#I'm literally doing nothing

[campingwiththecharmings]

I keep clenching my jaw for literally no reason and it's driving me crazy 🥲

[swampndn]

Executive, we are not functioning

[danmeichael]

shen jiu's brother is exposing STERNOCLEIDMASTOID ALSO KNOWN AS THE SCM (PICTURED IN DRAWING) in addition to being implied to be exposing THE JUGULAR NOTCH BETWEEN HIS TWO CLAVICLES (COLLARBONES) SOMETIMES ALSO REFERRED TO AS THE CLAVICLE THOUGH IT IS OUT OF FRAME for every beast on the peak??? like some kind of harlot????

[lazylittledragon]

so uhhhhhhhh. not to be cryptic and bitchy on main but congratulations to everyone in my messages for like 5 months on being right i guess

[vaguely-concerned]

thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:

the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)

it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.

"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)

as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.

that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.

[starlingfawn]

delete me

repeat me

let's try this again

@jumalanpelko fanart !!!!! suncat!!!!! i hope she is still recognizable after so much rendering w random colors!!

[thejakeformerlyknownasprince]

Now I have to ask- WHY do you hate Pacific Rim?

Okay, fair warning, this is about as bitter and salty and small-minded as day-old caviar. But. My bitter, salty (probably fishy) opinion:

Pacific Rim is only a good movie because it's a well-written story about robots punching monsters.

That's it. That's all there is to the movie.

I started out merely disappointed by Pacific Rim. We went gaga for the preview materials that promised these unique well-rounded character pairs and trios with these idiosyncratic robots from all these different Pacific nations... And then the movie itself is about some bland white American guy who pilots a robot named a racial slur, the second most fleshed-out team is bland white Australian guys, and the Chinese team is there, kind of, in the background, but don't worry they're going to die first. The "character-driven story" turned out to be "various characters take turns punching aliens" but, sure, whatever, I love the MCU so why not.

The day I went from "Pacific Rim is overrated" to "Pacific Rim is the worst thing that has ever happened to human civilization, I'm extremely normal about this" was the day I saw a Tumblr post suggesting we replace the Bechdel test with the Mako Mori test. Because Mako Mori has her own plot and doesn't kiss North Carolina at the end, making her a whole new type of feminist icon.

To which I was like:

We are talking about the same movie here, right? The Pacific Rim that can't even pass the Bechdel test? The Pacific Rim that's all about might-makes-right, the Pacific Rim that has ONE speaking role for ONE female character in its (from IMDB) 50-person cast? The Pacific Rim that repeatedly puts its only female character in danger and has her rescued by first Idris Elba then North Carolina? THAT Pacific Rim?

Is there a different Mako Mori I haven't met? Because the one I've seen a) has a character arc driven by deciding whether to obey her father or follow her heart, which is as inoffensive and stale as an unblessed communion wafer, b) does nothing that Ellen Ripley didn't do 30 years earlier, but with about 5% of the character depth Ripley got, and c) stands there in silence looking sad as two men punch each other over the question of her virtue.

Any post assuming this movie invented the idea of "small Asian woman kicks monster ass" needs to learn its damn history. Especially the ones acting like her being physically small is somehow a feminist bonus. There's something embarrassingly ahistorical about the whole thing.

And look. I get how we got here. I know how easily Tumblr backs you into a rhetorical corner of "calling a story Good can never mean merely 'enjoyable'; calling a story Good must mean 'virtuous'". Until next thing you know you're arguing that actually, shipping Obi-Wan/Darth Vader is a net good for all of society, because gay divorced middle-aged tyrants who use supplemental oxygen and murdered their exes in a custody dispute over the one kid (out of two) they actually care about deserve to see themselves in sci fi too! You only end up in that corner because half the time you're arguing against someone who says that shipping Obi-Wan/Darth Vader is literally the same thing as supporting father-son incest, so your real reasons for shipping them (1. foe yay, 2. old man yaoi) seem wildly insufficient.

Much of what I see about Pacific Rim seems neck-deep in the "it's not allowed to be a Good Movie unless it single-handedly dismantles the patriarchy" fallacy. There's nothing progressive about shipping two dudes best known for chopping off each other's body parts with laser swords. And there's nothing progressive about a movie having its only female character hug the male protagonist at the end instead of kissing him. You're allowed to like a thing just because it's well-made, without acting like a bog-standard normatively-broey action flick somehow invented a new form of feminism. Anyway, "Pacific Rim is a perfectly fine movie" is the hill I will die upon, heretical though it may be.

[theluckiestlb]

girl...WHEN??? WHERE????

what are you talking about???? when you kept him isolated for 14 years??? when you robbed him of bodily autonomy???? when you exposed him to his mother's corpse to akumatize him, TWICE????

wait, wait—OH you mean when he was terrified for his life, literally begging you to stop after you beat him up. my bad.

no? OH, you mean when you forced him to leave the country and the love of his life.

Huh.

[the-dragon-girl-27]

one episode in and I am already obsessed with how the Gozyuger protagonist is if those emo werewolf memes were a person

I'm not really confident in my ability to draw live action human people so hopefully this doesn't look like ass lol (this is why i haven't really done any tokusatsu fanart much less post it lol) (i also don't know if the meme im referencing is super obvious or not but other people beat me to drawing the more obvious emo wolf memes lmao)

[demaparbat-hp]

Oh, Lala...

[fryday]

I think it's been generally accepted that the simplest answer to people asking if dnp are a couple is, "well they built a house together, so make of that what you will" because that's the only really concrete fact we know of that speaks to their current relationship status. but sometimes I think - damn, is that even just an important *clue* to the status of things? or is that kind of *it*? is there anything more you need to know about two people than that, at the end of every day, the only people they'd want to completely let their walls down around is each other? that only the two of them know what the other looks like first thing in the morning, still in their pyjamas & before coffee; or at the end of a rough day, cranky and stomping around and eventually tired and soft enough to say goodnight; or frustrated to hell over the menial tasks needed to keep a household going like doing the taxes or getting the right groceries..... I could keep going on. we might really never know whether dnp call each other husbands or partners or boyfriends or best friends or housemates, or if they're exclusive or open, whatever. but what we do know without any doubt is that they are It for each other. they are each other's no. 1 most important person. and that is most indisputably shown through the fact that they built a house together. they chose to create their own little world within the world. the place where they can be 100% who they are, 100% of the time. and they want to share that place with each other.

what more is there to know?

[tenderjock]

I’m with you, my love The lights shining through on you Yes, I’m with you, my love It’s the morning and just we two

[worm-fanon-polls]

note that this poll is meant to represent romantic (though not necessarily sexual) ships, not your favorite QPR. If you like, say, Aisha/Alec or Lisa/Taylor as strictly platonic partners, but only in this scenario, then please don't pick it as your favorite ship!

Other less popular taylor ships (like Taylor/Alec) are not included in this poll, I will be posting a second poll with Taylor-specific ships later

make sure to tell me what you think and why you think it!

[pigeonkitsch]

on again off again on again

[koiihpon]

Don’t wait up…

colored this panel from @thegunnsara's Back to the Past comic (part 6) :]

the bottom panel was so striking when I first saw it that I just needed to color it heheh sorry it took a while to finish ><

orig under cut vvvv

[tackykachowch]

How it feels to not like timebomb after s2