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kaijutegu · 7 months

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Happy Valentine's Day! When you think about love and the animal kingdom, are alligators an animal that comes to mind? No? Well, they should be, because they have some of the most interesting courtship behavior of any non-bird. (Bird displays are something else entirely.) I think it's time that you all are introduced to the Big Gay Alligator Sex Study, more properly known as Courtship Behavior of American Alligators (Alligator mississipiensis), written by Kent Vliet. You can get the paper at the link below!

This was a study done over a 3-year period in the 80s with a population of captive American alligators to look at how they interacted. Alligators are incredibly social and have complex behavioral dynamics, and their courtship rituals and routines are pretty dang interesting. In general, crocodilians spend a great deal of time interacting with each other when compared to other reptiles, and the courtship behavior of a few species is well-documented. But in this post, I'm mostly going to talk about the American alligator (with a quick detour into Cuban crocs).

Why Do We Care About Courtship?

So before I dive into talking about this study, let's talk about why we care about courtship (the social behavior that leads to mating) and mating (sexual interaction that could, hypothetically, lead to reproduction). Courtship and mating are extremely important when studying animal behavior- honestly, they're extremely important when studying zoology in general. In some cases, understanding this behavior actually a major conservation concern! For example, the Cuban crocodile is an endangered species. They're largely constricted to two swampy areas of Cuba, both of which also have American crocodiles present. And unfortunately, the female Cuban crocs find the male American crocs really, really sexy. This is a big problem, because with only about 3-4,000 Cuban crocs left in the wild (possibly even fewer), they need to be breeding with their own species to make more Cubanitos.

These. Make more of them.

But what scientists have found is that not only are there hybrid crocs in the wild, the Cuban population of American crocodiles is more closely related to Cuban crocodiles than other populations of American crocodiles, suggesting this has been going on for a very long time.

You can read more about that here if you want, but back to the gay alligators.

Alligator? More Like Alli-GAY-tor, amiright?

(actually that IS wrong it's more like alli-bisexual-tor, but that doesn't sound like alligator)

So how does a study like this happen? Back in the 80s, the American population was Feeling A Way about alligators. Something that you gotta understand when you're doing any kind of conservation is that people protect what they love, and they love what they understand. Alligators are a major conservation success story today- there's millions in the wild- but they were in serious danger of extinction in the 1960s, and it was a combination of legislation, awareness campaigns, and captive breeding at both zoological parks and commercial gator farms that helped bring them back. As a result, they were one of the first species to be de-listed from the ESA!

All of this attention meant that alligator science was flourishing in the late 70s and 80s, and that's where this study comes into being. This post is long enough so I'm not gonna go into all the details and methodology- you can find that in the paper I linked up top!

However, there is one piece of methodology we should talk about, and that's the choice of study population. It's part of what makes this particular study so interesting!. See, in a lot of cases, captive behavior really differs from wild behavior. This can be impacted by captivity conditions- what other animals the study animal has access to, what behaviors the animal has learned in captivity, even down to things like how the animals are fed. For example, some courtship behavior in captive animals can be the result of unnatural habitat conditions or limited social groupings. If you only have access to a couple of conspecifics, you don't have the same choices that you do if you have access to something closer to a wild population. If you've got a breeding group with one male and a handful of females, you can't ask or answer any questions about male/male interactions! Crowding is also an issue- too many animals in a space can be stressful, and lead to atypical sexual behavior.

But that's one of the cool elements of this study: the alligators in question live in a large social group in a lagoon that's basically just natural habitat with a boardwalk going around it. It's about as close to studying a wild population as you can get, with the advantage that it's far more accessible. And what this leads to is that that the researchers were able to see a really wide range of behavior, because all of the alligators had lots of access to lots of different mates. They were able to make choices that you wouldn't see in a smaller group. There's a trade-off that Vliet notes, and that is the population density and captive situation means that results might not quite work out the way they do in the wild- but in the years since, the results of the study have been vindicated with research into wild populations.

So, what are alligators into? Gay sex, group sex, yelling real loud, and lots and lots of... gentle caressing.

that's not a euphemism they spend a lot of time gently rubbing each others' faces

So first things first, it turns out that the vast majority of alligator mounting, which occurs after courtship behaviors like jaw rubbing, bellowing, head rubbing, and swimming together is male/male. Over the three year study period, an average of 68% of all sexual interactions were male/male. However, what they don't really notice is exclusivity, because when it comes to the sex of their sex partner, alligators... well. They aren't all that picky.

Another fascinating aspect of alligator courtship is what's called courtship groups. These are readily observed in captive settings (and in the wild, too, as mentioned in Dragon Songs), and are mixed-sex groups that spontaneously form. As other alligators approach a mounting pair, the original pair will happily split up and switch partners. Usually what happens is that the alligator on top slides off to initiate courtship with a newly-arrived individual. What's really interesting here is that, as the author notes, "males engaged in courtship with a female readily terminate that interaction and initiate interactions with males." Another fun element of alligator courtship is that while in most vertebrates, males approach females, alligator females often approach males. Usually it's the males approaching, but for many crocodilians, courtship initiation is an equal-opportunity affair.

Alligators are also really vocal during courtship! This is pretty unusual for a reptile- usually they're a quiet bunch. But crocodilians are pretty chatty. And during the breeding season, something pretty spectacular happens: infrasonic communication, better known as bellowing. This is sometimes called water dancing, due to the ripple patterns it makes. It's a loud, low-pitched rumble that conveys information about size and location, and is used for territorial displays and as a mating call. During the not-breeding season, a bellow means "stay away!" During the breeding season, it means "HOT ALLIGATOR SINGLES IN YOUR AREA."

Here's some pretty spectacular videos showing you what this looks and sounds like. The vibrations make the water above their backs splash up.

youtube

Alligators are also extremely tactile during courtship. The study has detailed analysis of touch in specific tactile zones along the head and neck of the alligators. Vliet notes "These sites have increased numbers of swollen pustular scale organs, the function of which is unknown."

What's kinda funny about this to me is that now, the functions of these organs are known- they're highly innervated tissues that help alligators detect prey in murky water. An alligator's jaws are more sensitive than a human fingertip due to the sheer number of nerve endings! So of course these areas are going to be highly sensitive, and to me it makes perfect sense that they feature so heavily in courtship.

So what can we take away from this 40-year-old study? Quite a bit! First, it's a great reminder that humans aren't special. We see same-sex mating behavior in pretty much every species we look at. We see it in cockroaches, spiders, and butterflies. We see it in sheep. We see it in alligators. We see it in every other species of great ape. Of course we also see it in humans! There's nothing that special about same-sex sexual behavior. It's a part of... pretty much everybody's evolutionary history.

Another thing I think is really important is that while this is an old study, it was absolutely pivotal as a turning point in helping people understand alligators. Remember how I said earlier that we protect what we love, and we love what we understand? This study showed the world that alligators weren't just mindless eating machines. They're socially complex! Understanding alligator sociality and how they choose mates and interact helped us care for them better. It told us more about how to keep them happy in captivity. Alligators are smart, communicative creatures. They don't always get along, but they don't always fight, either. (Don't get me wrong: they will fight each other, and they've actually evolved some pretty specific anti-other-alligator defenses... but they don't always fight, even during the breeding season.) This is interesting to me because in mammals, it's hypothesized that same-sex sexual behavior may have evolved for prosocial reasons; that is, it helps reduce conflicts. Perhaps it does the same for alligators.

In conclusion:

If you want to know more about alligator courtship and mating rituals, I can't recommend Vladimir Dinets's Dragon Songs: Love and Adventure Among Crocodiles, Alligators, and Other Dinosaur Relations highly enough. I know I talk about this book all the time, but it's easily the most accessible writing on crocodilian social behavior. It will change the way you think about and understand these animals.

Another phenomenal book is Alligators: The Illustrated Guide to Their Biology, Behavior, and Conservation by Kent Vliet. (Hm, wonder if he's written anything else...) This is basically the Bible for gator behavior. The photographs are absolutely gorgeous, too.

#alligators #reptiblr #reptile #long post #Youtube

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simon-newman · 4 months

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TIL I learned that the initial plans for Smaug in the Hobbit movies had him with four legs and a pair of wings like an actual dragon should be:

Supposedly the original design was still used in the first movie original cut and only changed to show winged forelimbs in the enhanced version.

what we ultimately got is the bat-like front limbs that serve as both arms and wings.

NGL. I still love him but there's this tiny voice at the back of my head saying "this is a wyvern".

Now. Why was the change made?

The official answer is:

"Originally, the dragon we envisioned was bigger. The idea was to get the fear through his bulk. In fact, if you go back and look at the first film and the scenes that he was in, he was actually a four-legged dragon because we just had him stomping through Erebor in all of those flashback scenes," Letteri said. "But we realized that once you saw him performing -- we especially got this from watching Benedict perform. He got down on the grown and starting slithering around like the way Tolkien described Smaug in the books, which is as a big worm. Once we saw Benedict doing all of that, we realized you can't have him be this four-legged creature with wings on him back, he needs to be two legs and his wings need to be his arms properly, as you would expect a creature to be like a bat or a bird."

So in order to make him move like Tolkien described they had to make him not fit the Tolkien's description of having four legs.

They made him less accurate to make him more accurate?

Plus. The excuse that he will be slithering around means he can't have four legs?

This is Fatalis - the most powerful monster in the Monster hunter franchise. It's an Elder Dragon with uniquely Draconic design.

Most regular MH monsters are some kind of a wyvern with four limbs. Elder dragons are different and like Fatalis many have six limbs.

Uniquely - Fatalis is the classic European dragon in terms of design - something that set him apart from other monsters in the franchise.

It is a monster and destroyer of kingdoms.

And he slithers around.

He can move in two ways - by lying flat on his belly and pulling himself forward with wings - in this case the forelegs are held close to his body.

The other method is to actually use the front limbs instead of wings. This gives him multiple means of movement depending on the situation and intentions.

He has a few more animations where he just lies flat or jumps forward - both ending with him flat on the ground and able to stand up easily. Those are attacks that intend to crush enemies with his entire body.

Four legs don't interfere in the slightest with all those movements.

The excuse is weak.

It is just my theory but seeing the recent push for "realistic" design for dragons I personally blame the Game of Thrones.

It began airing too late for the first movie to be changed as the production was likely in a very late stages.

Second one tho? Yeah. I could see how they implement the idea based on G.R.R. Martin's design.

For REALISM.

Of a mythical, flying, fire breathing monster.

I'm just waiting for "realistic" dragons appearing alongside creatures like gryphon and pegasus with the same excuse being made.

...

Thank you to listening to my rant.

#Random #Dragons #Smaug #Lord of the Rings #Fatalis #Monster Hunter #J.R.R. Tolkien #G.R.R. Martin #Wyverns #Game of Thrones

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graha-stan-account · 4 months

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Things I learned from Encyclopedia Eorzea III

Do with this what you will, ffxiv fandom.

G'raha and the tower appeared about 15 years after the Flood of Light. Ardbert and team were all already dead. "Our" Minfilia had already dissipated.

At the time, he looked like his normal self. He is described as a Mystel dressed as a mage, so we can assume people knew he was a "Mystel" at the time, vs. later when his appearance is only speculative.

A bunch of refugees clamored to the Crystal Tower when it appeared. He said yeah you can hang out here, the tower defenses will keep you safe.

And then fucked off for 4 years to survey the damage of the Flood of Light.

When he got back he knew shit was really fucked and ASAP started trying to figure out how the hell to get the WoL over for pizza

At some point he figures out he needed to address the WoL verbally for some reason for the summoning to work properly???

It doesn't.

He decides this shit is gonna take 5ever and I'm already having a quarter life crisis. I'm going to bind my aether to the tower. It's the one secret anti-aging trick that has doctors PISSED

It'll be great, like, he'll almost never age.

Downside, his body slowly becomes necrotic with crystal.

More time lost because he has to use aether to discretely animate his crystallized limbs and digits to keep their use.

At some point, early Crystarium dwellers get tired of asking him for his name (he won't give it) and him rejecting the crown they offer him so they start calling him the Crystal Exarch.

Exarch says OK and wheels out some Allagan nodes to help build what would become the Crystarium. Go ham, guys.

Since no one really recalls what the Exarch looks like in present day, G'raha likely began wearing a cowl after returning from traveling Norvrandt, or when his body begins to change. Those who remember are likely dead (age or sineaters) or sworn to secrecy.

The developing crystal, which he did his best to hide, prevented him from truly connecting with the others.

Sometime after this, an infant Lyna falls into his care.

Well technically the Settlement Council (because he was like hey let's have a representative government [not because I grew up in one or anything!]! I'll just be over here.)

But he was very involved in her upbringing.

Probably because he was close friends with her parents.

