#I'm in love with magic of these tales
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Actually, I like how creative Ukrainian fairytales are, but it's a pity that I'm not able to read all symbols that were there.
#Ukrainian fairytales#Ukrainian culture#I'm in love with magic of these tales#like there is a witch with iron nose#straw little bull#and kolobok#literally a piece of dough that can trick any animal in forest#except for foxes of course#foxes are fabulous
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Missing Piece
@piperjistic had asked for a forest spirit and while this isn't fully in line with your request, I still hope you'll like it!
Minor warnings ahead for non-graphic violence and a wee bit of body-horror towards the end, though it doesn't happen to the main character. Please be sure to take care of yourself!
*.*.*
For as long as the little girl could remember, it felt like something was missing within her. She could never put a finger on it, but it made her a restless child, picking up and discarding games, struggling with consistently staying interested and some days she just felt very strange.
Like that one stained glass window she had seen when her parents had taken her to a nearby city. All disjointed fragments that still managed to be a picture, but it would never be one entire piece.
The stained glass window at least had been pretty compared to the ugly feeling within her.
"Have you ever felt like something is missing inside you?" she asked her grandma, who came to pick her up many a day while her parents worked.
Things were strange between Gran and her parents, she never talked to them and they never talked to her and she never set foot onto their garden, preferring to wait for the little girl at the gate by the little dirt road.
Gran stilled and when the little girl glanced up at her, her face had gone dark and grim and for the first time in the girl's life, her beloved grandma, a joyful soul who loved her with all her heart, looked just a little bit frightening.
But her hand around the girl's remained gentle and the older woman kept walking at a sedate pace so her short little legs didn't struggle with keeping up.
Everyone always said to the girl that she would grow to be bigger and she couldn't wait for that day to arrive. Gran was silent for so long that the girl thought she was never going to answer.
"You best ask your parents about that," Gran said at last, voice quiet and heavy with something unspoken. Strangely, her voice reminded the girl of a draft horse she had seen, who had been forced to pull a too heavy burden, body straining as it slowly and laboriously set one hoof in front of the other.
"Alright," the girl answered and grinned up at her grandmother, hoping to break up the awful mood her innocent little question had created. "Can we make blueberry cake today?"
Gran smiled and it was like the sun returning after a dark, scary storm, her face brightening and looking as kind and loving as ever. "Of course, little chestnut." She leaned in, voice dipping into a conspiratorial stage whisper, "My wife picked an entire basket just this morning."
The little girl giggled and soon the two of them reached the end of the village, all talk about missing pieces and resulting, scary expressions forgotten. The blueberry cake was delicious and maybe a bit messy since the girl had tried to help a bit too enthusiastically and the cute little apron Gran had made for her was stained with purple-blue juice on one corner.
Gran's wife, Tanya, arrived just as they had taken the first bite of a still warm slice of cake.
"You baked without me?" she gasped in a mock scandalized voice. "Oh, the betrayal, how it stings!" She dramatically fell onto the kitchen table and the little girl laughed when the two older women broke out into a full blown performance just to ensure she kept laughing.
Gran brought her back home just as the sun set and a strong, steady wind blew in from the forest, bringing with it the smell of spring moss and damp, cool earth.
"If you ever meet any magical beings, be wary," Gran said as she stopped in front of the gate that creaked noisily as soon as it was two thirds of the way open.
She looked down at the girl, her face serious. "One day you might and if you do, they will offer you deals and nothing good ever comes from accepting their offers. They will only bring ruin in exchange for empty promises."
As solemnly as the little girl could, she offered her little pinky. "I promise to be careful," she said and a shadow of a smile crossed Gran's face as they hooked their pinkies around each other gently.
Gran leaned down to kiss the top of her head before she left with a glance towards the house and the girl briefly glanced towards the forest. It was an old forest, not quite as ancient as in other places, but surrounded by plenty of stories and mysteries.
The girl had heard rumors about creatures living in the woods, of magic being alive in ways the mages in the big cities could never hope to replicate. She decided to be very careful whenever she went into the woods to pick berries and mushrooms. She had promised, after all.
She entered her parents' house, neatly putting her boots beside her mother's and when she looked up at her parents, the question tumbled forth without much thought, "Why do I feel like I'm missing something?"
Her mother, who was currently carving leather, stilled so thoroughly she might as well have turned to stone. Her father, in the process of cooking, seemed to freeze in place, the stirring of his ladle abruptly falling silent.
"You're still growing," her mother answered at last, voice quiet and her gaze on her work. "It will pass in given time."
The little girl stared at her, startled silent and with increasing heartbreak as the seconds passed, for she had just learned what her mother sounded like when she lied.
*.*.*
The conversation with her parents stayed with the girl as the months and years passed and she never asked again. Gran said nothing either, but every time she picked the girl up, she now glared at the house.
Gran knew, the girl realized, but either couldn't say why she felt wrong or she didn't want to tell her.
Though, knowing her Gran, she probably couldn't for some reason. Gran had been born a rebel and she said she would die one, encouraging all of the little girl's bad habits, as her parents called them, with no remorse.
"This world will chew you up and spit you out, if you let it," Gran told her when she picked her up from school, her hand warm and gentle. "So don't be afraid to bare your teeth, little chestnut. Stand up for what you believe is right, that is the only way to slowly but surely kill off all things vile and dark."
The girl wasn't sure she entirely understood, but she nodded seriously anyway. Gran always told her everything no one else wanted to, blunt and direct without scaring her or hurting her feelings.
Gran felt strong, like a rushing river that wore down even the largest, toughest of boulders. The girl hoped she could be like her one day.
It was her Gran's teachings that got her in and out of trouble over the years and her words guided the girl into understanding when something was wrong. And how important it was to do something when she discovered evil.
As the village turned into a cute little town and more and more people moved in, drawing towards a hopeful future by their fertile lands and abundant forest, the girl had grown into a headstrong young woman.
Not once, in all that time, had she shaken off the feeling like she was lacking something. Like something was missing that should be there.
Her parents could no longer deny that something was wrong and their increasingly guilty and troubled looks said it all. It showed in the woman's life, that something within her was gone. As soon as someone looked into the little house she had moved into, they saw that no project was ever finished, every hobby dropped just after she had gained a modicum of skill in it.
She bounced from job to job, working for whoever hired her, before losing that job again, sometimes by leaving, sometimes by more talented, more passionate people coming along.
It was that restlessness that caused her to drift far enough from the town, the feeling of wrongness seemingly guiding her step, to cross paths with what she first thought was a traveling kind of circus.
There was a man leading the entire caravan of wagons, pale and primly dressed, clearly a mage considering his robes and pompous behavior as he hailed her down.
"We are no circus, young lady," he said when she asked about his business, but his eyes were cold and his smile about as pleasant as holding a palm full of slugs. "I am Master Egam and this is my curious collection. I intend to thoroughly impress the local lords."
He made a sweeping gesture at the wagons and she peered past him, at covered cages and grim looking soldiers.
Her gaze almost immediately fell back to the mage, however, and something ugly writhed within her chest. She couldn't put a finger on what it was, but it felt like sharp, uneven edges pressed against her ribs from within, accentuating the feeling of wrongness.
"Now, which way to the nearest town? It's growing rather late," Master Egam said, his smile wide and winning and yet it caused something cold to drip down her spine. There was a sudden taste of wet iron and rotting earth on her tongue.
It took her a moment to realize why, for she had never experienced anything like it. He had put magic into his words and it filled her mouth with a nasty taste. "This way, about a mile or so."
"Why don't you guide us?" he asked, patting the coach beside him. When she hesitated and saw a flash of curious danger in his eyes, she offered a bland smile.
"Thank you," she said, climbing up to join him, careful to keep some distance between them.
He stared at her for a moment and she resisted the urge to shift uncomfortably. "You seem strangely...familiar," he mused after a moment. "Have I met you before? Or family of yours?" When she looked genuinely surprised, he shook his head. "Right, that is very unlikely. Then again, you country bumpkins all look the same to me."
She was desperate to distract him from her, which was thankfully easy enough to accomplish. All it took was a question about his exploits and soon he regaled her with all the horrifying details. Of the creatures he captured, the magic he had soaked up from them, the power he carried at his fingertips.
He was bragging, yes, but she could tell that every word was the truth. That he had chained a vampire into enduring sunlight at his leisure, that he had plucked all the feathers of a harpy to parade her around naked and that he had a griffin eating out of his hand for his amusement.
That he had caught one the most dangerous beings of all, a forest spirit.
She was deeply relieved when her hometown came into view and then she got to see the effects of his magic first hand. His voice seemed to be made of gold, for all he had to do was speak and people immediately rushed to obey, star-struck expressions and delighted, downright smitten smiles appearing on their faces.
She inched away from Master Egam and ended up by one of the wagons instead. Unable to resist, she tugged a corner of the covering up and peered inside.
Green eyes that shimmered like all the shades of plant life in the forest met hers and broken antlers rose from red and gold hair that tumbled down in long, thick waves. The forest spirit, she realized as she stared at him, wide eyed, his face sun-kissed and freckled and even chained down as he was she could see his innate power and grace.
The broken antlers disappeared, swiftly replaced by wolf ears as he now bared vicious fangs at her, wicked claws scraping over the iron lining the bottom of his cage as he growled.
"Careful with that one," Master Egam's voice made her jump and drop the tarp. "He's the most dangerous one I ever caught. A nasty piece of work."
"Why do you catch them?" she found herself asking and as she looked up at him, she already knew the answer before he opened his mouth.
"Because I can," he said, his smile as empty as his eyes were cruel. "Because the wild powers in this world need to know that they can and will be tamed. Now run along and don't tell anyone about this."
