#I'm just saying the fact that we differ on opinions has never bothered me

[unpopularly-opinionated]

This:

Who is the third option here?

And this:

Give me the name of someone who has more than a rat's chance in hell of winning.

Are two different questions. The first one you already have your answer to because you're the one who sent them to me as your attempt at some kinda "gotcha" I guess. The second one was not, nor has it ever been the question being debated here. I don't frankly care what "chance" a candidate has, the only fact that matters to this discussion was that there are definitively more than two to choose from.

You're smug as shit so it shouldn't be hard for you.

Nice to meet you pot, I'm kettle. Honestly, I'm only matching energy here. You've been "smug as shit" with me, so I'm "smug as shit" with you, though honestly I've just been responding to you sincerely. The fact that you interpret it one way or the other is kind of your own doing, sorry to say.

We don't have a Parliamentary system here, which would be nice, but we don't and we won't this year. So Green/Democratic or Cornell West/Biden split isn't an option here. So it's all gotta go to one person.

This will forever be the case for as long as you, and people like you, refuse to acknowledge or even attempt to fight for any other option. Quite literally the bare minimum support for a change is acknowledging that more than two options exist, something which even you've failed to do. I'm not even saying you have to protest vote for someone else, no, we're not even there yet with you. All you have to do is acknowledge that more than two options exist. That's literally it. We can work on the rest next election.

Seriously, every single election without fail, you will bitch and complain about there only being two options and whenever someone like me, who actively wants this shit to change, comes around and says we could have something different, like the beaten dog you are, you'll tell me that it's impossible, there's only two options, no other option exists, vote blue no matter who, this is the most important election in our lives, blah blah blah.

Is it likely a Democrat or Republican wins this election? Yes. Next election? Yes. The election after? Yes. But for there to even be a "rat's chance in hell" that someone else can win the next election, we need to wake up, grow up, and realize that more than two options exist. Again, the bare fucking minimum.

I'm not gonna let you hide this shit in the tags, because clearly you mean for someone to see it, and see you talking out of both sides out of your mouth.

I don't know whether to chalk this up to narcissism or paranoia, but I'm not "hiding shit in the tags". What I put in the tags are either legitimate tags, or in this case, things that just wouldn't work in my overall response. Loose thoughts, if you will. They didn't work in the response I gave you, so in the tags they go. Much like this one.

They’re misattributing. It’s not the lesser of two evils. It’s the greater good.

Well, the only good. #VoteBlue

[atrophiedemotion]

ivantill cafeteria scene analysis

keep in mind that this is fully just my personal opinion and interpretation of the scene okay cool

the cafeteria scene from round 6 has always been really interesting to me, and i've seen a lot of people take it different ways, so i just wanted to walk through my view of it because it's such a telling scene about their dynamic more recently than as kids

the scene starts with a shot of till during the round that looks to be from ivan's pov, showing us what he's seeing in the moment, and flashes back to one of ivan's memories from anakt.

considering the almost identical expressions till is wearing in both shots, it seems to be ivan thinking back to a time he saw till look the way he does in round 6- miserable, hopeless, defeated. like he's given up.

we then see ivan noticing till's apparent resignation and shitty mood (because of course he notices, it's his personal watching till time after all), then getting up to go bother him. i say 'bother him', and it definitely looks like that's what he's doing, but i don't think that's ivan's goal. i think ivan's goal is to comfort, or at least distract till.

despite their juvenile fights, we've never seen ivan actually want to cause till true harm. his lyrics in both black sorrow and cure are caring and reverent, making it apparent that ivan really does just love and care for him and just wants to be able to do things for till. this is furthered ofc by the whole post-club scene where ivan looks absolutely devastated seeing the state till is in.

i always reference back to my mirroring post bc it explains the way i imagine ivan's train of thought, and it applies here again. ivan does not know how to comfort till in a conventional way (probably for a few reasons; till is different from the other students, both in the way he acts and displays his emotions, and in ivan's opinion of him. till is special to ivan, he usually drops his mask around him so meaningless platitudes wouldn't be right) but he does know how to get till's attention on him and out of his own head.

all this being said- what ivan does next:

he swipes his hand across the cut on till's cheek. yeah, i know, definitely not what most people would consider 'comforting their friend' but that's what makes sense to ivan. 'how could i possibly distract him if he seems to ignore me most of the time?' (for now looking past the fact that till actually seems comfortable in ivan's quiet company, ivan's too single-focused to realize that)

and, well, i mean. he's right. till gets visibly disgruntled. he doesn't exactly look pissed as much as he looks caught the hell off guard, but it grabs his attention.

ivan, on the other hand, looks almost fond to me. i don't know, i just don't really think he looks smug even though i'm assuming that might be the general consensus. he almost seems a bit soft. to me, it looks like he's adoringly thinking, 'it worked. there, no time to be sad anymore, huh?' he probably is proud of himself for it, but not really in a selfish way.

till, of course, sees that it's ivan who's messing with him, and turns away.

i've also talked about this but at this age it really does seem like till's mindset when it comes to ivan is something along the lines of, 'oh, it's just ivan. he's fucking weird, that's just how he is' and more or less shrugs it off. he's used to ivan's "quirks" it seems.

this, till looking at ivan only to immediately look away, won't do. he only caught his attention for a few seconds, so i assume ivan's next logical move is to do something that will get an even bigger reaction. (ivan is a logical thinker, after all, at least in my perception of him)

so he. ya know. does that. which really seems like a great way to get himself punched, right? which honestly is also probably his plan. have till explode in anger, forget whatever happened for him to be injured in the first place, and ivan gets his undivided attention for a period of time. a win-win.

and you might be saying "oh, but couldn't ivan have just been doing that selfishly? we know his main goal is to get till to look at him." to which i say, yeah fair. i don't think this was done completely selflessly (i don't think anything ivan does is fully selfless but that's perhaps for another day) at all, he could've gone at it a different unconventional way if it was. but i think he probably sees it as mutually beneficial.

yes, it does seem like a way to show ivan wanting to keep till's eyes and attention on him. an example of how he seeks out till's attention no matter what, but the preceding shot of a hopeless till reminds ivan of this particular interaction for a reason.

there had to have been a motive behind what he did and why he did it then, and what we have to go off of for that is the first three shots. till wearing the same misery on two different occasions and ivan noticing. with that information, it's really not a stretch that this could be ivan's fucked up version of comfort.

[hyperblue]

as much as i enjoy the thought of kon immediately taking on fatherhood and confessing his feelings to tim in timkon clone baby aus, i can't help but think about all the potential for a slowburn that we can have, such as:

— making a deep dive into kon's view of the situation, exploring his clone feeling about himself, exploring his feelings about clark in particular — because their relationship is very interesting and complicated on it's own, and the biggest tragedy of it, in my opinion, is that kon was never clark's responsibility, in fact there was never a single adult person that had to take care of kon because kon initially never belonged to anyone. he's no one's child, no one's son, and us much as we might want to blame clark or, you know, any adult in his life for not taking care of him and protecting him, they had their right not to do it. someone should have had care, but also no one was obligated to. i really hope i make sense, what I'm trying to convey is that you really can't blame anyone for kon being unsupervised for most of his life no matter how much you might want too (aside from lex luther and cadmus itself ofc, but that would be a slightly different conversion); and kon knows that himself, has known that for a while, but the moment he's confronted by his own clone child it adds so much more perspective, and the conflict of once (still) being a child that no one wanted while simultaneously being introduced to a child that you don't have to want but if not you no one else will (tim will, but tim's also a slightly different conversation) would be so interesting and delicious;

— LOTS of awkward co-parenting from two teen-dads who might or might not be head over heels for each other but also not really having time to explore their relationship and their feelings bc they have a whole ass child to raise; not to mention kon's conflicted clone boy feelings and tim's haunting guilt that affect every single interaction of theirs. just imagine the pressure, the slowburn, the ust. imagine them knowing about each other feelings, but also knowing that it's not the right time — there might never be the right time anymore, not after what tim has done. imagine them negotiating visiting hours and weekends like they're some divorced couple. imagine them swinging their child between them on a walk home, imagine kon showing up early at tim's penthouse with fresh ingredients from the farm to make healthy breakfast, imagine tim dosing off on kon's shoulder while watching old disney movies with their kid right there on the carpet in front of a tv; playing house, but knowing damn well that they are not together. that they might never be together;

— clone baby getting used to this strange family dynamic that they have — knowing that kon is their other dad, but never ever calling him that (they have no memory of calling him pa! when they were much younger, no memory of kon crying and kissing their forehead right after; no memory of tim becoming really pale and then gently teaching them that kon is not pa, or papa, or dad, he is just kon, only even just kon); knowing that daddy loves kon, but for some reason that's something that they never talk about, and the kid is too afraid to ask because he knows that he'll hurt his dad if he does. fighting with tim and then crying because they want their other dad, but tim tells not to bother kon, as if kon might secretly hate them, and then hearing tim and kon having a fight from upstairs, stop acting like I'm going to flee any second, it's been literal years, when are you going to believe me when i say that i LOVE our child;

