#I'll even give some spoilers here and there with a read more for anyone who doesn't want to be spoiled

[askglassanon]

So 👉👈

I really want to talk about these silly little guys.

Anyone want to send asks?

I don't have any questions in mind just asks about them

[district4loading]

Prada's Star

Twice Sana x Male Reader

10K Words

Content Warning: Smut and some plot

Minors DNI

A/N: Good Morning, I was supposed to finish this and post it last night but I ended up falling asleep while editing. I have class in a few hours so I decided i'd get this finished for you guys.

This is NOT the "longer fic" i've been working on. It's a request, but due to the length of the ask, I've decided that i'll post the ask in a separate post. If you don't want spoilers, then don't read the ask...

Enjoy!!! The smut is kind of long

-

This is dangerous, she’s dangerous

-

"Why her?" The first words that you were able to muster after your boss told you that you'd be looking after Minatozaki Sana, the ambassador of Prada who's coming from Korea to attend the Men's show here in Milan. You could've been assigned to literally anyone else—you wanted to be assigned to literally anyone else. Definitely not the woman that's going to get the most attention.

That only meant more work for you.

It was from then on that he explained to you that you're the only bodyguard who's qualified and fluent in Korean so you'd be able to communicate with her as needed. That and the fact that you're getting paid more than usual because of Sana's status.

So there you are, standing by to protect the true star of the show. The moment she steps out of the car it's all eyes on her. When she turns around to reveal her face you can hear the frantic screams of the fanboys and fangirls from across the street. She smiles politely and waves the best she can before she's practically barked at by multiple different assholes holding a camera.

Her dress is short—like really short and you only notice when you catch the way she subtly reaches to pull it down. You step behind her and you pull it down properly for her and when she feels the slight tug she looks back a little shocked to see you there. The eye contact you make in that moment is a bit unnerving but you keep your eyes on hers. You realize there's something about her aura and the way she looks at you that's nearly captivating. She parts her lips slightly to say something to you but then her attention is drawn away by a photographer.

"Miss!! Miss!! Over here" and you have to bring yourself back down to earth, blinking as you force yourself to look elsewhere.

You step out of the way but you still keep her within your reach as a mere safety precaution, counting out the time that you're supposed to give it before she has to go inside. There's nothing else to do but just watch—watch the bright flickers and flashes of the many cameras only hungry to capture her. They barely even budge when another car comes to drop off the other attendees because compared to Sana, they're irrelevant.

There's no doubt she's got a pretty face, from her captivating eyes to her perfectly sculpted nose and the beauty mark placed so perfectly on her cheek. But instead of strictly appreciating the efforts of her make-up artist, your eyes only hopelessly drift downwards. Down to her chest where the dress squeezes her breasts just right to show off her cleavage.

And it's not only that, that has you nearly leering like a pervert.

Just a bit further down, you notice her long and beautifully slim legs. They're covered by a pair of dark stockings and despite the fact that you went to pull her dress down a few seconds ago, it's still so criminally short. So short that if it weren't for the big coat she's got on over it, she'd be exposed.

It takes a few seconds before you're able to completely drink in her appearance because she's a tall glass of temptation—and you're thirsty. The kind of woman that you'll only see once in your entire life, then never again but you'll spend the rest of it thinking about her and comparing her to any other woman that comes into your life. Spoiler alert, they'll never be the same.

You blink, then peel your eyes off of her body and you find it in your weak mind to look somewhere that wasn't her. When you do, you catch the slightest glimpse of Sana's face and she's looking at you with a smirk so sly and suggestive you can feel your cheeks burn red before you look away.

"Great, she probably thinks i'm some kind of perv now" You beat yourself up about it pretty bad, telling yourself that it's embarrassing and that she'll probably be uncomfortable with you touching her or getting too close from then on.

This isn't like you—no, not at all. No matter how attractive a woman is, you'd never eye her body like that. Especially when your job is to protect her. It's inappropriate, it's highly unprofessional and it's.. disgusting.

You hate yourself for it.

Soon, times up and you walk in front of the cameras, absentmindedly putting your hand on Sana's lower back—an accident that makes your heart sink. You pull your hand away quickly and you lean down to whisper, "We have to get going." She nods her head then waves at everyone else before turning around.

The mob of hungry photographers follow you closely, a little too close for your liking. You block them with your arm "Not too close" You say it loud and clear so they can hear over all the commotion. It's a whole mob of them, doing their best to get close all for a damn picture. You think it's ridiculous--which is why you have no tolerance or respect for these people. They aren't "fans" who long for cute interaction or a signature, they're vultures who only care about the profit they'll earn for invading privacy.

Sana's manager is on the other side, blocking people as best as she can. There's a guy who tries to sneak a grab at Sana's arm and you catch him quickly, shoving his shoulder away with ease before he can even touch her. You can tell she's a bit startled by it, but she laughs it off as you guys make it through the doors where only people with the invite are allowed.

"Thank you" Sana smiles

Your words almost get caught up in your throat when you begin to register that she's actually speaking to you right now. Also looking at you and embarrassingly enough you can't bring yourself to look her in the eye, still ashamed of how she caught you staring outside. "I- uh- It's no problem, just doing my job" You stutter, before she turns around to follow her manager to where they're holding the show.

-

On the inside it's boring. Just another fashion show where you'd usually respond to texts or emails and give your boss updates for the majority of the time. Occasionally you'll steal a few pictures of some outfits you find nice or interesting.

This time, your focus is completely on Sana. After what happened earlier, you promised yourself that you wouldn't do it again but here you are, staring once more. She's sitting with her knees pressed together so no matter how hard you look, you can't see up her dress—granted you shouldn't even be trying. What you can see though, her thighs. You catch yourself silently praying to God for forgiveness because the thoughts that cross your mind are just pure filth.

From this angle they look so smooth and soft, something your hands are just aching to touch, feel and squeeze. You think back to when you had to pull her dress down, you could've done it right there—reach your hand down just a little bit more to get a feel of those supple thighs. But you didn't—you couldn't.

You look up, just a bit as she leans over to get a view of the models strutting down the runway and you can see more. Her tits nearly spill out of her dress and you could only imagine what it'd be like if her dress was just a tiny bit tighter.

Once again, in the corner of your eye you catch the exact moment she turns her head to look at you. The sudden movement causes your eyes to catch hers and immediately a flood of shame washes over you as you almost break your neck to look off. "Fucking shit" You mutter under your breath as you pull your phone out, just to occupy yourself really.

You end up spending the first few seconds shakily opening and closing random apps to make yourself look busy. It's the guilt that starts to eat you alive afterwards. You're supposed to be her protector. Now you're almost ninety-nine percent sure she's disgusted with you because she thinks you want to fuck her. It probably makes her uncomfortable—the way you keep on staring at her fucking body with nothing but reckless lust in your eyes.

You should clear the air, apologize and tell her it isn't what it looks like. Then maybe she won't report you to your boss. Just maybe.

-

By the time the show ends, Sana needs to again be escorted to her ride to the afterparty.

You do so the best you can, staying near her at all times, blocking the mob of people waiting with your arm out to protect her. It's the least you can do after everything.

When Sana and her manager are safely in the car, you have to catch your own ride to the afterparty. As planned, you make it there before they do and you wait on the curb for them to arrive.

It's a bit more tame here, of course there's still the fans standing around in the cold weather waiting, but now they're behind a sort of barricade so they can't get too close. The photographers are limited to that space too, so you're sure that thing's will go smoother.

Once they get here, the door slides open and you put your hand out to help her step out of the vehicle. She holds onto you firmly as she gets herself out, you can feel her nails slightly digging into your skin but you don't mind it at all "Thank you" She tells you with a nice smile. You only nod your head as her manager comes out a little later.

After everything, you didn't expect her to look at you—much less speak at you so nicely. It seems like she doesn't completely hate you as much as you've made yourself believe.

On your way inside, Sana decides to stop a bit to sign a few albums and pictures. So you have to be quick in stopping random people from reaching out to touch her hair or her arm or pull on her clothes. People can get really weird when it comes to the people they idolize, it's like boundaries and personal space doesn't exist to them. "No touching please" You vocalize it for her as you push some wandering arms away quickly.

You've been doing this a while, so even when someone thinks they're being slick, you're still able to catch them before they make contact. You're good at what you do. "Enough autographs, lets get inside" You hear the manager say to which you just nod your head.

Sana signs one more photobook before she walks off into the afterparty.

You figure you can let your guard down because there aren't any fans or creepy photographers inside. Just famous and important people talking to other famous and important people. Some people are talking and others are drinking and dancing to the music on the inside. It seems very laid back and casual.

There's nobody here you know or honestly care to know. Yeah, maybe there's some people from the board of directors for Prada and maybe there are some brilliant artists and celebrities but you have no interest in getting to know them. You know they're all a bunch of old people with no personality and more money than anyone could possibly need in their entire lifetime.

However, you still don't forget who you're here for. Although you're only leaning on the wall with a cup of water in your hand, you're still watching her. Sana seems to be having a bit of fun and she's letting herself loose. She's taking shots and dancing with a couple of people she must know from previous events she's been to.

They seem comfortable with each other.

The way Sana dances, moving her hips all smooth and fluid has you staring again. You're aware of what this must look like to anyone else, you're now also aware of the lack of simple discipline you have.

You find out new things about yourself every day, today you realize that you have a thing for Minatozaki Sana.

Of course, the next song that comes on is slower, more sensual too so she's dancing accordingly. The people around her are cheering her on, calling her hot and telling her to keep going. God you wish she'd stop. It's too hot, Sana's too fucking hot. There's no reason she should be moving her body like that in front of everyone, swaying her hips and rolling her body without a care in the world.

You have to shift the way you're standing because now there's an ache in your pants. You're hard in the middle of the afterparty. There's no way you can subtly adjust yourself right now and it's so painfully obvious whats going on in your pant's right now. You set your water down on the table next to you and you're about to go to the bathroom to fix it when you see Sana walking up to you. For the thousandth time today, your heart sinks and you freeze when you see her taking her jacket off, the same jacket that was covering her up.

"Hey! Can you hold onto this for me? It's getting kind of.." You catch the moment her eyes drift down for a split second and you're absolutely mortified. First you open your mouth to apologize so you can then excuse yourself and you waddle to the bathroom with the small bit of dignity you have left but Sana only looks back up at you and strangely she just continues "sorry, it's getting kind of hot in here. Make sure you don't leave it anywhere, yeah?" She smiles at you politely.

"No- Yeah... I guess I'll just stay here with it" You chuckle before she turns off to go back with her friends.

The entire walk there, you can see up her dress and it's just so indecent. Some sick part of your mind is telling you that's she's doing it all on purpose, dancing all slutty just to get you all horny and hard for her. Maybe she likes the attention. You quickly void the thought when you realize just how fucking gross it is to think that way, shifting yourself around ever so slightly because the ache is getting worse.

You don't want to look and just watch the effortless masterpiece that she is. It's too much for you to handle but you just can't bring yourself to look away. Your mind goes places it shouldn't. You're beginning to think about what it'll be like to rip her out of that expensive dress. Well, the material isn't that rip-able but you'd still be able to tear those restricting stockings open and just- "Y/n" A familiar voice interrupts your sinful thoughts and brings you back to reality.

It's the manager and as soon as you realize, you slightly move Sana's jacket so it's hiding the bulge in your pants. "I'm going to be talking to that lady over there for a little bit, just keep an eye on Sana"

"Oh trust me miss, I've been watching her" A breathy chuckle escapes your lips"You have no idea"

You don't say that last part out loud, but you definitely think it.

-

Sana knows what she saw, she knows good and well that when she looked down it was your raging erection poking out of your pants. She wonders if it's her fault—she knows it's her fault. The moment you first locked eyes and when she first caught you staring she knew that she was fucking wrecking you. Just by existing really. She found it cute how embarrassed you'd get whenever she caught you staring.

It was flattering even—but now that she knows how pent up she's got you, she thinks she should help you out. Maybe it's because she's a bit tipsy or maybe it's cause she just finds you attractive, but the way she can feel your eyes on her turns her on. She doesn't even have to look in your general direction to know how much you're staring.

All day, she's managed break you down to this. A man who can't even muster up the will power to look away from her. It's pathetic.

So she get's an idea

"Manager Unnie!" She taps the shoulder of the shorter—but older—woman while she's very obviously in conversation. She turns around with a hum, noticing that Sana's a bit loose from the drinks she's had "I'm think I'm ready to go back to the hotel, I'm sooo tired"

Sana also briefly greets the lady that the manager was talking to "Ah, can you give us maybe another hour? We're talking about a few deals and it may-"

"It's fine! The bodyguard can take me" She cuts in quickly, like the ideas been on her mind since before she came up to them.

It has.

The manager looks back at you, then to Sana "Are you sure?" The tipsy girl only nods with a smug smile on her face. "Give me a second" She mouths to the lady she was speaking to before walking over to you with Sana.

"Hey, Y/n I'm sorry about all this. Sana's ready to go, so if you could possibly take her back to the hotel..." She's obviously a bit apologetic about burdening you with a task you aren't being paid to do.

"Oh yeah, no problem" You blurt out like the people-pleaser you are before noticing what you've just agreed to. You just put yourself in a car alone with Sana. It's not that you have some porn inspired fantasy about being able to fuck her brains out the moment you get her by herself. It's just, from a far you could barely hold yourself together—shit you're still trying to hide the fact that you're all pent up and hard for her right now.

You know you'll probably end up rubbing one out when the nights over. You're just afraid that her presence might just be maybe too much to bear. "Oh that's great! Thank you so much" The Manager smiles thankfully then bows to you out of habit "I have to get back, you two drive safe and text me when you get back, yeah?" She gives Sana a look.

"Of course" She nods to the manager before turning her back to you "Shall we?"

You tilt your head a bit in confusion before she prompts you verbally "My coat"

"Oh- Sorry" You apologize before straightening the thick material out. Then you carefully get her arms through the sleeves, "There we go, all set?" Sana hums with a nice smile before you're ready to escort her.

You have to take the car you drove here, so you escort her outside from a secret exit. There wasn't much time to deal with the fans and crowds of people tonight.

The car ride is mostly silent up until you make it a few minutes away from your destination. Sana sits forwards in the backseat of the car, she's seated directly behind you. You take a glance at the rear-view mirror, noticing how her hand is reaching over the front seat "Hey- uh, you have to wear a seat belt or else you..." You nearly lose your train of thought when she touches your shoulder "I could get a ticket..."

Sana ignores you and instead allows her sneaky hand to slide down your chest. "Y/n... is it?" She asks, still unsure because she's only going off of what she heard the manager call you. You don't respond because you simply can't. You don't know why she's touching you like this nor do you have the slightest clue about why she's using this soft and almost sultry tone of voice when she speaks—but it's making you feel like the airs getting warmer.

Maybe it's cause she had a few drinks, you've got no clue but you're sure of one thing—she's turning you on. It's a real shame. Just when you were beginning to get a grip from the scene at the after party, she touches you once and your pants are immediately getting tighter than they were before.

You only repeat what you said before because they're the only words you're able to muster. That and it's a fact that the police are strict about seatbelts here. But Sana merely hums and once again disregards your words "I just wanted to tell you that you did a great job protecting me today"

"Uh.. thank you. I try my best" You nod as her hands draw soft movements along your shoulder and to your chest "But, Miss you really need to-"

"Sana" She corrects you "You can call me that" She's leaning forwards a bit and her lips are so close to your ear that her words send a chill right down your spine. You choose not to say anything because there's nothing at all sensible that comes to your mind. She's got you panicking, your palms sweating as you switch lanes.

This is dangerous, she's dangerous

Then her eyes flicker down—down to where you've been so embarrassingly hard for her since the after party "How about I help you out with your little problem down there? You can think of it as a reward for protecting me so well"

Your throat goes dry as you pull into the parking lot of the hotel "I'm not sure what you mean by that miss" You feign innocence, reaching down to put the vehicle in park.

Sana only sits back in her seat, withdrawing herself from you so you can finally breathe "Come sit with me in the backseat and you'll find out." You notice that her tone is all cute and naughty. You sit there for a moment, not even being able to move your hand from the stick shift. You know you shouldn't. You should just ignore her and help her to her hotel room, she doesn't seem like the type to push if you tell her no.

Then you begin to think about the consequences—what might happen if anyone finds out. You could get fired. Somehow, someway, despite everything in your living being telling you not to—you step out of the car and you slide the door to the backseat open to get inside just like she told you to. You wipe your palms in your pants and Sana scoots over to you, pulling you in by the lapel of your jacket. Usually, you'd be upset by the rough way in which she's handling it—cause it isn't cheap—but not this time when her lips are colliding with yours.

You kiss her back and it's even better than you imagined. Her lips are so soft and plump there's no possible way that you could ever get enough of them. She hums softly while you kiss her and you reach down to do exactly what you've been longing to—what you've been thinking about since she first stepped out of the car earlier today. You grab her supple thigh and you squeeze it hard, feeling the way it nearly gives in your grip. She moans, then her hand slides down from your chest all the way to your pants. She rubs your cock softly through the fabric and the growl that bubbles in your throat is nearly primal.

Utter anticipation as she brings her other hand down to properly get your pants unbuttoned and your zipper down. She pulls away from the kiss and in the darkness you notice that her lipstick is slightly smudged as she gets her fingers hooked around your waistband "I saw the way you've been watching me, more specifically my body" She mutters as you lift your hips, just so she can pull it down along with your boxers. "My legs, my ass, my tits..." She emphasizes the delivery of each body part as if she were trying to prove some kind of point. When your dick springs out she gasps, then licks her lips before looking back up at you "and I also know you've been like this since the afterparty"

Sana wraps her fingers around your shaft and you can only throw your head back, exhaling softly as you feel the soft warmth of her hands. She begins to stroke you up and down nice and slow "It's your fault" You grit through your teeth to suppress a moan that almost creeps it's way out.

"Yeah?" She giggles as she repositions herself in the car. Sana shifts to her knees and pulls off her coat, letting it fall to the ground before she ducks her head down. She grabs a hold of your cock again, flicking her wet tongue on the head. You get your fingers threaded through her dark red hair and you're probably ruining an hours worth of hard work by her hair dresser but she doesn't seem to mind. In fact, it seems that she likes it.

Sana takes you into her mouth and continues to stuff you deeper "Oh my God" You mutter and she only giggles the best she can with her mouth full of you. The feeling of pure raw pleasure is dizzying, it's the way her smooth tongue drags up and down the side of your shaft as she bobs her head up and down. Then the enhanced sensitivity when it brushes up against your frenulum on the way up. "Sana.." You say her name for the first time and it feels so right, like it's only fitting for your voice. "That's so fucking good"

She moans, then hums when she feels a slight tug at her scalp. It's a silent plea your body makes to urge her for more as the greed overcomes you. Sana acknowledges this, then she begins to suck, creating an almost vacuum tight seal as she bobs her head up and down. It catches you off guard and your hips buck as you hiss at the feeling.

Her lips feel incredible wrapped around your cock. The moist suction has you moaning and groaning uncontrollably like you never have before. You bite your lip and shut your eyes as she goes faster with her hand at the base stroking you while she sucks you off and then her tongue begins to swirl around on the shaft. "S-Slow down" You let out a shaky breath, moaning softly and she releases you with a pop.

"What?" She licks her lips, a devilish smile on her face as she continues to jerk you with her grip tight. Then she playfully flicks her tongue on the tip.

"I'm close" You feel your face burning redder than it already is because she hasn't even done much and you're already about to lose it.

"What? You scared you're gonna blow a load in my mouth before we get to the good part?" You swallow and you open your mouth to say something, but Sana drags her tongue along the tip and you forget it all. She hums at the taste of your salty pre-cum thats been non-stop leaking down your shaft ever since she got her mouth on you. "Listen, this is what's gonna happen" She jerks your cock slowly as she speaks with her voice hushed "You're going to cum in my mouth... then you're going to take me up to my room where I'll let you fuck me senseless. Sounds good?"

You nod your head, unable to form any words as Sana lowers her head again. The moment she gets her warm mouth on you, your cock is already twitching. "Fucking.. hell" You moan, hearing and feeling the muffled giggle she makes on your cock. The way she works her tongue, the warmth of her mouth, the soft feel of her velvety inner cheeks... it's something you've never felt before.

Of course, you've had many blowjobs in the past but this is the first time you're getting one from Sana. You've gotta admit it's the best you've ever had.

The moment Sana begins to suck and swirl her tongue around your tip, you're a goner. She reaches her other hand to massage your balls and in a flash, you're cumming. "Sana... i'm gonna fucking.." When she feels the first rope hit the roof of her mouth, she hums, smiling the best she can as you pulse and throb in her mouth. You can't contain your choked up noises as your body heats up and the pure ecstasy takes over you.

You feel all of it leave your entire being—the frustration and the desire you felt from watching her all day, it washes away in a flash. Sana carefully takes you out of her mouth, making sure not to spill anything before she opens her mouth to show you how much you came. Her mouth's nearly filled to the brim with it. You can only just sigh, a dazed look in your eye as you watch her close her mouth to swallow it all in one gulp.

Sana licks her lips clean, then she leans in to kiss you. Of course, you let her and you don't even mind tasting the remnants of your seed on her lips. Already, you feel your cock hardening again just from making out with her and hearing the small noises she makes on your lips. Her moans sound different this time, it feels more raw and needy rather than cute but it's still sexy all the same. You quickly remember what she just told you.

She wants you to fuck her senseless.

"Let's go" You mutter against her lips before breaking the kiss completely to messily pull your pants up. It takes a moment, but you're able to get yourself together quickly and step out of the car. Outside is cold and windy, it greatly contrasts from the intense heat inside of the car so you shiver a bit, holding your hand out to help Sana exit the car.

When you make it into the elevator, the sexual tension is unbelievable. The only reason why the two of you aren't ripping each other's clothes off is because you have to wait. It's so tempting because you're standing so close together in this empty space where it seems like nobody can see you.

The cameras can

Finally, you make it to Sana's floor and the two of you walk all the way to her room. Sana swipes her keycard and unlocks the door, stepping inside with you behind her. You close the door and as soon as the lock clicks, your lips are together once again. You grab her coat and you push it back to help her get it off. Once it falls to the ground you don't care enough to step around it, you actually step on it as you get her to the bed.

Sana sits on the edge of the bed and you stand in front of her, pulling your lips off of hers as you reach your hand down to her thigh. You squeeze it and for a moment you think about taking her stockings off all nice and careful because you're not sure how much they're worth. Then you end up using both of your hands to rip them apart just like you thought of doing earlier. "Do you know how much this costs?" Sana squeals at the force that you use to tear the expensive fabric as you continue to pull them off.