His magic was iron-rot on her tongue as she nodded, hastily pasting a smile on her face. It felt like fleeing as she turned and hurried away, her heart racing in her chest and the ugly, vile feeling that had scraped around her ribcage finally lessened.
The wrongness within her was as present as ever, a constant companion of subtle misery that dodged her steps, silent only whenever she found joy in things. Joy that was taken from her by its steady, suffocating grip sooner or later.
As soon as she was home, she began to pace, her mind whirring. She had to do something and whatever magic Master Egam possessed, she was somehow immune against it. She might be the only one who could think clearly around him.
Taking a deep breath, she forced herself to calm. Master Egam was dangerous and she was just a magic-less young woman who was all wrong inside. If she wasn't careful, she wouldn't have to worry about what was missing for much longer.
It wasn't hard, in the end, to find out that Master Egam was staying in the mayor's house, that he had tossed him and his family out and now treated the most lavish place as his. The mayor and his wife and two children seemed dazed but they didn't question what was being done to them, they just went to stay with their extended family.
The wagons were kept by the mayor's house, blocking most of the street and guarded by the soldiers, which were armed and armored.
She watched them as the last sunlight faded, thinking. Beyond the window she could see the mage and people came to his home, bringing downright decadent food with loving smiles and hazy eyes, leaving again empty handed.
An idea began to take form. A foolish one, most certainly, but it was likely her best chance. While Master Egam was busy feasting and ordering people around, most likely fancying himself a king among peasants, he would be distracted.
On second thought, he was most likely not traveling to impress lords, but to work his way up to becoming the actual king of these lands. Maybe even an emperor, holding court among captured creatures and his magic charming everyone into blind obedience.
So she joined a group of townsfolk who came with carefully made little cakes and desserts and they barely acknowledged her. The soldiers didn't even looked at them, most likely long used to this song and dance.
It was less easy to go unnoticed by Master Egam, but the man was easily distracted by the new offerings, already a good way through half the food he had been given.
No human should have been able to consume so much without bursting, she thought and she wondered if this was the price of his magic. That he not only could eat far too much, but had to.
"Bring this to the beasties," he said, gesturing at a little bucket of bones and food scraps and the young woman took a decisive step towards it, keeping her head down as she grabbed the bucket, stepping outside without being stopped. Her mouth was filled with the taste of iron-rot.
The soldiers didn't pay her any heed now either. They looked bored and hungry as they watched another plate of food being brought in, but they said nothing. She wondered if they could even if they wanted to. If they were similarly charmed as anyone else.
"I need to feed them," she said politely to the nearest soldier, who moved woodenly to stare at her with a slightly hazy gaze. Ah, that answered her question. "I need the key, please. Master Egam's orders."
He handed the key over, because why wouldn't he? When everyone was always so fully under the mage's control, there was no reason to doubt. She went to the forest spirit's cage first, ignoring his low growl as she pushed the tarp up and began to look for the lock.
He fell silent as soon as she slipped the key into it and opened the door.
"I'll get you out," she whispered and his head tipped to the side, his wolf ears flicking as he considered her. And then, ever so slowly without removing those intense eyes from her, he tipped his head back, baring his collared throat.
She crawled into the cage, making sure to pull the door almost-closed behind her, the tarp falling down and leaving her in murky darkness with only her slightly fast breathing and pounding heart. She slowly inched forward, patting the ground, until clawed fingers carefully closed around her hand, guiding it up.
The collar had no lock and she stilled, her heart leaping in her chest. What was she supposed to do now?
"Bleed," the forest spirit said, voice such a horrible rasp that she was half convinced his throat was full of glass shards. "Willing offer."
She wasn't even thinking when she reached out with her free hand, gripping his fingers and pressing her palm against his claws. She felt him jerk in surprise, but the pain was already blooming, blood running down her hand in a hot line. She reached out to press her hand to his collar, smearing as much of her blood on it as possible and the next second the collar clicked open, crashing to the floor with a rattle of chains.
The forest spirit inhaled sharply and then she felt his hands touch her shoulder, careful and helping her shuffle a bit to the side. Freeing the path to the cage door, she realized
"Free the others, please," he whispered, his voice no longer sounding like he was gargling gravel, but instead charming and lovely-sweet. Her mouth was filled with the faint taste of meadow-flowers and cool spring water.
Then he was out of the cage and she scrambled to follow him, catching the door before it could slam shut.
The guards were lying on the ground and she saw the forest spirit springing past the last one he had taking down, vaulting over a confused man with a tart and heading straight into the house, face snarling in rage.
The next cage held the plucked harpy, who hissed a high-pitched shriek at her, but fell similarly silent when the door to the cage was unlocked.
Her collar too opened with blood and then the harpy was out, her feathers re-growing with a burst of magic that was almost painful with its relief. She took flight immediately, though she clearly struggled as she escaped, as did the griffin the young woman freed.
The vampire slunk out of his cage with a look of wild hunger and gratitude before he was gone between one moment and the next. Just in time for all the windows in the house to shatter outward in a massive wave of pressure, the forest spirit crashing to the ground, wheezing and covered in blood.
The young woman was at his side in no time and as she gripped him and saw him in the light of the street lanterns without the distractions of his eyes, she realized just how thin he was. How his limbs shook as he struggled to his feet.
He stumbled, eyes going wide when she dragged him with her, just in time to round the corner before Master Egam came out of the house with magic whipping around him, a howl of rage filling the night as he found all his cages empty, his guards unconscious – or perhaps dead – on the ground.
"What are you doing," the forest spirit hissed, but he seemed unable to free himself from her grip, which told her everything she needed to know. She wasn't weak by any means, but she got the impression that he should be far stronger than she.
"Saving you," she hissed back. "You're in no condition to fight!"
"Return them to me!" she heard Master Egam's voice boom behind her, so loud and rattling it filled the entire town, making people cower and stumble, their gazes going hazy. "And find me the one who did this!"
Her mouth was filled with the taste of iron-rot to the point where she had to gag, but she managed to push on, reaching the little house she had moved into after she could no longer stand the guilty silence of her parents. The moment they were through the door, the forest spirit collapsed to the floor, breathing hard, sweating and bleeding.
"His magic," he said as he stared up at her with wide, bright green eyes that she knew she could get lost in if she allowed it. "It doesn't work on you. Why?"
"No idea," she murmured back. "Come, we have to hide you."
She had managed to empty out a large storage chest and squeezed him inside despite his protest just in time for her neighbors to come knocking.
"No one is here, I came looking," she said, heart pounding and blood still dripping from her hand as she gestured at the hastily strewn about contents of her chest. "I made sure they weren't hiding."
"Come help search," her neighbors murmured, gazes hazy and she followed them outside, hoping that the spirit stayed where he was, that he wouldn't be found.
She searched with the others until they were all ready to collapse and only then did Master Egam order them to rest with such fury that the cobblestone cracked around him. He had long since roused his guards – most of which were still alive – and had sent them out to the forest to capture those that had run for the woods.
"They can't go far," she heard him mutter to himself as he turned around to head back into the house. "Not with the state I left them all in."
He wasn't wrong.
When the young woman returned home, she found the forest spirit still in the storage chest, asleep and looking utterly exhausted. She dropped into her bed and slept until hunger forced her awake.
The smell of cooking food woke the spirit as well and she stared in astonished surprise as he ate at an alarmingly fast rate. Half her pantry was gone by the time he curled up in front of the hearth and went straight back to sleep. She dropped a thick blanket on him and arranged pillows to hide him from the outside and sat down, thinking.
Master Egam was powerful and she had no idea if she could hide the spirit until he regained his strength, especially if he needed that much food every day. And even then there was no guarantee that he'd be powerful enough to defeat the mage. But, she reasoned, he might be able to escape, which was just as good in her opinion.
She dozed off and woke feeling warm, blinking blearily to realize the blanket was now draped over her, the pillows carefully arranged to leave her in a little nest. Only the floor beneath her was a little hard. Peering around, alarm searing through her, worrying that something had happened, she relaxed as soon as she saw the spirit.
He stood with his back to her, looking at all the half finished projects she had lying around, not having the heart to put them away, even though she already knew she'd never finish them. That this was it and her love for a new hobby she had found was instead curdling into quiet, miserable grief.
"Thank you," he said before turning towards her. He already looked far better than yesterday, less gaunt and shaky on his feet. His injuries were gone as well, leaving only a somewhat tattered, stained shirt and worn, knee-length pants over hale and whole skin behind.
He tipped his head and the way the light of a lit candle reflected in his eyes reminded her of the way animal eyes would look when a lantern swept past them in the dark. "What do you want in return for your help?"
She paused after sitting up, then shrugged. "I don't want anything." Gran had been very firm about deals with magic creatures, that they brought ruin more often than not, her voice harsh and bitter as she had said it. As if there was more to her words than mere warnings.
Besides, the young woman had grown up on stories about daring knights, wise mages and courageous princesses and princes. She had always wanted to be like them, to do good with her own two hands whenever possible. Had secretly dreamed about one day saving someone as she had grown up.
It had been far more scary and harrowing than in her imagination, but she'd do it all over again in a heartbeat.
"You want nothing," the spirit repeated, sounding like he didn't believe her. "Everyone wants something, help is never freely given. Especially not from my kind and especially not when you saved my life. Do not take that kind of thing lightly."
"All I want is for you to be safe," she said. "Don't get hurt again, promise me that."
The forest spirit inhaled sharply, pupils blowing wide until only a small ring of green remained and she felt a warm shiver go through the air. Like something powerful had just exhaled a blessing.