Who die tragically while serving in the Crystarium guard (Meaning that the guard is at least 30 years old, likely more, as her parents were known to have served in the guard since inception basically and Lyna is 33 in SHB)

G'raha was probably in his mid-eighties at this point, judging by Lyna's age in SHB (33) and that we know G'raha had the Crystal Exarch title for 9 decades + the 24 years he had lived before he entered the tower. (He is likely slightly older due to the intervening time between being awakened in the Bad Timeline and heading to the First.)

He FINALLY gets summoning to work something like 90 years later!!!!! Except it still doesn't! Five years before he could nab the WoL, he nabbed Thancred instead (oops). It took another 2 years for it to successfully transport a soul again.

#g'raha tia #crystal exarch #ffxiv #I wrote this at 1 a.m. in the morning #as you can see it quickly devolved into my own voice and 0 self control lol #but I didn't make it up #Fandom you better make me suffer with this information I give you #shadowbringers spoilers #encyclopedia eorzea

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alexanderwales · 1 month

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Alright, here's my dream Stardew Valley style game, designed for my own tastes.

You come to a small town with the usual twenty to thirty people. It's in the middle of nowhere. It's a fantasy town, and no one actually farms anymore, partly because it's only questionably profitable, partly because a lot of the knowledge has been lost. Instead, everyone uses these magic doodads which are very powerful but also very limited. The tavernkeeper has a doodad that makes him a single kind of weak ale and a single variety of off-tasting wine. The clothier has basically a square mile of linen to work with, and everyone wears her drab clothes. Tools are made from a doodad that the blacksmith owns, not even made of any actual metal, just a material that wears away after a month and needs to be replaced by a new copy from the blacksmith's doodad. People get their meals from the doodads. They get their medical checkups. It's all a bit shit.

Because I'm a worldbuilder at heart, I would have this all exist in the wake of a large-scale war that depleted the town of its fighting-age population, with the doodads being a sort of government program to ensure that more of the lifeblood of the town could be drained away. And for there to be some reason for the town to continue existing, perhaps the government is harvesting some resources necessary in the creation of doodads. That's enough for a pro-doodad faction and maybe some minor drama with them, though I do like the idea that the only reason things are Like This is because there was a war and things got bad. It's not necessarily a bleak town, but there's definitely a listlessness to it, a "what's the point".

So you're a farmer, but no one is really a farmer anymore. Maybe there are a few books, but you don't learn farming from books, you learn it from practical experience; that's a lot of what this game is about. When you start, there's no one to buy seeds from, there's just a bunch of wilderness where farms once stood, now all long overgrown.

So you go out and forage, for a start, and you clear the land, and you pay attention to the plants and how they can be used, and you start in on making recipes with them, maybe with the help of your grandfather's old, partially incomplete books. You find some wild corn that's a descendant of the old times. You find some tomato seeds in an urn. You discover potatoes because you see them dug up by a wild boar, which itself was once a domesticated animal.

In my ideal game, you need to pay attention to the soil quality, to how far apart things are planted, to what crops work well together. Farming is a matter of companion planting and polycultures. You get some chickens by giving them consistent feed, and you keep them around because they're natural pest control. Your climbing beans climb the stalks of your maize. You're attracting pollinators. (From a gameplay perspective, yeah, we probably put this all into a grid, and you have crop bonuses from adjacencies, and emergent gameplay that comes from all that, some plants providing shade, others providing nitrogen fixing.) You're a scientist making observations about the plants, maybe with your incomplete book giving you confirmation on the nature of all your crops once you hit certain production goals or a perfect specimen or whatever.

Cooking is the same. There has got to be a system that I like better than just "combine tomato with bread to get tomato bread". I'm pretty sure that it's some variant of the actual process I use when cooking, which is making sure that things are properly cooked, balancing flavors against each other, adding in a little salt or acidity or umami or whatever. Time in the kitchen, in this game, is often about making meals, ensuring that if you have a fatty piece of meat you have some asparagus that's coated with lemon to go with it. (From a gameplay perspective, I think building the dish once is probably sufficient and it can be automated after that, and building the meal is the same. I don't want to play this minigame every time I'm cooking a dish, I just want to play it a single time until I have good knowledge of the best way to grill a BBQ chicken breast with a homemade sauce.)

But if we're having a little minigame here where we pay attention to how long we're cooking the kale to make sure that it's the right texture, and we're paying attention to abstractified mouthfeel and palette, then we can get something else for free: variation. See, you're not just cooking to get an S grade, you're cooking for people with different tastes. The cobbler has a sweet tooth, the librarian loves fruity things, the mayor cannot stand fish, that sort of thing. From a gameplay perspective, maybe we represent this with a radar graph with some specific favorite and least favorite individual flavors, and maybe it's visible to the player, but the important thing is that player gets feedback and have a reason to strive for both "good" and "perfection" and some of this is going to depend on the quality of the ingredients.

And this is, gradually, how the town is brought back into the fullness of life. You're not just cooking for these people, you're also selling them food, and they're making their own recipes, and all the stuff that's not food is making their businesses not suck anymore. After the first test keg of ale goes swimmingly, the tavernkeeper wants more, a lot more, and puts in an order for hops, wheat, grapes, anything he can use to make things that will improve nights at the tavern. The clothier will skeptically take in wool and spin her own yarn, and then eagerly want more, because how awesome is it to have a new textile? There's a chemist who is extremely interested in dyes and paints, and wants you to bring him all kinds of things to see what might be viable for going beyond the ~3 colors that the doodads can provide.

So by year two, if you're doing things right, you're the lynchpin of the revivalist movement. People are now moving to the town, for the first time in decades, because they hear that you're there and doing interesting things with the wilderness. Maybe there are other farmers following in your wake, but maybe it's just new characters who are specifically coming because a crate of wine was shipped to the capital city. Maybe some of them bring new techniques for you, or a handful of plants from a botanical garden, and there are new elements for the minigames, or maybe some automation for the stuff that's old hat.

I think something that's important to me is that there's a reason for the crops you plant and the things you do. I always like these games best when it feels like I'm doing something for someone, when I can look at a plot of cabbages and think "ah, those are the cabbages I owe to Leon". Where these games are at their worst, everything is entirely fungible and I've planted eight million blueberries because they have the highest ROI.

And yeah, in most of these games, there are other minigames like fishing and mining and logging and crafting, and since this is just a blog post and not a game, I definitely could massively expand an already sizeable scope.

I think for mining the player would use doodads of their own, and maybe you could make a mining minigame out of that, using the same planting tile system to instead create an automated ore harvesting machine that plumbs the depths of the earth (possibly dealing with rocks of different hardness, the water table, and other challenges along the way).

Fishing is a question of understanding the different fish species, what they eat, where they congregate, and then setting nets or lines, since I have never met a fishing minigame I really enjoyed. Again, there's some idea that the player is gaining information over time, building up a profile of these fish, noticing that some of them go nuts when it rains, understanding the spawning season, that they go to deeper water when it's cold, etc.

Crafting really depends on what you're crafting, but if you're reintroducing traditional artisan processes to this town, then people are going to need tools and machines and things. I'm not sure I know what a proper crafting game looks like. The only experience I have to draw on is wood shop, where I made wooden boxes, cutting boards, and picture frames. Since this is an engineering-lite puzzle-lite game, you could maybe do something in that vein, e.g. defining a number of steps that get you the correct thing you're trying to make, but ... eh. I love the idea of designing a chicken coop, for example, or building a trellis if I want my climbing beans to not need maize, or whatever, but I don't know how you actually implement that. There are definitely voxel-based and snap-to-grid games where you build bases, and I tend to find that fun ... but it's mostly cosmetic, for the obvious reason that doing it any other way than cosmetic requires programmatic evaluation, which is difficult and maybe unintuitive. The closest I think I've seen is ... maybe Tears of the Kingdom? Contraption building? But I don't know how you translate that to a farming game. Maybe I should ask my wife about this, because she's always doing little projects around the house (an outdoor enclosure for our cats, a 3D-printed holder for our living room keyboard, a mounting for our TV).

Making an interesting crafting system is difficult, which is why pretty much no one has done it.

And if I'm talking pie in the sky, without concern for budget or scope, I want the villagers to all have a mammoth amount of writing for them. I want petty little dramas and weird obsessions, lives that evolve with or without my input, rudimentary dialog trees that let me nudge things in different directions. This is just an unbelievable amount of work on its own, it would be crazy, but I would love having a tiny little town game where sometimes other people would fall in love. I would like to be invited to a wedding, maybe one that happened because I encouraged the chemist to hang out with the clothier, and in the course of working together on dyes, they fell in love. With twenty people in town and another ten that come in over the course of the game if you hit the right triggers, I do think this is just a matter of having a ton of time/budget. You write tons and tons of dialogue so there's not much that's repeated, you have some lines of conversation between characters that are progressed through, you have others that trigger off of events, and then you have personal relationships between NPCs that can be progressed through time or with player intervention. Give single characters a pool of love interests, have their affections depend on their routine which depends on what's changed in town ... very difficult to do without spending loads and loads of time on it though.

Anyway, that's one of my dream games. No one is ever going to make it, it would be a niche of a niche, and as scoped here, is too much for a small team to ever actually finish, let alone polish. But it's the sort of thing I'm imagining in my head when I think about playing Stardew Valley and its successors.

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foone · 10 months

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Alternative names for humanity along the lines of "Homo sapiens" (Wise man) and "Pan narrans" (Storytelling Chimpanzee) that I'm too lazy to look up/make up Latin for:

chef ape

throwing ape

walking ape

The idea being that we're apparently unique in the animal kingdom in that we cook our food, so we're the Chef Apes. We're also one of the best animals at throwing things: humans have more accuracy and strength when throwing stuff than other apes, by a long shot

And apparently our ability to walk slowly for ages was key to our early survival as persistence predators. We can't outrun a gazelle or mammoth or whatever, but we don't tire easily and so we can just keep following it until it runs out of stamina

Pan basipila: the baseball playing Bonobo

If only baseball had a cooking element, it would be the perfect Human Sport.

We need to devise a sport where you cook something, follow someone for a long time, and then throw it at them.

The most human thing is the surprise pie to the face

Also as much as I like Terry Pratchett's suggestion of "Pan narrans" I wouldn't be surprised if we turn out to not be the only animal that tells stories...

Elephants. I bet elephants do.

Like, there was that case where an injured elephant went to a ranger station for help. One it had never been to before, but other elephants had.

The theory being then that some other elephant had told this elephant "hey if you're hurt, go here, the humans will help"

That, combined with how they have burial rituals (some which might indicate there's an elephant religion!), and that we're working on figuring out how elephants communicate...

It wouldn't surprise me if we learn sometimes in the next decade or two that "oh yeah, elephants tell stories too. They've got FICTION."

So "Pan narrans" isn't what I'd want to bet on as our uniquely human thing.

But at the end of the day, maybe the whole idea of there being a uniquely human thing is, in itself, just another story we're telling.

So maybe it is a good fit after all.

But I especially like the idea that we're the Baseball Ape because I have this image in my head of a galactic council of aliens. Some angry alien who looks like Cthulhu had a baby with a spider has the floor, and they're ranting about "why do the Hu-mons deserve a seat?"

The Crogath are stronger, the Eldru are smarter, the Cybernetic Essense lives longer, the Dromans go farther and faster, the Moltriri have us beat in fiction and poetry, what is so special about these damn bipedal fleshbags that makes them unique in the universe?

And then WHAM. Right between the eyes. A handheld translator device, a bit bigger than a modern smartphone, beans the speaker out of nowhere.

And there's an (untranslated) yell in the chamber as the prime representative calls for order.

"WE CAN THROW, MOTHERFUCKER!"

(it takes a while to properly explain the insult. Crogathi (especially drones) don't really have mothers or sexual reproduction, so they don't really get why that would be an insult. It's finally translated as something like "bud-biter")

and it's true. even after the World Series becomes the Galactic Series, no non-human team ever manages to win.

The Eldrul Librarians almost make the cut in 2486 but accidentally piss off the ghost of Colonel Sanders and end up inheriting the Hanshin Tigers' curse.

alien textbooks describe The Colonel as some kind of human patron deity of baseball and cooked avian food, who should not be disrespected at all costs, or his vengeance from his place beyond the grave will be swift and punishing

(they're right)

"Look, we can't PROVE he was why Gemini Noctis went supernova unexpectedly, but given the protests that had happened right beforehand, and the incredible powers ascribed to the human spirits, do you really want to risk it?"

the funniest possible future: humanity gets a key place in galactic politics because we're never able to adequately convince the universe at large that our ghost stories are just that, stories, and they're terrified shitless that we'll unleash spectral torment on them

"humans? look man, living humans are a pushover. you can easily rip them in half, crack their planets with a quark bomb, their ships are little more than tin cans with a tachyon drive taped on the side. but it's not the living humans you have to worry about... it's the ghosts."

"humans are a bit like the Nontilek, with a two-stage lifespan, a grub and an adult. What you think of as "adult" humans is just their infant stage, and they only fully transform once they "die". Once fully hatched into Ghost form, their powers are almost limitless."

you want humans off a colony planet and bomb them from orbit? good luck, now you have a few million ascended humans who can pass through solid matter and can't be killed, and they will never rest until you and your descendants are gone or dead.

you don't believe me? look at this: One of their most popular stories is about them building an empire that spanned a large chunk of their little planet, then having it MURDER THEIR OWN GOD.

