#I'm thinking of maybe posting few at a time this time instead of one at a time🤔

[wittlesissyb4by]

Sweetie Todd

Men are soo desperate. It’s honestly a bit too easy. Do you know how many virgin losers I have at my disposal? They will do anything they can, just for a picture of my tits, anything for a bit of female attention. Take this little fairy for example. He dm’d me on Insta only a few weeks back.

‘Hey I like your pics.’ He said, ‘any way I can see you with the clothes off? 😏’

In the past, I would kick these pervs to the curb. Block, ignore, sometimes even report. But some were so desperate they actually offered to pay me. Just for a pic of my nips or even my feet. At first I declined, but times are tough, and a girl’s gotta eat, right?

So I let them. I’d let them cashapp me in exchange for a pic or two. It felt kind of dirty, but I told myself girls will do much worse for much less.

But they kept asking for more, instead of appeasing them, they kept asking for more. The money came in, sure, but I would quickly run out of content if I indulged them with every transaction. There's only so many ways to take a tit pic, and I refuse to subject myself to much more than that.

I quickly learned that if I strung them along, they would become even more desperate. One guy started to annoy me, becoming particularly pushy, so I told him to go fuck himself. Tell me why he literally sent me a video of him shoving a dildo up his ass less than 24 hours later?! It was gross, but that got me thinking...

If he was willing to do that just to see a pic of me, what else could I make these desperate little dorks do?

I told a guy to eat cat food, told another to fuck the crease of the couch cushions, even suggested to another that he stick his head in doo doo he found at the dog park.

They all did it. Every. Single. One. And they even paid me for the privilege!!

When I posted a video of a guy slamming a baseball bat between his legs and thanking me with every bash of his balls, the messages really started flooding in.

Men everywhere were begging to be dominated and, I'm not gonna lie, I kinda liked it. The attention was nice, my followers grew exponentially, and the money was pouring in. I didn't even have to show my tits anymore, just had to tell them to shove a tampon up their ass and keep it in for the rest of the day.

Virgin after pathetic virgin started subbing.

Eventually, my little 'tasks' for them became more and more devious. Buying and wearing a pair of panties was too easy. I wanted the full ensemble, and I wanted them to walk through their favorite sports bar with it on.

Some checked out at that point, but others, the most dedicated and desperate, stayed.

Then, I found it. One sub was being particularly whiney, so I suggested he go buy a pack of Depends diapers for being such a baby. He did, and it was the most hilarious thing I've ever seen. A grown man wearing nothing but a diaper and sucking on his thumb is truly a sight to see! Even better when you make them squat down and shit themselves. Even the most dedicated were absolutely broken at that point. It reduces them to nothing. I've taken control of everything at that point, all the way down to when and wear they use the bathroom. Yes, they now have to beg me (pay me) to poop their pampers. They have to pay extra if they want to cum, and they don't get to change their filthy diaper before they do.

This picture you see is of Todd. He's an investment banker. Todd originally messaged me for pictures of my feet and maybe a little domination here or there, I don't really remember. At this point, I don't really care. He got put through the ringer just like the rest of them. I do specifically remember him throwing a fit when he first had to wear the diaper. Or 'nappy', as he calls it, because apparently that's how they say it in Britain where he's from.

He told me 'no' at first. Said he'd never do it. That he was 'too much of a man' for that.

"Okay." was all I said, and left it at that.

Two weeks later, he'd sent me a pic of the nappies he bought. That's another thing I've learned too: when you push a guy's limits, he may resist at first, but eventually the horny/submissive brain always wins. They will do anything to please. Anything for a little attention.

But Todd didn't get to just wear diapers, no no. His dumbass tried to tell me he's 'too much of a man'. So now he gets to wear nothing but frilly dresses when he's at home. I randomly send check-ins to ensure he's doing as he's told. If not, he's punished. It's easy to get them to do what I want, because every day I just accrue more and more pictures/videos to blackmail them with if they refuse.

Todd got to suck his first dick the other day at some random truck stop! He swears up and down that he's not gay--and I actually believe him--but I also don't care. It's way too entertaining to see diaper dorks suck a dick for baby batter and thank me for it while they gargle it in their mouth.

