#I'm just very slow with them

[shigaeru]

aci art dump

[mintjeru]

it probably wasn't the smartest decision to start an ongoing 1000+ chapter webnovel when i know it'll consume my every waking thought but here we are

open for better quality | no reposts

[basketobread]

You’re genuinely so funny. You should seriously make some kind of comic

omg this is such a late response but i hope you know that i made this EXACT face when reading this. thank you SO much!!! i really would love to make a comic soon featuring my oc's or something... maybe i'll get around to planning one eventually. but comics aside, your words mean SOOO much. THANK YOU AGAIN!!!! 😭😭😭❤❤❤❤

[sysig]

Ellen McLain’s commentary from my trivia playthrough

[vaguely-concerned]

I've been picking mostly only the essential flirt options with lucanis in the romance so far (I've personally found the dynamic much more natural and mutual when you do that, more like forming a solid friendship slowly and inevitably becoming something else and less like you keep pushing on him and getting little back b/c he seemingly just gets overwhelmed and goes into freeze instead), and I think rye is a pretty hard person to read at the best of times even though he's been Down Real Bad from pretty early on and their chemistry as people is naturally really good. so the way the almost-kiss plays out in this playthrough feels a lot like it has the added layer of lucanis realizing that no but for sure rook is flirting and not just being kind or a good friend* it IS actually happening it's not just wishful/fearful thinking!!! and then uh. maybe going a bit too hard a bit too fast in all the excitement at that revelation haha

*in lucanis' defense he has seemingly literally never had a friend who wasn't his cousin-brother before, under those circumstances I suppose some confusion is extremely natural if not outright expected lmao

[wonder-worker]

I've been thinking about the tragedy of Elizabeth Woodville living to see the end of her family name.

I don't mean her family with her husband, which lived on through her daughter and grandson. I mean her own.

Her sisters died, one by one, many of them after 1485. When Elizabeth died, only Katherine was left, and she would die before the turn of the century as well.

All her brothers died, too. Lewis died in childhood. John was executed. Anthony was murdered. Lionel died suddenly in the peak of Richard's reign, unable to see his niece become queen. Edward perished at war. Richard died in grieving peace. For all the violence and judgement the family endured, it was "an accident of biology" that ended their line: none of the brothers left heirs, and the Woodville name was extinguished. We know the family was aware of this. We know they mourned it, too:

“Buy a bell to be a tenor at Grafton to the bells now there, for a remembrance of the last of my blood.”

Elizabeth lived through the deposition and death of her young sons, and lived to see the end of her own family name. It must have been such a haunting loss, on both sides.

[somerandomcockroach]

@keferon OKAY BUT LISTEN YEAH I would loved if it was just fun ehehehe and sassy flirting with the demon no one sees pfffht, literally summoned a demon just to flirt with, and I guess it could have been going for a long time, just little strips with their funny adventures and then plot can go to the fact that he wants to give him a body and Shockwave would agree or that they just stay the way they are and just hang out like this together (Alo I remember that you wanted to put Ratchet (I keep writing Ratched instead of Ratchet buuuh) and Drift in it as another demon and their summoner thing whghweghgwe but I like how you made two separate stories for them that happen at the same time, okay I am actually PRETTY MUCH invested in this story, I like a lot how it goes and gets tangled and how mixes up with idw ideas and other stuff a lot)

BUT NOW that you changed it that way, you made a few more things that reader might be interested a lot in, like that promise he made and you mentioning that he will regret it, how their relationship progressively develops, plus the fact that Blurr was a frivolous slob gifted with dark magic AND how the tables turn upside dow and he get consequences for what he did in the most unpredictable way for him and how he surely changes in his behaviour, getting more and more concerned about his promise and maybe truly loving someone for the first time in his life and wanting to change something. And then figuring out that that same demon actually was a person before, someone he knew, someone respectable, kind, shiny, absolut sun of a person, who died (I am still on my knees waiting to know how exactly he died...) miserably to the point that he absolutely can't stand his life as a demon and NOT EVEN being able to kill himself!!! And Blurr was a pupil in his school, he saw him, he gifted him an ability to make his magic work for him, gave the freedom to live among everyone to all who was poisoned with this dark magic. OH WAITA HGSDHAG the thing that beastformers can't walk among transformers and the fact that dark spellers also could not, and how these events happen at a close times, OKAY so dark spellers got their kind of freedom thanks to Senator Shockwave (OH MY GOD what if Orion can see Shockwave and will recognise him right away COUGH) BUT I am wondering if beastformers will get some kind of an official declaration or some kind of school to be educated in and I wonder if Deadlock/Drift (I think after leaving he will change his name from the last episode...) will volunteer to be a teacher t be something more, or he will just end up with Ratchet wandering around the world, or maybe there will be a whole damn revolution where all monoformers and beastformers leaded by Drift go against the system, and maybe these events happen at the same time as a Senator Shockwave fighting for the rights of gifted... Okay I'm getting carried a little bit ahsghag excuse me... OH I GOT carried away A LOT I wanted to get back to the point that Blurr, now figuring out the past of Shocwave, dealing with all the events, dealing with what he has done and find a way to free them, at the same time STILL having adventures and fun since I'm sure he can be a good mood lifter to moody Shockwave and even see him in a really good mood since he is... well, not just a demon made of hatred but the wonderful kind of person in his previous life... (okay being carried away but what if Orion might declare the freedom to beastformers (AJHGAJHSDJAH OH MY GOD I IMAGINED JAZZ AS A PANDA HAVING A ROMAN WITH PROWL AND PROWL NOT KNOWING ABOUT IT OKAY SORRY) after seeing what it lead to after Senator Shockwave. And maybe Ratchet will be able to get his sign back freely after revolution will be successful or he will be forever blind just to be free and safe with his husband OKAY LISTEN I think it is obvious that I really like the thing you do....