It only worked for a few revolutions, and he just came back, promising that one day all of them would join him in the next phase of their lifespan.

They still, to this day, thousands of orbits later, erect little statues of the means they used to execute their deity.

not even the Crogathi, who literally worship death itself, tell stories that frightening to their newly hatched grubs.

Humans are scary, man, stay away and just give them whatever they want.

the rest of the alien's education on the dangers of humans is just a selection of human movies. the sixth sense, poltergeist, ghostbusters, the shining, the devil's backbone, and, of course, field of dreams.

ghosts AND baseball? it's everything they're scared about humans all in one package!

the obvious twist you could do, of course, is simple:

the aliens are right.

humans are a two-phase species where the elder form has immense power but leaves communication and decision making to the younger form, which will be confused and angry if you acknowledge the presence of their elder-stage members among them.

this often leads to them cutting off contact or their elder-stage members causing immense damage through seeming "accidents" on the contacting vessel. This is believed to be some kind of religious prohibition that they are not able to explain.

so it's official contact protocol to pretend you cannot perceive the elder-stage humans among them, and to give them what they want to avoid possible retribution.

No means to combat elder-stage humans has yet been found, and the limits of their power is not known.

All alien captains are required to study the fate of the SS Ennolon, which contacted a lone human craft in the galactic year of 12,783. They had initiated contact and were getting along fine, until the human showed the Droman captain a picture of their "late father".

Captain Droless, accounting for the difficulty in telling humans apart, then pointed at the father sitting in a chair nearby and said "That is them, correct?".

The human looked at the chair, reacted in confusion, then anger, and asked the contacting crew to immediately leave.

It was another 400 cycles before contact could be reestablished between the Droman Federation and the Human Alliance.

the intergalactic guide describes humans as a powerful race of immortal energy beings who have the strange habit of sending their larvae out on missions around the galaxy, occasionally contacting other races, but refusing to acknowledge their elders, except in stories

they seem to frequently put their young in dangerous situations without lifting a hand to help, so this is suspected to be some sort of pilgrimage or coming-of-age ritual.

(From a twitter thread on October 1st, 2022)

#my writing #twitter threads #baseball ape

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hobiebrownismygod · 6 months

Note

PLEASE PLEASE PLEASE MORE SUNSHINE/INNOCENT READER X HOBIE ITS MY LIFELINE I NEED IT PLEASEPLELPSPLZOLSPSLSPSLSKLSPSLSLSLSLSLSLSLZLZLLZLZPLSSPLSL PLEASDEEEEEE IM BANGING ON THE CASTLES WALLS HURUEHEGEH🙏🙏🙏🙏

this took me forever to respond to I'm sorry 😭 im glad you like this trope tho! Thank you for requesting <3

Hobie Brown x Sunshine!Reader

☆ It took his S/O months to muster up the courage to tell him they liked him only for him to straight up go "cool. Are we a thing now?"

☆ They're not one for confrontation and can get pretty shy so he's always there to be the blunt one!

☆ For example, when one of their coworkers kept calling them the wrong name, and they were too shy to correct them, Hobie was the one who told them and made sure the coworker learned his S/O's name properly 😭

☆ His S/O was extremely embarrassed but there was nothing they could really do about it at that point (Hobie was extremely proud of himself for doing that and made sure they knew it)

☆ His S/O doodles whenever they get bored, especially on their arms and legs. They draw cute little animals and flowers and things like that and Hobie absolutely loves them.

☆ He likes to carry around a marker with him so if his S/O ever gets bored, they can draw! He always has his arm out ready to let them draw on him, because even tho his S/O is a little hesitant about it, Hobie LOVES letting them draw on him. They're like little mini tattoos that remind him of them!

☆ Whenever he goes and puts graffiti on walls and buildings outside, he brings his S/O along so they can draw one of their little doodles on the side!

☆ Whenever someone that knows Hobie sees one of those murals/spray paintings, they can always tell it was his because of his S/O's little doodles in the corner!

☆ He also taught his S/O how to spray paint so they could come with him. When he first taught them how to spray paint, they weren't able to figure out the right amount of pressure to put on the spray, so he'd hold their hand and help lead them in the right direction for the first few paintings

☆ He would stand behind them, one hand on their waist, the other hand holding the bottle steady while his S/O stood in front, eyes slightly squinted as they sprayed the paint all over the walls, getting it everywhere

☆ He loved getting to wipe the paint off their face after every painting. His S/O never understood how so much paint could get on them in such little time, but they didn't mind. Hobie was always there to clean them up.

☆ His S/O also loves to read and is always curled up in bed reading a book in their free-time. They're a very expressive reader, and their face always changes whenever a new character pops up or when the plot starts to thicken. Hobie loves watching his S/O read.

☆ Sometimes, when he's really craving some affection, he'll come up behind them and cuddle them while they're reading, nuzzling his head into their shoulder while they smile, eyes glancing down at him before going back to the pages

☆ He'll also let his S/O curl up in his lap, or use him like a comfy chair while they read. He's a pretty skinny, boney person, but he can turn into the softest chair when he wants

☆ Hobie hates phones. He hates when people are on their phones when with friends. He hates when people are looking at their phones when he's trying to talk to them. His S/O knows this and makes sure to never have their phone out when he's around, so he can have their full attention. He loves that.

☆ He loves when his S/O listens to him. He could rant on for hours about whatever he wants, whether its capitalism, or some new gizmo he's building, but his S/O will always be there to listen to him, nodding along and smiling.

☆ Sometimes when he's been talking for a long time, he'll suddenly realize just how lucky he is to have someone so attentive with him. He'll stop talking and his S/O will be confused for a moment, only to be pulled into a hug and a kiss within seconds, trapped in his long lanky arms.

☆ He loves giving his S/O surprise kisses, watching their expression light up and their face turn hot. He'll come up from behind them, arms wrapping around their waist and pulling them in, to leave soft kisses peppering along their cheeks and lips.

☆ Sometimes he'll hide when his S/O comes home, just to jump out from around the corner and tackle them to the ground, covering their face in hundreds of sweet pecks.

☆ And on some rare occasions, his S/O'll attempt to do the same. Sadly, his spider-sense keeps him from getting surprised, so he always knows when it's gonna happen. He pretends to get surprised anyways, because he thinks it's cute when his S/O giggles while on their tiptoes, trying to reach his lips.

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Taglist: @therealloopylupin2099 @rinverse @l0starl @daydreaming-en-pointe @itsparis-07 @vileviale @puff-hugs @d0uble-tr0ubl3 @lauryn2558 @choccymilkdrinker @sunasslut69 @ask-1610-miles @ask-1610miles @axels-garden @eli21345 @miniaturesuitfox @spotconlon55 @riris-radioactive-panther

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eldritch-nightmare · 1 year

Note

Dom / switch / sub headcanons for all the creeps? (like who’s a Dom, who’s a sub, yada yada)

a/n: i'm honestly not sure if i explained any of these properly because they sorta just make sense in my mind but here u guys go i hope u can see my vision. second time writing nsfw content teehee hope i did a good job <3

dom/sub/switch headcanons.

includes: slenderman, jeff the killer, eyeless jack, laughing jack, jane the killer, nina the killer, the bloody painter, candy pop, the doll maker, jason the toymaker, dr smiley, nurse ann, the puppeteer, clockwork, zalgo, hobo heart, ticci toby, zero, kagekao, nathan the nobody, homicidal liu + sully, and laughing jill.

warnings: minors dni, nsfw discussion, inconsistent word length, mentions of the following: praise, degradation, orgasm denial, dacryphilia, asphyxiation, overstimulation, dumbification, fingering, very brief mention of a corruption kink in sully's part.

SLENDERMAN is none. it isn't interested in sex whatsoever. the thought never even crosses its mind, and it will turn down any and all advances. it has no desire to partake in sexual acts with anyone.

JEFF THE KILLER is a dom but that's not a surprise. he prefers being the one in control, and will more than likely never be willing to sub during sex. it also feeds his ego a bit, seeing you squirming underneath him, begging him to fuck you until his name is the only thing on your mind. he likes having this type of power over you.

EYELESS JACK is a switch. he doesn't really have a preference. if you want him to dom you, he'll make it to where you can't walk in the morning. if you want him to sub, he'll be a whining, moaning mess underneath you as he comes undone.

LAUGHING JACK is a switch. he has fun doing both! he's always willing to mix it up. whatever you want, he's willing to be. i actually kinda imagine sex with him will be a little difficult?? y'know, pointed nose, long nails that he can't clip. i'm not entirely sure how certain aspects of sex will work with him but... i imagine you guys figure something out.

JANE THE KILLER is a sub. you would think that she would be a dom but hell no she needs to be treated like a princess during sex. definitely a bratty sub for sure. she's the type to say make me when you tell her to behave.

NINA THE KILLER is a switch. she's definitely a softer dom, always so gentle and praising you so sweetly as she cares for your needs. and when she's the sub? then she is the sub. she becomes a whining, needy mess as she begs you to use her, wanting to be good just for you.

THE BLOODY PAINTER is a switch. honestly, i think he's a virgin so in the beginning of your sexual relationship with him, you would definitely have to take the lead more often than not. he comes to learn that he doesn't really care if he's a dom or sub.

CANDY POP is a dom. through and through. he's a hard dom, at that. he'll deny you orgasms and he'll have you fucked stupid before he finally lets you cum. he degrades you as well. look at you, taking his length so well. it's almost like you were made to be fucked like a slut.

THE DOLL MAKER is sex repulsed. for a variety of reasons, vine is repulsed by the mere thought of sex and will vehemently avoid and turn down any advances made toward him.

JASON THE TOYMAKER is a dom. this also probably isn't a shock, given his nature. he definitely leans more towards being a soft dom, but if you want him to degrade you and use you as a toy then all you have to do is ask. he's eager to please you.

DR SMILEY is a dom. i haven't written much about him but he definitely doesn't seem like a sub or switch. i think he enjoys being in control, and he definitely likes having you at his mercy.

NURSE ANN is a dom. you couldn't get her to sub for you even if you tried, i'm sorry. ann is like a fucking animal when it comes to sex man her stamina and endurance are crazy. she'll have you forgetting your own name.

THE PUPPETEER is a non-partaking dom. he doesn't feel sexual attraction but he's not against helping you get off if you beg him to. he directs you on how to please yourself all while praising you for being a good listener. and maybe he'll end up degrading you a bit too, who knows.

CLOCKWORK is a switch that doms more often than not. she rarely ever subs, finding that she derives more pleasure when she's dominating you and making you scream her name. when she does sub, she's a lot more needy than you'd expect. she's a brat too.

ZALGO is a dom. he's also a hard dom, though i don't think that's shocking to anyone. he's the type to praise you while he degrades you. he'll leave marks on your skin as well, and he'll fuck you until you're in tears because you just look so adorable when you cry. he's an aftercare king tho don't worry.

HOBO HEART is a sub. trust me guys he's a desperate and needy sub. he's so so so sensitive and he'll be coming undone even if you don't touch him. he'll be a crying and drooling mess by the time you're done with him, and the praise you give him for being so good just makes him feel so, well, good.

TOBY is a switch. he just wants to please you in any way he can. if that means pinning you down and filling you up until you're both exhausted or letting you use him to satisfy your needs, then so be it. he doesn't really care as long as he gets to please you.

ZERO is a dom. she absolutely lives for the control she has over you in the bedroom. she'll probably manhandle you, to be honest, she loves how easy you fold to her touch alone. she's also the type to praise you while degrading you. and if you're into it, she'll probably choke you.

KAGEKAO is a switch that doms more often than not. sex is really just another way for him to tease and play with you. he likes having you beg for release, and he loves overstimulating you. but sometimes the tables may turn. it'll be rare, but you very well can get kagekao on his knees begging to worship you.

NATHAN THE NOBODY is sex repulsed. it's just not something he's interested in, and the thought alone tends to make him feel nauseous, to be honest. if you want, you can go and fulfill your sexual desires through someone else.

HOMICIDAL LIU is a switch that subs more often than not. and trust me when i say that he will worship you. his only goal is to fulfill your every need in any way that he can. most of the time, it's him begging you to let him fuck you while you tease him. however, sometimes, when he's the dom, he will fuck you so hard that you end up a dazed, babbling mess only able to get out a jumbled mess of please and don't stop. AND HE'S SO SWEET ABOUT IT TOO god he praises you the entire time, acting as if he literally isn't rearranging your insides right now.

SULLY is a switch. sully just goes with the flow, to be honest. he doesn't lean towards being a dom or a sub, he just is. one moment you could be fucking him until the only thing he can think about is you, and then the next he could be fingering you while marking your body up and making you beg for him to fuck you senseless. and honestly, he probably has a corruption kink tbh.