One of my subs also let me in on a little thing called a 'chastity device', so guess what Todd will be putting on and sending me the key to? I'm sure he'll earn it back at some point. Three, maybe six months from now, I'll mail it back to him. If he's a good baby gurl, that is...

~~~~~~~~

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[throneofsapphics]

the moth and the flame part 9: the yearning

poly!Nessian x f!Reader

summary: after meeting Nesta in a bookshop, you find the darkest parts of yourselves bonding with each other. Naturally, Cassian finds himself entangled with the two of you.

warnings: light smut

a/n: this series is officially completely written, so I'm hoping to post the last parts this month!

series masterlist

You didn’t truly feel like yourself around them anymore. Instead, you’d become the version of yourself you carefully crafted and molded to please them. To make them happy. To your dismay, you hated it, but not as much as you thought you should’ve. 

‘A version of you, custom built for Nesta and Cassian,’ you thought bitterly, because apparently who you were before just wasn’t good enough. Would never be good enough. They called it your ‘lowest,’ but you thought they just couldn’t love you when you were yourself. 

That, or you were an addict with people pleasing tendencies, leading you right down these lines of thinking. In the end, you supposed there truly was no one but yourself to blame, but it was always much easier for you to blame other people. 

The high road was boring, you’d much rather be your chaotic self than a watered down version. With that in mind, you wrapped a jacket around your shoulders and took off into the night. Both Cassian and Nesta were out of town, and you had a few old haunts to track down, perhaps a friend or two who could help you out. You were good for the money, they knew that. It was time to test just how far your partner’s reach went, and just how much influence they’d attempted to extend in order to keep you how they wanted you. 

You didn’t make it far. Just seconds after you passed the threshold of your door, feet hitting the landing, the downstairs one slid open and two very familiar scents drifted in. Spring, but winter sunrise and snow chilled wind threatened to transport you somewhere else. The earlier hint of animosity you felt towards them vanished so easily you kicked yourself for it. Trying and failing to summon that back, you slid into your apartment and quickly shed your jacket and shoes. 

Questions about what you were planning on doing wouldn’t be good, because you had no solid explanation and if anything they hadn’t let you get away with vague answers recently. 

A lump formed in your throat. You were doing the opposite of what you’d vowed not to just moments ago. To keep the peace. To keep them happy. To keep yourself from going over the edge. Two of out three for them, just one for you, and it didn’t seem fair. It wasn’t fair. 

Key clicked in the locked, the door swung open, a gorgeous female and male appeared in your doorway. 

Swinging around, mouth parted lightly, careful to keep eyes wide, feigning surprise, you found a genuine sort of joy did fill you. They still had that effect on you. 

“Hello sweetheart,” Cassian strode in first, Nesta hot on his heels. After kicking his shoes off, he covered the distance between you in moments. His arms felt like home, like safety, like solace. A smaller, but still strong pair of arms wound around your waist from behind. 

“We’re happy you’re here,” Nesta whispered, as if they’d been afraid you’d be somewhere else. You didn’t like that. But ... keep the peace, you told yourself, not wanting to lose hold of that genuine joy that had gripped you, you brushed the words off. For them, you’d roll with any waves or punches, give everything you might not get back, do whatever it took to show your love. 

For you, love and hatred danced and blurred an already fine line. 

It had been so long for the three of you, that when the glances and looks grew bolder, none of you hesitated. 

When their grip on you tightened slightly, with a type of longing you didn’t remember feeling before, you leaned into it and let it anchor you. Maybe sex could be a new kind of drug to drag you to new and different highs. The thought was dangerous. Your actions were dangerous. Everything about this reeked of danger but you threw yourself into it regardless. 

Cassian’s hand ran down your thigh, pausing to squeeze right above your knee, his finger tips digging in. “Beautiful,” he murmured, almost to himself, as he pushed the fabric of your dress up further, pushing back on your shoulders to splay you out on your bed, not unlike a feast. 

Nesta crawled up next to you, her mouth kissing at your shoulder, then your breast, tongue darting at all of the sensitive areas surrounding your nipples except them. Cassian kissed up your inner thigh. 

Each movement was so tender, so sweet, and so full of something you couldn’t stand. You didn’t deserve it. You were broken and fucking unworthy. It felt like everything but love, and you couldn’t handle it a moment longer. 

“Stop,” you were barely breathing as you said the word, your heart thundering in your chest. 

Both froze in place, you slowly sat up, shifting sideways and taking care to avoid any contact with them. 

-

Nesta could only watch as you wiggled around them like they were diseased and any touch might kill you.

You grabbed your clothes, throwing them on your body haphazardly, dressing like you were running away from a one night stand. 

Never. You’d never shut anything down like this, and selfishly her first thought was what the hell had she done wrong, rather than what you might be going through. Nothing had been aggressive or rough or ... a door slammed. Then another. More clothes rustled. 

“I was just giving her a head start,” she heard Cassian say, “but I'm not letting her wander out there alone.” 

Her vision wasn’t really there, all she felt was the rejection. “I’ll stay here in case she comes back.” 

Not that you’d be able to escape Cassian’s monitoring from the sky, even in you wanted to, but she couldn’t quite track him down with you. 

It didn’t feel right, not when she’d already had one foot out the door. 

For someone with one foot out the door, she realized she was taking the rejection rather hard. 

Letting her nerves steel with a few breaths, she set about straightening up your apartment instead. It would give her something to do, and maybe show you just how little she was moved by your actions. 

-

general taglist: @rowaelinsdaughter @bookishbroadwaybish @nestaismommy @erencvlt @book-obsessed124 @callsigns-haze

acotar taglist: @lilah-asteria @yeonalie @I-am-a-lost-girl16

series taglist: @breadsticks2004 @shamelessdonutkryptonite @rowaelinsdaughter @fightmedraco @acourtofbatboydreams @readinggeeklmao @krowiathemythologynerd @kooterz @anxious-study @lilah-asteria @nestaismommy

[tanicus-caesareth]

guarana drama, damage control

[spotaus]

Scheming :)

[polygondotcomvideoproducer]

Uni lecture is making me think about my future for a minute and auuuggghhhh the agonies

[katimanki]

I guess I'll be doing it! Fairytale dresses 2.0 will be here this spring/summer💐🌸🌻

Feel free to send suggestions/requests of Stranger Things girlies and dresses✨️

Glee Fairytale Dresses 2021

I do have dresses picked out for the main ST girlies, most of them aren't set in stone until I start to draw them! I had trouble picking them so suggestions are very welcome🙏🏻 El, Max, Robin, Nancy and Erica take 5/9 dresses, and I forgot about most of the side characters so I don't think I have the right amount to do them all so please help??.

I thought about drawing Karen and Joyce, then Karen reminded me of Holly and that would be so cute but young children are hard to draw. I completely forgot about Chrissy, Vickie, Barb and Suzie, the only side character girlies I remebered were Heather and Angela💀. That's 9 characters that'd have to fight for 4 dresses so I don't know what I'm doing, who should be left out? Or do I just choose 5 more dressed to do all 14 girls?? Or is there more I'm forgetting about😭

[thelostconsultant]

Not a gold digger

pairing: Max Verstappen x reader

summary: Fans think you only want Max's money. But as it turns out, you were wealthy before he came into your life--you just don't make it obvious.

warnings: No smut, but there's a part that makes me say MDNI.

note: So... I'm kinda back? Idk, I'll see if I'll stick around.

The toxicity of the fandom was becoming quite entertaining, really. It was the third time since you and Max had made your relationship public half a year ago that someone started an anti gold digger campaign to protect your boyfriend. They truly believed they were doing this for a greater good, and they all begged Max for his attention.

It always began after they sniffed out he had given you something expensive as a gift or took you shopping to a luxury boutique. While there were some people who tried to protect you by pointing out that maybe he enjoyed showering you with gifts, the rest didn't care about that. 

You lived in a small apartment back home, you were driving a five years old Renault SUV, and no one knew what you did for a living. This was enough to enrage them and make them believe all you wanted was Max's money at the end of the day. Just think about the way she's looking at him, one of them wrote about two months ago, she's so clearly not in love with him. Poor Max, someone please save him. 

Ridiculous.

“Is everything okay?” he asked when he got home and kissed the top of your head. 

You were sitting in his sim rig, using the time while it was free to practice, because you wanted to play with him when you weren't here together, and he was more than happy to show you the basics. “Someone started another campaign to cancel me,” you replied casually as you got out with his help. 

Even when you were standing in front of him, he didn't let go of your hand, instead he raised it to his lips to place a soft kiss on its back. “Gold digging?” You nodded with a sad look on your face, but less than five seconds later you were both laughing. “Look, I know you're having way too much fun with this, but–”

Without waiting for him to finish, you raised your hand to make him stop. “I'm not stepping out of the shadows, Max. I've been hiding for years, even fucking Forbes doesn't know my real name or face,” you told him.

Back in the old days, when Bitcoin appeared, your geeky uncle had gotten into mining and trading it. He knew the potential, so he put most of his savings into buying them, then he held onto them, and by the time he got sick years later, he knew they were valuable and would be worth a lot more in the upcoming years. In his will, he left his savings and his wallet to you, giving you the chance to use them as you wished since you had learned everything about crypto from him.

So now you had Bitcoin as well as old fashioned investments, and you had used your money to help out an up-and-coming tech company for a forty percent share, and it was later sold to a tech giant for a lot of money. But despite your wealth, you chose to stay under the radar, because you loved your small apartment, and you weren't about to trade it for some fancy penthouse. 

You had met Max the year before in Las Vegas. F1 was a sport you watched with your uncle while he was still alive, and you were hell-bent on getting a VIP pass for the weekend. If you asked your boyfriend, he would say it was love at first sight, but in reality he was just annoyed by you. For a solid ten seconds, he would correct you every time you talked about it.

You agreed that you would hide in Max's apartment until this latest campaign died down, which gave you some time to spend together in peace. Every now and then you checked the tags to see how things were going, and after the silence of the past few days, today your name was trending again. Ready to have a good laugh, you opened the tag, but the most popular post gave you a minor stroke.

“Oh, fuck me,” you yelled as you launched your phone into the couch.

Max pulled the headset down to his neck as he looked over at you. “Is everything okay?” You raised your finger to your lips as if you wanted him to stay quiet, but luckily he got the message. “I'm muted. So?”

You grabbed your phone and went over to him. “They know. One of those idiots from the company I helped back in the day posted a tweet to protect me, saying that if it wasn't for me being an angel investor, they wouldn't be millionaires now,” you summarized as you gave him the device.

He scrolled through a series of tweets, and found a post from a journalist of Forbes in which he promised a proper investigative piece based on this info. He handed you the phone, then wrapped an arm around your waist. “It's okay, schatje. I know that's not what you wanted, but maybe they'll stop with the recurring hate campaign now,” he tried. “And if you’re worried about the article… Don’t be. There is nothing compromising about you. Yes, you inherited the money, but you have proven you know what to do with it.”

“Maybe you’re right,” you admitted with a sigh. 

“I’m usually right. C’mere,” he said as he reached out to pull you closer, but you glanced over at the camera. Rolling his eyes, he quickly turned it off, then gave you an expectant look. “Will you hug me now? And I want a kiss too.”

With a laugh, you leaned down to wrap your arms around his neck and gave him a soft kiss. But he wanted more, his hand slowly sneaked under your shorts, his fingers running over your clothed cunt before he decided to pull your panties aside and dip a finger between your folds. You moaned into the kiss, but he pulled away a second later to lick his finger clean. 

Shaking your head with a chuckle, you patted his shoulder and walked back to the couch. You could feel Max’s eyes on you the whole time, and when you looked at him again, he flashed a devilish smile at you. “I should quit the stream. Now that I had a taste, I want more,” he told you. 

“I’m not going anywhere, just try to be patient.”

He looked back at the screen, then put the headset back on his head and unmuted his mic. “Sorry, I have to go. See you next time,” he told the others, then logged out. You couldn’t remember the last time he left the sim rig this fast, and only a few seconds later he was kneeling in front of you, eagerly reaching up to pull your shorts off you.

liked by user1, user2 and 947,896 others

f1gossips: Breaking news! Turns out Max Verstappen's girlfriend isn't a gold digger after all as she has her own fortune according to the investigative article published by Forbes. Will the fans apologize?

view all comments

user2: And here I was, thinking she's just a greedy airhead...

user3: Easy to be wealthy with your uncle's money.

↳ user4: Have you read the whole thing? She invested the money and helped out several startups--that later became pretty successful--as an angel investor. Yes, maybe she inherited a lot of money, but she knows what to do with it.

↳ user5: May I remind you how many F1 drivers started their careers with their families's money?

user6: Told you she wasn't a gold digger. Suck it, haters.

liked by yourusername, landonorris and 1,577,353 others

maxverstappen1: If you don't buy your girlfriend gifts every once in a while, you're a bad boyfriend. I love to spoil her, it's not a crime. I love her, I'm proud of her, and you can send us as much hate as you want, it will only make us stronger.

tagged: yourusername

view all comments

yourusername: I'd be perfectly fine without the gifts, I already told you.

↳ maxverstappen1: I don't care.

landonorris: You're absolutely right!

↳ maxverstappen1: You're single, how would you know?

↳ landonorris: Just FYI, I've been in relationships before.

danielricciardo: You're so disgustingly smitten with her. (I love you both.)

[felassan]

June 14th 2024 Developer Q&A (from the official BioWare Discord) - Complete transcript

Under a cut due to length.

Update: This post has now been updated into a word-for-word transcript.

[Link to video recording of Q&A] | [Link to equivalent post for second Q&A (August 30th)] | [Link to video recording for second Q&A]

Update: This post has now been updated into a word-for-word transcript.

If you would like to listen to the Q&A for yourself in video format, or listen to it again, Ghil Dirthalen recorded it and has now uploaded a video of it here. This blog post is linked in the description under the video. ( ˶´ ᵕ `˶ )

Corinne Busche, John Epler, Matt Rhodes and Community Manager Katey were the devs that were there.

----

Katey: Hello!

John: Hello.

Katey: Beautiful, your mic sounds beautiful. How's everybody doing?

John: Excellent. I, just as a headsup, I have some folks doing some service, in the next room so, if I, if you hear background noise, that's what that is.

Katey: No worries at all. Well I hope that everybody who's been waiting in here is really excited, because I'm super excited. I'm Katey. I'm the Community Manager. If you don't already know, you can usually see my name at the top of this Discord server. But I'm joined here with some awesome guests that I'll let introduce themselves. Let's start with Corinne.

Corinne: Can you hear me okay?

John: Yep.

Katey: Yep, we can hear you beautifully.

Corinne: Great, perfect. I'm Corinne Busche, Game Director of Dragon Age: The Veilguard.

John: Awesome. I'm John Epler, Creative Director of Dragon Age: The Veilguard.

Corinne: John!

John: Hello.

Katey: And then we've also got Matt Rhodes, who may be struggling to find the unmute button which is at the bottom left.

Corinne: Our, our resident artist-poet, Matt Rhodes.

Katey: I could unmute him, actually, I don't know if I can unmute him, but if he needs help, he can message me on the side.

John: The joys of being a giant nerd is I spend a lot of time on Discord anyway, so.

Corinne: Well there you go, right?

Katey: Fair enough. Alright, well, we have a ton of questions to answer. We probably won't be able to get to all of them today. You all have sent in so many really really great answers, sorry, questions for us to answer. And if we don't get to them today, we're hoping to be able to do things like this in the future. So without further ado, I'll get started. First question's a bit of a soft ball, I feel. If you could belong to any of the main factions shown in the game, which would you choose?

Corinne: I mean, listen Katey, you say softball, but like, this is hard! I’m gonna cheat, and I’m gonna give you two. So for fashion, the Antivan Crows, all day long. Their threads, you’re gonna love it. For vibes, though, like the ones that capture my vibe, Mourn Watch. Gimme those necromancers.

John: Those are good answers. I have, I have one for fashion, and also for, just general faction I’d like to be a part of. Veil Jumpers. Who doesn’t like a nice walk in the forest, y’know? Even if that forest is filled with horrifying monsters and terrifying anomalies, but yeah.

Katey: I love that. I know that Matt has a few technical issues – oh, he’s unmuted. There we go. Or maybe not. That’s okay, I think we can move on.

John: The Fade has taken Matt.

Corinne: That’s right, that’s right.

Katey: Yes. One quick thing, if you check your settings, the cog-wheel in the bottom left, make sure that your voice, like, your audio is all good. If you’re still hearing the music, feel free to maybe, force-quit Discord and rejoin by just joining the stage directly. And mute the music before you come in. Okay. I can move on to the next question for now. I’ve seen, so this question was from Acra. I’ve seen a lot of talk about only having two companions in your party instead of three for this game. What is the reasoning behind this and will we still get the same companion conversations and banter as seen in the previous Dragon Age games?

Corinne: Ooh, this is such a good question. Thankyou, whoever submitted this one. Yeah, I’ll guess I’ll start and then I’ll turn it over to John Epler. So, first of all, as you saw in the gameplay reveal, this is a much more intimate experience. We’ve pulled the camera in. For those that aren’t aware, the reason why is we want you to feel like you actually are in this world, right? Like, you’re walking these city streets of Minrathous, you’re looking up, seeing the buildings all around you, you’re a part of this place. So it’s much more intimate, and we believe as the narrative unfolds this creates a lot more immersion. Now, how that relates to companions is in doing this, we went back and forth on it a lot, but we actually found, with this perspective, having two companions, really allows them more visibility and presence. We’ve talked about the incredible depth and focus we’ve put on fleshing out these companions, they’re very fully-realized. So here, you really get to see them more clearly, you get to see them shine. When you see Lace Harding jump into the air and unleash a volley of arrows, you can only really get that because of that more intimate view. So I love the spotlight that’s been put on them. But, I think, in addition to the banter, one of the things that people are wondering about is, okay, but what about gameplay? So again, this has come about from our testing, working with the internal team, also our lovely Council of players. We just found that when you’re playing in the combat system, when you’re planning your strategies, two really felt like the right number to manage. So keep in mind, Rook has a lot of different types of actions, Abilities, individual attacks that are more fully fleshed-out than ever before. Timing and positioning matter a lot. So this really felt like the right balance to have. The number of inputs and actions we’re asking you as a player to take, including directing your companions, is higher than ever before. And I will also say, I engage with the companions, like I actively control what they’re doing more than I ever have before in any of the other three games. But John, I’ll toss it over to you for the banter. That’s kind of like the, we got a two-for-one there.

John: Yeah, yeah.

Corinne: I think that’s a, a great question.

John: So - it’s a great question, yeah. I mean honestly, I don’t think you could actually stop the writers from writing banter. I will say for myself, it’s, it’s one of the more light but fun things to do. You get to write little stories, little arcs between different characters. And I mean, The Veilguard is no different. Banter is still absolutely core part of it. You know, we’ve got global banter, you know, the general stuff that you get in all spaces, as well as mission-specific stuff. But, yeah, it’s definitely still a big thing. I think it’s, if anything it’s the most we’ve, we’ve ever done for pairings of companions. Beyond that we’ve also made sure, and I mean I’ve been on Dragon Age for a while, and I know there’s been issues, you know, things like, okay, well I don’t wanna miss this banter. So we’ve even added stuff like some interruptible and resumable banter as well, just to make sure that, because again, it’s a core part of the experience. Everyone loves hearing these companions talk to each other, everyone loves hearing these little stories and relationships develop over the course of the game and, as mentioned before, companions are the heart of this experience and banter is a big part of that, so, you still have it, it’s, if anything, like I said, you could not stop the writers from doing it even if we tried, so.

Corinne: That’s right, that’s right. Well, John, you know, listening to you speak, one thing that comes to mind, maybe people are wondering, with two companions in the field do I get less interaction between, that, like do I get to see my companions interacting in a broader group more often.

John: Oh -

Corinne: And, the way you’ll gather them around the kitchen table, there’s just so many of those moments where they’re all interacting with each other.

John: Well, I think –

Corinne: Those are some of my favorite parts.

John: Yeah, and I think, yeah, and actually that’s a, a good call, because I think the other side of it is, we’re not talking too much about your home or anything, but, we also want to make sure that they feel like they have a relationships and a life outside of just, the times you take a certain pair of companions out on the field. So we made sure that, they have those interactions there as well.

Katey: Love that. Let’s see. Um, Matt, are we, are we all set, are we good? Yes? No? Okay. I can continue and we can come back to some of your questions. Alright. So that, I loved the answers to those. How customizable is the backstory of Rook? Will we get to determine their past in the Character Creator? And that was asked by Briar.

John: Yeah, so. Absolutely. So, one of, each, Rook has six different backgrounds that you can choose from. Each of them is tied to one of the major factions in The Veilguard and each one sets out who Rook was before they recruited, were recruited by Varric, and. Well that sets out the broad events. As you go through the game, as you’re gonna have conversations, either with members of your faction, other characters, you can define, not just what those events were, but what they meant to you, what was your motivation, what was the kind of person you are as you build up Rook, because again, we wanna make sure that roleplaying is at the heart of this experience. And taking Rook, giving them, again, giving them background to ground them in the world but then letting you decide what that means and what that says about you is also a big part of it, so. And again, there are six different factions in this game, two which, anyone who’s played Dragon Age for a while will remember. You’ve got the Grey Wardens. You’ve got the Antivan Crows. We also have, in addition to that, we have four new ones, because we’re in northern Thedas. We have the Veil Jumpers. We have the Mourn Watch. We have the Shadow Dragons, and we have the Lords of Fortune, so. Again, a lot of different options, a lot of different background, and a lot of opportunities to really define what your, who your Rook was, and who they are now, so.

Katey: Amazing. Will crafting return? If yes, has it been improved over the system in Inquisition? Asked by Some Dude.

Matt: Testing.

Katey: Oh hey Matt!

Corinne: “Some Dude”, is that, I’m gonna assume “Some Dude” is a username. Great question.

Katey: Yes.

Corinne: Welcome Matt, the lovely Matt Rhodes.

Matt: Testing, testing.

Corinne: Welcome, welcome, hello. Alright, so, will crafting return? You can absolutely improve and customize your gear, yes, that is a big part of RPG progression, so yes you can improve and customize it. I will say, though, it’s different this time around, and it does get into spoiler territory, so I, I’m gonna be a little bit cagey about it, but there might be a mysterious entity that assists you with that that’ll be an important part of the narrative.

Katey: So mysterious.

Corinne: Oooh!

Katey: Matt, I’m gonna actually go back to our first question so that you can answer, so everyone knows.

Matt: Thank you.

Katey: What faction, what faction you would choose if you could choose one for yourself?

Matt: Absolutely, oh, for me it’s definitely the Lords of Fortune. I’ve had a chance to try out a bunch of them, but I think I’ve finally settled on them. And it’s largely just because pirate-barbarian is just such a great combination of elements, so. Treasure-hunting plus beaches and palm trees and all that stuff, it’s a, it’s a really good mix, so that’s kinda my default.

Katey: I think I’m with you there, for sure. How about this one - this one was definitely asked probably amongst the most in Discord. Axolotl asks, can we kiss or romance Manfred the skeleton?

Matt: Uh, I, I would say, not that skeleton, but we’re not saying no skeletons.

Katey: I love that answer.

Corinne: This is my favorite answer so far.

Katey: Alright, so I’m gonna get back on track here. Alright. What, what were some of the development considerations that you had to take into account to ensure that this new game flows and functions with prior games, and Dragon Age Keep, if Keep is being utilized?

Corinne: Ooh, that’s a good one too. So, first of all, I would, I would point everyone to, we did an interview with IGN that goes into some of the details there, so, like, if you want a deeper dive on it, check out that article. But just to summarize, we have taken a different approach on how you import your decisions this time around. It’s now actually been fully-integrated into the Character Creator, and kinda serves a dual purpose, to be honest. I, I playfully, it’s not called this in-game, but I playfully think of it as ‘Last Time On Dragon Age’.