He said nothing for a long moment, before he dipped his head, suddenly looking regal as the wolf ears melted away and antlers appeared that looked far more intact than last night. "Very well."
He joined her by the hearth, dropping down to one knee and offered his hand. "Let me see your wound."
She held out her hand and felt a tingle of magic, could taste soft, gentle meadow flowers and refreshing water as relief took away the lingering pain. Her palm was unmarred, not even a scar remaining.
"You have no idea what you just gave me, do you?" he asked quietly when she looked at him, his gaze so very captivating it looked like the entirety of the forest had gathered in his eyes.
She offered a small, crooked smile. "I've never been around magic," she said, all too aware that he was still holding her hand, skin warm like sunshine. "You can hide here until you've recovered."
He tipped his head to the side. "You would welcome me even now, knowing who is looking for me?"
"You're safe here," she answered. "He can't charm me and you need time to recover. Just make sure no one sees you."
"What do you desire for your help in return?" he asked. "And don't say nothing again."
She thought of the wrongness within her and wondered if magic could fix it. Then she remembered Gran's warnings about deals and ruin and bit back a sigh.
"I'll think about something," she said, though she didn't intend to. Once the spirit was strong enough, he would either fight or leave, but either way she doubted she would ever see him again.
He didn't look happy about that, but accepted her answer graciously enough. Getting to her feet, the young woman waved him with her to the kitchen corner. If he was eating her out of house and home he could help her cook.
When it became clear he was actually the better cook, since she hadn't been able to learn too much before her wrongness had kicked in, she happily left him to it and grabbed her money, sneaking out.
The entire town was walking around in a strange sort of haze, half of them still searching and the other half catering to the mage.
She saw people bring more food to the mayor's house, along with other things. Jewels and prized possessions, feathers the harpy had and griffin had lost and one or two held squeaking bats in their gloved hands, as though hoping they might be the escaped vampire.
No one looked twice at her when she bought as much food as she could at the market and she bit back bitter worry when she saw Gran and Granny Tanya bring blueberry cake to the mage with happy smiles.
Only her parents didn't seem to be out and about. Strange.
She brought the food back home and the forest spirit noticeably relaxed once she was back, thanking her quietly before falling quiet again. The young woman, however, could only stand the silence for so long before she began to ask questions.
Before long she knew that the forest spirit had gotten captured in his sleep, that his home was to the north and that he could sense the power of the nearby forest.
They both fell asleep in front of the hearth and by the second day, the young woman dragged her bedding out into the living room and made a proper place to rest for the two of them.
The forest spirit was in a better mood today and she realized that under all the tense grimness he was rather playful and enjoyed teasing and, most of all, making her laugh. She noticed as the days passed how he regained his strength, the gauntness disappearing faster than it would have for a regular person.
They kept busy in the small house in different ways. She watched him finish some of her craft projects and taught him to dance, he conjured sprigs of flowers for them to 'pretty up the place with' as he said and he let her brush out and braid his hair after long baths, the bath water never cooling until they were well and truly done.
Every night they curled up on the hearth together and it was then, as he looked at her, hair a healthy, shining red and gold and fox ears perked to listen better, that the truth spilled out.
How wrong inside she felt and he frowned at her in what she recognized as worry.
"May I?" he asked, holding out his hand and she put hers into his without a moment's hesitation. His face went soft and gentle in a way that ached somewhere around her tender heart as he held her hand with care.
Then he closed her eyes and she could taste meadow flowers and cold water and his frown deepened.
"I - you must talk to your parents," he said and as soon as the words were out, his head reared back a bit, ears pinning flat to his head as he blinked, looking startled and irritated. "Oh, how nasty."
She stared at him, wide-eyed and for the first time got the feeling that something was very, very wrong in a different way than she had thought.
"I'll go now," she whispered and he nodded, giving her hand an encouraging squeeze before she got to her feet.
Her parents looked worried and tense when they opened the door, relaxing a bit when they saw it was her, only for the tension to snap back into their frames. She realized immediately that they knew why she was here.
That there was a reason why she and they alone weren't slaves to the magic-charm of a mad mage. That they did know why she felt like a piece was missing.
"What's wrong with me?" she asked, sharp and hard in a way she had never spoken with them and they stepped aside to let her in.
They stood around the living room awkwardly until her father broke first, guilty and defensive and shoulders hunched, the silence around them heavy and thick and oppressive like summer heat without a cooling breeze.
"We didn't know," he said, almost pleading as he looked at his daughter. "When we met that...that man on our travels. We didn't know."
Something hot was wrapping around her heart and throat and a bad feeling unfolded in her gut, wriggling to get comfortable like a cat in a beam of sunlight. "Tell me the truth. Now. You owe me that much at least."
"We asked for a good life," her mother whispered, staring down at the ground, arms wrapped around herself and her head bent, shoulders tense. "We asked for nothing unreasonable, because being greedy only curses you. We asked for a good, warm, house, for enough money to buy what we desired until our deaths and to lead healthy, long and safe lives. We wanted the sort of fortune that would ensure we would have everything we desired until the day we died."
The heaviness in the air seemed to press down harder, like a thick blanket over sticky, sweaty skin, trapping heat and impossible to shake, no matter how desperately she wanted to get rid of it.
"What was the price?" the young woman asked, her tongue almost numb in her mouth. Though, she already knew. Could feel it in the marrow of her bones, could feel it in the stained glass shape of her soul, all disjointed and wrong and missing missing missing. Always missing something.
"You were but a babe," her father answered before she could ask again. "We didn't think...when he asked for a piece of you, something that wouldn't hurt you if he took it, we thought, well, if you grew up without it...you wouldn't know what you were missing."
Her heart shouldn't break, she thought, as pain and anger and grief greedily dug into her chest and belly. It shouldn't break when she didn't even feel all that surprised to hear what they were saying.
She thought of her life filled with things she couldn't finish, couldn't dedicate herself to no matter how deeply she loved, like her hands were too restless, desperately trying to find something to fill the void within her. All the friendships she had lost over the years, the disappointed people she had worked with and most of all, how miserable she had been.
She thought about feeling wrong and disjointed and like a stained glass window made by a clumsy apprentice and with the intent to make other people whisper and point and laugh instead of impressing them.
Weird, strange, not-fitting-in. Wrong.
Wrong, wrong, wrong, had sung through her veins for as long as she could remember and she had walked through life feeling like a part of her was gone, but unable to voice it. Unable to even name what was missing.
Thinking that, maybe, this was just her lot in life. That nothing could be done about it and she had tried to do her best with the hand she had been dealt by fate.
And all this time, her parents had just...traded that part of her away. For small comforts. For a future they could have made themselves with their own hands had they cared to try. For a life bartered and paid for by someone else, so they wouldn't have to shoulder the burden.
And then they had lied to her about it, had left her thinking that nothing could be done to make her feel better. That this was normal.
"Who?" she asked numbly and she blinked, realizing she was halfway to the door. When she looked at her parents, hot, angry hatred crawled up her throat like a wave of lava at seeing their wounded, self-pitying faces. "Who did you allow to hurt me?"
"Master Egam," her father whispered, his voice barely audible in the heavy, suffocating silence. "We can't let him see us or he might remember."
She was out the door before he could finish speaking, heart breaking and racing and she wasn't surprised at all, even though she thought she should be. So that was why his magic wasn't working on her – and her parents, if part of their deal was to remain healthy and unharmed at all times. Just what had Egam taken from her to make a deal that protected them no matter what?
She didn't remember the path home, but the moment the door fell closed behind her, she looked at the forest spirit and all the breath rushed back into her lungs. He was waiting with a plate of cookies he had baked that afternoon and his gaze was so gentle and understanding it made the wounded part of her tremble.
He opened his arms, a silent invitation and for a moment there was so much awful anguish in her, she didn't know what to do. Had no idea how to react if someone touched her, if it would drain the pain and anger or make it spill over, ugly and messy and raw. Like a wound that had had years and years and years to grow until it had spread and festered.
Then she moved and let him catch her and cradle her close as she broke down, crying as bitterly and hard as she had never cried before. He held her tightly as she shook apart, her head tucked under his chin and she cried and cried until she felt empty inside. Empty and wrong.
"They gave a piece of me to Egam," she whispered, voice thick and scratchy and he stilled. She tightened her grip on the shirt she had gotten him during one of her trips to the market, where food had started to grow scarce. "In exchange for a good, comfortable life."
He cupped the back of her head and kept holding her, offering no empty platitudes and no 'I'm sorry's, for which she was grateful. She didn't want sorrys. She was...she was too damn fucking furious for that, she realized, now that the pain had momentarily drained away.
"I want it back," she said, biting the words out like they were bones snapping between her teeth. "I want it back and I want this monster gone."
He hugged her tighter and she felt his smile press against her temple, sharp and dangerous and fanged and not the least bit afraid of her rage. Not the least bit judgmental the way others had reacted to her anger over the years.
"Let's shred him," he whispered against her hair, soft lips brushing forehead. "Let's get back what he stole from us."
*.*.*
It hadn't taken too long to prepare. The forest spirit had recovered fully and there wasn't anything in town that could help them against a mage, but in the end, they didn't need much anyway.
They didn't need fancy things or mage slayers. Not when the mage in question would give them the weapons they needed, born out of his own greed and hubris.
Born out of a deal he had made with her parents and Gran really was right, deals only ever brought ruin. Because she and the part Egam had taken from her were about to become his.
The forest spirit gave her hand a squeeze and they exchanged one more look as they got ready behind her house, his eyes fierce and so trusting it briefly stole her breath away.