[skeletoninthemelonland]

[billiuspendragon]

Okay I'm kinda talking out my ass/projecting my own autism onto Saiki here but:

Though Saiki is an unreliable narrator and truly loves his friends, I think some of his resentment over hanging out with them is real, and I can understand it.

I am a person who can readily admit I love my friends, and I do like to socialise, but I need plenty of warning beforehand and time to recuperate afterwards, because socialising takes effort. When I'm invited to do something or hang out with friends, I almost always feel a shadow of resentment about it - even if it's a thing I want to do and with people I like. It still feels like I'm losing out on a day of doing jack-shit. Cancelling on doing jack-shit is still cancelling on plans, even if those plans were just "wake up, write fanfiction, draw pictures, etc." and it throws me off. I feel like I can't enjoy spending time with my friends unless I give myself time to get excited about it, and if it happens too suddenly I find myself shutting down or floating away a bit.

Now, if we look at Saiki, who's friendship with all these people was pretty much built on these kinds of interactions, and add those to his deep-rooted belief that he doesn't deserve friends, that resentment and anxiety must be even more strong. I think the fact that Saiki obviously grows to care for his friends really shows his deep desire for connection, even more so if we go with the interpretation that some of his negative feelings about them are real.

My point with this ramble isn't to say "Saiki really does find the others annoying and therefore doesn't like them" but rather the opposite. On some level, Saiki is "tolerating" being out of his comfort zone, but the fact that he's willing to do this for his friends shows that he really does care about them.

[brynnmclean]

saw a post questioning shipping Senua and Thórgestr and started to reblog it with a tag novel-- felt weird about doing that since this is lengthy and potentially derailing, so making my own post instead. Spitballing under the cut:

First off, any time someone is like, "the real reason people ship this is because they find the dude attractive," this is SO funny to me as someone who doesn't find men attractive IRL and has fiercely loved Senua since I played the first game, like-- actually I find the dynamic between those two characters to be compelling and interesting precisely because of all the baggage between them re: their backgrounds, the rough (put mildly!) beginning of their relationship, all the things they don't talk about, and them finding a common enemy/common ground to work with. The explicit parallels between them stated in-game scratched an itch in my brain. The minute they pointed out the dark rot on his arm, it was like, "oh! hello there! NOW I'm interested in whatever your whole deal is" for me. Also, idk man, I too would follow Senua around after she knocked me into the dirt and then showed me a way to fight the giants that I very much wanted to fight instead of appease.

The idea that Thórgestr was part of the Orkney Raid that killed and mutilated Dillion is VERY interesting food for thought, even if I don't personally have that headcanon (surely there are more viking raiding groups than just the Bjorg). I think the Furies or the Shadow said something similar about Fargrimr (his kin murdered yours, you shouldn't save him, etc.) so I completely get that line of thought, but I think the game left it ambiguous enough that it's up for interpretation. Would I read fic with that premise? Yeah, I'd check that out. Could Senua forgive Thorgestr if his people were involved? Sounds fun to explore.

If (ha, when?) I write fic, I'd have to think more about it especially wrt timelines, like when did the Bjorg start specifically raiding for slaves for giant food sacrifices vs. killing people for resources and wealth? How far off are we from the old gods "dying" and the volcano erupting? Was it indeed a different group of raiders who made a deal with Zynbel, attacked Senua's home, and made the sacrifice at that time to Hela?

At the very least, I think there's a time jump between the end of Hellblade I and the beginning of Hellblade II since Senua wasn't alone on that slave ship and at least one of the (brief) survivors knew her by name. I wouldn't mind exploring that gap of time, too.

In any case I do agree that it would take a VERY long time for Senua to consciously catch feelings for anyone let alone Thorgestr with all their collective baggage. The idea of them having a relationship beyond friendship in the far off future of an AU where he survives is the only one that can make sense in my brain, personally. It would take time! Time they didn't get in the game! But I think there are a lot of different roads that could take, and some of them might be healthier than others. Shipping them certainly isn't forgetting or excusing what happened to Dillion-- or even mutually exclusive from still shipping Senua and Dillion. Or, frankly, also shipping Senua and Astridr, because I can see that ship too.

