#I'm having brain rot with these two
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hopefulrunaways · 1 year ago
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I find very funny how in the books, they (Rick) tried so hard to sell Annabeth as the perfect match for Percy, and then they tried really hard to make the couple seen as the goal in relationships matter, AND THEN RICK GOES AND GIVES US NICO DI ANGELO. You know, the 13 year old who took Percy to the Styx so he heightened the chances that he wouldn't DIE, the 13 yo who turn on his father, A GOD, the second Hades tried to hurt Percy, the solid reason why they didn't die in the battle of Manhattan in the first place AND HIS SOLID MOTIVATION WAS THAT HE DIDN'T WANT PERCY TO DIE, all this poor kid wants is for Percy to live, and he goes to extremes to garantee this, even if Percy hate him afterwards, at least he's make sure he'll survive. Nico wasn't even with the Olympians, he was on Percy's side, and Percy just so happen to be on the Olympians side, I'm fully convinced that If Percy have had said "Fuck it" in BotL and just told Nico to just turn around and fight along Kronos with him (cofcof), Nico would had done it, he hadn't even meet Hades yet.
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hawkaye · 3 months ago
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BLACK SAILS WEEK 2025 March 21 - Day 7: Free choice -> Flint's daggers.
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shu-bullshit · 2 years ago
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After another exorcism
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twstyuna · 1 month ago
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I have been HAUNTED since November 2024.
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Reference image/ the AUs below
Source of ref
In rough order form left to right
Phantom! Skully
Ghost Engagement. Maybe. Idk I like ponytails
The middle bunch are Skully classic/him in an nrc uniform for he's alive!! Copiums also here's all the Ghost! Skully fics because he looks more or less the same in most of them
Reincarnation AU
Amnesiac Ghost! Skully
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journeyman-tier-fibercraft · 4 months ago
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I'm a little late for WIP Wednesday but I haven't knit since Wednesday so it still counts right?
I have absolutely smashed this underarm portion of the back panel, on row 153/160 (95%!!!). However. My goal for the underarm length is 24 inches. And I'm currently at 22. T-T I will Increase My Total (168 will probably work but I'll report back when I have motivation)
I'm already looking ahead to the upper back portion, which will be about 64 rows based on my gauge. Plus a couple more rows for shoulder shaping.... I'm Actually on row 153 out of 238. 64% finished.
I'm usually a Process Knitter but this is very much a Product Knitter's project. I keep daydreaming about all the lace shawls I could be knitting (but never wear). But the Evil Pink Cardigan.... My precious...
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hope-ur-ok · 2 days ago
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I spent way too long researching this because I'm a fucking nerd and didn't want to believe Rob Lowe's headcanaon that Sodapop died in Vietnam (S.E. Hinton confirmed he did not) and wanted to figure out which of the gang could have ended up there. So here is why I think only Darry could have ended up in Vietnam through the draft
Prior to the 1969 draft none of the gang would have been a priority pick since 1967 was the first year where anyone but Darry would be eligible, and would therefore be unlikely to be called for a physical or to see the draft board before the 1969 draft because of how young they were.
Sodapop, Two-bit, and Steve's draft numbers were very high in the 1969 draft, so unless they enlisted (something I don't think they would do) they wouldn't have gone
Ponyboy was born after the last year that was included in the 1969 draft (born in 1951 and the last year was 1950), and his number for one of the 1970 drafts was just as high as Sodas. So to go to Vietnam he would have had to enlist and after seeing the deaths of Johnny, Dally, and Bob I do not think he would have signed up for military service.
