#I'll show them actually collecting it and talk about how they do it

[bonefall]

Trip to the Lake: REDUX

I have been re-planning how cats move between the Lake, Mountain, and Forest for a long while. Since @halogenwarrior​ asked some specific questions about it this morning, I finally sat down and made a 1st draft of the Between-the-Territories map, and a quick guide to the Sundrown Patrol’s Expedition.

NOTE: this is still a rough draft. SkyClan’s territory wasn’t included because it isn’t relevant at the moment, and Midnight’s den is nondescript beach as I’m still working out what it looks like in the revamp... since Midnight is a god now, and should have a cooler den.

(also i considered casually ‘revealing’ this is a world totally unlike our own by having the sun set in the North instead of the West at one point but im not that funny... yet.)

[ID: A map of the territory between the Warrior Cats ‘forest territory’ and the ‘lake territory’, including several landmarks. A Beach and an Unknown Town are labelled purple. The Tribe Land and its Stone Ward, Cave Ward, and Valley Ward are marked in blue. The Mouth of River Chell and Mothermouth are marked in red. The bottom of the map is marked “FARMS” in a purple box. The top of the map is marked “LAKE” in green.]

The Tribe’s waterfall feeds into nearly every waterway in the area at some point, and the Lake is the northernmost point between them all. Just above the forest territories is farms. There is now a sizable wetland below the lake territory, at the base of which is the Tribe’s third settlement, the Valley Ward.

In that wetland is probably more farms, roads, factories, and various types of human structures.

Travel time has been given hard definitions; it takes an adult warrior, traveling alone at maximum reasonable speed (not marathon-running), a full week to go from the Mothermouth to the Lake. That’s two weeks for a round trip.

This journey becomes longer with multiple traveling cats, or cats who don’t know the way. In addition, a lone warrior will have a harder time hunting in the unknown land and be more exposed to the dangers of the wild.

An adult warrior, traveling alone at maximum reasonable speed, takes 2 days to reach the beach. Going to the town is easier; that trip takes a little over a day. Round trips double the time, more cats are slower but safer.

So let’s take a look at the new Sun Drown Patrol Roadmap!

[ID: The same picture as above, but grayed out in color with red dots marking the journey of the Sun Drown Patrol over the TNP journey. They start at the Mothermouth, go north to the Lake, then go west to the Beach, go southeast and hit the Tribe Lands, and end in the Farms.]

Set-up Changes:

The beginning of the journey is a bit different and there are some changes to Bonefall TNP as opposed to Canon TNP worth noting;

Bonefall TNP is split between the perspectives of the Four Tigerkin; That’s Tawnypelt, Brambleclaw, Hawkfrost, and Mothwing.

Tawnypelt is the new leader of the Sundrown Patrol.

Crowpaw is a full warrior before going on this journey. His name was Crowfoot, he requests -Feather as an Honor Title.

Gods are real now; Sharptooth and Midnight are deities for Summer and Spring respectively.

They are starting this trip at the Mothermouth

Bonefall TNP: The Sundrown Patrol’s Expedition to the Lake

StarClan no longer sends them to the ocean. They sent them directly North, to the Lake.

Something happens that sends them on a detour west, to the Sundrown Place. I’m not sure what it is yet; I’m thinking it could be Fallen Leaves (is now Time Travel Hollyleaf) appearing to be a StarClan warrior and completing a time loop, or, Midnight creating a false sign to coax them over because she’s a lonely god who wants company.

From the Sundrown Place, they do a little bit of basic geography and realize they need to travel southeast. That’s when they hit the mountain.

There is no more Silver Warrior prophecy. The Tribe cats help the Sundrown Patrol cross the mountain, but recognize they’re long-lost descendants of the ancient Sun Trail Cats. There’s a happy celebration, interrupted by the resurrection of Sharptooth, a god who has plagued the Tribe through history.

The Tribe has killed Sharptooth before and they’ll do it again. They assure the Sundrown Patrol that they will survive... but the Patrol looks at the graves of the cats who helped them cross the mountain, slaughtered suddenly by what they think is a LionClan warrior. They realize that the Tribe will survive, but there’s no way of knowing what individual cats won’t.

(technically Sharptooth is a European Cave Lion but they don’t know that)

The Sundrown Patrol makes a choice; Do they run home to complete their mission, or do they stay and help?

They unanimously agree to kill the beast. The Tribe says they’re family, and this is what family does. A bit of a moment where the cats of the Sundrown Patrol decide THEY are family, as well.

Feathertail, of course, dies. Crowfoot is never the same. Sharptooth will return someday, but when he does, this time he will haunt the Clans... or at least, the Forest Territory they left behind. That part isn’t decided yet.

Because of all the detours, size of the patrol, and fact it was unknown land, the Sundrown Patrol’s Quest takes well over a month.

The Clans leave, together, shortly after. It still takes coaxing from each member of the Sundrown Patrol to get all of the leaders on the same page, but the extra territory-pummeling helps to encourage Blackstar in particular to be less stubborn.

[demaparbat-hp]

Hiya!! 👋🏼😄 How's it going? Your fashion taste for Zuko in a Modern AU seems to be artsy, or maybe "formal" is the word. That shirt he wore when he gave Sokka romantic song advice looked Versace🧐. Anyway, I was wondering how you came up with it, he always struck me more as the type that didn´t care much about fashion, so I'm curious about other´s opinions and heacanons about it. And do you have any other fashion headcanons for the rest of the GAang? Also, their music tastes. How did you come up with them? Especially Katara's! 😍

Hello! As it happens, I have a lot of Thoughts and Feelings™ about this, so I'm leaving these over here, and the rest of my ramblings down below the cut!

Let us begin with the Gaang, shall we?

SUKI always struck me as that Pretty Girl from the Gym. She is so incredibly fit it isn't even funny. She could kick anyone's ass, and we'd all thank her. She has this casual gym style that somehow always looks glorious on her, as it should! Comfy yet fashionable clothes for a nice workout or a day in town.

Her music tastes are basically any and all power songs from the eighties and nineties. (Eye of the Tiger, anyone?) She also enjoys metal via Toph, and bands like BSB, NSYNC, or Boyz II Men with Katara. My girl has a very eclectic Playlist and we all love her for it.

SOKKA is That Guy™. Loose T-shirts and shorts everywhere he goes, no matter the weather. He's stupidly into fashion but it doesn't show! At all! And everyone teases him about it. His closet is about 90% Cactus Juice merchandise, hence the "it's the quenchiest!" shirt.

His fashion and music tastes are pretty much the same. He loves poetry but isn't really into lyrics. He'll misinterpret just about anything you place in front of him. His Playlist is mostly vibes and tiktok songs he kind of enjoys. He isn't really into music...at least not as much as his sister.

AANG owns exactly one hoodie, one pair of shorts, and one beanie (THE beanie). Oh, and the crocs—don't forget the crocs. Somehow, he's always wearing the exact same outfit. Every. Single. Day. Ancient Gaang lore suggests that the day Aang goes out without his beanie, it's the end of the world.

His Playlist is the poppiest, most bizarre thing ever. Every single song is Happy by Pharrell Williams levels of happy. Yet sometimes, among the bouncy dance-to songs, you'll find the strangest of things... (He does know what Good Day by Twenty One Pilots is about. That's the reason he likes it so much, actually. And it's so weird.)

KATARA is all about sundresses and loose pants. The epitome of comfortable loveliness. Light fabrics in blue shades, careful embroidery, delicate shoes, and little to no accessories—hers is a simple, yet quite adorable, style. She just needs to add more colors to her usual palette...

She is, first and foremost, a Florence + The Machine girl. It's the Dark Goddess of the Sea vibes, to be honest. Florence Welch is her idol and yes, she will fight you about lyrics interpretation, and win. It may not seem like it, but her music tastes are also very varied.

She draws a little from each member of the Gaang, so you'll hear her humming along to Gorillaz (where did you even find out about them, Aang?), The Weeknd (I...don't think this song means what you think it means, Sokka...), and Hozier (Zuko why did you dedicate Talk to me, Zuko WHAT DID YOU MEAN BY THAT).

TOPH...ah, lovely girl. I'll summarise everything about Toph’s fashion sense in two words: comfort and rebellion. Stuffy dresses forced on her by billionaire parents? No thank you! Give her tank tops with loose shirts and short pants. Bandaids shared with Aang, bracelets from Katara, and even piercings she got in tandem with Sokka. Shoes? What even is that?

Something I love about this fandom is our collective agreement that Toph is into the dirtiest, heaviest, most ear-splitting and soul-crushing death metal of all times. Her Playlist is full of the most obscure names to ever exist, and she can and will blast through your walls with the sheer volume of her speaker.

Zuko. ZUKO.

Even in a modern AU my boy must suffer. That being said, I envision Tales from the Couch as—well, exactly what it is: an ATLA modern AU. While there is not a war to fight, and a lot of plot lines are discarded or expanded upon, much about the core story remains the same.

This is my way of saying that Zuko still goes trough his redemption arc, and it reflects on his fashion choices.

The way you described it works perfectly because of one single reason: in this AU, Zuko is an artist. He had to suppress his love for writing and drawing because of his background and the expectations Ozai had for him (taking over the family company), and a very large part of his redemption arc directly affects his relationship with art.

In the Couch equivalent of S1, Zuko has fallen out of Ozai's graces, and is desperate to protect his place in the company and the Kasai household. He's pretending to be someone he isn't and trying to live up to his Father's image of a perfect heir while still being somewhat cut-off financially, and it shows.

He's all about imposing long coats and a semi-formal style, imitating what he knows Azula and Father would respect. He's striking and sharp and dark. But no matter how he dresses or carries himself (that air of cold superiority and arrogance)—it won't help him when he needs it the most.

In S2, Zuko has hit his lowest point. He's officially disinherited and tossed away by his father, and would be out in the streets if it wasn't for Uncle Iroh. He goes from sharp, high-tailored outfits to old second-hand clothes that hang loosely on his frame. He starts smoking and cuts his hair off, forgoing the undercut for the first time in years.

But then...Father accepts him back. When Zuko returns home, it's with respect to his name and a very high position in his father's company. He's finally the perfect Kasai heir, dressed in overly expensive suits and finery, even at home... But Father forbids him from wearing Lu Ten's earring, and Zuko can no longer recognize himself without the familiar glint of gold dancing on his peripheral vision.

When Zuko leaves the Kasai name behind him and goes back to living with Uncle Iroh...he's finally at peace with who he is, and what he wants in this life. The sharp edges aren't gone (they'll always be a part of him, after all), but now they're dulled by looser clothes and softer hairstyles.

He's an artist, and for once in his life, he is determined to pursue his own ambitions. Zuko's outfits may not be designer-made anymore, but he takes what he has and makes himself look like he wants to look, like the person he wants to be.

He doesn't read fashion magazines or keeps up to the latest trends like Azula does. He's just...Zuko. And his newfound confidence makes everything he wears look like it belongs on him.

As for music...well, Ursa raised a literature boy.

He loves lyric-heavy music and natural voices, be they soothing or powerful. Dissecting song meanings and possible interpretations with Katara is one of his favorite parts of the day. They're both very passionate and strong-minded individuals, so it stands to reason that their debates can get quite...heated.

Zuko's Playlist is both incredibly eclectic and somehow very...him. There's a common thread that binds together every song and artist he likes, and he's hilariously unaware of this. To take a look into his Playlist is a higher honor reserved only for those closest to him.

In the wide spectrum of things, it is no wonder that Zuko is, first and foremost, a Hozier man. But though Andrew is his God in all aspects of this life, there's someone else that has had a huge impact on him...

Two someones, actually.

Zuko refuses to tell anyone how he got into Twenty One Pilots, but it's kind of a moot point when the beginning of his obsession is nothing compared to everything that came after. They have just about the right amount of everything that makes Zuko...well, Zuko. The poetic lyrics, the soothing or raging music, the heavy, intensely resonant themes...

Up there, in the second artwork, I placed an album cover behind each period of Zuko's life. The election of these records is intentional, as I feel like their general themes work incredibly well with Zuko's arc and growth.

Blurryface in S1. For the demons within us. For giving a name to our fears and shame.

Trench in S2. For escaping the confined walls of a depression city, and fighting to understand the depths of the map of your mind.

Scaled and Icy in the first half of S3. For returning to places you had left behind. For convincing yourself and everyone around you that you're fine, that you're perfect, even though everything is crumbling inside...

Clancy in S3. For recognizing that you can backslide, that you can have fears and shame and pain—but you're shaping yourself with each step you take. For knowing that seeking help from others is okay. Nobody learns to walk on their own.

(And, in the end, you'll always be better than the person you were yesterday. If only because you're still here. You're still alive. You're still yourself.)

.

Overall, I rambled a bit too much, don't you think?

If you made it all the way down here—thank you so much for reaching out and being interested in this crazy AU! I hope you enjoy these ideas and tell me some of your own ❤️

[taintedpearls]

❀*ੈ˖°.𖥔 ݁ casual (part ii) — daily click

summary: you haven't spoken to ellie in a week, 43 missed calls and 125 texts from her, none of which you've answered, but ellie doesn't give up so easily.

cw: smut, mdni, intimate sex, the knee thing (e!receiving), shower sex, fingering (r!receiving), switch!ellie and reader, multiple orgasms, nipple play/sucking, fluffy, reader lives in an apartment, ellie is very apologetic. wc: 2.9k

a/n: this was meant to be like 1.6k words so idk how we got to 35 words away from 3k but... enjoy! part one is here

(1:02am) ellie

please let me explain

(1:06am) ellie

cmon please i promise it'll be worth your while

(1:07am) ellie

i have your bra among other things. let me know when you'd like me to drop them off. i'm sorry.

(1:09am) you

guess who texted again

(1:09am) olive

no way

r u gonna reply?

(1:10am) you

absolutely not

i made a fool of myself

(1:11am) olive

maybe and JUST MAYBE

reply to her and get ur closure + super sexy bra back

(1:12am) you

what the fuck olive

do you want me to die? genuine question

(1:12am) olive

LISTEN

it might help

plus she seems genuinely apologetic

why is she even apologising?

(1:14am) you

for being a dick and wanting a quick hookup?

(1:14am) olive

because she has feelings and she knows she fucked up?

(1:15am) you

😐 bye

(1:15am) olive

just reply! say sometime tmrw. it can be easy, a quick in nd out

okay?

(1:16am) you

i'll think about it

(2:03am) you

11:30, you get two minutes

(2:03am) ellie

thank you so much

(2:03am) ellie

i'll be there

nine hours later, and ellie was a mess.

you had given her permission to come over and return your bra – hell you had her jumping for fucking joy when she saw that message.

but now she had to actually talk to you, and what the hell was she supposed to say? that she was sorry? that she 'couldn't sort out her feelings?' all of which felt wrong (maybe they only felt wrong because she was staring at herself in the mirror while repeating them for three hours... who knows).

but ellie had found herself with a bouquet of your favorite flowers in hand and a plan.

a plan to win you back.

she was going to apologize, let you scream at her, and hopefully let her explain, all in the two minutes you had gratefully gifted her.

so, when she rang the doorbell to your apartment after hiking the six story stairs, she found herself staring at her old, beaten up converse. stars and hearts you had drawn all along the sides of the soles almost mocked her.

then you opened the door, and ellie couldn't look up.

useless apologies started spilling from her mouth, panicked words that meant nothing. a collection of "i'm sorry” s and a series of "please let me explain" came pouring out, that was until she grew the gall to look up at you and take you in.

her heart stopped when she did, so did her words.

you looked tired. clearly old yet comfortable clothes adorned your body, you had your arms over your stomach but they weren't crossed, you weren't mad, you could never be mad at ellie, no matter how badly you wanted to be especially in this moment.

words rushed through her head but never made it out her mouth, you were... exhausted. and she caused it, she caused all this pain you were going through. 

“oh…” she softly whispered, her stance faltering at the sight of you, not because you looked like how you did but because she was so mad at herself.

you sigh, you had made no effort to adjust your appearance or put makeup on. you told yourself it was because you had no energy to, but in reality, you wanted to show ellie how you were hurting, that she had caused this, that something fun and sweet had gone sour and at your own expense. 

“ellie, i know i look….” you remove your arms from your stomach and signal to yourself shamefully, tears almost springing from your sunken eyes at the regret you feel for not even trying to fix yourself up, “ but can i please just have my bra back?” you’ve changed your position once again so that you’re leaning up against the doorframe of your apartment, gray sleeves up by your knuckles. 

“no! no no no not at all you look… pretty. really pretty.” she breathes out hurriedly, your cheeks heat up before you spot the bouquet, and that's what makes the tears spill. because why was she here? she had never described you as pretty before, only hot or sexy, so why is she here apologising and calling you pretty if she doesnt just want a quick fuck by validating you? 

tears now evidently filled your eyes, ellie’s kind smile had now turned into one of worry and concern when she saw the tears threatening to spill from your tired eyes, moving forward to embrace you, but she hesitated. will it only make things worse for you? feeling her again? 