LAUGHING JILL is a sub. she is so desperate and needy, eager to please you and do whatever you want her to do. she'll cry, she'll beg, she'll be a brat, she'll do anything and everything to get you to touch her. she loves it when you praise her. she just wants to be a good girl for you <3

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moooncats · 7 months

Text

✿ Pick A Card : What do your pets think of you? ✿

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✿ Pile 1 ✿

Your pets love you so very much! I'm hearing a specific pet here, they want me to tell you that you are their very best friend. Omg this is so wholesome. I'm seeing that they get pampered a lot and they really appreciate it so much! They love to lay and sit next to you while you're doing whatever it is that you do, I'm hearing that they want to be by your side forever. Pile 1, your pet wants you to give them more treats lmao! They love when you spoil them and call them a good boy/girl. It really makes their day so much more enriching. I'm also seeing that your pet thinks you could do with a bigger living space. They want to do zoomies all around the house/apartment and they also want you to throw house parties so your friends and family can all come and give them more pets and treats. Lol! Your pet is a very crafty. They love to laze around and do sunbathing, so please make more special spots for them. They want you to open more curtains and windows. For those of you that have a pet in a cage or tank, move them closer to a window they love the feel and look of the sun! I'm also hearing that your pet loves to people watch. Their favorite person is you! Hahah, please don't get creeped out by this pile 1. They love to see your little quirks and they use it to their advantage by making sure they can get into situations where you give them pets, treats, and cuddles. ♡ Awe what a smart pet! (: You may not know this, but you met your pet for a reason. They are here to teach you valuable life lessons & be by your side during big moments in your life. I'm hearing that something big is going to happen this year and you will celebrate because of it. Your pet doesn't want to spoil the suprise, but they want you to be prepared. If there is anything on your mind at the moment, the answer is Yes to that question that has been bugging you. 🌱✨️

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✿ Pile 2 ✿

I'm sensing here that we have someone who might own a farm lol! What I mean is that they have more than 3 pets all together. I'm hearing that your pets ADORE you!!! They just love how spacious everything is. (Even if you have 3 pet rats and 1 hamster, they love their new homes!) I'm also hearing that this pile may love to be a saviour to their furry (or non furry cx) friends and they may get them from kennels, shelters, or find them from abandoned places. Please continue to rehome animals, I'm hearing from spirit that it is one of your divine callings in the world. You are spreading around positive vibes and they're saying "go, go, go!". The pets lives that you save teaches you many life lessons during this time. You may have learned how to be patient, or how to properly manage having more than 1 living thing in your home. Your angel guides are applauding you for being up to task, and they want to give you a hug. ♡ You may think that your other pets are all secretly jealous when you give one of your furry friends pets/treats/tickles, and you are totally right! Lmao, despite that, your pets are telling me to tell you, to spend more quality time with all of them. Take them on walks more, give them more pets, play with them! They miss having a frequent play time and on schedule. They also know that you are very busy, so no need to rush. They are just super excited that you get to hear from them, this is so cute omg. Your pets watch you 24/7 whenever you are around them. They are secretly taking notes and they also love to give you special messages through your dreams so please pay attention to them! I'm hearing that they may be your spirit guides, which is why you have such a deep intimate connection with them. ☁️🌠✨️

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✿ Pile 3 ✿

I'm picking up on a pet that has been in your family for years and has passed away. Your current pet is a manifestation of the one that has left the 3D realm. It is your spirit animal pile 3. I'm hearing "I will never leave your side, and I will protect you." Omg, that is so effing cute Pile 3! Your pets love shows know bounds in this lifetime. They were sent to you so you can learn new lessons in life and become a better person. I'm seeing in my minds eye that they have taught you many things such as patience, unconditional love, and allowing yourself to have fun once in a while. Your pet loves to get scratchies and treats from you. I'm hearing "Please give me more treats in a day, I've been so good I deserve it!" Hahah. You have a fiesty one on your hands don't you? If you been seeing this pet in your dreams, that is another sign that it is your spirit animal. They love to sleep next to you because that is when they feel the safest. ♡ Pile 3, please be more active when it comes to playing with your pet. I'm sensing here that they are very smart. They will be able to learn tricks from you in no time, and it is also a safer way to feed them treats so they don't get overweight or spoiled. Your Spirit guides and Angels wanted me to tell you to start off with the basic tricks first and after a month, to move onto intermidiate, then advanced tricks. They will have so much fun going through this process with you and your bond together will strengthen 10 fold. ♡🎯✨️

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#baby witch #intuition #intuitive #pac #pick a card #tarot #tarotreading #free tarot #tarotblr #tarot blog #witchblr #moooncatstarot #pets #petsthoughtsofyou

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xnoctifers-eveningx · 4 months

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Death Work: Animal Remains

In my practice, I use remains, mainly animal bones, to connect with spirits, connect with Death, and in magical workings. Just recently, I’ve taken 3 more animals under my wing, and I thought it would be nice to detail my process of finding, handling, and working with remains as I actually initiate that process. Beginning first with finding remains and initial contact. As a death worker, I strive to honor the deceased and aid them in their transition, as well as bond with Death and use death and decay in magical practices. I have been doing spirit work for as long as I can remember and have begun learning under a few entities how to properly assist and tend to The Dead. As such this is not a “how-to”, just me sharing my beliefs but I’m open to questions and discussion :)

Finding Remains

If setting out with the intention of finding remains, it’s important to be prepared. It’s not a fun experience finding something and not being able to take it then, only to come back and it’s gone. Nor is it a good idea to grab things barehanded. I always have a bag with me packed with disposable gloves, trash bags/old shopping bags, and a mask (death reeks!). And if you don’t end up finding anything you can pick up any trash you come across !! I also make sure to bring offerings so I can leave them where I find remains, as well as personal ritual items used in funerary rituals. A hagstone has also always seemed to bring me luck on my searches :)

Where animals live, animals will die. Forests, wooded areas, creeks, wetlands, large areas without much human activity. You typically won’t find much in areas with heavy foot traffic or human presence. It’s good to find areas with lots of game trials, typically I find remains a little bit off from them. If the area has a lot of deadfall, fallen leaves, or snow, it’ll be a lot harder to spot remains. I’ve also had a lot of luck finding small bones and fossils on the banks of rivers, ponds, and lakes. Be wary of fresh or actively decaying corpses, there is a lot of bacteria and the animal itself can be carrying diseases. Always use protective gear when handling remains until they are completely sanitized.

Code of Conduct

While everyone holds varying ethical and moral beliefs, there are a few important issues I believe people should be aware of.

It's important to try you're best to not disturb other animals while searching. Respect the living as well as the dead. Personally, I don't hunt or otherwise intentionally kill animals but I understand the use. However, I do believe that the whole animal should be put to use and not left to waste. In death work, more often finding animals dead than not, this translates as never taking things that animals/bugs could eat or that you will not use. Nothing should be thrown away in the trash, I believe it is really disrespectful to chuck something like that into a garbage bag when leaving it outside would require minimally more effort. The nutrients of every organism deserve to go back to the soil.

Laws

Many places have laws that protect certain species. For example, the remains of native birds are usually legally protected in the US. Many endangered and at-risk animals are also protected. Even retrieving roadkill is illegal in some places! However, many places fail to impose proper protections on many animals that desperately need it. Always do your research on your local laws and the status of species in your area. Do not trophy hunt irl or online!

Sourcing

I haven't ever bought remains and don't plan to any time soon. I believe that if I'm meant to find it, it'll find me one way or another. Purchasing remains can be fine and ethical, but there are many situations in which it is not. A lot of remains, especially bones and furs, are not ethically sourced. Meaning mass farming, mass trapping, poaching, and cruel killing methods. It's important to know how remains were sourced, especially if one intends to bond with the spirit. Foxes, reptiles, cats, dogs, and skulls (in general) can be easily found on sites like Etsy, The Bone Room (avoid this site!!), and many real-life oddity expos where they 100000% source remains in either illegal or highly unethical ways. If a site sells illegal or endangered animals (bats, wolves, native birds, etc), cheap animals in bulk, or human remains then it is probably best to steer clear! Some Etsy shops will even title their listings as things like “man’s best friend” to try to get around the legality of selling dog remains among other species.

Initial Contact

After first finding remains I intend to collect, I introduce myself and state my intentions. I then leave offerings and ask to relocate/remove their remains. I approach this in a sorrowful, empathetic manner until giving them a burial and cleaning the remains.

I feel it's very important to ask the spirit before doing anything with the remains. However, if it's roadkill or in a vulnerable area with lots of people, then it's more respectful to relocate it to a quieter place. After doing spirit work for a while, instead of verbally asking and then divining, it’s more of a vibe check for me. When asking a spirit to take their remains, you should state your intentions whether that be art, bonding with them, or magical workings. I do not believe that the shade of an individual is permanently attached to its remains, nor do I believe that the shade is trapped wherever its remains are. However, I also believe that every being should have the opportunity to rest undisturbed if it so pleases. If a spirit truly does not want you fucking with its remains, I believe it will let you know through nightmares, bad luck, illness, and reoccurring thoughts of guilt among other things. You should be willing to leave the decreased alone if it comes to that, but in my experience, there have been few times in which a spirit is both still “connected” to its remains and dislikes the idea of me possessing them. I reckon that animals hold little use to their physical remains after passing, dissimilar to humans who tend to still want autonomy. There have, however, been times when I’ve forgotten about remains (either waiting to be processed in bags or actively processing in a bucket) and get a wave of guilt and think “oh fuck I should pull the deer out of the tub.”

I believe it is very important to leave offerings for The Dead, especially if you are disturbing their remains. Offerings act as both an honoring act for the deceased and payment for the remains. Offerings left out in nature should always be biodegradable and should not be anything that could harm any creature that comes across it. Typically, I make small bundle-type offerings from rocks, shells, plants, and sticks. They can also be food/drink (that is commonly safe for the deceased animal you are offering to), written poetry, or drawn art (on safe paper with graphite).

In addition, I always promise The Dead a burial. A burial does not have to be a grave 6 feet deep, but in some fashion, a piece of the deceased should be given a quiet and safe resting place away from humans. Even if the shade isn’t “contained” in the remains, I hold the belief that it can act as a tether for a part of the soul (hence using remains for spirit communication), and the individual should have the option to rest in a quiet place rather than sitting on a shelf. A burial also ensures that the nutrients contained in the remains are given back to the Earth. Life is a gift that must be returned to where it came from for the cycle to continue – thou art dust and to dust thou shalt return. Along this line of thought, no part of a being should be wasted. Meaning returning unused skin, fur/feathers, bones/fragments, guts, and anything you have no use for. Even with water maceration, the nutrients in the water can be returned to the soil and eaten by bugs. The location of the burial should be somewhere in nature, away from human activity and off footpaths. They don't necessarily need to be buried, they could be placed in high grass or in thickets. Scavengers, bugs, and fungi will take it from there. Death and decay remain important aspects of nature that continue to nurture other critters and the soil itself.

Cleaning Remains

Cleaning is a devotional act really. I won’t go into the actual cleaning process here because it’s long and varied, but another time maybe (I mainly use water maceration). During cleaning, I follow several rules to ensure respect for the deceased. Most importantly, I don’t treat remains as a toy or something to gawk at. At one point, these were living individuals and my respect for them doesn’t stop as soon as their heart stops pumping. The remains are cleaned thoroughly and well taken care of to prevent damage. I make an effort to never mix bones from different individuals to maintain a level of autonomy and the practical reason of being able to keep track of who's who. With displaying, I try to give everything its own space. My twin fish are kept together in a jar (they r in luv) that serves as their spirit home, sometimes I will set offerings or candles beside it. TOO, I find it important to spend time with the remains if one aims to form a relationship with the spirits. Just a few days ago I took a few armadillo bones out with me for a walk in the rain, which may sound a little crazy to some but I can only hope that I can feel the rain and hear the thunder after I've passed.

The cleaning process is a long and hard one, it's a good time to bond with the remains. As you hold them in your hands, feel every inch of it. Feel the grooves, the textures, the weight, the temperature. Does it feel cold and hollow? Does it feel like a pit is forming in your stomach? Does it feel like a bright light is radiating off it? Do any memories, thoughts, or emotions arise? It is a good way to get to know the spirit/energy of the remains.

Working with Remains

I don't work with the spirit of every bone I find. That would be very difficult, and many don't have spirits attached to them much anymore. Remains can be used in magic, divination, offerings, and art. If I'm using remains as ritual tools, I will first bond with them, consecrate, and then continuously feed them. Just some of the ways remains can be used in death work and magic;

Connecting with Death

Connecting with the individual spirit or species archetype

Conjuring The Dead: I find that bones can be excellent wands used to call upon spirits. They can be really good tools for directing energy, especially for the earthly deceased.

Offerings to Chthonic / death associated entities: many of the bones I have, I've put on my altars for Hades, Hekate, and Lucifer. Not only because they represent death and are aesthetically fitting, but to place the deceased under the protection of those entities.