"No" You mutter, getting her heels off as well. Once they're off, you get your hands on her soft and smooth legs and they feel even better like this.

"Me neither, it was a gift" Sana giggles as you reach to get her safety shorts off and her panties go along with it. You're not wasting any of the precious time you have with her tonight. There's no telling that you'll ever get an opportunity like this again. So you reach underneath her dress and you palm her wet cunt, feeling her warm juices seep between your fingers. "Fuck" She murmurs under her breath and you notice that the confidence in her tone that was just there a moment ago has vanished.

Now she needs you more than ever right now. The tables have turned, now you're the one in control and she's the one who's about to be a mumbling, stuttering mess under you.

"You have no clue..." You mutter when you bury your two fingers inside of her, eliciting a sudden gasp. You take note of how easily they go in and the look in Sana's dazed eyes makes it seem like she's not even there mentally "...what you've been doing to me today"

She moans, then bites her lip as you work your fingers inside of her clenching cunt. "I think i've got an idea" she mumbles, words coming out almost as messy as her make-up looks right now. Sana pulls you closer, then she unzips your fly and pulls your cock out of your pants "You're gonna ruin me with this thing" This sexy smirk appears on her lips and you only bury your fingers deeper inside of her.

Sana gasps, then pulls you by your suit to get you closer to her. "Sure, but first you're gonna cum on my fingers." She whines at this, but you value foreplay. Also, Sana looks too good in this dress for you to get it off of her just yet. Especially when she's got her legs spread for you. You take a deep breath in with your nose buried in her hair and you kiss along the flesh of her neck. Some hair strands get in your mouth, but you keep kissing her there, hearing it in real time as her sounds get needier.

There's no way you can just sit there and ignore the messy noise on your fingers as you pump them in and out of her. She covers it up real well with her pretty moans, but it's almost embarrassing how noticeable it is. Sana is so wet that it's leaking down your hand and staining the sheets beneath her and the dress she's got on. "You're so fucking wet for me, so ready to have me inside you" You mutter it into her ear and the way her body shudders is almost priceless.

Sana nods her head the best she can "Please..." She starts off, hands gripping at your arms . You pull back to look into her eyes "Please give it to me" She begs, giving you a set of puppy eyes that almost makes you question your own judgement.

A low chuckle escapes your lips when you notice the way her legs begin to shake as you glide your fingers in and out of her. You want to watch it all happen, the moment she first falls apart for you. You need to take it all in. This side of her is one that only few people get to see and you're lucky enough to have the privilege of witnessing it before your eyes.

The way her eyes squint as her brown pupils try to keep themselves visible, how her lips part to let out those beautiful high pitched moans. Everything is better this way "Fuck... I'm-" She can't even finish her sentence before her orgasm rips through her. A loud moan escapes her lips and her hips grind forwards.

"There you go, Sana" You hum "Cum for me" As you continue to move your fingers, Sana's eyes clamp shut and she throws her head back with loud moans flying freely from her mouth.

When she's finally done, you have to wrap your arms around her to hold her up. You kiss her again but this time you make it last longer. You move your lips against each others like it's a fight and you know you've won once she lets your tongue inside her mouth. You reach down to take off her belt and you toss it to the side, then you pull down the zipper to her dress.

You break the kiss to help her get it off fully to reveal her strapless bra "Take it off" You step back as you begin to get your own clothes off. Sana immediately does as you say, then she sits herself further on the bed, leaning back on her forearms to spread her legs. She bites her lip softly as she trails her hand down her body to tease as you struggle with the buttons of your shirt.

"Take your time" Sana giggles playfully while her fingers spread her cunt.

Once you finally get your shirt off, you kick off your shoes and you drop your pants and your boxers. There's no time to leave them anywhere else but the pile on the floor because you can barely control yourself when you climb onto the bed to get your body on hers finally. "You're dangerous" You press your lips against hers as you settle yourself in between Sana's legs.

You first notice how she's made you completely forget about using protection. It's a stupid fucking risk—you know it is but you just can't bring yourself to ruin everything and bring it up. She doesn't seem to mind so why should you? As you suck on Sana's tongue you begin to line yourself up with her entrance. It's wet but she's so tight, making it a bit hard for you to get it in smoothly.

To focus, you pull your lips off of her and you look down. Finally you're able to properly guide the head inside of her tight cunt. She moans softly when she first feels the stretch and you groan at the tight grip "Fuck- please don't tease I need it deep"

You're not teasing, you're giving yourself a second to prepare yourself before you sink all the way in. She feels too fucking good, better than you thought she would. You should've known, Sana's full of surprises. The way her walls hug you heightens every sensation and lights each one of your nerves on fire. You need to remind yourself that you can't just stay like that forever. You have to do something to let it be known that she chose the right guy to take care of her tonight.

So you thrust your hips forwards, feeling the way her nails immediately dig into your biceps as a response. She winces as you bury yourself all the way to the hilt but otherwise she takes you very well "You okay?" You ask softly, stopping your own voice from shaking as she clenches around you.

Sana nods so you decide to reposition yourself to sit on your heels, getting a good grip on her thighs before you begin to move. You start off slow, moving at an easy pace so she can get used to your size. "Sana... you feel so fucking good" You groan, fingers digging through her flesh so hard it's leaving red marks on her pale skin.

"Please- Just don't stop- okay?" The look in her eye tells you that she just might cry if you stop, so you speed up a little. Sana's back hits the mattress and she tries so hard not to close her eyes as she feels the intense stretch your thick cock gives her. She loves it.

You watch the way her tits bounce up each time your hips meet hers and you've got to admit it almost hypnotizes you. Her body looks so perfect, skin sleek, flesh red and warm as you give her everything you have to offer—every single inch that the angle will allow—she deserves that much simply for being who she is. A goddess who's decided to bless you with her body tonight.

Her moans fill up the room. At first she was trying to hold them in, now she's letting them out freely. It feels like an honor to hear her get this loud. The people in the next rooms can probably hear how good you're fucking her. It's so obscene and you love it. "Your fucking cock- fuck it's so-" She's barely able to formulate proper sentences, but she can get enough across with one word "Please- Deeper... need you deeper inside of my fucking pussy" She begs "Please.. more"

Without any words you lean forwards, pressing on the backs of her thighs to put her in a mating press. This allows you to get your cock deeper in her and you begin to pound into her roughly in this position. The force of your first thrust knocks the air out of her lungs, the only thing that can be heard are her gasps and choked up moans as you continue.

"Yes-yes-yes-yes-yes-yes" She chants, eyes slammed shut as you fill her to the brim with your balls slapping against her ass each time you bottom out. You can hear the wet sticky sounds getting louder and louder as you fuck Sana. You can also feel her cunt quivering around your cock and you can tell that she's already close again. "Please- keep fucking... Oh my God" She mouths the last part because her voice goes silent against her will.

"Yes Sana, cum on my fucking cock... you know you need to" You groan, feeling your balls twitch as your orgasm is also imminent.

You think about pulling out right after she's done cumming, but as soon as you feel that foreign feeling of her warm, tight cunt pulsing and clenching you, your mind goes blank. "You're gonna make me cum, you're gonna make me fucking- Ah!" Sana moans and she's cumming again, body shaking and stuttering more violently than it was before. She doesn't stop there though, it keeps going for a long while, like you've forced her into an ever-lasting orgasm.

"Jesus, Sana" You moan, thrusting feverishly into her as you watch her entire body snap and unravel before your very eyes. It's the last sight you see before you begin shooting your load deep inside of her without warning. You didn't even notice when you reached the point of no return, you were too focused on Sana to realize just how close you were. "Fuck.. I'm sorry" You slip your cock out and watch as your seed drips out of her.

That's not a sight you were sorry for

Sana only giggles, pulling you back down to lay on top of her again "It's okay, baby" She mumbles before she presses her lips against yours. You make out breathlessly for a little while before Sana reaches down to cup your balls in her hands "You got any more for me?" She asks to which you just sigh without really responding.

With a smirk on her face, Sana makes a move to push your shoulder lightly. You catch the drift and you lay back onto the bed, allowing her to straddle your lap. Her tits bounce slightly with the quick movement she makes as she hovers a bit to get you inside of her again. She holds your cock in place and allows the tip to part her lips just before she completely sinks down slowly until your bodies meet. You see the way her face gives into the pleasure, taking note of how she attempts to hide it before she leans down to kiss you again.

She can't contain the small moans she makes into the kiss when she begins to move at her own pace, hips moving forward and backwards. A groan bubbles in your throat because the way she takes control is destroying you. Sana breaks the kiss and straightens her arms out so she can plant them on your shoulders. This gives her more leverage to ride you a little faster.

You reach your hand around to leave a light tap on her butt, then you end up using your hands to hold both cheeks. They're just as soft as the skin on her thighs and you just can't keep your hands off of her, it's almost like your palms are glued there.

Sana smiles, then guides one of your hands away from her ass. She stops moving her hips for a second as sits still as she puts your hand over her belly "You're this deep right now" She reveals, pressing your hand into her body so you can feel just how deep you are. You don't exactly know what to say to that, Sana once again leaves you speechless.

There's no time to talk though before she begins to bounce on your cock again, this time moving up and down with the roll of her hips. You knew she'd be good at this from the way she was dancing at the after party, it's crazy that she knows how to move her body in just the right ways.

You take some time to admire her entire being, from her beautiful lust-filled eyes to her swollen pink lips. Your eyes drift to her chest and you're stuck staring at her breasts again. You move your hands from her ass and you reach up to grab two handfuls of the warm flesh. "I really can't get enough of your cock" Her tone is so fun and playful when she says it and you can't help but smile back at her when you notice the subtle glimmer in her eye.

She grinds down nice and slow, then leans forwards so your hands slide down to her waist. "and I can't get enough of you" You mutter just before she kisses you again. Kissing Sana feels oddly nice, it gives you this fluttering feeling inside that you've never felt with anyone else before. Your tongues dance together in the same smooth and soft way that she's riding you, matching the pace. It's really slow and almost intimate—as if you're life long partners who already know each other's bodies.

Even if it's not the case you let yourself believe it and live in it for the moment. That's until the unhurried pace becomes unbearable for you. There's a burning desire for her in the pit of your stomach that creeps it's way in and your hips begin to move, thrusting up involuntarily. Sana whines at the first shallow thrust you make up into her sopping cunt and it only tells you that she needs more. "Please"

So you tighten your grip on her waist and you begin to fuck her, rough and fast. Maybe it's the angle, or maybe you've got her close again but her moans are louder this time. She's nearly screaming, head buried into the crook of your neck as you pound into her relentlessly. "Oh- Fuck yes- just like that baby! Please don't stop.. don't fucking stop" She begs you like her life depends on the event that your cock keeps hitting that same spot inside of her.

It's taking a lot of energy and strength for you to hold this position, it doesn't take long before every single muscle inside of you begins to burn and you don't know how much longer you can hold out. The way she's begging keeps you going though, so you don't stop. You push through, gaining some sort of fuel from her moans and the punishing slapping noises that are coming from between your legs.

"Oh fuck- If you keep-" You barely even hear what she's saying so you write it off as dumb ramblings "You're gonna make me-" Then all of a sudden, she gets tighter—so unbelievably tight that your cock slips out of her and Sana squeals then a warm sticky river spills all over your abs as she trembles in your grip.

You slap her ass, a cocky chuckle escaping your lips when you realize that you just made her squirt. "I didn't think you'd be a squirter" You grab your cock and slide it back inside of her, continuing to fuck her as if nothing happened. Sana doesn't respond, the only thing that can come out of her are broken moans that hurt her hoarse voice. Then of course there's the curses and pleas for you to go faster, harder, deeper inside of her. You try your best, but you're only a man after all.

So against Sana's demands, you pull out mostly because you're tired and partially because you were getting close. "N-No... please" She begs, trying her best to guide your cock back inside of her but she can only whine tiredly when you slip from beneath her. "I was so close.." A tired sigh escapes her lips as she lays there all naked, flushed and sweaty.

You stand up from the bed, hand fisting your stiff cock as an idea pops into your mind. You look over to the door to the balcony "Get up" You order, grabbing Sana by the arm and pulling her roughly to help her up because you're not too inclined on waiting for her to register what you've just told her.

Sana only moans softly as you get her on her feet "What are you doing?" She asks as you reach for the balcony door. "Wait- no" She pulls back as you open the door.

"I want you on the balcony"

"But... what if someone sees?" You can tell that she looks a bit scared about it, but it doesn't seem like she'll fight you on it.

"Then i'll make sure we give them a show"

Sana just looks as you, blinking as if she didn't hear what you said. However, when you pull her through the door and into the cold night she doesn't resist. Sana lets you bend her over the black metal railing where she's exposed to the entire city. You guide your cock to her entrance and you slide yourself in nice and easy before you grab her by the arms.

That's when you begin to fuck her from behind with the view of Milan before you. With her status, you can't deny the fact that you're surprised that she's actually letting you fuck her out in the open like this. It's reckless, it's degrading, it's slutty and maybe it's everything she's ever wanted.

The noises your hips make on impact with her soft ass are so loud that you're sure it can be heard on the ground but still you don't slow or stop. Sana's trying her best to keep quiet, but she can't help the whimpers and the whines that escape her lips when the head of your cock nudges past a specific spot inside.

You watch how perfect her body looks while she's being fucked like this. It jolts forwards with each thrust, her head unable to keep still from the force. Her ass jiggles each time you make it to the hilt and the way the skin ripples is almost like water. Then there's the perfect shade of pink her skin has blended into from everything.

You're quite literally fucking her senseless, just like she asked you to and she's fucking loving it.

There's something that you don't quite like though—she's too quiet. So you let go of one of her arms to instead thread your fingers through her hair to get a firm grip on her scalp. You pull Sana's head back and for the first time, she moans out loud. "Go ahead and let it all out darling" You hear her gasp and then, like you've flipped a switch in her you feel her juices spilling between her legs and staining the floor.

Maybe she took your words literally

You decide to keep your hand in her hair because she obviously likes it and you tug a bit harder just to test things out. Sure enough, she moans even louder than before and so you reward her by changing up the pace. You slide yourself in all the way, deep and slow to ensure that she feels every single throbbing inch of you.

The way she clenches around you doesn't help in the slightest, in fact she's already got you nearly ready to burst. Sana's pussy just feels too good. It's so unbelievably wet, warm and tight and each time you pump into her you feel some sort of obligation to savor the moment. "Look at you, Sana... you take my cock so fucking well" Your words make her entire body shudder "I wonder what people would say if they saw you getting fucked like this"

Sana only gasps, words getting caught and stuck in her throat as your cock slides in and out of her. "If they could only hear how wet you are for my cock right now" You mutter, speeding up just a little bit, hearing her whine and moan into the night.

"Please- please fuck me faster" She finally musters up some words and of course it's a plea for you to continue your punishing pace from before. You only hum as if you couldn't hear her, tugging on her hair again for emphasis "I said I want you to fuck me faster! Just fucking- please! I need your cock pounding into me until I can't speak anymore"

You chuckle, then you begin to slam your body into hers at full force "Like this?" You grunt shakily because this is a real work out for you.

"Oh- fuck yes" She nods "Yes, that's right fucking destroy me with that big cock of yours" She moans loudly and you let go of her other arm just so you can slap her ass again so hard that it leaves a red handprint behind. You then grab her waist, allowing Sana to use her hands to brace herself on the metal bars on the balcony in front of her. "You're so fucking deep- fucking stretching me so good- just like that baby! Don't stop, please don't fucking stop"

"I wouldn't fucking dream of it" You growl "I'm going to make you fucking cum on my cock for the entire world to see"

"Fuck- yes please!" Sana's body begins to shake uncontrollably in your grip and her legs go weak. So you hold her up and you continue to pound into her. "I'm so fucking... close" Her moans sound loud and labored now, like she's maybe two seconds away from giving in.

Just a few more hard and rough strokes and... "Oh shit- I'm cumming baby!" She keens with her body nearly seizing in your grip. You let go of her hair and you wrap your arms around her weak body to hold her close, grinding your hips into her to help her ride it out.

"Don't worry Sana, I've got you" You whisper sincerely as you allow her to fall apart in your arms. You feel her pulsing wildly inside and it's only a matter of time before it's your turn.

"Fuck! Fuck! Fuck!" She moans wildly as you thrust into her slowly all the way until you stop and then you pull out. You don't waste any time to spin her tired body around and pick her up, holding her by the thighs as she wraps her legs tightly around your waist. You slide yourself back inside of her familiar cunt that's now shaped of you. "Oh my fucking god" Sana bites her lip, wrapping her arms around your neck.

"Sana" You mumble through your heavy breaths "I'm going to cum inside you again" You warn, knowing that there was no other appropriate place to do it tonight. By this time you've forgotten about the freezing temperature and all the eyes that could be on you right now. All that mattered right now was Sana, and the pleasure her body was giving you.

"Yes!" She moans as your cock glides in and out of her "Please fill me up! Give me everything baby.. need to feel your warm cum deep inside"

You feel your balls twitch and that's when the first rope shoots out and pools inside of her cunt. "That's right baby" Sana coos and you groan deeply, thrusts getting messy and indirect as your cock pulses out endless ropes of cum inside of her. You're stuck in a different realm, head cocked to the night sky as your vision goes blurry and your lips part to let out the only noises you can make.

You're stuck like that for a while before the wind of the cold air hits your body and you begin to shiver. So you carry Sana back inside of the room, closing the door behind you before you lay her body onto the bed. You crawl in after her and you end up falling asleep in each other's arms.

-

You're woken up in the morning to some persistent tapping on your arm. You groan groggily and your eyes flutter open "Hey, get up. You have to go" You hear her voice and your ears perk up.

"What?" You mumble, sitting up and wiping the sleep out of your eyes. The sight before you is pure beauty. Sana's fresh out of the shower, wearing a robe with a towel wrapped around her head.

"My manager's coming over soon to take some pictures and stuff, so you have to leave" She repeats once more.

You nod your head, then you remember everything that happened last night. It's like the flashes of random moments and echos of her beautiful moans that you hear faintly. She's about to walk back into the bathroom but you stop her "Wait" She turns around upon hearing your voice, a kind of impatient look on her face as she waits for you to say something "Last night was... amazing"

A small smile forms on Sana's lips "Yeah it was, handsome" You smile a bit when you hear the nickname she gives you. "But seriously, you've gotta get your things and-"

"Will I see you again? How long are you staying in Milan for?"

"Not long, I've got to get back to Korea in a couple of days" She shrugs, then gives you these pitiful set of eyes "and no, we probably won't see each other again"

For some reason, her words feel like a punch in the gut. The thought that you'll never see her again after everything that happened just hurts. "You've got someone waiting for you back in Korea?" You break eye contact, not being able to stand the way she's looking at you. It's more of an assumption than a question because you've already made your mind up. She's probably got a nice guy waiting for her back home and you were just one fun night for her.

You notice how she practically ignores the question before she sit's at the edge of the bed "Listen, you just gave me a night that i'll probably remember for the rest of my life... but I hope you can understand that that's all it was. One night."

So with that, you left

You didn't argue, you didn't get upset and you didn't sulk about it. You just gathered your things and left without even a number. You still think about her often, mostly when you see her on the news or when you see someone that slightly resembles her. 

Sometimes you smell the scent of her shampoo or her perfume on someone else and it takes you back to that night, leaving this sinking feeling in your chest. Maybe it's your mind playing tricks on you but there's been a few instances where you could've sworn you heard her voice or maybe even her laugh.

It's embarrassing to admit but you've spent so much money to only see her whenever she goes on tour. You get barricade in hopes that she'll remember you and you can recall a time that you think you made eye contact with her but she gave no reaction.

You miss her.

You spend almost every night replaying the one you spent together, wondering if you could've done something to make her need you. 

[felikatze]

QoL as Kindness: ISAT's diagetic tutorials

This is the hopefully first of a series of posts I'll be doing reinterpreting ISAT's Loop through the lens of START AGAIN: a prologue's context. As such....

Major spoilers for both ISAT (all acts, including optional content) and SASASAP (all endings).

One of the biggest differences between ISAT and SASASAP is it’s QoL – it’s Quality of Life. QoL refers to all the little things that make a game just that little bit more playable; quick to navigate menus, quicksaving… tutorials.

It’s not really a surprise that SASASAP is as RPGmaker as RPGmaker gets. This isn’t a criticism, just an observation, and also a compliment to how much Adrienne’s skills with the engine improved between releases. Still, there’s some things that ISAT has over SASASAP.

ISAT’s QoL is absolutely essential to making it bearable. Anyone ever watch an ISAT playthrough where the player sighed in relief as the tutorial on picking where you loop came up?

SASASAP lacks a lot of ISAT’s QoL because it’s an earlier project without a studio backing it, but what impresses me is how this change ties into narrative.

Because the greatest chunk of ISAT’s greatest QoL is provided by Loop.

Even before you ever meet them, they’re already over your shoulder. Loop is the tutorial, speaking to you inside your brain. It’s genius, in that no player is ever going to question this. Hell, SASASAP’s movement tutorial is the exact same thing with less flavoring

This reframes what the QoL is – it’s not just a convenience to the player, it’s a convenience to Siffrin, too. It’s diegetic. It’s not something the game is giving you, it’s something Loop is giving you. Let’s look at what Loop gives you, and more importantly, why.

Zone Out

The first of the QoL features I want to talk about is the Zone Out function, the absolute bread and butter of not making this game a total slog.

The Zone Out feature as is did not exist in SASASAP (because Adrienne didn’t know how to do it yet) – instead, some doubled scenes let you just skip them entirely outright. There’s only two extremes: listen to all of it again, or none of it.

ISAT’s zone out system is much more dynamic, since it fast forwards dialogue line by line, letting you zone in whenever you’d like, and forcing you to zone in whenever a) something notably new happens, or b) whenever Siffrin speaks.

The way this feature is introced by Loop is kind of genius. Because Loop’s tutorial is about one thing – it’s okay to skip.

“You might miss what your party is saying, but who cares, right? If you make them mad, you can always loop back and they'll have forgotten all about it!”

It’s a cruel joke, or at least it seems that way on the surface. It’s also genuine advice. And a cruel joke at the same time. For Siffrin, freshly starting the loops, this is scandalous, but for Loop, who’s long since desensitized, it’s the same old same old.

What Loop’s doing here, by joking about Siffrin not listening to the party, is alliviate Siffrin’s guilt when they inevitably take Loop up on the offer. Because, even though Loop loves their party members…

From SASASAP, when sitting outside the bathroom:

(Will you get farther this time?) (Will you live this time?) (Or are you stuck listening to the same lines forever?) (…) (Stars, you’re so tired.)

