelope that warns Odysseus that his men are about to open Aeolus' wind-bag, Circe's peace offering to Odysseus is to refer him to a prophet of Apollo who has since died.

In this way, Apollo is walking alongside Odysseus for all of his journey after Athena departs - even in the Underworld, he is guiding him. It is Tiresias' proclamation that is the last straw for Odysseus, it is by the power of a mouthpiece of Apollo that Odysseus decides to embrace his ruthlessness. It is with the bow and arrow that Odysseus subdues the siren who sought to trick him, likewise, Odysseus does not attempt to undermine or escape the fate of paying Scylla's passage price - he knows of the doom about to befall the six men and quite unlike the rest of the journey until this point, he does not fight against it. This all comes to a head on Thrinacia where it is a blade which sacrifices the sun god's cow and brings destruction upon the crew once more.

My point with all of this is that when I heard the teasers for God Games years ago, it made perfect sense to me that Apollo would be Round One - he is not Odysseus' adversary and has no reason to oppose Athena's wish to free him. From other teasers about what will happen in the climax of Epic, Apollo will still be walking alongside Odysseus - it is Apollo's bow that Penelope will give the suitors to string. Likewise, it is Apollo's bow that will prove Odysseus' legitimacy and identity. That bow will be the power by which Odysseus hunts his adversaries and cleans out his palace - it is Apollo who is the avatar of Odysseus' ruthlessness, not Athena.

So tell me, truly, what was the point of having Apollo raise a non-argument in God Games? Why have him appear unconcerned, aloof and slightly oblivious? Why have him appear in his capacity as the Lord of Music at all?? And if the intention was never to make Apollo an active player in Odysseus' life like he was in the Odyssey, why keep Odysseus as a primary archer?

The answer of course is that Apollo is inextricable from the fabric of the Odyssey - his influence and favour exudes from Odysseus just as much as Athena's. In Athena's ten year sulk, it would have been Apollo who kept Telemachus and Penelope safe. It would have been Apollo protecting Odysseus from Poseidon's gaze as he travelled the seas (according to the Odyssey anyway)

Forgive me for not being excited about something that I thought was being purposefully set up. I was extremely ecstatic about all of the little Apollonian details that litter the sagas because I know where this story ends up (loosely) but all God Games did was reveal that maybe those Apollonian details were not intentional at all, but merely the ghost of the Apollo who persistently haunts those he favours, even if he cannot explicitly come to their aide in an adaptation.

[essektheylyss]

One thing that I feel is really interesting and often forgotten about Essek is that fundamentally, his characterization has been from the start based upon his desperation for external perspectives and connection, which, along with much of his narrative and mechanical positioning, means that he actually has an extraordinary and almost (but not actually, as I'll show) counterintuitive capacity for both growth and trust.

(Buckle in. This is a long one.)

In particular, I would argue, knowing now that many places where the plot touches Ludinus have long been marked for connecting back into the current plot, that he was quite possibly built as a prime candidate for radicalization by the Ruby Vanguard. He felt isolated from his culture, he was desperate for other connection, and he was certainly of the type to believe he was too smart to be drawn into such a thing, given his initial belief that he could control the situation and the fallout. If things had gone any other way, he easily could've been on the other side by now.

As such, he has been hallmarked by being fairly open to suggestion, perhaps for this reason, but the thing about that kind of trait is that it is both how people are radicalized and deradicalized. This is certainly true of Essek, who experienced genuine kindness and quite frankly strangeness from the Nein and was able to move from the isolation the Assembly had engendered to meaningful and genuine connection, largely propelled by his own internal reflection. By the time Nein are aware of his crimes, he's already begun to express regret to an extent and, furthermore, doubt in the Assembly, including explicitly drawing a line against Ludinus, even in a position where he was on his own and probably quite vulnerable.

Similarly, when the Nein reach the Vurmas Outpost some weeks later, he has moved from regret for the position he's ended up carrying a heavy remorse. This makes sense! He's fairly introspective, seems used to spending a lot of time in his own head, and was left with plenty to mull over. It's not some kind of retcon for him to have progressed well past where the Nein left him; it just means he's an active participant in the world who has done his own work in the meantime.

This is another interesting aspect to him. I've talked about this a bit before but I cannot find the post so I'll recap here: antagonists in D&D have significantly more agency than allied NPCs. Antagonists are active forces, against which the party is meant to struggle; allies are meant to support the PCs, which means they tend to be more passive in both their actions and their character growth. Essek was both built as an antagonist, in a position that gives him significant agency, and also was then given significant opportunity to grow specifically to act as a narrative mirror for Caleb's arc. Even when he becomes a more traditional D&D ally, he still retains much of that, though he occupies a supporting role.