Katey: I love that.

Corinne: Right? Now, when I talk about its dual purpose, it’s been ten years since the last Dragon Age game released, so it serves as a refresher on critical events as well as allowing you to re-make those decisions that are critical to you. The thing I love about it is, it’s very highly visual, it uses the familiar tarot card aesthetic, so it’s actually really visual and playful experience as you go through it. It is very much important to us that it’s built into the client, though. You can play this game entirely offline. No connection. You don’t have to link to your EA accounts, like that’s been a really big request. So, the refresher plus make those decisions in-client, I think we’re all pretty happy about that. I don’t wanna spoil anything by revealing what decisions you can import, like, look, y’all don’t want the spoilers, but I will say, it’s been a really interesting creative intersection for us, because on the one hand, this is a whole new adventure. You’re in northern Thedas, these locations that you’ve literally never been to before. So that affects some of what will matter and what we’re not using this time around, as far as decisions. But obviously there’s some very, very clear connections to existing characters. It’s no secret that the Inquisitor, our dear Inky, is gonna show up, so, that’s, that’s a factor.

Katey: Peachy asks, will this next game be an open-world game, or is it just contained to Tevinter?

John: Yeah, that’s a great question. So, you are in northern Thedas, but the game only begins in Minrathous, it doesn’t stay there. I’m, I think one of the most exciting things for me, honestly, and again, to Corinne’s earlier point about spoilers, I don’t wanna get into too much spoiler detail, but getting to go to, and work with the art team, work with the narrative, work with the design team to build out these locations that we’ve talked about. Places that characters have referred to as where they’ve come from, places that characters, obviously, in previous games, have hailed from, has been absolutely exciting. So, it’s, you do start in Tevinter, you do start in Minrathous, but again, that’s not the entire game by any stretch. So yeah.

Corinne: Yeah, and the first half of it is, is it an open-world game? We’ve gone back to what we believe delivers the best, most curated –

John: Mhm.

Corinne: - intense narratives. So, this is a hand-crafted experience, it’s mission-based. Now, these locations can open up. You can go back, solve mysteries, do some really great side-content. Not fetch-quests, not grind-quests, some really great side content.

John: Mhm.

Corinne: But, I wanna be clear. It’s, it’s a really curated, hand-crafted experience.

John: And just to, just to bounce off of that very quickly. The most important thing for us, to what Corinne was saying about hand-crafted, obviously we’ve talked about how, you know, narrative, story, characters, are the most, are critical to us, and this has allowed us to build these experiences in a way that emphasize that, extremely long, while still, again, tying into the story threads and the story beats, so.

Katey: Awesome. TastefulToxel wants to know - will the companions have unique specializations like Dragon Age II, or will it be the same ones we will have access to as the player in like DA: Origins, or Inquisition?

Corinne: Oh, cool. Hey TastefulToxel. Yeah, so, cool question. I think the best way for me to describe this is that, yes, our companions will have Abilities that are truly unique to them. But also, the companions do fall into the archetypes of mage, rogue, and warrior. Like, for instance, you might be surprised to hear, because she has a bow, but Bellara is, in fact, a mage, and I, I love that. So, some of the Abilities, the bulk of the Abilities of the companions are based on their own unique personality. Like, Neve is the only mage that is an Ice Mage, so you get distinct Abilities for her. But, because she’s a mage, she does have access to Abilities that all the mages share, like Time Slow. So we really like the balance there. It’s like a good mix of representing their archetype, their class, and also their distinct specialization or personality, whatever you wanna call it.

John: Yeah, actually, I would actually say the word ‘personality’ is a really great one because that’s, again, each of these characters exists, each of these characters have a history, have a story of how they became who they were, and part of that was finding that intersection between narrative and gameplay, and making sure that, again, we, we serve the needs of gameplay but also allow these characters to breathe and exist as their own people, not just in conversation, but out of conversations, as well.

Corinne: I would also say as part of that core mage kit, healing spells are there, so any of your mages, you wanna make ‘em a healer, do that.

Katey: Lunasoul Darkmoon asks, will The Veilguard have tactical combat still?

Corinne: Ooh, such a good one, such a good one. Okay. Yes! Combat gets quite tactical, like, obviously this is an evolution of the combat system, and I talked about immersion, wanting you, to put you in the world, like you’re actually living and existing in it, but it is very tactical. And, I will say, we have a robust difficulty system. The tactics are increasingly important the higher difficulty level you go. So like, look, if you’re showing up for a highly tactical experience, I would crank that difficulty level in particular. But I wanna make clear, I’m, super, I wanna make sure I’m super clear in my answer. You saw the gameplay reveal. Our pause-time tactical mode is not overhead. It stays close to Rook. It does allow you to cycle between targets, both in and out of combat, there’s a reason for that. As the game progresses, and you didn’t see this in that opening hour of the game, but it’ll display strategic information on the enemies, so like, what are their vulnerabilities, what are their elemental weaknesses, their enhancements, what are they resistant to? So your type of Abilities, learning into elemental gameplay, matters a lot. I’d also say, this is a long answer, it’s such a good question – tactical decision-making also takes the form, I would say this is front and center, of coordinating your Ability usage between Rook and your companions to create synergies, or really devastating – we call them – detonation combos. So, let me give you a couple of examples, because it can be a little hard to visualize, so hopefully this helps. So one of the tactics that I personally enjoy in my own builds, I just recently played as a Veil Ranger, I love it, it’s one of my favorites. If I’m fighting Fade-touched enemies in Arlathan, I like to use Bellara’s Galvanized Tear to pull enemies together, it’s like a gravity well. You then Slow Time with Neve and, Slow Time affects the world around you, but it does not affect you, so you clump them up, you Slow Time, and then with Rook, I come in and do, like a devastating AOE or damage over time spell or Ability, and it’s even better if it’s a lightning-based Ability, because the Fade-touched in Arlathan are vulnerable to that. So there’s so many layers of coordination and strategy and tactics. Now we did talk about the devastating, like, detonation combos, honestly, that’s probably one of my favorite features, because that’s when you’re really leaning into explicit teamwork between your companions and Rook, or, the companions together. So when I, when I build out my team and I’m going into a mission, I try to ensure that I have at least a couple of possible synergies, detonation combo synergies within my team. Might be between Harding and Neve, or it might be between Neve and me, or it might be both. So here, I would go into battle, I’d pause time, open the Ability Wheel, get information on the enemy, and the Wheel will actually tell me that there is a synergy combo, you might have seen a screenshot that says “combo available”. It will remind you of those synergies between companions. You can queue both of those Abilities up at the same time, go, close out of the pause-time menu, they’ll both execute, both Abilities will happen, then the detonation AOE happens, applies debuffs to all the enemies in a radius of it, it’s so satisfying, it’s so satisfying, I can’t wait for y’all to see it. But the interesting thing is that too is a tactical choice. I’m choosing to use my companions to do that, and that means, in that moment, I’m not using them to heal me, or to give me that defense bonus, or to knock an enemy off a ledge, so it’s about the opportunity cost. I, I could spend the rest of the session talking about this, I, apologies for being long-winded, but this is just one of my favorite parts of, of the game.

Katey: That was a great answer. Can you choose Rook’s pronouns? If yes, being, is being non-binary an option? And also, how detailed is Character Creation?

Corinne: Hell yeah you can select your pronouns! Absolutely. You can actually select both your pronouns and your gender, because those are related concepts, but they’re not actually the exact same thing, so. It’s really cool. Yeah, you can be non-binary. We have they/them, she/her, he/him. Yes, emphatic yes. How detailed is the Character Creator? Oh my goodness, y’all. Like. Very! I don’t wanna give away too much just yet, but it’s very, very deep. It has been revealed, it’s out there in a couple of articles, about the focus on hair, the focus on skin-tones that are done respectfully, full-body customization, hell yeah, we love to see it. But we’re, we’re gonna, we’re gonna come back, we’re gonna show you a lot more on Character Creator, but we wanna make sure we have the time and space to, to do that.

Katey: Will there be a Photo Mode in-game?

Corinne: So that is something we’re actively looking into. We know there’s a tonne of interest, so stay tuned on that one. But we are very much looking into it.

Matt: I can add to that, is a feature that is, that, we like, we like the idea of, and, and, it’s not just player-facing but internally, it’s a really helpful thing for us as we’re, as we’re building things out to have that so it’s, it’s, we’ll let ya know.

Corinne: Yes, yeah, absolutely. We, we are as geeked on that possibility as you all are.

Katey: A lot of people were asking about Abilities. This one is from Clemmy. Abilities, I don’t think I saw this answered yet, but are we going to be limited in how many Abilities we can pick from the Wheel?

Corinne: Ah! Yes, yes, yes. So, Ability Wheel does have a capacity. You have to choose which three Abilities you wanna bring for Rook, which three for one of your companions, and which three for another companion. And what I, what I like about this is there is, kind of, an emergent gameplay depending on who you and your companions are coming into the mission with. Now the reason for that is, it actually creates really interesting balance of strategizing, having to do that strategy about your kit, your combat kit, before the mission. And then the tactical decisions once you’re in the field in combat, deciding what to do. But, I do wanna clear one thing up, because, while there are three Ability slots for Rook, there’s so much more than that. Other actions that you can perform directly from the Wheel include, you’ll have an Ultimate Ability, associated with your class or your specialization, so there’s variance there. There’s a type of items that you’ll get that function like Abilities, they’re typically like buffs and enhancements in form of Runes. So you’ll control that for Rook and/or the team from the Wheel. You may have also seen that you can direct which targets your companions will focus on, but what you might not know is that a lot of the companion gear really synergizes with that directing your companions. When you issue those commands, that too will proc based on the gear they have equipped. Really interesting and strategic effects. They can be more Ability-like, more, like, procced effects, there’s just so much from the Wheel, that once you get in and see everything working together, becomes more and more apparent.

Katey: We have another question from TastefulToxel which is, will Fireball and Cone of Cold be back as skills, or as spells in Dragon Age: The Veilguard?

Corinne: Ohh, I love, all these combat questions, really good. So Fireball and Cone of Cold aren’t specifically back, however, their successors are. Frost Nova and Meteor. So these serve the exact same combat role and function as those other Abilities. I would also say, it gives ‘em quite the glow-up, so. Meteor in particular, like, so satisfying nuking a group of darkspawn with a well-placed Meteor, it’s really wonderful.

Katey: What accessibility features are available? I would love to know if there’s an arachnophobia mode. Will there be mod support?

Corinne: Oh my goodness, arachnophobia. I am wicked afraid of spiders too, my partner always laughs at me. I’m just terrified of them. That said, that’s one we’re going to save for a little bit closer to launch before we’ll go into full details about accessibility features. But I do wanna assure you, we’ve spent a lot of time thinking about this topic so you can play the game in a way that really works for you. I’m, I’m excited to share that with you when the time is right.

Katey: So this one is from a username named Cookie. How long is the time-skip from Inquisition to The Veilguard? I know we’ll probably get more info on this, but I’m so curious.

John: Yeah, so, anyone who’s paid attention to Dragon Age, and I can say as somebody who’s been on Dragon Age since Origins, timelines are always a little iffy. They change, and they morph over development as we see how long events taking. But, for The Veilguard, we were actually pretty consistent from the start. It’s been about ten years since the events of Trespasser. As you may or may not have noticed, Varric’s become a little bit of a silver fox. I know, I’ve heard, seen, I’ve seen a lot of comments on that on social media, but, yeah, ten years. Solas’ ritual is taken time to set up and you’re kinda coming in at the end of that hunt, so.

Katey: Siddy is asking the hardest-hitting question which is, is Solas still bald?

Matt: Yeah. I mean, if you’ve watched the gameplay thing, we can all confirm, yes, Solas is still bald, Solas is still Solas. We’ve, we’ve, I really, I really like how Solas has turned out this time around. I will say, here’s a comment on this specific question that’s gonna sound like a non-sequitur, but, once you get a chance to play it a little bit more, maybe you’ll see it. In Thedas, ancient elves, they go bald when they’re like millennia old, so. Solas wasn’t always bald. So if you were to end up, end up seeing what Solas looked like in the past, things might be a little different. You’ll have –

John: - Now, now that said, I’m sure some of you are wondering what happened to Solas’ wig from Tevinter Nights. I’m sure he still has it somewhere, so.

Katey: He’s just taking care of it elsewhere.

John: He’s just taking care, it’s, it’s his most important possession.

Corinne: The Pride there, huh?

Katey: I have another one for Matt. This is, will we be able to, will we be able to change companions’ appearances and outfits, or are they fixed, similar to Dragon Age II?

Matt: Yeah we, Dragon Age II was, we loved how the followers turned out in that but it was, it was sad given, given our constraints that we had to keep them with just one, one basic outfit. So we really tried to make some space for them this time around. So they’re, they still have, kind’ve iconic color palettes and things like that, but they do have a wider range of appearances that you can, that you can find for them. Some, some are just cool, but then there are some that are tied directly to their, to their narrative and just kinda what’s happening in their life.

Katey: Another one for ya, which is, will we be seeing or visiting Kal-Sharok? It’s, and, Tyrant says that they’ve been obsessed with it forever.

Matt: Yeah, me too. I, I will say, what’s, what’s been really cool, so in previous games, we’ve kind’ve alluded to this before. It was a lot of fun to hint at the locations that were off the map, the mysterious places that you weren’t gonna go, you weren’t going. And so you could just bring in some props or some characters, a piece of art, things like that, and you know, even Tevinter was only vaguely hinted at and then we would just add drips and bits and pieces, so that stuff was really fun. In The Veilguard, we’re actually getting to visit, most, like a whole lot of those locations that had only been hinted at for real, so you actually do run around Tevinter and a bunch of the other locations that we’ve revealed. But this also means, like, we’re not completely filling out the map, and so that there are actually new things that we can start hinting at, that we can start drip-feeding, and so, it’s, it’s kind’ve fun. I’d say, yeah, for what we can show of Kal-Sharok, and, and other locations, it’s just, there’s, there’s more to do.

Katey: Awesome. MrFightmonster118 asks, will the dialogue wheel slash options be similar to Inquisition and Mass Effect: Andromeda in the sense that it’s more tone-based?

John: Yeah, so, we have a number of different types of wheels in our game. All the dialogue wheels are based off the same principle. Anyone who’s played a Dragon Age game remembers what they look like. In Dragon Age: The Veilguard we have tone wheels which are, you know, again, roleplaying your character, picking consistent tone. We also have emotion wheels where you can pick specific emotional reactions. And choice wheels which are, I don’t have a strong emotional or tone tie here but I do want to make a choice based on what I do. Investigates obviously return as well, but. We do want players to understand as much as possible what it is they’re going to be picking, and understand, and again, choice and consequence is fun, we wanna make sure the choice is clear, even if, again, one of the best parts about consequence is making sure that’s not entirely clear, so.

Katey: How extensive are Rook’s decision trees for dialogue going to be with the companions and also with NPCs throughout the game?

John: Huge. I mean, again, it’s a Dragon Age game, we wanna make sure you have choices, we wanna make sure you can choose both your roleplaying but also choose outcomes of conversations, choose how events unfold, so, I mean, again, it’s a Dragon Age game, we wanna make sure that we also react to decisions you’ve made, so. For example, you may be talking to a follower who is an elf, and if you yourself are an elf, obviously you’re gonna have a different perspective on events than someone who’s not an elf. Sometimes that means different conversation options, sometimes that’s going to mean entirely deep dialogue trees, as well as based off decisions you’ve made throughout the game so, again, making sure that the game feels like it’s noticing what you’re doing is a huge part of how we’ve written out the dialogue wheel, or dialogue trees, in this game.

Corinne: Blueberry has a question for Corinne. It was mentioned that there will be, that we will be able to romance who we like. Does that mean that all companions are romanceable by all player characters regardless of race or gender, as it has been in the past?

Corinne: Yeah, yeah. So, we have talked about this in some of the interviews, I’ve seen a few articles about it, so I’d recommend everyone check out those articles. But let me just give you a quick overview. Each of the seven companions have full romance arcs and they are romanceable by all genders, absolutely. But something that’s really important to, to us on the team, so I wanna make sure that we clarify and just double-down on, that doesn’t mean playersexual. And if anyone’s unaware of what we mean by that, it doesn’t mean that they can form or twist their identities to who you the player are, like they, they won’t suddenly have a preference for men or women based on what you’re playing, right? Instead, they have their own fully fleshed-out identities, they are true and authentic to that. So in this game, they are all pansexual, with their own histories of romance. Sometimes you’ll hear about preferences, or things of that nature. And what I really love is, if you don’t pursue a romance with them, they’ll actually build their own romances with each other. So, in one of the interviews I talked about Lace Harding and Taash getting together. I give that example because honestly, it’s one of my favorites. I’m gonna put a question back to the community, though. I’ve heard we’re going with “Laash” for that ship-name? You tell me, like, what is that ship-name?

Katey: That one just rolls off the tongue, I feel like that works. This next question is from FallenArtesia. What are the markings on the faces of the elven Warden and Veil hopper?

Matt: So there’s a, quite a few, probably, I think, easily more than we’ve done before, tattoos from various, various cultures. We’re bringing the vallaslin back, of course. But there’s, yeah, ton of different options, especially when we’re, again, going into all these new regions. Each, each area has its own kind’ve visual language for that. But yeah, we are bringing the vallaslin back and then a couple of the characters have them, but we’ve kind’ve customized them a little bit, they’re a bit more specific to their personality.

Katey: And this is a question for all of you. What are you, what are you as a developer most proud of about the game, and what are you most excited for players to experience when it’s out?

John: Ooh, that’s a good question.

Corinne: Isn’t it?

John: Corinne, you wanna go first?

Corinne: Yeah, sure. Gosh. So I suspect for most of us, myself included, it is really gonna be the depth and authenticity of the companions, journeying along with them on their arcs, learning about their hardships, what they care about, being by their side, that, that authenticity is just so good. They all feel like my dear friends. But, I have to say, the closest runner-up for me, has to be the Character Creator, has to be. That Character Creator, the makeup options, the range of sliders. I’m a qunari fan, so even just the, the way you customize the horns and combine that with the really great-looking hair. Character Creator has to be my, my, like very close runner up.

Matt: Oh yeah. For me, I would say, as far as, what, what I can say I’m most proud of on this one, the, I can speak for the art team. We worked incredibly hard to make the story more visible than ever. Games are a visual medium, but, you know, it’s, sometimes it’s easier to do things in text format or written in a Codex somewhere or alluded to off-screen. But we really leaned in to trying to make sure that every design, prop, character, environment, the VFX we’re choosing, everything, all, all these choices, were putting the story on-screen so that you can really see it unfold. And I think, having worked on all of the Dragon Age games, I would say Veilguard represents one of the best attempts at that we’ve made yet.

John: I’m gonna cheat, because I’m going last and I get to do that when I go last, and kinda combine both Corinne’s and Matt’s answer. Honestly, the companions are, for me, the absolute highlight of, just, being able to work across all the disciplines, building characters who look and sound and behave in very specific and characterful ways. These are the deepest companion arcs we’ve ever done. Not just on Dragon Age, but at BioWare in general. Each, each companion has their own story arc, you can go through decisions you can make, they really do take center-stage, and I think, as you play through with them you see the care and love that the team has put into each and every one. I mean there’s, there’s moments in each arc that make you cry, make you angry, make you excited and, and the way that they integrate into the story as a whole is just, for me, something that’s been really fun. Finding ways to bring these characters together, finding ways to make this, this narrative, this story of, you know, you need to put together a team and stop the end of the world, it’s just been absolutely exciting and thrilling. And again, you see the team’s love in every single piece of it. As for what I’m most excited? For me, I’ve been, I mean Dragon Age has been part of my career, part of my life for literally the last decade and a half. I’ve worked on it since Origins and there’s something about The Veilguard that feels like a amazing mix of, novelty but also familiarity. It’s like coming home in a way that I think is going to be very exciting for people who are existing Dragon Age players, but there’s also so much here that’s just new and exciting for people, new players and old players alike. And going to parts of the word, seeing things we’ve never seen before, and just getting to take this amazing world, this amazing series and expand on it and build on it in ways that have just been, honestly, an absolute thrill, the best part of my career. And I’ve been in games for seventeen years now, this has been the absolute highlight for me, so. That’s what I’m excited about.

Corinne: John, that was, that was such a good answer, and I just, I just wanna “yes, and -” that. It, I so completely agree with you. There’ve been times in the companion arcs where even, knowing exactly what’s going to happen, we work on the game, with some of these decisions, I, I’ve had to set down the controller, let out a heavy sigh and go “oh my god, what am I gonna do here?” Yeah, the depth of them is wonderful. And, I do wanna say, I, I’d be, I wanna put this out there, when we talked about as a developer, what are we most proud of, can we just give a big shout-out to the dev team? I am so proud of them. This team has poured their heart and soul into this.

John: Absolutely.

Corinne: Anyone from BioWare who’s listening in, thank you so much, y’all are just the best.

John: Hear, hear.

Katey: I absolutely love that. I knew that question was going to have some of my best, some of my favorite answers, and it delivered, so thank you three. This one’s a fun one. Why does Varric have dark hair now? I feel like John mentioned this a little bit earlier, but.

John: Just for [inaudible].

Matt: He’s been, he’s been adventuring for a while now. His hair is, is more gray, but he’s been in very dark scenes so far, so. We’ll see him in some more contexts.

Katey: In this question, we actually took from Tumblr, because there were a few really good ones in our ask box. Will the Inquisitor be appearing in the flesh, or are we just choosing their major Dragon Age: Inquisition decisions?

Corinne: Alright! Yeah, yes! They will. The Inky does appear. We know how attached y’all are to the Inquisitor, I’ve seen the love for your OC. Yes, the Inquisitor shows up. Now, we, we’d already confirmed that in a few places, so, let me just say, you can also customize them, includes some of our new customization options, yeah, they’re gonna show up and they’re gonna be your Inquisitor.

John: And I think, I think beyond that, I mean, the story of Solas and the story of the Inquisitor, obviously are tied, they’re tied together as much as any story, so. It would have been strange for us not to bring them in for this one. They have, they’re gonna be a part of the story, so.

Katey: Will there be any planned DLC? Just curious, as I always love the DLCs. Oh, and transmog armor. This one came from Lavell.

Corinne: Oh, heck yeah, good question. So, right now, our focus is entirely on the quality of the game. Like, it’s so important at this stage for us to be all-in, all attention on, just, finishing this game and delivering on the quality, the promise of it. So honestly, like, that’s all I can really say about it. We’re 100% focused on this being the most complete game we can make it. I will say, kind’ve related to that though, and I just wanna underscore this, I wanna emphasize it. There’s not gonna be any microtransactions, there’s not gonna be any battle passes, you don’t have to connect online, our focus is making this the most complete singleplayer game we possibly can. Now, this was kind’ve a two-for question, I love when we do that. Will there be transmog? Hell yeah. I’m the kind’ve player that, that believes fashion is the real end-game. Yeah, there’s a transmog system, absolutely, it’s sick.

Katey: And then this next question is from Scott. I was asking if any of the characters will be explicitly asexual, or on the ace spectrum?