— tim trying his best to be a good parent and co-parent but still screwing up anyways because he's too trapped in his own guilt and insecurities; accidentally hurting both kon and their child by not wanting to hurt them, trying to distance them from each other when things are starting to get good, because they are not supposed to be good, tim does not deserve things to be good. shying away from kon's most innocent touches, refusing his child traditional summer vacation on kent's farm because he can feel his baby starting to prefer kon over him, and that's something that he doesn't know what to do with, all he knows is that he can't lose his baby not even to the love of his life. fighting with kon a lot, going they are MINE, stop pretending that you want them or care for them just to take them away from me, they are the only thing in the world that i love more than you;

— and then finally sorting things out after years, confessing their feelings, talking about every single insecurity that they both had about this situation; holding hands across kitchen table after crying their eyes out, and deciding to try it. restoring the friendship they almost lost somewhere along the way while trying to be a good parents for their baby — exchanging text that are not just visiting hours negotiations, awkwardly flirting like they are teenagers again, brushing each other shoulders and hands and sitting a little too close on a couch; getting to go on dates, getting to feel giddy and young about each other again, falling in bed together and getting to wake up from a sound of their kid destroying the kitchen, our child is hungry by the way, we should probably start getting out of bed. our child? yeah. our child.

idk man i just love the potential and complexity of it all. so many things to do with au, it really is an endless sandbox to play in

[arcane-vagabond]

Hey.

Go ahead and get settled because this will be...long, in true Liz fashion.

So, by now I'm sure most of you have heard what's happened. If not, you can search this blog for some answers or others for more.

I joined this fandom offiicially at the end of September after being a long time lurker. I had just lost my job and times were uncertain for me. I felt inspired to write, and as someone whose formative years were shaped by the fandom experience, I wanted to feel that sense of belonging again - to feel like a part of a community. I've talked about it on here before, but I started my fandom days in the original Hunger Games fandom when the first movie had just come out, and then I shifted gears towards the SuperWhoLock fandom. If you know anything about SuperWhoLock, then you know you had to have pretty tough fucking skin to be a part of any of it.

Of course, this was back in the day when fandom was an actual community and not authors having to beg for scraps of engagement and people thinking its a numbers game. I was a fairly large blog within the SuperWhoLock community (Waywardly-Carrying-On was the username), but I left fandom for a few years because life got hectic and I felt like I had outgrown the fandom itself as I was no longer watching any of the shows. As the years went on, I started to yearn for the fandom experience again, which is how I found myself dipping toes into several different ones.

I was so excited to publish my first fanfic. I had convinced myself that I wasn't a good writer (much to the chagrin of my irl friends), and I had put a pause on writing my original story. I wanted to write this idea about a cowboy and a girl using characters that I had grown to love like I did way back in my older days. So, I started posting, and I was so excited for the story, that I kept posting almost daily. MamaMay was one of the first people to embrace not only my story, but me as a person into the fandom. She made me feel welcomed and wanted.

Pretty much right off the bat I was already getting anons telling me that I was being too much and that I needed to calm down with all the posting. I was confused because...this is Tumblr. It's literally a blogging website? Why wouldn't I post? I decided to ignore the mean words (not before giving my opinion, of course) and kept on doing my thing. Well, the anons got continually worse and worse. I had a suspiscion as to who the anons could be, but I never had concrete proof. So, I experimented with blocking suspects until finally it worked. I'm not naming names because that's not my style, so don't even bother asking.

The fact of the matter is, some of you have entered fandom spaces for the first time, and you don't know how to act. You don't care to learn fandom etiquette as you've made abundantly clear by calling fandom olds every name under the sun while utilizing the anonymous feature. Newsflash, you're part of the problem. You're the reason why authors don't want to publish anymore. You are the reason that something that's supposed to be fun is starting to feel like a goddamn chore.

How many times can authors on here say that we aren't machines? We have lives outside of this website: family, friends, jobs, school, etc. Some of you really are just hellbent on making everyone around you miserable, and it's sad. You can't just leave well enough alone and let people enjoy something, no you feel like everyone has to enjoy it the same way as you.

Some of you go after authors on here because of some weird sense of jealousy too. I don't know why my shit blew up, babe, I really don't. But I started out with no followers and no support just like everyone else. I'll tell you what helped me though: following fandom etiquette and reaching out to other creators to build an actual community. None of this "I've reblogged three of your things and now I'm messaging you so that you return the favor." No, I reached out to make actual friendships which is what fandom is SUPPOSED to be. If someone was clearly not interested, it was fine!! I backed off and kept doing my own thing.

Some of you think being mean on the internet makes you big and bad. Guess what! It doesn't! It's loser mentality and I feel genuinely sorry for you. I'm sorry that people in your own life made you feel so small as to feel like you had to lash out at strangers on the internet who are just trying to have fun.

Anyway, this is my really long way of saying that I am taking a break for a little bit. I have no idea how long it will be - could be the weekend, could be a couple of weeks, could be forever. I need time to decide if this is something I want to keep persuing. If I come back, I don't know if I will remain a TGM blog or if I'll shift gears and hop into another fandom with a rebrand. Guess we'll just have to see.

To the people on here who have been a constant source of joy, laughter, and support: thank you. From the bottom of my heart. Your presence has meant everything to me, and I hope that my break sees me wanting to come back and giggle about the silly plane movie with you all again.

Nothing but love,

Liz 💛

[rabarbarzcukrem]

The eternal opposing relationship between the two sides of a mirror

or: In defense of Shiori

I feel like Shiori is one of the most controversial characters in Utena. Some love her, others despise her. And I don't have a problem with people having strong opinions on her character. What bothers me is the tendency to exaggerate her most negative traits, focus on her most harmful actions, completely ignore any redeeming qualities she might have and then paint her as a one dimensional villainous caricature, a mean straight girl who plays with the lesbian's feelings for the sake of it, without anything deeper going on.

I'm aware of the fact that some people refer to her like that in endearment or in a satirical fashion, and I'm not saying that you can't consider her your favorite problematic evil girl representation. I'm only trying to make people realize that it's her complexity that actually makes her such a compelling character.

I've seen people call Shiori all sorts of names, some of which were baffling enough to make me wonder if they even remembered what happens in the show, and weren't just judging a version of the character that they made up in their head.

So, let's look at the things Shiori actually does, throughout the course of the story.

Disclaimer: I'm only going to take the series into the account here, because I think we can all agree that everyone's characterization and personality differs at least slightly in the movie. Background characters also get a lot less screen time to explain their motivations in order to fully focus on Anthy's journey and struggles, which is understandable.

1. She "steals" the boy from Juri.

This is her biggest crime, which seems to define her from the very beginning. Even though Juri didn't actually have any romantic feelings for him, this action is detrimental to their relationship - it breaks the trio apart, isolates Juri from the pair, is an act of betrayal against her and proves it was done with full awareness that it would hurt Juri emotionally.

Shiori is a deeply insecure person, who constantly feels inadequate and beneath other people. The only reason why Juri seemed to actually like her that Shiori could think of was pity, and even when she found out she was the object of her romantic affection all along, she still struggled to comprehend it. Her self loathing and constant perceived inferiority make her desperate to gain any sort of control over her life and relationships, but they're also the exact reason she feels that the only way she could ever do that is by hurting others. She's always one step below and incapable of crossing that distance, therefore the only way to become equal to people is to bring them down to her level, by humiliation.

When she "steals" the boy from Juri, she achieves that. For a moment, she feels good about herself and leaves Ohtori thinking that she has found the answer, the solution. But she's wrong. From that moment on, it becomes more and more apparent to her that what she did was never out of love for the boy, even though she doesn't let herself acknowledge it fully. Because the truth is, Shiori actually regrets hurting Juri, which she admits herself during her elevator confession.

When the guilt starts getting to her, her confidence high wears off, and she ends up feeling ever worse.

That's why she breaks up with him and comes back. She's not ready to leave yet, not ready to progress. There's still something binding her to Ohtori - Juri, and Shiori's unresolved feelings for her.

2. She tries to set things right with Juri and to fix their relationship.

Even though at this point Shiori still thinks that Juri only ever associated herself with her out of pity, she still makes several attempts to get closer to Juri, who understandably (albeit coldly) turns her down ever time. This is a very clear sign of conflicting feelings Shiori has for Juri - jealousy and admiration, resentment and longing, hate and love. After all, Shiori admits that the two practically grew up together. Their friendship may have always felt fake to Shiori, but she clearly cherished it deeply.