“can- can i touch you?” she asks gently, nerves shaking at the chance of you pushing her away for good, telling her she can keep the bra and slamming the door shut in her face. 

instead, you silently shake your head yes and grant her permission to embrace you, it was a stupid idea, really, because everything you felt, all the times she had touched you that you had so desperately been trying to shut out came flooding back and it took everything in you not to sob, the subtle stream of tears gliding down your cheeks was worse enough. you avoided her sorrowful eyes, you didn't want her to feel sorry for you, you just wanted her. 

ellie lets go of you, she’s still standing at the doorway, converse planted firmly on your ‘welcome!’ doormat, she delicately reaches to hold your cheeks and force your wandering eyes to look into her own, staring for a second, memorizing your face just in case before looping an arm around your shoulders and guiding you inside, closing the door behind the two of you with her foot, not looking back once. 

you can feel the flowers gently brush against your shoulder as she never put them in her other hand, but the feeling of them is oddly comforting. you're not sure why exactly it’s comforting, but you do however manage to notice they're your favorite. 

ellie guides you over to a kitchen counter, sitting you up on it and standing right in between your open spread legs, placing the array of flowers opposite to the two of you. you bury your head in your hands, wanting to disappear from this moment and never return. 

“hey…” she gently prys your hands away from your head, and you immediately look up to contain tears, trying your hardest nor to hit the cabinets. “i'm sorry for just welcoming myself in, i assumed you didn't want the neighbors to see you…” the auburn haired girl uneasily babbles, and the tears slow down. you sniffle, looking down at the girl who can’t seem to slow her fast paced talking, and you're not sure how to quiet her down other than placing a hand over her mouth. 

instantly, the talking stops as she looks up at you confused, you sniffle once more and she grabs your hand again to remove it from her mouth 

“you were talking a lot,” you whisper “its okay that you came in, ellie.” your voice is silky, addicting. 

“i just-” she sighs, anxiously tapping the space outside your thighs and staring at her own hands “i don’t know how i can express just how sorry i am, i fucked up. Bad. and your hurting because of it” she spills, shes not even sure if it made sense as it left her mouth, but it’s honest. 

“ellie… it was always more than just a casual thing to me,” you admit, voice getting shallower by the second “and i mean, i don’t know, i always just assumed if i kept saying i was fine with it you would realize that i was who you wanted, but now i know it isn’t true.” ellie’s face drops upon hearing your words, alarms blare in her head because of course it was never just casual to her as well, she’s not even sure why she suggested it in the first place or kept reinforcing it when she wanted everything but that. 

“i know,” she starts off with, you look down sadly, this was confirmation she didn't want to see you anymore, that you getting attached had ruined everything and there was no saving whatever you two had. “but,” she continues, you look up at her again, confused. “It was never just casual to me as well, you know? i’m not even sure why i suggested it in the first place.” she lets out a brief chuckle at the last part in hopes of clearing some of the tension around you guys. 

“but you-” 

“i know i always reminded you, i think it was because i was scared? i was so… infatuated with you and i guess i didn’t want to hurt you. i thought it was the only way.” she remorsefully confesses, and you smile, roles reversed as you gracefully grab her face and kiss her. a kiss that says everything. 

it's soft, gentle, show’s no urgency or panic. it’s natural, and ellie can feel you smiling into it, as is she. 

gently, she moves away and starts kissing down your neck, you lock your hands into her auburn and let out a sigh of content. 

“ellie…” you needily whisper. 

“yeah, baby?” she removes her mouth from your neck, grabbing your thighs and looking into your eyes. “this okay?”

“more than okay,” you confirm, “do you wanna shower with me?” your request is simple, but it makes ellie’s heart explode with excitement as she lifts you off the counter and begins to carry you over to the very familiar shower, the short walk is full of quick kisses and giggles bouncing off the walls when you finally arrive and she nearly stumbles over her own feet. 

you're quick to discard your own clothes, the anticipation building to feel ellie’s skin on your own, the girls anticipation matching yours as she hastily removes her own clothing. Flowers and bra forgotten in the kitchen when she pulls your body into the shower with her, capturing you into a needy kiss once more. she reaches behind you to turn the water on, not accounting for the fact it'll take a minute to warm up and allowing the freezing stream to harshly hit your back. you yelp, moving away quickly in shock, hearing ellie’s restrained snort from behind you. turning to face her, you slap her bicep playfully when the water begins to feel warmer 

“ellie!” you playfully scold, “that wasn't funny!” you’re trying to be serious, key word: trying, but you cant help to let your own laugh slip past your mouth as you join her in the fun. 

“‘m sorry!” she giggles, the laughter between you two dying down “i didn't think it would be that cold!” 

“yeah, well, obviously!” you attempt to splash her with the little bit of remaining cold water on your hands, but you're not quick enough. she pins your hands above your head against the wall adjacent to the stream of water, the glass becoming foggy with steam from the nearly boiling water. 

silence falls in between the two of you. no words are spoken as you move forwards wanting a kiss from the girl, but she moves back. deja vu spikes within you from that night at the bar, days before everything went down. 

she closes her eyes, leaning closer and pressing her forehead up against yours. You repeat the action, you weren't sure what she was doing, but you trusted her. 

“let’s take this slow, okay?” she utters softly, just loud enough so you could hear her over the sound of water pouring, you nod instantly. slow was good. slow meant effort.

with your agreement, she locks your lips into a kiss once again. it wasn't hasty or rough, it was soothing and steady, releasing your arms in order for her to move her own to rest on your hips, your own reaching towards her neck. 

the kiss continuous for a couple minutes, only letting go for a couple seconds at a time to catch your breaths before falling back into each other peacefully, but you were getting wetter and wetter, desperate for more than just kitten kisses on your neck, and you could tell ellie was getting wet too with her movements becoming more and more desperate and rough. 

discreetly, you slot your knee in between her legs while she's occupied with your neck. Almost immediately you can feel the grip she has on your hips become tighter, fingernails digging into the flesh as you slowly begin to move your knee, she groans, dropping her head into your shoulder, moving her hips to match the rhythm with your knee. 

“faster, please” she whimpers in your neck, busying herself again by leaving wet open mouthed kisses on your neck once more. who were you to deny such a pretty girl's request? you speed up the movement of your knee, nudging it up every now and again, removing a hand from her neck to reach down and slowly rub her clit. 

from the way she sucked harder on that spot just below your ear she knew you loved, you assumed the sensation was taken well, your own wetness starting to drip down your thighs, mixing with the water from the muffled noises she was making alone. eventually, the stimulation caught up to her, legs becoming shaky, speeding up your movements and circling her clit, forcefully removing her mouth from your neck so you could bring your head down and suck on her left nipple, and that was her tipping point. 

ellie came undone on your leg with a strangled shout of your name, legs shaking and thighs hurting as you slowed down the circles on her now sensitive nub before eventually stopping, removing the knee slotted between her legs as well as your mouth from her tit. 

“you okay?” you whisper, giving her a couple seconds to come down from her high, the water providing a warm comfort over the two of you. 

“yeah,” she breathes, coming up to give you a kiss on the lips, again, and again, making a wet noise each time, only further fueling your need for her. “more than okay, thank you.”

you smile at her, happy that she was satisfied with your work. you clench your thighs together in hopes to relieve some of the tension that had built up in your core, a move that did not go unnoticed by the dripping girl in front of you. 

“but now i think i need to take care of you, hm? would you like that?” you quickly nod your head yes, anxious to feel her touch on you once more. 

she doesn't wait to get to work on your body, lips going down to suck one of your boobs while her hand moves to roll the sensitive bud in between her fingers, almost instantly eliciting a moan from you.

quietly, she moves her hand that was previously rolling your nipple down your wet body to your core. you open your legs, she keeps her mouth on your boob, but teasing your folds as she ran her fingers through them and pinching your clit ever so slightly, causing you to squel. 

“ellie.. please…” you almost beg, desperate to feel her skilled fingers inside you already.

she presses her palm flat against your clit, ignoring your begs but making you jerk back into the ceramic wall as a small whimper falls from your mouth, ellie smirks knowing just how much of an effect she had on you. she wasn't leaving you ever again. 

lazily, she slips her middle finger into your hole, removing her mouth from your tit. the shower and your own slick providing enough lube that she didn't even have to prod at it. 

“jesus babe… you're so tight” you clench around her finger at these words, and she mindlessly adds a second one. your hands move from her neck to the steaming glass beside you, indenting your handprint through the fog as you lose control over your own body's movements. 

gradually, she begins pumping her fingers in and out of your sopping cunt, lewd and shameless moans leaving your mouth at an uncontrollable pace. she moves her thumb to your clit, pushing into it and causing as much pressure as possible, and it's not long before you cum with a yell of her name, babbling nonsense as she guides you through it. head in her neck as is hers in yours. 

“‘m so sorry” ellie continuously repeats as her fingers still work at a relentless pace inside you “i'm so so sorry, ill never do that to you again.” she moves up and bites your earlobe, continuing to pilot you through your orgasm before halting her movements completely and removing herself from your body. 

you lean back against the wall, eyes closed in content as you feel the droplets of water hit your skin, your water bill is gonna be so fucking high this month, all ellie does it look at you. admiring you in this post fucked out state. you reach your hand out, a silent request for her to take it and she does, right after turning off the stream for you. 

“that was… amazing.” you breathe out happily, she beams at the peaceful look on your face as you peel your eyes open, ellie's smile making you crack your own. 

“i'm glad,” she kisses you once more, the two of you smiling into it. 

“we’re okay?” she asks 

“we’re okay.” you confirm, and ellie has never been happier 

“how about we continue this in the bedroom?” ellie suggests, and you grab her instantly to lead her out. 

people who asked to be tagged: @a-little-bit-of-everybody ! @lmaoo-spiderman @macaroni676 @p4ison1vy @fatbootymuncher @elliessweetheart

[misfitgirlwrites]

Lucifer Having A Crush On You/How Would He React?

I'm not biased, I'm not biased, I'm not biased, I'm not biased, I'M NOT--

It's time for my fictional love and life and all I hold dear in my daydreams. Bitches, bros, nonbinary hoes, and genderfluid fucks, I present to you the Big Dick in Charge

I may reference works that I've read and when I do I'll drop their @ and link to their story it is law that you read it if you read mine, I don't make the rules

CW: none, slightly angsty but nothing too intense!

Alright, doves, this is post-season one. Lucifer now resides in the hotel with everyone and is slowly adjusting to being graced with Alejandro's Alastor's presence every day.

Let's be honest, our baby pays attention but puts in minimal effort. Saying that the days went by in a blur would be an understatement. Even conversations would be forgotten after a few short moments. On to the next task. Full focus on this thing. Once that's done? Well onto the next task! No tasks? Free time to spend with Charlie!

Things would start slow, and to really interact, you'd most likely start to approach him first. Maybe you've spent long enough watching the blond anxiously bounce around the hotel and graciously give himself a bit too much for even the Big Boss of Hell.

A timid approach from you, offering to help with whatever he's currently doing. Maybe you make snacks for everyone in the hotel and hand him his personally :)

And so it begins! A greeting here, a greeting there, slightly awkward conversations that slowly start to feel less forced with the little information you learn about each other along the way.

It's...nice! Refreshing! Lucifer would be more excited than anything and talking to you would become a part of his regular routine without much thought on the matter. You'd occasionally be on his mind just a little more, and he'd start to seek you out himself too.

I know you're already seeking him out. Bitch I'M seeking him out.

Helping with chores around the hotel quickly turns into simply enjoying the other's company.

One day you gift him his very own ceramic duck! You could have paid for it from somewhere or made it yourself.

Either way, he'd fucking LOVE it! Honestly, if you decide to try your hand at making it, he'd love it even more with all the rough edges and little bumps (it was made out of love for my babies who never touched clay in their lives)

In response, please expect many gifts in return. I like to think it's been a while since he's gotten a genuine gift like this

(Bonus headcanon: Charlie will see this and will come to you the next day with a list of things she wants to gift him and you two are unofficially officially the Buy Lucifer Anything Duck-Themed duo)

Lucifer loves how you react when he gifts you your very own rubber duck. Your smile and happiness always seemed contagious to him. It only led to him making/getting you more things.

You will have a rubber duck collection by the end of this, but what can you really say? Each one of them is based on something you mentioned before. A movie character, a book character, a cartoon character, even friends or family members if they were mentioned. The gesture is way too sweet for you to turn down, even if it is the 30th duck you've received.

Now prepare for what I like to call the "get along t-shirt" phase but both parties are willing LMAO.

Lucifer will be by your side as long as you'll accept the company and if you're reading this and we brain the same, that will be all the time.

I love the GenZ!Reader memes and fics. Someone show this man bacon pancakes and if it was already done, SHOW ME.

Between his relationship with Charlie and with you, Lucifer actually feels the need and wants to be a little more present bit by bit. He notices that he is spending less time in his head, but he continues on in fear of fucking it up if he thinks too hard about it.

So instead he'll 100% focus on the little familiarity of happiness, as small as those moments may be sometimes. This is EXACTLY why the thought of him potentially feeling romantic interest again goes right over his head.

Who notices first, you ask? Charlie, of course. You slowly but surely became one of his main topics in conversation, it wasn't hard for her to pick up on it and ask.

Baby boy would straight up deny it at first. Him?? Liking someone else??? LMAO, am I right? Of course, after he does this, he'll have the time to actually pay attention to his actions.

So then he'll notice how excited he is every morning knowing that you'll be the first face he sees. He'll notice how he managed to fit you into any task he had to do. When he'd get lunch for himself and Charlie he'd have the automatic thought of making something for you as well. Even when the day was over, he'd be thinking about spending the next day with you. To be frank, you were constantly on his mind. 

Once he notices it's a big mental "fuck". Nothing about you is wrong of course, it's him, or so he thinks.

Let's start with the elephant in the room, or shall I say the ring on his finger lmao

In Lucifer's mind, he's still married technically. Even thinking about it in a technical term was a new development and it made him feel absolutely horrible. Lilith left, sure, but who knows what happened? Regardless of how he felt, he didn't want to hurt her.

But at the same time what about him? Lucifer hasn't been happy in a long time and he's finally building that again, not just with Charlie, but with you as well. He didn't want to just cut you out, he didn't want to hurt you either.

Plus, did you even like him? How would he even approach you? If he wanted to, even after thinking about everything.

Who was he kidding, of course, he still wanted you!

@liveontelevision *drops to my knees and bows* they worded it extremely well here and if you're reading this but you haven't read this already or you clicked the link then clicked back here, go back and read it. I don't care how long it is. Do the thing then come back.

Welcome back. It was good, wasn't it? I know.

The only awkward period for you two is the week-long contemplation of everything (half him attempting not to do what he always does when stressed but by the time he realizes he already made like 30 ducks--)

He would clearly go out of his way to either try and talk to you or avoid you. Or a cute mixture of both where he makes a scene approaching you, realizes he's not ready yet, then makes a scene so he can disappear *finger guns*

A little crisis here, a few little rubber ducks there, and a looooonnnggg conversation with Charlie and Maggie Vaggie.

Those are the ingredients to a semi-stable Lucifer with enough bravado to talk to you normally again.

He'd apologize for the times he basically pulled a Houdini in your face and he'd explain himself fully, all while also confessing his love for you.

It's choppy, it's fast-paced in some areas, and the poor blond was ready to disappear at any given moment, but that's what made it so real for you.

The weight that's lifted off of him couldn't be described, and neither could the joy that welled in him the moment he saw your beautiful smile and heard nothing but your acceptance and love.

What an emotional roller-coaster, am I right?

Lucifer Taglist: @alastorssimp @saints-wrapped-in-plastic @heart-of-the-morningstar

Requests are open! If you'd like to be tagged in future Lucifer or Hazbin Hotel content, please let me know! My asks and DMs are open to all!

[isalisewrites]

A Deep Dive into JKR's Terrible, Amateur Writing - Part One

Welcome to my new series, where I will prove to you, dear reader, that J.K. Rowling, author of the Harry Potter series and resident Twitter TERF, is actually a very, very poor writer.

And when I say 'poor writer,' I'm talking about her prose, her sentence structure, and her scenes. I am not going to discuss anything about the HP world nor the plots of the books.

This is all about the nitty gritty in the craft of writing itself.

Disclaimer for all readers: I'm going to sound very confident in my posts. I'm going to be working under the assumption that I'm a better writer than JKR. Because I am. My apologies if this rubs you the wrong way. You're just witnessing two and half decades of experience with the intensity from a neurodivergent who is hyperfocused on her special interest. I didn't just learn how to create stories; I learned the craft of writing to a minutia of details.

After years of being beaten down by others, I will no longer tolerate that.

I will be using my writing to compare with hers to make some of my points. Some of what I say in these posts could be considered stylistic choices. However, in my humble opinion, most of this is a difference of skill, which can be learned. Yes, everything I'm going to teach and cover in this series can be learned. There's no 'talent' here. You can learn how to become a better writer right here and now. You only have to understand the craft of writing and sentence structure to better improve your prose and scenes.

I don't have fame and money.

I don't need them to teach you how to write better than JKR.