"When this is over, travel with me," he said, out of nowhere. "I want to show you my home. The brooks and meadows and mountains and lake."
She smiled back, a warmth that had nothing to do with the burning rage spreading through her, smoothing down her edges and settling around her heart like a protective blanket.
"Gladly," she answered quietly, then her smile turned a bit crooked. "What, you aren't going to ask for anything in exchange, leaf boy?"
He laughed softly and leaned down to press a kiss to the top of her head. "You're too precious for deals," he said quietly and she could taste his magic, sweet and cool and it almost brought tears to her eyes, though she couldn't quite say why.
"Let's go," she said instead and he reached up to gather his hair, pulling it aside to allow her to put the pilfered chain from the wagon around his neck. They had scratched out all the symbols on the inside of the iron, destroying the enchantment that would block his magic.
With a bit of glue it would stay shut for now and he caught her hands, pressing a kiss to her knuckles until they stopped shaking. They both took a deep breath and stepped onto the street, a glamor settling over his skin, making him look gaunt and injured once more. He limped, casting her one last wink before people noticed them.
The townsfolk paid attention to her for the first time in nearly a month as she went to the mage's house. Word must have traveled ahead, for Master Egam was already awaiting them and the mayor's house was saturated with iron-rot. She could see a few hints here and there of the chaos that must've reigned before he had gotten things cleaned up to welcome them, sitting on a padded chair like it was a throne.
"Bring him to me, girl," he said, beckoning and his smile benevolent and his eyes glittering like cold glass shards. His hunger was deep enough to cut and she bit back a shiver at the disgust that crept beneath her skin the closer she came to him.
"My prized possession," Egam murmured, already ignoring her and his magic grew thicker in the air, almost making her gag. The forest spirit pretended to fight, snarling as he was dragged forward, looking like he was too weak to resist. "And you put him back in his proper attire too, good girl."
He absentmindedly patted her on the head and she made herself smile at him, empty and dazzled, like the other townsfolk, swallowing down bile. The spirit had told her that Egam had stolen a piece of his magic too, forcefully instead of willingly, but it was in his hands all the same.
It was time to get back what belonged to them.
She handed over the chain, his gaze on the forest spirit like he wanted to devour him whole. Like the monsters and villains in her stories growing up, greedy and cruel and insatiable.
Egam moved past her, already discarding her as unimportant. As under his control. As just another 'country bumpkin'. He was the powerful mage after all and, as he had said, he already had one of the most powerful beings under his control.
A powerless girl might as well be dirt under his boots.
That was the exact reason he didn't see her nick her hand on a small knife hidden in her pocket. Why he didn't see her smile at the forest spirit over his shoulder before reaching out.
He didn't look at her and therefore couldn't react in time when she stepped to his side and reached up, pressing her bloody hand over his heart at the same time that the forest spirit lunged forward.
The mage did react, aiming his magic at the bigger, perceived threat, like they had suspected. And just like they had hoped, his magic slid off of the forest spirit harmlessly, for when the young woman had saved his life and he had offered her compensation of the same magnitude, she had asked for him to be safe.
The forest spirit was unhindered, pressing bloody palms to the mage's chest, right over his heart, sharp, sharp teeth bared and he snarled, "I undo the deal."
"I undo the deal," she spoke simultaneously with him, the words the forest spirit had taught her, steady and patient as each one was nothing but pain in her throat. Because she wasn't supposed to say those words, but then again, parents weren't supposed to give away what didn't belong to them either, so she had a right to this.
A right to undo what had been done to her, as long as she could get through the pain that tried to keep her from speaking. Pain that was worse than any wrongness had ever been, any loneliness and pain and grief and self-loathing for not being like all the other people.
For never getting to keep doing the things she loved, forever searching for something she hadn't known she'd have to buy back with blood and pain.
It was the worst pain she had ever endured, but it wasn't stronger than the rage in her veins, the taste of iron-rot on her tongue and the sun-warm hand that took her free, unharmed one, grounding and strong. The look of startled anger on the mage's face swiftly morphing into fear was everything in this moment.
"I undo the deal made made without my voice, without my consent, without my agreement. I undo it as it was made, in pain and blood and betrayal," they spoke in perfect unison, their only chance to both get back what had been taken from them.
Their only chance to catch him so by surprise that he did feel betrayed, that he was as helpless as they had been, asleep and a babe respectively.
The moment the last word left her mouth, a sudden relief gripped her throat, releasing the burning agony that had torn through it and at the same time, she felt something warm and big spread through her chest.
The wrongness disappeared in an instant, the feeling of missing turning into wholeness so filling and great she almost stumbled back, her skin tingling and euphoria singing through her so brightly she had to sob. Because that wasn't just a missing piece, a sliver of soul that he had taken and that was now returned to her.
Magic, he had taken magic from her. It glittered like stars in the dark in her veins, spilled through her mind like bright sunlight on shimmering waves and wrapped around her with a desperation like it had longed to return to her as relentlessly as she had wanted it to return to her.
Egam was screaming as he stumbled back and they let him, watched him trip and spill to the ground as he writhed, clawing at his chest where blood smeared, hot and red and the forest spirit gripped her hand tighter.
His magic was heavy in the air, making her taste rivers and entire fields full of flowers and even from the corner of her eye she could see how much more vibrant he was now, the glamor dropped. Captivating and downright otherworldly, beautiful and mesmerizing.
"What have you done!" Egam shrieked but his words no longer tasted of iron-rot in the air and she blinked, realizing the power of his voice had been stolen from someone else. As she watched him seemingly shrink down, magic leaving him, her breath caught.
Oh. Her magic had been the first he had stolen. Her magic was what had bolstered all of his and now that it was gone, everything he was unraveled until it left behind a pitiful little man, with eyes so mean and cruel he should belong in a story, not in real life.
"I promised you I would be your end," the forest spirit said and his voice was filled with magic. The sort of magic that had previously been used by Egam to charm everyone. "I think your hunger and greed are better suited in a different shape and form. In something that grows, don't you?"
And Egam tried to scramble to his feet and run, but the magic of the forest spirit was so thick in the air it her own magic sing in return, bright and sparking and the fury was still a living, roiling wave of heat within her. She reached out without much thought, letting her magic wrap around the forest spirit's, who threw his head back and laughed.
He laughed as Egam screamed in a pitch no human throat should be capable of. He laughed as the screams cut off and branches broke out of his back, his skin turning to bark and the mage grew and grew and stretched and the young woman found herself pulled out the house as floorboards and walls, doors and furniture and remains of windows were devoured.
She watched as a tree grew and grew and grew until the trunk was as wide as the house had been and it reached high into the sky, the canopy so thick and wide it sheltered the entire town under its boughs.
And her magic was singing and singing and singing and she felt so hale and whole she felt like she was floating. The forest spirit turned towards her, grinning and took her injured hand, pressing a kiss to the cut, smearing blood over his lips as he healed it.
"We're free now," he whispered, eyes so very green and then she was laughing and crying and pulling him forward and he followed her, pressing kisses that tasted like fading copper and brightly like flowers and cold water to her lips.
They were free. Free and whole at last and she felt like she was truly breathing for the first time since she could remember. Deep breaths that seemed to fill her entire body, her magic twining with his as it surrounded them, forest and sky and her tears were wiped away with gentle, gentle hands.
"We are," she whispered, sinking her hands into his hair until she had threaded starlight through it. "Let me introduce you to Gran and Granny Tanya and then I want to see your home."
He laughed and picked her up and twirled her in a circle and she found herself laughing as well, flowers blooming to form a crown on her head.
Where previously a quiet sort of misery had loomed in her future, saturating all coming days, she now couldn't wait to see what the rest of her life looked like.
Bright, she thought as she held his face in her hands, their foreheads gently pressing together. Her future was bight and free and full of love and she was still laughing and crying, happy beyond words. And her magic, finally, finally returned to her, sang and shone and at long last, she felt nothing but right inside.
*.*.*
You want to support my stuff? Want more of my nonsense? Want to lord this over your mortal enemies as you laugh down at them from the top of your castle? Please consider heading to my patreon! A new short story gets posted every month =)
#my writing#short story#forest spirit#magic#fairy tale style#a bit dark tho#a wee bit of body horror at the end#and a wee bit of violence#rather non graphic tho#this took forever to write#i have around 11 k discarded words on this little mess#but I loved how it turned out#so I very much hope you'll enjoy reading it too!#also if you wonder#shady how do you come up with names?#i encourage you to spell egam backwards#I'm funny like that (not)#but I admit#his name amused me every time I typed it#alright done with rambling in the tags for now I guess#hope you liked my story!#btw just in case you're new to my stuff#this is LONG#a long short story
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she's so claude monet pretty
#the twins have such a cool grandmother like#ugh I love her#I'm actually being so productive that's crazy#the land of stories#land of stories#tlos#a tale of magic#atom#the fairy council#brystal evergreen#brystal bailey#brystal#the fairy godmother#fairy godmother#fg#starryseas sketches
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Origins is of course the DA game most closely in conversation with and playing around with Tolkien (right down to the walking talking poetree haha) -- and even more so than most works in the larger western fantasy tradition derived from Tolkien's work that DA:O also hails from and owes a lot of its Stuff to, what makes the game so great to me is that it's doing so very deliberately, and is subverting and deconstructing those tropes and entrenched ideas in some very interesting ways without at all denigrating what it's commenting on. (it doesn't have the almost disdainful undertones of the vein of fantasy that seeks to make the world more 'realistic' ala the more tedious reactions to G.R.R.Martin's work, for example, despite having the darker fantasy bent to it.) among other elements it adopts, what I find the most fascinating is the choice to use the same literary device/conceit Tolkien did in ostensibly only having in-universe biased sources and works to deliver the world through (which I feel is an underappreciated thing about his approach but is part of what makes his world so enduringly compelling and real-feeling -- the feeling of real scholarship devoted/applied to a made-up world. the grounding effect of a good diegetic footnote about source criticism, truly).
many things to be said there, and I'm glad each following game has taken on different perspectives and lenses and traditions to view the world of Thedas through because if you stick with that one too closely for too long I fear we could teeter precariously close to Pratchett's famous and bitingly accurate accusation of most modern fantasy of that era just being about rearranging the furniture in Tolkien's attic lol. and while you could accuse DA2 (my perfect wife who has never done anything wrong in her life to be clear) of many things, that's not one of them, they are pulling on some completely different strings for that one and both the game and DA overall is better for it, to my mind. as so many things in this series: worth staying with and exploring for an installment even if it might get stale if all of it was like this! people are understandably sad about the elements from previous games that they liked which were lost along the way, but that capacity for reinvention is to my mind a huge strength of dragon age as a whole.