3. The Black Rose Arc.

First of all, we should establish what is the purpose of this arc and how it functions. It explores the motivations of background characters and shows their worst side to the audience. The characters that end up in the elevator are the most unstable, vulnerable ones, with the least power in the system, in unequal and/or exploitive relationships with the duelists and their agency under threat. Mikage offers them a way to gain that power by making them follow their most toxic, negative emotions. And despite all other characters doing exactly that, from what I've seen Shiori is the one that gets the most hate for it. I don't think she should be judged any harsher for what she did under the influence of the black rose than, let's say, Wakaba or Kozue. Especially because the reason all of them ended up in that elevator is because they recognized that these urges were harmful and were seeking help and counseling.

What this arc does do is reveal how Shiori's inferiority complex drives her to act against her own desires. Even though she longs for things to be different, even though she is not happy at all with how her relationship with Juri looks like, she is unable to fix it, because that would require her to consider her own affection for Juri. And she can't do that, because it would mean admitting that she's not stronger than Juri, that she hasn't beaten her, that she's doesn't have control and an advantage over her. Although she tries to keep up this smug, self-assured facade, the reality shines through.

They key to understanding Shiori is noticing that she specifically doesn't want to acknowledge that Juri's feelings are reciprocated, and the obsession is mutual. If you paint their relationship as one sided, you're actually falling for her act.

4. She enters a relationship with Ruka.

Ruka is a handsome (arguable), respected boy who appears out of nowhere and starts showing interest in Shiori. It's obvious that for an insecure girl, who in addition struggles with confusing repressed feelings, this would be something unthinkably wonderful. The affection and praise she gets from him is exactly what her low self-esteem craves. You might be wondering why she didn't perceive Juri's feelings for her in the same way. And a part of the answer might be that, post nameless-boy-incident, Juri was nothing but cold to her. She might have been pining after Shiori from afar, but in the end she's distant and untouchable, and they're divided by their messy past. Meanwhile Ruka is a clean slate, seems openly affectionate, engaged in their relationship and he pays attention to her. But I think the main thing that makes Ruka so different from Juri is the fact that...he's a boy. Because, as Revolutionary Girl Utena establishes, gender plays a crucial role in interpersonal dynamics. Attention from a boy is fundamentally coded as romantic, desirable, necessary and most importantly: increases the girl's worth in society's eyes. It makes one a princess. Meanwhile Juri's advances could only be seen as an invitation to friendship, at best. But Juri's status and beauty make her special, while Shiori is not. Therefore, it can only be pity and mockery.

Of course, Ruka only uses Shiori to influence Juri and dumps her as soon as he achieves his goals. It's true that Shiori could have listened to Juri's warnings, but then again... why should she? From her perspective, Juri's her ex-friend that doesn't want anything to do with her, who only suddenly comes to Shiori when she's finally happy and fulfilled, and encourages her to end it. She doesn't know the wider context of the situation, nor does she remember the Black Rose arc. Juri's warnings don't sound sincere to her.

And so, Ruka gets rid of her in the coldest, most indifferent way, not explaining anything or showing even the slightest sign of compassion. Before that though, he makes an interesting remark, about Shiori putting on an act and polishing somebody else's sword.

Honestly, I don't really know how to interpret it in any other way than Shiori actually having feelings for someone else, despite trying her hardest to conceal it. Are my shipping lenses not allowing me to see any different possibilities? Am I going crazy? I don't know.

Nevertheless, Shiori begs him to stay, devastated. Her life got turned around so suddenly, she found appreciation, status, comfort and stability, and now all that's been taken away from her as abruptly as it was given. It's a public humiliation.

I once heard someone say that this would be the perfect moment for Juri to step in and defend her. And to be honest, although it may be true, I'm not completely sure. It may have been the one display of open care that Shiori needed from her, but it might as well have been interpreted by Shiori as Juri affirming her superiority over her and feeling sorry for her again. We will never know. In my opinion, so much of their relationship is going on in their own heads that the only thing that could ever cause positive progress is communication (which neither of them seem to be a fan of).

Instead, Juri only tries to console her after the fact, when Shiori's at her absolute lowest. In the context of all the assumptions Shiori holds and Juri's previous indifference, it quite understandably comes off as a sneering attempt to gloat.

That's about it. You may have noticed that I've summarized all Shiori's appearances into 4 points, and only one of them includes an instance of Shiori hurting Juri voluntarily, out of her own free will, not influenced by anyone. I'm not saying that she was forced to taunt Juri during the Black Rose Arc, I'm not trying to diminish the suffering she's caused or trying to paint her as a perfectly good person. I am trying to make it clear that she is not some cunning plotter, dedicating every minute of her life to finding ways to make Juri suffer that some people seem to take her for. I am trying to humanize people's perception of her a little bit. Especially considering the fact that last scenes of her include those when she waits for Juri and follows her so that they can go home together, and then joins the fencing club. If this doesn't show that she's capable of change, I don't know what does.

She's not an innocent princess, that's true, but she's not just an egoistical, manipulative liar either. She's a bit of both. After all, if Revolutionary Girl Utena is supposed to teach you anything, then I think it's that we're all just people, and the complexities of human experience make it impossible to fit anyone into a box, assigning them definite labels like "princess" or "witch".

And if you look at a teenage girl who, like all people in Ohtori, struggle under the system of patriarchy and heterosexuality, and all you see is a wicked, sinister witch, then you may have just fallen into the trap that the narrative had set for you.

[dominos-pizza-squad]

"You're going to have to."

I don't usually write meta on account of doing my best to avoid Fandom Drama like the plague and even a hint of Star Wars meta is like a siren call to Drama but. I have Thoughts about this scene and now I'm going to share them and if you're here for anti-Mace Windu thoughts this is not the post for you my friend.

Every time I see meta or reference to this scene it's used as more 'proof' that Windu was totally the worst and we shouldn't feel at all bad about him being maimed and thrown to his death which sure is a take, and on the surface I can understand why. When you don't bother to look more into that scene it does come off as Windu being a rude bitch to a child whose dad died in front of him, which is pretty uncool.

But this is a meta post and I am here to look more into this scene. I want to start with the concept of forgiveness, because when I go, I go big. I feel like a lot of the antipathy toward this scene (and by extension toward Windu) come from the fact that again, on a surface-level reading, it looks like Windu is demanding Boba's forgiveness for Jango's death, when we all know that's not how that works. That is, in fact, a concept that to most of us is viscerally offensive- our knee-jerk reaction is something more along the lines of "screw you i resent you more now" than it is "well okay that seems reasonable". Because you can't just demand somebody's forgiveness and expect it to happen. All that is is another wrong against the person you've already wronged. It's pure conceitedness and self-interest.

It's also not what Windu was trying to say to Boba in that scene. Not even remotely, in my opinion, and I'll explain why.

Think about the way the Jedi teach, particularly the way they teach philosophical concepts- they don't simply tell their students what to think, they tell them something and then make them think about themselves. Jedi are always expected to look deeper into a lesson to see what they can get out of it, this is the way Windu's lived his whole life, of course this is the way he speaks to Boba even though Boba's not a Jedi.

It's not exactly a hot take to say that Mace Windu and Boba Fett have very different ways of approaching the world. This is important to remember, though, because it guides the way that Windu interacts with Boba in this scene. When Boba swears he's never going to forgive him, Windu looks him in the eye and says, "Well, you're going to have to." And when he says that he's not saying that as some kind of ultimatum, he's saying that as a statement of fact.

What Windu is really saying to Boba in this scene isn't "forgive me 'cuz i said so". What he's saying is "your father cannot come back, and you will have to find a way to live with that so it doesn't consume you". Because what was Boba saying when he said "I'll never forgive you"? It wasn't just "I hate you", it was "I hate you, and I hate you so much that I don't care who I destroy in the process of destroying you". Sure, he expresses regret for all of the actual human beings that died because of his actions, but he follows it up with an utter refusal to acknowledge that those actions were wrong. What he was saying was "I hate you, and I hate you so much that I don't care who I destroy in the process of destroying you, even if it's myself."

Boba has done some genuinely horrible things by this point. He's put other children's lives at risk. He's crashed a star destroyer and killed who knows how many people. Maybe he didn't shoot the injured clones himself when they went in and took their hostages, but they wouldn't have died there if it weren't for him. He is directly responsible for the death of a man whose only crime was walking through the wrong door at the wrong time. He has charged headfirst down a path of death and destruction that will spread misery everywhere he goes.

And now Windu- who has just lost all of these men, lost Ponds, nearly lost his own life to Boba's actions- is looking down at this twelve-year-old boy, and he doesn't want this for him. He so badly doesn't want this for him, but he cannot make Boba's choices. All he can do is try and tell him "this path you're on is not worth it".

Because that, in my opinion, is what he means when he says "You're going to have to." He's not saying that he's entitled to anything from Boba (because he might have killed Jango in self-defense, but his motives and intentions don't change the fact that his actions hurt Boba), he's saying that Boba has to let go of that hatred before it ruins his life.