You're free to disagree with my stances about this and about everything I cover, of course. But if you're a writer, you might gain some insight from this post and I sincerely hope you are enriched by my efforts in this. I spent quite a few hours on this post. Helping others become a better writer than JKR is one of the greatest contributions I can give to society.

Thus, take what resonates and leave what doesn't.

I have stated before: JKR's writing is bloated in the wrong places, underwritten in others, and the prose is poor. These problems show up in all of her HP books.

Buckle up, my writing friends. Grab a snack. Hydrate. Let's begin.

Class is in session.

In this post, we're going to dissect a page from HP4.

There's so much wrong with this page and the three pages of this scene overall. So much to go over. Bullet points I'll cover from this page:

Disconnected Dialogue Lines

The Great Sin of Adverbs

Too much fucking dialogue!

Wrong focus altogether in this scene

Out of POV writing

First point. This is a huge ongoing issue I see in all of the HP books. There are a lot of disconnected dialogue lines, which become confusing over time. This could be an issue of the publisher, but it's still a problem. In the middle of this page, we have:

Sirius hesitated. "I've been hearing some very strange things," he said slowly.

Wait, wait, wait. Who said this? Listen, I know. I know it's Sirius. However, this is an improper placement on the page and can become confusing because Harry also goes by he/him pronouns and he's also in this scene. While the dialogue here suggests Sirius is talking, it could easily be misinterpreted if there were other characters or if he said something that Harry could've just as easily said.

To make this dialogue more clear for the reader, it should go as follows:

Sirius hesitated. "I've been hearing some very strange things," he said slowly.

Second point. JKR is an adverb sinner, a criminal. Jail. "Do not pass go; do not collect $200." Arrest her for these blatant crimes, please, for the love of god.

Look, I love adverbs. They're great. Don't fucking listen to anyone who outright demonizes them (including your huffy, uppity literature professors). Adverbs are the seasonings of writing. You season your food; you also need to season your writing when the case asks for it.

However...

Adverbs should always be used sparingly when connected to dialogue tags. The setting in this scene is: Harry is in the Gryffindor Common Room at night crouched in front of the fireplace where Sirius is in the fire in a floo call. I read through the whole scene, though I've only shown one page here.

Harry says a line of dialogue 'slowly' three times and Sirius says a line of dialogue 'slowly' two times.

The same adverb 'slowly' is used FIVE FUCKING TIMES IN THREE PAGES.

I want to scream, not gonna lie here. Set this adverb on fire!

What does this adverb do for us in this conversation? What is so important that we have to be told that five lines of dialogue were said slowly? What do they contribute? Spoiler alert: nothing. What are their facial expressions? Harry is 14. He's exhausted since it's well after 1am or so and he's burdened with the new knowledge of dragons for the first task. He's kneeling in front of a very hot fireplace. There's fire fumes and smoke, potentially. Is he fidgeting? Is he yawning? Rubbing his eyes? Bouncing a leg? Is he picking at the carpet or rug?

Harry is a tired, burdened child.

Show me this!

Now I'm not saying that you can't use adverbs in your dialogue tags. There's a huge difference between "he said softly" and "he whispered." It's about balancing the moment when an adverb says just enough versus an adverb replacing well needed scene enrichment. Let's compare this with a section from my HP time travel fanfiction, Terrible, But Great, Chapter Thirty.

Dumbledore nodded at Monty, pocketing his wand. “Mr. Potter.” “Lo, Professor,” said Monty, pout gone, but still a watchful light in his gaze. “Is there a problem?” asked Dumbledore in a mild tone. Ice slipped in between Tom’s ribs, piercing his flesh. Monty tilted his head. ��No, sir.” Oh, but Tom knew better. He could see through that innocent facade. The man could’ve been a Slytherin for how much he was cataloguing every little detail, from Tom’s appearance, to the content of the selected books, and to the supplies of ink, quill, and parchment scattered on the surface of the table. Tom masked the raw, whirling feelings in his chest with a well practiced blank, emotionless expression. He willed himself to hide.  “Nothing at all, sir,” said Tom lightly. “Young Mr. Potter was regaling me about his friendship with Miss Malfoy.” Monty glanced at Tom, brows furrowing. Those blue eyes were piercing, filled with suspicion. “Was he now?” Dumbledore said; though his tone was still without direct accusation, Tom could hear the hint of it. “Then, may I ask, why a silencing charm was necessary for such a benign conversation?” Tom wet his lips. His throat was dry. “I thought it wise to avoid disturbing others in the library.” “I am awfully loud,” said Monty with a sage nod. “Ah. A noble intent. However, it is not an appropriate use of magic in the library,” said Dumbledore, his gaze firm as it bore down on Tom. “Ten points from Slytherin. I think it’d be wise to take your studies to your common room, Mr. Riddle.” “Yes, sir,” whispered Tom.

I only used "said Tom lightly" once in this section to show Tom attempting to be unaffected by Dumbledore's interference. I did not dialogue dump information in giant chunks. I did utilized actions tags versus adverbs, like Monty tilting his head or Tom licking his lips. I suspect that if JKR had written this scene, she'd have used lines like:

"No, sir," said Monty curiously.

or

"I thought it wise to avoid disturbing others in the library," said Tom nervously.

The adverbs that JKR's uses add nothing to her scenes. They're just thrown into them without a thought. Did she even reread this scene after she wrote it? I cringe in agony if I use an uncommon word more than three or four times in an entire 4,000 to 7,000 word chapter, let alone the same adverb five times in three pages. Good grief.

There are two other adverbs used in this page, hastily and bitterly. Hastily does nothing for the scene and is connected to another issue, but I'll go over that in the end. However, bitterly is one of the adverbs I'd keep. It gives us a glimpse into Harry's feelings here. We need more of this, but we got nothing.

Thus, the overuse of adverbs in JKR's dialogue detracts and steals so much from the scene.

Third point: there's too much dialogue and no description whatsoever. Again, the adverbs are a pathetic attempt to give us something, but they're thrown in there without a damn forethought. We're missing the crackle of the fire and the smell of it. We're missing Sirius' facial expressions. We're missing Harry moving around on the floor, fidgeting, yawning, rubbing his eyes, feeling the heat of the fire, bouncing his legs, picking at the rug, something, anything, etc.

The dialogue is bloated with a terribly boring conversation. It's just endless dialogue with nothing else. No, it's awful. Welcome to the fourth bullet point. This scene focuses on the entirely wrong point. This scene is 100% a plot device and it's terribly done as well. It's three pages about Karkaroff being a Death Eater--oh no he might be trying to kill you, Harry, aaaaaa--and something about Bertha Jorkins being near Voldemort's last location. Meh. Who cares. Somebody has been trying to kill Harry in every book thus far. This isn't a new development, sweetie.

We been done know this, okay? Come on.

This is a stilted, unnatural conversation between Harry and Sirius. It's not realistic. It's not normal. Telling Harry about the Karkaroff's past is boring and does nothing for him. One line, maybe two, for Sirius to say, "Hey, keep an eye out for Karkaroff. He's an old Death Eater." Done. End of Karkaroff information. And cut Bertha Jorkins out altogether. I'm sorry, but why the hell are we talking about a dead woman to a 14 year old kid whose biggest problem at the moment is dealing with a jealous friend, school ostracization, and a giant fire breathing lizard???

These points are important to the plot, but they're not important to Harry.

The plot isn't important. No, it's not.

Harry is the POV character.

Harry is the single most important aspect in every scene and should be treated as such.

The plot should weave around Harry, slowly revealing itself to both Harry and the reader. Harry should not be the weaver of the plot. He should not be used in plot devices.

Do you know what part of the conversation was summarized in the prose between Harry and Sirius in a single paragraph versus the three pages about Karkaroff?

Harry talking about how no one believes him about not putting his name in the Goblet of Fire. About the school hating him. About Ron, about his betrayal and his jealousy. About Rita Skeeter. About seeing the dragons as the first task. These are all important to Harry. These all are causing pain to Harry's heart right now. Somebody give this child a hug, please.

We missed out on exploring Harry's feelings here. The author skips the MOST important part of the conversation, what could've been a deeply emotional, either positive or negative, conversation between Harry and Sirius.

Oh, this scene could've been so good. It could've been amazing. There are so many paths that could've been explored here, too.

We could've had a callous Sirius, who doesn't notice Harry's state of being, and just goes on and on about nothing of importance where Harry clams up. Or we've could've had a comforting Sirius, who attempts to give Harry some actual advice about his friendship with Ron. We could've seen Harry opening up in his body language, connecting with this parental figure in his life. We could've heard a story of Sirius' time as a kid at school with Harry's father and the marauders.

We were robbed of an important moment between Harry and Sirius.

Instead, the author puts the focus on the red herring 'foreshadowing' of Karkaroff. What a waste. She's trying to put suspicion on him, rather than Moody/Barty Crouch Jr., the real Death Eater in disguise. Again, who cares. It's not about them. It's about Harry and how his experiences are affecting him. It's about how he reacts to them.

This scene is a waste of time and paper. It's empty of emotion and movement/flow. It's just there for a set up and it's glaringly obvious during a second read of the book.

When I say, "The writing is bloated and underwritten at the same time." this is what I mean. We're focusing on the wrong things here.

Fifth point. JKR breaks the POV character with the following line:

"--and reading between the lines of that Skeeter woman's article last month, Moody was attacked the night before he started at Hogwarts. Yes, I know she says it was another false alarm," Sirius said hastily, seeing Harry about to speak, "but...

Harry is the POV character. Sirius 'seeing Harry about to speak' should NOT be occurring in the prose whatsoever. To fix this with the bare minimum of effort for this poorly written dialogue line:

"--and reading between the lines of that Skeeter woman's article last month, Moody was attacked the night before he started at Hogwarts--" Harry opened his mouth to interject, but Sirius said hastily, "Yes, I know she says it was another false alarm, but..."

I wouldn't write these lines like this, by the way. I just don't want to rewrite this. It's a poor paragraph overall, but this is an example of returning the POV back to Harry. Sirius isn't 'seeing' anything anymore. Harry is doing an action and Sirius reacts to his action.

Breaking POV is a rule that can be occasionally broken, but should be done so with intent and purpose. I'm pretty confident when I say that JKR probably had no idea that this was a mistake on her part in the prose.

All right then.

We have come to an end of Part One in this series. We have dissected a single page and a single scene in JKR's Harry Potter and the Goblet of Fire. The page in question is 333 should you wish to look it up and study the scene yourself.

More to follow because I have lots of pages to go over. This will definitely be series, ah dear.

And so, please do the world the greatest of favors and write better than J.K. Rowling. I promise, it's not that hard once you see the differences.

Until next time.

Isa

[foone]

whats your favourite narnia book if you have one

Since I grew up as an autistic christian, I have many Narnia Opinions!

So, my favorite book for it's own reasons is probably The Magician's Nephew. I'm always a slut for worldbuilding and backstory and that novel is basically just only that. Some guy we know from another book goes on an adventure and in the process gets to be involved with the creation of one world and the destruction of another? kick-ass.

Best book to adapt? The Lion, The Witch, and the Wardrobe. 1988 BBC version, 1979 Cartoon version, 2005 theatrical? All good, in their own ways. The BBC version is just perfectly 80s and the costumes are amazing (because they are costumes! they did all the monsters by sticking a guy in a big costume and I love it), the cartoon version captures the fucking whimsy of a story where SANTA SHOWS UP AND GIVES EVERYONE PRESENTS and the first person to offer any serious lore about the situation is named MR BEAVER. And the 2005 film has the big battles and CGI and Tilda Swinton as the White Witch which is... so much. I love them all.

But the best book adaptation is the 1990 BBC The Silver Chair. Hands down. It's got Tom Baker's Puddleglum, Warwick Davis playing an owl, 0£ BBC budget greenscreened giants (MULTIPLE TIMES), a group of people discovering IT'S A COOKBOOK and one of them being offended by the cookbook saying they don't taste very good, the bad guy turning into a giant rubber snake. a witch trying to gaslight some humans into believing the sun is a myth, and the ultimate salvation of Eustace Scrubb: a boy who almost deserved being named that.

And since I can't not list basically everything Narnia ever made, BBC's 1989 Prince Caspian and The Voyage of the Dawn Treader is pretty good too. It's a fun "road movie", in that it's an odyssey into a fictional Mysterious Ocean of Here There Be Dragons.

Lotta hits in that one. It's also got a "collect the macguffins!" plot where they're trying to collect the Seven Lost Lords.

But yeah, it's like... the first Island gets them a lord and they get to end slavery. Next up, Dragon TF island (The dragon is Greed... but it's also just a literal fucking dragon). Next, Gold TF island. Gold, it turns out, makes you go insane in your lust for wealth, even if you're already a Prince of a whole country. The gold is Greed, but it will also just fucking kill you because you'll be turned into gold.

Then it's the island of the ugly invisible one-foot guys and it turns out they cast a spell to turn invisible so no one could see how they're ugly but they're not ugly, they just think they are? and then it goes "HEY LUCY COMPARE YOURSELF TO YOUR OLDER SISTER" and she's like "I'm ugly.... unlike her. Maybe I should use magic to STEAL HER BEAUTY?!" and it's like, wow. Is there maybe a theme here about self-esteem in your appearance? and Clive Officemax Lewis is over there going I'LL NEVER TELL.

Anyway it's got the good line about how the Wizard in charge of the ugly invisible one-footed pogo-idiots is that how he eagerly awaits the day that they can be ruled by wisdom, instead of magic. It's a fun approach to magic: it's something that is a shortcut, a crutch, and it's a poor replacement for Wisdom, even when used by "the good guys". Tell me, Mr. FedexKinkos-Lewis, do you have any opinions on the complicated relationship between Christianity and magic? oh, you do? I never would have guessed!

They also find The Island Where Dreams Come True. They don't land there, they just fish a screaming man out of the ocean who is trying to escape it. The sailors hear it's The Island Where Dreams Come True and are like "wow, I could have my own ship!" and he yells no, you fools, not dreams like your wishes and imaginations, your actual dreams come true on this island.

and everyone agrees: Get us the fuck away from this island and lets never return.

Anyway I'm not gonna talk about THE ENTIRE MOVIE/BOOK but it's got a great weirdness at the end where they reach the end of the world (which is flat. It's okay, this is Narnia, a completely different world with different physical rules than Earth), and it's a waterfall, but a waterfall going up?

It turns out Heaven is on the other side of it. They turn around, but the anthropomorphic mouse is like "ehh, I'll take that journey" and becomes the Elijah of Aslan's Country, their equivalent of heaven.

Narnia, won't you?

[that-guy-sleepy-miles]

Hello folks, it's Miles here! You may know me as the guy who deduced what Rayman is snorting in episode 5 of Captain Laserhawk! And today, I'll be going over how...

There Are 6 Types of Magic in LEGO Monkie Kid

You can honestly stop here if you don't want to get into the most convoluted stuff ever. If you're vaguely interested but don't have much time, click read more and scroll down to Red Son, because he's where shit gets interesting.

A disclaimer! I've literally never broken down or written a magic system before, I'm just like. writing down and making sense of what I've noticed while watching the show. If you disagree with my assessment of a character's magic, think there's a better term for something I've described, or think I'm just plain wrong, please let me know so I can update the post! I don't know what I'm doing, and I've never looked into magic systems before!

An important thing to note is that LEGO Monkie Kid adheres somewhat to the power systems in Chinese mythology, so I will be bringing up concepts from Chinese mythology that are not talked about in the show. Honestly, if you went 100% on the show and not on Chinese mythology at all, there wouldn't be a magic system in the first place.

Now, let's begin!

‎

First, vocabulary.

Magic Class: The root of a user's magic. Classes are not exclusive, but actually compounding. For example, Wukong has Intrinsic-based Actively Cultivated Magic. Magic Subtype: A modifier to a class; additional information to explain how a user's magic came to be or how it works. For example, Tang has Revitalized Bestow-Inherited Actively Cultivated³ Magic — the subtype goes before the class because it's a modifier. (Yes, I will explain why his Actively Cultivated Magic is cubed.)

(In the naming scheme of magic, everyone has a full classification and then a shorthand classification. The classifications above were all shorthand.)

Magical Energy: The basic form of magic; unfiltered energy that can be channeled, manipulated, and cultivated. This energy can be used to attack directly or utilized in a spell. MAGICAL ENERGY IS QI, "MAGIC" IS JUST BEING USED BECAUSE THIS IS WRITTEN FOR A WESTERN AUDIENCE. Power: A defined ability, such as a spell or a technique. Not all Powers are explicitly named, but powers have defined forms and details whereas Magical Energy is usually a geometric shape. Examples of Powers: 72 Transformations, Golden Sight, teleportation. Magical Expression: How Magical Energy and Powers form upon release. Examples of Magical Expression are glowing eyes, full body glowing, magical seals, anime-esque energy blasts, Red Son's* fire, Ne Zha's fire (two VERY different forms of Magical Expression), and Macaque's purple shadow outline. Ne Zha's Wind Fire Wheels are examples of Magical Expression with a conduit. Zero Magical Expression ≠ zero release, but can. Conduits: Anything that can hold, channel, or manipulate Magical Energy. All living beings and magical artifacts are examples of conduits.