(I think Veilguard is coming in as a close second in Tolkien conversation-ness if only in outlining/revealing the worldbuilding that indeed may have been planned since DA:O around the animosity that SHOULD by all rights exist between dwarves and elves in this universe (as per Tolkienesque tradition standards). but doesn't really because you see: politics and the many pitfalls of conservation of knowledge over the ages. our ancestral enmity got semi-intentionally lost between the floorboards of history and you know what. maybe for the best. the humans are already up to so much shit you gotta keep your eyes on them at all times you can't be brawling with each other in the deep roads while they're still around getting up to their nonsense or they'll just pile up even more of it)
#dragon age#dragon age origins#been thinking about the unreliable narration/in-universe texts only element being the thing da:o took from tolkien that's most defining#for a LONG time and I want to write something smart about it sometime but alas. this is what I've got right now haha#I think *some* da:o nostalgia is about that familiar safe childhood feeling of Fantasy World in a pattern that was so deeply entrenched#for many many MANY years. it's been in the groundwater of the genre for so long it's only fairly recently the patterns were broken#on like a mainstream sort of scale. I know I'm getting older b/c I keep going 'how do I explain to some of these people#that the world (both the real one the fictional one and the gaming one) was a very different place back in 2009' lol#and I agree there's something so tremendously comforting about it even with all the grimdark elements more in the martin vein#that's also in da:o. the same way you get satisfaction out of the structural familiarity of fairy tale logic but for a whole genre#da:o follows the Rules of a fantasy world in post-tolkien tradition -- even when it's subverting them it's doing so in reference#to a set of tropes and ideas both you and the game are deeply familiar and comfortable with#(da:o IS also just a really fucking good game I'm NOT saying people's love for it comes from being blinded by nostalgia haha#just an observation of a thing I've recognized in myself as well. there are elves there are dwarves there are talking trees and dragons#and basically orcs. all is as it should be and everything makes sense <- the part of me that grew up on lotr and derived works lol)#and while the other games also have all these elements they don't USE them in the same way and it doesn't feel the same. it's so interestin#dragon age: the veilguard#dragon age: the veilguard spoilers#dragon age spoilers#only in the vaguest way but still#you know what veilguard occasionally feels more like actually. sci-fi! and it's not an accusation or a bad thing for me I think it's great#da:i veers more to high fantasy and da2 feels weirdly low-fantasy -- it's a story where magic also happens to exist but I almost forget lol#it's a magical world and magic is integral to the plot but thematically it's so much about real-feeling political conflict#da:o is a Quest in da2 you're new in town (and it gets worse)
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TRANSFORMATION!
I forgot who to tag
#tales from the stinky dragon#magical girl#bart tftsd#mudd tftsd#kyborg tftsd#gum gum tftsd#my art#artists on tumblr#I'm so in love with barts dress#he's pretty and he knows jt#and mudds thigh highs !
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thinking about these disney lorcana cards in the context of the BATB twisted tale book where her mother was the enchantress... it's like what could've been if belle herself had been born with magic, and maybe in the first card her mother wasn't around to teach her how to use it but in the second card she was!!
#beauty and the beast#disney#honestly even if you ignore the twisted tale book because it's just a silly AU#i think the idea of belle's mother being magical in some way is such a fun concept to play with#and that's also part of why i love the lorcana card art for exploring ideas like these#it genuinely shocks me that i don't see fanart of it more but maybe i'm not looking in the right places
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I apologize for not one word of this.
Summary: Stricklander has been sent on this reconnaissance mission to King Merlin's capital, Avalon, to ingrain himself in the life of the changeling queen's mortal enemy and that of his newest, most promising champion. Morgana's most loyal drone is skilled in espionage, and he has prepared extensively to undertake this mission. He understands these ponies and their kindness, and he will have no problem sliding into this role undetected, to uncover the truth behind Merlin's "secret weapon" and bring it back to his queen.
He'll find those secrets, but he doesn't expect to find love and happiness for himself in the process. He doesn't expect to find a place to belong.
He doesn't expect the hunger to finally stop.
Love magic is a fickle thing. It is dramatic and it is unpredictable, and it has terrible timing. And just when Walter, reformed and ready to make this life his own commits, it has one last change he'll need to make. Whether he knows it or not.
Inspiration credit where it's due: @yohanna-illustrates I am so sorry, I get an inspiration and I just inject my blorbos into it.
#trollhunters#tales of arcadia#my little pony: friendship is magic#walter strickler#barbara lake#stricklake#mlp!changelings#love is magic#and in this world it is transformative in a literal sense#keenswimmers2024#prompt: healing#I had entirely too much fun writing this and now I'm inflicting it on all of you
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My christmas gift for me is on the way and in honour of that I wanted to post the part I'm most keen for
Look at 'em. The blorbos in love. This is my favourite love scene ever and I get to have it on a card for the tcg I love in a fancy printing. Thank you Justyna Dura for your marvellous rendition
#mtg#lotr#tolkien#lord of the rings#faramir#eowyn#farawyn#faramir x eowyn#tcg#magic the gathering#original doots#these two have my heart and I'm so glad I get to see them as I play fun cardboard game#also have I ever mentioned how they make me thing of rosegarden#gentle man whose strength is in peace and learning and love#strong and brave woman who fights for love of people and enjoys hearing stories and tales and has a bitchin uncle who taught her so much#farawyn and rosegarden are meant to be
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I've been going through chapter 6 for the past couple of days and I swear I'm falling in love with this fic all over again 😭
#THE DOMESTICITY. THE SOFTNESS. the doom and peril yet to come. THE LOVE. THE MUTUAL PINING OF IT ALL AHH#shark rambles#fic: a magical tale of fire and wonder#when does the author update the fic. i'm waiting
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So I've seen a lot of debate on the subject of tagging shows or ships in posts that only exist to criticize. Where does everyone come down on this issue? I'm of two minds. I think if what you're trying to do is refute a message the show/movie/book/etc is sending that you find problematic in some way and want people to not buy into it, I thinking tagging it is reasonable. But when you're just criticizing something because you personally don't like it it feels a little murkier for me. So I'm wondering what everyone thinks. Should only people who enjoy whatever it is use the tags, and those who don't like it don't? Or should people use the tags regardless of their post being positive or negative?
#just going to tag lots of fandoms because I'm very curious about everyone's thoughts#star trek#hannibal#harry potter#star wars#supernatural#cutie pie#KinnPorsche#love in the air#the eclipse#a tale of a thousand stars#bad buddy#cherry magic#between us#don't say no#gap the series#until we meet again#interview with the vampire#big dragon#the vampire Diaries#legacies#Gotham#suits#merlin#lord of the rings
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After watching Cinderella (the original animated movie, which was my favorite as a child), it strikes me how it solves many common problems people have with this fairy tale. Like:
Why did they try to identify the mystery girl using her shoe size? Because the bullheaded king's only clue to her identity was the shoe the Grand Duke picked up off the steps.
Why didn't the prince recognize her by her face? Because his father wouldn't involve him in the process at all, and wasn't the one going around trying to find her.
Why did the prince want to marry a lady he only met that night? Because his father was going to force him to marry someone, and he genuinely liked this woman.
Why did Cinderella want to marry a man she only met that night? Because marriage was her best and most secure way to freedom. Fucked up, but you can't say it's unrealistic for the setting of a fairy tale. She also genuinely liked him.
If they're using the slipper to find her, wouldn't it be more sensible to search for the person with the other slipper? Yes. The King is purposefully nonsensical and the Duke is purposefully terrified enough of him to carry out his orders to the letter. Furthermore, they end up doing that in the end anyway, because the Duke's glass slipper is shattered, and Cinderella brings out the one she has to prove her identity.
Why didn't the stepmother and stepsisters recognize Cinderella at the ball? Because they were dancing too far away, and then left the party to dance in private, which was possible because the King wanted very badly for his son to hit it off with someone and tried to arrange the best conditions for that to happen.
Why didn't Cinderella save herself? Because in real life, abuse victims should not have to shoulder that responsibility, and usually can't. In real life, you need and deserve an external support system. Asking for help, in this kind of situation, is very important. She is saved by others because she is loved. Because she is not alone. Because she has friends who love her, and want her to be happy and safe and free. Because in real life, people who want to help someone who is suffering are like the mice. We can't pull out miracle solutions, but we can provide companionship and if we're in the right place at the right time, we can help the person find a better life.