Which is exactly what it does! What happens to Boba in the end? He continues alone down his path of hate and misery, until he gets eaten by a sarlacc and enslaved by Tuskens. He had so little, and he loses even that. And it's no one's fault but his own.

But.

But. Finally, so many years after he started down that path, he does what Windu said. Finally, he lets that anger go. Finally, he gets to become what he could have been if he hadn't let himself be consumed by his rage. And that's why I liked The Book of Boba Fett, despite its flaws, because we get to see that change. After forty-odd years of strife, Boba finally gets to be a man at peace. And that's exactly what I think Windu would have wanted.

[elliespuns]

hello!! first of all, i don't intend to say this as a way to create a fuss or anything like that, i just see your blog as a space where we can debate a lot of tlou related topics and i want to know your opinion about it :-) anyways, while i did enjoy the hbo series, i also think it was very flawed in translating both joel and ellie's personalities - but i want to focus on joel's atm.

i don't think joel is "insensitive" on the game, but i do believe the fact that he tried so hard to hide his feelings and barely ever showed his soft side is a SUPER important characteristic of his.

i don't mind the way pedro played joel but at the same time i just cannot see both of them as the same man. and i don't talk only about the scenes where joel was visibly anxious or cried, but also the torture scene. i think it is one of the most iconic scenes on the game (also, I'm the one who asked you to take pics of it a couple weeks ago LOL) specially cause it shows us joel doesn't have to go out of his way to be a menace. the fact that pedro had to scream and etc to make them fear him bothers me sooo much.

i think pedro was more than capable to play a joel that is both too much of a father figure for his own good AND a tough son of a b*tch that can and will kill people with his bare hands to protect whatever is important to him.

from my point of view, crying during the "i saved her" scene is really out of character for game joel. when the guy just confesses he killed a bunch of people, "doomed" the whole world just to keep his little girl safe and then lied straight to her face, but his expression shows no hint of sadness whatsoever, that, for me, is the peak of his character.

"if somehow the lord gave me a second chance at that moment, i'd do it all over again". of course he's hurt that ellie doesn't trust him anymore, and of course he wasn't exactly happy to kill those fireflies, but he did what he thought was right and he'd rather have ellie hate him for another thousand years to come than know he just left such a sweet girl to die in the hands of a crumbling group, in the name of a cause he never really cared about. he knows his actions will have consequences but he doesn't cry cause he is willing to die for it (and he really did).

sorry for rambling but i really want to read other people's opinion about it!!

First of all, I love how perfectly you've just described game Joel. This is exactly how I feel about our man, and even if I tried, I could never put it into words like this. Hands down, bro, this is so well said.

Both Ellie and Joel were portrayed differently in the show (it's not the worst thing; I know that people who don't follow the game fell in love with these versions of them, and for them it's as magical as it was for us when playing), but I guess, for the game lovers, it's harder to see past this fact simply because getting to love a character and having to learn everything there is about them, growing up with them only to find out the creators (people who gave them this exceptional and amazing character) didn't care enough to stick to what they came up with is kind of a bummer. I mean, you can choose to ignore it on the screen, but yet it's something so 'palpable' you have to watch with a little *sigh* in your mind.

"It shows us joel doesn't have to go out of his way to be a menace. the fact that pedro had to scream and etc to make them fear him bothers me sooo much."

I agree. Game Joel has this death stare that makes people fear from miles away while show Joel doesn't. I think Pedro could pull it out without a blink of an eye—if only they'd given him this Joel to play.

People say that making show Joel more "sensitive" was to make him more realistic because in the game, the characters are portrayed as having to deal with the impossible (like killing 10 clickers and a bloater without any damage, etc.), while in the show, he's a real man, so real attributes and emotions are needed. I get that; that makes perfect sense. But I still also agree with folks who say that keeping Joel's "detached" and "thin-skinned" characteristics wouldn't hurt anyone because what's unrealistic about that?

Game Joel and show Joel are completely different characters in my head. I love them both. I can switch them in my head and tune into both Joels, but I still prefer the game when it comes to the story and the character Joel is.

It's funny because when I watch show Joel, I can't help but see a puppy version of game Joel, tbh. Pedro is literally able to play anything, so his version of "sensitive" Joel serves me just right when I tune into the show. But knowing Pedro would kill the "callous" and "unaffected" version of Joel, and it bugs me so much we'll never get to see it.

Btw, I'm working on your request, more photos of Joel torturing David's men are coming!

[skyfallscotland]

@heartfeltletters-written asked me 💥 How do you feel about criticism? and it felt like something that needed its own post, so here goes: the hypocrisy of critics in modern fandoms, an essay.

Criticism. I don't like getting it or giving it when it comes to writing. I struggle to even gently give it to friends, even when they ask me what I think of their work. Writing is such a personal thing that we pour our heart and soul into and like you say, many criticisms aren't necessarily valid. By that I mean, there's a difference between "Amy you use em dashes a lot babe" (I do) and "This story would have been so much better if Remi were a virgin" (actual criticism I have received, lmao). 

Unlike traditional authors, we will never make money from this, we do it for the love of it and it's time we will never get back. For some of us, it's time we could be working on our own original manuscripts too. I don't think people who give the second type of criticism are writers, generally. They don't understand the craft and what goes into it. Whenever I post and someone says a chapter was short or they immediately ask when the next one is, and that's all they say, I die inside a little. I try not to take it personally, but it's hard.

Personally, I think fandom behaviour is getting worse and that flows over into our comment sections and tumblr asks. I have a whole other dissertation on this that we’ll call ‘the slow death of fandom as we know it: an essay’, but that’s perhaps for another post. I don’t know how welcomed that commentary would be. 

You said the word ‘entitled’ in your original ask and I think that’s spot on. People have become more entitled in general and downright rude (which is not restricted to online spaces, by the way). I write for ACOTAR, but you’ve never seen me discuss it here because no matter what you say in that regard, you can’t win. Someone will always attack you and I do mean attack. Even in regards to Fourth Wing, I don't talk about my opinions a lot outside of my own little bubble of friends and readers.

And that's the kicker to this whole conversation, really. If I were to criticise Iron Flame/RY everyone would jump down my throat (as has happened on other platforms), even though I'd never say it to her face. Do I stand by my opinions? Absolutely. But it would be rude to tell her them, unless asked. I’m not allowed to (validly) criticise certain elements of her story, a published novel, without being attacked for it, but those same people are fine criticising my work directly to me. Hypocrisy at its finest.

There’s a new influx of people to fandom spaces who are completely unwilling to integrate and completely unwilling to be kind. You mentioned those who criticised your work could have saved themselves the trouble and read the tags, but the thing is: they don’t want to. They can’t be bothered to take five seconds and figure out how they work, to curate their own experience, because that’s what half these people are like. They want an algorithm to do it for them, gods help us.

For me, personally, I'm my biggest critic. I also have raging generalised anxiety, so just posting on the internet is enough to send me spiralling (seriously, I feel sick just typing this out). It's very, very out of my comfort zone and I've been very, very lucky so far to have cultivated the readership I have, full of very like-minded people. Perhaps due to some of the darker content matter. But the second I get harshly worded comments, I get upset.

I don't say that to elicit sympathy, it's just a fact. I get upset about it the same way I would if you were standing in front of me saying it to my face, and for someone with depression and anxiety, that lingers. I'm getting better at laughing at them, but it's like when someone tells you they don't like you and your mum says "just ignore them"—not that easy, right? 

So yeah, I don't mind if you want to tell me I use a lot of em dashes, or that I've used a word incorrectly in context, but I don't need to hear how much you hate original character fic when you could just use your last remaining braincell the back button and continue on with your day. Just be kind, is all I'm saying.

[bookshelfdreams]

Hey I like a lot of the takes you have regarding the pirate show so I wanted to ask for your opinion on smth that's been bothering me for a while:

I have a deep seated dislike for Hamilton. Twinkifying the fucking founding fathers, romanticizing slave abusers and overall villainizing the wrong people while others (Hamilton at the front naturally) gets sung at. Speaking of singing - I really hate it. Shipping (i want to repeat) the founding fathers, the blatant white washing bla bla bla. Anyway those are all known problems and better people have said it smarter before and that isn't really my point

It's the fact that a friend of mine recently brought up that Ofmd pretty much is the same and I shouldn't scream so loud in my glass house. Inaccurate historically speaking, the blatant ignoring of the slave owning that the real Stede and Edward did and so on and so forth. Minus the singing perhaps if we ignore Frenchies and Izzys

So. Does it make me a hypocrite to like ofmd so much but despise the mere mention of Hamilton? It's a thing I'm really stressed about lately and that kind of ruined my joy about finally getting season 2. I would love to hear your opinion. or that of your followers for that matter.

Thank you 😊

oh thank YOU because I do feel that this is an interesting thing to examine and we do not talk about it enough.