Loop knows intimately well that Siffrin is going to drive themself insane trying to be a people pleaser every single loop, so this joke is telling the outright – don’t bother.

At first, Siffrin (and the player) still might. I really enjoyed reading the same conversations five times minimum because they’re fun and I’m deranged, but at some point I did start skipping them. And it was a relief to know there wouldn’t be anything new.

Siffrin: “Should I check everything again?” Loop: “You mean, should you check the same barrels, the same closets, the same objects on tables every loop?” Loop: “I mean, you can, but… You know things won’t change, right?” Loop: “If you really want to get a certain item again, or listen to your friends repeat something funny, you should!” Loop: “I personally would only check two or three things every loop, and ignore the rest.” Loop: “It will just make you crazy to expect something to change, when nothing will.” Loop: “All that might change is your reaction to it!”

The game is telling you, Loop is telling Siffrin, don’t drive yourself insane playing, please. The characters aren’t going to remember if you skipped something.

In the course of my script wizard activities, I’ve gotten an in-depth view of just how much that actually holds up. Pretty much all major differences are by Act, unrelated of how often you’ve done something. Minor variations apply for other things, but… those variations are minor.

And this also points out what all those variations are. Siffrin’s reactions!

Loop’s pre-empting Siffrin’s guilt, cuz they probably felt it themself. Hell, we do know they felt the pressure to perform and make sure nobody notices anything’s wrong, in SASASAP! Right up until the finale, Loop was driving themself up the wall.

(You have to act, you can't crack, you have to fake it and play it exactly as you did the first time for the whole way through so your friends don't find out anything is wrong) (You don't want to know what would happen if they knew their quest was in vain) (If they knew their quest for justice and change always ends in stillness and death!)

Acting everything out perfectly is one of the ending paths for SASASAP, which results in… complete and utter failure. Obviously.

(You acted perfectly normally, didn't you?) (Nothing out of place, nothing weird, every line the same as it might've been the first time?) (Ah…That was your mistake, wasn't it…?) (Because… Didn't your very first time… end exactly like this?) (The King throws the Housemaiden's body onto the floor again.)

Zoning out for too many conversations actually awards weird points in SASASAP, locking you out of the Perfect Ending. On the other hand, acting “perfectly” in ISAT… has no awards whatsoever. No special scene or or optional event or anything at all. You get nothing for paying attention!!!

So spare yourself the pain already, m’kay?

(On that note: I don’t think Loop not being sarcastic about it would’ve like… worked. At the start of ACT 2, Siffrin isn’t going to believe Loop when they say “Stop forcing yourself to relive the same thing over and over because you’ll start seeing your friends as disposable actors and lose touch with reality.” That all comes later, when Siffrin can look back on Loop’s words and see how right they were.)

Loop Back

The second biggest sigh of relief in any given ISAT playthrough is probably this specific tutorial.

Loop graciously shows you that you don’t need to loop back all the way to the beginning every single time. You can pick and choose where to go, even going forward by paying up with Memories of Skirmish.

This is a feature SASASAP does not possess, for the reason that it is much, much shorter, only covering about as much as one floor of ISAT’s three floor House.

But… since this is a character showing this to you, Loop showing this to you, we can ask… when did Loop learn this? After all, START AGAIN, Loop’s loops, do not have this feature.

“It'll save you time, so it's important, so listen up!”

This feature not existing in SASASAP means this is a thing that Loop did not know exists during their own time as Siffrin.

And that’s just the thing, isn’t it? SASASAP’s Siffrin does not know how to do this. They cannot pick and choose where they end up, as demonstrated wonderfully by SASASAP’s True Ending. There’s an even more wonderful implication, though –

On SASASAP’s Perfect End path, when exiting the final room before the King, Isabeau says this:

Isabeau: “…I'm glad you're feeling better, though!” Siffrin: (…?) “What do you mean…?” Isabeau: “Oh!!! Um, you were…” Isabeau: “Well! You were acting a little weird when we were way closer to the Castle's entrance……” Isabeau: “You weren't really listening to us, you were kinda smiling the way you do when you're actually not happy…” Isabeau: “…and you like, almost acted like you knew exactly where you were going?” Isabeau: “But clearly you're feeling better now! You're acting just like normal!!!”

SASASAP’s Siffrin knew how to do this, somehow managed to lock themself into the House’s last floor… and then forgot how to get back. By making this tutorial, Loop is ensuring that Siffrin never will.

“What can I do next?” – SASASAP’s greatest flaw

So, if you’ve had the pleasure of playing START AGAIN START AGAIN START AGAIN: a prologue yourself (as you should), then you’ve probably faced this scenario, or some variation of it:

I got to the end, I died to the King, but… what do I do next? The game tells me to go for the extremes, but how do I do that?

(edit: apparently some of yall just managed to speedrun sasasap in two loops. You're gonna need to stay with me here, please. Suspend your disbelief a bit, because a lot of people [including me] were dumbasses about it)

Maybe you try another loop, but just get the same ending again (or a differnet one, depending on a coinflip). You’re getting frustrated. Getting the Perfect Ending demands pinpoint precision to avoid everything weird, the True Ending demands good memorization of every single damn key in the game, and the order you do everything in. (Though, to be fair, the requirements on that one are actually more merciful than one might expect.)

Point is, in SASASAP, it’s incredibly easy to get stuck in that endless loop of “What the fuck do I do now?” It’s not uncommon to think you got it right only to get the same result anyways. What does one do in this situation?

They consult a guide, obviously.

START AGAIN’s ending requirements are frustrating. They are. When I tried to go for either the Perfect or the True Ending, I saved inside every single room, just so I could get right back to it when I inevitably fucked up five times minimum. This is both criticism… and praise. Because Loop is the major reason that ISAT does not suffer from this same problem.

Whenever you’re stuck in ISAT, Loop is just a single loop or call away at any times. And besides that, no plot requirement in ISAT demands nearly as many moving pieces all at once as SASASAP does – the “Sus Route” has been relegated to an optional ACT 4 exclusive event, instead of the game’s True Ending.

Instead of consulting an external guide on how to progress, you have one right there in the game, always ready with the next tip. They’re not infallible, mind you – enough time in Isatcord’s #game-help proves that, but Loop solved all of the moments I got stuck and frustrated in ISAT for me.

(Primarily that one time you need to figure out that a photo is similar to being stuck in time. That moment in particular is actually commendable, as you need to ask Loop about it twice before they tell you, leaving you a last shot to try and figure it out on your own.) Loop is a feature that nullifies SASASAP’s greatest flaw in its successor, and they choose to do so.

Memory of Keys

In my humble opinion, Loop does this because… they do not want Siffrin to suffer as they did. They want Siffrin to escape. And there is no greater example of their kindness than how Loop treats keys.

First of all, all keys in the game have a sparkling effect on them if you’ve picked them up at least once before, making it immediately clear where in the room they are. This means you don’t need to search every single room top to bottom for them, as you had to do for any keys and Star Crests in SASASAP. It’s some nice QoL that just means you don’t have to re-search the same area if you happened to forget which specific cupboard the key was in.

Key point being: SASASAP did not have this feature. In SASASAP, you did have to memorize where all the keys are, and doing so is expected if you want the True Ending.

Loop does not want Siffrin to have to do this. Because…

From SASASAP’s True End:

(The torch in the infirmary? That’s important!) (The key in the book? Soooo important.) (The names of your friends, that have been by your side throughout this entire adventure?) (Not worth remembering.)

Compared to ISAT’s ACT 2:

Siffrin: “How come I can see where the keys are?” Loop: “Whaaaaat? You caaaaaan? How can that beeeeeee?” Siffrin: “Is it thanks to you?” Loop: “Maybe.” Loop: “I figured you'd have other things to worry about than where a stupid key is.” Loop: “No need to thank me.”

To Loop, that they memorized the House’s layout over their friends’ names is a defining moment to their own failures. After all, in all likelihood, the True End of SASASAP is the last loop before they called it quits. It’s a traumatic experience from them, one that came from having to remember all the dumb fucking keys.

They do not want Siffrin to experience this. They do not want Siffrin to have to memorize the House, to push away what actually matters in favor of efficiency. So Loop is directly, personally, giving them a boon, so that Siffrin does not have to.

Conclusion

There’s probably more tutorial things I could talk about, but I feel like you’re seeing the pattern now, even if I don’t bring up saving level ups or keeping equipment or the “You’re stuck” signifier, least of all cuz they don’t have direct points of comparison with SASASAP like my other examples do (SASASAP has no changeable equipment, and saving levels doesn’t matter if you only have one floor, and you can’t softlock either.). So.

Loop’s tutorials all belie a fundamental kindness to their character. Everything that made their own experience trapped in the timeloop just that bit worse, they’re choosing to do away with it for Siffrin. They are choosing to make Siffrin’s time here easier.

Zoning out too much lead to them never paying attention to their friends, forgetting their names, so they make sure that Siffrin can still zone back in whenever something new happens.

Loop trapped themself for years on the final floor, locking themself out of progress that might lie further back, so they’re ensuring Siffrin knows exactly how to loop forwards and backwards so it doesn’t happen again.

Loop lets Siffrin keep equipment across loops to cut down on time spent doing the exact same thing over and over.

They are saving Siffrin time, and they are giving Siffrin comfort. At every single turn, Loop is saving Siffrin from the same pitfalls they fell into without anyone to guide them out.

It's honestly incredible to transform an increase in skill into an actual narrative element. Yes, SASASAP sucks more to play. But ISAT sucks less, because Loop wants it to. It's the perfect marriage of real world circumstance and storytelling. I could... probably pull another comparison here, saying it's like a game and its remake - overhauled graphics, expanded story, and loads and loads of QoL, because the makers of the remake realized something. They love the original, but parts of it do suck, and there's so much that can be done to make a new player's experience smoother. Metanarrative commentary,,,, woah,,,,,

Every single one of these QoL elements I’ve mentioned function as a crutch for a player’s failing memory, but also Siffrin’s (similar to what I talked about in my previous essay on ISAT’s ludonarrative - the player and Siffrin are always in sync, even in how tutorials benefit them). Loop doesn’t know the player exists though (only the Change God does), so they do everything for Siffrin.

To keep Siffrin from forgetting. To help Siffrin focus on what’s important. To make Siffrin’s journey just a little bit less miserable. Loop directly improves ISAT’s QoL. For you. For Siffrin.

From Loop’s introduction:

Loop: “See, I’m useful! I’m very useful! That’s why I’m here, helpful Loop.” Siffrin: “Why are you helping me?” Loop: “…” Loop: “Because I think you should be helped.” Loop: “I won’t always have the answers, but… I think having someone on your side to talk to is better than dealing with this alone.” Loop: “Right?”

From Loop’s hangout:

“But it’s fine.” “Whether you believe me or not, I’m here to help you.” “So you can escape this loop.”

And finally, from the start of ACT 3:

Siffrin: “Are you really here to help me?” Loop: “Stardust…” Loop: “…” Loop: “Yes.” Loop: “If you can believe anything, believe that.” Loop: “I asked to be here, so I could help you.”

And I do believe them. Loop’s feelings on Siffrin are… complex, to say the least. They love Siffrin, and they hate him in equal measure. They’re jealous, and spiteful, but underneath everything…

In SASASAP, if you die to a Sadness thrice, you get this monologue:

(Sometimes, when you loop back here…) (In the corner of your eye, you can sometimes see someone that looks just like you.) (Is it a you from another loop? Remnants of your past failures?) (Are you going crazy?) (May they succeed where you cannot.)

[acid-ixx]

Ghost-Anon here!! 😋

Ooof the new chapter was good! I especially loved the part where Dick goes kinda nuts after Reader blocked him (as deserved :p ) more so I’m so excited for Yandere!Damian too xD

hii !! tysm for enjoying the first chapter ^^ i was afraid that i wrote dick's descent to madness too quick but then i realized that "oh yeah it's literally dick we are talking about, times where he is at his limits are times where he lets the emotions control him." dick really does love his family, as proved in the comic panels i have read, and I don't like how most other comics picture him as just this silly guy who never gets mad at anyone.

he had his immense bouts of anger and frustration, it would be worse if it was caused by you, directly or not. the thing is, he understands where you're coming from. one of the things about dick grayson is that everyone loves him but himself. he has flaws that take a lot to fix, and they simply worsen when it comes to you because he had caused the same mistake bruce has committed. he was the same guy who criticized his own father for his mistakes, angered by jason's death and killing the joker after tim's own 'jokerfication' and yet he had never once noticed your demons, he allowed the world to take you away and destroy you; a crime greater than anything he could imagine.

the worst thing was, he was the same brother who had led your hopes high and crashed it at the same time. dick is the man who was described to be giving empty promises to you. it's bad enough that bruce had never even known about your presence, had never once talked to you, but dick had every opportunity to grab because truly, you saw him as your favorite before anyone else. everyone praised dick and you wanted the same praise from the next thing closer than your father— and he failed because he never tried, he failed his cute, little baby bird.

he knows that he needs to make it up to you before it gets worse but he also doesn't know that it's already too late.

you don't see him as the dick grayson. you don't see him in any positive light anymore other than the sheepish grins he would give you right after he rejects your offers.

if he wasn't so damn stupid, then you would've been there with him, at the mansion flipping through movies, pranking each other, throwing flour at one another when you bake, decorating your next diary entry with him.

and he needs to experience all that because you're the only normalcy that life has to offer. he momentarily relishes in the fact that you think so highly of him, but he breaks at the same time because all your other diary entries began to paint them all as your demons.

dick would ward the monsters away from you, he promises.

and this time, he genuinely means it.

i am so excited for yan! damian too! i wrote his character to be terrible towards you (he doesn't know he's self-projecting lmao) but i had hinted in one paragraph of his relationship with the reader. you see, most of his feelings towards you may have stemmed from some sort of jealousy, or the feel the need for competition. he had already fought tim before, it's only right that you get to experience the same pain— and i'm not expanding on this because then it would spoil the future chapters hehe, but i'll be giving one small spoiler and say that damian would go through some sort of immense, internal breakdown at the thought of you.

[lunarriviera]

yet another shen yi meta [uts2 spoilers]

hi hey hello everyone i continue to be tormented with obsessive thinkings about s2 Shen Yi so i must holler about them/him some more, feel free to stop reading if you have not watched through approximately episode 11 which is where i still am. it's taking me longer to watch because i keep pausing to rewind/screenshot and/or weep in anguish about Him and What He Is Going Through. and how NO ONE IS PAYING ATTENTION. or insufficient attention. cf. Ryan Gosling in the Papyrus sketch screaming WELL IT WASN'T!! ENOUGH!!

[more. much more. behind the cut]

let's start here, with shen yi's artwork. in this scene he competed with AI to paint a chosen image and, surprising exactly no one, he won, partly because he's brilliant but tbh mostly because AI art is garbage and always adds dolphins, rainbows, and hands with six fingers.

but here's the thing: is no one going to question this? does anyone think to themselves "ah yes, shen yi is absolutely the BEST person in the world to make a painting in 30 minutes that depicts, quote, a lonely man on a beach." so here is this miserably hunched, despairing figure, surrounded by murky howling early-picasso blue, LOOKING IN FACT QUITE A LOT LIKE SHEN YI HIMSELF—even dressed like him (in the snowy white and dainty pastels he seems to favor this season)—and not a single person thinks: huh, wonder if this guy's okay?

in fact s2 seems to be repeated evidence of the fact that shen yi is Very Much Not Okay, and yet no one is really paying attention. he supports everyone else emotionally and they all seem to assume he either a) has no emotional blowback to deal with, or b) can deal with it himself unaided somehow. (through painting, maybe? but have you seen what he's painting lately? e.g. monstrous abusive parent figures, in some kind of breathless fugue state during which he can psychically hear lines from someone else's traumatic childhood?) he goes to li han's house to help her, which is so like him, and he says:

oh! you might think. well, maybe he will self-disclose a little? tell li han about some of his own personal difficulties that he's had to overcome, just to bond with her, get her to open up? HAHAHA ARE YOU NEW HERE, of course he doesn't, he just listens to her while she sobs out her tragic backstory, gives her a tissue, relates her struggles to a vaguely terrifying metaphor of his own device about a sealed room filling up ineluctably with floodwater, then smiles and takes her out for pizza. (totally unrelated but wow the product placement is heavy-handed this season. xiaomi! pizza hut!)

since we're talking about the li han case, consider this moment, too, when he interprets someone's house-person-tree drawing. does no one ever think, "for someone who talks constantly about love and connection, how interesting that shen yi has no family, refuses to date in very pointed and deliberate way, and lives alone with a cat."

shen yi knows all about love! never shuts up about love! constantly dispensing bromides about what real love should be like! and wakes every day ALONE from horrific guilty nightmares ft. creepy small girl in blood-red dress, pls will no one help this man pls he's drowning.

couple more bits and then i swear to god i'll shut up i'm starting to feel really stupid. but first consider this little story, in three parts:

"an image of despair" um okay well…technically it's just a dead body, albeit after a fairly grisly stabbing, but sure go off i guess

2. du cheng: wow even for you that was unusually poetic and weird

3. also du cheng: back to investigating the murder i guess [wanders away]

this kind of thing happens again. and again. either no one notices assorted horrified/devastated expressions on shen yi's face (in the way of classic extradiegetic reaction shots, where the camera sees them—we see them—but none of the characters onscreen do) or, when du cheng does notice, he's immediately distracted by his actual job, and/or the fact that he doesn't really know how to help his partner, because lbr he has all the emotional intelligence of a pony.

one more mini-story in three parts, and then i really will put a sock in it:

shen yi: why, what did i do. why are you looking at me like that

2. du cheng: bc you just lied your whole entire face off with alarming unsettling proficiency, since when are you that good at being dishonest

3. shen yi: hehe

in an earlier episode we also saw shen yi shouting at a suspect in the interrogation room, so convincingly that afterwards du cheng admits, you scared me. lol! says shen yi in carefree manner, i learned that from you! haha! agrees everyone, and they go about their business.

but ghastly things keep happening to and near him. at least once per episode, shen yi makes a face like this, because people are jumping off cliffs in front of him or abruptly smashing things with hammers or just lashing out with all kinds of antisocial behaviors in his vicinity:

to be fair, he has other expressions. for instance he also repeatedly employs his patented creepy ruthless smile, of the "i am going to fuck you up" variety, an expression reserved especially for criminals:

as well, i'm also leaving out all the ridiculously adorable/domestic scenes with him and du cheng, in which they share candy, roast each other about assorted nonsense, briefly co-parent a child, and, you know. are just generally disgustingly married. but that's a different meta.

also, admittedly du cheng does SAY things. he says, "are you still having trouble sleeping," he says "do i not care about you?" and "don't push yourself so hard" and "if you run into troubles, don't try to take them on alone." (i am sparing you all these screenshots since this is a meta about shen yi but trust me i have carefully accumulated every single shred of evidence in which du cheng is protective.) but, as frequently as du cheng expresses concern, he also just keeps clapping shen yi on the shoulder in a brotastic way and then strolling out. which i fear is just not going to be adequate. ("i don’t think this is literally papyrus. maybe that was the starting point but they clearly modified it?" "well whatever they did, IT WASN'T!! ENOUGH!!")

i leave you with two final images of shen yi, seen here continuing to be very much Not Okay, and to quote the bernie meme, i am ONCE AGAIN ASKING YOU, drama, is anyone going to care enough about this man to stop him going over the edge of the cliff with Evil Art Critic Eugenicist Moriarty Weasel Man? because he will, he will do it. because he's lonely and he's misunderstood and he's—

[cane comes out and drags me offstage]

[etfrin]

❝ꜱᴏᴜʟꜱ ᴛᴏ ᴄʀᴜꜱʜ❞ — chapter nine | coriolanus snow

「ᴡᴀʀɴɪɴɢ:」 SFW | Coriolanus, hints of somnophilia/non-con [spoiler! Coriolanus steals some kisses while reader is asleep, and reader kinda does the same] | lmk if I missed anything

「ᴘᴀɪʀɪɴɢ:」 young! Coriolanus Snow x fem! Reader

「ꜱᴜᴍᴍᴀʀʏ:」 Coriolanus leaves you to check out the arena, the night before the games and... WELL... WELL... you find him!

「ᴀ/ɴ:」 for those who asked, i tried my best to deliver, please give me your feedback and reblog! Thank you!

Beta read by the FABULOUS @nowitsmissing

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Coriolanus Snow left you alone. He had to sneak out and check out the arena. The Hunger Games would continue forward. He needed any leverage he could get. Even if it meant to leave your side for the night. He found his clothes in the same bag that you had kept empty of food in. He changed into them.

He bites his lower lip to distract himself from the pain. This was of higher priority. He could rest when he wins. At least, that's what he tells himself as he finishes buttoning off his shirt. Before he could walk out of the room, he leaned down. Your eyelashes were big up close, and so, so enchanting. He felt annoyed that he noticed such a minuscule thing. It was not of importance how long or short your eyelashes are, they added to your beauty.

He couldn't talk himself out of it, he pressed his lips to yours. Your lips were soft. Your lips were perfect. Your lips were poisonous, and addicting because how could he ever stop himself after he already had a taste? So he pressed another kiss to your lips, a bit harder than the previous peck. He pulls away with a gasp and swallows his shame roughly.

“I'll be back,” he whispered to you before he pressed another kiss, unable to stop himself. There was nothing friendly about this. This was a man at the edge of the cliff, one more step and he would fall into a pit of obsession. Nobody can drag him out of it. He barely stops himself from stealing another kiss from you. He forces his legs to walk away from you, it pained him more than any of his physical wounds.

The security around the arena was nonexistent, each peacekeeper in guard sleeping. He slipped right in, checking out the debris. The middle of the arena had huge blocks of fallen pieces of debris, all the weapons will be placed there tomorrow. He checked out around the area and found tunnels to go under and even a vent to hide in.

He turned around ready to leave and relay all of this to Lucy Gray Baird. However, an uncharacteristic yell leaves his lips as he sees you. Your arms are crossed in front of your chest and your face in a frown. So unlike how he left you on the bed resting. He swallows and wonders briefly if you informed anyone of his breaking. He was also curious about how you found him.

It's not like he has a tracker on him, right?

“How did you find me here?” He asked, nervous and tried not to fidget too much.

“I just thought ‘What is the most stupid thing Coriolanus can do?’” your voice turns sarcastic, “Surprise! It led me here.”

“Very funny,” he mutters, not amused at all, “And it's Coryo now.”

“You lost your ‘Coryo’ privilege, Snow.”

Guess he will just have to earn it back.

He pouts, knowing exactly why you were mad. But certainly, you could see the reason why he had to leave despite being freshly injured. He had to survey the place! Get leverage! He has to win at all, otherwise, what's the price of his life?