I believe that this is especially true because of the nature of Caleb's arc, which I've already written on; the tl;dr of this post is that Caleb is both convinced that he is permanently ruined and also desperate to prove that change is possible. Essek is that proof, because he is simply the character in a position to do so. But this also means that his propensity for introspection and openness is accentuated! He has to do the legwork on his own, for the most part, because that's where he is in the meantime.

But he still ends the campaign necessarily constricted; he is under significant scrutiny, he's at risk from the Assembly, and he goes on the run fairly soon after the story ends. He spends most of the final arc anxious and paranoid, which is valid given the crushing reality of his situation. It would be very easy to extrapolate that seven years into this reality, he would be insular, closed off, and suspicious of strangers, even in spite of the lessons he's learned from the Nein and their long term exposure.

So seeing his openness and lightness now is surprising, but at the same time, given this combination of factors in his position in the narrative over time and his defining traits, it's not by any means unreasonable.

But one thing that I found so delightful is how much trust he exhibits, which is obviously a wild thing to say about Essek in particular, given much of what he learns is both earning and offering trust, which was something he says explicitly in 2x124 that he's never really experienced: "I've never really been trusted and so I did not trust." It makes up much of the progression of his relationship with Caleb, and the trust that he is offered by the Nein in walking off the ship is the impetus he needs to grow.

But I think it's easy to talk about trust when it comes to people who have proven themselves to you or to whom you've ingratiated yourself, and that's really the most we can say about Essek by the time he leaves the Blooming Grove. There is this sense in a lot of discussion of trust (not solely in this fandom) that it is only related to either naivete or love, but there's far more to it. Trust at its best is deliberate—cultivating an openness to the world at large is a great way to combat cynicism and beget connection instead. It allows a person to maintain curiosity and be open to experience, but it can be incredibly difficult to hold onto.

It is clear that the Essek we meet now is a very pointedly and intentionally trusting individual. He trusts Caleb and by extension Caleb's trust in Keyleth, as he shows up and picks up a group of strangers from a foreign military encampment and walks in without issue. He trusts the Hells to follow his lead moving through Zadash and to exhibit enough discretion so as to avoid bringing suspicion upon all of them. He trusts that Astrid will respond well to his entrance, but he also trusts himself and the Hells enough to execute a back-up plan in the case that she doesn't. In the end, he even trusts them enough to give them his name and identity.

He doesn't scan as someone who has spent half a dozen years living like a prey animal, afraid of any shadow he runs across in an alley, withdrawn into himself and an insular family, which would've been an easy route for him to take. He scans as someone who has learned the kind of trust borne of learned confidence and a trained eye for good will and kindness, which are crucial weapons one would need for staving off cynicism in his circumstances—as if he has survived thanks more to connection and kindness than paranoia and isolation. (If we want to be saccharine about it, he scans quite poignantly as a member of the Mighty Nein.)

So it is easy to imagine this trust and openness as a natural progression of his initial search for perspectives external to his own cultural knowledge. Though he makes those first connections with the Assembly to try to vindicate his personal hypotheses, he finds in them exposure to the deepest corruption among Exandrian mortals, which could've—and did, for a time—turned him further down that same dark path.

But it's also this same openness to exposure from the wider world that allows the Nein to influence him for the better, and in spite of the challenges he's certainly faced simply surviving over the past seven years, he seems to have held onto this openness enough to move through the world with self-assurance and a willingness to extend the kinds of trust and good will that he has been shown.

(I would be remiss not to mention that I was reminded about my thoughts on this by this lovely post from sky-scribbles and their use in the tags of 'light' to describe Essek's demeanor this episode, which is really such an apt word for it.)

[egophiliac]

Have you drawn rollo? And if not I would love to see your take on the silly man especially with his new card out

the problem is the hat. THE HAT. I confess that I have been avoiding drawing him in any detail because of that stupid hat. so have some hatless Rolls:

[littlespoonevan]

because i was rewatching 1x04 and was reminded that episode 4 of almost every season is an absolute banger of an episode. (also i know what recency bias might do to this poll so please take a second to remember the episode 4s of seasons gone by before voting askjdfh)

[thekittyokat]

you ever just have a lot, a LOT of feelings all at once about a character and not even remotely enough words or brainpower to FORM the words to describe everything you're feeling. so it feels like you may explode. yeah

[pocketgalaxies]

I've got my eye on you. I'm still here.