Why didn't the fairy godmother save Cinderella from her abusive household, or try to help her sooner? Because she's magic, and magic can't solve your problems. Quote: "Like all dreams, well, I'm afraid it can't last forever." This (and Cinderella's dream of going to the ball) is a metaphor for pleasurable things in bad circumstances. An ice cream won't get rid of your depression, but it will provide you with momentary happiness to bolster you, as well as the reminder that happiness in general is still possible for you. Cinderella doesn't want to go to the ball so she can get away from her stepmother and stepsisters, or so she can meet someone to marry and leave with. She wants to go to the ball to remind herself that she can still have things she wants. That her desires matter. This is important because the movie does a very good job of illustrating Lady Tremaine's subtle abuse tactics, all of which invisibly press the message that Cinderella doesn't matter. While going to the ball and fulfilling her dreams may not be a victory in the material sense, it is still a victory against Lady Tremaine's efforts.
Why is Cinderella's choice to be kind and obedient framed as a good thing, when you are not obligated to be kind to your abuser? This one walks a very fine line, but I think the movie still makes it make sense. Lady Tremaine never acknowledges her cruelty. She always frames her punishments of Cinderella as Cinderella's fault. Cinderella is interrupting, Cinderella is shirking her duties, Cinderella is playing vicious practical jokes. Cinderella is still a member of the family, of course she can go to the ball, provided she meet these impossible conditions. Lady Tremaine's tactics are designed to make Cinderella feel like she must always be in the wrong and her stepmother must always be in the right. If Cinderella calls her stepmother out on her cruelty, or attempts to fight back, Lady Tremaine can frame that as Cinderella being ungrateful, cruel, broken, evil, etc. If Cinderella responds to her stepmother's cruelty defiantly (in the way she's justified to), she's not taking control out of Lady Tremaine's hands. Disobedience can be spun back into her stepmother's control. She wants Cinderella to be angry and sad and show how much she's hurting. So since Cinderella is adapting to her situation, she chooses to be kind. Not only because she naturally wants to be and it's part of her personality, but because it is a form of defiance in its own way, and it allows her to keep a reminder of her agency and value. Her choice to be kind is her chance to keep her own narrative alive: she is not obeying because her stepmother wants her to and she has to do what her stepmother does, but because she wants to. It's a small distinction, but one that makes all the difference in terms of keeping her hope and identity. (Fuck, I wrote a whole paragraph about how this doesn't mean you can't be angry at people who hurt you or that you need to be kind to deserve help, and then deleted it by accident. Uh. Try again.) Expressing anger and pain is an important part of regaining autonomy and healing. Although it is commendable to be kind while you are suffering, it is NOT required for you to get help or be worthy of help. If Cinderella's recovery was explored beyond "happily ever after" she would need to let herself be angry and sad to heal. Cinderella is not only kind because it comes naturally to her, but because it's her defense against the abuse she's suffering. Everyone's story and experiences are different, and one does not invalidate the other.
Bonus round for answers that aren't part of the movie:
Why didn't Cinderella run away? Where would she go? Genuinely, in hundreds-of-years-ago France, where would she go if she snuck out of the window with a change of clothes? With her step-family, she's miserable and abused, but she's fed, clothed, and in no danger of dying or being taken advantage of by anyone other than her stepmother and stepsisters. Even if she escapes and manages to find financial security, her stepmother might be able to find her and get her back.
Why didn't Cinderella burn the house down with them inside it/slit their throats in the night/poison their food/etc.? Because that's a revenge fantasy, and this story is a fantasy about being saved. There's nothing wrong with making Cinderella into a revenge fantasy. That's perfectly fine, as long as you acknowledge that the other type of fantasy is also a valid interpretation. (I mean, the original fairy tale features the stepsisters getting their feet mutilated and all three of them getting their eyes pecked out, so go for it.)
Why isn't Cinderella more proactive in general? Because she's a child who has been abused for the back half of her life, who has had to be focused on survival because. you know. she's an abused kid.
How did she dance in glass slippers? Gotta agree with you there man, that's weird.
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"I know JK Rowing is a terrible person but her books are so good-"
You sure about that?
I mean, just for a start, have you taken a good look at her fantasy creatures lately? A whole bunch of them are straight-up based on malicious and dehumanizing stereotypes about actual people.
Remember the werewolves? And being a werewolf was made into a kind of metaphor for having AIDS?
And you know how AIDS was first associated with gay men? And how conservatives back in the day were claiming gay men were preying on children in order to convert them to gayness?
Remember how Fenrir Greyback preyed on children in particular? Yeah, she put that subtext in there. She was an adult in the 90's. She knew damn well what she was doing.
Remember the house elves? Remember how most of them loved to serve and needed to have a home and a master or else they just wouldn't know what to do with themselves?
Did you know that's literally what slavers in the American South said about the Black people they kept enslaved? Go look up the happy slave myth.
Do I even need to get into the goblins and the antisemitic tropes they're based on? No, folkloric goblins were not gold-hoarding bankers waiting for their chance to stab humanity in the back.
"But the characters are so good!"
Are you kidding me?
Most of her characters are pretty one-dimensional, including Harry. Her idea of making a morally complicated character is giving a tragic past to a bully. Numerous characters are little more than stereotypes. (Looking at Fleur right now.) Literally anybody, including you, can easily make dozens of characters just as good, if not better. (It doesn't exactly take a lot of character designing skill to go, "hey, actually, having a sad backstory doesn't make it okay to bully children" or "hey, maybe I should not base a character on the first stereotype that pops into my head.")
"But the rest of the worldbuilding!"
Sorry, but her worldbuilding is just as basic as her characters. Magical castles and secret passages are stock tropes. Magical people who keep their true nature secret from humanity is the premise of pretty much every White Wolf TTRPG. Most of her fantasy creatures are just common European fairy tale and folklore creatures with shitty stereotypes projected onto them.
I'm not saying "basic worldbuilding bad." I'm saying, you could do just as good, if not better, with minimal effort.
Also there's her magical bioessentialism, where only Harry's abusive blood relatives could provide him with supernatural protection from Voldemort. Rowling thus effectively declared that non-biological family isn't quite real family, and that abusive biofamily can give you some essential thing that a loving, supportive family that isn't related to you just can't.
The Hogwarts houses are one of the most insidious elements of her worldbuilding. The idea of being sorted gives you a little dopamine hit because wow now you have a li'l niche where you belong!
But the actual function of the houses and sorting system and the House Cup is teaching children to see each other as rivals, and ensure that the most toxic views of the upper class get passed on to every new batch of kids sorted into Slytherin.
Hogwarts effectively prepares children for a dystopia where magic serves to distract its citizens from how nightmarishly awful it is. Economic inequality is so bad that people like Arthur and Molly Weasley can barely afford to put their kids through school, casual sadism is just an accepted norm in everyday society, and non-humans are second class citizens. Rowling sorta acts like she thinks this is a bad thing with certain lines she gave to Dumbledore, but in the end, her special boy protagonist becomes an auror; IE, a defender of the status quo. So.
If you've never seen it, Lily Simpson's video goes into even more detail on how the worldbuilding of Harry Potter is actually incredibly fucked up, and how it betrays small-minded attitudes on Rowling's part. There's no separating the art from this artist, because Rowling's rotten values pour out of nearly every page.
youtube
Yes, there are many things in Harry Potter that evoke feelings and inspire people, but there's absolutely nothing in it that this series has a monopoly on. You can find those same experiences in much, much better media.
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another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!
(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.
actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)
a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.
deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.
the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.
and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.
however.
you do have to know which one you're doing.
the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).
and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.
the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.
the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.
point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.
#finx rambles#worldbuilding#for writers#honestly I quite liked the asoiaf books I read#it's a well-constructed story! it's a well-constructed world too on its own merits#none of this stuff about grain and spinning is actually important to the story#the problem is that grrm himself seems to just. not realize this#and goes about blithely insisting he's created an extraordinarily realistic fantasy world where all the tax policies make sense#he has not!#he has invited people to tear his creation apart if they can and! it turns out! they absolutely can!#this shit's got no tensile strength! it's made of glue and popsicle sticks!#you're not supposed to put weight on it
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Very interesting discoveries in google translated Latin today...
...If I wasn't already betting on the 'Verglas Assassin's Guild has Foedus' theory, I certainly would be now.
#i know nothing about linguistics but wikipedia also said it can mean ugly or repulsive in another dead language#which.... obvious reasons#but kitty has outright stated that she loves naming things in latin before#THE PLOT THICKENS#foedus#the fairy tale enchantress#timeless fairy tales#i'm going to die of suspense before blade of magic is released at this rate
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Facts about in-game Yuu (Twisted Wonderland):
NOTES:
This is an ongoing list and will be updated with new information. I'm not caught up w/ chap 6 and I'm not very perceptive. This list is so long because of all the people who commented/sent asks, so thank you Last but not least, some of these might be a stretch/be slightly incorrect so bare w/ me plz :] More Yuu facts [ ONE / TWO ] <- not mine
They've been good friends with Heartslabyul ever since Book 1.
They're forgiving/don't hold any bad blood with the people who've overblotted (at least on the outside).
According to the Harveston event, they can play the flute.
They don't like mentioning that they might return to their world (Deuce's Wishing Star vignette).
Many people consider them a "goody-two-shoes" (Leona, Ruggie).
A good listener.
Based on Malleus' interactions with them, Yuu talks to him a lot more off-screen as he states that he values their opinions.
Loves Grim to hell and back.
It's implied that Yuu invites Malleus over frequently enough that he visits unprompted.
They can be snarky and brutally honest when they're pushed into it.
Comes up with stupid plans that nobody believes will work but it somehow does.
They're insecure about not having any magic.
They want to be able to help their friends.
Has a sense of self-preservation.
Does not actively seek out danger (*cough* om mc *cough*).