Channeling: Collecting magical energy internally Releasing: The basis of Magical Expression; using collected magical energy for an attack

(Mei showcasing channeling and releasing in Rip and Tear) You can always tell when a character is channeling and releasing.

Knowing which class of magic a character is using can be hard — they all tend to utilize anime-esque energy blast graphics and glowing bodies for Magical Expression — so you have to pay close attention. I'll be going over how to identify the specific magic types as we go through them.

Each type of magic has a "poster child" — a character that fully embodies that type — and I'll be using them to explain how the magic works. Once we finish the easily categorized magics, we'll get into the Special Cases.

(MK showcasing Intrinsic Magic in Rip and Tear)

(Wukong showcasing Cultivated Magic in A Lifetime of Mistakes)

Now, onto the classes of magic!

Intrinsic Magic is a class of magic...

That's not inherently pedigree-related. Ne Zha's father Li Jing was a mortal man.

Most gods and local deities have, and some yaoguai have. (Older demons like DBK and Wukong have Intrinsic Magic, while younger demons like Pigsy and Sandy might technically have Inherited Magic. It all depends on how you want to look at it.)

That usually comes with unique powers, commonly the ability to walk and talk upon birth. (Wukong got laser eyes, and Red Son* got the Samadhi Fire).

And holders have unnatural births? Pangu's cosmic egg, Ne Zha being born a ball of flesh after being gestated for three years, Wukong's rock that's existed since the dawn of time, etc.

Ne Zha is the epitome of Intrinsic Magic! If you think Intrinsic Magic, you think Ne Zha. The unmistakable way to identify Intrinsic Magic is to look for themes. If a character has a theme to their magic, again and again, they likely have Intrinsic Magic! For example:

Ne Zha's Intrinsic Theme is (obviously) lotus flowers/petals.

Red Son's* Intrinsic Theme is flames.

Macaque would be a contender for intrinsic magic (we will be getting back to him, though).

Cultivated Magic is a class of magic that has two subclasses: ACTIVE and PASSIVE, and...

That's ENTIRELY self-created. A magical pedigree can help, but no pedigree is required in Cultivated Magic — Li Jing cultivated magic as a completely human man, for example.

That NEEDS a Conduit. The conduit for Cultivated Magic can be the magic user themselves, but often it's a magical artifact or a technique. Note: a conduit doesn't require Cultivated Magic to be used, but Cultivated Magic requires a conduit. (Known Conduits include: Wukong's Cloud Somersault, Nezha's Wind Fire Wheels, and Princess Iron Fan's Banana Leaf Fan.)

That's very backstory-heavy. There's always a way that a character learned or got their power, or a description of how old they are.

A magic that you see most with yaoguai and immortals. The older the yaoguai, the more cultivated they are.

Passive Cultivation: Every living being is a conduit for passive cultivation — by existing, you are passively cultivating. The best method of passive cultivation is age; the older something is, the more passively cultivated. A Huli jing is the best example of passively cultivated magic. According to literature, the older a fox is, the more power it accrues.

Active Cultivation: Active Cultivation is when a being seeks out magical power. The most common form of active cultivation is being taught Tao techniques (Wukong's Cloud Somersault, Li Jing's Burning Pagoda Art). In this situation, the technique is the conduit. Other forms of actively cultivating magic are yaoguai eating humans and magic-accruing technology (specifically DBK's Furnace armor, which converts rarity into magical energy.)

Cultivated Magic comes with the implication of being wise, at least in some form, and those with cultivated magic are able to teach others. Being a disciple immediately means you have Actively Cultivated Magic.

Cultivated Magic often doesn't have Magical Expression, because it's all about existing and learning. When it does have Magical Expression, it's usually depictions of strength and power or the conduit itself glowing.

(Wukong's hairs glow as they are used as conduits for his cloning technique in Macaque)

(Wukong and Macaque's strength is showcased through Magical Expression during a fight in Macaque)

Cultivated Magic can be seen through any technique that was stated to have learned, such as Wukong's astral projection and his speed/quick reflexes.

(Wukong focusing in order to astral project to MK in Dumpling Destruction)

(MK having to actively learn and practice astral projecting in Minor Scale)

MK: Monkey King! It worked! Monkey King: Hey, bud. So, you figured out astral projection, huh? MK: Yeah, and I only had five nose bleeds.

Cultivated Magic is best showcased in action, and characters cultivate over the course of the show.

(Wukong showcasing his Cultivated Magic by pulling some fast ones on MK in Impossible Delivery)

(4 seasons later in Strings That Bind, Wukong and MK spar, showcasing MK's Cultivated Magic. Tumblr will NOT let me embed both videos, and the first one is more important, so this will just be a link.)

Inherited Magic is a class of magic that has two subclasses: ANCESTERAL and BESTOWED, and...

Comes from someone else and was given to or passed down to the magic user.

Is sourced from Intrinsic or Cultivated Magic, but the magic user is not intrinsically magical/did not cultivate that magic themselves. The Intrinsic/Cultivated Magic is specific to another (perhaps deceased) being.

Can have ZERO Magical Expression or release.

If a character has Ancestor-Inherited Magic, they'll have a family animal, a family artifact, and/or a known ancestor.

If a character has Bestow-Inherited Magic, they were given their power by another magic user (known as the Bestower) so that they would serve that magic user, defeat a foe, or as a reward. Bestow-Inherit Magic users are often previously mortal.

Bestow-Inherited Magic is most blatantly a character giving another character magical powers, but being granted godhood, being brought back to life under a deal, and everyone receiving heavenly ranks/Wukong and Tripitaka receiving Buddhahood and Buddha titles at the end of Journey To The West is also Bestow-Inherited Magic.

A quick note: Older yaoguai (DBK, Azure Lion, Wukong) are considered to have Intrinsic Magic, but Modern yaoguai (Pigsy, Sandy) are deemed to have Inherited Magic. This is because these younger demons are not yaoguai specifically unto themselves — their status as a yaoguai comes from their ancestors. They have no unique, intrinsic powers, nor were they specifically predestined to be yaoguai despite their heritage (such as in the case of Nezha, who was predestined to be a celestial being).

For example, Pigsy. His status as a Magic User exists because of his family history. While, yes, his family is important to his character and story, it's not something he did himself — he did not cultivate his grandma — and there is nothing unique about him biology-wise besides just being a pig demon. He is a reincarnation, but being a reincarnation didn't make him a yaoguai. (That was a whole fate, symbolism deal, though.) If Pigsy hadn't been born, his family would still have a pig demon kid.

Now, onto the subtypes. (As a reminder, a subtype modifies a class!)

Revitalized Magic is a subtype of magic. It means that the magic is from a pre-incarnation that a character unlocks and requires reincarnation.

Uuuuunless it doesn't, and it required Un-Death. Auto-Revitalization of Magic is definitely a thing, but it's not a real category. It's just a specification to explain things that have happened to a character.

For example: The reason Macaque's shadows turned into chaos magic at the end of season 5 is because he's dead. He's outside of the reincarnation cycle, he's Undead, his magic is Auto-Revitalized —so when the reincarnation cycle is broken, his magic is also changed. At least, that's my personal theory. I might be DEAD WRONG.

Okay, back to Revitalized Magic proper: Remember back when I said Tang's magic was cubed? Yeah, this is why. (Before we start, Táng Sānzàng will be referred to as Tripitaka from here on out.)

The full classification of Tang's magic is: Potential Revitalized Bestow-Inherited (Tripitaka), Revitalized Actively Cultivated (Golden Cicada), Revitalized Actively Cultivated (Tripitaka), Actively Cultivated Magic. (Maybe, we'll get into this.)

The entire reason demons tried to eat Tripitaka was because he was the reincarnation of the Golden Cicada, who was a disciple of Buddha, which made Tripitaka's flesh holy. Being a disciple immediately means Actively Cultivated Magic; Tripitaka had Revitalized Actively Cultivated Magic. Tripitaka was a Buddhist disciple as well, which means he also Actively Cultivated. If Tang is a reincarnation of Tripitaka, who is a reincarnation of the Golden Cicada, then Tang has Revitalized Actively Cultivated Magic twice (or, even, 10 times, if you look at the Sandalwood Buddha thing, but Tripitaka and Golden Cicada are the important disciples so we're only counting them).

If Tang has Revitalized Actively Cultivated Magic and Revitalized Actively Cultivated Magic, that means he has Revitalized Actively Cultivated Magic². However,

Tang is a SCHOLAR. BEING A SCHOLAR MEANS THAT TANG IS ALSO AN ACTIVE CULTIVATOR.

HENCE, TANG HAS ACTIVELY CULTIVATED MAGIC³.

Celestial Magic is a subclass of magic that includes any magic with a seal. It's not exclusive to Celestial beings, but it's most often used by beings with Heavenly connections.

Celestial Magic is also known as "Spells", I'm pretty sure. Wukong just dropped this terminology on us in Season 5, and spells usually require words, but like. Okay, buddy. Whatever. You're the magic guy.

Celestial Seals have a unique symbol for every "Artist", or a Hànzì that explains the spell's purpose. For example, Li Jing's seals have a little pagoda on them, and the containment spell's seal (the only thing that can truly be called a spell here) has the character "牢", which means "prison" (or "enclosure", which is hilarious because it's containing 3 monkeys).

Consequential Magic is any magical energy or power gained as a result of an action taken by someone who is NOT the magic user.

Consequential is not a subclass of Cultivated because the magic user had no say in acquiring/did not know they were acquiring Consequential Magic; Consequential is not a subclass of Inherited because the magic user was not intentionally given these powers and they did not come from ancestry.

(Red Son* is literally the reason this subtype exists.) Every example of Consequential Magic is different, so I'm just going to some of the ones I know of in canon:

Wukong's Golden Sight (Consequence of the Eight Trigrams Furnace; Torture-consequence)

Ao Lie having the Samadhi Fire inside him after they fucked up the seal (Samadhi Fire/Red Son*; Samadhi-consequence)

Mei Dragon's ability to harness the Samadhi Fire/the remnants left over inside her after (Samadhi Fire/Red Son*; Samadhi-consequence)

MK's human form (form as in the shape of something btw) (Xiangliu fucked his shit up; Birth Interference-Consequence)

Macaque's new Chaos Magic (Xiangliu fucked his shit up; Chaos-Consequence)

I have spent this entire post explaining the way magic seems to work in LEGO Monkie Kid, getting slightly more and more unhinged as we go on. But there might be two things on your mind: Why? and Why does Red Son's* name have an asterisk on it every time I've mentioned him in this post?

I can answer both of those questions with one statement: Red Son does not adhere to the magic rules other characters follow. I've tried to find examples to see if I was thinking of the magic wrong — and that's fully possible — but I didn't find anything. In fact, the more I look, the more sure of this I become. It's like he actively decides against following the rules of the magic system.

He can be used as EXAMPLES of the magic system, but when you dig into his magic specifically, it's completely wack-a-doo.

First and foremost:

Red Son has a completely unique form of Magic Expression. His emotions are directly linked to his Magical Expression and release.

Emotionally linked magic release is something no other character does, but here he is doing it over and over and over again. The only example close to it is MK's Mystic Monkey form flickering in and out when he's distraught, and that's LITERALLY CREATION-GIVEN NÜWA MAGIC, THAT'S FROM A CREATURE WHOSE CANONICALLY "OUTSIDE OF THE 10 SPECIES" AND CANNOT BE CATEGORIZED?? AND ALSO NOT QUITE THE SAME EITHER.

(This could also be attributed to the concentration part of the Samadhi Fire, but he doesn't... seem to have access to that anymore? At least, not like Mei does. We'll consider it a factor in his magic expression, though.)

About his fire,

Red Son and his mom are the only two characters with Wuxing/Elemental Magic — every other example comes from a magical artifact. It's actually a 50/50 chance on whether or not PIF has wind powers or if the Banana Leaf Fan gives her wind powers (I'm pretty sure it gives her wind powers, but just to be safe we'll count her as having wind powers.) Wuxing Magic is not uncommon in actual Chinese mythology, but it is in the show for some reason. And it ALWAYS has an artifact as a conduit. Wuxing Magic always seems to be just a visual effect or an added addition to attacks in the show.

Another weird ass thing about Red Son's magic is its contrast with Nezha's. I'm pretty sure Red Son's fire is actual fire that he conjures magically, in contrast to Nezha's Wind Fire Wheels (conduits that Nezha fuels, and release Wuxing Magic as a visual effect) which make specifically magical fire.

Okay, so, I've been going through this assuming you're aware of the show's visuals concerning magic, but this is important for me to cover in detail. Everyone has two magic colors (white doesn't count for this). They can change in lighting, but you'll always recognize them as being the same general colors. Other colors may be used for emphasis, but they'll only be darker versions of the colors and they'll be used as a background for the main colors. (Quick note, MK and Wukong might have only one magic color? Fun stuff.)

The reason I think Red Son's magic is not... magic persay, is because it doesn't follow the color rule. Like, it's not actually the color of Red Son's magical energy half the time, it doesn't follow the magic color rule. Red Son's fire shifts like an actual fire, which is very cool visually, but is not how magic works.

(Quick note, magic seems to be lighter in the celestial realm. This is because the Celestial Realm is really well-lit. The environment is literally pure sunlight or some shit, so all the characters and their magic are in perfect lighting. So Red Son's magic getting inexplicably darker would make no sense unless Red Son's magic is doing that on its own and the lighting has nothing to do with it.)

His magic also isn't the color of the Samadhi Fire, nor is his fire. That time in season 5 when Mei helped him with the seal, the two of them together made a Samadhi Fire-colored seal. He didn't seem capable of doing that by himself, which leads me to my conclusion:

I think the suppression of the Samadhi Fire suppressed Red Son's Intrinsic Magic as a whole, and his magical core (as one user put it) is compensating by drawing directly from his element.

Characters having an element isn't a new thing. Wukong's element is metal, he's a metal guy, it's why he can't swim, and it's why MK can't swim. MK needs floaties because he'll sink like a rock because he shares the metal element with Wukong.

But this is a possible explanation for why Red Son's magic is so weird.

On the note of Mei having more access to the Samadhi Fire than him, Skellebonez (my rock through this journey of a post) brought up a good point: "[I] think it makes sense because whatever they did to remove it from him could have also added a barrier preventing its return to an extent[.] Like a filter[.]"

This Intrinsic Magic cap/Samadhi Filter might also explain why he keeps getting his shit rocked despite having such potential to be powerful (that's probably just because it's silly tho) and it could explain why his parents are so damn disappointed in him in season 1. It's because they took his magic from him (however unintentionally) and he's not as magical anymore. The only type of categorizable magic he uses is Celestial magic, which HUMANS can use and can be bestowed on ANYONE. You can just like... LEARN THAT, and I think he just did.

In canon, nobody ever seems to be hurt by Red Son's fire? It seems to just be... a thing that he does. Everyone is less and less scared of it as the show goes on, and the only thing it does major damage to is MK's apartment. He uses his fists to attack more than he uses his fire, it's generally left as a visual effect. Red Son uses his fire as an intimidation tactic, not as an actual weapon, and I think this could also be explained by an Intrinsic Magic cap. His intrinsic magic is suppressed, so he has to rely on things like physical strength/cultivation.

I also think nobody knows this in canon, they didn't know about it, or they don't understand it. I think Red Son has a magic limiter on him, which is why his parents were such raging fuckasses in season one. They thought their son was "useless", or in Wukong's words, "half-baked", after showing such promise in his childhood before an incident. They only got a healthier relationship after they stopped obsessing over power and spent some family time together, when they realized that their son being a powerful magical demon isn't the most important thing in the world. (AND WE WEREN'T SHOWN IT.)

Red Son is magic-disabled, in this essay I did.

ALL MAGIC COMES FROM THE PRIMORDIAL CHAOS, SO, IN ACTUALITY, ALL OF IT IS THE SAME! FUCK YOU!

[lucky-clover-gazette]

so i know the amandafiles sneasler rant went pretty viral on here, but the real highlights of her pokemon legends arceus playthrough were her unhinged volo-related rants. this one is probably my favorite but there were many and i will absolutely clip and transcribe (not by hand i'm not that insane) more of them if asked

transcript under the cut:

Yeah. So, um, I'm just kind of leaving the scene of the crime now. And hopefully Adaman is still interested. That's all I have to say. Yeah, that's my statement at this time. Thank you. Thank you! Yeah, mhm. Bye.

Like, what. Is Volo gonna fucking pop out at me from the shadows over here? Is anybody around to talk to me? Like, about what just happened?

(Sees Melli.) Not what I meant, but um, you know what? Fuck it, Melli, guess what just happened. So, you know that guy Volo? Basically, like, we were talking, right? It was actually going pretty well. You know, just like this nerd, and he was like, so cute and so, like, excited about history and stuff, and, like, I was really feeling that, you know, and I dunno, he was, like, my champion. He was there for me when no one else was. He, like, picked me up off the ground at my lowest point. He was always cheering me on. He was always, like, hyping me up to other people. Wouldn't that be awesome, Mellie, if like someone ever did that for you? Not that that would ever happen, of course, but, like, can you imagine, like, someone being out there being like, "yes, like, that's the one, like, that's my girl. She's been doing it like, she's working so hard." That was Volo for me.