Corinne: So good. Such a good question. So, look, I’m just, I’m gonna be really forthcoming with y’all and a little bit vulnerable here. I’m ace, I’m a gray-ace, I don’t mind sharing that, I’m kind’ve public with it. I will say though, that none of our companions this time around are explicitly ace. When we look at the characters, their motivations, who they are, we always assess, like is, is this the right time? This time it wasn’t. But what I will say for everyone on the ace spectrum out there, I would love to represent an ace relationship sometime in the future when it feels like the most authentic fit for a companion, when we can do it best. Oh, and I do see some questions, you know, some questions, what do we mean by ace? Asexuality. We often refer to it as the ace spectrum.

Katey: Can mage Rook do blood magic? Will blood magic be a skill tree separate from regular magic?

Corinne: Okay. Um, this gets a little spoilery, so let me just say, Rook has some pretty good reasons to avoid blood magic. Rook is not gonna want to be interested in that. But I will say, the mage skill tree is packed with all kinds of spells, traits and perks to give you a ton of flexibility in your magic. Gonna go off-script just a little bit, because –

John: Oh no.

Corinne: I’ve seen, like, can you tell us about the specializations for mage? I’m not gonna tell you the deets, but there is a necromancer one, there is an elemental one, and there is one that’s actually more of like a combat mage, it’s my favorite.

Katey: Can we name the griffon? We also have a griffon emoji now in this Discord server.

John: Excellent. So, someone on your, in your party, again, spoilers, may have already named the griffon, but, don’t worry, Assan is a very good boy, so.

Corinne: All these griffon emojis are, y’all are killing me.

Katey: Yeah, I love that, griffons in the chat. Let's see. Will we have a camp/home/headquarters that we’ll be able to customize?

Matt: Well this time around, in Inquisition you had Skyhold. In this case you have a headquarters called the Lighthouse. More to be seen on that. But, it’s, it, narratively it, it serves kind’ve a different purpose but also the same purpose. As far as customization goes, there are elements of it that change over time, and some things that you can adjust. I, I don’t know how much we’re really going into that at the moment.

Katey: This one is –

Matt: But yeah, I would say, it’s like, there’s some, it, one thing I like about it is it definitely does start to feel very much like a home over time.

Katey: Sorry for almost cutting you off there Matt. We have another very hard-hitting question, if I'm, if I do say so myself.

John: I love this one.

Katey: We need to - Same. We need to know, does pasta and noodles exist in Thedas? Thank you.

Matt: Well, and I’ll take it as a chance just to geek out about worldbuilding, because, again, we’re, The Veilguard for us is a really kinda dream opportunity to go to places that we’ve only ever heard reference to, or we’ve seen hints at. And so, in going through the worldbuilding process and trying to, trying to build these places out, not just as neat things from the IP but also as, you know, if you’ve, if you've read about this stuff, if you’ve been following along, you’ve got your own version of it in your head. You’ve imagined what it might be like, you’re, and probably hoping for something spectacular. And our brains are always far better at creating this stuff than any game developer, any artist, or anyone can really do justice to, so you really have to swing for the fences to make something very satisfying and exciting. You know, is, that can be everything as big as architecture and landscape and biomes and ecosystems, but it does get into things like art and culture, costume design, and also food, and this time around we did, you know, that was one of the many things that we, that we did, looking to, just to try to catch the character and the feel of a place to make it feel believable and lived in, so. That’s my really long answer for, yeah, I’m sure, I've, at least one place does have pasta.

Katey: I loved that. This next question is from Spectre Karro. Are we getting a mabari?

John: Ooh, that’s a good question. I will say, you’re spending most of the game in the north of Thedas. Mabari are not nearly as big of a thing up there, so. In this particular instance, no, you will not get a mabari, sadly.

Katey: Honestly, I should’ve pulled this one up to where we answered the first question about the griffon, but, can we pet the griffon?

Matt: You, I’m really sorry to have to be the one to tell you – nah, I’m kidding, yes you can. But it’s not even just petting the griffon. I’ve, this isn’t a spoiler, I think you can actually, I’ve actually hugged the griffon, so, that feels like, even there, a step up. Yeah.

John: There’s lots of opportunities to interact with the griffon.

Corinne: Can we see, can we see Assan in chat if we wanna see him in the Lighthouse hanging out?

Katey: Assan in chat everybody.

Corinne: Assan in chat, alright!

Katey: I love it.

Corinne: Okay, y’all this was so important to the team too. Like, this is the team’s like, just such huge support for this feature, so props to them.

Katey: This one is from Coriander. Will we get to see any of the Character Creator before the game releases?

Corinne: Yes, yes you will. We’ve got a, you’ve probably seen, we’re laying out a roadmap for, you know, what we’re gonna show and when we’re gonna talk about, so, yes you will see it as we get a little bit closer to launch.

Katey: And then we’ve got this question which is, will we be able to play as a qunari, dwarf, elf, or human?

Corinne: Hell yeah, hell yeah you will. All four, and all four have that full-body customization. I already talked a little bit about, I mean listen, I’ve always loved the qunari. I will say in Dragon Age: Inquisition it was hard to get a good-looking qunari hairstyle, so yes you can play as them, you can customize them, the horn options are rad, the hair options are rad. And also, I guess related to this, your lineage gives you a lot of really unique dialogue options, so that’s a really lovely aspect of choosing your lineage as well.

John: Yeah, I would, so to actually just to bounce off that, to an earlier question about backgrounds, each lineage, there, depending on the lineage you choose and the background you choose there are some specifics call-outs to, for example, if it’s the Mourn Watch, the Mourn Watch being a faction from Nevarra of mages, you play as a dwarf, obviously your experience in that faction is going to be different than, say, a human or an elf, so. There are also specific call-outs tailored to those combinations and, with again, giving, the intention of giving each lineage their own little flavor as to how they're, they fit into that faction as a whole.

Katey: Okay, John, I’ve got a question from someone named Joe for you. Where is Barkspawn and is he okay?

John: That’s a Great question. Barkspawn is safely gnawing on a bone next to a fireplace somewhere in Ferelden, don’t worry, he’s fine. You may question, ask yourself, but John, it’s been so long, in which I say, mabari live exactly as long as they need to.

Corinne: Getting into the deep-cut questions now.

John: Deep-cut questions, yeah.

Katey: Yeah. We are really speedin’ through these. Let’s see. Will Rook have a set of default name?

John: Yeah so, Rook’s last name is defined based on their faction, again, we wanted to tie that into your backstory, but also, there’s a, that’s a name generator that can give you a selection of first names. Obviously if you want to make your own first name, that’s definitely something we support as well. If you’re somebody who maybe has a little bit more difficulty coming up with a name, so for example you name every single character “Bob” because that’s the only name you can think of, we also give that opportunity for that generation, so.

Katey: I definitely always have trouble coming up with what I wanna name my characters, so that’s great. This next question is, when will the voice acting cast be announced?

John: So, we worked with a lot of very talented actors on this one. I am super excited to talk about the voice acting cast. We’ll be talking a bit more over the summer, we’re not quite ready to announce names yet.

Katey: And I think we have a similar answer to this next question, which was, will there be a Collector’s Edition? When can I pre-order?

John: Yeah, same answer, we have, we’ll talk more about the different editions of the game soon.

Katey: Are there any special musical guests writing the sound-track? Will tavern songs return.

Corinne: Oh my goodness, yeah. There are tavern songs. And huge credit to the audio team and performance teams because they’re pretty great. There’s one in a little tavern in Minrathous called The Swan, and the song you hear there might just, it might be, it’s up there, it might just be my favorite of the tavern songs.

Katey: Let’s see, are there any – ope, I have just asked that one. What are the required PC specs?

John: Much like the other two, we will have more information on required PC specs soon.

Katey: Saph from the Discord server noticed that two, Dragon Age II’s main theme from the soundtrack brought back much of the iconic thematic material of Origins’ main theme, but I heard less of it in Inquisition’s. Can we expect The Veilguard’s main theme to recall more or less of that original thematic material than Inquisition?

John: So we’re not, we’re not quite ready to talk about music yet in specifics, but in broad strokes I can say the process for us is always the same. Working with the composer, working, figuring out themes, figuring out what kinds of elements we want to keep, tying specific elements to, maybe specific characters. It’s a really in-depth process and a really collaborative process. We have some fantastic audio people on our team that have done an amazing work, amazing job, working with composers, and, with the team as a whole to make sure that, again, we said earlier about cohesiveness. Making sure that the music feels like a cohesive part of the experience.

Katey: And this one, I see is also for John, but I think anyone can answer this. When writing the overall story of this game, what themes did you want to have as the prominent focus?

John: I mean again, it’s interesting, so it’s interesting, because when we were writing these games, and this has been true on every Dragon Age I’ve been part of, what you start with and where you end up aren’t always necessarily the same. Sometimes you start writing out a theme, you realize actually it’s more interesting if we attack from this angle, or maybe if we twist it a little bit. I will say for Dragon Age: The Veilguard, from the beginning one of the biggest themes has been regret. How regret’s shaped peoples’ lives, how people deal with their regrets, how people maybe move past their regrets and, each of the characters, you know, the stories as a whole, have elements of this tied throughout. We really wanted to have that thematic, that cohesiveness to the game’s story and the game’s writing so.

Katey: And I know that, you know, we’ve, we've kind’ve already answered this a few times, but can we play as dwarves and does the world react to your race and backstory? Probably be good to just directly answer that one.

John: Yes you can play as a dwarf. Yes the world does react to your race and backstory. And, again, you’ll have unique dialogues or unique conversation options based on that, on that backstory and as well as that race.

Corinne: I’ll give you a little nugget here, because I saw it scrolling through real quickly. Do you have beards, like. So when I think about can I play as dwarves I think about, do we have glorious fantastic beards? Hell yeah, we do.

John: Yeah, I can say, as somebody who plays a lot of games with character creator, the beards on, I don’t know what magic the character art team did for the beards, but they feel like a beard should feel like, it’s great. They look awesome.

Corinne: Just saw somebody say “it’s beard time”, I love it. It’s beard time!

Katey: Will our heroes and companions leave us if we go against their wishes?

Corinne: Oh my good – do y’all just love pain? Do you want us to make you cry? If you go against their wishes, if you make decisions they don’t like, I will tell you, you can piss them off, you can, they might not agree with you and they, they will take some time away. That said, this is the biggest threat to Thedas we’ve ever seen, so they’re, they are always gonna be willing to show up to defend Thedas but, yeah, you can piss them off and they’ll leave for a minute. As it relates to them showing up to defend Thedas, well yeah, they will, unless…

John: No spoilers Corinne!

Corinne: Aughhh, I’ll leave it there, I’ll leave it there.

John: No spoilers.

Corinne: Okay, alright, alright. But they want it!

John: Yep.

Matt: Don’t try to stop me, Smee!

Katey: This one’s a fun one about some inspirations for the game. Dracanmo would like to know if any songs, books, movies or anything have had inspired any of the writing for the characters?

John: I mean, honestly, the thing about art is, art is always a synthesis of your own experiences both in the real world but also the art you consume, the art you pay attention to. I don’t think that any characters have what I would describe as, this character was a direct reference or direct inspiration but, I mean, yeah, they’re all inspired by the things that we do, the things, both, again, in the real world, and also in the media we consume. And you’re gonna see elements of characters that, yeah, the things that we’ve enjoyed, the things that’ve shaped us, show up in these characters. I think, for me, it’s, it comes down to, and I, I, writing is a deeply, can be a deeply personal experience, so even if you don’t intend for it to be the case, things, parts of you are going to show up in your character, I think that’s true for all the characters in The Veilguard. And, you know, sometimes it’s, exploring, exploring the, y’know, things that, about yourself that you may like or may not like, and it’s also about exploring things about characters that you like or don’t like, so. That’s kinda my long-winded way of saying yes, it’s impossible to not have that happen when you’re creating art. But I wouldn’t say that there’s one where you can say, oh this is this character, this is this character.

Katey: What was the thinking process behind making Harding a companion this time around? Was she always going to be one or did it evolve into one because she was such a lovable character?

John: Ohh, yeah. So Harding, I mean. When we released Inquisition, it was impossible not to see the love that people had for our murderous girl next door dwarf. She’s always been a fan favorite obviously, but I think beyond that, it’s something that there, that Harding’s writer wanted to explore. There was more of a story to tell there, more perspective, and beyond that, Harding obviously has a strong connection to Solas, and to the, to Varric, and to the events of the past ten years, so. I wouldn’t say it’s always been, but I’d say Harding’s probably one of the first ones we settled on as like, yes, this is a character we want and the writer had a story that they wanted to tell with her, so, it just made sense.

Matt: You know, I think actually, to piggyback on that, that’s something I hadn’t really even thought about that much, but, and it’s not a huge part of her character, but, she tends to be one of the people that have the most insight into he was.

John: Yeah, that’s exactly it, that’s exactly, and yeah, that’s a great way of looking at it too. It also provides you with a little bit of that, that perspective. For players who’ve been around, you know, who played with previous Dragon Age games, but also for new ones, who was Solas? What kind of character was, was he?

Matt: Yeah.

John: Yeah, it’s a great, it’s a great, using characters to provide windows onto the world is honestly one of my favorite things.

Matt: And, and when I say was, I just mean, in Inquisition.

John: Yes, that’s, that’s exactly it, yes. Thank you for correcting that.

Matt: Yeah.

Katey: And what approach are you taking to quest and world design in The Veilguard?

John: I think for us it just comes down to relevance and narrative heft. We want to make sure that each quest provides either a perspective on the world or perspective on the characters, or feels immediately and obviously relevant to what you’re, what you’re doing here. You’re here to save the world and, again, at the end of the day, one of the things that we heard, we heard loud and clear, was some feedback about how relevant, or in this, in our case, not relevant, previous quests have felt, so for Veilguard, we really wanted to make sure that these quests felt like something that you, somebody faced with the end of the world would believe was necessary and important. So, again, there’s quests of all sorts and sizes, but all of them share that same feeling of, this is the kind of thing that The Veilguard would do. This is the kind’ve thing that my hero would do, especially faced with the end of the world.

Corinne: Yeah, that’s, that’s really good John. That’s so right. I would just, again, double-down on how hand-crafted all the quests are, and whether, whether you’re doing, like, the main story, or you’re journeying with your companions, or you’re out exploring and you encounter a mystery. Everything’s handcrafted, intentional. We spent a lot of time listening to what y’all said, and of course everyone has slightly different tastes, but, you know, you’re not gonna be gathering shards in the Hinterlands. Everything is built with intention, and, you know, a dev there lovingly handcrafting the experience.

Katey: Are there any locations in the game that can only be accessed by making specific story choices?

John: So I don’t wanna get too much into spoilers here because this does start getting into spoiler detail, but I will say that locations can fundamentally change based on decisions you make. Some of the parts of the world that you go to, you can have, the decision, the choices you make have an impact on how these spaces exist and develop, so, yeah, and again, don’t wanna too many into, into story spoilers, but, your decisions do impact how the world shows up.

Katey: And will we be able to control our companions in combat through tactical mode, or if the PC, or player character, gets KO’d, like in previous games?

Corinne: Right, so. If Rook gets KO’d, your player character gets knocked out, this time around it is time to re-load your save, or better yet, the companions have really interesting progression, you can spec them out to be able to revive you, but that’s, that’s if you’ve invested in their own progression and what they can do. And that said, I, I mentioned this earlier but I, I personally spend more time in the nature of this combat system when everything comes together, interacting and directing the companions than I have in any of the other games, so, like, like that, that interactivity between them, once you play it you’ll see how, just engaged the team is.

Katey: A user named It’s Sarah said, my real most important Dragon Age question is, will Solas still occasionally or dramatically speak in iambic pentameter?

John: You know, I was, I actually spent a little bit of time trying to figure out if I wanted to answer this question in iambic pentameter and then I very quickly gave up. Massive kudos to Patrick who, who always writes Solas so well. Again, Solas is a returning character, it’s the same Solas you know and love, or hate, depending on who you are. Same writer, so, I think, this has been, the answer is, well of, yeah, it’s Solas.

Katey: Will our decision of who in particular was left behind in the Fade be important?

John: So, while that decision does not show up, that – sorry, let me, restart. Not for The Veilguard. That decision doesn’t show up here. Now, that said, that doesn’t mean that’s that’s not a decision that will ever be important in the future, so. Again, not for this one, though.

Matt: I’m glad to hear you say that, John, because one of my favorite stories was Bob getting stuck in the web in reboot and it just feels like -

John: That’s a, that’s a deep cut!

Corinne: Very, that’s a deep cut.

John: Holy smokes.

Corinne: My goodness.

John: The sound of my childhood.

Katey: Will we have mounts again? If so, any hints to what types we’ll have?

Matt: So no, no, mounts, excuse me. Mounts were, they were, they addressed a need in Inquisition that we don’t have in Veilguard, and you’ll see why, when you get to play.

Katey: LightningStar asks, how is the side quest design? Will they be mostly story-based, or will there be a lot of radiant quests or resources or Power, like in Inquisition?

John: We talked about it a little bit earlier, but, no, they are all hand-crafted and story-focused. Again, narrative, the companions, not just the companions but the characters in the world as a whole are so much at the core of The Veilguard that, anything other than hand-crafted quests just felt like it would be a disservice to the game we were building.

Corinne: Yeah. And maybe, we can clarify as well, because, like Power was such a divisive mechanic in Inquisition. There’s no mechanic like that that blocks your progression until you fill a bar, right, like that’s just not a thing in this. You have the autonomy to engage in these, these quests as you like. There’s no, like, y'know, grind-out gates before you can progress.

John: That’s right, yeah. Again, we wanna make sure that, again, that doing this content feels as natural and part of the logical flow of the story as possible.

Katey: So, it looks like we only have time for three more questions, so I’m going to get through those. With this next one, is from someone named Jason. Will there be a similar system to the War Table missions?

Corinne: Ooh, interesting. So, we haven’t talked much about the player’s base, the Lighthouse. And we’re gonna save that for a beat, but what I will say is that the Lighthouse, your headquarters so to speak, it has its own unique purposes and functions this time. So that’s an area that we’ll, we’ll leave for you when we talk more about the Lighthouse, and then when you have a chance to hop in, you’ll be able to see what those unique purposes and functions are.

Katey: If there is dual-wield for warriors, will it rely on dexterity or strength?

Corinne: Ah, okay, yeah, yeah. So we did wanna bring dual-wielding back. It is part of the rogue kit this time. So warriors are really focused on mighty two-handed weapons, can’t wait til you see, when you swing and connect with those weapons, there’s, there’s a real heft to it. And then of course sword and shield, so. We’re leaving the dual-wielding to the rogues, but you, you can see just, the amount of hits you can get in in rapid succession dual-wielding as a rogue is really satisfying.

Katey: And the last question that we’re able to get to today, is, what have been some of the challenges and advantages of working on a single, on a single game for so many years? How did you sustain the work in yourselves and the process?

John: That is a fantastic question. I will say for myself, I’ve often joked, and I don’t know how much of a joke it actually is, that when this game is out and I suddenly don’t have to keep all these pieces of game and lore and story and everything straight in my head, I’m suddenly gonna be able to speak Latin or something because there’s gonna be a ton of brainpower freed up. But for me it’s just, you know, it's, the thing that keeps me sustained is just knowing the game that we’re building is the right one. Knowing that the beats are coming together, and knowing just how much people care about this franchise, care about these games, and how excited people are going to be when they get to see the fantastic work that the team has, has been doing. And that really is, I can say, I’ve been on this project since the start, and even today, I see things on a daily basis, I’m like holy – smokes, sorry, I almost swore, I can’t believe what the team is doing, I can’t believe the, how good this looks, I can’t believe. Because it’s a huge game. There’s pieces that I, I don’t see every piece of the game every day so, I get pleasantly surprised on a daily basis and that, I will say, you know, confession, sometimes if I’m having a particularly long day, I’ll spend about an hour late at night just watching cutscenes coming in, watching the work coming together and just, sitting back and being like, holy smokes, I cannot wait for someone who hasn’t seen this every day for so long as I have to experience this and just be blown away by the work, so.

Corinne: It's, it’s been very real, hasn’t it? And, and I will just say, speaking on behalf of the dev team, everyone’s working so hard, they’re putting so much passion, so much of themselves into it. Like this is a franchise they truly love, and seeing your support, cheering us on, it’s just meant a lot to them, so, let me just say thank you to all of you.

Katey: And I wanna say thank you to you three for taking the time to do this. I know that it matters a lot to the community to be able to, you know, get some time with you guys and, you know, make sure that some of their dying questions are, are answered, so thank you so much for taking the time out of your day to do this. For anyone who’s still listening I promise that I’m that I’m working on a way for these questions to be immortalized somewhere. Stay tuned for that so that you don’t have to worry about this, just, you know, disappearing into the ether. So, stay tuned, thank you all for your time. Anything else we wanna say before we jump off?

Matt: Thanks everyone.

John: Thank you. Yeah, I’m super excited to show more of this and, yeah, this is gonna be, hopefully this is the first of many of these opportunities to talk to you all directly. Again, it’s been a while, and getting to talk about this game has been absolutely exciting. I know for myself, as well for the rest of the team, so thank you all.

Corinne: Just thank you, it’s, the Dragon Age community, how much it means to you, how much it means to us, it’s just wonderful to see you all so invested and excited to come here and talk to us. Thank you again, truly.

Katey: We'll hopefully do something like this again soon. Okay, cool, have a great day everybody! Talk soon!

John: Bye y’all!

Matt: Bye.

[source: The dev BioWare Discord Q&A on June 14th]

Update: If you would like to listen to the Q&A for yourself in video format, or listen to it again, Ghil Dirthalen recorded it and has now uploaded a video of it here.

[wilwheaton]

Hey man, I could use a few talking points to help convince a friend that Musk is horrible. I'm reading 'Think Again' by Adam Grant (good read btws) and he says to help convince people to come to your viewpoint that it can be good to have 2 or 3 strong points instead of 10 mixed points. The counter argument I get from people about Musk being good is that he did spacex and tesla, and without him we'd be decades behind. Maybe, but I don't have good ammo. Please help as I get too angry tobe critical

Well, listen, the fascism, the transphobia, the chaos, and the unwavering support for autocrats all over the planet really ought to be enough to outweigh anything else, if you ask me. It sounds like you know some people who got excited about the companies he threw money at, and they are having a tough time updating their feelings due to current events. Or maybe they share his values and don't want to admit that.

But I'll try to offer some simple facts.

He did not do engineering with Tesla or SpaceX or even PayPal. He is a fraud. He walked into these existing businesses, where people had done actual work and engineering, threw some of his Apartheid money at them, and took credit for their work. He claims, over and over again, to be a founder of these companies, and that's just straight up a lie that is easily disproved.

He literally did nothing except throw money at people and take credit for their work. Look at every Tesla up to the (chokes back laughter) Cybertruck. Those Teslas look like cars, because they were designed by engineers. Look at the Cybertruck. When you stop laughing at what a joke it is, know this: that's what happens when Elon Musk is in charge. It's like a ten year-old with some crayons drew it on a menu at Denny's.

All of the things his weird fans claim he made possible, are things that would have happened, and were in the process of happening, without him. He literally did nothing to advance the technologies or engineering. In fact, SpaceX whistleblowers have told reporters how they had to keep Musk occupied with bullshit, so they could do the real work without him fucking it up all the time with his incompetence.