You walked up to him, pulling him down by his shirt collar. His breath hits your lips. And he could kiss you again. Of course, he didn't. He wanted to steal another kiss so bad that a soft nearly audible whisper of your name fills the air.

“You didn't even leave a note or a warning or anything.”

“Sorry,” he whispered, hoping that apologizing despite not regretting his actions would fix everything. Or at least get his nickname privileges back.

You scoff, “You don't even mean it, Coryo.”

You called him Coryo again, he didn't need to mean it. He would take the win. He gives you a small smile. “I am sorry,” he repeated, trying to put some heart into it.

“A liar and a thief,” you whispered, your eyes glinting with an emotion he couldn't decipher, “Truly one of a kind you are, Coriolanus.”

He frowned. He understood the fact he was indeed a liar. But where did the talk of being a thief come from? Before he could question you further about calling him a thief. You begin to drag him back into your car on the cold night. He sits at the window seat in the front, you beside him. He didn't ask if you had a driver's license. He felt like he was better without knowing.

“Was the Zoo the next location?” You asked your tone on edge with leftover anger over his actions.

“Yes,” he replied with the gentlest tone possible, not wanting anything to trigger an eruption. He fidgeted with his hands, wondering why he had come here when he could have used the night to steal kisses instead. When he could have slept with you, his arm around you and your heartbeat matching his. Such an ideal night, and he ruined it.

“So what did you find, pretty boy?” You asked.

He blushed at the nickname you called him. He doesn't give attention to his heated cheeks as he replies rather enthusiastically about everything (not everything, he kept some places a secret, only for Lucy Gray's ears to hear) and strategies (again not all of them).

You even add some pointers along the way. And he enjoyed the conversation thoroughly. He never thought he could connect with you like this, but he couldn't deny that he was happy about it. His lips stretched in a grin as you both discussed plans for Lucy Gray to win.

“Don't you care about Jessup?” He asked, the chain of conversation interrupted because he wasn't the only one with tribute. So why were you helping him?

You looked at him briefly before looking forward again. “You and I both know that poor boy is as good as dead,” you said, your voice hard, “I would rather let you win instead if I am out of the games.”

Coriolanus nods at the answer. That was understandable. “I am sorry,” this time he meant it, “I should have woken you up,” he looked at the window, ashamed, “It was a foolish thing to do to leave you alone without warning.”

“I am glad you have the brains to understand what you did wrong, and the guts to admit it,” you said, and he felt proud like he got the hardest question in an exam right. “You're forgiven as long as you don't do it again.”

He nods but doesn't make any promises. He did what he had to do. He will do it again, and take you as company the next time. That way he's not fucking up.

Soon, the car reaches its destination. He gets out of the car and you decide to stay, parked in front of the zoo gates. He quickly decided to only tell the key points to Lucy Gray because he refused to let you be alone for too long at night.

He walked into the zoo and reached the cage where he called out the Songbirds’ name. Lucy Gray appears before him with a concerned look. “Is everything alright?” She asked.

“Yes,” he confirmed and began to explain. He said not to run towards the weapons first and go to the hiding place. He tells her to wait it out and a few more strategies so she has better chances to survive and he has better chances to win. He doesn't notice Lucy Gray's tears but a sob catches his attention.

He's annoyed because it's time to listen to him and not be a child if she wants to survive tomorrow. Instead, he gives her a handkerchief he found in his pants pocket and hands it to her to wipe away her tears. He softens his tone and speaks slower. Even using easier terms to make it look like child's play.

Lucy Gray nods and agrees to his plans. She returns the handkerchief and he stuffs it back in. “It's going to be fine,” he said, “You're going to win, Lucy Gray.”

“I can pray, Coriolanus,” Lucy replied, her voice vulnerable in a way that reminded him of the fact she was a teenager like him. She even had a soulmate, Sejanus Plinth. And she loses it all if she doesn't win tomorrow.

“You will win.” He will win.

And with that, it's goodbye and Coriolanus leaves the zoo. The ride back home is quiet. You don't ask what he and Lucy Gray talked about. He doesn't offer any information either. It was a comfortable silence that he needed. He went to his old habit of stroking his soulmate's scar. Was it just him or did the scar seem to be healing?

He couldn't check it out in front of you. Within minutes you parked in front of the penthouse, and he wanted to ask you inside. There's no way he wanted you to drive alone at such late night.

But inviting you inside would mean revealing his secret. The secret that he kept for a decade. The secret was his motivation for everything. The secret that could ruin him.

Was ensuring your safety worth revealing it? He could ask you to call his landline when you reached home, but each minute until you called would be nothing less of hell for him. His mind overthinking possibilities with the result of you being hurt. He wasn't sure his poor heart could take it.

Both of you step out of the car. He can't make up his mind. He opens his mouth to invite you in or say goodbye he doesn't know. You speak first instead. Your eyes meet his blue ones.

“How many kisses did you steal, Coryo?”

He wants to lie. He knew in his mind that it wouldn't do him any good. He feels his palm sweat, his fingers itching to touch the scar to calm himself down. He was sure that he was going to have a heart attack in the next minute or so.

“Three,” he answered, ready for whatever curses and punishment you would give him for his sins. He would go on his knees for you, let the cold street scrap his skin and crimson stain the spot if it meant your forgiveness. He would grovel, and beg, strip himself of his pride for you.

Or he could manipulate you. Fill your mind with lies that it's what friends do. Being district, he doubted you had many friends of Capitol culture. He could lie, lie, and lie. It's what friends do.

As his mind fights to choose his next course of action. You flash him a vixen smile, and whisper, “You didn't have to steal them.”

He couldn't even process what you meant before you pressed a kiss on his jaw. His eyes closed and let out a shaky breath. He gasps softly when the next press of your lips is so close to his lips.

Fuck, fuck, fuck, please, kiss him.

You don't. You pull back and grin. It takes him an embarrassing moment to come back to reality. His ear burning, and his lips parted waiting for the third kiss you never gave him.

“It's what friends do,” you shrugged, lying to yourself and him. Both of you had to, there's no other way around it. Coriolanus knew why for him, but what about you? Were you simply playing with the strings of his heart? He would allow it for now.

For after the Plinth Prize, you will be his.

“Come with me,” he said, “It's not safe to be traveling so late at night.”

You agree with him without much protest. He noticed your discomfort as both of you walked up the twelve flights to reach his broken, shameful, secret home. He grits his teeth, awaiting your reaction to the truth of the Snow family.

You don't say anything. “Show me where I will be sleeping, Coryo,” you yawn instead, not even disgust on your face from the rotting wallpapers.

He is surprised and grateful. He feels an uncontrollable urge to hug you, and barely keeps himself from not wrapping his arms around you.

“I suppose you wouldn't mind sharing a bed with me,” he said, quietly, not wanting Tigris or Grandma’am to wake up. You nod in affirmation and he shows you his room with a bit of confidence. It was just as horrible as the rest of the house but it was his.

The bed in the corner with clean bed sheets. The stack of books and finished assignments on his desk. His wardrobe, the wood old and chipped. But all of it was his.

You immediately made your way to the bed and made yourself wholly comfortable. Like it was yours. And in a way, everything of his is yours. He would give it to you if you asked nicely enough, maybe throw in a kiss or two.

You pull the covers up and wait for Coryo to sleep in. Usually, he would wear his pajamas, but right now he couldn't bring himself to care. He lays down, mindful of his injury. He turns towards you. His eyes searched for yours, and the air mixed with both of your shared breaths. Not even an inch apart were both of you due to how small his bed was.

He closed his eyes and whispered goodnight. He doesn't get a reply. He fills his mind quickly falling back to the darkness as his actions catch up to him, taking away whatever strength he had left.

The last thing he feels, which surely is a dream, is a press of your lips against his. Stealing a kiss. And he hears you whisper, unsure if it's a dream or not but he will remember the words until he dies.

“I have you now, Coriolanus Snow. I won't let you go.”

NEXT PART

[mysterylilycheeta]

ONYX STORM REVIEW:

After 2 days of catching up on all the work I had postponed for the sake of reading OS, and organising my thoughts, I'm here with my spoiler free review of Onyx Storm. Please remember that these are my personal thoughts and opinions and you're free to agree or disagree based on your views

Rating: 3.25 stars

The Good:

The absolute lack of miscommunication between Xaden and Violet: This book is a gift for all those people who were annoyed to their wit's end by the repetitive stupid fights between Xaden and Violet in Iron Flame. They trust each other, communicate with each other and don't get mad about secrets. I was so pleasantly surprised

Ridoc: Ridoc went through such amazing character development, he easily became one of my favourite characters in the story. We saw him as only the comic relief friend till now but man, he shows such badassery in this book while still being his clown self. And, let's not forget his favourite dick jokes!

The Dragons: Anyone who knows me knows my favourite part about the series is Tairn and the other dragons. Love seeing my grumpy dad dragon, he's such a mood. We also have our sassy teenager Andarna to give him grief. I love all the moments Tairn started boasting about his lineage and his feat: he's such a dork!

Dain and Cat: I never truly hated Dain because I knew from Fourth Wing itself he never intentionally wanted to harm Violet. My only gripe with him was about breaking her trust and looking through her memories without her consent. But man, does he redeem himself. Needless to say, Dain is on my "need to protect" list. I really hated Cat in Iron Flame because she was such a stereotypical cringey evil ex and the way she attacked Violet was so crass and below the belt. She still has some shitty moments in the beginning of the book but she gets a lot better so much so that I want good things to happen to her in the next books. RY did a great job writing these two

Jealous Xaden: My o my was it a treat to see Xaden so jealous. RY fed us with those entertaining af moments. Read the book and you'll find out what I mean

Aaric: I was intrigued by Aaric in book 2 but he stepped up the game so much in this book. He is an amazing character and I'll throw hands if RY even tries to harm him in any way, istg.

The Bad:

Very mediocre worldbuilding: This might be just a timing issue, but the last fantasy book I read was the Mistborn series by Brandon Sanderson, and every fantasy fan knows the kind of world-building Sanderson does. Onyx Storm tries to introduce us to new places beside the continent, but it is not well done. We spend half the book in the Isle Kingdoms, yet they're not even mentioned on the map. They talk about routes to get to the kingdoms, but how am I supposed to follow them if you won't even mention them on the maps? Every Island has a god it worships and things go according to that but I think we could've had a little more information about them beforehand instead of being presented basic info right before we arrive at the next island. "We're going to said island, this is the god they believe in, here's a five point bullet lost of their customs"- NO, THAT'S NOT HOW YOU DO IT! Like I said, it might be because my last book was by Sanderson so my expectations were higher but the world felt so lacking.

Lack of Glossary: A glossary should be a must in every fantasy book, especially if you're branching out and diving deeper into worldbuilding. We are introduced to gods, islands, uprisings and groups of people we haven't even heard of before and we get hardly one or two lines about them in a chapter and then they are mentioned again 2 chapters later and we're supposed to follow. There were so many new names in OS, it was difficult to keep track of them after a while. I still don't completely understand who the Krovlan people were and what was their deal.

Lack of Basgiath: My favourite book in the series till now has been Fourth Wing and one of the biggest reasons for that was Basgiath. I loved that place and the way it felt an actual character in the story. That Basgiath charm is missing in this book. Basgiath is the biggest strength of this series, it's the reason why FW was so successful, the war college and it's deadly atmosphere, the challenges, the interpersonal relations, it was entertaining af. However as the series is progressing, it's turning into another typical romantasy involving young adults leading revolutions, making alliances, fighting wars etc. I started reading Fourth Wing because of it's setting and yet with each new book, we spend less and less time in Basgiath and it's just dampening my mood.

No real surprises: Let me be brutally honest- this book felt like a filler. Of course there are a few shocking moments with new information but it hardly hit the mark like the previous two books. There were no moments that essentially packed a punch. It's just a bunch of random sidequests to gain alliances which didn't up feeling all that meaningful because of worldbuilding problems. It also seemed like fanservice because of a lot of reasons but I won't mention them as they can be accounted as minor spoilers. Some characters died but it didn't feel impactful at all. It seemed more like Ry was just filling up the death quota because we can't have a book where no one dies

Violet and Xaden: Okay so here's the thing, I like both of them as characters and I think they make a good pair. However, I didn't ever truly feel the romance and this has been a problem since Fourth Wing. They have a shit ton of lusty moments but hardly any soft romantic domestic moments that make the relationship feel organic. I have always been disappointed by the lack of proper romantic development between these two. The problem in this book however is the dialogue- they felt so cheesy and downright cringe at times. Maybe show more and say less?? The way they keep saying nothing else matters as much and I know people are feral for how Xaden and Violet are ready to throw off the entire rebellion for each other but it irks me so much. Xaden, you are leading these people and you have accepted that responsibility. Stop endangering the lives of people you swore to protect because Violet might be in danger. She has other people to support her. Violet, don't get mad when people tell you your needs and wants will come second to Xaden's duty towards the people. He is their leader, he has to make those sacrifices, If you think that's unfair then find someone else to fill his position. You can't have the leadership position yet be each other's top priority. It might seem unfair but that is the right thing to do. I really don't feel like the two of them are fit to lead people. Agree with @thequietesthing's review about Violet's god level power feeling over dramatic and out of character at times.

The Ending: If any of you have talked to me about the book in the last few days, you'll know I'm frustrated af with the ending. It doesn't exactly feel like a well done cliffhanger, it's just plain messy. A bunch of unanswered questions to keep the reader confused and hooked for the next book but it just ruined the whole book for me. I have no issues with cliffhangers but the book should feel complete. The way Onyx Storm ended, it feels there were at least two more chapters that got deleted. It's just all over the place.

That was the review guys. I'll still wait for the next book to get published but my excitement has gone down quite a lot. I was expecting more of a Harry Potter style story where the main still occurs in the school/college itself but it seems like that isn't gonna be the case. I honestly believe this series should've been just 3 books instead of 5 but oh well, what can we say. Really agree with @justallihere and @justascrollingghost. We have almost the same complaints with the books lol P.S: The best surprise in this book: Broccoli, the kitten

[toptophat]

2.6 thoughts!!!!

Spoilers for anyone who hasn't finished it yet!

It was a freaking blast, a rollercoaster of emotions, I honestly thought that Mr Reca, with how cuckoo he was in the trailer, was gonna be the antagonist, turns out he's a quirky memokeeper (who may still have his motives but for now he was definitely an ally) I guess, much like the galaxy rangers, there is no uniform, because I honestly thought they all would have some resemblance to Black Swan, but I can't wait to see more memokeepers, as well as more galaxy rangers

Speaking of galaxy rangers, ok!! Rappa and Boothill were the real protagonists here!!!! Poor trailblazer became a side character to these two champions and I love it!!! I've already made it clear that I adored Rappa from the moment her drip marketing dropped, I initially found her strange way of referring to everything as ninja stuff hilarious and quirky, I thought "are all galaxy rangers gonna talk funny?" But that was my first impression, now I wanna [forking] cry!!! I was already skeptical of this "Master Kucha" from the way he spoke! I didn't know that he was basically like the only parental figure she had, she's one of Dr Primitive's (Evil Ninja Osaru) test subjects in a hidden lab (Ninja capital) having to undergo harmful tests and torture (Ninja trials) this, coupled with the fact that her only source of free time and entertainment has been a ninja manga, she may have developed some sort of mental/ identity disorder, she's been living in a fabricated reality and no one can help her because they don't see the full picture, even her backstory has been distorted by her own retelling making her some sort of unreliable narrator in her own story. Dr Primitive is truly a despicable monster, torturing people and distorting an innocent girl's mind. There's a bright side to this tragedy though! That innocent girl is now our Rappa, and although her mind has been messed with, she still became a righteous galaxy ranger, kindhearted, unmatched skill, hellbent on hunting down the cruel doctor and she definitely lives up to that title too!!! So I'm rooting for her!!! And the moment we got to fight alongside her at the end after hearing "No Dazzle No Break" was gorgeous (can't wait to finish building her so she can continue to show them the way of the ninja!)

Once I finish reading her character story, I'll make a further analysis

Speaking of which, I'm actually gonna make 2!! One for both of our stars of the show, Rappa and Boothill, two people who had to revisit their past, and come to terms with their present and future, living up to the ways of The Hunt! I already deeply respect these two, the more I get of them, the more I can't help but respect them more!!! And I'm definitely excited to get more of them!! Galaxy rangers are the best!!

Boothill's up first because obviously I've already read his backstory so his POV was like an added 5 course meal!!! But I do wanna talk about his best moments (aside from the obvious highlight that blew me away) Firstly, we got more of Boothill the identity stealer (First Pom Pom now March 7th???) Actual Robinhill moments??? (I'm more of a GunsNRoses person now but it's still really cute) The way he was so relieved that he could "fake swear" again instead of the banana cussing was hilarious, Star Rail don't do this to my man, at least give him the "Ninja slang" treatment, let him swear 😭😭 And Boothill owned the dancefloor in the DJ Robin cutscene!!! We have a rapping ninja and a dancing cowboy, could this get any better!!! And obviously, there's the Lore!!!! Which was actually insane !!! I literally wanted to avoid spoilers in order to experience it blindly and it was worth it!!!! I wanted to [fudging] cry, it was so well done!! Andrew Russell and Kendell Byrd knocked it out of the park with their scenes!!! I freaking love Boothill and Rappa so much 😭😭😭 they're both life my dude!!!

This is just what I needed!!!

[ineffable-endearments]

The Crow Road by Iain Banks

I finished The Crow Road and had a little time to think about it. I'll put my thoughts under a Keep Reading in case anyone is trying to avoid spoilers.

As I speculated before, I think it's likely that The Crow Road is more related to Good Omens in philosophy than in plot. I mean, it's not that the plots necessarily have nothing in common, and we could be very surprised in the end of course, but now that I've read the whole book, its philosophical commonalities with GO are both apparent and kind of inspiring. Also, if I were a writer, I'd be more interested in dropping hints about what themes are important than telegraphing my whole plot ahead of time.

So here, I will describe the book and point out themes that I believe may reappear in Good Omens 3.

This is a long post. If you read it, make a cup of [beverage of choice].

Update on 4/20/2024: I made a second post: The Crow Road and Good Omens: Further-Out Thoughts

Below are mentions of suicide, death/murder, and sexual acts.

The Crow Road centers around a character named Prentice McHoan, a university student in Scotland who starts to sort out his complicated relationship with his complicated family as he explores the mystery of his uncle Rory's disappearance. Although the book is mostly from Prentice's perspective, the narration jumps around in time with the McHoan family. There are quite a lot of important characters to keep track of; the bare-bones summary I put below doesn't even include some of the important ones. I wanted to make the summary even shorter and simpler than this, but the truth is that this book is not short or simple, and if I made the summary any simpler, it might be downright misleading.

There are at least three major cultural aspects of The Crow Road that I am inexperienced with: the overall culture in the 1950s-1980s (I was born in 1988, so of course wasn't here for the relevant decades), the international experience of the Gulf War (again, born in 1988), and the history and culture of Scotland itself (I'm USAmerican with only reading as a source). As a result, I'm sure there are important dimensions to the book that I've missed. If someone has a different perspective taking some of these things into account, I'd love to know about it.

Also, keep in mind, there is a great deal of descriptive writing in this book. There are a lot of pages about the geography of Scotland, and about Prentice as a kid, and about Prentice's father and uncles hanging out together in their youth, and about various family incidents, and about Prentice spending time with his brothers and friends. At first, these passages seem to just make things more confusing, and in my head, I accused them of being "filler." But they definitely serve a purpose. They're a way of showing and not telling the characters' attitudes and relationships to each other. More importantly, because we get to actually live these experiences with the characters, they are what give all the plot points below their deeper emotional impacts. In other words, the everyday experiences give the plot its deeper meaning. They resonate with one of the core themes in the novel: that our experiences in life, rather than any supposed existence after death, are what matters.

The Crow Road's story is like this:

Prentice is rather directionless in life, and he seems to have trouble investing any energy in his own future as he moons over his unrequited feelings for an idealized young woman named Verity. Soon, Verity ends up in a romance with Prentice's brother, Lewis, and Prentice feels that Lewis "stole" her from him. Prentice has also become estranged from his father, Kenneth, over spirituality. Prentice believes there has to be something more after death because he feels it would be incredibly unfair if people didn't get anything other than this one life; Kenneth is not only a passionate atheist, but is offended by the notion of an afterlife.

Prentice's uncle Hamish, Kenneth's brother, has always been religious, although his religion involves a number of bizarre and offbeat ideas of his own, with inspiration from more traditional Christian notions. Prentice is not really sure about this ideology, but he's willing to talk to Hamish about it and even participates during Hamish's prayers, whereas Kenneth is openly scornful of Hamish's beliefs. Hamish interprets this as Prentice being on "his side."

Prentice has a few opportunities to go back and talk to his father, and is begged to do so by his mom, Mary, with whom his relationship is still good. Mary doesn't want either of the men to give up their inner ideas about the universe; she just wants them to agree to disagree and move on as a family. Prentice says he will visit, but he just keeps putting it off and off and off.

Prentice acquires a folder containing some of his missing uncle Rory's notes in the process of hooking up with Rory's former girlfriend, Janice Rae, who seems to have taken a shine to Prentice because he reminds her of Rory. Using the contents of the folder, Prentice wants to piece together the great literary work that Rory left unfinished, which Rory titled Crow Road; however, it becomes apparent that Rory didn't turn his concepts into anything substantial and only had a bunch of disconnected notes and ideas. He hadn't even decided whether Crow Road would be a novel, a play, or something else. The few bits of Rory's poetry for Crow Road read are bleak and depressing.

Prentice also spends a lot of time with a young woman named Ash. They've been good friends since childhood and seem to have a somewhat flirtatious dynamic now, but they aren't in a romantic relationship; mostly, they drink and hang out together. Ash tells Prentice bluntly to get his life back on track when she finds out he's failing at school, avoiding his family, and engaging in shoplifting. She is a voice of reason, and when Prentice insists to her that he's just a failure, she reminds him that actually, he's just a kid.

Prentice's efforts to figure out Rory's story or location stagnate, and he continues to fail at school and avoid his father. He then receives word that Kenneth was killed while debating faith with Hamish. In fact, Kenneth dies after a fall from a church lightning rod, which he was climbing in an act of defiance against Hamish's philosophy when it was struck by lightning; Hamish is convinced that Kenneth had incurred God's wrath. Ash is there for support when Prentice finds out about the death.

With Ash's help, Prentice returns to his hometown again to help manage Kenneth's affairs. Prentice speaks with a very shaken Hamish, who is handling Kenneth's death with extreme drama and making it all about his own feelings. Hamish tells Prentice that Kenneth was jealous that Prentice shared more in common with Hamish's faith than with Kenneth's lack of faith. However, this isn't really true, and as he contemplates his father's death, Prentice begins to internalize one of the last things Hamish reported that Kenneth had argued: "All the gods are false. Faith itself is idolatry."