Melli, imagine my surprise when I go up to the mountain there because—we did this whole thing. Basically, I'm an important person. You wouldn't really understand. I, like, collected all these artifacts. I thought we were going to, like, do this thing that was important to, like, the history of the world.

But turns out Volo was fucking insane. And, like, no, I truly mean that, like crazy and saying he was like, a totally different person. He had been cosplaying as a normie the entire time. He's really a serial killer, I think. He's like a lunatic, right? Like, a cringey one. He did his hair. So he, like, is obsessed with Arceus. Right. The god pokémon. And Arceus, like—have you ever seen a picture of him? I'll pull it up on my Arc Phone real quick. He's got these, like, horns that come back and stuff. Bitch, he did his HAIR like this. AHH! I know. I got, like, a little picture of it. Look at him! An entire bottle of American Crew.

He, like, totally thought he ate that, but, like, he didn't. It looked so bad, but, like, that was the least of it. He was—his eyes got crazy. He was wearing, like, bright green capris and gladiator sandals. AHH! Melli, I know. it was fucked up. You know, it's like how quickly they change when you find out, like, what they really were after and what they really want. It was stunning. Startling, Melli, it's really like—have you ever had, like, an experience like that before with a guy? Probably not, since you're so insufferable and, like, you probably have never had anyone show interest in you before, platonically or otherwise, but maybe, like, read a book or something where that happened. That happened to me. That happened to me today.

I really had a huge crush on this guy. Like, to the point where I thought he was the one, Melli, I really did. I was like, ready to leave this whole place with him. Travel the world, and I won't lie to you, um… if he had been like, "Hey, you want to be crazy together? You want to be crazy with me?" I might have done it. I might have also tried that lifestyle out for a minute. I would have tried, like, the villain arc thing out… but lucky for you, it didn't work out. Otherwise, you would have been right on the top of my list. But anyway, yeah, I ended up, like, totally embarrassing him. We did a pokémon battle and he just fucking violently lost.

And then he teamed up with, like, the satan pokémon? It was weird. And they tried their little thing. It was cute. It was very cute. You know, I have to give it—it was camp, It was cute, it was like rehearsed. There was some choreography. It was cute, but obviously they lost horribly. But anyway, yeah, that's, uh. That's how my Tuesday's going. And I'm going to stop you there, Melli, because I really don't care. This wasn't an open invitation for you to talk. I just wanted to let someone know what had just happened.

[randomshyperson]

Lacy - Werewolf!Reader x Wanda Maximoff - Kinktober #07

Summary: This Halloween, Wanda receives a surprise visit from her favorite werewolf. The problem is that it's very difficult to keep a crush hidden during mating season.

Warnings: (+18), mutual pining, semi-public, very vague allusions to omega verse, beefy!reader, power!bottom wanda, a bit rough but they are actually sweet to each other, some praising and dirty talk. | Words: 3.144k

A/N-> First, I know nothing about werewolves. It was never my thing growing up (I’m a witch type of person I suppose) but I know about omegaverse stuff and since it’s wolf-based I tried some references from that lore. Also, I was totally thinking about Wednesday's show (and Wenclair ship tbh) when writing the school but you all be free to image whatever you wish. Also, the name is from Olivia Rodrigo’s song, ‘cause it’s such a friends-to-lovers/mutual pining coded lyrics. Good reading folks! 

General Masterlist | Kinktober Collection | AO3 | Wattpad

-&-

The mating season was always the most tiring part of the year.

Even as a child, her days were marked by hard work and running errands - her mother was always very busy with orders, and somehow, the twins were obliged to finish the tasks in record time, so as not to delay the calendars and keep Natalya busy when her customers needed her.

As the largest and most respected apothecary in the country, Natalya Maximoff was also one of the biggest dealers in magical items - and this also included natural suppressants. Her customers wrote to her from all over the world, many famous packs like the Romanoffs or the Howletts only bought her products, and the witch was always very busy at this time of year.

So when their mother told them that she would leave the Maximoff Magical Articles Boutique in their care for two whole days, while she delivered packages around the world, none of them were surprised, as this had been done dozens of times before.

Wanda's indignation stemmed from the fact that her twin brother, as soon as there were no more magical remnants of the portal his mother had conjured to travel through, put on a jacket and told her he was leaving.

"But you can't leave me alone!" Wanda hurried away from the counter. Pietro chuckled, adjusting his hat on his silver hair. Since he had turned 18 last month, he had grown a good few centimeters, and even with her best serious expression, Wanda, who hadn't grown much since she was 15, no longer succeeded in frightening him. That, and well, like his father, Pietro had a bastard heritage of lycanthropy, and with his new skills, he had also gained extreme confidence.

"What, you gonna tell me you're scared of some little wolves?" He sneered, his fangs protruding from his smile. Wanda huffed angrily, her cheeks slightly red. "Don't be silly, Wanda. You're a witch. Nobody's is crazy enough to mess with you."

He tries to pat her on the shoulder, but Wanda pushes a finger against his chest. "I'm not afraid of any wolves, you selfish idiot! Mom says the store is our responsibility. And you're sneaking off to do who knows what! I don't want to spend all night looking after this place on my own. Apart from the season, it's Halloween, and kids go apeshit and-"

"Jesus, Wanda, I'll make it up to you!" He cuts in, already pulling away and ignoring the other girl's protests. "I've got to go, I'm taking Crystal to the movies, then we'll settle up!

"Pietro!" But the call was ignored and the store door was slammed in her face.

Wanda huffed to herself. She could survive a Halloween night, but her brother would owe her a lot if he didn't want to be snitched on. She returned to the counter, texting him another dozen curses before texting to her mother that everything was under control.

And lucky for her, that's how the evening actually went. 

Most of the few customers who showed up were locals, a few sorcerers in need of ingredients, and even a traveling vampire who needed to replenish some reserves for a long trip. Some children also asked for candy, and tired of getting up so often, Wanda decided to leave the jars outside.

It was almost at the end of her shift, when she was ready to close the shop, that a delicious smell wafted into the room. Wanda, who was distracted by the holiday lessons that the institute where she studied always offered when there were short vacations or not, was snapped out of her concentration by the fascinating smell. She looked up just as a figure stumbled into the store, covered by a school uniform hood.

She didn't need you to remove the cap to recognize you, and yet, when your face became visible, Wanda felt her heart unlearn how to beat properly. 

"Good evening?" You looked between the shelves, approaching the cashier, only to hesitate as soon as you saw Wanda. "Oh, h-hi. Uh, is Madame Maximoff around?"

You looked uneasy, adjusting your hair and fiddling with your fingers. Your flushed face must have been due to the walk from the Institute to the store. 

Wanda shook her head as she replied: "She had some orders to place. How can I help you?"

The color of your face deepened, and you couldn't look her in the eye for more than two seconds. "Hmm, I kind of need... suppressants." And it was the turn of Wanda's face to heat up. You continued talking anxiously. "I thought I still had some, but my reservation ran out, and since I'm in the dorm, I wouldn't want to... well, would you have any left? I know it's very short notice but I really need it."

Wanda nodded quickly, equally at a loss for words. You see, if you were any other of her werewolf colleagues, the situation might even be comical. She wasn't like Pietro and didn't make friends very easily, but she shared the same taunting nature. One horny wolf in the store and Wanda would have jokes for the rest of the year. But it was you, her longtime secret crush, emanating a very pleasant scent and in need of something so intimate that Wanda could barely control her own thoughts about what other ways she could help you if there were no other suppressors in the store.

"My mom usually sells everything before the season starts, but I can look in the warehouse to see if we have any leftovers. I'll be right back." She says, smiling softly at your anxious figure.

Wanda has never seen you in heat before; the mating seasons for new wolves begin at the end of puberty, between the ages of sixteen and eighteen, and the vast majority of her werewolf classmates at the Institute return to their packs at this time of year, already matched with their partners in the traditions of the lycanthrope. Wanda only knows about the rituals from her father's family, because each clan, from the Vampires to the witches, is very private about it all. Witches like her mother, who specialize in all kinds of products, are the exceptions.

Wanda tries the storeroom next to the counter, but after a few boxes, she snorts in frustration. Her mother really did sell everything, and she almost reprimanded you for not planning properly. For older, mismatched wolves, being without suppressors could be really dangerous. For you, a new werewolf, it would only be quite painful. It was easier for her to feel sorry. 

And while she tried the last few shelves at the back of the storeroom, you grew even more restless outside. Wanda had no idea how intoxicating the essence of a witch, especially a witch one cared about, was. If you hadn't been so desperate, you would have given up going into the store as soon as you could smell her from around the corner, but then again, your brain wasn't working very rationally right now.

And there was also a scarf on the counter, Wanda's most characteristic item since she had received it as a gift so many years ago. Many of the times you've noticed her, she's worn the item around her neck and it made sense that her scent was so strong in the room, even though she was upstairs.

Your limbs moved by instinct, you didn't have to think much, just let yourself be guided by the urge to exhale that distinctive smell more deeply. 

Your face was pressed against the scarf when Wanda reappeared, and her confused giggle made you jump away mortified.

"Are you all right there?" She ventured, receiving a very quick and embarrassed nod. Wanda chuckled again in amazement, and without caring much about your current condition, she approached. "I looked upstairs, but my mother sold everything, sorry. There's something else you might like to try, maybe a calming potion so you can sleep while... well, this happens to you."

You quickly agree, still embarrassed at being caught. Wanda doesn't mind, if anything, she always found it very entertaining how different you were from the other werewolves she knew; loud and confident to the point of being idiotic. Pietro was a prime example. And if it wasn't for your distinctive stature, she could easily have assumed from your shy and careful personality that you were just an ordinary human, perhaps a mermaid from the way you seemed to bewitch Wanda's attention all to yourself.

"I'm sorry." You mutter suddenly, while she is searching for a sleeping potion on the shelf under the counter. Wanda turns her face up in confusion, but you're looking away. "From the scarf, I know it's... weird. But my body seems to be acting on its own. Just forget about it when we get back to school, okay? I'll be normal when it's over."

"Don't worry, I don't mind." She assured meekly, before finally finding some bottles that could help you and taking them back to the counter. She bit her lip at the way you were panting, and the way your trembling fingers pulled some notes and coins out of your pocket. "You can take these two vials today, and this one in the morning if you're still..."

"Horny'?" You joke, and take Wanda by surprise, but she manages to return the short laugh. Your hands push out the money and she turns away to pack the vials into a small bag. "So, one now and two tomorrow."

Wanda quickly denies it. "No, darling, two now and one tomorrow. Are you... are you sure you're all right? You're sweating-"

"Just give me a minute." You interrupt her with a gasp, the sudden wave of heat catching you completely off guard. The room starts to spin, and for a whole moment, all you can feel is your own arousal and the way you want to touch the witch in front of you. Your body gives way, and your hands force down on the counter, disastrously strong enough for the wood to crack. Wanda jumps in fright, worried, but you grunt quietly. "Shit, I'm really sorry-"

She hurries around the counter, and her soft hands make you jump away. "Hey, it's okay, I just want to help you stand up."

But you gasp in despair, wrenching your body away from her. "Don't touch me, Wanda, for God's sake." You grunt, and if you hadn't sounded so affected, Wanda would have taken offense. Instead, she stands ready to catch you if you lose your balance again, and that's exactly what happens. This time, your weight falls forward, and Wanda's body serves as a barrage. 

Your wolfish weight is almost too much for her, and it doesn't help that your face is buried against her collarbone, and your arms embrace her clumsily. "Hm, so soft." She hears you sigh, as she struggles to drag you over to the reading area of the store's bookshelves, where there's a sofa to put you on. When you fall into the cushions, you look up with dreamy eyes and an easy smile playing on your lips. Wanda gasps softly from exhaustion. 

"Wait here a moment, okay? You feel like you're burning up with a fever. I'll get you some water." She explains, but it doesn't seem like you're listening very much, disconcerting her with the way you're looking at you so discourteously, your pupils dilating. Wanda adjusts a strand of hair, self-conscious under your gaze. "I'll be right back."

She practically runs out of there, and alone, realizing her own hands are trembling as she remembers the sensation of having your body against hers. She shakes her head to push the thought away, you were clearly in a vulnerable moment right now, and Wanda doesn't think she'll survive the shame of being rejected once the heat wears off.

When Wanda returns with the water, she almost drops the glass on the floor. You haven't moved, but you've changed position, limp against the sofa, evidently rubbing yourself down the item as you whimper. 

"Oh, detka, let me help you." Wanda abandons the glass on a shelf, and rushes to your side, kneeling beside the sofa. You gasp in embarrassment, trying to escape her gaze, but Wanda's hands grab your warm face. "Let's go upstairs. I'll make it better." She whispers the invitation, but the thought alone is enough for you to grunt in affection and pull her face towards you. 

It's a hungry kiss, and the position doesn't help. Wanda has to grab your shoulders to keep from falling to the floor and ends up breaking into a giggle when a moment later it's you who's throwing yourself at her, desperately kissing her as if she's going to disappear. 

The lightness disappears quickly. She feels very hot and bothered, especially when your tongue slips into hers as if you already knew exactly how to kiss her, and your hands touch her entire body with determination. Her plea for you to slow down turns into a moan when your knee pushes between her legs.

It's almost primitive the way you seem willing to have her right there on the floor, angrily trying to pull her clothes off while your moans mingle. Wanda's face burns and she struggles to match the kiss, losing that battle all too easily when your palms begin to stimulate her nipples. 

She can feel the wetness begin to bother her through the fabric of her panties, and perhaps, you can smell it too, because you grow more impatient, and begin to murmur disconnected compliments into her skin, your hands reaching down to unzip her pants. Wanda chokes between moans, practically whimpering when your fingers find her so ready. 

You enter her, all at once, without a second thought. You suck on her tongue as she squeezes your fingerprints and soaks your hand. It's dirty and rough, and Wanda couldn't hold back even if she tried. Yet the store door opens, and she has to bite down hard on your shoulder to muffle her own noises.

Whoever the customer is, asking if there's anyone there or if the store is open, Wanda makes sure they don't see her. Her eyes are scarlet, and it's never been harder to do a concealment spell than it is now, with your fingers thrusting inside her as if the world around you hardly mattered. Finally, the customer leaves and her magic plays its part in locking the door before Wanda digs her nails into your back and comes against your fingers.

It's not enough - Nothing seems to be. You continue your movements inside her until Wanda is spasming again, begging for a pause. Your hungry mouth finds its way into her most intimate place then, just to tear more pleasure out of her. She loses count of how many times she comes, on your fingers and tongue, until the whole store smells of sex.

Fuck, she has to move you before Pietro comes back.

It's only when you let her breathe, retreating like a wounded wolf, that Wanda notices the puddle of moisture on your pants. You came at the mere act of watching and touching her. 

"Hey, are you okay, sweetheart?" She coos gently, propping herself up on one elbow now that you're lying on your back, one arm over your face. Your clothes are as torn as theirs, but there are many more marks on her body than on yours. 

You sniffle quietly, and Wanda looks at you with concern. "Why didn't you stop me?" you ask upset, and Wanda stares in shock for a moment. Then, swallowing dryly, she works up the courage:

"You didn't want this?"

But your reaction is to laugh incredulously. "Of course, I wanted it, Wanda! But I'm talking about you. Why didn't you stop me? You're a witch, you could have knocked me down, look at you! You're all purple, and I... God, I can't believe I... hurt you." 

She climbs into your lap before you can despair, ignoring your soft protest and grabbing your crying face. "I haven't stopped you because I've wanted you to since we met." She assures you determinedly, caressing your cheeks. "I'm in love with you, you idiot."

Sniffling softly, you raise hopeful eyes. "Really?"

Wanda smiles, her weight against your chest. "Really." She assures you. "And don't worry about the marks, I... like it rough."

You groan in embarrassment, looking away and amusing her. There's a moment's pause, and then finally: "I like you too."

Wanda bites back a smile. "I got that impression, you know? When you were all whiny on me." 

Your laugh is sincere and shy, and Wanda kisses you as your hands grip her thighs. But before she can deepen it the way she'd like, you break again.

"Thanks for helping with the heat... but I'll take you on a date after this. I promise."

She pulls on your bottom lip with a provocative bite. "I'll charge." She assures you in a naughty whisper, and you sigh contentedly as she presses your hips together. Smooth movements, and you're already seeing stars again. 

Your breathing becomes shorter, and Wanda traces her fingers along your jaw, while her other hand moves down. "I bet you're all warm and tight."

You sigh, closing your eyes and nodding in agreement. Wanda kisses you leisurely, also taking time to slide her fingers into your pants and assess the effects of everything so far. She's not surprised by the immense wetness, but the sensation of sinking into you is overwhelming. She can feel ready for another when she starts to stimulate you and watches you squirm beneath her.