They've cleaned up Ramshackle since living there, however, it still looks "abandoned & ancient" on the outside.
Crowley doesn't give them more money than "needed".
Silver states that Yuu is good with swords (PE Uniform).
Both Jamil and Silver seem to think that Yuu is somewhat weird/strange.
They don't know much about mushrooms (Floyd's Camp Vargas vignette).
They're very patient.
Used to be afraid of ghosts until they got to Twisted Wonderland.
They adapt to new/difficult situations quickly and calmly.
They don't complain much.
Very much so the silent type.
The audience doesn't really see anyone helping them out with their situation, so I assume they fix most of their problems themselves.
They don't have any memories of the Great Seven before coming to Twisted Wonderland.
Fluctuates between being observant and not noticing really basic stuff.
Doesn't hesitate to say cheesy things.
Keeps calm in harsh situations.
They know how to play a blowing horn (White Rabbit Event).
Good with instruments.
Not a very good singer (NRC Uniform).
It's implied that they have high stamina.
They're interested in horseback riding and wants to play soccer with Sebek (PE Uniform).
They recommend a few books to Sebek, implying that they read in their free time.
They're short in comparison to Floyd (he calls them Shrimpy).
Grim comments that they're shorter than Vil.
Crowley mumbles that Yuu looks effeminate.
They're a bit of a romantic since they seem to often ask about love stories/fairy tales (Epel & Jade chats).
They have a habit of poking, tugging, tickling and just touching people in general. This is proven through the Home Screen character interactions, so their love language seems to be physical touch.
They get scared easily but is bad at scaring others (Halloween voice lines).
Vil notes that their uniform is baggy.
Malleus says that Yuu has gotten better at dancing (Masquerade Event).
It's implied that Yuu is good/decent at cooking since they have to make meals for both themself and Grim every day.
Yuu is decent at basketball (Ace Halloween).
Deuce remarks about a tiny piece of furniture in Ramshackle and asks if it's for Grim, meaning Yuu makes small furniture for him.
They're a good photographer.
Takes part in photography competitions (Rook Port Fest).
It's implied that Yuu carries their ghost camera everywhere because Crowley constantly makes them record events.
It's said that the game cards are actual photos that Yuu took with the ghost camera. [I don't know if this is true but a lot of people have said so]
Most, if not all the characters tell Yuu to hurry up when choosing a class, which suggests that they're indecisive.
Ace, Deuce and Cater tell Yuu to relax during classes or else they'll run out of energy.
Jack says that he got tips from Yuu while he was working in Monstro Lounge, implying that Yuu might've worked in customer service before (Book 3).
According to Grim, they have a hard time saying no to people, but when they absolutely need to-- they're very serious and a bit intimidating. "You're a real sap sometimes, you know that? Then again, when you bare your teeth it's no joke."
While they won't say no to helping others, they prefer to keep to themselves and avoid drama.
Yuu is sometimes a bit distrustful of Ace and thinks he's tricking them if he offers to do anything nice (2024 Player Birthday Greetings).
It doesn't take much to make them happy. (Deuce & Idia 2024 Player Birthday Greetings).
They became nervous when Riddle invited them to a salon for their birthday. Riddle response saying "I'll be right there with you, and will instruct you in etiquette every step of the way."
They're competitive in class-- at least when it comes to Jack (2024 Player Birthday Greetings).
They took chess lessons to try and beat Leona in a match (2024 Player Birthday Greetings).
For their birthday, Yuu asks Azul to get something that's supposedly hard for an average collector to acquire.
They're surprised when Kalim gifts them a pop-up card for their birthday.
They own a pair of fingerless gloves (gifted by Epel).
They personally invited Vil over for their birthday party and made sure to have healthy food options for him.
Not very close with Idia.
Owns a glass tumbler that reads 'Happy Birthday!' (gifted by Ortho).
Lilia gives them a CD with his screamo performances.
They were gifted so many presents on their birthday that they had trouble carrying the gifts around. (Malleus 2024 Player Birthday Greetings).
#twst#twisted wonderland#twst wonderland#twst disney#disney twst#twst yuu#twst mc#twst x reader#twst x yuu#twst x you#twst fluff#twst angst#twst fanfic#twst imagines#twst hcs#twst headcanons#twisted wonderland imagines#twisted wonderland x reader#twst crack#twst incorrect quotes
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this is such a weird scenario ..but imagine a little red riding hood concept, the big bad wolf being san, and him tricking innocent reader into "playing" with him and just fucking her dumb in the woods !!
God baby, I love the Little Red Riding Hood concept. I'm such a slut for it, to be honest. I'm a little obsessed with dark, twisted gothic fairy tales.
You should have heeded the warnings before you wandered alone through the woods on a full moon night. Or where you're meeting a big, handsome and very mean wolf from whose clutches you won't easily escape and maybe that's exactly what you want.
Warning: Dub-con, Werewolf! San
The night air was unpleasantly cold against your bare skin, ripping you from the sweet embrace of Morpheus. You reluctantly shivered and slowly opened your eyes, only to be greeted by the dense darkness of the forest. The sudden lack of sunlight jolted you from your half-sleep state, sending an unpleasant shiver down your spine and your heart pounding loudly in your chest as the forest around you continued to sing the song of the night.
You shouldn't be out here, especially at such a late hour. You hurriedly gathered your belongings and cursed yourself for letting the beautiful meadow of flowers enchant you and for letting your guard down. You had been warned that ancient magic lived in these woods and that you should be very careful when you walked along the path through them, but of course you hadn't listened, and now you regretted it. You had always assumed that all these warnings had been given because of your gender. Most of the people in your small town were still stuck in the Dark Ages, thinking that a girl couldn't go through the forest alone. You wanted to prove them wrong.
Another cold gust blew across the clearing, and you wrapped yourself tighter in your heavy cape. The velvet fabric was expensive and luxurious, a rich scarlet that earned you your nickname, Little Red Riding Hood.
You were sure that you were going to be all right. You were smart and savvy, and you had a hunting knife with you. You'd think that would be more than enough to handle anything that might be lurking in these woods and get you back to your grandmother's house unharmed. At least that is what you thought.
A long, blood-curdling howl echoed across the clearing, freezing you in place and halting your frantic gathering. Dear Lord...
Your eyes automatically rise to the night sky, only to find your worst fears confirmed: Through the dry, tangled branches of the trees, the brilliant face of the full moon illuminates the earth with its diffuse silvery glow. The words of your grandmother, which she had been repeating to you ever since you were a child, came to your mind at once: "Beware of the moon, whose face is full and merry, my child, for this is the time when its children have their feast. And their hunger is insatiable and greedy'. Another howl pierced your heart, a reminder of the situation you were now in.
Wishing that you had listened to the warnings, you ran, clutching your beautiful wicker basket tightly with your hands as your scarlet cape evolved behind your back. You weren't sure of the right way as you ran through the dense thicket of the forest. You sobbed softly as the sharp branches of bushes and trees dug into your skin, leaving long, lacerating marks; the warm, crimson liquid running down your thighs, soaking into the fabric of your tall, white socks, spreading the seductive scent of your blood through the forest.
Nothing seemed to be familiar to you in the thick, impenetrable darkness of the night. You stumbled through the massive roots of the trees and almost fell into a thorny bush with heavy, glistening bunches of poisonous berries hanging from it. You're so tired already—you can hear your heart pounding in your chest through your laboured, hoarse breathing.
Another furious growl echoing through the air keeps you from stopping, forcing you to keep running. You could almost feel the hot, wet breath of the wolf on your neck and the sharp claws on your skin, and it seemed to you that if you stopped for even a moment, the wolf would tear you to pieces. The hair stood up on the back of your arms, and the image of the sharp-toothed monster pinning you to the ground filled your mind's eye. No. No. No. You shake your head, hoping to banish the dark thoughts and push away the horrible images of blood and broken bones.
A sharp pain blossomed on your face as you fell face first, stumbling over a large dried log and almost losing consciousness from the combined sensations. It was horrible—your mouth was full of dirt mixed with blood from a busted lip, your knees were skinned and bleeding, and in general you want nothing but sobbing with despair and fear.
The hopelessness of your situation was more palpable to you now, when you're sitting in a pile of dirt and leaves, than ever before. A deep and low howling sounded from behind you, sending a shiver of cold down your spine. It made you jump to your feet, in spite of the sharp pain that you felt at such a sudden movement. You looked around anxiously. You glanced around anxiously, letting out a small sigh of relief at the fact that there was no one in your wake. But you didn't stop, the edge of the forest was already in sight, the soft welcoming light of the nearby village's lanterns calling to you.
Your relief was short-lived, however, as a warning growl suddenly sounded directly in front of you, a pair of sacred silver eyes glaring out from the shadows of the forest. You gasped loudly as a tall, broad-shouldered fellow emerged from the thicket, his plump scarlet lips raised in a snarl, tongue slowly sliding over sharp teeth as he began circling you.
This was not good, so damned not good. Cold fear gripped your heart with a tight grip, your hands clutching your basket tightly, shaking slightly at the low rumbling growl that came from the guy. Your frightened, wide-eyed gaze darted from the wolf to the forest path leading to the village; if you tried hard enough, you could get away from him. The boy noticed your gaze and shifted his sharp eyes to the narrow path leading out of the forest. He snorted slightly, as if the thought of you running from him amused him.
"You shouldn't even try, sweetheart. You can't escape me, little Red." The man's husky, deep voice made you flinch, but the way he addressed you by name as if he knew you made you drop the basket and cover your mouth with your hand to hold back your terror-filled scream."