Darry's number, and letter placement were likely low enough to get a call to service in 1969. But prior to that I think that a hardship deference could have been argued for as the sole caregiver for his two younger siblings (until 1967/1969) and as the primary breadwinner. Because of that he could have stayed grandfathered-in to the system and avoided being in the draft pool though his number in the 1970 draft drawing was almost 70 points lower, so he would have needed to stay deferred until the 1971 drawing to be clear. He could have used some other method to dodge the draft as well, but character wise I can't see him using an unethical means to dodge it, it seems more likely that he would have signed up for the national guard wait list several years prior
Darry - Jan. 2nd, 1945 - 101 (D - 3, C - 14) Sodapop - Oct. 8, 1949 - 283 Ponyboy - July 22nd, 1951 - 282 Two-bit - June 20, 1947 - 360 Steve - April 15th, 1948 - 273
some of my sources: X X X X
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inseparabiles · 6 months ago
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woke up three hours ago and all I've done is roll around in bed thinking about the Roman Empire
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tashatoons · 1 month ago
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Milluki’s parents had been rather surprised when he’d jumped at the opportunity to take a job in eastern Padokea. The fact that their homebody son was actively making more of an effort to get out of the house had been a relief in the back of their minds, though Milluki’s reasoning had less to do with work and more to do with desire.
https://archiveofourown.org/works/65389840
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axonthegoat · 7 months ago
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So a few months ago I got into Cult of the lamb, and a mainly FS, legend of Zelda au arrived from it,
Vio is the Lamb and the leader of the Cult of spirits, Shadow is the one who waits, and the Hero of legend, Aka Rue, is the Goat!
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References ^^^ Vio has a preference for the Blunderbuss, the Dagger and sword, while Rue prefers the Axe, Claws, and Sword
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After the end of the game Vio gave up the crown back to Shadow, but over the many year's it took Vio(who was very bad at it) the two of them Grew close so Shadow revived Vio and now the two share the crown.
The two also eventually Got married
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Vio isn't the most nurturing, or parental person, but he's a great teacher and older brother to the children of the cult, their also very protective of the children, not wanting what happened to their younger siblings and cousins to happen to these children
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After everything, Vio still mourns their family, their people, they may be the last, but their doing everything in their power to find a way to at least bring their brothers back, in the meantime, their execution site has turned into a massive shrine and place of remembrance
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redrocketpanda · 2 years ago
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From the person who brought you unhinged JJK S2 fish discourse, please accept my humble new offering: me holding up images whilst screaming ferally at you: did ya see?! did ya see what they did with the colour symbolism in episode 4 and what it Means?! Well dw cause I'm here to serve you a heinously long meta-analysis regardless. This episode has completely undone me and I need to give you a blow by blow account of why
I want to go in depth about the final scene of e4 bc that's really what set the cogs whirring in my mind, but let's start with the following image bc it exemplifies everything, not just in terms of the colour symbolism but of the heartbreaking changing relationship of stsg
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Throughout the previous episodes and opening/credits of S2 we have been made to associate the colour blue + lightness with Gojo and the colour red + darkness with Geto. The sparkling blue eyes and stark white hair of Gojo, his Limitless: Blue technique, the white fish, the way he is often shown standing/walking in the light, turned to face Geto versus the black hair + dark eyes of Geto, the black fish, shown standing/walking in the shadows, turned away from Gojo (etc etc)
Yet the final scene of e4 flips this on its head and what this Means is, quite frankly, soul destroying
We join Geto as he walks along a dark, narrow corridor flooded with red light until he reaches heavy doors. He's confronted with his own image, reflecting back at him, before using both hands to prise open the door. When he steps into the bright white light of a high-ceilinged room, his face falls as Gojo emerges like a messianic figure from the applauding crowd, carrying the shrouded corpse of Riko (side note: god I have a lot of thoughts on Gojo as a messianic figure but I'll save that for another time)
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Gojo approaches Geto with his head bowed (whereas usually he is always looking up at Geto) and the moment Geto lays eyes on Gojo he knows something is wrong (similarly to Toji earlier in the episode). He barely seems to recognise Gojo and though Gojo's eyes still sparkle with their bright blue infinity, his expression is dull and lifeless. Geto asks disbelievingly in a way that stabs me right through the heart: "Satoru. Is that you?"