"So good... don't stop..." You moan helplessly, and the grip on her thighs is almost strong enough to hurt. Wanda makes a mental note of how to make you lose control of your strength, before curling her fingers inside you and being rewarded with the sweetest sounds in the world. "W-Wanda!"

She decides she likes it very, very much when you whimper her name like that. She continues her motions a few more times until you come hard on her fingers. Wanda thrusts a few times, before removing them and bringing them to her mouth, sucking them clean while you try to catch a breath. 

Your murmurs are labored, and Wanda kisses your cheek a few times. "Come on upstairs, sweet baby, I'll take care of you." She tries to get up, but your hands steady her on your lap.

It's almost ridiculous how easily you lift the two of you, and Wanda has to hold onto your shoulders, chuckling softly at your uncertain stumbles on the way upstairs. 

She'll have time to look after the store when you fall asleep. Right now, she's more focused on kissing you again.

[queen-mihai]

We only need a few rich people

And we need zero billionaires

The "need" in society to have rich people running around is mostly for entertainment value.

Let's say someone who earns $20 million a year due to some really popular product she invented and maybe some smart investments.

This person will never be a billionaire

BUT she will be a fun person to have around on some dumb TV show

"Oh yeah I bought myself a second yacht this year 😅. They're kind of a guilty pleasure of mine so I thought I'd splurge"

She's not rich enough to get around paying her taxes, which means she's probably giving 10-15 million a year or more straight to the government as taxes.

Now, she's paying the people who build the yacht, keeping them in business. They hire tradespeople and artists to make her ship nice, and those people go on to further stimulate the economy by spending the paychecks they earned building her yacht

She buys houses, clothes, cars, puts her kids through expensive classes, and sets aside a little nest egg so she can retire in comfort and her kids can go to school

That's not so bad. She's probably on TV shows talking about how fun it is being rich and everything. Maybe she gives some money to charity and people kinda wanna be like her.

You know what we don't need?

Someone rich enough to, instead of buying a car, buys the entire car manufacturer

We don't need someone who has enough money to stop paying their taxes and then pretend they still do.

We don't need someone who can spend a million dollars in a day and have it replaced that same day.

Spending money SHOULD hurt. Or make you feel SOMETHING.

If you're collecting money so goddamn fast that you literally can't spend it fast enough to ever see your bank account go down, we don't fucking need you.

If you're collecting that much money, your bank account should just be a wide open door where people can rob you all they want because you won't even notice anyway.

Are you a billionaire reading this? Give me ten million dollars and I'll think about shutting up. I won't, but I'll think about it.

You're gonna have to give ten million to every other person reading this though cuz they're probably not gonna shut up either.

You know what? Actually it'd probably just be easier to PAY YOUR DAMN TAXES. That would get a lot of us to shut up.

Try it. You might like it

[oracle-of-dream]

Sweetness #5

Minors DNI

Summary: This is a continuation of Sweetness #4, Sohee's been avoiding you–much to your dismay. You're going to have to corner him if you want to keep your plan on track...

Warnings: Male Reader, Virgin Sohee, Blowjob, Handjob, Riding, Pet names (Love, Sweetness), Thick Cock Sohee, Multiple Orgasms, Overstimulation, Crying, Cum swallowing, Creampie, Cockwarming, Talking through it

Wordcount: 3.6k

Your dreams were almost a review of the last few days. Sungchan, Anton, Seunghan, Eunseok, and now Shotaro. A collection of memories, each full of pleasure made you sweat under the covers. The whole thing seemed silly at this point. Fucking your friends to get back at them for trying to take advantage of you. Was anyone really being punished? Or were you actually just wanting to have fun with each of them? So what if you enjoyed having sex with them? It's not like things would be different... right?

You tossed and turned as doubt stacked in your mind. Were you really making the right call by going overboard in your plan? It was just supposed to be an act to catch them, but you still ended up having sex by the end of it. With Shotaro, you didn't even bother keeping up the act for long...

If you stopped now, what would they think? What if Sohee thought you hated him? You can't stop now. You have to see it through to the end.

In the morning, your thighs were still sore from your early morning visit to the bathroom with Shotaro so you took your time before getting out of bed. It was 11 AM when you came out of your room, the others were whispering with each other which stopped when you walked in.

"Good morning, y/n... How are you feeling?" Anton asked.

You rubbed the back of your neck. "I'm okay, I think the pain in my back and neck is almost gone. I must've slept weird and it messed me up pretty badly."

The others exchanged looks with each other, all having some sort of understanding in their eyes. They were probably talking about if they'd tell you–maybe then you'd come clean.

"We're glad you're doing a bit better. Sungchan's finishing breakfast any minute now, so come sit." Seunghan told you as he pulled out a chair.

"Aww, I wanted y/n to sit next to me!" Shotaro complained.

"He sat with you last time," Eunseok said, seated on the other side of your empty chair. Sitting between them reminded you of being sandwiched between them in bed. You shook your head, tossing the thought aside, as you fixed your pants so your bulge wouldn't show. You only thought about it for a split-second but you were already getting hard from remembering it.

"I'll sit next to Sohee and Wonbin," You said as you moved toward the two.

"Shotaro, you can have my seat since you want to sit with y/n," Sohee muttered. Shotaro was happy to take Sohee's seat if he could sit by you. You noted Sohee's distance from you but knew you couldn't bring it up now. It would only make noise where you didn't need it.

Sungchan served breakfast, slightly burned sausages with waffles and juice. Everyone ate quietly, the sound from the nearby TV kept the room from completely silent. The news said that the snowstorm was ending, and the ice should begin to melt tonight, meaning you could go home tomorrow. You were running out of time... You eyed Sohee as he ate, he tried to avoid your gaze but you knew he could see you looking at him. As soon as he finished his plate, you stood and scooped it off the table.

"I'll take this for you, Sohee," You said warmly, smiling at him.

He nodded, trying not to look at your face. "Thank you," He muttered before getting up and moving to the couch in the living room to be closer to the TV. You put the dishes in the sink, which Anton was responsible for cleaning according to the others, and made your way to sit on the couch. You were a comfortable distance from Sohee, but you noticed he shifted away from you as you sat down. Only a few minutes before he got up and walked into the bathroom. Wonbin took his place on the couch, raising an eyebrow at you.

"Why are you following Sohee so closely?"

"I'm not–"

"You watched him like a cat on a rat. I'm sure he felt it."

You sighed. "Does Sohee have an issue with me? He's not normally so distant... Did I do something?"

Wonbin chuckled before leaning in to whisper, "You mean other than fuck his bandmates?"

You hit his shoulder. "Shut up! He only knows about Sungchan and Anton."

"And we all know about Shotaro."

Your eyes rang. "Huh, how'd you know about that?"

"Do you think we're all deaf? No one moans that loud in the bathroom with seven other people in the house unless someone is helping them." Wonbin smirked at you and poked you with his elbow. "And, Shotaro came clean before you woke up. The guilt of breaking the promise ate him up, I suppose."

"Thanks for the heads up."

"Are you planning on going after Sohee next? Or me? We're the last two you haven't seduced." Wonbin's light-hearted smirk shifted sharply with an analyzing glare. "I don't know that game you're playing, but I think I'm starting to figure you out."

"Wonnie, I don't have a game anymore... It was funny at first, but things just spiraled. I don't know if I can keep it up anymore." You sighed heavier as you leaned your head on Wonbin's shoulder.

He pulled you closer, shifting so you could lay your body on his. "I don't think Sohee hates you or anything. I think he's nervous for his turn with you."

"Why would he be nervous–it's not like I want to hurt him."

Wonbin looked around, checking to see the bathroom door still shut. "Don't tell him I told you. Sohee's still a virgin, he's nervous about his first time–not just because it's you, but he's never been with someone else."

You buried your head in Wonbin's chest. "How can I do it now!? I can't do that to him... His first time should be with someone he cares about, something special. Not something I trick him into..."

"Well, you can't really back out. He's expecting you to approach him now. He told all of us after Shotaro spilled the news."

"How can I approach him? The cover is that he has to make me. He's too sweet to do that."

Wonbin shrugged. "That's not really my problem. You're the one he's nervous about. So, find a way to make him comfortable or something." He rubbed your head softly. "Or, you can skip him–probably break his kind heart, and fuck me."

You turned over to look at him. "I didn't think you'd be so excited to have sex with me."

"I feel like I'm owed for keeping all this a secret, plus helping you with Sohee. And it's only right I get a turn if everyone else does. I deserve you most, don't you think?" Wonbin's playful smirk came back. He loved to tease you, pulling you by your waist to make you blush; moaning in your ear, making you brush his hair, even grabbing your ass when he passed. If anyone in Riize felt like your boyfriend, it was him. Maybe that's why you were always so open with him.

"Well, regardless if you think you deserve me, I'm getting Sohee first. I'd cry if I made him sad..." You heard the bathroom door open. "I've gotta go, keep the others busy?"

"We already promised Sohee we'd stay out of his way."

"Since when did you guys have so many secret conversations without me?"

Wonbin pushed you off him, urging you toward Sohee's room. "Since you started fucking us. Now, go get him."

You awkwardly walked toward Sohee's bedroom, looking back into the living room. The others were watching you as you walked away. They were waiting for you to leap on Sohee... All of them knew you were faking the hypnosis now, so it made sense they'd be cautious of you, but your skin burned under their watch.

Sohee's door was closed. You knocked on it, breathing in sharply. "Sohee? Can we chat for a minute?"

"Y-Y/n!? Um–Give me a second!" Sohee replied nervously as you heard things being thrown around the room. You waited patiently at the door, still looking over your shoulder every few seconds to see if any members were trying to watch from around the corner. No one was there. After a minute passed, Sohee's door opened slowly. The room was dimly lit, with the curtains swallowing all the sunlight from the window. "Come in, please," Sohee's smile was a cover to hide his nervousness. You entered the room and Sohee closed the door behind you, the lock faintly clicking. He sat on one end of his bed while you sat on the other. "So... what did you want to talk about?"

The light in the room shined in his eyes as he looked at you, his face focused and careful.

"I wanted to talk about... you."

"Me?"

You tried to think of something clever, but with him looking at you so close you couldn't. "Wonbin told me that you wanted to speak to me about something, but you were feeling really nervous about it. I want you to know you can tell me anything. Anything."

Sohee swallowed hard. "I do have something... a confession really." He shifted closer toward you until your knees were touching. "We've been keeping a secret from you, and I don't think I can keep it any longer." He got closer, placing his hand on your thigh. "The others have been having sex with you while you've been hypnotized. Then we all lied about it to you and I feel horrible..."

You cracked a smile. "Sohee. I've got a secret too... I'm not hypnotized anymore. I've been aware of everyone's intention to take advantage of me from the beginning and made a plan to get back at everyone."

Sohee's shoulders slumped as their burden was relieved. "So, you knew? And let me think I was holding such a big secret."

"One by one, the others found out after I told them. They've been keeping the secret for me so I can punish you all."

"That means I'm next, right?" Sohee's eyes shimmered expectantly.

"I–I don't know. I thought it was a punishment, but now it feels like I'm taking advantage of you guys in return. I don't know what they told you, but Wonbin told me... That you haven't been with someone... Sexually."

Sohee's ears turned pink. "Y-Yeah, I haven't had sex before. But if it's with you, I'm okay with that."

"You should have sex with people you want to have it with. Not some trick, Sohee. What I did was a bad thing."

"Well, you're not tricking me right now! We're both being honest, consenting adults. So we can still do it, right?"

"Sohee–" You were cut off by Sohee planting a kiss on your lips, his eyes closed as his hands tightened their grip on the fabric of your pants. His breath was cool and tasted like he'd eaten a handful of mints. His lips were soft and gentle, but also stiff and unmoving. He really wanted you, more than he could put into words. You placed his hand on your neck, showing him how to hold you. Sohee's moans emerged immediately as you deepened the kiss, pushing past his lips. His body tensed, so you massaged his shoulders until he could relax. He moaned into the kiss, opening his mouth more as you sucked on his tongue.

You pulled away from this kiss after a few moments. "Now you try."

Letting Sohee lead, you pulled you in for another kiss. He confidently pushed past your lips, sucking on your tongue as you offered it to him. You moaned into it, which made his brain glitch as he pulled away.

"Sorry! I–"

"That was a good sound. You want me to do that, and I want to hear you too, Sohee."

"C-Can I ask for something?" You looked at him, it was taking all his courage to ask. You nodded, allowing him to speak. "Can you call me something else? Sohee is my name, but I want something special."

"Something like, Baby?" You watched Sohee deflate a little. He must not like that one. "Or Love?"

"Love sounds amazing," He said breathlessly.

"For you, Love. I'll call you whatever you like." You climbed onto him, straddling him, his hands were stuck to the bed while he watched you. "It's okay, you can touch me." You slide your shirt over your head, tossing it aside. You pulled on his shirt. "Can we lose this?" Sohee raised his arms as you pulled it over his head. You let your hands slide over his torso, leaning forward and encouraging him to do the same to you. He was awkward, but his hands eventually found their favorite place on your waist. "Ready for the next part?"

He nodded.

"Words, Love."

"I'm ready, Sweetness." Sohee smiled at you.

You tried to keep face, but your heart skipped a few beats as his name for you. "You know that doesn't work anymore, right?"

"Sorry, I think it fits you. I hope it doesn't bother you."

You got off the bed and slowly stripped your pants off, watching Sohee's face. He didn't know where to look, trying not to look at your bugle but also not wanting to look at your face. "You can look at me. We're both getting undressed, remember?"

Sohee nodded. "That's why it's dark... I'm a little shy."

You wanted to bite him for being so cute. He was so self-conscious that he'd rather have his first time in the dark so he doesn't have to acknowledge his own body... You knew this had to be perfect for him. You tossed your underwear aside, standing naked in front of Sohee. He was in awe–he wasn't moving, just watching you... Which was starting to get embarrassing.

"You should get undressed too, I don't want to stand here alone..." Sohee scrambled to his feet, trying to get out of his pants. "Wait–be slow about it." You got close to him, getting on your knees. "Like this," You whisper as you slowly slide his pants down his legs, helping him step out of them. You were about to slide off his underwear before you looked up at him. "We can stop at any time, Sohee. Just say something."

"I understand. Let's keep going."

You nodded as you slid his underwear, letting his hard cock point up at you. It was probably the shortest of all the members but it was thick. It was hard and red, and his tip was swollen and throbbing. It was begging for you to touch it, leaking precum in a steady stream. You took it in hand. "That so thick, Love. I think I might have trouble putting it in my mouth..."

"S-Sorry," Sohee moaned as he leaned against the bed for stability.

"It's nothing to be sorry about, it's beautiful. Cute, just like you." You kissed his tip, earning a loud moan from him. His ears turned red as he covered his mouth.

"S-Sorry..."

"Love, if you apologize every time I do something, this will be hard for you..."

"Right. So–I mean, okay."

"Sit if you're not comfortable." Sohee listened obediently, sitting on the bed with his legs spread as he watched you. You focused on his cock again, it throbbed in your hands and radiated heat. His balls were heavy and thick. Did he not ever jerk off? You moved your hands slowly, up and down as you felt around for his sensitive spots. Sohee's knees shook as he moaned into his hand. You could tell he couldn't last as long as the others, from the way his moans were so breathless–he was in bliss. "Want more?"

"So bad, please." Sohee's eyes closed as his head fell back.

"Call me that name again."

Sohee looked at you. "Sweetness?"

"Now, tell me what you want." You smiled, assuring it was okay.

"Please... Put it in your mouth, Sweetness..." Sohee mumbled, embarrassed of the words leaving his lips.

You smiled. "Of course, Love. Anything for you." You opened wide as you put his tip in your mouth. You were right. It’ll be tough to hold it all in your mouth but for him, you'd do it. Sohee's moans went high-pitched, sounding rapidly as you bobbed your head on him. His knee couldn't' stop bouncing, his hips gently bucked, and his hands found your head. To your surprise, Sohee massaged your ears gently as you sucked him off. No one had ever touched your ears, but it was even more of a turn-on. You had to close your eyes and take a breath before pushing deep. His cock stretched your throat as it pulsed.

"Oh! Woah, Y/n, I–I'm gonna–" Sohee tried to put the words together, but it was too late. He came down your throat with a loud moan, his body twitching as his fingers massaged you faster. He was trying not to hurt you, but as you sucked him through his climax you felt his hips lift slightly–forcing you to take more.

You slowly pulled off his cock, swallowing anything left in your mouth before finally breathing again. It was hot–Sohee's cum, you could feel it making its way down your throat. Warning your insides.

"I didn't mean to," Sohee paused to breathe. "I didn't mean to cum so soon. We didn't even go that far..."

You chuckled. "Did you want more?"

Sohee nodded.

"What a greedy one, aren't you, Love?" You pushed Sohee on his back as you straddled his hips.

"I'm sorry for being greedy... But I want to be inside you, so bad, y/n."