But even if he were telling the truth, even if the myth were fact, it would not outweigh the damage, the pain, the chaos, and the suffering he has inflicted on millions and millions of people, all over the world with his lies, his spread of misinformation, and his incitement of angry incels.

Also, don't forget, when Ukraine was trying to defend itself, he turned off Starlink access when they could have decisively ended Russia's aggression. A lot of people have suffered and died as a direct consequence of that action, which he took to support his buddy and fellow autocrat, Vladimir Putin.

That's more information than I think your friends will be willing to hear. Studies indicate that people who are heavily invested in the myth of a person will fight hard to hold onto the myth, and reject truth and facts, because it's so jarring to them. Musk has built a cult of personality, and maybe your friends are stuck to it.

I'd gently encourage your friends to consider one key fact: he has lied about his entire origin story, he has lied about his contributions to Tesla and SpaceX. He lies about everything, except when he posts on Twitter like a 12 year-old edgelord, because that's who he is, emotionally.

Finally, and this is for you, specifically: if your friends insist on supporting a fascist, a racist, a misogynist, or a bigot, because they think rockets are cool, maybe it's time to look for new friends.

I hope this helps.

And fuck Elon Musk.

[briefinquiries]

Tyler Owens x Reader: Read Between the Lines

Request: anonymous said: "I was wondering maybeeee if you could write some protective bf Tyler ( because i would be swooning ) maybe either someone keeps hitting on her so he steps in or someone maybe in another storm chasing crew is being mean so he steps in and defends her <3 idk"

Word count: 3.9k

Warnings: language, mild fighting i guess?? slight angst

A/N: sorry I haven't been posting as frequently! I started work up again and ya girl has been BUSY. Anyyywayyy, thank you for reading! please keep the comments coming! I love to see all your requests and I promise i'm getting to them as quickly as i can :)

“Need anything?” Tyler asked, leaning against the hood of the truck in a way that shouldn’t be as adorable as it is. 

“I’m good,” you said, offering him a gentle smile before brushing a few loose strands of hair from your sticky forehead. 

“You wanna come in with me then?” 

You shook your head– the idea of sitting in a stale diner with no AC was just about as unbearable as the thought of driving another second. “No, I think I’ll stretch my legs out here.”

“Okay,” he said in a tone that indicated you’d be missing out. He gave the truck a pat before adding, “We won’t be long.”

“Take your time,” you assured him. 

He offered one final nod before turning and following Dani, Boone, and Lily across the parking lot. Dexter also stayed behind. Instead of shitty diner food, he’s opted to take a nap inside the RV accompanied by his noise canceling headphones and a fan blasting right at his face. 

You were exhausted, down to your bones. You and the rest of the team had driven nearly six hours that day tracking a cell that hadn’t ended up amounting to anything. You were stiff and tired and irritable– just like everyone else. But you hoped that some time alone outside might help at least level out your mood.

You extended your arms over your head, groaning when you felt something lightly pop in your back, before craning your neck from side to side. The air was stifling– thick and humid with little to no breeze for any sort of relief. The heat hadn’t broken in nearly a week, and unfortunately for just about everyone, the truck’s AC didn’t work as well as it used to. 

The parking lot to the diner was relatively empty. Aside from the crew’s RV and truck, there was an SUV parked in one of the front spots and a small sports car with a steady cloud of smoke pouring out the cracked window.  

You let your eyes wander past the diner parking lot at the sprawling field across the road. The windmills were agonizingly still in the stale air– like even they were desperate for some reprieve. 

Your eyes fell shut as you took a few deep breaths, trying to get your bearings. 

Your peace lasted for about thirty seconds. And then the sound of blaring music and screeching tires had you turning your pulsing head. Instantly, you rolled your eyes at the sight of the familiar vans pulling into the lot beside you. 

Merrill Anderson and his crew started chasing in the area almost thirteen months ago. You knew because each and every moment that you’d known about their existence had been more painful than the last. 

Anderson was a meteorologist out of Texas that wore a cowboy hat almost as big as his mouth and an inflated ego to match it. He made sure you and everyone else around him knew that he had a PhD, and therefore, in his opinion, was automatically more entitled to chase. Him and Tyler had hated each other from the moment they met while chasing an EF2 in Arkansas– their feud only grew each time their paths crossed. 

Anderson was grinning at you through the window as soon as his van rolled by. You did your best to avert your gaze– hoping that lack of eye contact would avoid any sort of conversation. 

Unfortunately, you weren’t so lucky. 

“There she is,” he announced, boots scuffing against the dirt parking lot as he hopped out from the driver’s seat. 

“Now what're you doin’ out here all by yourself? Your team finally leave you behind? Realized they didn’t need two uni drop outs on their team?” he asked, tone already dripping in sarcasm. 

He was an antagonizer who got off on provoking others. And although you and Anderson had your fair share of unpleasant exchanges, you knew he only ever bothered you to get under Tyler’s skin. 

Tyler’s biggest weakness was that he was endlessly protective of the people he loved. You saw this particular trait as a strength– but you knew that Anderson fed off Tyler's anger, which you could only imagine was his intention now. Thankfully Tyler was in the diner– hopefully gorging on raspberry pancakes as you spoke. Because if he were to see Anderson talking to you– you knew this whole interaction would escalate quickly. 

“Anderson,” you sighed, leaning casually against the hood of Tyler’s truck. The smile you forced on your face was almost painful. “So lovely to see you, as always.”

You hoped if you withheld from his taunting, he might move on quicker. 

Instead, to your despair, he backtracked from his van to stand across from you. “You guys go ahead,” he instructed his crew. “I’m gonna spend some time with my friend here.”

They nodded before heading towards the diner, leaving the two of you alone. 

“You should teach that hillbilly- boyfriend of yours some manners. If I remember correctly, last time I saw him, he drove through a puddle to splash me.”

You bit back a grin as you recalled the moment he was referring to. “I’m sure it wasn’t on purpose,” you lied (it was absolutely on purpose). 

Anderson chuckled. “You know– I don’t know if we’ve ever had a conversation just us, without him lingering around. You’re much more pleasant. Both in conversation and in looks.” 

You felt a chill run down the length of your spine at his words– but the way he was looking at you was infinitely worse. You watched as his eyes flickered from your face to your chest– currently more exposed than you would like in the tanktop you wore in the stifling Oklahoma heat. You wished you had grabbed a shirt to cover up in– but they were all either dirty and packed away somewhere in your duffel. 

Clearing your throat, you stood up straight and crossed your arms, attempting to shield yourself from his lingering gaze. 

“Oh, hey now darlin’, don’t cover up. I’ve been stuck in the van all day with these jokers, this is the most action I’ve gotten all summer.” 

You could feel the blood rushing to your cheeks as you tried desperately to remain level headed. Anderson was a jerk– and he’d definitely make you uncomfortable… but you couldn’t imagine that he’d ever actually do anything to harm you.  

Then again, you’d never interacted with him for longer than a minute or two with Tyler and the rest of the crew at your side. This was uncharted territory that you didn’t care to explore. You felt your earlier determination to handle him on your own fade away with uneasiness.  

You turned your head towards the diner, hoping you might catch Tyler’s gaze through the window or something. Of course you were too far away for that– all you caught was the glare from the sun. 

“You know I’m not used to seeing you in clothes like this, usually you’re all covered up,” Anderson whistled. 

As soon as he took a step closer, you instinctively moved too. Except your legs collided with Tyler’s truck– preventing you from actually going anywhere. For some dumb reason, you felt obligated to hold your ground– to not let him see how uncomfortable he was really making you. But with each passing comment, you grew more and more fearful. 

Anderson now had his body angled towards you with a look that could only be described as predatorial. “God, it’s true you don’t know what you’re missin’ til you see it. We should have these heat waves more often if it means I get to take a look at this every day.”

You tried and failed to remain stoic. You wanted to yell– to tell him to shut the fuck up. But for some reason, your body and brain weren’t connecting. 

“C’mon, where is she?” he taunted. “You know, your sweet side has its perks. But I much prefer ‘em a little spicy.” 

He took another few steps closer to you. It was subtle, but you noticed. Anderson was so obviously getting a kick out of whatever the hell he was doing here, and you were doing a piss-poor job at withholding from it, like you’d originally planned. 

“Why don’t you come on back in my van with me,” he winked. “I’m not sure how your hillbilly does it, but I can show ya a real good time.” 

Get away from me, you wanted to scream. But your mouth wouldn’t move– your voice was lost somewhere inside of you. And all you could get your body to do was lean away from him slightly. 

“Don’t be like that, darlin’,” he cooed. He was so close that you could almost smell his breath. Your brain told you to fight– to shove or kick or do something to get him away from you. But all those previous instincts you had to fight back faded into paralyzing fear. 

Anderson reached across the space between you to move a loose strand of hair from your face as you began to tremble. “And don’t be afraid, baby doll. I don’t bite… too hard. Owens ain’t gotta know–”

“Anderson!” 

Your head snapped at the sound of a familiar voice… Not just any familiar voice– Tyler’s voice. He was currently storming across the parking lot with a look of pure hatred across his face. The second his eyes landed on you– undoubtedly and obviously terrified, that anger only intensified. 

“Get the fuck away from her,” he demanded. His eyes were narrowed and shockingly darker than their normal shade of sage. 

“Here he is!” Anderson taunted. “Her douche bag in shining armor.”

You couldn’t help but notice Anderson didn’t step away. In fact, if anything, he looked like he was about to step closer, just to really test his limits. But then, to your relief, you saw Boone, Dani, and Lily storming out of the diner in Tyler’s wake– all coming to your rescue. 

In an instant, Tyler was there, stepping between you and Anderson– forming the protective barrier you needed to finally feel safe again. Without thinking, you fisted the back of Tyler’s T-shirt for good measure. 

“Easy, Rambo,” Anderson sneered. “I was just tellin’ your sweetheart here how much I enjoy her new look. Who knew she had all this hidin’ under those baggy shirts? That the reason you keep her hangin’ around, Owens? I knew she had to be good for something–”

But Anderson didn’t get a chance to finish his sentence. Because before you knew what was happening, Tyler was lunging forward and connecting his fist with Anderson’s nose. 

The crack as it broke was deafening, you released Tyler’s shirt to cover your mouth in shock. Tyler hit him with enough force that he went staggering back a few steps, his hands instantly moving to cup his face. 

Tyler was still shaking off his hand when Anderson stood up straight, blood pouring out of both nostrils. 

“Damn, that bitch must be as good as she looks if she’s worth all this,” Anderson continued to taunt. Even with a broken nose, he didn’t back down.  

Without even hesitating, Tyler moved to strike again. But as soon as he did, Boone and Dani were both stepping in front of him to break things up. 

“Easy, T–” Boone said. 

“Stay the fuck away from her,” Tyler snarled in warning, pointing his finger over Boone’s shoulder. You’d never quite heard his voice so malicious or threatening before, and even though it was in your defense, it sent shivers down your spine.   

Suddenly, Lily grabbed your hand from the side, causing you to flinch. “It’s okay,” she said, tugging you a few steps away from the chaos– like she knew how badly you needed space from everything. “You alright?”

You nodded, flustered.  

“Next time you want to settle this without your little army of strays, you let me know, Owens. And next time you want a good time, Y/N, you know where to find me,” Anderson said, offering you a wink that churned your stomach. With that, he wiped some blood from his nose and began sauntering back towards his van. 

“I’m gonna fucking kill him,” Tyler snarled, still being physically held back by Dani and Boone. 

“Yeah, and he’d deserve it. But he’s not worth catchin’ a charge,” Boone said. “It’s been a slow season and we don’t got the kind of money to bail you out of jail.”

“Take a breath, T,” Dani said. “He’s walkin’ away. Take a breath.”

You watched Tyler slowly come back to his body. He listened to Dani and took a deep breath– his shoulders visibly relaxing when he exhaled. It seemed to be enough for his friends to finally release him. 

As soon as he was free from their grasp, Tyler turned around– his attention landing on you. “Are you okay?” he asked, his previously menacing voice now laced with so much care and concern. He stood in front of you– his body blocking all views of Anderson and their vans. His hands moved to cup your cheeks gently. 

“I’m fine,” you said, attempting to convince yourself more than anyone else. But even you knew it didn’t sound convincing. Your voice subtly cracked on the final word. 

Tyler stroked his thumb along your skin. The look on his face told you he didn’t quite believe you as his eyes flickered down to your trembling hands. Thankfully he didn’t ask more. 

“I gotta say that was a nasty right hook, T,” Boone said, clapping Tyler on the back as he approached. “I didn’t know you had it in ya.”

“What’d that asshat say to you?” Lily asked. “You looked really shaken up when we saw you out the diner window.”

“Nothing,” you mumbled, too embarrassed to repeat his taunts. You were shocked by how self-conscious you suddenly felt with everyone’s eyes on you. Anderson’s previous words had made you incredibly aware of every inch of yourself– like there was an electrical current humming underneath the surface of your skin. 

“Just the usual shit,” you tried to brush it off.  

You felt grateful when they didn’t push. 

Eventually, the crew disassembled– everyone focused on getting their stuff together to hit the road again. Anderson didn’t reemerge from his van, but as you sat idly in the passenger seat of Tyler’s truck, you didn’t take your eyes off from where it was parked– like you were anticipating some sort of retaliation. 

You remained hidden from the team– feeling so awkward and uncomfortable– like you didn’t want to be perceived or noticed by anyone. And you hated that Anderson’s words were the ones to make you feel that way. You couldn’t find any shirts in your duffel bag that weren’t disgusting. And currently you didn’t have the time or patience to dig through your second bag in the RV. So instead, you wrapped your arms awkwardly over your chest, trying to make yourself as small as possible just as Tyler climbed into the front seat. 

“Everyone else is riding in the RV, it’s just us,” he said, eyes lingering on you. 

“Okay,” you said, trying your best to sound casual. You wondered if he ordered everyone in the RV so that you’d feel more comfortable. You made a mental note to thank him for that later, he was always so good at reading between the lines.  

Tyler instantly noticed your uneasiness. “Baby, what’d he say to you?” 

You shrugged, refusing to meet his gaze out of sheer embarrassment. “I mean, I think you caught the gist of it at the end there… Just a lot of that.”

You heard his loud exhale. “Just say the word and I’ll barge into that stupid van and kill him right now.”

The corner of your lip tugged into a small smile. “I just want you to stay here,” you admitted. 

He nodded solemnly. Without another word, Tyler passed you something he had scrunched up in his fist. It was one of his T-shirts– like he knew you wanted to cover up without even having to say it. You took the shirt– the thanks you wanted to offer him remained stuck in your throat, but Tyler didn’t seem to mind. 

Instead, he pretended to fiddle with the radio while you silently slipped the shirt on. Almost instantly, you felt like you could relax underneath the fabric of his clothes. 

You curled your arms around yourself and tucked your knees to your chest. When Tyler asked if you were ready to head out, you nodded without another word. 

…

It was only seven when you arrived at the motel. Tyler went into the lobby to book the rooms while everyone else hung back. Boone and Lily were going on and on about using the pool later that night, but once you’d grabbed your bags from the truck, you sort of tuned it all out. 

Tyler found you sitting on the curb once he’d passed out everyone else’s room keys. He picked up your duffel from the ground before speaking for the first time in almost an hour. 

“You ready for bed?”

You nodded, offering him your best attempt at a convincing smile.  

“C’mon,” he motioned his head to the left. “We’re upstairs.”

Tyler led the way to your room– and even though this was a dingy motel, you’d never seen anything more perfect. The shades were dark, the AC worked, and there was a single, plush-looking queen bed in the middle of the room just screaming your name. 

Tyler let you shower first. And when you emerged from the bathroom, all the sweat and grime finally washed from your skin, he was gone. But in his place, he’d laid out one of his T-shirts and a pair of his boxers on the bed for you to use. You almost teared up at the sight of just how thoughtful he was… Still reading between the lines. 

You’d spent the entire duration of your shower trying to convince yourself that what had happened earlier wasn’t that big of a deal. Anderson was a jerk– of course he was going to say some jerk-ish things. It shouldn’t have been a surprise– and yet, you couldn’t shake the discomfort you felt. It was like all the words he’d said to you had nestled underneath your skin and made a home for themselves. 

In an attempt to shake the thoughts away, you quickly shrugged on Tyler’s clothes before sitting on the edge of the bed and wrapping your arms around yourself. 

Almost as soon as you sat down, you heard the front door to the motel open up. Tyler stepped into the room carrying his own bag and a couple of water bottles he must’ve grabbed for the two of you. 

“Better?” he asked, handing you one. 

You nodded and cracked it open. “Much.”

Tyler sighed before joining you on the edge of the bed. “Baby, are you sure you’re okay?” 

“I-” you started and then stopped. Your hands were shaking, but you jumped when you felt Tyler’s hand close around yours, steadying them. His touch gave you just an ounce of courage to speak. 

“It wasn’t even anything that bad–” you admitted. “I meant it earlier, you heard the worst of it… I just, I don't know, I can't explain it. But everything he said made me feel so gross… and dirty, and…” And, well, you didn’t quite know what else. Words were hard to come by tonight. 

“Oh, baby,” Tyler exhaled. He released your hand to wind his arm around your shoulders, tugging you to his chest instead.  

It wasn’t until he shushed you that you even realized you were crying, but it came out in a rush. You clung to him, instantly impressed by his ability to just make you feel so much safer. 

“I’m sorry,” you said. 

“You don’t have to be sorry,” he assured you, only squeezing tighter. 

“I don’t know why this bothered me so much–” 

“Because Anderson is an asshole and he intentionally said some gross shit to shake you up,” he answered for you. “You’re allowed to be upset by that.” 

You exhaled against his shirt, and when you licked your lips, you tasted salt. 

“I’m the sorry one,” he said. 

“What?” you shook your head. “You don’t have to be sorry–”

“I should have been there.”

“You were there,” you reminded him. “Unless I blacked out or something and I was really the one who punched him in the nose…”

Tyler chuckled softly, you felt the vibration against your chest– instantly soothing you. 

You sighed after a moment, trying to decide if you wanted to share what was really bothering you. You bit the inside of your cheek. It was so tempting to keep it to yourself, but more tempting than that was the idea of finally feeling a little more at ease again after just telling Tyler the truth. 

“I just–” you paused again. “I–” 

“Hey,” he said. You looked up at him briefly. “It’s just me.” 

That was the problem– it was Tyler. And you didn’t want Tyler thinking less of you because of what had happened. 

“I didn’t fight back,” you said quietly. “I just froze up– it was like I couldn’t even think straight. And he kept going and going, and I just stood there– taking it.”

Tyler ran his hand up and down your arm reassuringly. “What are you talking about?”

“It just felt like…” your voice tapered off. 

Tyler waited a moment before asking gently, “Like what?” 

“It just felt like I didn’t do anything to stop it,” you whispered so quietly you weren’t even sure he’d heard you. “Like I let it happen.”

“Baby,” Tyler sighed. “Baby, no. Anderson is such a jackass, it wouldn’t have mattered what you said–”

“But I could have told him to get the fuck away from me–”

“You were just trying to keep yourself safe. Baby, we can’t control how we react when we’re scared. It’s fight or flight–”

“Or freeze,” you mumbled, embarrassed. 

“Or freeze. I’m pretty sure fawning is one too, now,” he said. “But it doesn’t matter– what matters is you can’t control that you froze. Just like–”

“Just like you couldn’t control punching him in the face?” you asked. 

You glanced up just in time to see Tyler’s lips tug into a smile. “Exactly,” he said. 

“I just wish my fear reaction was a little more effective,” you pouted. “Freezing didn’t do much.”

You let your eyes fall shut when Tyler tugged you closed to his chest. “I guess it’s a good thing you have a douchebag in shining armor to come help whenever you need it,” he smirked. 

“Thanks for protecting me,” you said quietly. 

“I’ll always protect you, you know that,” he said, planting a soft kiss on the top of your head. 

You smiled against his chest. You really did know that. “And thanks for punching him in the nose.”

Tyler snorted. “Anderson’s had that coming for a long time.”

[lyrefromthesea]

HELLLLLAAAAW THEEERRRE, LISTEN (or read), I've been thinking. THAT I LOVE UR WRITING A LOOOOT, and I've been waiting but before that, idrk if u take req rn so feel free to discard this request! anyway, back to main topic, I've been wondering how the hashira's would react to reader/their s/o, adoring their hands a lot, like i mean— obsessed with their hands, whether its holding hands in public (or privately, if the character does not really like showing affection in public), or maybe yk hold hands in bed HWGAHGAHWHS, maybe, something like soft nsfw, like with fluff! u get me? just the character, comforting their s/o when they get too tense during their sexual intercourse, andddddd more fluff if u want! thank u for taking ur time to read!!

Male Hashira x Reader - Hold my hands

author's note: my fever has killed me a few times during this post.

pairing: Tengen x reader, Obanai x reader, Rengoku x reader, Sanemi x reader, Giyuu x reader, Gyomei x reader

content warning: nsfw, sexual intercourse (Rengoku, Giyuu), mildly suggestive (Sanemi)

Tengen:

• who knows exactly what his hands can do to you and despite his teasing nature uses them for your comfort

• enjoys seeing you calm down because of his hands and though he doesn't want you to feel bad he certainly doesn't mind calming you down

he's been looking towards the sky for quite some time now, sitting under the tree with the person he adored most.

you were so strong, so sure of your actions-

and sometimes you felt insecure and the worry seemed to consume you. he understood it, he understood your fear of failure and the future that would follow.

that's why he had no problems consoling you when you needed it most, taking his time to sit with you in silence. words weren't needed in these times, only the comfort of his presence.

he allowed himself to glance down at you, feeling the tender touches of your fingers on his. you were strong, he didn't doubt that, but your body felt so fragile compared to his own.

the difference in the size of your hands proved it to him every single time. he knew you could protect yourself, but if you couldn't, he would be there for you.

"i think i'm feeling better." you said, your eyes finally focusing on his face instead of his hands. you had been touching and playing with his fingers for quite some time now, your hold on them decreasing.

"ya sure? you still look down." he answered, earning a hesitant nod from you. feeling your hand let go of him made him act, bringing his own hand up to the back of your head.

"i don't believe it and lying is not flashy in my eyes. let's stay a bit longer." you were quite surprised when he pressed your head against his chest, looking up at the sky again.

somehow he always knew what you needed, even when you didn't admit it. and with a gentle smile, as well as his hand running through your hair, you sunk into a deep slumber.

Obanai:

• who is surprised when he found out you were fascinated by his hands.

• someone like you adoring a feature of his? the mere thought made him blush when he was laying awake at night.

• who enjoys holding your hand just as much as you, often turning into a blushing mess.

he knew he wasn't as strong as most other hashira. he was smaller, physically weaker. of course it gave him one or two advantages, like a flexibility the tall males around him could only dream about.

yet he secretly found himself craving their strength - at least a part of it. he wouldn't complain about a bit more arm strength, but that would remain a dream of his.

the moment he found himself content with the lack of strength he possessed clearly came with you. you had been sitting next to each other, simply enjoying the time you could spend together. at least that was what he was doing, your mind had long drifted away.

he tensed up when he felt your fingers brush over his, holding his hand. your thumb brushed over his knuckles comfortingly.

he didn't dare look at you, only turning towards you when he felt you glancing, uncertainty rising inside you with his current expression. his hand reached out to you when he felt you pull away.

"i shouldn't have done that, i'm sorry." you said, trying to escape any rising feeling of shame. you just didn't expect him to hold your hand tighter.

"don't stop." he answered, his tone letting it appear much more like a quiet plead. surprise overtook you, quickly replaced by a comforting shyness.

your fingers interlocked with his once more, this time with switched positions. you felt goosebumps appear on your skin, your cheeks heating up.

"your hands are soft, [name].."

Rengoku:

• whether it's in public or at home, he enjoys holding your hand just as much as you like holding his

• however, one attractive thing he does is taking your hand after overstimulating you

"honey.." he pants, trying not to cum a second time from the way you were squeezing around him, body basically trying to milk him even in your current state.

it had started a few hours ago, when he came home from a long mission. he had missed you during his time in the snowy mountains, deciding that his arrival would be the perfect moment to show you how much he appreciates your body.

having to cum multiple times - first his fingers, then his tongue and now his cock - was just too much for your poor body.

of course Rengoku realized that, seeing you shake and tremble under him, small tears running down your flushed cheeks. you were still caught up in your orgasm, trying to even out your breathing pattern.