As the chapters go on, Prentice is compelled by some of the meaningful items related to Rory that he discovers in his father's belongings. He gains a renewed sense of purpose trying to solve the mystery of where Rory went and what happened to him. Among the interesting items are an ancient computer disk of Rory's that Prentice can't access with any equipment he can find; Ash uses her connections in the US and Canada to find a computer expert who can finally open the files on it. This takes quite a while, since the disk has to be mailed and Ash's connection is investigating the disk only in his free time.

Prentice also discovers that his feelings for Verity have changed. He no longer feels angry with Lewis for "stealing her." At first, Prentice's narration describes this as his feelings "cooling" as a result of the trauma of losing his father, but interestingly, this soon means Prentice gets to know Verity as a sister-in-law without getting caught up in jealous romantic feelings. Verity gets along well with the family, and Prentice is actually happy to discover that she and Lewis have a baby on the way. Prentice's relationship with Lewis improves greatly as well, partly because he is no longer jealous and partly because he realizes he does not want to lose Lewis, too.

Ash's connection who was looking at Rory's computer disk comes through and sends the printed contents of the files to Prentice. The files reveal to him that Rory likely knew Prentice's uncle, Fergus, murdered his wife by unbuckling her seat belt and crashing their car. Rory had written out a fictional version of events and considered using it in Crow Road. I'm not clear on exactly how certain Rory was about Fergus's crime, or whether Rory would have intentionally reported Ferg, or whether Rory even had enough proof to publicly accuse Ferg of murder, but people would likely have connected the dots in Rory's work and become suspicious of Ferg. For this reason, Prentice believes Ferg murdered Rory as well.

Prentice confronts Ferg. He doesn't get a confession and leaves Ferg's home with no concrete proof of anything; Ferg denies it all. But Prentice is soon physically assaulted in the night, and it seems Ferg was almost certainly the culprit, because he hadn't been home that same night, and he had injuries (probably from being fought off) the next day. A day or two later, Ferg's body is found unconscious in the cockpit of a plane, which crashes into the ocean. It's uncertain whether this was a suicide, but Prentice suspects it was. Rory's body is then soon recovered from the bottom of a waterway near Prentice's home, where Ferg had sunk it years ago.

As the mysteries are solved, Prentice realizes his feelings for Ash are romantic love. However, it's too late, he thinks, because Ash is about to take a job in Canada, where she may or may not stay. Prentice also hesitates to approach her because he's embarrassed about his previous behavior, venting all his angst about Verity and his father. He isn't sure she would even want to be in a relationship with him after that. But the very night before Ash leaves, she kisses Prentice on the cheek, which leads to a deeper kiss. They finally connect, have sex, and confess their mutual feelings. Ash still goes to her job in Canada, but says she'll come back when Prentice is done with his studies that summer.

The relationship's future is somewhat uncertain because something could come up while Ash is in Canada, but Prentice is hopeful. The book ends with Prentice getting ready to graduate with his grades on track as a history scholar, fully renouncing his belief in an afterlife while he acknowledges the inherent importance of our experiences in our lives now, and enjoying his time with Lewis and Verity and his other family members.

What's the point of all these hundreds of pages?

Well, look at all of the above; there's definitely more than one point. But the main point I took away is that we get this one life, with our loved ones in this world here and now, and this is where we make our meanings. There is no other meaning, but that doesn't mean there's no meaning at all. It means the meaning is here.

It's not death that gives life its meaning. It's the things we do while alive that give life its deeper meaning.

The Crow Road is described (on Wikipedia) as a Bildungsroman, a story focusing on the moral and philosophical growth and change of its main character as they transition from childhood to adulthood ("coming-of-age novel" is a similar term that is interchangeable, but more vague and not necessarily focused on morality/philosophy). And, indeed, all of the plots ultimately tie into Prentice's changed philosophy.

After his argument with Kenneth, Prentice feels childish and humiliated, and as a result, he refuses to go back home, which leads to a spiral of shame and depression. Kenneth dies and Prentice realizes it's too late to repair the relationship, which also leads him to realize it's what we do in life that matters, and that therefore, his father's argument was correct after all.

At the end of the novel, Prentice outright describes his new philosophy. However, I can't recall one specific passage where Prentice describes the process of how he changed his mind (if anyone else can remember something I missed, do let me know). There is, however, a moment when his narration indicates that Hamish seems less disturbed by his own part in the incident that led to Kenneth's death and more disturbed by the notion that his beliefs might actually be true: there might actually be an angry, vengeful God. In other words, Hamish's philosophy is selfish at its core.

My interpretation is that when his father died, Prentice realized three things: how utterly self-serving Hamish's devout faith is, how Kenneth's untimely death proves the importance of working things out now rather than in an imaginary afterlife, and how much profound meaning Kenneth had left behind despite having no faith at all. After these realizations, a determined belief in an afterlife no longer makes our lives here more profound like Prentice once thought it did.

Also, it's worth noting that this incident changes Prentice's idea of partnership, too. He loses interest in this distant, idealized woman he's been after. In love as in the rest of life, Prentice lets go of his ideals, and in doing so, he makes room for true meaning, both in a sincere familial, platonic connection with Verity and a sincere intimate, romantic connection with Ash.

But what about the sex scene?!

Yes, indeed, at the tail end of the story, Prentice and Ash have sex and admit they want to be in a relationship together. Prentice's narration describes them sleeping together and having intercourse not just once, but many times, including some slow and relaxed couplings during which they flex the muscles in their private parts to spell out "I.L.Y." and "I.L.Y.T." to each other in Morse code. This is relevant because earlier, they had been surprised and delighted to discover that they both knew Morse code; it isn't a detail that came from nowhere.

I didn't get the impression that this scene was trying to be especially titillating to the reader. It was mostly just a list of stuff the characters did together. I felt the point was that they were still anxious about being emotionally honest, a little desperate to convey their feelings without having to speak them out loud, and awkward in a way that made it obvious that their primary concern was the feelings, not the sexual performance. They cared about each other, but they weren't trying to be impressive or put on a show; contrast this with previous scenes where Prentice would act like a clown in front of Ash to diffuse his own anxiety. I've always thought that being able to have awkward sex and still enjoy it is a good sign.

Okay, so what does this all have to do with Good Omens?

Here's where I have to get especially interpretive. I'm doing my best, but of course, not everyone reading this will have the same perspective on Good Omens, the Final Fifteen especially. I believe similar themes are going to resonate between The Crow Road and Good Omens regardless of our particular interpretations of the characters' behavior and motivations, but I suppose it could hit differently for some people.

The TL;DR: I see similar themes between The Crow Road and Good Omens in:

The importance of mortal life on Earth

Meaning (or purpose) as something that we create as we live, not something that is handed to us by a supreme being

Sincere connection and love/passion (for people, causes, arts, life's work, etc) as a type of meaning/purpose

Relationships as reflections of philosophy

The dual nature of humanity

Life on Earth as the important part of existence is a core theme in Good Omens, and has been since the very beginning. We all already know Adam chose to preserve the world as it already is because he figured this out, and we all already know Aziraphale and Crowley have been shaped for the better by their experiences on Earth. But Good Omens isn't done with this theme by a long shot. I think this is the most important thematic commonality Good Omens will have with The Crow Road. Closely related is the notion that we create our meanings as we live, rather than having them handed to us. Isn't this, in a way, what Aziraphale struggles with in A Companion to Owls? He's been given this meaning, this identity, that doesn't fit him. But does he have anything else to be? Not yet.

Partnerships as a parallel to the characters' philosophical development also resonates as a commonality that The Crow Road may have with Good Omens. Prentice's obsession with Verity goes away when he starts to embrace the importance of life on Earth and makes room for his sincere relationship with Ash. Note their names: "Verity" is truth, an ideal Prentice's father instills in him; "Ashley" means "dweller in the ash tree meadow" in Anglo-Saxon, according to Wikipedia, and "ash" is one of the things people return to after death. Prentice literally trades his high ideals for life on Earth. We see in Aziraphale a similar tug-o'-war between Heaven's distant ideals and Crowley's Earthly pleasures, so I can see a similar process potentially playing out for him.

I don't particularly recall a ton of thematic exploration of free will in The Crow Road. However, there is a glimmer of something there: Prentice feels excessively controlled by Kenneth's desire to pass down his beliefs, and part of the reason Prentice is so resistant to change is simply his frustration with feeling censored and not being taken seriously. As the reader, I do get the feeling that while Prentice is immature, Kenneth made major mistakes in handling their conflict, too. And Kenneth's mistakes come from trying to dictate Prentice's thoughts. There is likely some crossover with Good Omens in the sense that I'm pretty sure both stories are going to take the position that people need to be allowed to make mistakes, and to do things that one perceives as mistakes, without getting written off as "stupid" or "bad" or otherwise "unworthy."

Suffice it to say that the human characters in Good Omens will also certainly play into these themes, but it's hard to write about them when we don't know much about them except that one of them is almost certainly the reincarnation of Jesus. This also makes me suspect perhaps the human cast will be 100% entirely all-new, or mostly new, symbolic of how Aziraphale and Crowley have immersed themselves in the ever-evolving, ever-changing world of life on Earth. Alternatively, if we encounter human characters again from Season 1 or 2, perhaps the ways they've grown and changed will be highlighted. For example, even in real-world time, Adam and Warlock have already, as of the time I'm writing this, gone through at least one entire life stage (from 11 in 2019 to 16 in 2024). They'll be legal adults in a couple of years, and if there's a significant time skip, they could be much older. If characters from Season 1 do reappear and themes from The Crow Road are prominent, I would expect either some key scenes highlighting contrasts and changes from their younger selves or for stagnation and growth to be a central part of their plot.

The more I write, the more I just interpret everything in circles. Hopefully this post has at least given you a decent idea of what The Crow Road is like and how it may relate to Good Omens.

I'll end this post with a quotation that feels relevant:

Telling us straight or through his stories, my father taught us that there was, generally, a fire at the core of things, and that change was the only constant, and that we – like everybody else – were both the most important people in the universe, and utterly without significance, depending, and that individuals mattered before their institutions, and that people were people, much the same everywhere, and when they appeared to do things that were stupid or evil, often you hadn’t been told the whole story, but that sometimes people did behave badly, usually because some idea had taken hold of them and given them an excuse to regard other people as expendable (or bad), and that was part of who we were too, as a species, and it wasn’t always possible to know that you were right and they were wrong, but the important thing was to keep trying to find out, and always to face the truth. Because truth mattered. Iain Banks, The Crow Road

[casscainmainly]

Hi! I've loved reading your thoughts on Cass and other overlooked characters on this blog, it's really opened my eyes and made me want to explore canon more (sadly until recently I was solely into fanon)

I've seen you talk about Steph a lot, and you seem like one of the best people to ask about her. See, I've only ever seen shallow portrayals of her in fanon, and when I've tried looking into canon, I get...mixed portrayals at best. Especially when it comes to her dynamic with Bruce or Tim. And I'll admit I got put off by it.

But since you've already made me excited to learn more about Cass, I figured if you like Steph too, she must have more to her than what I've stumbled onto. So if it's not too much trouble, could you recommend some comics/stories to help someone trying to lose the fanon goggles get to know (and hopefully adore) her?

Hi!! I'm so glad you're diving into comics, it's a wild ride but honestly a lot of fun <333. And Steph is definitely a character with incredible amounts of depth to her. For a full reading list, check out @bitimdrake's reading order (it stops at the New 52 which is a company-wide reboot, for post-N52 stories check out this page and then this one).

Steph's portrayals are often marred by misogyny both in and out of text. Her relationship with Bruce can be off-putting, and sometimes her treatment will be absolutely infuriating. However, all of this makes her super interesting to me - she's a character who refuses to give up, whose tenacity is so strong it even defies real life mandates to erase and belittle her! If you stick with her, you will come out with a character who's so much more than anyone ever thought she'd be.

I'm not a Steph expert by any means, so I'd recommend asking Steph-centric blogs like @a-bad-case-of-the-stephs (whose metas are incredible) because you might get better recommendations from them! But for Steph stories I've personally enjoyed, they are:

Batman: Huntress/Spoiler - Blunt Trauma: After an earthquake, Steph teams up with Huntress to take down some bad guys. This one issue undoes a lot of fanon - it dives into Steph's outlook on life, moral beliefs, and her relationship with her father. Highly recommend!

Batgirl (2000) #26, 28: In Cass' Batgirl run, Steph features as a prominent side character and their relationship is one of my absolute favourites. #26 is a Steph-centric issue where she fills in for Cass, and explores her insecurities in a really fascinating way. #28 is also a Steph highlight, showcasing her perseverance and why Cass is so impressed with her.

Solo (2004) #10: Not sure if it's in-continuity, but Damion Scott (Cass' co-creator) has a super fun story in here about Robin!Steph and Cass. Just really adorable and fun, and one of the best encapsulations of the Steph-Cass dynamic.

Batgirl (2009): Jumping over to Steph's Batgirl run, it does hit better if you've read Robin '93 but honestly it's good either way. Steph has so much personality in this run, it's incredibly fun and shows her humour, resilience, and heart, as well as some of her flaws. Really really worth reading!

Bruce Wayne: The Road Home: Batgirl: A Bruce-Steph story that may require some context, but it's probably the best Bruce and Steph reconciliation we'll ever get. Very interesting insights into how Bruce and Steph see each other, as well as a really iconic slap.

A general rec for Steph is Robin (1993), which is important for her Spoiler and Robin days (I assume this is the run you've tried though). Detective Comics (2016) is not really the best Steph portrayal, but it's far from the worst and has a really nice one panel about Robin!Steph.

I hope this helps!! Steph is an amazing character who deserves a lot more from both fandom and DC, so any interest in her is greatly appreciated :))).

[snailsgoingdowntown]

Small idea thing may or may not be canon to my story

Yan! Dion agriche x fem! Reader

Arranged marriage

Warnings: slightly implied slight codependent behavior, jealousy, mention of murder attempt(s), mention of past murder, toxic familial (?)relationships, toxic marriage/relationship, some yandere themes probably. Please tell me if I missed any.

NSFW kind of warnings: suggestive and implied dub-con-ish, and definitely a sexually frustrated Dion

Can be read as it's own thing not sure if I'll include this in main story so POSSIBLE SPOILERS FOR 'HELP I REINCARNATED AS THE FEMALE LEAD'S SISTER-IN-LAW"

MINORS/BLANK BLOGS/BLOGS THAT DON'T INTERACT WITH FANDOM RELATED THINGS DNI

I couldn't get this out of my head and I just needed to share it so bad it was eating me up alive.

==

Lowkey think Roxana would pour affection (platonic) at you just to annoy Dion aka small bouts of revenge once she realizes he has a soft spot for you (aka stealing your time, smiling sweetly at you, maybe even make physical contact via pushing your hair back or the very rare looping her arm around yours as you walk in the garden together. Inviting you to dinner sometimes when Dion returns from a mission, getting in his way of his own little goal of spending time with you. Basically becomes your 'bestie' (she denies she cares about you but we all know that's a lie) and enjoys the glares Dion sends her way whenever you're having fun with her and not him.

And truthfully, despite knowing she's using you for something, you enjoy her company after a while. However, you're unable to fully give in and become essentially a sister to her or a 'bestie' because at the end of the day, she is still Roxana Agriche, an Agriche and general and you genuinely cannot see yourself becoming an important person to her or anyone else, still thinking everything is a test to see if they should dispose of you or not.

And while you're aware your husband has a 'thing' for you or even 'love's' you, he's still an imposing figure, still a man who didn't blink twice at killing his own half-brother and would gladly kill one of his step-mothers just to see Roxana cry. So, really, despite your smiles directed at the blond and your sparse forms of 'affection' to your husband, you don't really accept what they show you. Because at the end of the day, you grew up in two very different environments and you are not meant to be here. Your definition of 'love' is vastly different from their own and while Roxana knows how healthy 'love' is supposed to be, it's been so long since she's received it properly. Meanwhile Dion has a hard time understanding it still.

The story has been changed enough. And you're not sure if it should change some more.

And maybe it's because of that you unknowingly refuse to see just how soft Dion Agriche is with others (no where by much, just by like 00.6% since they're not you. ) had become ever since you entered the scene. Because if you acknowledge it then you'll start to see him as a decent person - everything he is not.

Also Jeremy would literally crash any alone time you have with Dion out of both spite for him (he's too weak to fight him just yet + Roxana probably doesn't want them to fight and he's her #2 fan - Cassis takes 1st place and you 3rd.) And some werid younger brother like affection he has for you.

And Dion would definitely steal you away once the opportunity arises and if they were normal siblings he would stick his tongue out at Roxana but since they're traumatized af they just glare at each other so sharply it could cut skin. Proceeds to awkwardly show you affection that both makes you uncomfortable and feel some pity for him because damn, Maria and Lant are horrible parents. If he acts nice enough he might get a kiss on the cheek before you scamper away otherwise (from experience) a make out session you really shouldn't enjoy breaks out but he still gets cock blocked by someone OR you stop him once his fingers start to undo the strings on your dress or his kisses travel to your neck instead, and his excitement is very much noticeable via his actions and the budge in his pants he doesn't even bother trying to hide. Sure, he's very attractive. However, pushing the fact you're still wary and/or 100-80% scared of him aside, he's big and it hurt badly the first time and you really, really like having working reproductive parts and the ability to walk + your gut tells you that there's a chance he won't stop at one (1) round.

Every night you stay up questioning if you're actually in a coma and not reincarnated.

After all, why else would these people concern themselves with you? Why else would they start to get closer to you? Why else would Dion Agriche proclaim that he's your dog?

[thankssteveditko]

Sony's PlayStation 5 Presents Insomniac's Marvel's Spider-Man 2 (the third game in the series)

I beat the main story and have enjoyed my time with the game overall! I want to talk about spoilers and things that I liked and disliked in the story, so here's a post with some scattered thoughts.

(Hello! I haven't forgotten that this blog exists! Like I said, no update schedule, I will read more of the Lee/Ditko comics whenever I make time for it. I've actually been sitting on a mostly-complete version of this post since I beat the game in October, thinking that I'd finish the rest of the side quests so I could throw in thoughts on those. But... eh, I'll do that whenever the inevitable DLC rolls around. I just wanna get these thoughts posted.)

Spider-Cop No More

First off: they downplayed the cop shit!!! This was the first thing that really struck me about the game, and I'm stunned that they actually listened to criticism on this. I thought we'd just be stuck with it forever.

It'll never be completely gone, of course. Spider-Man is always going to leave criminals webbed up for the police to take to prison, hoping that they'll do their time and come out the other side as Productive Members of Society. That's just a thing I begrudgingly accept as part of the genre that will probably never go away. But Spider-Man is no longer repairing police surveillance networks. You're no longer beating the shit out of random drug dealers. Gangs of escaped convicts still wearing their orange jumpsuits are no longer terrorizing the streets of New York.

Instead, Peter and Miles are played more as firefighters. Sometimes very literally! They work with firefighters, they rescue people from collapsing buildings, they rush injured people to the hospital. In general there's a huge increase in the number of random onlookers present during the big action setpieces, and the Spider-Men frequently have to save them from harm. One of the major side quest lines is even literally about a cult of arsonists, and you'll routinely find burning fuel tanker trucks you have to extinguish with your webs. It's great! Love this for them.

I also generally liked the side missions in this. There's a lot of good stuff with the Spider-Men being neighborhood heroes willing to help out anyone in need, no matter the problem. Some of them can get corny, sure, but that street level stuff has always been the real heart of Spider-Man to me.

Gameplay

The gameplay's as fun as ever. That probably goes without saying. I will not be spending a thousand words explaining that swinging is fun.

In particular, I really liked the changes to the Focus mechanic. I never loved the way Miles' game made you choose between healing and doing your special attacks, but here your four specials have their own cooldowns, and the Focus meter is spent on either healing or finishers. It still offers that risk/reward element, but those vicious cycles where you can't do any real damage because you keep needing to heal aren't nearly as bad as they were before.

Personally I didn't turn off the swing assist or turn on fall damage, because the streamlined swinging never bothered me in these games, but I'm glad the options are there for people who want them.

Kraven

I liked Kraven in this! I liked the way they leaned into his Hunters being this weird death cult, and him wanting to go down in a blaze of glory against a worthy foe, to the point that he's actually disappointed anytime a foe can't kill him. It riffs on things people liked in Kraven's Last Hunt without being the exact same story. I like that Kraven's gang is renting out this manor or whatever and just being a complete terror to the wait staff. I liked the way Kraven hunting Peter's rogues' gallery clashed with Peter's belief in giving his villains second chances. I liked that they were willing to have Kraven kill off a couple of the minor villains from the first game to sell how dangerous he is. (I know some people hated this, but like, come on. We already fought the Sinister Six. They don't need to do that again.) I like the way Kraven pushed Peter to the absolute brink, turning him more and more aggressive with the Black Suit. Good stuff all around, even if the Hunter enemy types did wear out their welcome a little bit by the end.

The Black Suit arc

I think I liked the way Insomniac handled Peter's Black Suit arc overall, but there's a tradeoff here.

They REALLY lean into the body horror tentacle stuff, with Black Suit Peter basically just being a skinny Venom by the end. The sequence where you play as Mary Jane while the symbiote puppets an unconscious Peter's body around and goes on a rampage against the Hunters was REALLY great at selling how scary Peter is becoming, and it made me completely change my tune on the inclusion of the MJ stealth missions in the sequel. Having to beat an out-of-control Peter as Miles immediately after Peter beats Kraven was also really good. This is all cool!

BUT, the thing is... with the symbiote powers being so freaky from the start, it really pushes my suspension of disbelief when Peter and co. take so long to become wary of it. I guess when you've been bitten by a radioactive spider and given superpowers, and when you live in the same universe as the Avengers and the X-Men, your perception of what's "normal" is going to be pretty warped. But they buy the whole "organic exosuit created to treat Harry's illness" story WAY too easily lmao. How do the self-aware slime tentacles help with his illness, exactly?

And I'm not sure how I feel about giving Peter Anti-Venom powers in the last act. It feels like it's primarily a concession so that they can give players that branch of their skill tree back, but honestly, the designer in me thinks it would be really cool (if risky) to just permanently lock players out of Peter's most powerful skills past a certain point. Yeah, it'd definitely piss people off, but it drives home the idea that Peter's given up greater power because it's the right thing to do. It'd put you in his shoes! Instead he just gets the symbiote powers back, but it's fine because the Venom voice in his head is gone and also the slime tendrils that explode out of his body are white now, which means they're good.