You looked at Sohee under you, he was a mess. His lips parted, shaking whimpers falling from them, and his cock twitched–ready for more. "I want you in me too," You whispered as you lifted your hips, lining his cock with your hole. Slowly, you sank down onto Sohee's dick, earning whines and moans from the other. You felt him pushing inside you, his thickness stretched you more as each inch passed deeper into you. Once you had him inside you completely, he took a few moments, breathing heavily as you adjusted to his size. Sohee was shaking from overstimulation, and his eyes rolled back. "Are you still with me, Love?"

Your voice snapped Sohee back. "Y-Yes! I'm h-here, I'll be here till you're satisfied. Please–use me how you like..." Sohee could barely get through his sentences, moaning every other word as he felt your walls tighten around him. Sohee was in another world. He couldn't have imagined how you'd feel around him, but it was so warm and every twitch made him want to bust.

"Sohee," You moaned his name, in a tone that gnawed at the rope of sanity that Sohee was trying to hold onto. "You're so big... I need your help." Placing his hands on your hips, Sohee gripped you tightly as you started listing yourself. Once high enough, you'd sink back down and stuff yourself full of cock again. Sohee's eyes watered as a few tears streaked down his face, his voice was hoarse from the nonstop moaning. You drank up every second of it as you enjoyed riding him. You went faster and harder, making Sohee's moans louder and higher–borderline screaming.

"I–" Sohee had to swallow hard, "I'm gonna fucking cum!" Sohee usually tried not to swear, there was never a reason to do it. But your fucking him was more than enough to make him let loose every sweat he knew. "Fucking, shit! You're so tight, I can't stop, fuck! You feel so good..."

You grind your hips into him, pushing his cock deeper. "Cum for me, Love. All inside me!"

That was enough to push him over the edge. His hips found new strength as he pushed up, lifting you slightly and holding you there. His cock plunged deeper than before as he came for the second time, his moan on his lips was your name as he shot into you. "Fuck! Fuck! Fu–I'm sorry... I'm sorry, y/n... I can't do it anymore," Sohee hiccuped as his eyes streamed with tears. His convulsions were intense, making his cock shift inside you which made his convulse again. He was stuck in a shaking cycle until you kissed him, stroking his cheek as you calmed him down.

"You did so good, Sohee. I'm so proud," You cooed in his ear.

Sohee twitched, softer now. "T-Thank you... I'm sorry–I couldn't make you cum..." Even after having sensory overload from two intense orgasms, he still cared about you. How sweet.

You gently lifted yourself off him, trying not to make it worse for him. But Sohee stopped you. "Fuck!" Sohee's grip on your hips tightened and he slammed you back down onto him. Maybe it was luck, but he hit your spot–dead center. You came all over Sohee's chest, cum even shooting onto his face. Your head rolled back as your orgasm ripped through you, your walls tightening which made Sohee whine again. "I'm sorry! Sorry–Please don't leave. It's so sensitive, can we just... lay here? For a little?"

You nodded, your jaw too tight to speak. You laid on his chest as you stroked his hair, letting him drift to sleep... Once it was clear you could move, you climbed off of him–even while sleeping Sohee didn't want to let you go. You found your clothes, tucked Sohee into his bed, and opened the door to leave his room.

Wonbin was waiting for you at the door. "You done?"

You nodded.

"Good. Come out here," Wonbin ordered as he grabbed your wrist, dragging you with him.

[fastcardotmp3]

welcome to dot drops something that's been sitting in her tumblr drafts for 4 months Saturday I hope you enjoy your visit mwah! Steddie; Ballet AU; Dancer!Steve; mentions of cancer treatment; 1.5k words

Dress rehearsal is supposed to be a mess.

That's the point of it, really, to get all the mistakes out of your system and start the actual show run with a clean slate. Or at least, that had been the point of which they'd all convinced themselves when Steve was the one performing.

Bad dress meant good show, or so the old adage went, and so at least there was some ease of worry with the collective understanding that it won't happen on the night within the company.

That was the case when Steve was a student, when he was an apprentice, even during his time in the big leagues at Joffrey, but right now? At the end of a truly abysmal dress in this run-down theater on the edge of a town from which he'd once run away?

Steve is not the performer. He's the guy in charge.

And so he spirals.

He'd never wanted to be a director or an instructor or the head of a studio like this. It had never been in his plans. Steve was a man of action, where the people who do these jobs are the brains behind the operation.

Steve knows how to work hard, how to force his body and even his mind into submission until he gets the steps just right, but this? These past six months back in Hawkins temporarily helping out?

(God, please let it be temporary.)

He's not built for this. He's sitting center stage after everyone has left with only half the house lights to illuminate his misery and he's not. Built. For. This.

Not built for being a mentor or a leader or a role model; not built to handle the strenuous nature of his mother's legacy; not built to carry the name she's made for herself as a teacher and a choreographer and a shaper of young dancers.

Steve's not built for it!

They'd had a shitty fucking dress.

"Hey, uh, you gonna be a while? I kinda need to close up for the night."

The voice echoes across the empty space, bouncing off the high ceiling and straight up to land on the Marley floors at Steve's feet. The stage isn't built for dancers, much like Steve isn't built to be here, so they'd had to pull up the floors from the studio and drag them halfway across town just to roll them out here.

"Hello? Are you, like, alive up there?"

Steve sighs. "Yeah," he calls back, catching sight of the figure talking to him at the back of the theater, the young guy who runs the place and who Steve met a grand total of three days ago. His name is Eddie and he dresses more like he's running a music venue than a local community theater, but he's mostly stayed out of Steve's way so far. "Sorry, I'll get outta your hair."

"Sure," Eddie says, but he's just sort of leaning against the back wall by the window to the sound and lighting booth without an ounce of urgency to him as Steve drags himself to his aching feet and lugs his three separate bags of show stuff onto his shoulders.

There's an energy to an empty theater, one which has held a performance and one which now holds the ghosts of that performance, which tugs at the anxieties sitting buried deep beneath the more immediate ones.

Fears about his mom's health, about what will happen to the studio if she doesn't win this particular battle, about what will happen to him.

There's an energy here in the creak of the steps which lead down off the front of the stage and there's an energy to the plod of Steve's sneakers up the long, racked aisle between the seats.

There's an energy, but it's also not empty, is it.

"Hey, good show, dude," Eddie says, pushing off his wall as Steve grows nearer. "Like, talented kids you've got there."

Steve scoffs before he can help himself and then pinches the bridge of his nose in a grimace for not being able to help himself.

"Uh, yeah, thanks," he grits out, thinking about his bed. Thinking about how he never made time for dinner and he has to be here early again tomorrow.

"Wow, resounding confidence on this one," Eddie snorts, and when Steve opens his eyes it's to genuine amusement, genuine curiosity in the tilt of a head and furrow of a brow.

"No, just," he shakes his head, "you should see 'em when they're really on their game, y'know?"

Eddie hums, and when did Steve come to a stop right in front of him? He's leaving. He has to leave. Go home. Think about all the spacing corrections he needs to fix tomorrow and run through with the girls before show time.

"Bad dress, good show though, right?"

Steve startles. Maybe a little too visibly because Eddie is actively holding back laughter at the sight of him.

"What, I've worked at a theater for four years and I'm not supposed to pick up a thing or two about the ballet?" he snarks good-naturedly. "Caroline, the lady who did your job before you, she was a chatty one, taught me everything I know about Giselle."

It's a knife between the ribs. It's a soothing sort of heat, like from a roaring bonfire.

"You--" he clears his throat, "you know Caroline?"

"Highlight of the job honestly, before she retired," Eddie shrugs.

"She didn't retire."

"Oh. She...?"

"Chemo," Steve doesn't know why he's saying it all so willingly, why after months of trying to run the studio without having to talk about how's your mom doing, sweetheart? he's opening up to this stranger with the curly hair and curious eyes. But he knows her. He's-- Well, he knows her. "I'm just here to-- to fill in until she can come back. So."

Eddie is studying him now. Curious eyes turned intelligent, knowing, sad with the weight of realization.

"You're the wonder boy," he says on a breath like oh, I get it now.

"The what?" Steve balks.

"Her kid," Eddie says like it's simple. He's leaning against the wall again, like he's not planning on getting back to work anymore, "she was-- Shit, man, she loves the hell outta you. Oh, you should see my son, he's in Les Corsaire this season! Oh, my boy, he's just gotten promoted to soloist, he'll be a principal in no time! Oh, the talent on him, the--"

"Okay, okay, Jesus," Steve cuts him off, a half-hysterical laugh bubbling up out of his chest in the process.

"You should tell her I say hi next time you see her," Eddie isn't remotely deterred by having his little, lilting performance derailed. There's a softness to him that deserves a smaller space, walls less prone to echo.

"I will," Steve nods. His bags grow heavy on his shoulders.

"And you should chill out a little bit," he says, this time with the kind of glint to his eye that needs a bigger space, needs to be up on the stage to the point where it has Steve floundering, "y'know, about the the shitty dress that, between you and me," he leans in conspiratorially, close enough to feel the heat of his breath, "wasn't really all that shitty."

Steve sucks in a breath.

It strikes him somewhere old, the reassurance, somewhere young deep inside of him. The comforting from a mother that if he just works hard enough he’ll land that double tour in fifth some day soon, the unbroken promise that she would never give him special treatment as the son of the studio owner, but that she would never hesitate to reward him when he’d earned it on his own.

It strikes him because no one tells you how little reassurance the guy in charge is ever offered and it strikes him because it’s been such a long day and it strikes him because—

“Hey, have you had dinner yet?”

Eddie’s eyebrows lift high on his forehead and Steve sees it, the attitude on this dude that his mother absolutely would have loved in an instant. There’s a performer in there, even just in the brief interaction they’ve shared so far. There’s a spotlight pointing inwards and a show begging to be dragged out.

“No,” Eddie drags out slow and curious, “you offering, ballet boy?”

Steve needs a sounding board and he needs another set of eyes and he needs his mom to be okay and the show tomorrow to prove that he can handle this for her if she’s not, but maybe what he needs most right now, on the other side of a spiral in a dark and echoing theater, is this.

“Meet me at Benny’s in thirty,” he says simply as he makes his way for the door. “Since you’re such an experienced test audience.”

Eddie’s responding laugh is bright and his eyes glitter with curious amusement and maybe this is what Steve needs because maybe all of this is one big rehearsal at a big new life in and old small town.

And maybe this is his chance to make a mess of it. At least until the real show starts.

[verxsyon]

·:*¨༺ ❝ 𝐖𝐀𝐍𝐍𝐀 𝐁𝐄𝐓? ❞

wriothesley always wins his bets against you. for this round, the stakes are getting much higher. how long will it take for the captain of the gardes to admit their feelings to the duke? will this be the moment you’ll finally come out victorious, even though you have to pretend that your feelings toward him are in denial?

✧ 𝐩𝐚𝐢𝐫𝐢𝐧𝐠. wriothesley x gn!reader

✧ 𝐟𝐨𝐫𝐦𝐚𝐭. drabble ; 0.6k

✧ 𝐠𝐞𝐧𝐫𝐞. coworkers to lovers au ; fluff

✧ 𝐯𝐞𝐫𝐚. no way, it's almost been a year since i wrote a drabble and for genshin too. wrote this during class today, so it looks pretty rushed lol. this man’s the death of me. he can choke slam me like he did with douchier dougier in his story quest. and no, i’m not sorry for saying that.

A defeated sigh escapes your lips as your cards rain down from your fingers onto Wriothesley’s desk. “Unbelievable. A first-time TCG player beat me in all three rounds. So, what do you want your prize to be? A tea company from the surface?”

“Haha. Your suggestions are becoming more adventurous, captain.” Wriothesley kicks back on his chair with a great idea in mind from the smug smile on his face. “Meet me there at night. You’ll help me sneak in, and I’ll rob its entire collection.”

You narrow his eyes at his sarcasm, and he surrenders. “Alright. I'll settle with a tea cup set. The cups in my current one are broken and the teapot has some cracks, so it’ll be nice to have a new one.”

“Okay, I’ll place an order from the surface and ship it here.” You get up from your seat. “I must head back. The guards could be slacking off as we speak. Excuse me, your grace.” 

“Ah, actually.” You hear the chair scrape the floor and turn to face him, who’s now leaning against the front of his desk. “Before you go, there’s something I need you to investigate.”

“Of course. what is it?” He stops you from coming back to your seat by his hand on your shoulder, making you flinch. His expression’s gone rather ominous, and it stays that way when he leans closer to your ear.

“How long will it take for the captain of the gardes to admit their feelings for the duke?”

You cough violently and push yourself out of his hold. Despite his claims of not being omnipotent, his eyes and ears are everywhere within and beyond the fortress. But why are you still surprised that he’ll find out your feelings toward him eventually?

“Don’t tell me you believe those rumors, your grace?” You boldly deny, but deep inside you already know he totally won’t buy your facade based on your immediate reaction. “I’m assuming that’s what you want me to investigate, so again, please excuse me—”

“You didn’t answer my question, captain.” His fingers glide to your shoulder, akin to caressing it, and the temperature in your cheeks suddenly skyrockets. “So, how long will it take for the captain of the gardes to—?”

“I heard you the first time, your grace,” you say dismissively, screaming at him in your head to let you go back to your station and never talk about this matter ever again. “With all due respect, what’s the meaning of this?”

“Come on. Don’t tell me you already forgot,” he laughs as he goes back to his seat, hands folded on top of his desk. “Wanna bet?”

“This again?” you huff, more worn out from his ludicrous habits since you were stationed at the fortress as its security team. However, this could be an opportunity for you to finally win against him. If he decides to play the game this way, then might as well follow along to ensure your own victory. “Fine, I’ll say never.”

“Oh? No faith in the duke’s capabilities to charm them?” He seems confident with the answer he has come up with. “I’ll say within the next hour or two.”

“Ha! Overestimating the captain’s willpower to not fall for his charms, I see,” you counter, showing off your determination to win. “I’d like to see you try.”

“Alright then, it’s settled.” He shakes hands with you to solidify the agreement. “Oh, and captain? No need for your suggestions for this one. I know what I want as my prize.”

“Oh? And what would that be, your grace?”

Wriothesley just chuckles and tells you the most unpredictable thing that you never imagine being your fate as a loser. “How about a date with the captain themselves?”

[strawberry-cowmilk]

i sent the request about that tiktok trend thing! so, it starts with someone (MC) in front of the camera putting on lipstick and then purposely putting the lipstick out of their lips (like spreading/smudging it) or something. then their partner's thumb will touch the smudged lisptick, which makes the camera turn to their partner who's covered in lipstick on their face like they've just been kissed.

i forgot how i requested this, but just in case i wasn't specific enough, i was requesting if you could write about how the brothers would react or something if MC asked to do this with them!

hi! I'm so glad you saw that one post I made where I was saying I couldn't open the link omg, thank you so much for providing me with this information! I hope I did your idea justice

the brothers when mc asks them to do the lipstick trend together

mc's gender is not mentioned, not proof read

a/n: I feel like the obey me version/name of tiktok is fabsnap so I'll be using that name to refer to the platform

content warnings: none

-----

Lucifer

at first it's a hard pass because mr pride demon thinks it's silly

like he barely touches his fabsnap account after his brothers made it for him too

but if you ask nice enough and lucifer is too soft for you, he'll agree

but nobody can see your video, especially not his brothers or diavolo

they would joke about it literally every day

Mammon

mammon is active on social media, so when you ask him to do the trend with him he's like sure why not

but then he's kind of shy about filming such a video with you

when you're done filming and you're watching the footage together, mammon is kind of proud of how the video turned out

now mammon will be asking you to do every funny fabsnap trend together

Leviathan

he has no idea what you're talking about because his whole fabsnap page is just hana ruri and tsl content or something so you're gonna have to show him an example video

levi kind of doesn't believe you want to do that with him, at first he says 'no way I can do that' but then he's willing to give it a try

it takes a couple of attempts but you finally got it

levi would prefer it to be a private video only for the two of you, so no posting it publicly

Satan

his whole fabsnap page is just cat videos so he too doesn't know about this trend

when you show him an example he suddenly remembers because asmo sent him a couple of fabsnap videos like that

satan is willing to do it with you though, it might take a couple of tries to get it perfect but when it's done he's proud of the result

when he makes a video it's usually something poorly filmed so he's impressed a video can be that well made

Asmodeus

of course he'll do it with you

asmo keeps sending you videos of fabsnap trends and asks you to do them together too it's basically a fun activity you do together now

he actually wants to shoot two videos so you two can swap roles, and each of you can upload a different one to your accounts

asmo gets his literal professional ready so you can start, the videos turn out really nice too

Beelzebub

he barely touches fabsnap so he doesn't know about the trend either

but he's totally willing to film a video like that with you, it could be fun and it makes you happy

with beel it takes a couple of tries too because he might accidentally knock down the camera a few times but it's okay because the final video turned out great

beel watches it every day because he's so proud of what you made

Belphegor

he knows it exist, and he's willing to do the trend with you as long as the video is just for you and him

belphie didn't know he'd enjoy filming a fabsnap video so much too, when you're done with this one he might want to make another one

when he's less tired though

eventually you and belphie end up with a whole collection of cute little short videos you made together

[vampireimiko]

omg! could you make a miguel fic were like him and reader are like mom and dad to hobie pav miles and gwen. miguel being the like strict dad n reader being the mom that defends her kids with her life n yells at him when he’s being to mean😭

protective mom mode: activate!

warnings, none !! just the reader being protective over her kids 🦭

note, AGHHH i actually love this request sm but it's been sitting in my inbox for a while so i wanted to get it out, HOWEVER. i might add on more to this scenario and make it sillier :3

If there was one thing everybody around Spider-Society knew, it's that Miguel was super strict and almost always being serious. He was known for being harder on younger spider people. While you were the polar opposite, you were nice and understanding, and loved to joke around from time to time. You were known for being someone younger spider people could come too.