"it's okay, we're done. breathe, little flame." he panted, hands letting go of the sheets of your shared bed, sitting upright and looking down at you.

he didn't pull out, simply admiring your panting form laying on the bed. his hands snaked along your arms, holding your hands and pressing them into the matress.

feeling the warmth of his palm press against yours got your attention, a silent moan leaving your lips. "are you okay?" the question made you nod quietly, finally being able to register the world around you again.

"'m so sore.." you mumbled, watching the man above you laugh, squeezing your hands in response.

Sanemi:

• he absolutely loves it

• you clearly developed a liking to your hand and he's fully using that to fluster you

• taking you by surprise is his favorite

you've been standing in the kitchen, making sure all the medical herbs you've received were in their right place. you needed to make sure they're easily accessible when Sanemi came home injured.

in your concentrated state, you didn't notice the tall man approaching you slowly - lurking like a predator.

and then you shriek, feeling a slap land on your ass. out of reflex you leaned forward, your head quickly turning around to find Sanemi right behind you.

"missed me?" he teased, stepping closer until he was right behind you, hands placed on the counter on either side of you. he pressed his body against yours with a smirk, resulting in your face getting a lot warmer than before.

"Sanemi! you always do this!" you scolded him, trying to turn around from the sheer embarrassment you just faced or rather the excitement that pooled in your body.

"what can i say? can't resist you with a fine ass like that." he chuckled, letting go of the counter to squeeze your behind with his calloused fingers, earning a whine from you.

"and truthfully, i think you can't resist me either." hearing him whisper into your ear, hand traveling up your side, made you stare at the watch.

he was right, you couldn't resist him, nor could he resist you. besides, the herbs could wait for a while.

Giyuu:

• initially he was the one that liked holding your hands, it was the most simple form of physical touch he could come up with

• still a touch-starved man, WILL have his hands on you the whole time when you're making love.

• knows it gets you more exited, wouldn't judge you for it either, since he gets just as exited when he sees you

"Oh~ baby.." he gasped, head resting against the headboard of your bed. he watched you lazily bounce up and down his cock, trying to work yourself into ecstacy.

whenever you were sharing such passionate moments with each other, he could feel his fingers twitch with the need to hold onto your body - onto you.

they first slid up your thighs, holding onto your hips, guiding you to grind back against him. he loved the feeling of your warmth and he loved the reactions his hands could coax out of you.

he didn't miss out on the way your lips opened in a silent cry, begging to feel his hands run over your body, around your neck or anything else that allowed you to feel them.

and of course he'll answer.

"hold.. hold my hands.. i want to feel you.." he moans, letting go of your hips only to intertwine his fingers with yours, feeling your hips stutter.

he certainly knew how to exploit your weakness for his hands - especially since he was just as weak for you.

Gyomei:

• likes using his hands to calm you down

• they're like a security rope connecting the two of you when the situation makes uncertainty rise within you

"my dearest child, are you ready to serve as a hashira?" the soothing voice of master Kagaya usually managed to calm you down, but not today.

you sat in front of him, a private meeting being held between the two of you and a pillar of choice. naturally, you went with the one you trusted most - the stone pillar.

it would've been an honor to serve as a hashira, every demon slayer knew that, but being confronted with the choice of being one, you found yourself unsure.

the pillars were the strongest humans you had ever set your eyes on, you weren't sure if you could stand by their side.

lowering your head in shame, you were ready to decline the master's offer. however, you were stopped by the blind man next to you.

he placed a large hand on your back, the warmth seeping into your skin slowly calming you down, letting you think properly.

you weren't chosen without a reason, if the master wanted you to become a hashira, he trusted in your talent.

swallowing down your uncertainty, you nodded with little to no hesitance. "i'm ready."

next to you, still his hand on your back, Gyomei found himself smiling. if it was his presence you needed to make a decision, he'd gladly do this for you everytime.

[kiss-inthekitchen]

pairing: spencer reid x reader

set sometime in early s2; you get stuck sharing a room with your favorite boy genius who absolutely cannot know that you have feelings for him. and also, there’s only one bed. fluff, f!reader (i think there's only two usages of gender markers)

word count: 4.7k

notes: this is a rework of a very old fic i used to have up on ao3. i'm thinking i'll do more of these, i've got a few spencer fics in the vault and it was fun to rework this and see how my style has changed :)

You shivered against the cold desert air. Twirling a keyring around your finger, you headed for the door marked 3. You were exhausted from the day and so, so ready to collapse into bed as soon as you got inside your room. 

You turned the key in the lock while Spencer waited behind you. It was late, and you and the team had pulled into a motel for the night, having been dragged out to a tiny rural town by the unsub after days of tracking him through surrounding areas. He’d been apprehended, finally, and handed over to local police around midnight. You all had decided it best to spend the night before driving back into town in the morning for take off. 

So here you were, at one of those single story motels that still used actual keys instead of key cards. Given the time of night, you knew vacancies would be scarce, so you’d already expected to have to double up on rooms. Gideon had stayed behind at Quantico, leaving Hotch and Morgan in one room and JJ and Prentiss in another, with you and Spencer sharing the last room. You’d hung back while JJ got everything figured out with the concierge (who was just a bored looking kid posted at the desk), and then she’d passed you your key with its little keyring attachment listing the room number and you all bade each other goodnight.

You’d been on the team nearly a year already, but you were still the rookie compared to everyone else. Even Spence had two years on you. But seeing as you two were the youngest, and the least inclined toward the more physical parts of your job– the chasing, tackling, firing your weapon parts– you were paired off with him more often than not. 

You weren’t complaining. You’d come to know Spencer pretty well, and you didn’t feel much apprehension at the thought of sharing a room with him for one night. 

That is, until you opened the door. 

“Oh,” you said involuntarily.  

"There's only one bed,” Spencer said. 

“Sure looks that way.” 

"At least it's a queen?" 

There was a brief pause before you both started speaking at the same time. 

"Maybe we can go back to the concierge–" Spencer began. 

"I mean, I guess I don't really–" 

"–although, JJ did say we got the last–" 

"–mind as long as you–" 

You cut yourself off this time. It’s not like there was another good option, unless one of you wanted to sleep in the car. "This is fine?" it came out as a question rather than a statement. 

"I think so? I wouldn't want to– to make you uncomfortable or anything."

"This is fine," you repeated, more sure of yourself this time. “And you don’t make me uncomfortable.”  

It was only kind of a lie. You trusted Spencer with your life, of course. But he also made you nervous. He was sweet, kind, always seeming genuinely interested in anything you had to say. And of course, anyone could see that he was attractive. You were developing feelings for him, and in a job where your coworkers and your crush himself were all adept at reading people, it really wasn’t a good position for you to be in. You just hoped Spencer was as oblivious with women as Derek made him out to be. 

"We should get out of the doorway," Spencer suggested, and you realized you'd been standing in the threshold this whole time.

"Right."

The two of you walked in, Spencer closing and locking the door behind you. It was a modest room in a tiny town; your standard ugly-patterned, faded bedspread draped over the queen bed in the center, a window looking out into the parking lot, and a dresser that didn’t even have a TV on top of it. You headed straight for the bed, sitting on the edge and removing your shoes while Spencer stood by with his hands in his pockets.

"You know, if it's a problem I can sleep on the cou– uh, the chair," Spencer offered, looking back mid-sentence and realizing that the only additional furniture this motel offered was one rigid looking armchair by the window. 

"No, you're not doing that."

"What?" he asked, taken aback by the quickness of your response.

"You're not sleeping in that chair. It looks horribly uncomfortable and I’m sure it’s never been cleaned, and I know how you’d feel about that.” 

Spencer grimaced, not having thought about that particular detail. “Yeah, but, I mean… I’d do it for you.” 

God, why did he have to say stuff like that? Like you were something special. And why now, when you were stuck in the same room with him until morning? It probably didn’t even mean the same thing to him as it meant to you. He was one of the most caring people you’d ever met. He’d probably say that to any one of you on the team. 

Or maybe sleeping in a chair meant nothing to him at all. Maybe he actually didn’t want to share the bed with you and that’s why he was trying so hard to avoid it. 

Ugh. You just wanted this day to be over. It was late, the case had been a week long, and now you were probably in for a fun night of overthinking and second guessing when you’d been expecting silence and easy, dreamless sleep. 

Okay, maybe that last part was never really an option, but still. 

“Look,” you sighed, “I know this isn't an ideal situation but there's a perfectly good bed here, so let’s just share it. If you’re okay with that. It's just one night and tomorrow we'll be back home and nobody has to know about it."

You had to fight from squeezing your eyes shut in regret. You wished that had come out differently. You chanced a look at Spencer, realizing that you’d been staring down at the faded carpet pattern while you spoke. 

The look on his face was one you hadn’t seen before, and you almost couldn't place it. He seemed sort of disappointed. Disappointed that he had to share a bed with you? Or that you'd made it sound like you didn't want to share a bed with him? Nope, you could not go down that road tonight. You shook your head once as if it would clear the thoughts from your tired mind. 

“I’m okay with that," he said, casually enough that you could almost convince yourself that you’d just imagined the look on his face before. "So, do you want the shower first, or...?" Spencer asked.

"No, I can wait, you go ahead," you said. You desperately needed the moment to yourself anyway.  

You started rifling through your bag for pajamas, toiletries, and your charger as an excuse to look busy while Spencer made his way into the bathroom with his things. As soon as the door closed behind him, you flopped back on the bed, staring up at the ceiling as if it might hold all the answers. 

Spencer couldn't know about your feelings. For one thing, you were pretty sure there was a rule against dating your colleagues in the BAU. If not, there probably should be. You were such a close knit team, and if anything went wrong… you couldn’t imagine how difficult that would be. But then, the evil and uncooperative part of you also couldn’t help but think that things might go right. 

From the beginning of your time at the BAU, you’d been drawn to Spencer. It just kind of made sense. You’d gotten through school at an accelerated pace– though not as quickly as him, the man was on another fucking level when it came to academics– and you were one of the only people who found his fact dropping actually interesting, often asking him follow up questions. He’d looked adorably shocked the first few times you’d done that. 

He listened intently to your passionate rants about your favorite films and tv shows, even though he hadn’t seen any of them. When the two of you had discovered a shared interest in mythology and folklore, Hotch nearly had to separate you so you would actually get some work done. It was like you were a kid in school again, and you might’ve been embarrassed if you didn’t find it so funny, if you weren’t so giddy at the idea of a friendship that could make you feel like a kid again. 

Spencer understood you in a way that other people didn’t, laughing at your jokes even when they didn’t land for anybody else. When people interrupted or spoke over you, he always paid attention, and in situations where you were trying to add details to the profile he’d bring the conversation back around to you. 

Throughout your life you’d learned– through painstaking trial and error– to fit in pretty well in most any group you found yourself in, but you’d always considered yourself to be a little weird. A little too different. But when you were with Spencer, you felt like you didn’t have to try so hard. You could both be a little different, together. 

Spencer opened the bathroom door then, startling you. You’d been so lost in thought you hadn’t even noticed the water turn off. You looked over to see him wearing a loose white t-shirt and pajama pants, his hair still damp. And now you knew what Spencer looked like fresh out of a shower. And of course it was endearing as hell. 

“If that’s how you’re planning to sleep,” Spencer began, referencing how you were laid out in the dead center of the bed, your arms fully outstretched and hands hanging off the mattress, “then I think we might have a slight problem after all.”  

You walked out of the bathroom a short while later, dressed in your usual sleepwear of shorts and an oversized shirt. You’d put your hair up in a bun to protect it while you showered, and now it hung loose around your shoulders. You simultaneously wished your outfit was cuter and uglier; knowing your giant t-shirt wasn’t flattering your figure while also feeling like you had too much skin exposed. Not that it mattered. You were just going to get some sleep and then wake up in the morning and head home. Everything would be back to normal. 

Spencer’s in bed already. He’d turned off the big light while you were showering, the lamps on either side of the bed casting him in a softer, warmer glow. He looked up from his book to find you standing there, and the soft, familiar look in his big brown eyes had you rooted to the spot. 

“Hey,” he said softly, patting the space next to him in invitation. 

You conceded, finding your legs again and sliding into bed beside him. “Hey.” 

He fidgeted with the pages of his book, ultimately shutting it closed on his index finger to mark the page. “So, uh, are we okay?” 

“Yeah, of course,” you answered genuinely, feeling bad that your internal struggle had manifested in a way that worried him. 

“Okay, cool,” he said. He paused long enough to let you explain if you wanted to, another invitation. You knew he wouldn’t push it if you didn’t offer something up. You wanted to give him an explanation, but you couldn’t bring yourself to. 

“Sorry,” you managed. 

“For what?” 

“I don’t know… acting weird, I guess. It’s just been a long day.” 

“Oh, well, you don’t need to be sorry about that. You’re always weird.” 

Your mouth dropped open as you looked at him. “Look who’s fucking talking,” you scoffed. Some of the tension dropped from your shoulders, glad he hadn’t questioned you further. 

“Language, please,” he held up a hand to stop you. “I’m delicate.” 

“Wha–?” you let out a surprised little laugh. “You’re an idiot!” 

“Yeah okay, tell that to my I–.” 

“Oh, my IQ of 187,” you finished for him, rolling your eyes. Even that was full of endearment. “God, you are so annoying.” 

“Hm. Y’know, this might be a long night for you. I’d hate to keep you up with my annoyingness.” 

“I feel like you could’ve come up with a better word than annoyingness, Mr. 187,” you tilted your head where it rested against the headboard, looking up at him. 

“Oh, she’s being a smartass now!” he split into a surprised grin, and you could swear your heart skipped a beat. 

“You just said ass.” 

“Wow. How quickly you’ve corrupted me.” 

“Right, of course. It’s my fault.” 

“I knew you’d agree.” 

“Shut the fuck up,” you laughed. 

Things felt a little bit more normal after that, joking around with Spencer like you normally did made the rest of the night feel less daunting. 

Shortly after that, the two of you agreed that you should get some sleep, each reaching over to turn out the light on your respective sides of the bed. 

You let yourself sink into your pillow, the exhaustion you had been feeling giving way to a hyper awareness of Reid’s body next to you. You were kept awake, completely overcome by the foot of space between you and Spencer; the consequences of crossing that space, the way it might feel, the curiosity over whether he was laying awake too, thinking the same thoughts as you. Even with that foot of space separating you, you could feel his body heat. You longed to move closer to him, to touch him, to let his warmth seep into you and lull you to sleep. 

But you didn’t, and you wouldn’t, because this was just an unfortunate booking mishap. It didn’t mean anything. Tomorrow it would be over, and you could more easily go back to hiding your feelings from everyone else and yourself. 

Eventually, exhaustion won out. 

You woke what could’ve been a few minutes or a few hours later, the sky still dark. You couldn’t tell what exactly had woken you up, only the sense that you’d moved, almost like you’d fallen. But fallen from what? 

You blinked in the dark, the street lamps in the parking lot providing enough residual light to keep the room from being pitch black. 

Reid was sitting up. He must’ve bolted upright, you thought. Had that been what moved you? Were you lying on him?! 

“Hey, you okay?” 

“Sorry. Just a nightmare,” he said as if it was nothing. “Sorry to wake you.” 

“What was it about?” you ignored his apologies, sitting up as well. 

“I don't really even remember,” he breathed, almost like it was funny. “Just having a physiological reaction to whatever it was, I guess.” 

You had nightmares too, of course. You all did. You hated remembering them, but you also hated the times when you woke up in the dark, dazed and inexplicably scared. Without thinking, you reached for his hand. 

He turned to look at you then. “I really didn't mean to wake you,” he reiterated. 

“I figured,” you smiled slightly. You noticed his breathing was just a bit too fast. You rubbed your thumb over the back of his hand, leaning over to rest your weight against his side, your head on his shoulder. His nervous system would regulate itself quicker this way. 

“You were on my pillow, by the way.” 

“What?” you ask, your head jerking back from him. 

“I totally called it. You rolled right into the center of the bed in your sleep. Total bed hog.” 

“Hey!” you protested, pulling your hand back from his in embarrassment. So you had been lying on top of him. Or at least really close to him. His hand chased after yours, finding you again. 

“That wasn’t me complaining about it.” 

“Oh,” was all you could think to say back. 

It was quiet for a minute. You let your head fall back onto Spencer’s shoulder, but your heart raced in your chest. 

“Can I ask you something?” he questioned, his tone becoming more serious. 

“Oh– of course,” you answered, your brow creasing. 

“What did you mean when you said ‘it’s not ideal’ and ‘nobody has to know about it’?” 

“Wh– I– Spencer, come on.” 

He didn’t give you an out this time. Just waited for an answer. 

“I don’t even really know,” you sighed.  

“I believe you’re being partially truthful about that.” 

“Don’t profile me.” 

“I’m not. I just know you.” 

You sighed. “You know, sometimes I hate that stupid memory of yours.” 

“I don’t need an eidetic memory to remember that. It was a weird thing to say, and it happened like four hours ago.” 

“You’re guesstimating. And it wasn’t that weird.” 

“Maybe not, but the way you said it was. And you’re avoiding my question.” 

You continued to avoid it, biting down on your bottom lip. 

“And you stuttered when I brought it up.” 

“I told you to stop profiling me.” 

This time, he just hummed in response. 

“And so what if I stuttered?” 

“Stuttering is usually more my thing. A nervousness thing.” 

Maybe this was actually your nightmare. Maybe you’d wake up soon and none of this would’ve been real, and you wouldn’t have had to explain to Spencer that the reason you’d had an attitude was because the situation tonight had made it harder to hide your feelings from him. Big feelings that became a lot harder to ignore when he was this close to you, still holding your hand, the mix of scents from his detergent and deodorant clouding your judgment. Of all the embarrassing scenarios that you could’ve imagined playing out tonight, this was very high up on the list. 

“I said ‘it’s not ideal’ because it’s not, just by definition. We were supposed to get a double room and we didn’t. Not ideal. And I said no one has to find out because I can already see Morgan having a field day with it and I know the exact expression that’ll be on his face–” 

“The eyebrows,” he nodded, lips pursed. 

“And then everyone else will get in on it and I just figured…” you sighed. “I don’t know. I didn’t want to deal with that.” 

“That all makes total sense.” 

“Good,” you breathed. Too relieved. 

“Now tell me the rest of it.” 

“God, Spencer–” you huffed out, frustrated. He knew you too well. 

You wanted to run. Maybe you could go sleep in the car after all. And then ignore Spencer for the rest of the day, and then the year, and your life, and– 

“Don’t make me say it,” you breathed. This had to be a dream. 

“But there is something to be said?” he questioned, his tone hushed, almost reverent. 

It was just vague enough. You could pretend it was nothing. 

“Yes.” 

You felt like you’d just blown your life up with one word. 

Spencer took a deep breath, your body cresting and falling with the movement of it. 

“You make me feel better about being myself,” he confessed.  

You shut your eyes. You had a constricting feeling in your throat suddenly, and the awful realization that you might cry. 

He spoke again, because you couldn’t. “I haven’t always felt good about it, you know? And then you joined the team, and, well– you changed a lot of things for me. And you’re beautiful, obviously, and I was scared to mess up what we have, because it’s special, I think–” 

“It is.” 

“–and then you started freaking out when you saw the bed,” he was smiling now, you could hear it, “and I thought, maybe it wouldn’t be so crazy… maybe I could make you feel that way too.” 

“You do. Of course you do. I feel like I can be my full self with you. I don’t know that I’ve ever felt like that before.” 

Spencer laughed, a little delirious giggle, and squeezed your hand in his. You’d managed to avoid crying, thankfully, and you grinned along with him, looking down at your joined hands as you squeezed him back. 

Things seemed to still for a beat, the two of you sitting with this moment and letting it stretch out. You still couldn’t really believe this was happening. You might have to tell Spencer to pinch you. 

“So what does that mean for us now?” you asked. 

“Well, for right now at least, I think it just means that we can go back to sleep without overthinking things into oblivion.” 

“I was not–”

“Okay, this time I am profiling you, and you’re lying,” he cut you off, his smile still evident.  

“Oh, this was such a mistake.”

He continued like you hadn’t spoken, laughing a little as he went. “I could practically hear it. It’s like, you know when a computer is trying to use too much processing power and the fan starts whirring really loud? Like that but just like right next to me, like tangible—“  

“Okay! Thank you so much, I actually totally got it, you can stop now.” 

He laughed, and your cheeks warmed. 

“For the record, I meant we could both stop overthinking.” Then he shifted a little, facing you a bit more. With the hand that wasn’t holding yours, he brushed a strand of hair from your face, a fake pout on his lips. “Sorry I make you nervous.” 

You cackled at that, if it was possible to cackle in hushed tones. “Oh, I bet you are. Besides, I know you like me now, so you’ve lost that card.” 

“Are you certain of that?” 

“Certain that you like me or certain that you can’t make me nervous?” 

“The latter. I do like you, if that was unclear.” 

Your heart sped up, contradicting you as you answered, “Then I’m certain you can’t make me nervous.” 

He titled your face up to his then, using his index finger underneath your chin to make you look at him. “You’re an awful liar.” 

You just shrugged, watching triumphantly as Spencer’s gaze fell to your lips. “It’s been working out pretty well for me so far.” 

“I guess it has,” he murmured, closing the distance between you and finally kissing you. 

After so many months of imagining (and berating yourself for imagining) what Spencer’s lips might feel like on yours, you weren’t disappointed. 

For once you didn’t have to think at all, the chemistry between you and him drowning out everything else. His hand fell to your waist, and yours moved to the curve of his jaw, pulling him closer as his mouth moved against yours. Your teeth grazed his bottom lip and he gasped, and your skin felt like it was lit up from the inside. 

You pulled away to breathe, and to process, and to try and stop your head from swimming. You were rewarded with the awestruck look in Spencer’s eyes as he opened them again. 

“Okay, was it just me, or–” 

“That was crazy,” you breathed.

“Crazy,” he agreed. 

“Spence?” 

“Yeah?” 

“I don’t think we’re getting back to sleep tonight.” Your eyes widened at the implication of saying those words at that time. “Not, like, in the sex way, though,” you hurried to correct yourself. “I need like, 4-5 business days to process things first, and I– well, I just meant, like– you know?” 

Spencer was nodding at you even as his eyebrows pulled together in a frown. “Can I still kiss you during those 4-5 business days?” 

“Oh, yeah,” you said, sounding breathless. 

“Cool,” he agreed. “You seem really nervous, by the way.” 

“Well, you kissed me.” 

“I did.”  

“How were you not nervous?” you breathed. 

“Oh, I was. Your reaction is making me feel a whole lot better about it though.” 

You scoffed half-heartedly. “I do so much for you.” 

“You do,” he replied earnestly, letting go of your hand to wrap his arm around your shoulders as he pressed a kiss to your forehead. “We could lie back down, if you want. Like we were before I so rudely woke you up.” 

“Yeah, I’m super mad about that,” you joked. “Anyway, I was asleep for that, so you’ll have to show me what I was doing.” 

He seemed all too pleased to do so. “Okay, so you were basically like,” he leaned back against the pillows, pulling you down with him, moving his hand to the side of your head to guide you to the place where his shoulder met his chest, “Like that, and then your arm was over here,” he picked up your arm and guided it around his waist. 

“Oh god, that’s so embarrassing,” you said, realizing that he must’ve been awake when you’d done it. 

“Yeah, I know. Really terrible time for me.” 

“I can imagine. I can scoot back over to my side of the bed, just say the word.” 

“Don’t you dare,” he said, squeezing you closer. 

You trailed your fingers up and down his waist, feeling more content than you had in ages. 

“I can’t believe you’d suggest that I would have sex with you right after confessing my feelings. Like, take me to dinner first at least.” 

“Oh my god,” you half-exclaimed, half-laughed. You felt your cheeks heat up again, grateful it was still too dark in the room to be noticeable. “You’re right, I’m so sorry. How’s next Friday?” 

“Hmm, I don’t know. My work schedule is kind of unpredictable. I’ll have to get back to you.” 

“You’re such an ass.” 