Bindings: I believe a hollow bone could be used for a good binding by placing taglocks and ritual ingredients into the hollowed center and sealing it up tight. Bones are strong and hard to break, whatever you put in them will have a hard time finding their way out. They take a very long time to decay, so if you buried it after binding someone, I reckon they'd be there for a long time. Bones are a physical representation of death so there could also be an opportunity for some nasty effects.

Spirit vessels: in a similar line of thought as bindings, bones are excellent for containing or homing spirits. Typically these are entities associated with the species the remains belong to.

Ritual tools and instruments: bone athames, wands, offering dishes, flutes, whistles, drums, containers, osteomancy sets, the list goes on.

Additionally, specific parts can represent certain things and can be useful in certain workings.

Teeth: teeth from predators/carnivores represent power, defense, and protection. They are well suited for protection talismans, wards, and asserting dominance over others.

Claws: similar to teeth, claws can be used as strong protection charms.

Skulls: I would say the skull is the defining bone of an individual. The seat of the mind, consciousness, and all perception. Skulls can be used to bond with spirits or keep away spirits, similar to how a jack-o-lantern works.

Rabbit feet: rabbit feet are popularly considered lucky charms. You can also use them to help you navigate situations quickly and bring about fertility and abundance.

Chicken feet: chicken feet are commonly turned into protective amulets. They usually have long, sharp claws perfect for scratching back at anyone who tries to harm you.

Tongues/eyes/ears/brains: these structures supply us with our sensory perception and are vital parts of most species. They can be used to draw upon psychic abilities (eyes for clairvoyance or visions, brains for claircognizance). They can also be used to dampen the senses, such as tying, binding, or pinning a tongue to shut someone up.

Heart: often used to represent emotions like love. Can be used in love spells or to hurt someone emotionally.

Liver: a common form of divination in the ancient world was to slaughter an animal and then interpret patterns and markings on its liver. This is actually something I find fascinating, look into Mesopotamian liver divination and hepatoscopy!!

Shed skin: shed skin from snakes, reptiles, and bugs can be used to represent change, renewal, enlightenment, and letting go by "shedding your old skin".

Antlers: antlers often represent strength and power as animals will use them to fight with each other and assert their dominance over their territory. Small ones could be fastened to bags and be used as protective charms. They can also be made into wands or protective pendants.

Shells: I've always associated shells with protection since that is their purpose. I often use a powder made from ground shells to pour along the edges of rooms or windowsills.

Scapula: Interestingly, used in many belief systems and cultures for divination. Scapulimancy is the divinatory use of scapulae by interpreting post-mortem markings, or markings/cracks on the bone made by holding it over a flame. Another divinatory use found in old necromantic manuals, specifically the Munich Manual, is using the scapula as a scrying mirror by anointing it with magical oils and conjuring spirits in the reflection.

Turtle plastron: used alongside scapulae in Chinese divination, the querent would paint or carve their question into the bone, drill evenly spaced holes, and then hold it over a flame and interpret the cracks or burn marks.

#death work #death magic #death witchcraft #chthonic magic #witchblr #necromancy #spirit work #noctifer-og

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ooihcnoiwlerh · 4 months

Text

I have provided fresh meat, my Darlings!

The link to the entire fic as well as the new chapter is provided above.

@blazeflays @wo-ming-bai @richardslady121 Also please let me know if you would also liked to be tagged with updates!

CW: dubious consent; arranged marriage; forced marriage; forced pregnancy; rough sex; implied/referenced child abuse; blood kink; problematic smut; implied/referenced sexual abuse; implied/referenced torture

Chapter summary: Feyd-Rautha and the Reader look at each other and think, "They need work, but it's fine. I'm training them."

Chapter Notes:

-This chapter doesn't have quite as much plot or action and is generally more introspective/kind of shows a turning point and transition to both the Reader starting to learn to play the game and Feyd-Rautha seeking to challenge and unnerve her. Basically the Reader thinking, "I don't think I can reasonably make him better but I can make him treat me better" and Feyd thinking, "I can make her worse😈" -There have been a lot of interpretations of Feyd-Rautha's Darlings given that there's little information we're really given within the movie and I really like the theory that I've seen going around that they're effectively animals with human bodies that were experimented on by the Bene Tleilax.

CHAPTER SEVEN: YOU'RE LEARNING

You wake up early the next morning to your morning coffee and a reminder of your mother’s advice. She dispensed it more than once over the years, enough that you were able to repeat it verbatim: sometimes a person isn’t a person, but an obstacle. Sometimes they’re obstacles that you need to face, problems that you need to solve. Find out what they need that you can use to get ahead.

So what does Feyd-Rautha want and how do you get it for him in order to temper him, make him more amenable to you? He’s made clear at this point what he doesn’t want: compassion that he’s undoubtedly misconstrued as pity, any reminders of his childhood and adolescence, and any insinuations–intentional or otherwise–that he’s inadequate as a man.

That leaves what he does want from you, and for the most part you think you know. He wants you to have his children, and that’s in progress if not now, then soon. He wants, well, other than last night, he’s been transparent that he wants you , carnally if for nothing else.

He also wants you to properly learn to fight at the level he wants, and there’s no way it’s just for your sake, or even wanting you to stay safe as the mother of his future children. Those are a given.

You can’t forget the way he’d gotten hard during your training and the way he spoke about it later. You hadn’t seen it in the arena when he was slashing throats with theatricality and precision but little else, but this must be intimate for him. It doesn’t surprise you once you think about it; a man who enjoys the taste of your blood would most certainly get off on getting a knife at your throat, even if he’s not allowed to cut it.

So how do you use that? The Reverend Mother Mohiam all but stated that seduction was the key to tempering and subduing him into something you can handle but that’s easier said than done. You’ve understood on some level for years now that you’d one day have to learn to use your sex as a tool, but it’s easier to implement in theory rather than practice. The limited experience you’ve had before this–kisses both stolen and given freely at night when you’d slipped away unsupervised, fondling over the clothes, above the waist, and once grasping and sliding your hand over a boy you’d liked as he’d panted and moaned directions at you and you’d frantically tried to finish him off before either of you could get caught--weren’t for an agenda but for its own enjoyment. Before your wedding night the only person who’d dared go beneath your skirts was you. And then, of course, you’re reasonably certain that most men don’t keep an entire armoire of devices to use or have used on them while in bed, that most men aren’t eager to taste their wife’s blood, that most men don’t carry around the kind of shame and buried anger that your husband does wrapped in a deep-seated need to hurt and be hurt.

But that’s the hand that you’ve been dealt, and the only leverage you’ll be getting out of this marriage is by appealing to those desires and using your own body as a tool to keep him satiated and keep you in the best of his care.

By the time you’ve finished plaiting your hair you’ve decided that you’ve learned enough since your wedding night that you can try and use to your advantage. You’ll keep adapting and if one of the ways to win him over is at knifepoint, then so be it.

And if he wants to banish everyone from the Training Halls so he can rut into you like an animal next to a rack of knives, then fine. You can take him however he comes to you.

You try to keep all this in mind as you leave your chambers and take to the Training Halls for another lesson.

Feyd-Rautha already appears to have broken a sweat. Drills, you assume, and done alongside his men if their matching sheens are anything to go by.

Korvo’s back to train you, he says. He needed to have part of his jaw wired shut but otherwise he’s fine; he just won’t be able to talk much for a while.

And strangely enough it’s true; whatever Healer Korvo went to did an excellent job because there’s not a lot of bruising or swelling. It occurs to you that he looks a few years older than Feyd, and you can’t help but wonder what Korvo thought about the hushed rumors about the Baron’s proclivities years ago. About Feyd-Rautha, the boy who’s become the man he now serves.

As for your husband, it’s as if the past couple of nights never happened. He seems indifferent as he hands you your shield device and a knife. There’s not a trace of the quiet rage from early yesterday morning nor the cold domination of last night. Not that you were ever going to ask him, especially not with other people around, but he gives you your answer to the silent question, When are we going to talk about yesterday? The answer? Never .

He has Korvo start off slowly with you, a warm-up of sorts, movements guarded as you go over strikes and parries before taking over for the rest of your session.

You think you’re prepared for it this time as he starts to speed up, stops going through the motions and actually starts sparring with you. You tell yourself that no one’s going to catch you unawares again, but well. His training is a lot more extensive than yours. You let out a yelp, realizing yet again that you weren’t focused enough on his footwork and he’s taken the opportunity to trip you. You stumble, catching yourself just in time to avoid a fall.

“You’ve had a day to rest,” Feyd says. “There’s no reason you can’t be pushed farther.”

To rest . He was the one that told you not to come and train yesterday. You clench your jaw and strike again. If anything Feyd-Rautha seems amused by your irritation and sends you stumbling again with a swat on the backside with the flat of his knife.

You turn, incredulous and with an insult on the tip of your tongue.

“Don’t strike in anger,” he says, holding back a smirk. You raise your chin and try to level your gaze at him as you try to collect yourself.

Hey, this is actually a good sign , a part of you realizes. There’s something almost close to playful in the way he’s looking at you right now. He’s already in a far better mood than he was yesterday . This is working for him.

You roll your shoulders and take a defensive stance, silently gesturing for him to strike first, and this time he actually grins.

Breakfast afterwards is its own task. You’ve gotten your appetite back this morning, but only when you forget everything except your own hunger and especially try your best to ignore the man at the head of the table. You’ll try to bury what you know about the Baron for now, or at least try to act like he doesn’t disgust you. Not that he’d care what you think of him, not like you can do anything about it.

Instead you wonder about what motherhood looks like on this planet. You’ll not want for anything, you’re sure, in terms of space for the baby and help raising it, but you hope the Baron isn’t an indicator of how children are raised here. You haven’t seen many children in the Fortress–the sons and daughters of captains and generals, you’re sure–and you haven’t interacted with any. Feyd-Rautha mentioned military and combat training for any sons you’ll have but what about general schooling?

When the children come, surely you’ll be a part of their lives somehow? You’ll make certain of it. You have to; they’ll be raised in the Harkonnen culture but they’ll still be half you , and you’ll do everything to make sure they never forget that, where you come from and the half of them that you represent.

“Not too tired from your training session, are you?” Feyd-Rautha asks, and you realize that you’ve been drifting off, staring into the distance. You hadn’t expected him to notice.

“Oh, no, husband,” you tell him. “Just lost in thought. Actually, I was curious about where one might put a nursery in the private quarters.” Not that there would’ve been any use for them within the royal family in decades, but surely there must have been something installed before?

As soon as Feyd starts to answer, the Baron interrupts, “What are you training her for?”

“Just in the event of an emergency or ambush, I want her to be prepared to defend herself. If the time ever comes that I’m not there to do it for her,” Feyd-Rautha adds.

The Baron looks at him with those beady blue eyes. “You really think such a thing will ever happen, boy?” he asks, and there’s an undercurrent to his tone that makes you look away, never mind that they’ve started talking about you as if you aren’t there.

Boy . As if not just Feyd’s title but his very manhood is a privilege his uncle bestows on him that he can revoke at a moment’s notice.

Feyd ignores the taunt. “Just planning ahead,” he says. It doesn’t come back up. When you excuse yourself to use the bathroom the Baron doesn’t react when you come back. He barely seems to notice you’re there.

To him, you are not family. You are the orifice his handsome young nephew buries himself in and the birthing canal that will add to the Harkonnen lineage, but not a real person who’s earned any familiarity with him nor will you ever be. That suits you just fine and you find that you’d rather he ignore you than pay any special attention to you, just so long as he never gets to sink his claws into your future children.

Speaking of which, “The Fortress has everything you could need,” Feyd says. “Our children will have their own quarters and plenty of staff to watch over them.”

And how about allowing me to watch over them? you want to ask, but won’t, especially since you’re not alone. Or do ladies of leisure outsource all of that here? Idrisa will know; you’ll save your real questions for her.

After breakfast Feyd-Rautha offers you his arm. “I imagine you’re interested in the relaxation chambers now?” he asks. “They provide massages. Great for the joints.”

“I could be persuaded,” you tell him, feeling not just sore from earlier this morning but from two days ago. You’d never considered yourself a lazy person but you’ve also never committed to any kind of daily training regimen and the nighttime and occasionally additional morning routines in the bedroom certainly haven’t helped.

“It’s interesting,” you tell him, “training with you and seeing how you do it, even if I’m not there for all of it.”

“That wasn’t my last training session for the day,” he says. “I’m going back soon.”

You blink. “Why?” you ask him. He’d clearly started early and gotten his heart pumping by the time you’d arrived.

“To be as physically prepared as I can for the arena showing on my birthday. It’s less than three weeks away at this point,” he says.

You look over at him with your brows furrowed. What does he really need extra preparation for? He’s in no danger, there’s no real risk.

He seems to understand your confusion. “It’s important that I look like I'm in top form,” he explains, which just presents further questions.