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At the start of the conversation, the camera pans from Gojo on the left to Geto on the right and is shot from below in a way that emphasises the growing cavernous expanse between them
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But it's what happens in the following moments that's really the killer
Gojo states that he fucked up and that everything that has happened is therefore his fault. Geto tells Gojo "let's head back" (I read this both as: let's head back home and as an indication that Geto wants things to go back to how they were). The camera then cuts to Gojo's mouth as he asks flatly - "Suguru, should we kill these guys?" - and then zooms out as he continues - "The way I feel right now, I doubt I'd feel anything about it." The camera zooms out, showing Gojo standing in front of the applauding crowd, holding Riko's body and continues to draw back, making Gojo seem as if he's getting further and further away from Geto, as well as from us, whilst his eyes glow ethereally
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I want to do a separate post about what happens with Geto, Gojo + their relationship in episode 5 but I do also want to point out here: this is the scene that Geto experiences invasive flashbacks of in the following ep. It's the moment that he realizes that he's lost Gojo, that Gojo is now fundamentally different in a way that Geto doesn't recognise or understand, that Gojo is far beyond his reach
As Gojo walks past a motionless Geto, away from the light and into the darkness, we cut to Geto's downcast eyes, pupils dilating wildly as though he's in shock/about to cry (this harkens back to the fish, the way that Geto can no longer bear to look at the white fish as it swims past). We are then left with Geto standing in the bright blue-white light telling Gojo that there's "no point" in killing them, whilst Gojo replies in the darkened, red corridor "does there really need to be any point to it?"
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Gojo is a broken man, a complete shell of who he once was and this scene demonstrates Gojo's transition as he turns away from Geto. The colour symbolism, though, is present throughout the earlier parts of the episode and beautifully illustrates how we arrive at this exact moment (as well lays the foundations for what comes next)
Let's return to our blue/red colour theory bc there's a lot going on here during this episode!
E4 starts on a banger: we're cruelly given a recap of Toji telling Geto that he killed Gojo and then within the space of about 7 minutes, Geto too has been killed. It's tragic and sad and none of us want to be reminded of it but I'm going to (srysrysry) because hey, check out what's going on. Notice the cool blue tint of Geto's "death" versus the vivid red of Gojo's? (a horrible eg I know but you should've heard my scream when I caught onto it)
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And here's another cool example that had me ajdjsksjdk bc ofc I clocked Gojo using his red technique, but look at the blue glow around Geto's hand?! I don't recall seeing it being used for Geto before (correct me if I'm wrong) so it's interesting to see it being used here, plus us seeing Gojo using Red properly for the first time
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Let's just pause here for a moment bc this is a hugely important moment for Gojo's character arc and the fight with Toji gives us an incredible colour theory moment
In the previous episodes, we've seen Gojo being able to easily use his Limitless Blue technique but remember how, in E2 Gojo tried to use Red and hilariously fucks it up announcing "I failed" and resorts to punching the bad guy instead? It isn't until this episode, after Gojo has used reverse cursed technique whilst on the verge of death to heal himself (idk if heal is the right word) that he is able to learn to use Cursed Technique Reversal: Red
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We have this really beautiful animation sequence during Gojo's fight with Toji. A blue and a red droplet swirl around each other and then splash together to reveal a swirling rotation of blue and red rippling water. The colours converge, red droplet slipping into blue water, blue droplet into red. The droplets come together to form the shining purple infinity plucked between Gojo's fingers, granting him the "Hollow Purple" technique that allows him to blow a hole through Toji.
Gojo explains:
"Reverse cursed technique uses negative energy. While it can enhance the body, it can't regenerate it. Multiply that negative energy against itself to create positive energy... Take the amplified and the reversal, then smash together those two different expressions of infinity to create and push out imaginary mass."
Gojo + Geto, amplified + reversal = two different expressions of infinity -> create / push out
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Toji "killing" Gojo was the moment that set Gojo on a different path, which allowed him to evolve beyond belief and causes him to ascend to, what he believes is, divinity. He takes the basics of Blue and Red (primary colours; Gojo and Geto) and mixes them together to create something new, something transcendent, something that surpasses who he (and Geto) were before. He becomes an unstoppable power that far surpasses everyone else, and this is what Geto recognizes: that Gojo has evolved without him (which we know from E5 has huge consequences for Geto's thinking)
And so now, finally, let us return to Geto at the end of E4
After Gojo asks Geto "does there really need to be any point to it?" (killing), the camera flashes quickly between the applauding audience and Geto's empty hand, which he then clenches into a tight fist. He raises his downcast eyes to look forwards (resolutely, looking into the future) and responds: "it's very important there is..."