One of the nice things about all the details Ninja Theory didn't expand upon and that they left that ending so open is that the sky's the limit. I'm VERY interested in seeing fandom tackle this game as we get farther from the initial release.

[334iwatchshit]

you know the fanship is good when you can't tell if the screen shot is edited

[klance-daydreams]

guys we need to actually stop involving pidge in romantic klance situations

[vaguely-concerned]

even at this point in the story and with the romance well and truly confirmed it's very possible that lucanis has never seen even a sliver of rye's naked skin below the throat. very likely no one on the team has yet except possibly emmrich if rye got hurt in battle and needed help patching it up. high-necked watcher garb with gloves and all stay ON at all times. thank god for rye's sake that lucanis' history of romantic interest indicates that surprise bitch he could be kind of into that fhsdkjfas

[bluepallilworld]

After Aftermare week 2021 and Aftermare week 2022! Get ready for the 3rd edition of the event!

Aftermare week 2023!

11th of july -> 17th of july

Prompts:

✧ Day 1: blackout or illumination

✧ Day 2: discovery or lost

✧ Day 3: light or heavy

✧ Day 4: walk or run

✧ Day 5: Spring or fall

✧ Day 6: fight or flight

✧ Day 7: the end of a beginning or the beginning of a end

Now the boring part, rules!

- the ship "aftermare" is between Geno and passive/uncorrupted Nightmare. You can use the corrupted version but the 2 must have known the other before corruption <3

-you can use aus (you can even do crossovers if it tickles your funny bone :3)

- Nightmare must be adult obviously !!!!! (I'm saying that since canonly Night' had the accident when he was 6 >w<)

-there are 2 prompts for each day, you must choose one OwO/

-Ooooooor you can mix the two prompts ;). For exemple : day 4 -> "a runny walk" ; day 6 -> "fleeing fight" etc (there aren't as easy to combine as the last years since they're short :P)

-Have fun, mess around, break the rules (not the rules I'm writing here tho 'k òwó). I love seeing creativity ! Jump over days, mess with the order, find an original way to follow the prompts or just ignore them ! I dunno, collaborate if you feel like it! The prompts are more guidelines than anything :D

-only SFW please UwU

-romantic or platonic ship your choice ;)

-tag properly anything you think could bother or trigger someone, we respect others and their boundaries in this house

-don't forget to tag it as "aftermare week 2023" so people who want to avoid it can!!! (And tag me I wanna see everything) 🎉

-if you don't finish on time no worries, you can still participate just late :D

If you're going to participate or are just interested by the event, don't hesitate to give this post a reblog ÙwÚ👍

Or to ask questions if you have some ;3 (in dms)

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Geno!Sans belongs to @/loverofpiggies

Nightmare belongs to @/jokublog

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Almost forgot to tag my fellow aftermare goblins @dragon-tamer-1 and @shinechermont :)

The drawing without the prompts (phone drawing with my fingers go brrrr XD)

[kyojuuros]

knowing communication is vital to a healthy relationship but never knowing how to start a conversation or holding back because you don't want to burden them with your emotions or say/do something that will push them away and just generally being socially inadept is such a fun time! :)

[bijoumikhawal]

honestly RE: censorship has produced some very appealing queer coded relationships, I think part of the problem is that like. Straight relationships often don't compel me, yeah? And part of it is that I frankly, don't believe a fair amount of these characters are in love. The art contains social conventions so you'll assume they're in love. And if you're unaware of it and buy into those conventions, you never notice a problem (unless they're using the conventions that give female characters no depth. People today are somewhat more aware of that). There's a level of laziness to the way so many straight relationships are written.

Many queer censored relationships can't engage those assumptions because straight people don't understand something is gay until it's bedazzled in rainbow rhinestones, and even then some of them have doubts, so (usually) an artist must put effort in to make you think there's something there. There (usually) must be legitimate connection. And because they're censored, they continually cannot rely on anything too lazy to keep interest. They also can't try to deliver payoff that isn't ready (because they're rarely allowed to deliver payoff, if ever). They can't squash the appeal of a relationship by not knowing how to write these characters in a steady relationship to the point where you hate it.

You basically end up getting a (sometimes years long) build of potential and genuine connections, without a satisfying resolution- which sucks, but it also can be very compelling. The inability to say I love you outright means the characters must say it in other ways that tend to be more emotionally impactful- such as holding out a human heart to each other, selfless and hopeless sacrifices, pulling you out of hell, etc. You could argue these moments are an example of "showing not telling" even.

But as we move into more mainstream queer art I feel like some people are starting to use the same conventions I find so lazy and boring in depicting straight relationships. Because it's a Gay Piece of Media you know there will probably be a gay relationship, so you do come in with assumptions that the creators can play off of more efficiently than otherwise. You can miss at establishing the connection. You can rush the payoff. You can write the chase well but fail in writing the domestic. You can tell me these characters are in love without me buying in and believing it because you didn't really give me much to believe in.