A few short hours later, you were back on the jet with the rest of the team. You were lying on the couch while Spencer sat in a seat one row up and across from you, both to avoid suspicion and so you could try to catch up on sleep. He sat facing away from you, but with the angle you were at you could still see one side of his face if you tilted your head up. 

You were just beginning to fade when your phone buzzed next to you. 

Spencer: I have to tell you something, coworker to coworker. 

You looked up to see him blank faced, looking down at the book in his right hand, holding his phone in the left. 

You text back: okay? 

Spencer: My crush asked me out last night. 

You’re exceptionally glad no one was sitting close enough to see you. Spencer had caught you off guard, and you felt an infatuated grin spreading across your face. 

You: what did u say? 

Spencer: Wanted to get your opinion first. 

You: i think u should say yes, obviously. 

Spencer: Idk, I’m kinda nervous. I think she’s trying to jump me on the first date.

You just barely managed to refrain from laughing out loud. You looked up at Spencer again, and he’s looking at his phone as if it contained nothing more than a weather report. You’re astounded. 

You: one could argue that technically you’ve already slept together, so there’s less to be nervous abt

You saw his eyebrows raise just slightly. Success. 

Spencer: You’re trouble, you know that? See you Friday night

You: i promise i won’t try to jump you 

Spencer: Oh

Spencer: I fear I may have shot myself in the foot here

You: i wouldn’t worry about it too much

Spencer: That’s rich coming from you 

You rolled your eyes even though he couldn't see you. 

You: whatever. wear something sexy ;) 

You heard him blow air out of his nose, an almost laugh. 

“Something funny?” you heard Derek ask. 

Shit. 

“This book contains a historical inaccuracy that was proven incorrect eight years before its publishing date,” Spencer replied without missing a beat. 

Unbelievable.

You: you’re unhinged :*

Spencer: Go to sleep already, would you? 

You: coworker to coworker? my crush keeps interrupting my beauty sleep 

Spencer: He’s probably worried about the worldwide implications of you becoming any more beautiful 

You: i guess that’s why the universe gave you insomnia :( too pretty 

Spencer: Stop flirting with me

You: bc you’re too delicate?? 

Spencer: Yes 

You snapped your phone shut, feeling dazed. You watched the clouds go by in the window across from you, and you couldn’t help letting your gaze slide over to Spencer. He’d put his phone down as well, concentrating on his book. Or pretending to concentrate. He was turning the pages much too slowly for his actual pace. 

You: you have got to do a better job of fake reading than that

You heard a page turn. 

You looked up again to see the ghost of a smile threatening the corner of his mouth. 

This was going to be fun. And also, you were so screwed. 

[ms-demeanor]

Hello,Do you have any tips for recovering from internet brain rot? It's like my patience has dried up and if there's a huge amount of text (even about topics I'm very interested in) that I have to read, I get annoyed and just don't interact with the material at all.

I have multiple tips!

TL;DR (Because of course I generated a wall of text): Take a break from the internet, create a schedule for getting yourself used to reading longer texts, take breaks while reading, and perhaps reconsider how you interact with The Internet and the world in general.

Here are the basic "to reduce the brain rot just don't interact" tips:

Take a break. Give yourself time off from The Internet (for these purposes The Internet is the social media industrial complex; clickbait news, recommended videos, social media sites, etc. You don't have to totally check out of email or your local news site, just get away from the huge time sucks). I'd say to take at least one day a week where you're online for less than an hour a day, and to maybe work up to doing a week-long break from whatever the main agents of rot are.

Once you've identified the main agents of rot, give yourself a time limit or set up rules for yourself. I don't let myself look at social media in bed, for instance; no staying up late on my phone, no scrolling before I get up and start my day. I don't give myself a strict time limit anymore, but for a while there I was very firm about "you only get to go online 4 hours a day" with myself.

Don't comment (or at least only share the things you really want to share). If you feel the need to argue, or if you feel pressured into sharing something, don't. Step back, maybe even open the post in a new tab or send it to yourself, and come back later. If you've been thinking about it and have decided it IS something you care enough to talk about, share it. If you look at the tab and feel stressed out or still feel reactive, close the tab and walk away.

Go out and interact with the real world in a non-work capacity for a few hours a week; take walks or go shopping or go out and take pictures of insects. Touch grass so that The Internet is not the only thing you're doing with your downtime.

Here are the "work on reading longer texts specifically" tips:

Set a reading goal for yourself. Maybe you want to read one New Yorker article a week, maybe you want to read all the way through news articles, maybe you want to read novels like you used to in high school. Figure out what your actual goal is and articulate that goal to yourself.

Set up a practice schedule and gradually increase the amount of time you're reading. Don't go from short tumblr posts to a novella, go from short tumblr posts to slightly longer news articles, then to slightly longer essays, then to a novella. You can do this in literal paragraphs if you want to - maybe your goal for your first day is to read five paragraphs in a row, and the second day is seven, and the third day is ten, etc, until you are comfortably reading for longer amounts of time without counting paragraphs. (Try this with books from gutenberg.org; read a classic you haven't read a few paragraphs at a time and if you find yourself going over your paragraph count, let yourself run with it. If you finish a book, good for you, find another one and start again.)

Set up a maintenance schedule. If your goal is to read longer news pieces, try to read a longer piece every week and try to read to the end of every news article you open. If your goal is to read novels or longer nonfiction, try to read a book a month (maybe setting aside dedicated time each week to read, maybe Thursday evenings are book time now). If you find yourself falling back into old habits, take a break from The Internet and do some more rigorous practice for a while.

If you find yourself getting frustrated while you are reading you can also take a break! Read until you get frustrated and then *instead of switching to a different page or closing the article* close your eyes or look out the window or away from the screen for thirty seconds (count 'em! count out the time in your head) and then continue reading. You can also take a longer pause and sit and think about why you're getting frustrated. Is it the subject matter? Is it just looking at this text for longer than a couple minutes (if you are experiencing FOMO because you're reading for another few minutes instead of scrolling, the harder tips at the bottom are going to be important to you)? Are you comfortable? Are you reading this text to procrastinate from something and the procrastination is making you nervous? Are you trying to read to the bottom of your dash and reading a long post is taking up more time than you want while scrolling? Are you bored? Genuinely and very seriously: are your eyes straining and does your head hurt (if this is the case when is the last time you had your eyes checked or your glasses prescription updated)?

Here are the much harder "examine yourself and reassess your reactions to things" tips:

Work on re-training your attention span.

Identify something that you enjoy and find deeply engaging, and schedule some dedicated time for that thing. Set a literal timer (it can be a short amount of time at first) and sit down and do the thing without switching to a different website or opening up an app on your phone. This can be re-reading or watching a couple episodes of a show you like or listening to your favorite album while you sit down and draw. What's important is to spend a longer time focusing on doing something you DO like before attempting to spend a longer time focusing on something you DON'T like.

When you're starting on things you DON'T like, start with things you mildly don't like, or that feel tedious but aren't actually unpleasant. One way I do this is by transcribing poetry; I look up poems that I connect to and I transcribe them into a notebook that I have for that purpose. I enjoy having the finished product, but I don't enjoy the process, so it takes some effort to stick with it. Maybe there is a boring book you have been trying to get through, maybe you need to detail your car, maybe you've been trying to take up embroidery - these are good things to make yourself pay attention to (having music or a podcast on can help, but avoid watching videos or opening social apps)

When you're okay at that kind of thing (doing something not actively unpleasant) work on your attention span for things you ACTIVELY don't like. I don't think you should be a masochist about this, but you should work on being okay with doing unpleasant things for a sustained period of time. All of us have to do unpleasant stuff sometimes, and it's better to be able to pay attention to it for an hour at a time than it is to put it off forever.

This leads into the next Big Tip which is:

Work on being less reactive

Find something that you dislike; I'm going to use conservative talk radio as my example.

Expose yourself to the disliked thing for short periods of time (under ten minutes, maybe under five minutes).

Work on moderating your emotions during the time spent exposed to the disliked thing. If it makes you angry, work on intellectualizing the anger without becoming agitated by it. If it makes you sad, work on accepting that sadness without letting it drag down your mood. This isn't precisely about becoming numb to stimuli, but it is about being more in control of how your emotional reactions impact you.

Analyze the disliked thing. Why does it make you angry? Is that on purpose by the creator of the thing? Would it make someone else angry in the same way? How would you explain the anger to a neutral third party?

Consider responding instead of reacting. Let's say you're seeing a lot of very sad and upsetting things online and it's making you sad and upsetting you. You re-share these things because you don't feel like there's anything else you can do or you get angry when you see people sharing incorrect information, perhaps you argue with people about this. Now try looking at the upsetting things through the lens of point number four. This has upset you; how has it upset you? And once you've thought about how it upset you and have articulated that to yourself, find out what you can DO. I cannot make conservative talk radio go off the air, but I can support the groups harmed by conservative talk radio; thus there is no point in me getting upset and angry about conservative talk radio when I could be helping the people they target instead.

And that gets us to the last big tip which is:

Ask yourself if you are spending your time in a way that is enjoyable and edifying.

We all have limited time in our days and limited time in our lives. If you are finding yourself frequently frustrated online, it's a good time to consider whether you want to be spending so much time online.

If you feel like The Internet has become a rat race in which you can't read more than a few paragraphs without getting frustrated, there's a good chance that not only are you spending too much time on The Internet, but you're also spending it on doing things that you don't particularly like.

A realization like yours, Anon, that you are getting frustrated with any longer texts, can actually be really helpful because it provides a good opportunity to look at what you're engaging with and consider the questions:

Is this something I enjoy?

Do I feel good when I do this thing?

And that's a great way to figure out how to get rid of things that are leading to your background frustration. Maybe that looks like paring down the list of blogs you follow, maybe that looks like unsubscribing from some youtubers and podcasts, maybe that looks like uninstalling apps, maybe that looks like blocking a whole bunch of people and terms on your socials.

I don't think that everything we do has to help us grow as a person or expand our consciousness or anything like that, but I do think it's important to prioritize doing things that you like and doing things that you feel good about.

Like, I'm not doing something *wrong* if I spend an afternoon on Youtube watching drama channels every once in a while, but if I come out of a few afternoons of watching youtube drama channels feeling restless and anxious and like I wasted my time - even if I enjoyed myself while I was watching - it's probably a good idea for me to take a break from drama channels and see if there's something I can do instead that will make me feel better.

ALSO, A NOTE:

You are an animal that requires significant enrichment in your enclosure.

Think about tigers. Tigers in captivity are going to be excited to get high-value treats for any reason. They will eat and enjoy the treats. But if a tiger in captivity is only given the treats and never given any other form of activity to engage with, it is not going to be a happy tiger. If you start putting their treats in a pumpkin or a puzzle feeder or giving them toys to play with, that is going to be a much happier tiger.

Please give your brain things to play with that are more than just treats (though it does need some treats!). Make yourself a happy tiger. Your brain need a puzzle feeder, not a treat button.

[solarmorrigan]

I'm late, I'm sorry, but here's the full fic from this WIP post yesterday!

[CW: bullying, references to canon racism and violence, mentions of recreational drug use]

-

Steve makes it to the bathroom down the hall from the shop classroom—the one that’s far from the cafeteria and always empty during lunch, where people really only come to smoke, anyway—before he completely loses his shit.

“Son of a bitch!” He’s almost screaming as he hauls off and punches the wall of one of the bathroom stalls, putting every ounce of anger and frustration and humiliation into it, hitting it so hard that the whole construction rattles.

“Motherfucker,” he hisses, shaking his hand out, because it had hurt, and then he winds up to do it again, to make it hurt more, because at least he’s in control of that much, at least it’s anything but what he’s feeling right now.

“That’s a good way to break your hand, y’know,” a voice comes from the doorway, startling Steve into pivoting and aiming his fist at whoever is coming after him now.

He stops short when he sees nobody but Eddie goddamn Munson standing there, cringing into a startled flinch to protect his head as Steve nearly swings at him.

“Jesus shit,” Steve barks, dropping his fist and stepping back, shaky with adrenaline. “You walk like a fucking ghost, Munson.”

Munson peeks out of his defensive crouch before straightening up and sending a meaningful glance at the stall wall. “Somehow, I don’t think you would’ve heard me even if I was making all the noise in the world.”

Steve shrugs, his shoulders staying up near his ears in a defensive slouch. He can feel something dropping out of his hair and down the side of his face, and he feels the humiliation all over again as he tries to swipe it away.

“What do you want?” he asks, beyond caring if he sounds rude; he thinks he’s entitled, considering.

This time, Munson shrugs, a rolling, casual thing that belies the sharp look in his eyes. “Came to see if you were okay, I guess.”

Steve snorts. Is he okay?

Like, in the grand scheme of things, the answer is a really shaky “maybe.” But lately? It’s more of a resounding “no, not fucking really.”

Aside from everything else – aside from the nightmares, aside from the headaches, aside from the fact he’d had to drop basketball after his concussion, aside from having no real friends or allies at school now that he and Nancy aren’t together – aside from all that, there’s Billy fucking Hargrove.

Hargrove, who had taken all of a month to start pushing Steve’s buttons again. Who had taken less than a few days after that to realize that Steve wasn’t going to push back.

And then he’d started looking for the boundary line, pushing and pushing, shoulder-checking Steve in the hall, tripping him in the single class they share, knocking shit out of his hands, shoving him when his back is turned, all the while spitting names and insults, until it had culminated into today’s fiasco: dumping a carton of chocolate milk over the top of Steve’s head in the middle of the cafeteria with a deeply unconvincing “oops.”

It had gone dead silent, every eye in the room on Steve’s red face and Hargrove’s triumphant grin, while Steve had only been able to stand there, shaking with startled rage as milk had sluiced out of his hair and seeped into his collar and down the back of his shirt, knowing that he couldn’t retaliate.

He couldn’t.

He’d marched out of the cafeteria, shame and anger growing as voices had bloomed up behind him, already gossiping and speculating.

So, no, actually, he’s not really okay.

But instead of saying any of this to Munson, he just scoffs and turns away, looking towards the sinks.

“Wouldn’t have expected you to care,” he says, injecting as much lazy indifference into his voice as he can, trying to armor up the way he used to. “The number of speeches you’ve given about how much me and my group suck, I’d have figured you’d be the first to say I deserved it.”

Munson doesn’t say anything for a moment, and Steve doesn’t look back to see if the barb landed. He doesn’t really care, he just wants the guy to go away so Steve can finish his meltdown and clean up in peace.

“Not your group anymore, though,” Munson finally says.

Steve shrugs, pulling a wad of paper towels from the dispenser; might as well move on to cleanup if Munson isn’t going to fuck off. He guesses his little breakdown can wait until he gets home.

“Hasn’t been for over a year, now, right?” Munson goes on. Steve says nothing, using a dry paper towel to try to blot up the mess. “And whatever you were like then, you’re… less like that now. Like, anyone paying attention can see you’re kinda trying something new this year.”

Steve ignores the way that makes something catch in his throat. “Thanks for the endorsement,” he drawls. “I’ll put it on my college apps: Not as much of an asshole as I used to be.”

“It’s a start,” Munson says, and Steve glances up in time to see him shrug in the mirror.

“I guess,” Steve mutters.

“And, uh – hey, I grabbed your stuff,” Munson says, holding up the binder and notebooks that Steve’s attention had glossed over until now. “Some of it’s kinda… milky, sorry.”

Steve blinks. “Uh. Thank you,” he says, stunned for a moment into sincerity.

Munson shrugs again, putting Steve’s stuff up on the narrow shelf on the wall that no one ever uses to hold things because it’s probably never been cleaned. Not like Steve’s stuff is clean now, anyway.

Steve turns back to the sink, wetting a few of the paper towels and waiting to see if Munson is going to leave now.

“What I can’t figure out–” nope, apparently he’s staying, “–is why you’re in here punching the wall, instead of out there, punching Hargrove.”

At least that makes more sense; he’s here out of curiosity, not concern.

“I mean, most people would’ve hit him for that,” Munson goes on. “I would’ve.”

But Steve’s already shaking his head before Munson’s finished speaking. “Not worth it,” he says firmly.

“What, afraid of a little suspension?” Munson asks, almost teasing. “Pretty sure the school would let their golden boy off with a slap on the wrist.”

“Not anybody’s golden boy anymore,” Steve snaps, scrubbing a wet paper towel through his hair in a vain attempt to get some of the rapidly-drying milk out. “I dropped basketball, remember? Didn’t even go in for swimming this year.”

“Oh, yeah,” Munson says, like he’d genuinely forgotten. “Sorry, not really into the whole… sports scene. Like, at all.”

Steve shrugs. “Whatever. Not important. I don’t give a shit about being suspended. I don’t even care if he hits me back. Not like I need another knock to the head at this point, but – whatever.” Steve shakes his head. “It’s just that he could– there are other things he could do.”

In the mirror, Munson’s eyebrows go up. “What, does he have blackmail on you or some shit?”

Steve raises his brows right back. “If he did, do you really think I’d tell you?”

Munson tips his head to the side. “Yeah, okay, fair enough.”

“Anyway, he doesn’t have blackmail, he has… leverage, I guess.” Steve lets out a harsh sigh and gives up on his hair for now, wetting a paper towel to try to get some of the milk off his face and neck, instead.

“…are you allowed to tell me what that is?” Munson asks after a moment.

And for a moment, Steve thinks about it. The only people in school who really know are Nancy and Jonathan, and he’s asked them to follow his lead in just – not talking about it. He hasn’t told anybody any version of what happened in the Byers’ house, or why Billy seems to have made him his personal stress ball. But who the hell would Munson tell? All his nerdy friends in his game club?

(No, no, that’s not fair. Steve doesn’t even know those people, and he’s trying not to be that guy anymore. He doesn’t have to be nice, but he shouldn’t be unkind.)

(The point stands, though – who would Munson even tell?)

“Do you know why Hargrove beat my face in back in November?” Steve finally asks, avoiding Munson’s eyes in the mirror by focusing very hard on getting the tacky milk off his hairline.

“Well, I’ve heard most of the rumors by now, I think. Heard Hargrove’s version of events, as has pretty much everyone, I’m sure. Haven’t heard yours, though,” Munson says, his voice tilting up in interest. “I just figured it was because he hated you.”

Steve lets out a humorless laugh. “Yeah, well, you’re not wrong. But also…” He pauses for a moment, collecting his thoughts. “There are these kids I babysit. Sort of.”

“Sort of?” Munson presses.

“Well, most of the time it feels like they’re just ordering me around like a bunch of entitled shitheads. But I make sure they get where they’re going without, like, disappearing, and that they don’t have so much unsupervised time that they manage to get themselves killed,” Steve admits.

“Uh huh,” Munson says; he sounds… a little confused, but not disbelieving. “And you ended up with this gig, how?”

“It’s Nancy’s little brother, and his little nerd friends,” Steve says (he’s allowed to call them nerds because he knows them, and it’s true. And besides, it’s affectionate).

“Aaand you’re still doing it now? Even though you and Wheeler aren’t…”

Steve shrugs. “They grew on me. But that’s– that’s not the point. One of the kids is, uh. Hargrove’s stepsister. And the night me and Hargrove got into it, I guess she wasn’t supposed to be out.”

“Ah,” Munson says.

“Yeah.” Steve sighs, giving up on the milk as a bad job; he probably should’ve run off to the gym showers instead of a shitty bathroom. He turns and leans back against the sink, crossing his arms over his chest and staring at the floor near Munson’s scuffed sneakers. “So he came looking for her.”

“So… Not that I’m advocating handing over children to pieces of shit like him, but – like, wouldn’t it have been the technically correct thing to do, to send her home with what is legally a family member?” Munson asks.

Steve passes a hand over his face. “She was terrified,” he says quietly, feeling a little like he’s betraying Max’s trust by saying it out loud, by saying it to a stranger. “She was terrified of what he would do if he found her there, where she wasn’t supposed to be. Terrified of what he would do to one of the other kids if he caught them together, since he’d specifically warned her to stay away from him.”

“What’s wrong with this other kid?” Munson asks, brows furrowed.

“Nothing,” Steve bites out. “He’s smart, and he’s brave, and he’s, like, slightly less of an asshole than some of the others, but what Hargrove cared about is that he’s black.”

“You’re fucking kidding me,” Munson snaps, and Steve’s hackles raise, ready to defend his kid all over again if he has to, but before he can get anything else out, Munson goes on. “We already knew he was a racist piece of shit, but – a fucking kid?”

Steve subsides. “Yeah. A fucking kid. So I told them all to stay inside and I went out to try to head him off. Or at least keep him out of the house. Which, obviously, I failed at.” He lets out a derisive little laugh, aimed solely at himself. “He knocked me on my ass, knocked the wind out of me, got past me– and by the time I was able to get up, he was already– he was inside, and he had that kid by the collar, up against the wall– one of my fucking kids–” Steve breaks off, the same rage and terror from that night choking up in his throat again. After the day he’s had, his emotions are all too close to the surface, too near to bubbling out, and he rubs at his nose, trying to stave off the angry, exhausted tears he can feel pricking at the corners of his eyes. “So I decked him.”

“Good!” Munson exclaims, and for a moment Steve actually manages a real smile.

“Yeah,” he says. “Then he hit me back, which, like, obviously. I was expecting him to, but– I mean, I might’ve actually won that fight if the fucker hadn’t hit me in the head with a plate.”

The expression that crosses Munson’s face is almost comically shocked. “What?”

“Yeah,” Steve says again, running a hand over his jaw, thumbing almost unconsciously at the still-fading scar where the porcelain had sliced him open. “I’m a little fuzzy on shit after that. Like, I remember being on the floor, and him kneeling over me, and hitting me, and hitting me, and then– I dunno, nothing.”

Distantly, Steve realizes that the expression on Munson’s face has turned from ‘comically shocked’ to ‘mildly horrified,’ but he’s a little too lost in the blurry memory of that night to do much about it.

“Holy shit, how are you not dead?” Munson blurts out.

He looks like he immediately regrets asking, but Steve finds he’s actually grateful for the question. He’s glad to move the conversation along.

“Max.” He smirks over at Eddie. “Hargrove’s stepsister. I guess she, uh– threatened him with a baseball bat? Saved my ass.”

That’s a deep over-simplification, but Steve can’t think of a way to explain the presence of heavy sedatives in the Byers’ house, and, anyway, she had threatened him with a baseball bat. The kids had all taken great joy in reenacting the way Max had nearly neutered Hargrove with the nailbat, actually; it’s almost like Steve had been there (and conscious).

“Holy shit,” Munson says, and whichever part he’s referring to, Steve is inclined to agree.

“Yep. So I was out fucking cold at the time, but the kids all insist that she got him to agree to leave her and her friends alone, but…” Steve shakes his head. “Hargrove is a fucking psychopath. I don’t trust him to keep that promise. So, at least if he’s focused on me, he might leave her alone. But if I hit back…”

“You think he’ll retaliate by going after one of your kids,” Munson says, only a hint of teasing in his words at the end.

“I know he will,” Steve says; Hargrove had implied as much more than once. He crosses his arms back over his chest. “And they are my kids.”

Munson throws his hands up, as if in surrender, but he’s definitely smiling now.

“I’m serious,” Steve insists, close to smiling himself. “They think I’m stuck with them, but they’re the ones stuck with me.”

“Lucky them,” Munson says, and– what?

“What?” Steve asks.

“Look, you’re either a better actor than, like, everyone in the drama club, or you at least seriously believe what you told me, which is more than I can say for Hargrove and whatever shit he came up with about the two of you getting into it over… what, his car was better than yours? He’s better at laundry ball? I don’t fucking remember, and it doesn’t really matter, because it was clearly and pathetically fabricated,” Munson says with an authoritative nod. “You, at the very least, really give a shit about those kids. So, yeah. Lucky them.”

“Well,” Steve scrambles for a moment, trying to cover the way he actually feels like he might start fucking blushing, “if I’d known all I had to do to change your mind about me was tell you about a fight I lost, I’d have done it ages ago.”