I have never seen Hamilton, or listened to the songs (except some snippets). I have never been involved in the fandom. I really, really can't speak to what the musical itself did wrong and right. But I will say this: There was a reason it got as popular and received the critical acclaim that it did. I can't speak to how it addresses the systemic injustice baked into the USA from the very beginning, and I do have a suspicion that it glosses over a lot of uncomfortable truths. But I also feel it is important that we divorce the source material from the fandom it spawns because ultimately, Miranda isn't responsible for Hatsune Miku Binder Jefferson, or the whole hivliving debacle.

Just as David Jenkins isn't responsible for the handwaving of slavery in fanworks, or the great Izzy Hands Debate, or whitewashing in fanart, or shitty, racist headcanons of the characters of colour, or whatever deranged scandal is yet to come to light. This is true for all fandoms; criticizing fandom dynamics is a very different conversation from criticizing the canon.

Let's focus on the canon here, though, because defending the fandom is pointless, and not something I want to do. Curate your experience.

The first thing to say is: If you like ofmd but don't like Hamilton, that's not hypocritical at all, that's first and foremost a matter of taste. Things are good when we like them and bad when we don't. We don't have to find objective reasons for it.

If the fact that the historical Stede Bonnet was a slaveowner, and the historical Blackbeard also participated in the slave trade, are dealbreakers for someone, that's valid. People have every right to be uncomfortable with that. The conversation could end at this point, if we want it to (I don't because I love to hear myself talk).

If we look at the historical figures a little closer the first stark difference is the cultural context in which they exist. The founding fathers seem to be extremely mythologized in the american consciousness but also, are understood to be real historical people. The founding myth is fundamental to the way in which the USA perceives itself (that is, as a beacon of freedom and democracy), and it's pretty hard to reconcile that with the bloodshed and human misery it was founded on. It's uncomfortable; and it's not just an American problem. Every western nation/former colonial power has quite literal corpses in their closets they'd rather not talk about (just so you don't think I'm getting on a high horse about the famed Erinnerungskultur here; go ask a german person about Lothar von Trotha and what he did to the Nama and Herero to receive a blank stare). The difference is, that the founding fathers are too prominent and too important to just not talk about, so instead, they are sanitized to a degree that can be straight up historical revisionism.

That's not Miranda's fault. Nor is it the fault of any one particular piece of historical fiction, biography, documentary, or what have you. But it is the context in which Hamilton exists and, from what I understand, a culture to which it contributes. Especially since it's based on a biography of the real Alexander Hamilton, and (again, to my understanding) claims to tell a more or less accurate story.

Pirates, on the other hand, are perceived completely differently. They are mythologized, but not for ideological reasons, not as state-building propaganda. Pirates are more like folk heroes; cultural icons (near) completely divorced from whatever historical figure once lived. They are "real" in the sense that they are based on real people, but engaging with them, from the start, has a layer of removal from reality that engaging with figures like the founding fathers hasn't. Blackbeard is from a saga. George Washington is from history.

ofmd, specifically, makes clear at every turn that what we are told is a fictional story that has very little to do with any real events. It's openly anachronistic, it has absurd internal logic. Life-threatening injuries are walked off. There's actual magic. Dinghies are treated like spawn points in a video game. Everything, from the costumes to the vernacular to the story beats, tells the audience that none of this is real.

You wouldn't accuse, idk, A Knight's Tale, or Mel Brooks's Men In Tights of whitewashing history. I feel like ofmd plays in a similar league; it's a comedy very vaguely based on history, and it makes sure the audience knows we are not about to be told anything true. If you watch ofmd, you know this isn't about the real, historical Stede Bonnet or Edward Teach.

So. Let's examine the actual story, yes? The story that is told here is anticolonialist, antiracist, and challenges oppressive power structures as much as is possible for a production like this. It addresses these things and condemns them, both explicitly and in its underlying message. (I'm not gonna explain all of this, enough ink has been spilled about it by people smarter than me)

I do not know what Hamilton is about at its core. I know Our Flag Means Death is about authenticity in the face of the whole world telling you there's something wrong with you. It's about resisting dehumanization and reclaiming your personhood. It's about love, in a radical, system-destroying way, about breaking the cycle of abuse, about healing, and finding joy.

Yes, the real historical figures it's based on were all horrible people. Again, if that's a dealbreaker, that's fine. I'm not trying to convince anyone who is deeply uncomfortable with that fact; it's perfectly understandable.

However, for me, personally, the story as a whole is so far removed from reality, and so firm in its message, that I feel this is forgivable.

(Oh, and a lat aside, I also feel like likening ofmd to Hamilton seldom seems to come from a place of genuine criticism. Often it seems to be more along the lines of "Hamilton is cringe, and if I say ofmd=Hamilton ppl will be too embarrassed to defend it" which yk. feels kinda disingenuous to me.)

[hollowed-theory-hall]

hi!🖤 what do you think Harry is like in a relationship? is he like romantic James? i like the idea of him being gay, especially with Draco or Theo, what kind of relationship could they have?

Anonymous asked:

hey there 👋 we khow your opinion about Harry as a parent, but what's about Harry as a romantic partner? i kinda hate like it was portrait in canon with Cho and Jinny bc of his survival mode and i don't think Harry actually likes them, it's more like Ron with Lavender - need to have a girl

Hi!

I think Harry would behave pretty differently in any relationship he's in since Harry takes a lot of social cues from whoever he's with. Like, his friendship with Ron is different from his friendship with Hermione, which is different from his friendship with Luna — like, Harry fits himself to whoever he is with. (I think it's in large part due to his background and low self-esteem)

Like. The most major difference between Ginny and Cho and any guy he might get with is how much Harry cares and whether he actually knows the person. Because I mentioned with Ginny and Cho how Harry does a lot of projecting and doesn't really know them as people. Like the second anon said, it was because he needed a girl to appear normal — to feel like he was a regular teenager.

In general, Harry, as a romantic partner, when he actually cares about his partner, would probably be incredibly loyal and attentive. We know he can pay tons of attention to any tiny detail when he cares. He'd probably be able to read his partner's moods so well because he'd bother to observe. With his intuition and attentiveness, it would almost be like Legilemancy (but Harry would never, he just knows how to read people he cares about). He'd probably be very protective of his partner (as we see him with his friends). He's the kind of guy who'll step in front to shield anyone he cares about. And I don't think he'd fall for the trap of overprotectiveness with a partner he actually likes, respects, and sees as an equal.

He'd probably not be one for pda or initiating physical affection in general, but over time he'd probably become more comfortable with it in private. I can't see him wanting to broadcast his relationships to the Wizarding World beyond making sure everyone knows he's taken so they'd shut up and stop asking him about it. He just strikes me as a private sort of person.

He's a pretty thoughtful gift giver, so there's that, too. I think Harry doesn't speak up his affection often (I mean, with his childhood, it's no wonder), but he'd show it. He'd be super attentive and thoughtful, and he'll say how important his partner is to him even if it'll take him time to get to "I love yous."

We do see him being pretty jealous over Ginny, so I think it'd be worse if he actually cared about the person and didn't just delude himself he does. Like, he'd have the most deadly of glares saved for people who talk to his partner.

Like, regardless of anything, he'd probably be pretty awkward about the whole relationship thing when he actually cares at first. Like, he was pretty awkward when he thought he had a crush on Cho, when he actually has a crush, it'll be worse, but also better. Like, depending on when in his life and the specific circumstances having actual feelings for his love interest could make him more or less awkward.

But besides that, with every partner, Harry would be different.

I made no secret of the fact I'm no Drarry shipper l, but I think Harry and Draco would have a similar dynamic to canon, in a way. Like, they'd be a bit obsessive, super competitive over everything, Draco would thrive on every bit of Harry's attention. Harry is pretty quiet, so I could see Draco speaking more often, and Harry'd listen. Kinda like how Harry is with Ron and Hermione, where these two talk more than him in conversations, but Harry doesn't mind because he likes listening to them, so the same thing.

Depending on when you get them together, the dynamic would also change. Post-war Drarry and Hogwarts years Drarry have a very different flavor to their interactions. With post-war Drarry having more of an understanding of each other, as Draco already had his major character growth. Pre-war, they'll have a bit more struggles in the getting-together phase. I think post-war drarry would work better, because, before it, I think Draco is just, very immature compared to Harry. Like, Draco acts his age, he's a dumb teen, but Harry, even as a child, is a bit mature in certain ways, so I think there'd be clashes there.

Nottpott is a ship im fully behind. Theo is as quiet as Harry (even quite), which would encourage Harry to externalize a lot of his thoughts, same as he'd encourage Theo to do. They both had crappy childhoods and share a lot of experiences, so they're on the same page from the get-go. Like, I think they're both experienced with having the maturity of being forced to grow up a little too early.