He turned to face you again, and you could see his lips curl up in a predatory grin, revealing deep dimples on his cheeks. You couldn't help but notice how beautiful the wolf was—perhaps the most handsome man you had ever seen—and that fact made you fear him even more. Nothing ordinary and natural could possess such breathtaking beauty, which meant that the guy in front of you was many times more dangerous than any real wolf prowling around this forest thicket that night.
"Why are you so scared, little Red?" He slid his tongue over his lips as he kept his dark gaze on you. "I can almost feel your fear on my tongue." He murmured, the deep sound practically vibrating in the air. "I just want to play with you, beautiful. I promise I won't bite you... hard." His voice trailed off at the last word, his breathing getting heavier as he began to slowly approach you.
You began to back away from him, trying to put as much distance between you as possible, and he clearly didn't like it.
"You're not running away from me..." He growled, and those were the last coherent words you heard before he pounced on you, digging his claws into your skin and tearing at the edges of your cloak and skirt that prevented him from reaching you. The loud sounds of tearing cloth echoed through the forest as you tried to grab onto anything that might help you crawl away from him.
"You'll have no run from me..." He growled, and those were the last coherent words you heard before he pounced on you, his claws digging into your skin and tearing at the edges of your cloak and skirt that were blocking his path. The loud sounds of ripping cloth echoed through the forest, and you tried to grab hold of anything that might help you to crawl away from him.
"No. Please, no. Let me go, please...". But your words fell on deaf ears. In one swift motion, he flipped you onto your stomach, and you squealed loudly. Limiting all movement, his broad hand pressed between your shoulder blades. "No!" You cried out again, but a sharp slap on your bottom, which was suddenly bare, made you stop all your movements. You didn't even notice it as he tore off your clothes completely, leaving you vulnerable and naked for him to see. "I-I... please let me go..." All your energy has left your body, and you sob softly. He lifts your hips with one hand and puts you in the position he wants you to be in.
"You were warned, little Red. Weren't you? You have been told to stay out of the woods, especially during the full moon. But have a look at where you are now. A stupid little girl, too self-confident to listen to anyone's advice, and that's what girls like you get. A big, bad wolf will eat them alive." The last sentence came out of his chest in a low, vicious growl before you felt a hot, slippery tongue travel between your buttocks.
The pointed tip slid between your labia, salivating over your tender folds. He removed his hand from your back only to dig his fingers into your buttocks and spread them wide apart, holding you completely open for him so that he could feast on your cunt with ease. Pitiful sobs escaped from your mouth as you felt his rough, long appendage snaking its way between your folds, rubbing against your clit and poking at your hole as it tried to force its way in. His claws dug themselves into your flesh in painful fashion, leaving bloody marks that were sure to become scars.
The sensation of the wolf's tongue licking desperately at your cunt and the wet, feverish breath that washed over your sensitive centre caused your body to react against your desire.
A shameless moan of pure pleasure escaped your lips faster than you could stop it. Covering your mouth with your hand, you tried to swallow the embarrassing sounds as the werewolf's long tongue continued to wash your clit with its warm, viscous saliva. You couldn't enjoy it... it was simply impossible. This guy was dangerous; he wasn't human; he was a horrible, hungry wolf pinning you to the ground in the middle of the night forest. You were terrified, but that didn't stop your body from responding joyfully to his touch.
Every movement of his tongue on your pussy made your hole clench around nothing and ooze juices. This only excited him more as he greedily licked up every drop of sweet slime that flowed from you onto his tongue. Eventually it wasn't enough, and the wolf pressed his whole mouth against your little hole and began to literally drink from your pussy.
Your hips began to shake as you approached your orgasm. Your fingers dug into the loose soil, dirt collecting under your fingernails as you tried to fight the rush of pleasure coursing through your entire body. It was completely futile. Against your will, the werewolf made you scream in blinding pleasure as the first of many orgasms shook your entire body.
As your fluids poured into his mouth, giving him a full taste of your sweet flavour, he growled low as he thrust his tongue into your hole and licked your juices from your trembling walls. This went on for a few minutes until you felt his hands leave your body. A vague sense of relief filled you as you hoped he would leave you now that he had got what he wanted. But that relief was quickly replaced by panic as his clawed fingers pinned your fragile shoulders to the ground and his unnaturally hot and massive length rubbed against your arse, staining it with sticky pre-cum.
He rubbed against you like a dog in heat, his hips pressing against you as if he were too lost in his lust to pay attention.
Hot breath scorched your cheek as he pressed his entire body against you, laborious growls and puffing escaping his throat as his heavy, hard cock dragged between your buttocks. You turned your head slightly to the side to catch a glimpse of the man looming over you, his sharp fangs glinting in the moonlight, and you almost regretted looking.
Every movement he made against you made your stomach twist with a mixture of fear and pleasure, and although the rational part of you was in a state of pure terror at the realisation of what awaited you, on some deep subconscious, twisted level you enjoyed it.
The werewolf's cock seemed almost as long as your torso, there was no way you could take it all in. But that didn't seem to bother him tonight. As the head of his cock entered your hole, you sobbed from the painful stretching and squeezed your eyes shut as he began to push his cock deeper into you. It was thick, so fucking thick that the tender edge of your pussy burned when the entire head of his cock was inside, but that was only the beginning.
The first few inches were enough to awaken your senses, pleasantly stimulating your quivering walls, but as he pushed further into you, the pain came. But that didn't matter to the werewolf on top of you. You whimpered and shook your head from side to side as the man above you moaned deeply as he continued to thrust his cock relentlessly into you.
"Please…" You sobbed openly now, hoping this would be over quickly.
"Mmm, look at you, you're acting so nice now. You were warned, little Red, but you decided to be a naughty girl and came to the wolf yourself, knowing full well what would happen to you. So don't play hard to get and take what is given to you." The wolf towering over you growled in your ears.
The more it pressed into your body, the more you became afraid and grabbed at tree roots and plants. For anything within reach that might help you free yourself from him. Your face crinkled in pain and your teeth clenched tightly together, grinding against each other. When it finally settled into your body, you'd never felt so full. You couldn't see it, but you could feel the great bulge in your belly, perfectly mirroring the contours of his cock.
When he begins to move, pulling his monstrous length out of you, you find it strange. His cock entered you much deeper than it could be possibly, and when it was completely out of you, you felt so empty, your cunt clenched around nothing, already missing the warmth of his cock. When he entered your cunt again, you let out a sound mixed with eroticism and a painful cry. It wasn't bad, but not necessarily good. His cock seemed too hot, buried deep inside your body, but every thrust in and out of your pussy rubbed against a sensitive ball of nerves that made your eyes roll to the back of your head.
"No! I don't want this! Please stop..." The voice in your head did its best to drown out the sensations overwhelming every other sense in your body, but it was useless. The wolf's large body pressed against your back, his feverishly hot, wet skin rubbing against the exposed areas of your skin that were visible through your tattered cloak with each sharp thrust into your body.
His rhythm grew rougher and sharper as he stretched the tight confines of your pussy. Promises to fill you with his cum and give you his puppies came in steady succession with each thrust of his hips.
Wide eyed, you watched his fingernails dig into the dirt beside your head and thanked the gods that those nails were no longer digging into your skin. They pulled the earth a few inches away from your face, reminding you of the strength in those hands. He could have easily broken your neck with a snap of his fingers. Instead, he shifted his stance, his foot pressing your face deeper into the dirt beneath you. You should have been disgusted; it was wrong, but something dark and twisted inside you made you even more aroused, enjoying everything that was happening.
Your quivering, slippery walls tightened around him, and you heard him moan deeply in response.
"You like it, don't you? What a dirty bitch you are, little Red. Do you like it when I claim the rights to your tiny human cunt? Does it turn you on that I'm fucking you like a bitch in the middle of the forest?"
"Please..." Your voice was swallowed by a loud, air-piercing howl as the wolf howled over you in pleasure.
Your entire body shook beneath him as he fucked you with reckless abandon, his hips slamming painfully against your arse, causing the tender skin on your buttocks to become irritated and red. It was disgusting; you had dirt in your mouth mixed with blood from the previous fall, your whole body aching from his assault, but you wanted more; you wanted him to destroy you.
Something hot and tight pushed into your entrance, and you almost mistook this sudden invasion for his balls until you felt your pussy being forced to stretch even further to accommodate it.
"Please, no! You're going to hurt me!!! Don't do this!" Pleasure was replaced by pure terror as you tried to crawl away from him. Sharp nails pierced the skin of your thighs as he clawed at you and growled in warning, making you freeze.
"Take this! You're going to take all of me, and you're going to love it, you little slut." Each thrust felt like he was trying to shove a baseball inside you.
He was determined to complete his task, and when he did, you screamed in pain, tears staining your rounded cheeks and making your face look even dirtier. A loud howl pierced his chest, and his nails dug into your back, drawing blood as he tied you up with his knot and poured his sperm into your waiting body. You could feel every pulse of his cock as it emptied into your pussy, and against your desire, your walls clenched around the invasion, squeezing out all he had to offer you. His warm, viscous cum splashed into your body, making you shiver.
"I hope you've learnt your lesson and won't wander the night woods alone again, little Red." The werewolf whispered hoarsely in your ear, licking the tears from your cheek.
You turned your head to the side, meeting his slanted silver eyes and gloriously sharp cheekbones.
"Maybe I should learn that lesson a few more times, San. You know I'm not good at memorising, love."
#ateez smut#kpop smut#atz smut#ateez hard hours#ateez unholy hours#smut#ateez scenarios#ateez au#ateez x reader#san x reader#ateez imagines#ateez fanfic#san smut#choi san smut#choi san x reader
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