How will they even know what your body looks like? If it’s anything like last time, you’ll be the only fighter in the arena that’s fully dressed .

“Well, alright,” you finally. You look back at him. “So you’re going to have to get changed again into training gear, and then shower again and change again after that?”

“Yes,” he says, voice curt. “Appearance is important here.”

Yours is, certainly , you don’t tell him. But you do realize that your uncle’s still the Baron and he floats around in his suspensor chair wearing a long nightgown? If he’s ever cared about his appearance, he must’ve stopped years ago . You suppose that it’s one of many ways that Feyd’s turned out differently from him, although not the most important. It’s not for nothing that even though you have no idea how he’ll turn out as a parent–yet another thing that scares you about this–he still won’t be as bad of a parental figure as his uncle.

He looks at you for a moment and you realize that you haven’t spoken and have just enough sense to realize that giving a simpering compliment about his looks will come across as not only disingenuous but suspicious. “My apologies,” you admit. “I was just thinking about what expectations will be placed on our children.”

“Our son, although we’ll need more than one, will embody all Harkonnen core values: power, ambition, resilience, intellect. I’ll accept no less and neither will anyone else on Geidi Prime,” he says. How long has he been thinking about fatherhood, you wonder? Or is he repeating what he’s been told time and time again what the Baron wants out of him?

“And if one of our children is a daughter?” you ask, hoping that doesn’t happen. It’s bad enough to be a man on this planet.

“She’ll be expected to be gracious, discreet, and always careful and cognizant of her surroundings,” Feyd says. “She’ll be composed even under pressure and adaptable.”

You try to absorb this, wondering how much he thinks you fit that mold yourself and assuming that you come up short. “I thought the first word you were going to say was fertile ,” you tell him.

“That goes without saying,” he says. “It’ll be her greatest contribution to the family to add to its lineage.”

I think you just described my responsibilities and expectations here, you think as he escorts you to the relaxation chambers.

Before he leaves he gives you a brief kiss–a little reward, perhaps, for minding yourself. “You’re learning,” is all he says.

You’d expected the rooms to have the same austere black and gray background as the Dining Halls, the Throne Room, even the bedrooms, but whatever materials used for the doors and panels emulate the colors and patterns of cedar even though you doubt it’s real wood and the textured walls are painted a warm, pale cream. It feels like a different environment entirely, reminiscent of the women’s bathhouses on your home planet. The attendant inside recognizes you immediately, although you assume that it’s hardly a challenge. “ You can’t mistake the Na-Baroness ,” you’re sure servants tell each other, “ she’s the only one in this Fortress with hair. ”

Most of the attendants are women, and again most of them seem young, hardly more than girls.

“Welcome, Na-Baroness. We do so hope that you enjoy our accommodations,” the first attendant says, her head in a respectful decline as she curtsies. “How may we be of service today?”

When you tell her that you were hoping for a simple massage because your joints have been feeling stiff she reacts as though you’ve told her that all your bones have shattered.

“I’m so sorry to hear you’ve been in discomfort, Na-Baroness,” she says. “We’ll make sure to ease all aches and pains.”

As she guides you away and towards a private room you sense people looking at you and notice a couple of higher-ranking women in dressing robes, undoubtedly here for a bit of relaxation themselves. As soon as you look over at them, they glance away, pretending that they’re looking off into the distance. You want to stop, walk over, and introduce yourself to them ( they know who you are, though. Everyone knows that the Na-Baron just married an arranged non-Harkonnen bride from another planet ) but you don’t get the chance. Instead you tear your gaze away to follow the attendant to another room with what you must assume is a synthetic material that effectively mimics the appearance and grain pattern of wood, complete with a changing station, a table with oils and towels, and in the middle a covered massage table with a servant on either side who bow as soon as you enter.

It’s an interesting experience, to be sure. The servants attending to you are quiet and gracious, but you’re made starkly aware again of your foreignness.

Your hair confuses them, for one thing. They look at and touch it as if they’re not sure whether or not they think it’s attractive when you've spent your entire life before Geidi Prime being told that it’s beautiful. They’re gentle with you, careful when undressing you and guiding you to a massage table. When kneading oil into your sore muscles they treat you as if you’re delicate, even though they’re smaller than you are. They work silently, your own muffled moans when they work out a particularly sore spot the only sounds other than the ambient mist coming from the next room.

You wonder at first if it’s because they only speak Harkonnen and not the Imperial Standard, but as they’re getting finished one of the young women–probably not much older than you, although it’s still difficult to tell without any hair or eyebrows to better indicate her age–timidly asks, “Would the Na-Baroness like to be given stimulation as part of her massage?”

You blink, not sure you heard correctly, and raise yourself up on your elbows. “Stimulation?” you repeat, brow furrowing.

“Some people enjoy other kinds of massage as a form of relief, Na-Baroness. We’d be honored to indulge you if you prefer,” she says, looking down the moment you look up.

I’m still lost , you almost tell her before it sinks in. “Oh!” you say, the single word slipping out. The woman flinches, undoubtedly worried that she’s offended you. It’s probably why she hasn’t said a word this entire time; she has no idea how to talk to you, what you would consider appropriate or not, and would rather not speak at all than risk saying the wrong thing. You gape for a moment before managing, “No thank you. A-a normal massage is plenty.”

She bows. “Very well, Na-Baroness. Is there anything else we can do in service to you?”

You’d been curious about the other rooms but suddenly you wish for nothing more than to leave. “No thank you, not today. The massage was all I needed.”

“It was our pleasure, Na-Baroness. We are at your disposal,” the woman says, words you’ve already heard multiple times. “Let us help you redress.”

They gently wipe off any excess oil with damp washcloths and dry you off before guiding you back into your clothes as if scared they’ll hurt you, or rather, scared that you’ll say something that gets them in trouble. Even a foreign woman commands fear if she’s married to the right Harkonnen, even if she’s never going to be a true Harkonnen herself and whether they’re scared of you because of who you’re married to or also because of who you are, it makes no difference.

In spite of everything, when you get back to your quarters you realize that physically, you feel great ; better than you have since your wedding. You feel pliant and loose-limbed, your skin soft and supple. In theory it should give you all the energy you need to continue your studies of this planet and its language.

But your self-imposed Harkonnen lessons aren’t holding your attention; the grammar structure is fairly simple, and you’ve learned a few basic words and phrases (and obscenities, because you’re pretty sure that that’s most of what Feyd-Rautha grunts in your ear when he’s fucking you) and you can’t help your restlessness as you settle back in your chair.

You tap your fingertips against your desk, mind wandering to your husband, your body remembering with a throb how he feels inside you. You’re getting used to it more and more, for the most part even learning to enjoy it.

He might be coming back from his second training session soon. Maybe he’s already come back and is taking his second shower or bath of the day. Maybe you’ll ask him about his armoire, which he hasn’t opened for you since that first night, but, and you pause, thinking it over, picturing him sweaty from his training, and think, no. The armoire can wait. If you want to improve your seduction game, you can start by being the one to initiate your encounters. You can start now.

You strip again, wondering how he’ll react to you entering his chambers. Hopefully amenable to it; he probably won’t dismiss you if you come to him like this. If nothing else he has an incentive to put a baby in you, you think as you wrap yourself up in one of your robes and pad over to your bathroom.

You press your ear to the door joining your bathroom to his. The water’s running: he must be showering. You wait, heart pounding, thinking, It will be fine. Think about this morning; he seemed reasonably happy with you this morning.

You shut your eyes for a moment, take a breath, and open the door.

He’s standing in the middle of his shower, his eyes on you from the moment you step inside. He turns the water off and watches you silently, eyes falling to your robe. He must be fully aware of the fact that you’re wearing nothing underneath.

“Sorry to interrupt, husband,” you say, hoping that your intuition is correct. “I was just…” bored? Interested in your company? Curious about how else you decompress after training? You swallow, fiddling with the sash of your robe.

Feyd says nothing at first as he steps out of the shower and onto the soft mat on the black granite floor. Any words you have die before they can reach your lips as he steps in closer and the height difference between you feels vaster than it’s felt before.

His eyes flicker to your robe. “Take that off,” he says.

You look him in the eye, raising your chin slightly as you unfasten the sash around your waist and brush the robe off your shoulders and onto the floor, presenting yourself for him as naked as the day you were born. The two of you stand in silence for a moment; he’s dripping wet and you’re, well…you bite your lip and hesitate before reaching out, wrist turning as you wrap a hand around him. You feel awkward in the ensuing silence, brushing your thumb over the tip of him and glancing between his face and his cock, breath catching in your throat as you see the way his gaze darkens. You open your mouth to speak but find yourself at a loss for words.

It doesn’t occur to you that he might prefer this to any polished seduction or that he likes your nerves, your earnestness. That you've come to him as if yesterday never happened and like he's a whole intact man with no buried shame. He stiffens rapidly under your touch, silently daring you to keep fondling him. You wonder if it would be worth it to sink to your knees and take him into your mouth–you’ve done it once before as a preamble to the act itself and remember every detail and lesson of it vividly–when Feyd-Rautha starts walking you backwards, backwards, until you reach his bathroom wall and you drop your hand in surprise.

“I…” you start and he silences you with a kiss, gripping the back of your head and tilting your head up to meet him. Once he has you where he wants you, your arms wrapping around his shoulders, his hands slide down your sides, over your hips and ass, coming to the backs of your legs, nudging you forward.

“C’mon,” he says, his rasp quiet but commanding in the echoes of his bathroom. You can’t help your nervous laugh as you hop up and he catches you, hands under your thighs that he quickly wraps around his hips, holding you in place as his cock brushes against your folds, your lower belly. It’s filled out and ready and you bite your lip as you think: how to maneuver…?

You glance back up at him and his expectant gaze. Come on, pet, he seems to tell you. You’re a clever little thing, you can figure it out, and so you grip his cock again and position it at your entrance, almost laughing at how two weeks ago you’d have been hard-pressed to know exactly where it is and how to properly penetrate it.

You gasp, head falling forward as you sink down onto him and cry out as he jerks his hips up, filling you the rest of the way. It’s always such a deep ache and stretch when he buries himself in you and you’re never quite given enough time to adjust to the size of him before he starts moving and it feels like he’s so deep in you that can hardly breathe. Every time he picks a new angle to fuck you in it almost shocks you how he seems to find another way to make as though there’s no part of your insides that he hasn’t touched, and you hold onto him, trying to rock back down on him, and finding you can only really cling to him. He buries his face in your neck, breathing in the scent of your hair and the tonic you use for it, before pausing, shifting you further onto him, and moving away from the wall. You yelp, tightening your thighs around his waist and wondering what he’ll do next, where he’ll take you.

He carries you, then, out of the bathroom and to his bed where he drops you unceremoniously on your back and following you as you go. You both grunt as he lands on top of you and pushes your legs further back towards your chest and he braces his arms on either side of your head.

It’s hard and rough and fast, your knees pushed back nearly to your shoulders that he spreads wide to make room for his own. Your cries as he pounds into your open, vulnerable body spur him on and he drops his forehead to yours, panting against your mouth. He speaks in the Imperial Standard this time when he says, “Like a little songbird, making pretty noises for me,” and brings his mouth to the juncture of your neck and jaw.

You let out a whine as he continues, his tongue flickering and then lapping at the sensitive skin like he’s done before to your cunt. You gasp and readjust your grip on his shoulders, almost stunned at the visceral reactions he can pull from just that. You’d known it was a sensitive area, had been kissed there before, but especially juxtaposed against the pounding of him inside of you it’s–it’s–

“A -aaah! ” you manage, clenching around him, barely holding on, your legs shaking as he speeds up, his mouth continuing the onslaught. The whimpers that spill out of you escalate and turn to a sharp cry as he bares his teeth and bites down.

He grunts, hips pumping, as he comes inside of you, his teeth and lips on the sensitive skin of your neck and your arms wrapped around him. He gives one final thrust for good measure before dropping his head to your neck, his breath harsh. You hold onto him for a moment as he pauses and pulls out.

Will you let me hold you again? I liked that. I liked when you rested on me and I got to pet you as if you could ever be made docile . You don’t ask, and don’t know how to. He rolls over onto his back.

“I trust that training went well, husband?” you ask instead after you catch your breath and start to come down.

He grunts an affirmative and for a moment you think that’s the end of it. He takes a breath, though, mulling over the silence between the two of you. You wait, sensing his realization that you’d like to hear more. That the two of you can have a normal conversation like a normal married couple. “Sparred with a few of my men, then a couple of criminals in the dungeons. They don’t provide as much of a challenge but it still keeps me alert to practice on someone who actually wants to kill me.”

“They weren’t sedated?” you ask.

He shakes his head, exhaling. “Not these ones. Didn’t want to contaminate their bloodstream,” he says.

You think back to over a week ago, and something Idrisa told you. “So you could safely feed them to your Darlings afterwards?” you ask.

He turns his head to you and you do the same, mirroring him. His full lips part as he mulls your words over. “Now where’d you hear about them?” he asks, clearly trying to think back to a time when he’s mentioned them to you and coming up with nothing.