I have to say it. I'm sorry. The glistening white goo... they turned Peter into the Amazing Cum-Man. I changed back to the Classic Suit after rolling the credits and forgot I still had the Anti-Venom skills equipped, so I just saw regular old Spider-Man exploding his white goo everywhere. Terrible.

Assuming Peter is just stepping into more of a supporting role to Miles and not fully retiring after the events of this game, I really hope the Anti-Venom stuff is gone. I get that he needed it to counter Venom, but that's not what I want for Peter Parker.

Miles

Miles is good in this, and I really like his arc where he struggles with whether or not he should avenge his dad by killing Martin Li. I like how all that plays out. Unfortunately, they don't quite stick the landing when it comes to making him and Peter feel like equals in terms of narrative focus. His arc is definitely the B-plot to Peter's for the middle chunk of the story, which I guess was kind of inevitable since they decided to do the Black Suit arc. But Miles does at least get a lot of moments to shine, and by the end he's very much taking the lead as the main Spider-Man.

Becoming the main Spider-Man also gets Miles a new, wholly original suit that ended up being super controversial, and honestly... I kinda like it? Or at least I like what it's going for, even if the actual design could still use some work. It's something totally unique for Miles, and I like spandex/streetwear combo suits like what the Spider-Verse movies have popularized. But showing his hair is really pushing the limits of his secret identity. He hangs around Brooklyn Visions WAY too much for his classmates to not recognize his voice and haircut. And I understand why people would be wary about it becoming his "canon" look moving forward. But I think it's got potential.

On the subject of Miles, though, I will say that while I liked Miles' side missions, it feels like he's often saddled with the game's broad, kinda touristy, kinda token attempts at Showcasing The Diversity Of New York, in a way that Peter isn't.

I like that Miles has a deaf graffiti artist girlfriend that he and Ganke sign with, and I like that there's a series of side missions that explore some local jazz history, and I like that there's a mission where Miles helps a gay classmate ask his crush to prom. I like all these things! I like Spider-Man being involved with his community, and that said community includes such a wide variety of people! I like that this game slows down to savor these types of moments instead of just being all action all the time! But when I step back, I notice some patterns.

Hailey doesn't have a big role in the main plot, especially when compared to MJ, but Miles gets a side mission where you briefly play as her with muffled audio to teach you what being deaf is like. There are no major queer characters in the story - unless you count Felicia showing up for exactly one mission to mention she has an unseen, unnamed girlfriend in Paris now - but you get a side mission where Miles helps out a gay couple at his school, who then never come up again. To put it very uncharitably, they can feel like Very Special Episode missions. It's like the devs going: we're going to give Miles a Gay Mission, and an Impaired Hearing Mission, and a Cultural History Mission, so that we can say we touched on these things, but we're gonna make them all optional and keep them far away from the full-blown Superhero Stuff like fighting costumed villains. Those flavors cannot mix. Meanwhile, Peter gets to have a whole elaborate subplot about teaming up with Wraith to track down fucking Cletus Kasady. There's an imbalance here, and I think it's part of the reason why Peter still feels like the "main" Spider-Man for so much of the story.

I think this was all written with admirable intentions, but as others have pointed out, you can kinda tell that this game was mainly written by some white guys based in California. These attempts at depicting various marginalized groups can feel kind of detached in the same way that Insomniac's map of New York doesn't quite line up with the real thing. But I dunno. I'm not really the one to dig deep into some of this stuff as a white woman from Florida. I would be curious to read others' takes on this.

Maybe I'm just being overly cynical about the writers' well-meaning but corny and kinda out of touch liberal politics because of the podcasts.

The podcasters

I wish Jameson was in this more! They psyched us out by giving him a full character model for, like, two scenes. I like him being MJ's boss, but I wish we saw inside the Daily Bugle offices to get more Jameson.

At least his podcasts are better than the ones in the Miles game, though. Him completely trusting in Roxxon was just too much for me. Here he condemns Oscorp for the symbiote shit, and he also gets some moments where he takes the ongoing crises seriously and isn't just ranting about the Spider-Men. He isn't just a conspiracy theorist crackpot here. Shit like his "fuck Spider-Man, we have a justice system for a reason" speech makes him feel more like a human being with a point of view, rather than just a caricature. Definitely an improvement.

Unfortunately, I still find The Danikast grating. I'm sorry, Ashly Burch. It's not your fault. The quirky heckin' wholesome millennial podcaster lady who catches you up on current events and then reminds you to drink 64 ounces of water a day in the same breath is just too much for me. At least she doesn't have any lines as bad as her throwing in a "damn" and then going (direct quote here) "That's right - no censoring! That's how REAL I'm being right now!" like in Miles' game. Instead they give her this, like, almost psychic insight into the main plot to try and make her the angel on Peter's shoulder. The second Peter gets the symbiote she's like "Wow, y'all. Have you seen Spider-Man's new black suit? Something's different about him. He's been giving me such bad vibes lately. #NotMySpiderMan" Also she's supposed to be this, like, underdog independent podcaster who started her show on a whim and has become the voice of the people... but she's got billboards plastered all over the fucking city. Which makes her feel like an industry plant lmao

Again, there's a detachment with the writing. This is, like, some middle aged white liberal game dev guys' idea of what a modern leftist teenager would think is a Cool Activism Podcast. Unfortunately, because Insomniac thinks Danika's a hero, Mary Jane's triumphant ending is that she quits her job at the Bugle to become a podcaster, too, delivering a thinly veiled monologue about the pandemic to kick off her new podcast literally titled "The New Normal." She's going to save the world with podcasting, because that's the highest form of activism, I guess.

Venom

So! Venom! Venom was... okay.

Surprising no one, Harry Osborn is Venom. Harry's okay both as himself and as Venom, but I'm not sure his arc is a smooth one. He starts out as Peter's comically perfect best friend who returns to reminisce about the good ol' days and hand him his dream job on a silver platter, and then later he becomes a little ball of rage over the fact that Peter gets his symbiote and can't/won't give it back. I'm not sure that pivot is handled the most convincingly. You kind of have to write it off as the symbiote messing with their heads, I guess.

When he actually becomes Venom, I'm... mixed on the execution. On the one hand, the cool factor is absolutely there. He's a very cool big monster, and Tony Todd is great in the role. But he also wants to take over the world and make everyone a symbiote, and aside from any lingering resentment towards Peter, that's really all there is to him. It makes for a good video game to have a bunch of symbiote enemies and creepy symbiote nests and symbiote tentacles climbing up the sides of buildings in the last act... but is that really what I want out of Venom? Probably not. But he sure does look cool as a big monster guy to fight, and I was happy he was briefly playable.

Suits

Part of me feels like there's something lacking about the suit selection here, but almost every suit I liked in the previous games is back, and also I'm the type of person to give Peter the Classic Suit the second I unlock it and use that for most of the game. So does it really matter for me?

Peter's selection feels dominated by the various live action movie suits, but I get that those are going to be some of the suits people want to wear the most. I wish he had the Peter B. Parker skin to go with Miles' Spider-Verse alts, though. No idea why it's missing. Really I think I mainly just want more of the Spider-Verse designs.

Also I've complained about how most of the original suits designed for these games make Peter and Miles look like they were bitten by radioactive Alienware products, but I can just, you know. Wear other suits.

Misc thoughts

Everyone's already made this joke, but it's extremely funny that the Avengers didn't help with the symbiote invasion. Took one look at that and decided it wasn't their problem

On the subject of other superheroes, I do wish these games would acknowledge the Fantastic Four more. Peter's close relationship with that team feels woefully underutilized in his various adaptations

I like the trope of a boss fight that's a heightened version of a personal conflict between two people who are close, where throughout the fight the boss is airing out their grievances while the hero tries to get through to them emotionally. That especially works for Spider-Man! But WOW has Insomniac played that card a lot of times by the end of Spider-Man 2 lol

They're teasing the addition of Silk, I guess? I'm gonna be honest, I don't know shit about Silk, but I guess it was inevitable that they'd give us some form of Spider-Woman at some point. Gotta work all those costumes in somehow, and they're not brave enough to let one of the boys cosplay as Spider-Gwen.

They WERE, however, brave enough to let Harry say he loves Peter. I liked that little moment. They presumably meant it platonically, but clearly ol' Yaoi Lowenthal knows what's up

Post-leak addendum

So, obviously, by the time I got around to finishing this post the big Insomniac leak happened. I wish the game industry wasn't so secretive that it took a massive, dangerous data breach just to get our hands on some very basic info that would be public knowledge if Insomniac was a film studio, but here we are.

We now know that Insomniac spent somewhere around $315 million making Spider-Man 2 - triple what the first Spider-Man game cost to make. A quote about this from a leaked presentation has been stuck in my head ever since I first saw it on Twitter. “Is 3x the investment in [Spider-Man 2] evident to anyone who plays the game?”

To be honest, I'm not sure it is.

I liked Spider-Man 2, but I'd probably say that overall I liked it about as much as the first game. It's certainly a somewhat bigger game, with marginally more realistic looking graphics thanks to the power of the PS5. But I think I could do without ray tracing and more realistic hair rendering and whatnot if it meant that these games didn't take like five years and hundreds of millions of dollars to make. I could not give less of a shit if the swinging animations were recycled between games. I'd be fine with them being shorter, too.

I like these games, but as we look at that leaked project lineup and realize that Insomniac is turning into The Marvel Game Studio, I think about how many smaller, more original games that those resources could go towards if they scaled back the Marvel stuff just a bit. How many Ape Escapes or Patapons or Gravity Rushes could get made for the budget of just one of these massive AAA tentpole games of Sony's, which are apparently barely even breaking even? How many could be made for the budget of the "smaller, cheaper" Miles Morales game, which somehow cost $156 million to make despite using an updated version of the same Manhattan map from the first game? Hell, how many smaller games could have been made with the $39 million that went into remastering the first Spider-Man game for PS5 a mere two years after launch? How many people will lose their jobs if any one of Insomniac's upcoming Marvel games underperforms - which, in this case, could mean selling "only" 5 million copies? And would hardcore PlayStation fans even accept those smaller games at this point, now that they've been trained to only appreciate mega-budget Prestige Games with cutting edge graphics and treat everything else with disdain? How much worse will this get as the graphical arms race continues?

I think I just miss Japan Studio. Fuck Sony. Uhh but anyway the Spider-Man game this post was supposed to be about was good, some writing complaints aside. 8/10

[yanderepuck]

Okay. Theory time. Again @lulu-the-smol-floof and I never shut up about this shit. Spoilers for jp will probably happen below fyi

So lulu and I are always trying to figure out the timeline.

So here is what we are working with

Current time period: 1897(give or take a year)

Leonardo born: 1452

Galileo born: 1564; 'died' 1642

Comte born: ???

Vlad born: ???

What we know with Vlad and Comte is that they knew each other as little kids, meaning they are roughly the same age. And that Comte knew Vlad when his parents were still alive. Judging by his child sprite I want to say Vlad was no older than 8 when his parents died.

I like to think that Comte and Vlad really aren't that old bc it sounds funny. However. I'm reading Comte's route and get to this

Vlad thinks it's possibly been a few millennia. Comte says a few centuries.

Now you're probably wondering what Galileo has to do with this. Well that's bc Vlad stole the door blueprints from him.

So yes. Vlad and Comte could have known each other for centuries, but they haven't been separated for centuries because they only separated after the door.

It's possible that Galileo didn't destroy all the blue prints to the door so Vlad somehow found them, that already puts us at about 1590ish if we say Galileo was in his 30s when he made them.

Then I HIGHLY doubt they were able to make this door super easily. They probably had to hand make parts for it, they couldn't just go to a shop or ask a carpenter/blacksmith to make all these random ass parts. Comte has the VERY FIRST door, which is why it's so faulty. Plus Comte has the mansion built so let's just say a rough 10 years because they are getting this door working, and I feel like that is generous.

We are now at 1600

Now at some point in this time period Comte even meets Leonardo in Italy bc it's implied that Comte meets Leonardo while he's famous among humans. But Leonardo goes MIA after painting The Last Supper which is 1599

Anyway. 1600. They have the door about made. They are still friends and seem to be using it here and there for shits and giggles.

Now Will is the first one brought back in roughly 1840s. Will has been around for a few decades before anyone else. But Vlad and Comte already went their separate ways, and have been for a while.

So at some point between 1600 and 1800 they went their separate ways.

Yes we can call this a few hundred years bc it's almost 1900 and that puts the door at three centuries old. But there's no way you can mistake that for a few thousand

These gays have really only been separated for 2 centuries MAX

HOWEVER. PLOT TWIST. It is implied that Vlad and Comte used the door so much that they are no longer in their original timeline. Yeah this is where it gets confusing with time travel so I'll keep it simple.

Galileo (and Drake) are also not from this time line. Just like the lessers they used the door to go forward in time. In this theory that means that Leonardo is the only one who has organically gone through life. He's never used the door. He's lived every year. Comte and Vlad have skipped some OR have gone back in time and stayed there for so long that they have lived more years than they should

Confusing? Say Comte was born in 1400. But then 1600 comes along, uses the door and goes back in time to 1300. He was still born in 1400(which hasn't happened yet) but he is 200 years old, and if he stays there (doesn't go back to 1600) he will be 300 when he is born.

So Comte COULD tell us the year he was born, but that really means nothing if he spent multiple years in other time lines.

The other confusing thing is that this means he's lived in Paris for like 3 centuries but no one has caught on to him not aging.

Well that was long. I hope that all made sense. Good luck with all that info

[pendwelling]

hi I had a question about a section of chapter 221 in twsb

When discussing the island of pleasure (where the admiral Emma corleone is) (not too sure about the accuracy of the names from mtl),

they talk about how things like polyandry polygamy are allowed there, and how they allow morally wrong things under the principle of free love.

most importantly, they say that monogamy is deeply rooted among continental people.

however, the history of Riester as a continental nation has the taking of multiple life partners with the practice of the Emperor taking a religious and a political partner.

anyway, I am confused as to why characters we generally align with morally (duhem) refer to things like polygamy (which also implies (i think?) a disapproval within Riester of polyamory as a whole) as morally incorrect with the blatant queer undertones of the main characters, as well as among side characters.

is the author trying to highlight the religious nature of Riester and the specific and at times contradictory nature of their religion or possibly religion in general? Marriage within religion (especially Christianity) is seen primarily a unity of people in god’s eyes. We saw yeseo officiate(?) someone taking a religious partner (I believe, it was a while back) and it was similar in nature, with asking for approval from the god of this world itself to be religious partners, with it giving them the thumbs up or down with the ceremony.

the largest difference with these two is that wasnt romantic in nature. So are the rules that as long as the partners aren’t romantic in nature, then the political/religious partnership is acceptable, and romantic marriage is only acceptable among two people? If these are true, what about her majesty for example? I genuinely cannot tell you whether her, Aurelie, and alexandre were all romantically or platonically involved, which think was on purpose on the author’s part. I believe that only alexandre and frederique were married, but once alexandre died, Aurelie became Cedric’s godmother, but was she as involved as a parental unit in Cedric’s life before alexandre died? Were the three of them raising him together his whole life, or was it mainly frederique and Alexandre until he died and aurelie became more present in Cedric’s life

idk man, is author trying to point out the potential conflict of the mcs’ mix of a queer platonic and (i think?) romantic relationship, especially among the judgemental nobles?

you don’t have to answer all the questions posed here btw!!

I know you probably can’t answer every question here (especially the ones about the authors motivation) I am just curious as to what your thoughts are about this as you are an expert with twsb lore/character, if you don’t feel like answering at all that’s also totally fine lmao okay I’ll stop yapping now

"You don't have to answer all the questions posed here" WHO DO YOU THINK I AM do not underestimate the sheer depths of my insanity over this novel (/J /LHHHH)

(On a more serious note now—) haha I will for sure do my best!!!!! You actually raise some very very interesting questions and that made me quite excited to think about because there are actually quite a bit of different factors to take into account here 👀 (intersectionality, if you will). Thank you for sending your question in 🙇‍♀️ I'll do my best to answer!

I would also like to preface this by warning you (and anyone else who might be reading) that my answer will at times require that I use context from way further into the novel, thus might spoil certain revelations and big mysteries (particularly regarding the nature of QPB and TWSB's religion!!!) In other words,

BIG SPOILER WARNING!! (200+, JUST THE ENTIRE NOVEL AND EVEN ENDING)

I'm not sure if you would have rathered a more spoiler-free answer, so I apologize in advance 😭 Apologies as well for any typos that might possible arise. This took a while to write LMAO

(With that said, we should first start with the world's religion!!!)

The Church of God is a religion practiced mainly in the Divine Kingdom of Venetiaan and the Riester Empire (though more so in the former rather than the latter). A huge aspect of this religion is how it sort of influences the behaviours of its believers, particularly around the main belief that if one lives their life in an interesting/exciting enough way and endures hardships, they will one day obtain the gaze/adoration of God, which is something that the beings of this word (at least, the ones who believe or fear God) will yearn for until the day they die [295]. A sort of greeting that believers even use is actually: "May the Lord be pleased with your life ('주신께서 당신의 생애에 기뻐하시기를.')" Later on as you read, it becomes increasingly obvious that the entity that is "God" would refer to either the author themselves, or the readers (in some ways, it is both). But in the larger case, the one the people of QPB yearn for the attention of actually that of the readers, thus, YOUR gaze—or rather, the ones who would be the target audience for a Romance-Fantasy genre story like "I Quit my Job, then I Became the Princess Bride" (QPB), (and then later on, "When the Third Wheel Strikes Back").

This is where it gets kinda(?) meta. Knowing that QPB is an All-Ages, G-Rated, non-explicit novel targeted primarily toward teenage girls and young women (think, Jung Eunseo), it's only natural that a country outside of the premise of QPB (Corleone) would be free from any expectations of said God(s), and thus, will act outside of the "genre". Therefore, what's being highlighted in an understated way is that a country like the Empire of Riester where the main cast of QPB primarily act will be constricted by the conventions of an R-15/G-Rated RoFan genre—but a place like Corleone can break free from the genre and be a full-on R-19+ and more explicit than it wants.

People openly show intimacy out in the open, gamble and play games on the streets, are more promiscuous(or maybe sexually liberated is the more correct term?) and freely flirt, casually dress sensually, and commit "crimes in the name of free love"—and crimes here refer to how, with Corleone being so open with how they regard love, their going-about with relationships and marriage is different, and could lead to people, say, as they put in 220: "kidnapped, proposed to, or forced into a (arranged) marriage" etc. Though notably, these extreme worries were directed towards Yeseo, whom no one in the party at that time believed would be able to fend off the love-enthusiastic people of Corleone (they pretty much indirectly call Yeseo somewhat of a doormat/someone who innocence/inexperience could easily get him roped into trouble... 😭). And on a grander scale beyond just the main characters, this all somehow manages to be played in a somewhat comedic light haha—even though Corleone is outside of God's gaze, it still has to stick to the overall more lighthearted genre in some way, right? If not QPB's, then TWSB's wkkwkkw (this surrealism/idealism, in some way, also has some meta merit to it, too, actually.)

So while Corleone's atmosphere may seem like a harsh and rowdy place, the culture there is just... how to say. Very enthusiastic and extreme about the idea of "romance". In a sense, it's almost as if, though this is a "land abandoned by God", the importance they place on the theatrics of Romance is interesting when considering how the original setting was a Romance story itself (though a different genre of one). I think I should also highlight how this arc takes influences from the Commedia dell'arte, whose conventional plotlines included themes of sex, love, jealousy, etc (amongst others). As such, the theatrics of Corleone—inspired by elements of Italian culture (like how Riester and Venetiaan have French and Dutch influences respectively)—maybe aren't that surprising. Looking back on the Italian Renaissance, we can note the abundance of works with increasing interest in lewd subjects, attributed in some way to the emerging secularization at the time. Boccaccio’s "The Decameron" is notably a rather anti-clerical, at times erotic, and witty work about different stories involving Love, and in the context of its time (following the emergence of the Black Death in Florence) would therefore be a document of an emerging worldview: a desire to be liberated from the control of the Church and eager to explore the world on its own terms (though, it did get banned by the Church for a while for its explicit nature LMAO)(but recirculated after being revised since it was so popular). Other Italian/Tuscan poets at the time were also finding enjoyment in writing funny, satirical, or even downright insulting poems, many of which also took on sensual subject matter, some more explicit than others. ((Just noticed I'm going on a tangent wkfhjdkd sorry for bringing up what I learnt in my Italian Renaissance class out of the blue haha, but I find that it is interestingly relevant to the portrayal of the Principality of Corleone and its theatrics/sensuality.))

SO CORLEONE. Italian Renaissance, Commedia dell'arte. Romance, Sensuality. Comedy, Theatre. Satire, Anti-clericalism... anti-clericalism within this context can refer to Corleone's rejection from God's gaze. The "genre" and "rating" Corleone is presenting is not what She wishes to see, thus, is "morally incorrect" in QPB's original worldview because it doesnt align with the larger genre expectations.

Anyhow, I had to reread this arc and some others, and from what I can remember and what I've seen in this reread, I don't think Marquis François Duhem ever calls out polygamy as a whole, specifically, for being "morally incorrect"—I'm more so inclined to believe they are referring to the blatant absence of TPO (haha), and the over-the-top actions and behaviours that the freedom and enthusiasm for romance sometimes lead to, but even more specifically, the carefree and spontaneous treatment around love and marriage. I don't believe sensuality is necessarily and solely portrayed in a completely negative/puritanical/critical light in this series (there are different ways sexuality is portrayed throughout the series with different sets of characters), but in this case, I believe it might come off as a bit critical because François is directly affected by personal circumstance: after all, in this same arc, when Admiral Emma Corleone was propositioning for François (and later on Jesse) to become "partners", was not exactly doing so for pure-hearted and genuine romantic reasons, but with the underlying tone and intent of the Admiral bedding them for certain gains, and nothing more. François, of course, doesn't exactly appreciate this kind of attention from the Admiral and is openly guarded while around her, evidently not receptive to the idea of becoming her second spouse (after kicking out the rest—which speaks to how lightly she treated those relations in the first place), and thus kind of projects an additional layer of negativity to this. (And I'm assuming you might? have already read further ahead by now, but François does have some genuine reasons to feel put off by Emma, particularly because of their history, and Emma's implied interest in François stemming from the despair he wore back when the Duhems' parents passed away. I think it's understandable that one would feel apprehensive towards someone who is one-sidedly attracted to your misery haha...)