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We're left with the image of Gojo standing on a blue floor, surrounded by the clapping crowd. The floor wavers as an all consuming darkness pulses beneath him, locating Geto as it's central point as it surges out towards the crowd "...especially for a jujutsu sorcerer."
We're reminded of the conversation where Geto and Gojo almost come to blows whilst playing basketball in E1. Geto's argument that jujutsu sorcerers exist to protect non-jujutsu sorcerers whilst Gojo complains about having to protect "the weak" + patronisingly tells Geto to get off of his moral high horse.
Now we witness the extent of Gojo's apathy in action, as he pulls away from everything and everyone, and the swinging of Geto's moral compass from protection to genocide as he's left behind in the ruins of all that once was, of everything and everyone that he loved
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1nfiniteworld · 1 year ago
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small little sonadow video because this audio would not leave me alone so i had to draw something for it
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clownprince · 2 years ago
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here have these panels from justice league (2018) #51-52 that are making me physically ill
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gemsgamegems · 2 years ago
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It's always "I love you" and never--
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idk what else I can say that's coherent enough for a review.
I love this game.
I LOVE. This. Game.
I have to go back and get the other endings.
But like...fuck.
FUCKING SHIT 😫😫😫😭
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zahanh · 1 year ago
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Ragequit scugs you and leaves
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GAY RAGEQUIT SCUGS
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I love them thankyou
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miodiodavinci · 11 months ago
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i saw that you used to hint at oc stuff on twitter (don't ask me why im digging im looking for zola stuff lmao) why don't you post more about them?
i am simply terrified that if i post oc things online someone will steal the concept and run with it faster and better than i ever could have and then i will be devastated forever and ever
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more seriously i have very little to show for any of my oc things (adhd brain making life difficult as per usual awawawawawa) and every time i've shared oc things in the past i've ended up never following up on it and it makes me feel bad and guilty so i've just convinced myself i will Never talk about my ocs until i have something substantial i can put out there
#mio answers things#anon#i'm getting a little better with making things for my ocs#on account of having friends i can actively share my brain rot with#but i still dread the feeling of posting a character and being forever haunted about never doing anything with them ever again#(echoes of custard howling in my mind)#just like how i dread having a repeat of that time in middle school#where i talked about my werecrow oc in the comments of a bigger artist's works#and they ended up making their own werecrow oc immediately after#they very much directly aligned with mine#but it got wildly popular on their account and they made a ton of art for it and i just#ended up deleting any evidence of mine because i felt so bad about it skjdfhgkldhfkgj#like i have no problem with people taking inspiration from my designs#i think it's fun seeing people design vy2s with two toned hair and kyos with pink eyes and hair pins w#but like. the thought of posting my oc and having someone run them through a blender to make their own character makes me feel. bad.#i can't articulate the specific reason Why it makes me feel bad but it does skjfghdkjfgsdhkjf#like if i finally posted theater gang stuff and then saw someone else take those concepts and make them into their own characters#i might just collapse into a pile of beef trimmings and never get up sdfkjhglksjdfg#it's silly and i don't know why my brain's like this but because of this in combination with my fear of posted oc things haunting me foreve#i simply will not be posting <3333#(and also just that. i'm incapable of producing enough artwork to make my ocs matter in a public context i think.)#(like you breed affection for a character through familiarity)#(which you only really get by creating A Lot Of Art)#(and i cannot do that <333)#(so instead most times i post it's a few handfuls of likes)#(and that doesn't really feel worth it to my brain when i could just settle for going insane over them with my friends skjdfhgkjsdf)#i really think this last year has just taught me that i really. honestly truly prioritize the reactions and feelings of my friends#over strangers on the internet#and it feels a lot more comfortable that way w#AH
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asteria49 · 1 year ago
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Gortash to Durge when they reunite. "Let's make our pact anew. A divine oath sworn upon flesh and spirit."
What a weird way to say "let's renew our promise not to interfere with each other." Remaking their divine oath sworn on flesh and spirit... like... like body and soul? Like when two people pledge their undying love? Like renewing marriage vows?!?!?
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