“Idrisa,” you add when you don’t see any recognition in his eyes at the name, “my personal attendant, mentioned that you had pets that you fed human remains.”

This piques his interest, it seems. He rises up on one elbow, turning to his side, leaning over you. “How did she describe them?” he asks.

You shrug, not sure how that makes a difference. “She didn’t. She just said that you feed human flesh to what you called your Darlings,” you say, not bothering to hide your distaste. You’re not going to pretend to like or condone everything he does; not like it would stop him.

Feyd-Rautha’s eyes glint. He breaks into a smile that is equal parts delighted and cruel. “Is that really all she told you?” he says. He doesn’t move a millimeter, but you can sense his growing excitement coiled tight within him like he’s ready to pounce.

“So…what are they? Canine or feline? Or aquatic?” you ask, not sure if you want to know or get a more specific image but asking all the same.

Feyd-Rautha looks at you as though you’ve given him the greatest gift he didn’t even have to ask for. “Would you like to meet them?” he asks instead of answering your question.

No, of course not , you want to tell him. I have no interest in meeting a bunch of animals who devour people whole . “Sure. Why not,” you say.

His black teeth and gums are unnerving against the pallor of the rest of him before his smile turns closed-mouthed again into a smirk.

When you’ve both dressed and left his chambers, you assume that he’s going to lead you to a dungeon, but he instead starts walking down a corridor not far from the private wing.

“I’d keep them closer,” he says over his shoulder, “but they make such a mess.”

So a pool or a moat would be out of the question, but a shark tank is still feasible , you think.

He reaches a door, and the first moment you step inside and see what’s on the padded platform in front of you, you want to roll your eyes and walk back out.

So he’s taken me on a detour first to meet his concubines , you think.

Three naked, lithe, bald-headed women lie curled up sleeping, nestled against one another like a pile of kittens. You raise your eyebrows, letting out an irritated huff. You should’ve known that he keeps concubines; most leaders from Major Houses do. It’s just that he’d seemed so preoccupied with you that you’d almost forgotten that very possibility. These are the women he normally slakes his lust with and what he’ll go back to once you’ve confirmed that you’re carrying his seed. You have a snide remark on the tip of your tongue about how nice it is to meet the other women he fucks.

But then you notice that there’s blood drying on their hands, caking their sharp-nailed fingertips and you realize what the smell of the iron tang that permeated the air really is. Dread settles in the pit of your stomach.

“What’s going on?” you say aloud to no answer.

The women stir, and then they open their eyes. They have neither pupils nor irises. Pure ink black, stares, unthinking, back at you.

When you first met him you’d been quick to assume that Feyd-Rautha lacked all humanity beyond his physical form, but this is what it truly looks like when a person has no human essence. You’re not sure what they’re seeing when they look at you but they perceive nothing except the sight of warm meat.

Abomination! Abomination! you think, too frozen to scream it out loud, the sound of it only coming out of you in a pitiful squeak when they start to move, clambering towards you.

Oh, Great Mother, they move like animals, on all fours . One of them opens her mouth, teeth and gums as black as her master’s but her teeth are sharpened into fangs she bares in what may be a smile, may be a snarl.

Oh, fuck this.

You turn and start to run when Feyd-Rautha holds his arm out to grab you around the chest and pull you to his side as he says something in Harkonnen that you try to grasp.

Something-something woman something-something food. Okay, that was a negation. He’s saying something like “she’s not food.” You gasp and dig your nails into his forearm, unable to look away from them, the way they tilt their heads at you.

You can hear them hiss and chatter, put out that he hasn’t presented them with a meal, and you realize that they’re speaking in neither the Imperial Standard nor Harkonnen battle-language but a vague imitation of human speech.

“What the fuck? What the fuck? ” you say aloud, struggling in Feyd-Rautha’s grip, watching as they scurry closer to the two of you, sniffing at you in particular.

You stare at the fathomless depths of their unblinking black eyes and how they tilt their heads, even their curiosity utterly fucking terrifying.

“You said you wanted to meet my Darlings,” Feyd-Rautha says in a satisfied tone. “Don’t be rude. They like you.” He says something in Harkonnen to the women that you can’t decipher, and their chattering ceases and demurs into near-purring.

One of them sniffs and nuzzles at your stomach and you flinch, wondering how quick she’d be to open her mouth and take a bite of your sensitive skin if her master allowed it. Your stomach that within a few months will swell with Feyd-Rautha’s heir. Does she understand what any of that means? Do any of them?

How naive you were, thinking that he kept animals as his pets, normal women as his concubines. How silly and childish to think that he wouldn’t be as much of a degenerate as you feared.

Just when I think I’ve adjusted to this insane planet I see something even worse.

Feyd-Rautha closes the door and directs his gaze up and down the length of your body, the tremors in your hands, your entire body shaking, in fact, and settles on your face. He says nothing, waits for you to go first.

“What…” you bring a hand to your forehead, hoping that this is a nightmare, “ are they?”

He doesn’t smirk but you can sense his satisfaction. He undoubtedly gets some entertainment out of each time he gets to introduce someone new to his Darlings, or rather, inflict his Darlings on them. He probably doesn’t get the opportunity as often as he’d like. “They’re a Bene Tleilax experiment,” he says. “They thought we might enjoy them.”

“Why would they…” commit a crime against nature like this?

“Because they can,” he says.

“Then why have them?” you ask.

He looks at you as if you’re the unreasonable one. “They already exist, and I’ve found some use for them.”

As his concubines . “So you…” you feel nauseous at the idea, barely able to say it aloud, “...fuck them?”

Your shoulders sag with relief when you he says, “No, I don’t fuck them, Y/N. They’re nice to look at but it would be akin to fucking a wild animal. They can be entertaining, though. And they’re a decent tool for intimidation.”

Entertaining . You could use hundreds of words to describe what you just saw and the wretched nature of their existence and entertaining would not be one of them.

Still, you realize what he means. His menagerie needs to eat to stay alive, and it provides incentive to stay on the Na-Baron’s good side. No one wants to end up as food. And how many men can honestly say, “ If you don’t do as I say I’m going to feed you to the trio of feral cannibal women I keep in my Fortress” ? It’s a far more unique and memorable threat than any you’ve heard.

So they’re not his concubines; you don’t believe for one moment that he’d care enough to lie to you about that, which just makes you wonder where his real concubines are. “Who were you fucking before I was assigned to you? I wasn’t your first.”

Feyd-Rautha’s lips quirk up for a moment in a brief almost-smile. “There are times when people see me in the arena and want to know if I’m as much of a brute as I seem,” he says.

“Are you? With them?” You haven’t forgotten that he’s expected to be better-behaved with you than he probably would be with someone else. Someone potentially disposable.

His expression is carefully neutral as he seems to think on how much he wants to frighten you some more or how much he’ll let your own imagination do the work. “I give them what they’re looking for,” he says after a moment.

You glance back over at the door. How many people whisper about his trio of naked women the way they keep their head down about the Baron? Does that not bother him, how people who know about this undoubtedly think, If he’s willing to stick his cock into them , what else is he capable of?

“You do know that calling them your Darlings, having them naked like this–it makes it seem like you have sex with them,” you tell him.

Feyd-Rautha looks unsurprised and unmoved. “They can be sedated into being dressed sometimes. It’s just too cumbersome to try and change them every day,” he says. “Besides, people can think what they want,” he says. “I don’t care, just as long as they fear my name.”

Very Harkonnen of you , you think. “What are their names?” you ask instead.

He seems amused by the question. “Didn’t bother. They don’t need them,” he says.

You look back at the door. They can’t always have been like this, could they? “Did they not have names once? Before…this?”

“It doesn’t matter,” he says. “They won’t remember.”

You can’t help but stare at him when he says that. These were people once , you don’t need to tell him because he doesn’t care. You don’t know what to say to him; the words dry up in your throat. Here you were trying to bring out the human side to him when you get a stark reminder that for many people that side of him doesn’t exist. You try to remember how the Reverend Mother assured you that he has weaknesses that you can use, just like any other man. How he has his own, albeit twisted, moral code and sense of honor.

Count yourself lucky that it extends to you, you think.

You don’t like yourself very much when you think about it, the palpable fear he instills in everyone he thinks he can readily discard, and the fact that you’ve already decided that you’ll do your best to overlook it, for now anyways. You have yourself and your future child to look after first.

#dune part 2 #dune 2 #feyd rautha #feyd rauth harkonnen #feyd x reader #feyd smut #feyd rautha smut #feyd x you #austin butler

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archangeldyke-all · 8 months

Note

Did someone say cowboy Sevika?

Absolutely delicious, I have thoughts.

Theres the classic off limits farmer’s daughter dynamic, which is to die for every time, but I thought what about a farmer’s widow? All lonesome on her big empty property, she hires Sevika for some extra help and then the tension is off the charts!! I think it would be ideal for a long, slow burn style fic. Draw it out, make them drool over each other for a bit til they can’t take it anymore

For a blurb idea what about Cowboy Sevika teaching the reader to ride a horse? It could be cute and flirty or it could get nasty lol whatever you’re in the mood to write!

Also let’s take a moment to imagine her tying those fancy cowboy knots. Rope steady in her big rough hands. She’s stripped down to her used to be white tank top, you can see her muscles flexing while she pulls it taught. She’d be all sweaty and you innocently walk over to her, pluck her bandanna out of her pocket, and dab away the droplets on her forehead. You tuck it gently back into the front pocket of her tight, dirt stained jeans and saunter away so sweetly. She’d want to chase you down like a wild animal in heat after that

the last paragraph here made me dizzy. thank u.

ur the second person to request a 'teaching reader how to ride horseback', mars, @sexysapphicshopowner , being the first! so lets do that ;)

part 1 of cowboy sev here, part 2 here!

men and minors dni

you're now the only one in your little mis-matched family who doesn't know how to ride horseback.

sevika's been riding since before she could even properly walk. powder took to it like a fish to water. violet was a little more hesitant, but figured it out in time. and now all three of them are trying to convince you to learn.

you've never needed it. you were born and raised in this town, everything you need is within a mile's walking distance. but, they're insistent.

you've ridden horseback before, clinging onto sevika as she controls shimmer's pace, but you've never been in control of the reigns. it seems scary, being that high up, going that fast, the only person keeping you from going flying off shimmer's back being yourself.

and now, sevika's got you in the stable, grinning at you as you hesitantly look at shimmer. powder and violet have been asleep for hours, exhausted after working in the garden all day with you.

"can we just go for a quick trot with you in front?" you ask, pouting at your wife. she laughs. "just so i can see you do it!" you insist. she rolls her eyes, then lifts you up by the waist, helping you straddle shimmer's back, before hopping up in front of you.

you press your grin against her shoulder, quickly wrapping your arms around her waist. she laughs in front of you, giving shimmer a little tap with her spur, the mare slowly trotting out onto the main street.

"you're such a baby." sevika teases. you pinch her side, watching her wiggle.

"i'm just lucky. got a wife who knows how to ride so i never had to learn." you say. you can't see her smile, but you can tell she's grinning in front of you.

sevika slowly walks shimmer down the main street, picking her pace up to a cantor when you get out of town.

the three of you ride out into the desert, and you tilt your head up to soak in the sight of the stars above, sighing as the wind whips past you.

"you're not even lookin' at what i'm doing." sevika laughs ahead of you. you giggle.

"stars 're so pretty sev. look." you say.

sevika brings shimmer to a stop, tilting her head up to look at the stars with you.

"hm." she says. you squeeze her waist.

"what?" you ask, enjoying the heat of her back pressed against your front.

"they're pretty, i guess. nowhere near 's pretty as you." she says. you grin.

"sap." you say.

it's summer, but this late at night, the desert is chilly. you sneak your cold fingers up under sevika's shirt, watching her jump, then giggling when she elbows you. you don't move your hands. she doesn't ask you to.

for a few minutes, the two of you just stare at the sky, the vast expanse of stars and planets before your eyes.

it's a new moon, and without her shine, all the stars in the galaxy are visible.

shimmer shifts beneath you, and sevika laughs.

"she hates waitin' around." she says. you smile.

"just like you." you say. sevika laughs, nudging shimmer's side, letting her trot around the empty expanse of the desert.

you hook your chin over her shoulder, watching how her hands hold the reins, how she uses them to gently guide shimmer to and fro.

beneath your fingers, you can feel her belly rise and fall with each breath she takes. a smile ticks up at the corner of your mouth, and you turn your head to press a kiss to sevika's neck.

she goes stiff in your arms.

"what're you doin'?" she asks. you smile against her throat.

"'m watchin' you." you say. "learnin' how to ride."

"you don't need any help learning how to ride." sevika says. you laugh at her horrible joke, pinching her waist. she chuckles.

"speaking of..." you start. sevika snorts in front of you.