Of course, outside of these specific circumstances, that isn't to say that people don't frown upon having more than one legal spouse (in Venetiaan, this is especially the case, but Riester too), but there are just multiple different factors involved. I think it's very fair to compare it to real-life Christian morality/belief of one-spouse-only, but of course, those who aren't fervently religious and/or are more open-minded will regard polyamory/gamy in a more welcoming light. In particular, we've seen characters before who've expressed outright opposition to the idea of their spouse having another lover, but this is of course different from polygamy—in Prince Consort Werner, Queen Christanne, and Priest Michael's case, it was not a balanced relationship between three people, but an individual cheating on their legal spouse with someone whom she actually loves (their relationship is quite complicated, but we won't be getting into that now haha, but point is—)

The act of cheating and having more than one lovers is seen as bad, without a doubt, but curiously enough, the people of the Divine Kingdom of Venetiaan actually show quite a positive reaction towards the Queen's relationship with the commoner priest Michael. "The Romance of a Century", I believe it was called, and despite this Leary being a case of infidelity that resulted in a child, why isn't the Queen's infidelity seen as completely negative? Well, it can absolutely go back to religion. Despite Venetiaan being the most religious country in the story, it seems very receptive to their Queen's story, and yet simultaneously it is this very religious fervour that makes it so. After all, the child born from the Queen's extramarital relation was born with golden blond hair and purple eyes symbolic of the Lord's love and divinity, therefore the existence of this child itself can be taken as a blessing from God, Herself.

So, is cheating bad? Yes. We've seen this before with Duke Sarnez who was once caught by his own daughter and her friends while he was intimate with an Imperial attendant in an office. Yet, we also see it with Queen Christanne towards her own legal spouse, but the reaction is different, because of the "blessings from God".

So, is having multiple consenting lovers in an equal-levelled relationship, bad? No. The story does point out that the ruler of Corleone, Lorenzo Corleone, has multiple concubines, but he isn't portrayed in a negative light, either. In fact, he is actually portrayed as a typical person—"an old gentleman" [665] he is actually described as. Courteous and rather kind, both to Yeseo and other known characters such as Aurélie, and actually becomes a great supporting character during the later war. Him having multiple legal wives isn't symbolic of him being a morally bad character, nor do Riesterian character treat him poorly for his cultural differences or marital affairs, either, and it is just that—cultural differences.

So is polygamy/polyamory wrong? No, but, the cultural differences and reservations about marriage/love between different countries will illicit different reactions depending on whom you ask.

Anyway, I hope I'm getting across my thoughts properly haha bc I think I'm sounding like a convoluted mess, but I'd also like to note that there have also canonically been conversations about queer relationships in the story itself—particularly between Princess Cornelisse and her would-be religious partner Isle Roosegaarde, whom Cornelisse promised to make her consort when they're older [670]. In this conversation, Isle remarks that she can't possibly be made Cornelisse's consort because they are both girls, but Cornelisse casually retorts that not even the Royal Family has such conservative and outdated views (which I think is kind of hilarious in retrospect, because it implies in a way that Werner, despite being a horrible person, at the very least doesn't discriminate on people's sexuality to the point where his own daughter is educated with this same view)(of course, unless you're Jesse, which means that everything about you is worthy of Werner's ire LMAO). BUT ANYHOW, point is, historically it seems that more conservative/traditional values have existed at some point, but the current reality is notably much more open-minded. It is fair to say that Monogamy and Polygamy co-existing in Corleone but not in Riester or Venetiaan might have something to do with each country's respective histories, as well as how strongly each nation respectively believes in the main religion (and how it would influence their beliefs). And when you take into account the context of whom the God of this religion is, we can also assume that the typical young QPB RoFan reader would not want an explicit environment where the people (characters) you love would be existing in a setting reminiscent of gritty, sensual harem genre (there is even MORE meta to be said about this, and that involves the "Creator" (writer) or the world, and their intent toward the Gods (readers), but just know that an adult theme is definitely out of the question when it comes to what appropriate subject matter to the target audience, or more specifically, a certain target reader 👀)

Anyway, I bring up historical conservatism and the more-progressive/liberal nature of the TWSB universe because the idea of polyamory in Riester actually, in a funny way, is kind of? accepted...? it really, really just depends on context.

For example, there have been quite a few occasions, actually, of either friends of Cédric, Yeseo, and Christelle (CYC) or the general public themselves, alluding to or actively believing that the three of them are in a romantic relationship. One of these people was actually Marquis François Duhem himself, and he's funnily enough supposedly quite aware of the rumours floating around their relationship and at some point reaches a conclusion along the lines of "wow!!! so the rumours are true, you three really are like that—!" [468] (hahaha I do not think that he has any strong averse opinions on polyamory at all (Emma Corleone bugging him to be her next husband being a whole different case)). And earlier on in the story, we've even seen gossip tabloids who've placed immense interest on CYC's relationship, though this can of course either be interpreted in romantic or platonic lenses haha. Oh, and another notable person who even outright called CYC "lovers" was Jibril Diop, Cédric's 2nd cousin and a later addition to the main cast (more specifically, while talking with Yeseo, Jibril refers to Cédric and Christelle as Yeseo's lovers and asks him if he broke up with them since it's rare to find Yeseo all alone haha) [465]! But either way, it seems the opinion on having multiple lovers depends on a variety of different factors, from personal opinion, to religious beliefs, country, etc etc. Jibril Diop himself is actually someone whose character aligns more with Corleone's values and interests rather than Riester, since he's very free-spirited and loves dating and flirting and hates stuffy clothing, and is well-known in the Riesterian Beau Monde for his social affairs and activities in the different salons in the capital. He's even reportedly dated multiple people at once before, though it's unknown if these were open relationships or otherwise, so I can't really tell you any more than that haha. (If you haven't met him in the story yet, please anticipate his arrival. He's such a great character, I adore him greatly. He's sooooo fun as a new addition to the main cast hehe)

Anyhow, I'm sorry if I haven't given any clear-cut answers so far but rest assured!! It gets even more complicated!!!!!! 🙌🙌

SO!!! Knowing that different countries, cultures, and people regard Monogamy and Polygamy different, where does the Riesterian custom of having a Religious and Political Companion come into play? Well, in the first place, the tradition of choosing these two partners is solely a Riesterian custom, one that is also reserved for the Imperial Family (and collateral lines). A POLITICAL COMPANION to help the Imperial ruler politically, financially, or in any other diplomatic/transactional needs, (typically with a renowned noble family, or even a wealthy and affluent merchant family); and then a RELIGIOUS COMPANION to help guide the future ruler spiritually, an emotional and religious guide. Neither of the two roles are necessarily romantic, and the position as Political Companion does not require love—it is a political match first and foremost, though rulers such as Frédérique and her mother before her, Céline, were lucky in that they were able to marry people who they loved. The marriage is merely a formality so that the ruler could have an adequate spouse who fits all the requirements needed to support the ruler and fulfill the duties required of by a consort. Love is not a requirement, but it is still a legal marriage, thus a degree of respect for the arrangement is still expected.

So, what does that make a Religious Companion?

Religious Companionship via Covenant/Holy Contract Ceremony is special in that it requires the two individuals involved to swear their souls together and have them joined for eternity. This connection is beyond romantic or platonic love—in fact, a lot of the sentiments between the Master of the Covenant and the Patron Saint is very queerplatonic. It is metaphysical, it is something integral to the people involved, it is something only they alone can truly understand. It is hard not to regard the sharing of one's soul with another as not being romantic, as the very nature of the Holy Contract is intimate and requires, in the first place, a deep trust in the other person.

I believe the in-universe romance novel by Benjamin Giradin, "Reason, Emotion, and Divinity" (as the title is translated by the official webtoon team), displays a common trope regarding the complex arrangement of the main character (Heathcliff) who is caught up in a conflict between his Political (Jane) and Religious (Catherine) Companions [78]. It is noteworthy that, although Heathcliff is in a physical marriage to Jane, he is in a spiritual/mental marriage with Catherine and is the one whom his heart lays with. We can see, here, that this is an example of a relationship that is not equally "polygamous"—there is a lack of sincerity on one party's part towards the other, and the "spiritual marriage" is seen in a negative light as it is not fulfilling the role it should be. It's a very dramatic circumstance however and of course, is only one (fictional) example of the extent of the depths that a Religious Companionship might lead to, but we can take another example, too—this time, one from Riester's very history, told to us in Chapter 195:

Basically (recapping for anyone reading who might not know), roughly a thousand years prior to the current timeline, Empress Arianne Riester proposed that the Cardinal Phillipe (who had been her ally in unifying the fractured Empire following Venetiaan departure) become her second companion. Knowing that Arianne was already married at this point and was also not romantically in love with Philippe, the Cardinal rejected her, unwilling to take on a role similar to that of a concubine. But despite this rejection, Philippe did harbour unrequited love for Arianne, and gave in to her sincere proposal, though not without requirements. Philippe gave her tulips and said that even if they were not legally tied to each other, he was still and would still always be her ally, and the Empress wished for his formal companionship that strongly, then it would only be so if the Lord blessed their union and affirmed that it would be okay. The blessing later came in the form of the blossoming of never-before tulips. Since purple was a deeply religious symbol and tulips of that colour had never existed beforehand on the continent, the people took this as a religious sign, thus, a blessing from the Lord Herself. Thus, the two joined together and their union was the start of the tradition of the Religious Companionship in the Riester Empire for generations to come.

Interestingly, it is noted that every single Religious Companion of every Imperial Riesterian ruler to come after Arianne and Philippe, all died single [256]. In a sense, this is truly a marriage no different than a political one, and perhaps even deeper than that. While Philippe genuinely loved Arianne (one-sidedly), not all Religious Companionships are explicitly romantic, either. But again, it is undeniable that the Patron Saint in the Holy Contract is the one who holds the most power—if they do not sincerely wish to form a Covenant, it would not happen. So naturally, all Religious Companions feel strongly about their respective Master of the Covenant, and this intimacy could absolutely stem from love, or result in love.

SO, what can we make of Empress Frédérique's relationship with her Political Companion Alexandre, and her Religious Companion Aurélie?

Just like how the different examples of Political and Religious Companionship that we've seen above are different, Frédérique, Alexandre, and Aurélie (FAA) are also unique in their own way. Frédérique and Aurélie's relationship was the first to form, with Frédérique being the first to "fall for" Aurélie for the clarity of her ether and her sincerity in her tasks as an Imperial Priest. They were childhood friends following this and naturally grew very close, but the one who Frédérique later explicitly romantically falls for was Alexandre Blanquer (notably, she fell for him at first sight, similarly to how she did with Aurélie in the confessional hahaha. Frédérique is really the type of person who knows what she likes and strives to obtain them). FAA are truly special because all three of them managed to form very strong connections, not just with Frédérique, but between Aurélie and Alexandre, as well.

Frédérique and Aurélie note on numerous occasions how much Cédric's growing relationships remind them so much of their own childhoods and younger years back when Alexandre was alive, and it is very clear that they all loved each other. Perhaps this might not be the clear response you'd like from me? but I do not think it matters whether or not their relationship was romantic, sexual, or platonic.

Just the fact that they loved each other immensely, to the point of Aurélie even almost sacrificing her own life if it meant she could trade it for Alexandre's (which ultimately failed, though deteriorated her eye in the process, which is why she wears a monocle) [600]. Aurélie and Alexandre were not physically married, nor did they share souls and emotions like how Frédérique and Aurélie did, but despite this all, they managed to form deeply intertwined bonds despite at surface-level glance Frédérique being the "only link" between them. From the very start, they were all together a 3-person parental unit for Cédric the moment he was born, and Aurélie, though not his blood parent, was pretty much his second mom right from the get-go (in the official webtoon translation, he calls her "Aunt Aurélie") and naturally had been made the godmother since his parents are pretty much her partners, too. They were so close that Cédric's conception dream was actually dreamt by Aurélie—prior to his birth, she dreamt of being visited by a sun who came into her bedroom, before falling asleep together. It was reportedly a very cute dream, and I think it's very indicative of how close these three were for Aurélie to be the one to have the conception dream instead of Cédric's own parents. From the very very very start, they had always co-parented and cared for Cédric, and would have done anything for him. Their relationship is untraditional for the typical two-parent family unit, but they were true in this together right from the start, from every step of the way. During his childhood, Cédric was only awake for very short hours of the day, but whenever he was, Aurélie, without fail, always came and visited him in the mornings to read him stories, just because he liked it, and Frédérique and Alexandre would also join them for whatever small moment of family time they could get, when Cédric wasn't sleeping [600]. They raised, cared for, and loved this boy greatly, you cannot distinguish a difference in their love on the basis of whether they're Cédric's parents or not. They love him because he's their precious child, and that is that.

I like what you mentioned about how you were unable to figure out if their relationship was romantic or platonic, and how you said it was perhaps intentional on the author's part. Sookym never mentions queerplatonicism at all in their work, but the queercoding of this universe by mere virtue of the existence of all the implications brought forth by the lore and magic system itself allows for very queerplatonic/queercoded messages to saturate the work in its entirety—all due to the very nature of TWSB alone. I think QPR is the best way to describe Religious Companionship, and all the other very special and metaphysical bonds that appear between several characters throughout the entire novel. In FAA's case, it is clear that Frédérique loved Alexandre very dearly, and that their marriage was not even a necessarily political one (they practically eloped without the permission of Alexandre's family, and the Blanquers also disowned him when he went through with the marriage, so there was hardly any political gain there, other than Alexandre hinself being a 9th-Grade Mage), but it is EQUALLY CLEAR that Frédérique loves Aurélie, too. You will understand as you continue reading, but there are some incredibly intimate moments between these two that are both emotional AND physical.

The biggest example that comes immediately to mind is right after Frédérique and Aurélie had to be separated for a long time during the Riester-Venetiaan war, upon reuniting, the two of them immediately spent the night together, and the morning after has Frédérique hugging Aurélie around the waist while in bed [850], and the scene is played completely naturally, as if this is a routine that isn't unusual for them and that has probably happened before. Of course, this happened because being apart for too long is literally physically painful for Frédérique, so being physically close to Aurélie and receiving her ether in the most direct way possible would remedy that, but in the first place, if they were not incredibly close, the physical nature of their relationship would not be as crazily intimate—to the point of sharing a bed and being in semi-states of undress, and physically touchy with each other in a scene epitomizing domesticity. They love each other and that's that. They are literal soulmates and partners, and we don't need to know anymore. The love they have for each other is something only they themselves would understand, and the love they had for Alexandre is something that also belongs to them.

With all these different presentations of love, affection, and queerplatonicism between different characters, I do not think there is actually much conflict that CYC themselves would face in becoming partners. Everyone in Riester and in other nations as well understand that the bond that Empress Frédérique and Cardinal Aurélie is integral and important, and there is never any criticism there on Frédérique's intimacy with Aurélie, even when it is well known that Frédérique wildly loved Alexandre. The only issue, in fact, that arises about CYC's potential partnership, was Yeseo (as Jesse), being from Venetiaan, and then later on, was mostly internal doubt and dilemma from Yeseo himself. Outside forces never disapprove of the three of them having any sort of relationship, and whatever criticism they ever face is not because of any romantic conflict or say gender bias (like I said before, homophobia doesn't exist in the widespread view, and if it does, it happened in the past as is now seen as stupid WKJJJK), but because of the requirements that the position of Political Companion and Religious Companion require, respectively. But Christelle Rambouillet and Jung Yeseo are probably the only ones that can fit the requirements of these two symbolic and physical positions the best, with Christelle, even after discarding the ducal Sarnez name, obtaining military achievements and notable contributions to the Empire and becoming the "Star of the Navy", and her incredibly positive public image and reputation as a national hero within the Empire will undoubtedly dissuade any criticisms of her worthiness of being a Political Companion. Yeseo, meanwhile, (again, sorry if you didn't want all these spoilers in this reply 😭) is the renowned Palace Lord of Juliette, the Marquis of Sérénité, an Incarnation of God and an Angel of the Lord, and is His Holiness the Pope, himself.

Yeseo and Christelle become some of THE most accomplished people in the Empire, and anyone who tries to push their sons or daughters into the symbolic roles of Religious and Political Companions for the Crown Prince of the Great Riester Empire, will have to compete with these two reputational behemoths hahaha. At the start of the story, the conflict between CYC's potential Companionship has always been political, with the question of who could possibly fit these roles the best and aid Cédric, once he inherits the throne. Politics and schematics have always been the question here, and you could even say that emotions have very little to do with this decision—in fact, we've seen before that Cédric would have gone with anyone Frédérique and Aurélie would have chosen for him, since that's what it means to be a Crown Prince and fulfill his duties. Of course, that isn't to say that FredAu would want Cédric miserable, but it is clear that politics always take precedence, unless extraordinary circumstances arise enough to the point of being able to discard traditional political moves.

Initially, Christelle de Sarnez was the best candidate for Cédric Political Companion because not only was the Sarnez Family a (now formerly) reputable family and strong supporter of the Empress, but the marriage would also bring with it the Blessing of the Azure Ocean, which Cédric had needed at the time. Of course, this initial setting falls flat, but Ham Ga-in, as Christelle Rambouillet, later makes an enormous name for herself and becomes even more renown that she would have been as a "Duke's daughter".

As for Jesse Venetiaan, while his ether was the more noble and pure, and his divine power was incredibly notable, his biggest flaw in the eyes of Riester-Venetiaan politics was that Jesse was a foreigner from the opposing country. This flaw, however, is immediately rectified once Jung Yeseo separates from the identity of Jesse Venetiaan (and there's a LOT more context, but it'll take way too long to explain) and becomes the "Moon of the Empire", rather than that of the Divine Kingdom. Once it is made known that Yeseo's allegiances and loyalty are clearly with Riester, the political doubt, implications, and hesitation on him being Cédric's potential Religious Partner naturally fades, all most if not all Riesterians are extremely enthusiastic about their potential union (in fact, many characters are often surprised that they haven't already officialized it, or haven't done it earlier LMAO).

In short, it's always politics, politics, politics. Riesterian nobles ultimately don't place much importance about whether or not CYC are romantic, platonic, queerplatonic—what matters in their eyes is always POLITICS and if the candidates for the future Emperor's Companions will be fitting of the roles they will have to play. CYC's own feelings are their own and whether or not they, in this Companionship, become romantic or platonic, or remain heavily queerplatonically coded, is their own personal affairs, so long as each of them are able to accomplish their respective duties. Of course, there will always be an interest in the nature of their relationship because gossip and curiosity in any country is unavoidable, especially when it concerns such important people like CYC, but the nature of it, in a political lenses, has little to do with whether or not they are fitting as partners. I personally believe that in any way one can spin it, CYC will still be the perfect pairing regardless, and Cédric choosing candidates that do not understand the depths of his soul is unfathomable to me—Yeseo and Christelle are, quite literally, the only ones (in a meta sense, as well). And on the topic of politics, the question of heirs will also naturally follow, and I am very!!! glad to say that this question gets very masterfully solved by the author haha! I am very content with it and it's a bit humorously in retrospect how it happens, but ultimately was a very smart move that allows for this question to be resolved (without having any of the MCs contradict whatever we might think of them!) and allows for readers to naturally conclude whatever outcome they prefer best after the main story ends! (But if you or anyone reading this is interested in knowing more about the Heir Question, feel free to refer to this post where I go into depth about it!)

Anyway, this response has really gone on for a....... very very long time. It took me a while write this out and make sure I got all my facts right LMAO, but I hope I was able to answer, even if only in some way, your questions and help your curiosity!!! 🥹😭🙌🙌

[cosalphonse]

i recently was gifted some 03 merch that i haven’t seen online and wanted to share! the two artworks on the left are somewhat transparent, i’m not sure what they’re intended to be but they are super cute! and i’m going to share some photos of the character collection below the cut - this will be a little long and photo-heavy! and disclaimer, i don’t have a scanner nor can i read japanese, so i’m just going to be sharing the pages most visually / conceptually interesting to me

our boy ed gets several pages dedicated to him, no surprise, but i really like this little collage of images with the episode numbers displayed. it also includes the iconic “love is love” thumbs up which is funny to me

al similarly gets a lot of pages dedicated to him, but this one stuck out to me as a cute comedic page - i wonder if the little red and yellow text bubbles under ed and al in the middle of the page are what they say in the scene or something original?

i really loved this collage in winry’s section! it highlights her outfits and, just like ed’s, gives us screenshots with episode numbers behind her

riza’s section has an entire page on her relationship with black hayate, which i just found delightful. i love that they include the crude sketch of him as the little thumbnail for the section lol

interestingly, hughes' section ends with this all-red page focused entirely on his death. this made me wonder, what do the book creators consider spoilers? they don't exactly shy away from the more spoilery characters later on and they pretty much document nina's story in its entirety, yet at the same time we don't get a lot of information about hoenheim, envy, or ANYTHING about the other side of the gate. so what's the cutoff here? the last ten episodes? either way, i just found it interesting

my girl sheska gets two whole pages dedicated to her! that's more than breda, havoc, maria ross, and most of the homunculi. good for her.

while i can't read what this says, i found it interesting that they put dante and lyra's pages together. i don't know if they give away the twist, but either way, they clearly knew what they were doing - even if the excuse is that they put lyra with dante since she studies under her

scar gets two whole pages!! DESERVED!! i love that they include so much of his story, especially his relationship with his brother and lust

speaking of, lust is the only homunculus to get a two page spread! they even gave us some scarlust crumbs....

just wanted to include pictures of the 03-original homunculi, it's interesting that they were put together! and once again, this brings up my questions of "what is considered spoilers"

rose also gets a two page spread!

and possibly most baffling is... CLARA gets a two page spread too? for a character who only shows up in one episode this is mind boggling to me. a lot of the 03 original characters get small highlights - archer, the tringhams, etc - but clara gets the largest spot. maybe her episode was more popular while this was being made, or the creators just really liked her, idk

well, those are all of the points of interest i wanted to highlight! if anyone has any suggestions on what they want me to share - specific characters, index information, or anything else - feel free to send me an ask! i'll put all the information under the tag #03 character collection

[rexlroze]

𝟐 — 𝐃𝐢𝐳𝐳𝐲 𝐒𝐡𝐨𝐭

𝐏𝐚𝐢𝐫𝐢𝐧𝐠𝐬: Hobie Brown / SpiderPunk x Fem! Reader

𝐖𝐨𝐫𝐝 𝐂𝐨𝐮𝐧𝐭: 4.5k

𝐖𝐚𝐫𝐧𝐢𝐧𝐠𝐬: Use of Y/N, No physical description of reader other than mostly height comparison. Swearing, Mention of alcohol, drinking, vomiting, Fluff.