So with that being said, the younger spider people, as in Miles, Pav, Hobie, and Gwen could always come to you for safety whenever Miguel was about to scold them. For example, just yesterday Miguel was about to get on all four of them for almost jeopardizing a mission.

"Miguel we understand what you're saying but-" Gwen started only get cutoff by Miguel who has his hands on his hips and a frustrated look on his face.

"No! You clearly don't understand! You 4 show me time after time again that you can't be trusted going on a mission together because all you do is-!" Miguel is then interrupted by YOU this time. Except this time, he goes quiet by himself. Your presence was enough to shut him up whenever he got to talking crazy. Cause if there was one thing about you, you did not play about those kids.

"Miguel, leave them babies alone! They ain't did nothing wrong!" You intervened, not letting him get in another word of scolding in. Miles and Hobie couldn't help but stifile a laugh at your intrusion which caused Gwen and Pav to bump shoulders with the two while also trying to stop themselves from laughing.

Miguel's eyes narrowed at your interruption, a mix of frustration and resignation evident in his expression. He knew better than to argue with you when you adopted that protective stance towards the 4 younger spider kids.

You stepped forward, placing a hand on Miguel's arm in a gesture of both reassurance and defiance. "Look, I get it, Miguel. You want to keep them safe, and that's admirable. But they're still learning, and they need room to make mistakes and grow. We were all in their shoes once."

Miguel let out a sigh, his initial frustration giving way to a more measured contemplation. He glanced at the group of 4 once more before finally nodding, acknowledging the truth in your words.

"You're right," he admitted, his tone softer now. "They do need both sides of the coin. I'll work on finding a better balance."

A collective sigh of relief escaped from the younger spider people as they realized they had been spared from a severe scolding. They exchanged grateful glances and offered you appreciative smiles.

"I know I'm right, now watch your mouth when you speaking my kids like that." You playfully said rolling your eyes. You then turned towards the group of four, "How about we go get some ice cream? My treat!"

𝐚𝐝𝐝𝐢𝐭𝐢𝐨𝐧𝐚𝐥 𝐧𝐨𝐭𝐞; FINALLY GOT ALL FIVE OF MY REQUESTS DONE 🫶🏾 opening requests up tonight methinks

𝐝𝐨𝐧'𝐭 𝐫𝐞𝐩𝐨𝐬𝐭 𝐨𝐫 𝐭𝐫𝐚𝐧𝐬𝐥𝐚𝐭𝐞 𝐚𝐧𝐲 𝐨𝐟 𝐦𝐲 𝐰𝐨𝐫𝐤𝐬 𝐰𝐢𝐭𝐡𝐨𝐮𝐭 𝐦𝐲 𝐞𝐱𝐩𝐥𝐢𝐜𝐢𝐭 𝐩𝐞𝐫𝐦𝐢𝐬𝐬𝐢𝐨𝐧

[hollowed-theory-hall]

Hello! I have seen this question debated many times and I wanted to know your take on it cause I find your theories very compelling. Do you think harry should've been in Slytherin? Does he have what it "takes" to be a Slytherin? Is it because of voldemort's soul in him that lead the sorting hat to even suggest he could be in Slytherin? I know this is not one question but I would like to know your opinion on this topic in general!

First of all, thank you for the kind words! 😊

As for the questions, well, you've asked more than one question, but this ask kinda gives me a good reason to talk about how Harry isn't some golden Gryffindor. He actually has some anger issues and he most definitely has what it "takes" for Slytherin.

I'll start with the last question and then go backward, actually.

Did the hat consider Slytherin house just because of the Horcrux?

I don't think so.

I mean, Harry is incredibly clever, magically powerful, and has a cunning streak a mile wide all on his own. I'd actually go as far as to say he's more cunning, ruthless, and resourceful than many of the Slytherins we see in the books. So his own traits definitely are in line with a Slytherin sorting, Horcrux or no Horcrux.

We can try and discern if the Horcrux has an effect on Harry's personality then, and if its influence is seen like that. I'd say that I don't think so either.

Tom and Harry, while they have their similarities, are very different people. They both have a bad temper (although they react to anger differently), but Harry has low self-esteem whereas Tom thinks he is the best (while still hating himself). They're both stubborn, but Tom is much more obsessive than Harry in pursuit of his goals. Harry cares for justice and isn't willing to hurt innocents, Tom doesn't really care about any of that he cares for efficiency. If the Horcrux was influencing Harry's personality, I'd expect to see more similarities between them that go deeper than that.

So, I don't think the hat only offered Slytherin because of the Horcrux. Harry is a Slytherin in his own right.

Does Harry have what it "takes" for Slytherin?

So, I honestly got really excited at the sight of this sentence. See I love Harry, that's no secret. But one of the things I love about him is that he isn't the perfect noble hero. He can be angry, and cruel and ruthless. But he has a sense of justice, he wouldn't wish harm on someone innocent, but someone who did harm to him, or was mean to him or someone he cares for... then Harry can be terrifying when he wants to be.

So, now I'm going to go through some (I have so many more examples of this, and the examples here are mostly books 1-5 since that's what I had on hand) of my collection of quotes showing Harry Potter's vindictiveness and anger.

Harry's response to "have a good summer" at the end of his first year:

“Oh, I will,” said Harry, and they were surprised at the grin that was spreading over his face. “They don’t know we’re not allowed to use magic at home. I’m going to have a lot of fun with Dudley this summer.…

(PS, page 221)

This is Harry's (very justified) vindictiveness we see towards the Dursleys many times in the books. He uses the idea of magic to scare them and is gleeful at the thought of Dudley's fear. Harry is very much chill with vengeance.

“…He likes to keep in touch with me, though . . . keep up with my news . . . check if I’m happy. . . .” And, grinning broadly at the look of horror on Uncle Vernon’s face, Harry set off toward the station exit, Hedwig rattling along in front of him, for what looked like a much better summer than the last.

(PoA, page 435)

Same as above, just Sirius Black as the threat instead of magic.

Yes, thought Harry, that looked all right. There was no point putting in the dream; he didn’t want it to look as though he was too worried.

(GoF, page 25)

Harry can and does lie and conceal information, even from people he trusts (like Sirius) if he thinks it'll be better not to tell them something. Whether that is for his own image or for what they would think.

“Potter! Weasley! What are you doing?” It was Professor McGonagall, and her mouth was the thinnest of thin lines. “We were — we were —” Ron stammered. “We were going to — to go and see —” “Hermione,” said Harry. Ron and Professor McGonagall both looked at him. “We haven’t seen her for ages, Professor,” Harry went on hurriedly, treading on Ron’s foot, “and we thought we’d sneak into the hospital wing, you know, and tell her the Mandrakes are nearly ready and, er, not to worry —” Professor McGonagall was still staring at him, and for a moment, Harry thought she was going to explode, but when she spoke, it was in a strangely croaky voice. “Of course,” she said, and Harry, amazed, saw a tear glistening in her beady eye.

(CoS, page 259)

And he clearly can lie well, even at 12.

But Harry wasn’t going to stand for this. Gone were the days when he had been forced to take every single one of the Dursleys’ stupid rules. He wasn’t following Dudley’s diet, and he wasn’t going to let Uncle Vernon stop him from going to the Quidditch World Cup, not if he could help it. Harry took a deep, steadying breath and then said, “Okay, I can’t see the World Cup. Can I go now, then? Only I’ve got a letter to Sirius I want to finish. You know — my godfather.” He had done it. He had said the magic words. Now he watched the purple recede blotchily from Uncle Vernon’s face, making it look like badly mixed black currant ice cream.

...

He stopped there to enjoy the effect of these words. He could almost see the cogs working under Uncle Vernon’s thick, dark, neatly parted hair. If he tried to stop Harry writing to Sirius, Sirius would think Harry was being mistreated. If he told Harry he couldn’t go to the Quidditch World Cup, Harry would write and tell Sirius, who would know Harry was being mistreated. There was only one thing for Uncle Vernon to do. Harry could see the conclusion forming in his uncle’s mind as though the great mustached face were transparent. Harry tried not to smile, to keep his own face as blank as possible. And then — “Well, all right then. You can go to this ruddy . . . this stupid . . . this World Cup thing.

(GoF, page 33)

Again, vindictiveness and manipulation of Vernon through fear. Not only that, but Harry can keep his calm and keep his face blank even at 14 for the sake of getting something he wants.

“Get stuffed, Malfoy,” said Harry. “C’mon, Ron. . . .” “Oh yeah, you were staying with them this summer, weren’t you, Potter?” sneered Malfoy. “So tell me, is his mother really that porky, or is it just the picture?” “You know your mother, Malfoy?” said Harry — both he and Hermione had grabbed the back of Ron’s robes to stop him from launching himself at Malfoy — “that expression she’s got, like she’s got dung under her nose? Has she always looked like that, or was it just because you were with her?” Malfoy’s pale face went slightly pink. “Don’t you dare insult my mother, Potter.” “Keep your fat mouth shut, then,” said Harry, turning away.

(GoF, page 204)

Harry has a bark (all of the above quotes are Harry having a bark). He can and does shoot back as good as he gets.

Harry isn't all bark though, he's got a bit. Harry's anger is palpable and so very real and I love seeing it:

just as Uncle Vernon burst out of the dining room, his trouser leg in bloody tatters. “COME BACK IN HERE!” he bellowed. “COME BACK AND PUT HER RIGHT!” But a reckless rage had come over Harry. He kicked his trunk open, pulled out his wand, and pointed it at Uncle Vernon. “She deserved it,” Harry said, breathing very fast. “She deserved what she got. You keep away from me.”  He fumbled behind him for the latch on the door. “I’m going,” Harry said. “I’ve had enough.”

(PoA, page 30)

Again, Harry has his vindictive strike. (Obviously, Marge had it coming, but that's also what Harry is thinking).

A boiling hate erupted in Harry’s chest, leaving no place for fear. For the first time in his life, he wanted his wand back in his hand, not to defend himself, but to attack . . . to kill.

(PoA, page 339)

“You killed my parents,” said Harry, his voice shaking slightly, but his wand hand quite steady.

(PoA, page 341)

Harry, at 13, was fully willing to kill who he believed led to his parents' deaths. And more:

So what if he had to kill the cat too? It was in league with Black. . . . If it was prepared to die, trying to protect Black, that wasn’t Harry’s business. . . .

(PoA, page 342)

He's willing to kill Hermione's cat if it stands in his way.

Harry stood there, feeling suddenly empty. He hadn’t done it. His nerve had failed him. Black was going to be handed back to the dementors.

(PoA, page 343)

Harry Potter, at 13, laments that he didn't have the nerve to kill Sirius himself. He thinks he should've killed himself. He sees it as a failure that justice would be served by someone other than him.

Harry sat there staring at Snape as the lesson began, picturing horrific things happening to him. . . . If only he knew how to do the Cruciatus Curse . . . he’d have Snape flat on his back like that spider, jerking and twitching. . . .

(GoF, page 300)

Harry felt oddly separate from everyone around him, whether they were wishing him good luck or hissing “We’ll have a box of tissues ready, Potter ” as he passed. It was a state of nervousness so advanced that he wondered whether he mightn’t just lose his head when they tried to lead him out to his dragon, and start trying to curse everyone in sight.

(GoF, page 347)

The above quotes are both situations Harry was willing and wishing to curse people. Even Crucio Snape. He's not as noble and righteous and golden as many fans and characters in the books make him out to be...

If Dudley’s friends saw him sitting here, they would be sure to make a beeline for him, and what would Dudley do then? He wouldn’t want to lose face in front of the gang, but he’d be terrified of provoking Harry. . . . It would be really fun to watch Dudley’s dilemma; to taunt him, watch him, with him powerless to respond . . . and if any of the others tried hitting Harry, Harry was ready — he had his wand . . . let them try . . . He’d love to vent some of his frustration on the boys who had once made his life hell —

(OotP, page 11)

And sometimes, Harry wishes for an excuse to fight. An excuse to take his anger out on someone. (He has a lot of anger in him)

Smirking all over his pointed face, Draco Malfoy leaned across Harry and seized the largest bowtruckle. “Maybe,” said Malfoy in an undertone, so that only Harry could hear him, “the stupid great oaf’s got himself badly injured.” “Maybe you will if you don’t shut up,” said Harry out of the side of his mouth.

(OotP, page 260)

He's threatening and witty.

“Oh no,” said Hermione, quaking so badly that her knees gave way. “Oh, that was horrible. And he [Gwamp] might kill them [the centaurs] all. . . .” “I’m not that fussed, to be honest,” said Harry bitterly.

(OotP, page 759)

And when it comes to people he doesn't consider innocent, or ones he doesn't care for, even if they never harmed him, Harry is still vindictive. The centaurs mistreated Firenze and Hagrid, so Harry doesn't really care if Gwamp kills them all.

That being said, he is more concerned about Sirius in the above scene.

And he can and does cast unforgivables easily by the later books:

Hatred rose in Harry such as he had never known before. He flung himself out from behind the fountain and bellowed “Crucio!” Bellatrix screamed. The spell had knocked her off her feet, but she did not writhe and shriek with pain as Neville had — she was already on her feet again, breathless, no longer laughing. Harry dodged behind the golden fountain again — her counterspell hit the head of the handsome wizard, which was blown off and landed twenty feet away, gouging long scratches into the wooden floor.

(OotP, page 809)

Harry raised the hawthorn wand beneath the cloak, pointed it at the old goblin, and whispered, for the first time in his life, “Imperio!” A curious sensation shot down Harry’s arm, a feeling of tingling, warmth that seemed to flow from his mind, down the sinews and veins connecting him to the wand and the curse it had just cast. The goblin took Bellatrix’s wand, examined it closely, and then said, “Ah, you have had a new wand made, Madam Lestrange!”

(DH, pages 152-453)

As Amycus spun around, Harry shouted, “Crucio!” The Death Eater was lifted off his feet. He writhed through the air like a drowning man, thrashing and howling in pain, and then, with a crunch and a shattering of glass, he smashed into the front of a bookcase and crumpled, insensible, to the floor. “I see what Bellatrix meant,” said Harry, the blood thundering through his brain, “you need to really mean it.”

(DH, page 502)

So, I think Harry definitely has what it takes. He's clever, he can be ruthless, and he's capable of lying and hiding secrets when he feels it's the best option. He can hide his emotions when he really needs to, even if he rarely does. Actually, only in book 6, Harry starts sharing everything with Ron and Hermione on Dumbledore’s advice. Up to that point, he kept quite a bit to himself. And when someone wrongs him, he can and often will swing back.

And last but not least, should he have been in Slytherin?

So, this is an interesting question, because "should" can have two meanings.

1. Should've for the story — as in what is best for the narrative.

2. Should've for the character — in universe, which house the sorting hat should've picked.

So, for the first one, my answer is no. Gryffindor was the right choice for Harry for the narrative of the books as they are. Gryffindor is essentially the opposite of Slytherin and represents a choice more than just the traits and values the house represents. It represents Harry's choice even though he could've been a Slytherin he chose Gryffindor. And it's a constant choice with every heroic act. (personally, I'm not the biggest fan of equating school houses with morality, but it's effective in creating a clear narrative)

And while not all Slytherins are evil and not all Gryffindors are good, a Slytherin Harry Potter would've resulted in a very different story than what we have. So, for the story we ended up getting to happen the way it did, yes, Harry needed to be a Gryffindor.

For the second, maybe. Personally, I believe people (even if they aren't hatstalls) have more than one house they can fit into. Harry is both a Slytherin and a Gryffindor, and neither of them is more wrong or right for him as a person. I think deciding which one of them is best for him is up to a coin flip (and when in his life the question is asked).

He can be ruthless and cunning like a Slytherin. Selfless and courageous like a Gryffindor. He values justice like a Gryffindor. But he also has the selective loyalty of Slytherin to their own.

Point is, there isn't really a "should", because both suit him and he would’ve done well in both. Do I think Slytherin Harry is an incredibly fun concept to consider? Yes. Did I read way too many fics with this premise and would read more? Yes. Do I think he might've fit into Slytherin better than Gryffindor? Well, not necessarily.

Harry is much quieter than most in Gryffindor, but I think the constant scheming and image-keeping in Slytherin would be exhausting to him. He just doesn't care about all the gossip and politicalizing (something that occasionally leaves him out of the loop also in Gryffindor). So, again, both suit him about equally. The difference is that we get a very different story depending on his house.