I imagine they chill with sometimes just sitting quietly together, with Harry filling in the silence more often than Theo (compared to Draco, with whom it'll be different). I think there would be less pda between Nottpott than between Drary, I feel Draco is more of a touchy person than Theo, definitely when it comes to the public eye. I think Theo would be boastful of dating Harry, not in the "I'm dating the Boy Who Lived" kinda way, but in the "I'm dating the best most brilliant person I know" kind of way, which Harry would get super bashful about (I'm all for anything that raises Harry's self-esteem). On the other direction, I think Harry would bring Theo out of his shell and unteach him a lot of crappy coping mechanisms and re-teach him to show more emotion.

I see Theo as more ruthless than Draco, so he'd be like a Harry enforcer. Harry wants something done, Theo would find out how — poison, archaic rituals, dark spells, whatever else — Theo would find it and be willing to use it.

I like to think of Theo as an external self-preservation extension for Harry. Someone who tells Harry and shows him he is worthy enough to be protected because Theo would be willing to endanger himself for Harry's sake (something he won't do for anyone else). (I think this last paragraph applies to Drarry too, since Draco has more self-preservation than Harry. Although, that's not a high bar. But he doesn't like seeing Harry in actual danger even in canon). The idea is that I like pairing Harry with a partner who doesn't want him to put himself in danger while not treating him like he's made of glass (cause he'd hate it), unlike Ginny who finds Harry endangering himself dreamy and part of the "Boy Who Lived" ideal.

So, yeah, I kinda rambled here, but I think Harry would be a really considerate and attentive, if awkward at first romantic partner if he actually cared about his partner.

[nyctophiliq]

AHHHH can you do arcane milfs and reader with age gap? Like maybe something that explores how they feel about being older than reader. Thanks<3

✮ — 𝐓𝐇𝐄𝐈𝐑 𝐎𝐏𝐈𝐍𝐈𝐎𝐍 𝐎𝐍 𝐓𝐇𝐄 𝐀𝐆𝐄 𝐆𝐀𝐏 ; cassandra kiramman, ambessa medarda, enforcer grayson, renata glasc, sevika

content warning. afab! reader, sfw ! — lowercase writing intended, age gap, mention of suggestive themes(?), characters are worried, and the reader is a bit oblivious to it

moss' notes. this is such an amazing idea, moss wants to kiss the anonie on the lips (only if anonie lets moss ofc) another note, moss doesn't think they did justice so they might just come back to this later :)

— CASSANDRA...

it wasn't uncommon between her peers to fool around with a much younger partner, to crave the companion of a young person so they themselves can feel a little younger. she sees it as a normal thing in the world, back then in the older days there were teenagers marrying men in their fifties and up, nowadays that doesn't happen but it's somehow still there in a much healthier way.

it doesn't bother her but the ill talks about your relationship fuel her anger. those nights she has a hard time going to sleep, rambling about how it doesn't matter, that they are lies, and that the two of you will never end up like all her comrades do.

x "no matter the gossip, no matter the looks, i love you with all my heart my darling, nothing can change that."

— AMBESSA...

at first, she wouldn't be too worried about the age gap between the two of you, giving no special thought to it because she had plenty of girls as young as her own daughter or even younger before. but when she thinks about having a family, a long life with you the fearless warlord can't help but be scared of what is to come. she had never really thought about her own mortality, she decided if death is to take her to battler then she will be pleased, but with you in the picture, she is not sure if she would like that either.

x "i live in great fear now with you by myself, but i don't dread it, i just hope it will ease. i love you, my dearest y/n."

— GRAYSON...

she can't, she faces so many dirty people on her job, people who take advantage of younger people and call them stupid just because of the age gap is just unacceptable in her opinion. she has a hard time accepting her feelings for you, struggling every step of the way and even now that you have been together for a while she still feels that she needs to apologize if she has ever made you feel like you were just a pretty young thing, a toy that she could use as she pleased. she begged for your forgiveness if she made you feel like that, crawling on her knees in front of you. it is a heartbreaking sight to see someone like her be in such a wrong space of mind.

x "i hope you know that i would never treat you differently just because you are younger, that i don't see you as something to play with, but i see you as my life... i'm sorry."

— RENATA GLASC...

renata might be even more worried about the years between the two of you than anyone else. she hates to think that you might feel that she is too old for you or you are too young for her, that because she is already successful in her line of work she will never appreciate the small things you achieve before the big ones roll in. she wants you to feel equal next to her, to not think that at any given time she is trying to use that horrible line that mothers use, the "i am older than you, i know better, i know what's right for you and me" - she might know more than you, but isn't to say that you are not smarter than her in other topics.

x "we are equal, regardless of our age or knowledge, i love you despite anything they say. i want you for who you are, not because of what you are, my sweetheart."

— SEVIKA...

sevika isn't immune to the worry that comes with the age gap between the two of you, but she takes it less seriously than the others. she has accepted the fact that she has little control over who she falls in love with, who makes her heart flutter and make her realize that she doesn't need to be a god for someone to love her, that she can be human and you would find her nothing but lovely. she thinks very little of how the years between the two of you would affect your relationship.

x "you and i are a team, nobody can take us on, they just have to deal with it."

tag list ; @roguescarlett @mxyx-rx444 @darlingmisa @einrosa @sevikasangel @nopealoupe @pixiegirlz @gonegonethankyouuu @xthescarletbitch @orang3-ish @bigboobslilheart

[queen-kassiopeia-the-5th]

With the return of House of the Dragon, there is something that always bothered me about the main idea of the show vs the book.

In the show, there is this dilemma of who has the right to become king – the firstborn daughter, when women were always denied the right to rule, or the eldest son, who is male and thus following tradition. There is the mix-up with Viserys talking to Alicent before on his deathbed in the show, and the plain fact of power hungry relatives pushing their chosen monarch in the intended direction, but fundamentally, the question boils down to – woman vs man, who should rule. Rhaenyra's side doubles down onto proving this female equality side, which is great, and I'm glad we get to see some badass women riding to war on dragons, and plotting, but it was never the main idea of the Dance of Dragons.

The reason for the Dance, in the book, is a pattern we see in throught the entire story. A strong monarch leaves behind a weaker monarch, who is unable to maintain peace, and war breaks out. We see it in Aegon the Conquer, with Aenys being a weak king and Maegor being a tyrant, partially in order to combat the unrest that Aenys created, and partially because he is trying to emanate or even exceed his father, unsuccessfully. Then we have the Jaehaerys, who in my opinion was one of the best, if not the best king of Westeros. He created a long time of peace and was a strong monarch. Then came Viserys, a weaker king – this is not to say completely incapable – who left behind a festering conflict that lasted years. The green and black camps were decided long before his death, and he didn't do much to combat this, or try and resolve the situation. We see a similar pattern in real life history, that we all know GRRM draws inspiration from. The Diadochi generals that inherited Alexander the Great's empire quickly began fighting among themselves in the Wars of the Diadochi, vying for control over the empire he created, ultimately to lose it; the Carolingian empire was divided a few years after the death of Charlemagne; Genghis Khan's children attempted to expand his empire, but it fragmented into several khanates and to China.

Ultimately, you can say that the show is a separate entity from the book, and I agree with that. I do think how the characters are written and developed in the show in some cases is much better than the book – see Viserys – and there are differences between them plot wise. I'm not saying I expect a word for word interpretation of the book. It's just an interesting angle that I got from the book, and that in my opinion the show has not touched on, and took into a completely different direction, which is still interesting. I think it would have been nice to have both, though.

[queen-rhaenyras]

Rating Bg3 Ships with the origin companions

Warning: Opinions that may differ from your own. I rated the companions, now it's time to rate the ships.

#1 Lae'Zel/Shadowheart: I'm not into enemies to lovers that much, but I make exceptions for women. Love this ship so much. Also both realizing their goddesses are terrible ad helping each other through that. I love them. They are my fav bg3 ship. Like my lesbian heart can't handle how much I adore them.

#2 Shadowheart/Gale: I love this ship so much it hurts. I played Gale's origin to romance Shadowheart and it was beautiful. (Also the nerd and the goth girl? Adorable). They are perfect together in so many ways. I saw someone else say if Shadowheart was a man, people would love this ship because they compliment each other so well. They are everything people think Astarion/Gale are. Also they both have issues with their goddesses and can never really escape them. Only they can understand that and it would bring them so much closer. Also their cozy good endings in the epilogue! I can see them fitting in perfectly with each other's good ending.

#3 Wyll/Astarion: True foils. Monster/Monster hunter. I'm obsessed with this pairing. If Wyll was a white man, this would be the most popular m/m ship in bg3. Please repeat that last sentence slowly, because I can't say it enough. I don't even like Astarion as a character all that much, but I love this ship a lot. Also Astarion has a crush on Wyll. Why are we denying him his crush? Let's be so for real about this one.

#4 Wyll/Karlach: The fact that Wyll can go with Karlach in the end? Their return in the epilogue and how they speak of each other? It's so cute. I love them together. Another example of enemies to lovers that I actually enjoy because they don't hate each other. As soon as Wyll realizes she's not who he thought she was, they develop a mutual respect for each other. I love that dynamic so much.