And now Munson’s back to smirking at him. “Seeking my esteem that badly, Harrington?”

“What? No. I mean – not– not specifically yours, it’s just… like, there’s not really an easy or fast way to make up for being kind of a dick for the last… while.” Steve runs his hand through his hair, stopping with a grimace when he remembers the drying milk. “You just have to keep not being a dick and hope people give you a chance. So, like, compared to that, convincing you was easy.”

“And all you had to do was get a severe concussion first,” Munson drawls.

Steve rolls his eyes. “I didn’t say it was severe.”

“You got hit with a plate,” Munson deadpans, and Steve can’t quite help the resulting flinch, at which Munson almost immediately softens. “Sorry.”

Steve shakes his head. “It’s fine.”

Mouth screwed to the side, Munson eyes Steve for a moment, glancing over his shirt and up to his face before gesturing at him. “You want some help with that?”

Steve blinks at him. “What?”

“Your whole… hair situation. You could bend ov– like, you could lean over the sink and I could, uh. Try to rinse it for you. Or whatever,” Munson offers, awkward but apparently sincere.

It sounds like a stupid as hell way to try to rinse his hair. The sinks are small, and not exactly high off the ground; Steve would have better luck just going to the locker room and showering it all out. His soap is there, too, and an extra shirt.

On the other hand, Steve really doesn’t feel like leaving the bathroom yet. He’s pretty sure lunch is going to end soon, and encountering everyone during passing period sounds like a nightmare. In here, with Munson, it’s quiet. It feels almost safe.

“Yeah, sure,” Steve finally says, and Munson looks nearly shocked that he’s accepted.

Credit to him, though: he doesn’t back out. He just slides his jacket off, tosses it up over the wall of one of the bathroom stalls, rolls up his sleeves, and gestures for Steve to lean over the sink.

“Hot or cold?” he asks, going for the taps.

“Hot,” Steve answers immediately; he doesn’t need any other cold liquid on his head today.

“Hm.”

“What?”

“Nothing,” Munson says airily, turning on the water. “You just kinda strike me as a cold shower guy. Like, up at dawn, go for a run, take a cold shower – all that weird jock shit.”

It isn’t intended to mock, Steve realizes as Munson tests the water temperature—the school pipes take forever to heat up—but to tease. It’s a joke, and Steve is invited in on it. And anyway, it’s… actually kind of close to the mark, so Steve doesn’t say anything at all for a moment as he puts his head as close to the faucet as he can get it and Munson places one cupped hand over the back of his neck and uses the other to scoop water over Steve’s hair.

“Cold water is better for your hair. Not that you’d know anything about that.” Steve finally says, hoping that his own teasing tone carries even with the way he has to raise his voice to be heard over the running water.

Luckily, Munson sounds amused when he answers. “Oh! Shots fucking fired. I see how it is!” Even as he’s pretending at being offended, his fingers stay gentle against Steve’s scalp as he tries to scrub out the dried mess, and Steve fights very, very hard not to shudder.

He can’t remember when the last time someone touched him with gentle intent was. Maybe he’d gotten a hug from Dustin last week?

Shit, that’s fucking pathetic.

He tries even harder not to lean into the touch, into the surprisingly kind hands on the back of his neck and on his scalp, tries hard not to act like some kind of touch-starved weirdo and make Munson regret offering to help.

The irony of the fact that Steve is trying not to act like a freak in front of Eddie Munson is not lost on him.

After another couple of minutes of Munson manipulating Steve’s head this way and that, doing his best to be thorough, he lets Steve go entirely and shuts the water off.

“That’s probably as good as I’m gonna be able to get it,” he says, pushing another handful of paper towels at Steve as he stands up.

“Better than I could’ve done here,” Steve says with a shrug, rubbing the paper towels over his hair and grimacing as he can feel it frizzing in about a hundred different directions.

When he finishes, he turns to look in the mirror, watching in real time as it droops over his forehead and tickles at his wet shirt collar. Munson stands next to him, watching without judgement, but with what feels like an inappropriate amount of fascination.

“Well, I’m not going to lie to you,” Munson says at last, “you look a little like a sad, wet dog.”

Steve’s eyes snap to Munson with a glare. “Gee, thanks.”

“Some people are into that!” Munson insists, holding his hands up placatingly. “That droopy aesthetic, with the big, brown puppy eyes. Someone might just wanna scoop you up and take you home to take care of you. It’s a thing.”

Do you want to? – the question comes immediately and unbidden to Steve’s head, and he quickly shakes it away. They might be on amiable terms right now, teasing each other a little, but he isn’t sure that wouldn’t be a bridge too far.

(He isn’t even sure it is teasing. For a moment, he’d had the genuine urge to ask.)

“Anyway, I think most of the mess is out of your hair, but I’m pretty sure your shirt is toast,” Munson goes on, gesturing to the brown stain around the collar, over one shoulder, and probably down the back.

If he’d been wearing a darker color today, it might’ve been alright, but of course today he’d chosen light blue. Steve sighs, plucking at the front of the shirt. If he can’t salvage it, he might as well ditch it; it’s getting uncomfortably stiff and tacky with the dried milk, and he’d honestly rather stick it out in his undershirt for as long as it takes him to get to the locker room than walk around with evidence of Hargrove’s little stunt all over him.

He untucks the shirt and yanks it over his head, no need to be careful of his hair, emerging from the depths of it to find Munson staring at him in a stunned sort of silence.

“What?” Steve asks. “If it’s wrecked, anyway, I might as well get rid of it. I’ve got a spare shirt in my gym locker I can go grab.”

Munson blinks at him, almost like he’s trying to clear his head. “Or!” he practically shouts – possibly louder than he meant to, since he continues more quietly, “Or, you could just ditch for the rest of the day. I mean, you have any particularly interesting classes after lunch you feel the need to attend?”

“Not really,” Steve admits with a huff of a laugh. “But leaving after that feels a little like– letting Hargrove win. Like I’m retreating or some shit.”

��Nah, don’t think of it like that.” Munson tosses an arm over Steve shoulders, waving his other in front of both of them, like he’s trying to show Steve a grand vision and they aren’t both just staring at the ugly tile on the bathroom wall. “Think of it as cutting class and getting free weed from Hawkins High’s most esteemed dealer.”

Steve turns to look at Munson, staring at him more closely than he’s ever had reason to, and realizing there are tiny freckles on his face. “What, seriously?”

“Sure.” Munson shrugs. “Lemme smoke you out, Harrington. Seems like a good way to let your stress go for a bit – though I am just a little biased.”

“Why?” Steve asks; he doesn’t understand the sudden turn this day has taken, the sudden and bizarre kindness offered that he doesn’t even know what he’s done to deserve.

Munson’s eyes slide away from Steve, though his arm notably stays draped over his shoulders. “Been where you are. It’s not great. And, I mean, if it had happened last year, then, admittedly, I probably wouldn’t have given as much of a shit. Jock on jock violence, whatever. But you,” he glances back at Steve, “you’re genuinely trying to be, like, a good person. And I don’t think you should be punished for that. I think, in fact, that you could probably use a friend.”

“I…” The words stick in Steve’s throat, because what the hell can he even say to that? On anyone else, Steve would have assumed an ulterior motive, but Munson had infused it with so much awkward sincerity that Steve can’t help but realize it’s probably the nicest thing anyone’s said or offered to do for him in… he’s not even sure how long.

His silence must stretch on a little too long, though, because the hopeful light in Munson’s eyes fades a bit, and he begins to slide his arm off of Steve’s shoulder. “Or, y’know, you can tell me to fuck off, because I’m, like, way overstepping some boundaries, and–”

“We should go to my place,” Steve blurts, while grabbing Munson’s wrist for some insane reason.

“What?” Munson blinks over at him, (understandably) startled.

“My place. We should go there to smoke. If you still want to.” Steve could cringe for how stilted the whole thing is coming out. “I want to be able to take a real shower.”

Munson stares at him for a moment longer before laying a hand over his heart with a gasp, suddenly leaning heavily into Steve’s side and forcing Steve to wrap an arm around his waist so they don’t both lose their balance.

“I see how it is!” Munson gasps dramatically. “My sink shower just wasn’t good enough!”

Steve holds in a laugh. “Your sink shower was… fine. But I’ve got milk dried in other uncomfortable places, so unless you want to wash my back for me, too, we should go back to mine.”

Munson’s gaze snaps back to Steve, something a little odd in it, and – oh. Oh, that hadn’t sounded quite like Steve had meant it. It had sounded a little like an offer of the kind you don’t go around making to just anybody.

Steve braces himself, waiting for the reaction (he doubts if Munson would get any kind of physical, but there will probably be an awkward pulling away and sudden remembering of something he has to do literally anywhere else that afternoon), but all Munson does is break into a sly smile and say, “I could, but I’d have to charge you extra.”

Steve can’t help it: he laughs, giving Munson a good-natured shove, who finally releases Steve but doesn’t stumble more than a couple of steps away.

“Meet you at my place?” Steve offers, balling up his shirt and dropping it on top of his notebooks as he grabs them from the shelf. “Half an hour?”

“Wouldn’t miss it.” Munson gives him a corny little salute before grabbing his jacket from over the stall wall and preceding Steve to the bathroom door.

“Munson,” Steve finds himself calling out, just as the other boy’s hand closes around the door handle; Munson glances back and Steve fights the urge to look away. “Uh. Thanks. For, like… yeah. Thanks.”

Whatever meaning Munson takes out of Steve’s absolutely eloquent verbal vomit of gratitude, it makes him smile. “No need for thanks, man,” he says. “I’m honestly a little surprised to say it, but the pleasure was definitely mine.”

And then he disappears out the door, leaving Steve in the bathroom wondering how the hell his day had taken this turn, and just what destination it’s leading him to.

And thinking that he’s honestly a little excited to find out.

[bumblequinn]

hi @sourpatchsquids! thank you for your question.

as an artist with ADHD, i know this struggle very well. unfortunately offering advice on this kind of thing can be tricky, because what works for me may not work for you (and vice versa!). nonetheless, i can try; take whatever works for you, forget the rest, or reshape any part of it as you see fit. :)

but before i offer any actual tools, i have one caveat. i want you to take a moment to reflect and consider if you should be:

changing expectations

the timing of this question seems fated, because just the other day i had a therapy session wherein i expressed my grief and frustration over struggling to work lately due to my seasonal depression. it's not fair that i'm struggling just because it got a little darker outside! i just want the spark i had in the summer! i was so much more consistent!

my therapist's response: nothing about human beings is consistent. we get sick, we get tired, we get hungry and thirsty (and thirsty) and sad and lonely and restless and stressed and overwhelmed. this all gets amplified for folks who are atypical in some way or another.

when my therapist compared our seasonal cycles to those of plants and other animals, who wilt and slow down and hibernate, i protested aloud that i wanted to be a perennial instead. at this she said: even perennials change with the seasons. rose bushes have to be pruned, sometimes down to half their height! it was a dose of perspective i didn't particularly want, but really needed.

so when you're struggling to work through executive dysfunction, burnout, or brain fog, it can help to first check in with yourself about a few things. what do you have the capacity for right now? do you need any accommodation? and if so, what changes you might make to accommodate yourself?

with practice and self reflection, i've learned a handful of specific routines that help me when i'm struggling with creative work, which i'll detail next. note that while your question is specifically about music and i am specifically a musician, i believe that all of these suggestions can apply to most any form of digital creative work.

with that in mind:

#1: work slower

when i'm at the top of my game, i can get a LOT done in a day. but when i'm depressed, fatigued, or distracted, i just can't go full steam. sometimes i'll try to convince myself that i can if i just push harder, but what actually ends up happening is that i'm just fiddling with settings and going in circles rather than moving forward.

instead of that, when i want to work a lot but can't, i try to work slow. how slow? however slow i need to. take four hours to figure out the melody for a single verse. take all day to figure out that drum groove. yeah, i take a lot of breaks in between. who says i have to be my Absolute Most Productive Every Day Or Else? that's the puritan work ethic talking. kill it. be kind to yourself.

i'm reminded of advice i once read about some super successful and prolific author (gaiman? king? pratchett?) who said they wrote only four hundred words every weekday. that's already less than the word count of this post, and i'm only—[travels into the future to check my final word count]... 22.8% of the way through writing it!

now, i don't think i could function that way, because ADHD means some days i'm hyperfocused like crazy, and other days i just have no steam at all (more on that in #4-6). but it seems to me that if even someone highly respected in their profession can achieve what they have with only a little bit of work on a regular basis, maybe i don't have to punish myself for not pumping out a finished work every single week.

doing less work per day means you're much less likely to burn out, which does a lot for working more consistently. if that consistency still doesn't look like a five-day work week, that's okay! as long as it helps you work even a little more often when you want to, it's something worth doing.

however, if you're still feeling truly stuck, all hope isn't lost. you can still try:

#2: switch projects

sometimes the reason i'm moving slow is because of a bad brain day, but sometimes the reason is that i just cannot muster the motivation to do the specific task i'm trying to do right now. ADHD is fueled by novelty and interest, and if i'm not interested in what i'm doing, or it's feeling stale, that's a sign that i need to switch gears.

this is why first it's helpful for me to have more than one project going at a time. this might mean completely unrelated works, or it might just mean related tracks as with the music for a game like SLARPG or susan taxpayer.

the idea here is not to start a dozen different projects and bounce around them like i'm playing whac-a-mole—though i have done that. (i don't recommend it.) the idea here is to have a manageable number of different projects i can be working on so that if i get bored or stuck on something, i have fallback options.

what that number of projects is depends entirely on the week. maybe right now it's two, maybe another time it's three. i would probably be getting carried away if i tried more than that, but that's just my own limit. maybe yours is different. that's something for you to think about.

but it doesn't have to stop there.

#3: switch focus

maybe there is this one project that i just HAVE to work on, but the task i'm trying to do at this stage just isn't coming to me. okay, well, why don't i try working on a different task?

let's say i can't figure out what i want to do with the melody in one part of the song:

what if i try jumping ahead to a different part of the melody? ...no, i'm stumped on melodies today. okay, how about working on the drums instead? ...hmm no, i think i'm just completely tapped out on writing parts right now. alright, what if i organized my tracks, making sure they're all grouped and named in a way that i can work with easily? what if i did a rough volume balance for the mix?

and so on. if that's not enough to shake the off stuckness, i might consider: what can i do to make this project more interesting to me?

what happens if i try using an instrument or effect that i almost never reach for? what if i try sampling something obscure? what if i bang out the drums using my midi keyboard instead of drawing it in on the piano roll?

any approach that breaks me out of my usual habits is bound to get that feeling of novelty and fun back when i need it.

or maybe i can't do any of that right now, and so i take the time to answer a question from a fellow musician instead. i consider that part of my work, too, in a broader sense. check in with yourself and figure out what you can do right now. the rest will still be there later.

but okay, let's say you try switching gears, and switching again, and again, and nothing is moving. you try new approaches, but that wall of awful is insurmountable in this moment. it happens! the next thing you might try is:

#4: learn something new

when you aren't able to make progress on your projects, you can still make progress on your knowledge and craft. i often find this stokes a flame of inspiration in me where there wasn't one before. and even when it doesn't, it still gets my brain out of that feeling of stuckness and dread and into one of thought and action. learning also benefits in the long term because it adds to the well of knowledge from which you draw for all your future works.

for all the awfulness that exists on the internet, it remains an absolute treasure trove of teaching. there's an endless ocean of videos, blog posts, and articles from which you might learn something about your craft. (and if you sail the seven seas, plenty of book PDFs as well. 🦜🏴‍☠️)

it's true that the quality and depth of information out there can vary wildly, but in my experience most resources get at least some things right. and the more you research, practice, and figure out what works for you, the better you will learn to differentiate between the advice worth keeping, and the advice to forget. (that goes for all of what i'm saying here, too!)

that said, since our shared focus is music, a few resources i would highly recommend are:

music theory and composition music matters, 12tone, charles cornell, music with myles, 8-bit music theory, and this introduction by andrew huang

mixing and production dan worrall (especially this series for fabfilter), kush after hours, red means recording, andrew huang, alice yalcin efe, in the mix

general inspiration nahre sol, ben levin, david hilowitz, game score fanfare, posy, jerobeam fenderson, open reel ensemble, and ELECTRONICOS FANTASTICOS!

(if any readers have their own helpful resources for creating music or any other media, feel free to share in the replies & reblogs! 💓)

of course, on an especially bad day, it might be a challenge to seek out information, let alone retain it. that can feel pretty bad, but remember: be kind to yourself. the next thing you might consider trying is:

#5: consume art you love

not just music. books. shows. movies. games. illustration. animation. whatever moves and inspires you.

but do it intentionally. don't just pull up some random thing the algorithm suggested! check in with yourself about what you want (or are able) to engage with right now. choose accordingly. if you get a little way into it and realize it's not scratching that itch, hit the bricks. check in with yourself again. wash, rinse, repeat, until you find whatever it is that speaks to you right now.

and do it actively, if you can. don't just let it go in one eye and out the other! really pay attention to the work. what do you like about it? what are its themes and motifs? what makes it work so well? what are its flaws, and how much do they matter? what might you do differently? you can write notes as you do this if it helps, but even simply noticing and thinking goes a long way.

what you don't want to do is come at this with a lens of shame or envy. you're not here just to say to yourself, "ugh, if only i could do THAT." it's okay if it happens. use that thought as a springboard for curiosity: "well okay, how DID they do that? do i have the resources for it? if so, how could i apply that to my own work? if not, how can i adapt it, or what do i need to learn?" keep your mind open and approach the work with a sense of wonder.

as a creative person, it's very easy to think, "i should be making something right now, not watching a movie!" but that thought forgets something vital: your art is a response in a conversation. of course the "language" you use is your own, and maybe if you're lucky you'll invent a new word. but most of the words you use have been around long before you were born. you're just one voice in a dialogue that spans continents and generations, and that's okay. it's even the whole point.

none of us is an island. we are profoundly social animals. just as we can't live without eating, we can't make without learning. so half of making art is consuming it. consider this part of the process as well.

and finally,

#6: rest, and live your life

let's say you're in really dire straits. you've tried working slower. you tried changing focus, you tried changing projects. you want to take in new information or actively engage with your favorite art, but you're not in the headspace for it. what now?

take a nap. take a walk. take a shower. eat a nice meal, or an okay one. talk to a friend. maybe even do that chore you've been putting off (you know the one).

it's human to always crave making, but you're not a machine—and even if you were, machines need regular maintenance, too! you wouldn't drive a car that's completely out of gas, and you won't do yourself any favors treating your body that way either.

i know that when you take a break it feels as though you're not accomplishing anything, but you are: you're taking care of your animal self. and while you do that, your creative brain doesn't stop working! much like windows, it has countless background processes running at any given moment, with inscrutable names like "cbdhsvc_692da" or "Microsoft Edge Update Service." it's true, i checked.

when you're stuck on a project and you step away to rest, your brain is still chipping away at your ideas unconsciously. i like to tell people, "it's percolating." much like waiting for a pot of water to boil, that idea is still heating up, even when you take a step away. just be sure to check in on it once in a while. the time will pass, and it'll be boiling again before long. :)

before i go, i'll leave you with one last thing to keep in mind as you try all of these strategies:

be kind to yourself.

being human is just about one of the hardest things you can do. let alone being a human trying to survive capitalism while living with disabilities! the last thing you need on top of that is to overwork yourself, talk to yourself negatively, or treat yourself harshly. there are plenty of other people in the world who do that to you—don't be one of them.

i'm not saying that you shouldn't try to challenge yourself, to test your limits and go above and beyond your ambitions, if that's what you want to do. just remember that hard work and self compassion are not mutually exclusive. so be careful not to bully yourself. take pride in the progress you make, even when it seems small. encourage yourself like you would a friend who's going through a hard time. and when you challenge yourself, be your own cheerleader.

i hope you find this advice helpful! remember, this is just what helps me, so don't feel like you have to follow any of it exactly. maybe taking time to learn new information helps break you out of your rut more than working slowly, so you reach for that tool first. maybe having multiple projects going at once is too distracting for you, so you prefer to stick to one at a time. whatever your needs are, feel free to alter and adapt these ideas to fit you.

thank you for reading, and i wish you the best of luck in your creating.

with care, bee 🐦

[ryescapades]

I saw your post it's cute! Honestly. Is it cool if I request in Freader is Narumi Gen sweet little sister so every time he Soshiro is flirting with her he gets all brotherly protective of reader. Hehehe

genre/warning: fluff, attempt at crack, protective onii chan narumi kekeke

a/n: ok but like the way my brain is suddenly so full of ideas to write abt big bro!narumi ??? i could make a whole mini series of it wtf (if i'm invested enough ofc) /srs . btw thank you for the request !! this rly scratched an unknown itch inside my head <3 edited: now a mini series!!

there had been times when you'd find it entertaining to watch a documentary of animals brawling against each other, be it for territory, food, mates, family or even just sheer dominance.

the act of violence— no matter in what form— has been such a familiar concept to you since you were a mere child growing up with narumi gen, your older brother. there was a lot of underhanded competition going on with the other orphan kids so naturally the two of you had to do anything you could to survive.

not to mention you secretly dreamed of becoming a defense force officer, wanting to fight the monsters that had once destroyed everything you used to call home.

although now that you've successfully achieved said dream, you didn't think you'd have to witness actual violence among coworkers in the jakdf as well, and you are definitely not talking about sparring or training sessions whatsoever.

the real enemies are supposed to be the kaiju's, no? so why are you here, standing awkwardly behind your brother who is undoubtedly radiating such ferocity towards the man who just gave you a simple compliment a few seconds ago?

in fact, narumi is absolutely seething.

you tug at the back of your brother's shirt for the nth time, trying to hold him off from acting on his current emotion. "gen, stop! i told you it's nothing for you to be worried about." you groan, sending another apologetic look to hoshina but the third division's vice-captain only smiles softly at you, shaking his head.

narumi seems to glare even harder. "you bowl-cut freak! you just committed the biggest crime ever! eyes off her, you bastard!" he growls. unfazed, hoshina tilts his head to the side. "i only said that miss y/n here is lookin' good as always. care to explain what is so wrong about that, captain narumi?"

your cheeks flush slightly at his words but narumi loudly scoffs, "foxy eyed folks like you should kn—" your brother doesn't get to finish his words when the other man cuts him off, "i apologize, you two. but i've been here for too long, i'm afraid captain ashiro is searchin' all over for me. so if you'd kindly excuse me," hoshina hums, starting to walk away.

you catch his gaze as he steps past you, sending you a sweet smile and subtly reaching out his hand. returning one of yours, the two of you share a lingering touch of your fingers but sadly, it doesn't go unnoticed by narumi.

your brother gasps scandalously, "y/n get behind me! you're gonna get cooties from that thing!" he claims. your irritated huff of "what if i get cooties from you instead, gen?" is blatantly ignored as narumi snatches your hand before swiveling his head to face the vice-captain once more. "you did not just touch her, fox eyes!" he snarls.

hoshina doesn't even bother looking back as he casually waves. "i didn't. you should probably get yourself checked, captain. maybe your kaiju eyes have been chipping away at your vision."

narumi continues to throw colorful insults at hoshina's disappearing back, making you sigh exasperatedly. for some reason you're feeling a sense of deja vu; what does this remind you of, you wonder.

oh right, the animal documentaries.

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