𝑁𝑎𝑣𝑖𝑔𝑎𝑡𝑖𝑜𝑛𝑠

𝑀𝑎𝑠𝑡𝑒𝑟𝑙𝑖𝑠𝑡

A/N: I honestly had to rethink this over and over again so many times even though I was like half way thru the damn chapter so that's why making this took me long, also the fact I have the attention span of a child. I was really not sure about this whole thing cuz it kinda felt too sudden but hopefully, it turned out fine? for me it did tbh but like. *blink* yk? Or maybe it's just because I'm not confident in my fucking writing skills and need validation for every damn step I take<3 But anyways, I made half of the notes for this chapter during math class and the teacher caught me so that too (Spoiler Alert: I got sent to the principal's office :3) but that's besides the point. Also if some of the characters were a little OOC, I'm very sorry- I tried my best to make them as accurate as possible (some inaccurate shit tends to get on my nerve, mostly if it's produced by me) annnnd I need to stop ranting💀. I don't take requests nor do I plan on doing so in the future. Happy reading! 😉

Chapter 2 >>> Chapter 3

Each Stroke of paint is smooth, filling the wall with a little more color than before. The bristles of the paint brush gently swipes over the wall. Music flowed into your ears and through, making you hum.

The atmosphere was calming, like nothing could ever—

“Whatcha listenin’ to?” A teasing voice appeared beside you making you jump and your shoulder tense up.

Right. You forgot he was still here. Pushing your headphones off, “a song.” You answered flatly, turning away from him, your back facing Hobie as you dipped your paint brush into the thick minty liquid that was within the metal bucket and slid the brush across the wall.

“Really? I'll have to check it out when I get home.”

You scoff at the sarcasm in his tone.

After yesterday, he helped you with a little cleaning. You thought he was probably going to dip and disappear from your life after that so when he returned the next day (today), it did surprise you a little. He's been just hanging around. You don't know why, he doesn't owe you anything. “Why are you helping me again?” You turned to him with a quirked eyebrow.

“Mate, you've asked me that like 4 times already.” 

“And each time, I haven't gotten a proper answer.”

This time, he's the one to scoff. “Is it that bad to want to just help somebody?”

“You're dodging the question again.” You say in a sing-song voice.

He holds his hands up in surrender, “aight aight. I'm just tryna help out a friend of a friend, y'know? Plus. I ain't' hurtin’ anyone, right?”

“What's that supposed to mean?”

“Exactly what it means, love.”

You sighed, your arm falling to your side. Your other hand coming up to pinch the bridge of your nose, “okay. I'll admit, I'm being a little… douchey.” You say, biting your lip, “But I can't say that I don't appreciate your help, and company.”

“Little's an understatement.” Hobie quipped, snickering to himself which made you throw a side glance in his direction. An innocent smile spread across his face. 

You rolled your eyes turning back to the wall to continue what you were doing. Hobie took it as a sign to pursue his side of the wall.

A small spot was left just at the top of the wall making you push yourself up on your tiptoes, trying to get to the empty white patch on top of the wall.

Hobie, who was distracted by his own work, took a glance at you when he heard a few groans of frustration. Seeing you so frustrated over such a small thing brought a small smirk to his face. He settled his brush down into the paint bucket and made his way to you, your head turning to him when you caught a glimpse of him in the corner of your eye extending his hand, beckoning for you to give him the brush you held.

You raised your eyebrow but gave in, settling the brush into his extended hand, your fingers grazing his palm before you quickly withdrew your hand to your side.

He stepped forward closer to you and the wall, making you step back away, giving him space as he took care of the last white spot on the wall. 

“Thank you,” you gave him a small smile and a nod.

“No problem.” He returned the smile. You two stood there holding eye contact. His eyes were as pretty as they were in the poster. No. Prettier. You thought, why? You didn't know. 

You quickly cleared your throat and looked away to look at your progress the two of you had made whilst he sunk the paint brush back into the depths of the mint paint after filling the small white spot with paint.

The two of you had already completed three walls, the last wall was just about half done. The only other thing left to paint was the closet, you'd get to that later.

“You wanna go get a drink?” Hobie suddenly asked, turning his head towards you, stuffing his hands into the pockets of his leather vest.

You rubbed a hand over your jaw, the thought of a break was very enticing right about now since you'd been busy for about a solid 4-5 hours. You answered after a second or two of silence. “Sure. I could use a little break.”

“Good cuz I know an awesome pub around here.”

“Lead the way.” You said extending your arm towards the door.

—

The two of you walked side by side, Hobie’s gaze fixed on the rock he kept kicking in front of him during your walk, yours lost in the sky that was split into hues of yellow and pink.

“So, I haven't really seen you around here before.” Hobie suddenly spoke up after his rock companion got left behind, a small pout formed on his face which disappeared as quickly as it appeared when it did but obviously he wasn't going back just to retrieve a rock.

“Just moved here about a few days ago, used to live in York with my parents.” You answered, crossing one of your arms behind your head.

“Hm.” He nodded before silence fell over the two of you again, seems neither of you knew what to say. Your eyes lingered on the sky, watching the purple mixing into the pink and orange.

This time, you decided to break the silence. “So, where are we going?” Your head turned towards him, tilting your head a little.

“It's a surprise.” He answered, shrugging his shoulders.

“It's a bar.”

“Your point?”

“I mean, how ‘exciting’ can a bar really be?” You snorted.

“Depends, you ever been in an underground pub?”

“No— say what now?” You gawked, turning to Hobie with wide eyes who just smirked and lifted his chin. When he didn't continue elaborating further, you decided to poke at the subject. “Wait, c'mon. You gotta tell me more.”

Chuckling, he let out a low whistle. “No, I don't.” 

“You can't just tell me we're going to an underground bar then shut up. Like- what if I get kidnapped or sumn?” You exaggerated, throwing your hands up in the air.

“I'll be right there beside you, love, won't even let anyone lay a hand. Good?” He proposed, playfully tilting his head a little.

“You're torturing me.” You groaned.

“Maybe that's my plan.” He shrugged, flicking invisible lint off his jacket.

“...”

“How do I know you're not the one who's trying to kidnap me?” You narrowed your eyes at him. “Doesn't it seem oddly weird you just randomly appear at my parlor, offer me help and now you're taking me to a very secret underground bar.”

As Hobie heard you ramble on, he couldn't help but start to chuckle. His chuckle twisting into a flown blown laugh as you threw a playful punch in his shoulder.

“Tell me. You have trust issues or something?” He chuckled, wiping an unshed tear from his eye. “Just have a little patience. It'll be worth it, I promise. I mean, you can always go back if you’re too paranoid.”

“Hilarious.”

“I'm being serious, I can walk you back right now if you'd like.” He offered, slowing down.

Your lips parted as you thought about it for a quick second before shaking your head. “Nah, no thank you. I'm coming along.”

“Hm, suit yourself.” He shrugged looking back to the front of the street. Your footsteps falling in sync with one another once more.

Silence taking over, punctuated by the honking motorcycles and cars and the birds chirping.

∘₊✧──────✧₊∘

Twelve minutes later, the both of you stood before an abandoned 2 storey office building. It looked like it hadn't been used in decades with its cracked windows which reflected the creamy moonlight. Graffiti turned the concrete structure into a riot of colors, doodles, swear words and penises with overgrown vines that clawed their way up the sides. 

As Hobie strode towards the door, his hand inches away from pushing the door when you suddenly spoke up, “it's in there?”

“Yeah, pretty much.” He said turning his head towards you, “I know it don’ look it but I promise it's on purpose. Keeps the coopers away.”

“Ehh… I don't know. I'm starting to believe the whole “you're trying to kidnap me” thing.” Skepticism traced your voice.

“Oh, c’mon. Just trust me.”

“That's what I'm scared to do.” You scoffed. “This looks like a place where serial killers would stuff their victims in.”

“Dunno, never tried digging around. Two bodies at best?” He analyzed jokingly, covering up his laugh with a cough as he saw you pale a little. 

“You're not funny.”

“Dunno ‘bout that, love.” He snickered. “You comin’?” He didn't wait for you to answer before he disappeared into the building.

You crossed your arms tapping your foot, not wanting to follow him in because of your stubbornness but something about standing alone sent chills down your spine.

I'm gonna kill him. You quickly sprinted into the office-like building following Hobie's direction, running away from something you don't even know.

You find yourself walking behind Hobie who walks up to an elevator across the room. The walls were crumbling, chairs laidon the floor, tables flipped upside down “Why the hell is this place so run down?”

“It's a meeting ground made by the government, basically all the corrupted and secret shit that they wanted no one knowing happened around here but word got out. Eventually punks started graffiting the grounds, protesting, sneaking in and eventually drove them out to who knows where. Started using it as a club and a speakeasy after cuz it was spacious grounds. Coopers don’ blink an eye towards this direction cuz they're bloody cowards.” He casually explains (leaving out the part where he whooped their asses and corrupted all their data with a chip he made as Spider-Punk but you didn't need to know that.) 

He pressed a few buttons which opened up the elevator doors. Wordlessly, he gestured to you to get in.

“And you know this how?��� You lifted an eyebrow climbing into the elevator, he followed suit.

When you asked that, it brought a proud smile to Hobie's face, “I was one of the punks.” He answered nonchalantly without glancing at you, the pockets of his leather vest stuffed with his hands. The elevator door slid back together locking the both of you in.

“Of course you were,” you said it like it was one of the most obvious things in the world for which you got a little nudge in the shoulder from his elbow. He pressed a button on a small keypad beside the door making the elevator flow down.

The elevator finally stopped making a small chiming sound after what seemed like minutes but in reality. It had been barely more than 40 seconds. Guess time just slowed down when you're in the presence of awkward silence… or Hobie.

The doors opened up letting bright neon lights seep in and illuminate your face. The ‘bar’ (which looked more like a rave) was more lively than most bars you've gone to. Vibrant blends of pink, blue, and yellow casted over you.

“W'dya think?” A voice shouted over the blasting songs, Hobie's voice. You just stared at him wide eyed, unable to make up a coherent response. “You'll get used to it.” He nudged you before stepping out the elevator, signaling for you to follow him.

You shook yourself out of your daze and promptly caught up with him. You swore to god you've put way too much trust in someone you met a day ago. Maybe not even a complete 24 hours yet but you're too deep in and too stubborn to turn around.

“You come here often then?” You arched an eyebrow in his direction, his gaze straight ahead but he tilted his head a little to meet yours.

“Occasionally. Usually—” He was cut off by someone who called out to him in the crowd. “Yo, it's Hobie everyone!”

People glanced in your (his) direction, waving at him and cheering him on. Said man waves back, winking in the direction of a few gals who probably fainted with how excited they got but you didn't bother checking.

“Mr.Popular, huh?”

“That's one way to put it. I come here to hang out often so I know people.”

“Do you usually take all your girls here?” You suddenly blurted out, heat clawed its way up your neck when you processed what you just had said. He raised an eyebrow, unable to suppress the shit-eating grin that came onto his face. “Shut up, I didn't mean it like that.” You grumbled, turning your head away from him. 

“I didn't say anything,” he shrugged, feigning obliviousness. 

“You implied it.”

“Did I?”

Something about his tone just wanted to make you sink into the floor and become one with the secretundergroundbarraveparty (whatever it was) or maybe punch that stupid smile off his face but you didn't do either. Instead you continued making your way through the crowd with him until you reached a bar. Several drinks lined up on several shelves behind the counter. You could tell that it wasn't just some cheap liquor crap either. It made you wonder where they had gotten it from.

He sat down on one of the stools, locking eyes with you before patting the stool beside him. Before you could say anything, your body moved on its own, settling yourself on the stool. Nobody else was really seated near your guys, most of the people were already drunk and partying.

Hobie leaned back against nothing but the air particles, his eyes resting on you when you stirred a little, turning to face him, “what?” you tilted your head.

“Nothin’, just thinking.” He gave you one of his small smiles before his attention averted to the raven-haired girl that walked through one of the doors that was hidden behind the counter. Her eyes fell on the two of you making them pop open, “are my eyes deceiving me or are those my most favorite people? Y/N, you didn't tell me you were in town!” She beamed.

“Yuri?” Your eyes harmonized hers. “I was gonna surprise you but… wait, what're you doing here?”

“Me? I work here, babe. The real question is what are the two of you doing here, hmm?” Yuri gaped, leaning against the counter. Her arms crossed over it.

“He dragged me into this.” You said pointing your thumb at the man beside you, making him gasp dramatically, “nah nah, I see how it is.” He drawled, turning his head away from you.

“Drama queen.” You accused, punched him in his bicep. The two of you acted like you had known each other for years by now.

“Ooh, you two must be close.” Yuri cooed, tilting her head, her cheek squished up against her hand as she watched the two of you interact.

“We met yesterday,” you scoffed, turning down any further suggestions that she could blurt out.

“Is that supposed to make a difference?” Yuri sassed, wiping a glass mug down with a cloth that was under the counter.

“Yuri.” Your eyebrows knitted together making her smirk, “what? I'm being serious.” She smirked.

“If this is you being serious, I don't wanna know what you being unserious is like.” Yuri snickered, placing two mugs in front of the two of you. Her body twisted around pulling out one of the alcoholic drinks out of the shelf and shaking the bottle before pouring it into your glass. “So darling, how've you been, how's Camden treating you so far?” She asked, pushing the two mugs across the counter towards you too.

“It's been alright. I've been working on my parlor recently. Otherwise… nothing special. Oh, Spider-Punk also saved my brain from spewing out like three days ago so that's something,” You shrugged when you suddenly heard Hobie choke on his drink, his beer going down the wrong pipe making him cough harshly. You and Yuri raise an eyebrow in his direction.

“Bloody hell. Sorry, this- this drink is really strong,” He sputtered, clearing his throat. He wiped his lips with the back of his hand, tears stinging his eyes.

“Okay…” Your tone contained skepticism in it, “you good now?” You asked to which he nodded. “Fantastic.”

You nodded, turning back to Yuri. A silence washing over the three of you even with the blast of music and chitter chatter in the back.

Yuri opened her mouth to say something but quickly closed it when she heard the door squeak open. A brunette walked through, his face flushed as he stumbled towards the counter. “Hey!”

“Flash!” Yuri squeaked, her eyebrows knitting together. “You're not supposed to drink during your fucking shift!”

“Bloody hell. Chill, mom.” He rolled his eyes, voice awfully slurred leaning his hip against the counter but miserably failing after almost falling.

“Ay,” Hobie lifted his head in a greeting while you sat beside him thinned-lipped.

“Oh my god. Hobie, is that you my man?” Flash exclaimed, throwing his arms out in a hug but unable to reach him due to the counter that separated them so going for a high-wave instead that he missed by a head.

“The one and only,” Hobie snickered, grabbing Flash's wrist and guiding him through the high five properly.

Flash clicked his tongue, turning his head towards you, “Ooh, and who's this pretty little thing?” He smirked, grabbing your hand that laid atop the counter and pressing a kiss to your knuckles. You gave him a polite smile, retracting your hand. You opened your mouth to introduce yourself but Hobie beat you to it. “Y/N Y/L/N. We met yesterday.”

“What he said,” you dipped your chin in agreement.

“A pretty name for a prettier lady,” Flash winked at you when Yuri pushed him away with her whole hand pressed up against his face, “don't mind this idiot. He always gets like this when he's woozy.”

“‘m not woozy.” Flash grumbled, pushing her hand off his face and crossing his arms over his chest like a child who didn't get what they wanted.

“Sure you aren't.” Yuri rolled her eyes, wiping the black marble counter with gold veinings etched into them with a scruffy cloth tinted a light brown at hand (you assumed that it used to be white once.)

“Just a little bit, alright?” He grunted.

You tune in and out of the conversation thinking about what you could do back at the parlor, what you still need to do and improve, how you're going to start developing and promoting your work. Making a website could do me goods, never hurts to try. Maybe I should make a Facebook page— You jumped out of your twilight zone when a pair of fingers snapped right in front of your face.

“Welcome back to earth, love.” Hobie's voice was the first one you processed. 

“Sorry, just got some things on my mind.” You ran a hand over your head till the nape of your neck, letting it settle there.

“I can see that,” Hobie took the empty glass of beer in your hand and replaced it with a refilled one. Your eyes lingered on his hands, watching them with precision before your eyes found their way back to your glass, staring at the foam floating at the top of the glass. You brought the glass up to your lips letting the liquid burn down your throat.

Hobies eyes lit up with amusement, a smirk tugging at his lips. “Calm down, love. The drink ain’ gonna run away from you.” He quipped, his fingers gently wrapping around your forearm pulling the drink down from your lips. Your body slightly tensed up as his warmth seeped into your skin and throughout your body, your eyes meeting his.

Hobie's amused smirk seemed to drop into a line when he noticed the change in the atmosphere. His eyes stuck on yours, yours on his.

The tension suddenly drowned out by the cackle of Yuri who was watching Flash flirt (and fail miserably) with some gals that sat a few seats away from the two of you. His hand quickly untangled itself from your arm finding its way back onto the counter. You let out a breath of relief thankful for brief distraction.

Flash trudged back to where the three of you were, his shoulders slumped with a small pout planted on his face after the girls left with scowls and disgust etched on their faces.

“No luck?” Yuri teased.

“Shut up.” Flash huffed, snapping his head away from her to which Yuri hummed smugly.

Hobie reassured Flash by giving him a small pat on his back whispering some words into his ear that seemed to lighten him up. 

“Hey, up for some dare or drink?” Flash beamed suddenly, his movement more animated than before.

“What?” you tilt your head quizzically. 

“Dare or drink, do the dare or chug a beer.” Flash summarized with a nonchalant shrug of his shoulders.

“Oh no, I should probably get back in a couple of minutes,” you interjected, waving your hands in the air dismissively. 

Yuri frowned, “c'mon babe, my shift is almost over. It won't hurt you to have a little fun, y'know?”

“I really shouldn't-” You protested but quickly folded with Yuri's small pout the alcohol in your system. I'm so gonna regret this later.

—

“Chug, chug, chug!” The three chanted while your hazy eyes tried to focus on the mug of beer in front of you. This might've been your fifth drink of the night, but could you blame yourself? You were definitely NOT texting your fucking ex that you missed him (given by our dear Flash). Not in a million years, but it was more tempting than chugging another beer and inevitably using the next person near you as a vomit bucket.

“Fuck, 'm gonna vomit.” You slurred, putting the glass mug down on the marble counter. Somehow, even with four and a half beers in your system, you could kind of think properly.

Kind of.

“It's the beer or the dare, babe.” Yuri reminded, wiggling her finger.

“Mhm,” you pinched the bridge of your nose trying to rub the blur out of your eyesight. “I-I’m going to find the bathroom.” You shook your head, standing up clumsily. You swallowed the saliva that had built up in your mouth but it didn't help with your slurring at all.

You just whipped around and showed yourself the way towards the bathroom which you had no idea where the fuck it was simply disappearing into the crowd.

“That's not even the direction of the bathroom.” Yuri murmured, sighing defeatedly.

“So… who's going with her?” Flash raised an eyebrow, his eyes bouncing between Hobie and Yuri. The two stared back at him, making him raise his hands in the air defensively, “not it.”

It made both Hobie and Yuri roll their eyes. Yuri turned towards Hobie, opening her mouth to say something but Hobie interrupted her before she could.

“I'll go, ya both enjoy. If we don't return, we left, ‘ight?” Hobie gave them a curt nod and small goodbyes before he headed your way quickly just in case you were about to do something stupidly stupid and wouldn't be able to take it back.

Hobie strutted through the packed room, hands in pocket, eyes searching for a certain (h/c) headed individual. His height an advantage as he could see over the array of people. His nostrils taking in a whiff of the sweat and alcohol mixed in with the air, dancing bodies bumping against his.

Where did she go? He bit the inside of his cheek, eyes wandered over the room, skimming through the crowd but unable to spot you. You went in the complete wrong direction so you couldn't possibly have made it to the bathroom.

Should he call your name? Probably not, as tempting as it was, you weren't really a lost child.

He caught a glimpse of you – your back turned to him whilst you talked to two other girls. He doesn't remember introducing you to them. Maybe you knew them already? He pushed the thoughts aside, walking over towards you.

He tapped your shoulder, “Y/N-” only to freeze in his stance when he saw ‘you’ turn around.

“Huh?” The amber-eyed woman looked Hobie up and down, her eyes sparkling. “Sorry, can I help you?” She spoke softly, tucking a stray hair behind her ear.

“Sorry love, thought you were somebody else.” He explained noticing her smile slip a little.

“Oh.” She murmured melancholy, plastering a fake smile on her face. Hobie nodded and quickly left before she could say anything else.

Something – Someone – suddenly slammed into his side, his hands reaching down and grabbing their waist to steady them.

He looked down, finding your hazy eyes melding with his, “you good?”

“Just a little… light-headed.” You reassured, rubbing your eye with the heel of your palm unable to ignore the uneasiness in the back of your throat but you didn't see why he had to know that.

“You wanna get outta here?” Hobie suggested, watching you narrow your eyes at him before nodding and mumbling something he assumed was a yes.

He moved his hand up wrapping around your shoulder and leading you towards the elevator.

—

Ding.

The Elevator had reached the top, the metal doors sliding out revealing how the dark blue had taken over the sky, multiple glowing specks adorning the sky. What time was it? Where were you two going now? You wondered, your thoughts racing from one to another. At least they hadn't gone completely blank… yet.

Your body moved on its own — with the help of Hobie, of course. Otherwise you'd probably still be tossed around the crowd like a colorful toy among a group of children.

You'd rushed over dipped your head over a plant pot that busied the wall right next to the elevator when you reached it. Gagging and retching, expecting your half-digested lunch and almost 5 beers to make a quick reappearance but it never did.

“You feelin’ better?” The voice snapped you out of your musing.

“Nope,” you answered with a pop of the p. “I think… I think it's probably gotten worse actually.” Your answer was slow, trying to comprehend each syllable you spit out of your mouth.

“Eh, should've known better before dragging ya into a bar and making you chug beer.” He sighed, feeling you lean against him while he continued to steady your movement.

“Probably.”

“Definitely.”

“Did you enjoy at least?” Hobie asked, trying to make some good of the situation.

“Mhm.” You crooned, stumbling over your own foot but never making it to the floor. He twisted the door knob that probably would've broken down if the breeze of air was too fast. “So where do you live?”

“Eh… my apartment.” You answered.

He chuckled at your ominous answer, “and where would your ‘apartment’ be?”

Huh… your apartment? It was on street… Your thoughts went blank. Did you just forget where you fucking live? yes. Yes you did. But if you think hard enough– nope. nothing. Maybe you shouldn't have drank that much.

With how long you were silent for, Hobie realized the problem. “Ya forgot?”

“I forgot.”

𝐓𝐚𝐠𝐥𝐢𝐬𝐭: @the-kr8tor @missshelleyduvall @hobieszeze

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