#5 Shadowheart/Karlach: Shadowheart's comment about Karlach picking her up and carrying her over her shoulder to safety sold this ship for me. It's cute and f/f so you know I love it.

#6 Gale/Lae'Zel: Also have shared goddess issues. Gale learns Lae'Zel's language if you play his origin to romance her. I haven't done it yet, but omg that's so cute. He also calls her a term of endearment in her language? I'm going to have to play as Gale to romance her asap. Obsessed with the idea of these two together.

#7 Karlach/Astarion: This is a pretty popular ship and It's a popular ship I can get behind. I do like these two together and I think they compliment each other well.

#8 Lae'Zel/Karlach: I mean. It's f/f so I'm a little biased, but I can see the potential. I don't hate it at all. I saw someone who romanced them with each other and they said it was surprisingly sweet.

#9 Gale/Karlach: I can see how it's cute, but I just don't see them together romantically. I do love the idea of them being besties. Karlach's reaction if Orin takes Gale!? When she says, "MY wizard." and the way she wants to cheer him up after Elminster tells him about Mystra's plan for him is precious. So I understand if someone ships them. Maybe if I romance one of them with the other I'll change my mind.

#10 Shadowheart/Wyll: I do not see any chemistry, but that doesn't mean it doesn't exist. I don't mind this ship. It doesn't bother me at all and if there is anyone out there that ships it, good for you. Hope it brings you joy. It's definitely an unproblematic ship.

#11 Gale/Wyll: This is boring I'm sorry. I love both of these men so much, but together? Not so much. But I don't HATE it. It's just not my cup of tea. If you enjoy it though, that's perfectly fine. Like the above ship, it's unproblematic and I understand why someone would like it.

#12 Wyll/Lae'Zel, Lae'Zel/Astarion, Shadowheart/Astarion: Meh. I don't hate them, but I don't love them. I don't really have an opinion about them to be honest which is why I threw them all together.

#13 Gale/Astarion: My most controversial opinion yet because this is such a popular ship. But these two feel so FORCED. If they weren't two white men, they wouldn't be as popular. Let these two dislike each other for the sake of disliking each other. Astarion's dislike of Gale is not cute and it's not enemies to lovers. Also Astarion's reaction when Gale is taken by Orin gives me the ick. He's awful to him. I don't want him touching my favorite wizard with a ten foot pole. Gale deserves way better. Also I relate to Gale more than any other character, and Astarion irritates me as a character and I low-key feel like Astarion would irritate Gale too. In fact, I'm pretty sure he does. I had Gale kick Astarion out of camp after he tried to bite him during my Gale origin run and it was so on brand for Gale. It just felt right. Sorry if you ship this. This is not me saying people shouldn't ship it. Ship what you want if it brings you joy. But I wish people would stop acting like these two are MADE for each other, because that is such a red flag to me.

[babiebom]

Bachelors and what kind of ~dere they would be

A/N: I thought this would be something cool to write headcanons for especially because I've played through the Sebastian yandere mod and have watched vids on the others being yanderes. Personally I feel as if some of them don't really fit the yandere category and others would fit them more.

Tw: none as far as i know. Does sort of spoil one of Sam's heart events and a game event.

Word count: at least 10 bullet points per character

Sebastian

Kuudere

Describes as often plays it cool and even in the most stressful situations they're calm and collected. They never panic and often remain distant and analytical until the end.

I feel like Sebby doesn't often show his emotions, especially because he seems introverted.

But the thing is he doesn't seem like the shy uwu scared of people introverted he's more of a voluntary introvert and just prefers being along but has no problem interacting with people

So for that I'm saying he's more the type to always be calm around the person he likes, never making his feelings obvious and never treating them any different than he would treat anyone he sees as a friend.

Kinda reminds me of an anime scene(I forgot the name but its space themed)

Of where the girl basically confesses her feelings and calls the guy an idiot after they talk about what they plan for the future and she says her dream is to become his wife and why can't he see that

And his reaction is basically ? I thought we were already together what?

And she's like ???? You've never made it clear that you like me and he's like yeah didn't think that i had to? I thought we were already together.

He gives off those vibes.

I also feel as though if he did open up it would be in a nonchalant way, it wouldn't be dramatic or romantic I think he would just be stating his feelings as facts.

And I feel like people often forget that this man is a huge nerd and super smart at least in my opinion

I mean he codes from home and plays dnd.

Even if he isn't a robotics and super science nerd like Maru is I think he is a smart and rather analytical person. I don't think he would be on the emotional side of things

If you get together he doesn't change much but does show his affection through touch and acts of service rather than his words.

Harvey

Dandere

Described as shy, quiet, and asocial is most situations. Stays quiet to avoid conflict

I feel as even though he's the town doctor he doesn't have many friends

Like he's only close to Maru bc she works for him in the clinic

And we usually see him hanging out alone or in his room looking at planes and stuff

I feel as though if he developed feelings for you either you would notice right away with how weird he acts around you or you wouldn't notice at all because you assume he's quiet with everyone unless its medically related.

So maybe not shy but quiet does describe him.

Obviously he opens up around you little by little the more you interact with him but it takes a lot of effort on both if your parts

On yours you have to consistently bother him and talk to him which is a lot of work especially when its not reciprocated at first

And on his he has to allow himself to be vulnerable and open with a person, its even harder when you feel romantic feelings for that person because what if they don't really like you in that way or they decide they don't like you after getting to know you

Very sweet man when you get together, still quiet but in a more comfy way.

Shane

Tsundere

Described as hostile and cold on the outside and sweet and kind on the inside

And I feel like that exactly describes Shane

While he is an alcoholic(recovering or not based on how you see him and play the game)He is very sweet even if not to people other than you(once you get to know him), jas, and his chickens.

Does seem like the type that once he starts feeling things for you he would start helping in small ways but also tries to not make it obvious

Oh he sees you walking from the woods with a big ass bag of fiber rocks and wood?

He'll offer to carry it if you need help

Sees you out and about in town, asks what you're up to and if you need help with anything

But don't think that he'a doing this because he likes you

He doesn't he just wants to pay back the kindness you've given to him back to you so he doesn't owe you anything

Ends every sentence to you with stupid or idiot if it allows without seeming genuinely mean

Does really like you and slowly starts showing you that once you show you aren't going anywhere

Does still get incredibly flustered when you do something sweet for or to him

Though if you get together is more open with his affection.

Elliott

Yandere

Described as a person that is very loving and affectionate to their loved one until it becomes a constant obsession leading them to become overprotective, violent, and psychotic towards anyone they deem a threat to their loved one, even the loved one themself

First of all his yandere mod was the scariest one yet like ooof

And while he does not seem like a violent person

He is a writer, which means he is some sort of delusional, creative, and or imaginative that I think he could have a mental break and carry out the things he imagines. 

We see that due to him being a writer, he is basically a hermit because all he does is stay in his cabin and write all day

Like yeah he's friends with Leah but how often do you think he actually leaves his home seeking interaction?

I feel like he would meet you and then suffer from a writers block and its your fault because now all he can think about is you

You're his muse

And due to that he becomes obsessive over you, no one else can have you he needs you at the very least more than they do.

Would 1000 percent stalk you, in his mind he's just watching over you to make sure nothing happens to you

Whether that be in town, on your farm, in the mines...he has to keep you closeby.

Speaking as a writer that does get very obsessed with things to the point of me changing what i write about and how often I think about or daydream about it

I think he is the most likely candidate for this kind of 'love' towards a person

Your imagination can delude your thinking, paired with living in a cabin alone with only your thoughts and silence it's no wonder he would be slightly insane.

Sam

Bakadere

Described as clumsy, stupid, and lacking in common sense when dealing with things in their life, but also very optimistic, and having a carefree, child-like innocence.

While this may seem like I'm roasting him I'm not

I do think he sometimes seems clumsy or dumb or even maybe like a teen especially because he's just playing guitar or skateboarding or playing video games

But there are glimpses of him being responsible and caring

Like how he actually had a job, even if it's part time

Or during his heart event when Vincent asks if their dad is going to come home before we find out that he indeed does come home

He covers his true feelings with optimism and happiness even if he's worried, which makes me think he fits this.

He only wants his loved one to be happy, and while constant optimism may seem or be annoying so certain people, he wants to be that light in your life.

And because he's so optimistic he is naturally kinder to others, while others like Sebastian, Shane, or Haley are standoffish when you meet them, Sam is sweet and is happy to meet you which translates well into getting to know you and then shifting into a romantic relationship

So while he may seem dumb to others, even to you with how positive he's being he's actually far from it even if he is a little reckless and clumsy sometimes

He turns down the constant optimism after getting together, but never stops being positive towards you, no matter if you succeed or fail, he's there to pick you up again with kind words and unwavering support.