"yeah, darlin'?" she asks. you nip her neck.

as much as you both love powder and violet, their abrupt entrance into your lives has left your sex life in shambles.

it's not like you're not having sex. it's just that you can't have it like you used to.

when you used to spend any spare moment the two of you had sprawled out in bed, naked and sweaty and kissing, now you gotta keep your romps quick, lest the girls get in trouble while they're unsupervised.

plus, with the nightmares that violet's been having, paired with powder's separation anxiety toward her sister, a majority of your nights as of late have ended with the four of you piled up in your-- used to be-- marital bed.

you've just had to get a little more creative. you and sevika have been doing a whole lot of 'chores' in the stable, trying to avoid shimmer's judgmental eyes as you fuck against the haybales.

and now... out in the desert, with sevika pressed against you and nobody out here beside you, your wife, and the stars... now seems like the perfect opportunity to get creative.

slowly, you inch your hands down sevika's abdomen, taking a moment to admire the firmness of her rippling abs shifting with each step shimmer takes. she chuckles huskily in front of you, and you begin sucking a hickey against her neck.

"insatiable." she says. "'y had me this morning while we were 'pinning the laundry to dry'." you hum.

"want me to stop?" you ask. she laughs out loud, a bright, echoing thing.

"hell no." she says. you grin, and continue trailing your fingers lower, fiddling with the button of her chaps.

shimmer continues her aimless trot, slowing occasionally to munch at spare patches of grass, knowing that you and sevika are in no rush to get anywhere.

when you slide your hand down her pants, she sighs, leaning some of her weight back against your chest. you pepper kisses against the side of her face, trying to give every branch of the scar on her left cheek a solid smooch. she giggles against you, then moans when your fingers start working against her clit.

"you're wet already." you mumble against her. she hums.

"knew this is what you were workin' up to the second you asked me to ride in front first." she says. you chuckle. "i'm never gonna get you to learn to ride, am i?" she asks.

"mmm, maybe someday. don't need it now, though, do i?" you ask. "not when i've got you." you say.

sevika sighs and turns her head to capture your lips in a kiss against hers. you hum against her mouth, nipping her lip as you start rubbing her clit in slow circles.

"fuck." she sighs, turning her neck back around to watch where shimmer's going. "i love you." she whispers. you smile and nip her neck.

"love you too." you say, trailing your free hand up her chest to fondle her breasts.

sevika's tits are sensitive, you've made her cum from your hands and mouth on her chest countless times before. she shudders against you, her back arching as she shoves her chest further against your hand. you snicker, and start to gently fiddle with her nipple.

"fuck-- your hands." she says.

"'s kinda what you're doin' now, baby." you tease. sevika snorts, but it quickly dissolves into a moan as you increase your pace on her clit, sinking your teeth into her neck as you pinch her nipple.

"y-you're horrible." she chastises you for the joke. you giggle against her.

"you close?" you ask. she laughs.

"yeah." she says.

shimmer lets out a sneeze-- clearly disapproving of the activities happening on her back, and you giggle.

"she's sick of us." you say. sevika sighs.

"she, fuck, she's so judgmental." sevika whimpers.

"should be gettin' back soon. 's almost midnight-- violet's gonna have her nightmare soon, we should be there when the girls come lookin' for us.' you say.

"fuck, can we please not talk about the kids while you got your hand on my cunt?" she asks. despite her complaints, sevika tugs on shimmer's reins, turning her back toward town as you work your hand against her.

"y' better hurry up. we're only a few minutes away from town." you say. sevika groans. "need some encouragement?" you whisper against her ear. she shivers, and you smirk.

"shut up." she whispers. you grin, knowing that sevika's 'shut up's tend to mean 'keep talking.' especially in the bedroom.

"you sure? y' don't want me to tell me how much i love you? how perfect you are for me?" you tease. sevika's thigh shakes against shimmer.

"fuck."

"my cowboy. my wife. so strong and handsome, givin' up her life of crime just for me. gotta compensate that kinda sacrifice properly, don't i?" you ask. sevika whines. "fuck, 'n you look so good when you're on shimmer's back. why would i wanna learn to ride when i could just watch you instead, hm?" you ask.

sevika lets go of the reins with one hand to grip onto your arm. you kiss her cheek.

"cum for me, pretty thing. if you're lucky, maybe i'll wake you up before sunrise to help me 'feed the chickens.'" you say. sevika whines, remembering the last time the two of you used that excuse-- you ended up with sevika's tongue inside of you, your back against the coop as she knelt on the shitty ground, clawing at your thighs. "c'mon sev-- give it to me, baby."

sevika cums with a resounding "shit!" shimmer spooks a bit, jumping and bucking beneath you, and you both squeal as you hold on to the mare while she calms down.

sevika's cunt is still fluttering beneath your palm as she pulls on shimmer's reins to bring her back to a walk as the shimmering lights of town become visible ahead. you hum against her, ducking your fingers down to gather her cum from her dripping hole, before pulling your hand out of her pants and popping your fingers in your mouth.

you moan. sevika moans. shimmer grunts, a disgusted little noise.

"fuck." sevika sighs out, her back slumping against your chest. you giggle, removing your hand from her tits to button up her pants, before giving her cunt a little pat over her chaps. she jolts. "hey!" she says, giggling. you grin against her neck, pressing another kiss to the skin beneath your lips.

just before shimmer starts down main street, sevika pulls her to a stop with a "woah, girl."

you're about to ask her what she's doing-- the tavern about two hundred feet away, but sevika answers your question before you can get it out when she turns her head, grabbing your chin with her fingers and smashing your lips together.

you sigh against her mouth, nipping on her tongue when she swipes it against your lips, giggling at the little involuntary twitch of her thigh.

she pulls away with a sigh, looking into your eyes dreamily.

"i love you more than there are stars in the sky, darlin'." she says. you smile against her lips.

"i love you too, my sweet wife." you say, reaching forward to snap shimmer's reins, letting the horse lead the two of you back home. sevika raises an eyebrow at you and you smile. "see, i did learn a little somethin'." you say.

sevika laughs.

"guess i gotta take you out for ridin' lessons every night, huh?" she asks. you grin.

"i wouldn't mind that at all."

taglist!

@lesbeaniegreenie @fyeahnix @sapphicsgirl @half-of-a-gay @ellabslut @thesevi0lentdelights @sexysapphicshopowner @shimtarofstupidity @love-sugarr @chuucanchuucan @222danielaa @badbye666 @femme-historian @lia-winther @gr0ssz0mbi3 @ellsss @sevikaspillowprincess @leomatsuzaki

#i know nothing about horses so have some smut hahaha #sevika #sevika imagine #sevika arcane #sevika x reader #sevika x you #soft sevika #sevika smut

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am-i-the-asshole-official · 1 year

Note

AITA for wanting a material thing rather than an experience for my college graduation gift, and being upset I still don't have it?

I skimmed through some other AITA posts to prepare me to write this one properly, and saw someone use the term "validation bait." I bring that up because I fear this post may read like that once all is said and done, but I genuinely am worried my perspective might be skewed. I encourage you to enter "Reddit Mode" if you decide to reply after your judgement with additional context and feel the need to be blunt.

Background context: I have an older sibling who graduated before me during the beginning of COVID. While his gift was delayed as a result, we as a family (three children one father) ended up going to Disney World, NASA, and Universal Orlando in 2021 to celebrate his accomplishment. It was a great trip, aside from the horrific humidity and the hurricane that just barely missed us. Later on, I asked my sibling if that was what he actually wanted to do, and he said our father proposed some ideas because he didn't really have any and Florida sounded like a good idea to him. My asking this will make sense later, but putting it here seems the most logical.

Additionally, it may be important to know that my father goes on a lot of trips. At least, more than anyone I've personally known. I'm not gonna try to calculate the exact number, but I will say in the span of less than a year (after the family Florida trip), he went to both Canada and Mexico for a week each, on top of additional excursions to Florida and Vegas-- almost all also including bringing his girlfriend. At the same time, he claimed assistance with college tuition was out of his budget, started having me pay rent on a part time job, and told my younger sibling fixing the AC in their car would cost too much as well. Even I know something doesn't add up here, but maybe I'm taking it too personally. End background context.

Fast forward to spring of 2023, and it's my turn to graduate college. Here's the thing: my brother was asked at least a year in advance to his graduation what he would like to do. I wasn't asked; I had to bring it up myself, and I waited until my graduation was only two months out. It was also over a phone call, because my father was out of town for at least the fifth time that year already. I dropped the hint that, for my graduation present, I would really like to get a nice gaming desktop. My father's response was, "... We'll see." Later on, he elaborated through text stating, "I took everybody to florida because i think graduations should be more about memories than what material thing you can get out of your dad."

Here's the thing: it's no secret to my dad that I'm a gamer, and I like video games. Additionally, it's no secret that a gaming desktop is something I have wanted for a decade. Even since middle school I've talked about gaming desktops and how much I wanted one. Even so, I happily played games like Saints Row III on a laptop that chugged along at 12 frames per second and took every crash in stride. I also thought that this kind of gift would be a relief to my dad, as my thought process was it would be far less expensive than taking an entire family somewhere out of the state for a week. Not only that, but there wasn't really anywhere I wanted to go. I don't have the desire to travel like he does; I don't mind taking my time off at home or locally, and relaxing with the things I have rather than spending a ton on a fancy dinner or hotel or concert.

So, naturally, I was confused, dismayed, and heartbroken. While I started crafting a text response explaining why a gaming desktop would not just be for personal use, but would also be advantageous for my career (my degree was in animation and I learned surface level coding for making video games), I also wondered why it was wrong for me to want a "material thing" even if it wasn't something necessarily "useful." Because while, yes, a gaming desktop would have the power I needed for more intensive animation projects, that wasn't really why I wanted one. But I figured explaining as such would help convince my dad why it was a good idea.

My dad ended up calling me before I could finish crafting my text, so I did my best to explain my standpoint, as well as pointing out how the specs for a gaming desktop are pretty much parallel with the specs for a desktop for things like 3D rendering and animation. He stood his ground on "making memories" as well, and also hinted that I was acting entitled for asking about my graduation present. I think I pointed out to him how he asked my older brother far in advance what he wanted for his graduation, but those details of the conversation are a little faded with time. I did end up sending my text after that phone call anyway, as I felt it better explained what I was thinking and feeling than I could say in verbal conversation (I've always gotten a little flustered talking to my dad about things I want that he doesn't approve of).

Fortunately, after reading my text, my father seemed to come around, and invited me to put together a list of parts for my computer, since I wanted to build it. I got really excited and got the help of my computer-savvy friend to put together something I thought was reasonable-- it had a really good graphics card and processor, and I made compromises on some of the other parts to lower the cost. I haven't looked at the list in a while, but the total cost-- tower, two mid-range monitors, basic keyboard and mouse-- was something like 2.5k approaching 3k. Mid range (at least, it is these days) I think, but it would be enough for the things I wanted to do.

I put the list together, and emailed it to my dad. The assumption I had, was he would purchase the parts, and then we would build it together (or I would build it alone). However, later on I went to ask him if he had gotten my email, and while he said yes, he also said, "I'm not paying for the whole thing. I can't afford it, and it's not fair to spend more on you as an individual than what I spent on your brother as an individual for the Florida trip."

I find the latter point somewhat fair considering I'm the only person who benefits from this gift, but the first point, given the background context on my father's habits, I'm not sure how much I believe. But arguing with him would have been pointless. I definitely would have liked to have had that information beforehand, but it ultimately didn't change much.

This is getting long, so I'll try to summarize the rest. This was just the first instance of my father changing the goal posts for my graduation gift. First, he tried to convince me that getting a prebuilt tower would be just as good. I did the research, and a tower with the graphics card I wanted would have cost as much as building my own tower and buying a monitor, keyboard, and mouse, and still not have been as good in other specs anyways. Then, he tried to tell me he was only going to give me $1000 towards the computer. I pointed out paying for my older sibling for the Florida trip would have cost at least $1500-- if I hadn't done the research, I wouldn't have known any better and just blindly agreed. Then, two days after my graduation, he stated that he wasn't going to give me the money for the computer until I had secured a full time job.

At that point, I just gave up, and agreed.

Fast forward to now. I'm still working the part time job, I barely make enough to put a couple dollars into savings, no one is hiring me full time, and my dad hinted that, instead of doing presents for Christmas this year, we all agree to go on vacation somewhere. Not only that, but his family in Canada just told him they're going to Mexico in November. Not only is my dad implying we should go too and I should pay a portion of my own way, I have a further feeling he may say that this will be our Christmas as well. I still don't have the computer, even though my dad has noticed how much I'm struggling.

If I had the computer, I wouldn't have minded the vacation-- but I feel like my wants and feelings have been completely pushed aside in favor of what my dad thinks is good and/or right, and the wind has been taken out of my sails regarding my graduation entirely. On the other hand, maybe he's right that I focus too much on a material thing and should redirect my attention to an experience and go somewhere to relax/get away from daily life.

Am I a materialistic asshole?

What are these acronyms?

#aita #am i the asshole

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