Alex

Also Bakadere

but for a totally different reason

the dude is basically a himbo, though some of the things he says can be seen as iffy or mysogynistic

im pretty sure he doesn't mean any of it though, and while he can come off as dumb and out of touch he is shown to be sweet and caring and using his frat boy persona as a way of keeping people at an arms length

due to that i see him as similar but different to Sam

both boys seem kind of dumb, annoyingly optimistic, and sort of innocent in a way.

and both boys tend to use that as a surface personality, and until you actually take time to know them(Sam's worries, Alex's background and current worries) they seem like the type of people to be positive in any situation

Also seems as if he would take on a leader role simply because everyone voted for him to be it because of his positivity.

another thing is how certain(though inside he's not as) that he will become a gridball player.

Like the dude only talks positively about his dreams and is constantly working towards his goal

as well as we see in his dialogue that the farmer does indeed sometimes get annoyed at his words such as when he says things like "what why're you looking at me like that"

exactly as an anime character in this role would do.

Though after marriage is still sorta a dummy which is low key kinda cute.

[nanoa1foryou]

Translation - Yle interview, Käärijä, 30.9.2023

Translations for this interview by Yle

Käärijä opens up about his rough Erovision year - feeling like a circus monkey and the bolero has almost been thrown to the fireplace

The eurovision star shares how his thoughts haven't been able to keep up with all of this runaround.

Käärijä has thrown the green bolero off his shoulders for a moment. In a music studio in Helsinki Jere Pöyhönen from Vantaa is now sitting, wondering what the Eurovision year has brought with it.

It is a good moment for a mid-season account.

After the Eurovision madness Käärijä performed 51 shows in Finland, which is a staggering amount. An equal amount is lined up for the fall, when on top of the homeland shows there is a European tour ahead.

Käärijä has tried to take a holiday in between, but it hasn't fully worked.

Even now he has come in straight from a tv-show set. At the same time he should be working on new music.

The artist knows, that you have to strike while the iron is hot.

Worried people ask Käärijä constantly how he's doing. He doesn't know that himself either.

– At the moment it feels like I would need more time off. I'm honest and not denying that. The shows keep going and I'm slightly scared. Touring has never scared before, but now maybe the fact, that how will I make it through it all.

The Eurovision result frustrates him even still

Käärijä watched the Eurovision Final video just a few days ago.

He still cannot understand, what happened in the arena in liverpool, when the whole hall was chanting Cha Cha Cha.

The Final performance was one of the easiest and most relaxed for Käärijä, because months of work was coming to an end. He also remembers the moment, when he almost ran into a wire that got stuck.

Käärijä placed closely second and took the loss with a heavy heart. It bothers him still.

– Of course it's frustrating at times. But people comfort me a lot and try to find reasons, why it was better I didn't win. At the end of the day life wins and it's not more serious than that.

The artist celebrates, that he got the most votes from the audience. It has bred him a lot of shows.

He will not be going to Eurovision for a second time. The runaround starting from UMK was so hectic, that the human mind can't keep up with it.

–Kind of like if you opened up a christmas present and you get your favourite toy and even still the childish enjoyment is minor. Every day so much happens, that I didn't have time to process it and it was already the next day. Just remember that we went and fast,

Käärijä's golden cage

The phenomenon that started from Käärijä has been exceptional.

Though the fame flatters the artist, he has felt it in his skin.

In his opinion some people don't know how to behave, when for example they take pictures of him with no respect to his privacy.

– Even though I like giving autographs and taking pictures, too much is too much.

At times Käärijä has felt like a circus monkey.

– I get this feeling, like you're a monkey in a travelling circus. You don't get to have feelings and opinions or others decide how things are and I have no say in this.

At the darkest moments the thought has crept into Käärijä's mind, that he should just quit.

– yes there are those moments, that now the bolero is going into the fireplace and the song gets deleted, if that were possible. but at no point has there been anger towards my own product. Maybe at times towards the artist Käärijä comes this feeling, like could you just go hide for a moment and lay down, so that I'd get some peace too, Käärijä laughs.

Despite it all Käärijä's inner animal always comes to life when at a show Cha Cha Cha comes on.

Käärijä says, that the Eurovision year has changed him as a person.

– I can appreciate things very differently. When the success and fame came, I've realized, that happiness is somewhere else in the end.

–I'd like to build a small cabin on some beach somewhere and go there after tour to calm down.

What next, Käärijä?

A few weeks ago Käärijä released his first song since Eurovision.

It's crazy It's party is notably related to Cha Cha Cha and it features Estonian artist Tommy Cash.

Cha Cha Cha has by now amassed over a 100 million streams on Spotify. That is a goal no other Finnish language song has ever reached.

Käärijä admits, that there was a lot of preassure to making new music after the huge hit.

– I'd be lying if I said there wasn't. But I was surprised by how relaxed my mind was when I finally started making new music. Perhaps the biggest preassure was left behind on the Eurovision stage.

Many Finns have hoped that the international attention would bring Käärijä a longer career internationally.

Some have however already deemed him a one hit wonder, when the new song hasn't gotten a lot of plays outside of Finland. Although even it has already over a million plays on Spotify.

– I myself have been a police about other artists like no no no, you shouldn't have done it like that. But with music you have to start from that you're happy with it yourself and if fans are coming in then that's a plus.

Though Käärijä is going on an European tour, he still considers Finland to be his most important market zone. If success comes from elsewhere then that's just a welcome addition.

Despite it all Käärijä is now a part of the eurovision canon and a real Eurovision legend.

He doesn't yet know how to fit the Eurovision legend's cape on his shoulders, because he sees himself as still too young. Käärijä knows though, that him and Cha Cha Cha will be living a life of their own from this point forwards.

But would Käärijä go to perform in Malmö, Sweden next spring on the Eurovision stage after the stinging loss last spring? After all, Eurovision usually gathers performances from the successes of previous years.

– Maybe earlier I had fears that I would become a Eurovision artist. But the world has changed and now we have Blind Channel and other successful artists from other countries. If the invite comes, then I'll gladly go along and experience it a little differently.

[iveneverbeenmorestressedinmylife]

it feels like I'm going fucking insane I just finished the episode "One day, one room" and i was fucking astounded. It left me with my mouth open, literally peak television. Seeing this side of house, seeing him finally open up for once, seeing him say "I don't know", the novelty of seeing him experience the fact that connection comes with uncertainess. He made that human connection and he doesn't know if it helped her or not

The DIFFERENCE BETWEEN THE TIME HOUSE GOES TO THE JOGGING PARK TO GET AWAY FROM CUDDY AND ITS OLAYED FOR LAUGHS AND THEN THE SAME LOCATION IS SHOWN FROM A NEW PERSPECTIVE BOTH LITERALLY AND FIGURATIVELY WHEN HE TAKES THE PATIENT THERE

THE CHANGE. THE FUCKING CHANGE OF THE MOOD OF THE TONE OF THE WHOLE EPISODE. THE CHARACTERIZATION GODDDDD

This literally had a huge effect of me this episode was touching

ANYWAYS PEOPLE ON REDDIT DONT LIKE IT???? AM I INSANE???? AM I DUMB???? AM I ILLITERATE IN MEDIA??? AM I GOING INSANE??? IS THIS NOT ONE OF THE BEST HOUSE MD EPISODES????? im asking you because youre the only house md person i know on this hellsite

Well, your first mistake was taking what people on reddit say seriously and letting their opinion affect the way YOU think about this episode and how it affected you!!!!! One day one room is indeed, an amazing episode, it really is one of those times where we see House truly open up. One of the rare times where he opens up to someone other than Wilson, or Cuddy, someone who doesn't actually even really know him. And he opens up for the patients benefit!! He only does it because she asked him to!! He doesn't have much to gain from this but she asked for it, she basically begged for someone to connect with her pain and he happened to be the one she chose for the task. Even tho this sort of thing does NOT come naturally to him at all.

Theres just something about how uncertain he is about all of this too. The way he asks his team for help (tell her your life sucked - it didn't, tell her nothing bad has ever happened to you - but it did, dont tell her anything. and don't these answers say some interesting things about the people who gave them), the way he settles for a half truth at first and almost loses her trust because of it. The way he eventually just lets it happen. The way he is still so uncertain about whether he did the Right thing even when the impact of his actions seems to be mostly positive. The way he is still not sure if he truly helped her or if he just made a traumatised girl remember the horrible things that happened to her. The way he had to unearth his own past to do that (did it make any difference? Wouldn't it have been better to just forget everything?). The way he is clearly bothered by it. "Because i don't know." What a way to end this episode. All of that uncertainty, the fact that human connections are one of those things that he will never be able to fully understand or control, the fact that he will never know if he made the right choice. Its honestly been a few months since i last watched the earlier seasons but you made me think about this ep again and yeah you are so right, this is probably one of the best house md episodes. Me (insane) to you (also insane): you are not insane and neither am i. Take my hand. Strangers on reddit don't know shit.