#I'd say I would rather you of murdered someone than this

[thornsent]

oh well apparently they have me blocked so I guess they'll be fine if they go on my blog and make the decision to look and see this lol <3

I lost my best fucking friend this year like a week before my birthday because they decided to cheat on their fiancee who they had been with for 12 years with at least 3 of their coworkers at the job their fiancee got them. their fiancee was at this job for a loooong time and considered their coworkers like family. not only that but my former best friend lied to everyone and manipulated the fuck out of the situation. at first when people confronted them they seemed to relent and just accept they fucked up, but when I confronted them and really went in on just how fucked up this is to me specifically (I had an ex that did this to me LMAO and they know about how bad it fucked me up) they then promptly began to gaslight me, say that I knew I was cheating on their fiancee and ENABLED it, etc.

it was unimaginably cruel and completely unlike them and I am quite literally traumatized and only just coming out of shock from it because that person is not my best friend and I genuinely do not understand what happened to them. I told them over n over when they vented about the issues they were having to just talk about it like adults but they never did, they just ghosted their FIANCEE and tried to avoid them and literally told me they "hoped they'd just get the hint" (again. 12 years total they were together. they were engaged. I was so stoked for them and so excited to go to the wedding. their ex had been saving for a house and everything and it was just so reminiscent of what my last ex did to me that it makes everything a thousand times worse)

Our last conversation I barely remember bc I was shaking and crying so hard I could not see the screen (they broke up w their partner over text too. so like. yeah.) but I basically was just like I don't understand why you did this when you know how bad it hurt me why would you do it to someone you loved for 12 years, why would you lie to me, why would you lie to everyone else, I love you but this is so cruel and horrible it changes how I view you forever and I can't move past that, etc (in addition to screaming at them for cheating on their partner with a wook with heinous vibes and the wit of a styrofoam block) and eventually their responses got so fucking horrendously manipulative I muted them with the intent to come back to the conversation, but then other shit kept piling onto me and quite literally this shit was so bad whenever I would begin to try and unpack it I would have a mental breakdown

anyway I've been having a rough fucking october because in addition to it being the 10 year anniversary of my worst abuser's death (mom, died on halloween when I was 16) normally this time of year I'd be spending a ton of time with the now-ex best friend because we tried to throw halloween parties every year and we always made a big production of it. this year, because I'm so far away I don't get to see any of my friends or do anything. We don't have the money for gas. I haven't made friends here because when I haven't been busy I've been too exhausted to even take care of myself, and I can't find any sort of event for adults for halloween locally. I can watch spooky movies with my girlfriend but fuck dude. It's about the tradition.

moreover it's about the sense of family. That's going to fuck me up this entire holiday season and I won't forgive them for it--- My ex bestie's family was so inclusive of me, I'd get invited over for thanksgiving and christmas and it made me look forward to those holidays because I wouldn't be rotting alone in my room, I'd be with friends. With family. I've never fucking had that and then I finally did and then they fucking took it from me and I don't think I will ever forgive them for it. I didn't block them here or anywhere else because I really truly in my stupid fucking heart thought they'd realize how bad they fucked up, but also realize they didn't have to lose me too. but they fucking chose to, at the end of the day. it felt like they wanted to get rid of everyone from their boring old life and go fuck this stupid fucking russian boy.

I'd been trying not to post about this because I know for a fact some of you guys know who I am talking about and are also mutuals with them and idk I guess I wanted to preserve some sense of their dignity? but something about this, about realizing they fucking blocked me, just gets to me. I left the light on for them and they just smashed it. There's literally no sense or purpose to their actions aside from selfishness. they ruined their own life and I think ultimately they only cried so much because they were found out, not because they actually felt guilt or remorse for what they did. and if that's the case then I guess I just never knew this person at all and it is heartbreaking and so isolating.

if they ever read this I do genuinely hope it haunts you, I hope the consequences follow you until you learn your fucking lesson, I have shed far too many tears over this and I know my Mother is watching you. I hope you are publicly strangled by your own shame until you fix whatever it is in yourself that makes you do these things to other people and their feelings and lives because it isn't cute, it isn't funny, it is a disease that spreads to everything you love until you find the source and stop it. and if you don't then brother I just hope you die before you do it to someone else. You don't get to shimmy out of this.

[hyperfixatinator]

Where is the line?

In the comics, Tim Drake's moral code is an enigma to me, particularly his stance on the Batclan's no-kill rule. For all the fans who say he's always one step away from full blown villainy, there are even more saying he's a strict goody two-shoes who could never stoop that low.

Then there's the different takes on where Tim draws the line between these two extremes. Personally, I find that line hard to pinpoint. Digging for canon demonstrations of his morals has lead me to more questions than answers. My biggest question right now is:

What counts as breaking the no-kill rule in Tim's eyes?

Luckily, the Robins 2021 comics shed some light on this. In issue #3, "Tim", or rather an imposter of him, said that choosing not to save someone isn't the same as killing them, and that letting a villain die can be a way to get justice. Normally, this point would be moot since it's not Tim himself who said it. However, at the end of issue #6, the real Tim clarified that what the imposter said WAS his real opinion on the matter.

Not only that, but Tim has shown this belief through his thoughts and actions before. Twice.

The first time goes all the way back to Robin 1991 #5. During the fight against King Snake, Tim kicked him through a nearby window, fifty stories above the ground. As King Snake's life hung in the balance, Shiva appeared and commanded Tim to kill him.

Tim refused. He walked away, leaving King Snake entirely at Shiva's mercy.

What gets me is that Tim made no move to save King Snake from falling. And he made no effort to stop Shiva from committing the murder, either. His only thought as he heard the man's scream was "Fifty stories is a long way to fall."

The second time was in Red Robin 2009 #26. Tim orchestrated a whole plan to manipulate Captain Boomerang into getting killed by Mr. Freeze. The whole time, Tim blamed Captain Boomerang for making all those bad choices, despite Tim being the one raising the chances of them being made. Tim believed he was innocent because he wasn't directly participating.

Tim then stopped that plan, but not for any noble reason. He decided that he couldn't let anyone else kill Captain Boomerang but himself.

Tim couldn't bring himself to do that, either. So he had to spare his father's killer in the end.

This seems pretty cut and dry so far, right? Tim believing that letting villains die is alright as long he doesn't do the deed himself? I'd think so too, if there weren't other moments contradicting this.

In Robin #35, Steph insisted on leaving an enemy who got buried under the snow to die. Tim chastised her for it.

Neither of them were responsible for the snow, or for the enemy getting trapped in it. Plus, that guy tried to kill them with a chainsaw moments prior, so he's not exactly an innocent damsel in distress.

Maybe it was because this enemy wasn't a big enough fish to fry. We didn't really get confirmation that this guy has actually killed before, and he's around goon status at best.

But then in Robin #46, Tim chose to save another enemy who got himself into a deadly situation. That enemy was a murderer known as Young El. This time, Tim wasn't telling anyone else why they should save a murderer's life out loud. These were his private thoughts.

Notice how Tim's inner monologue sounded kind of on-the-fence. He contemplated justice finally catching up with Young El as the floorboards gave way, bringing a support beam down on him in the process.

However, Tim immediately switched gears to rescue Young El from under that beam before the water rose too high.

But Tim, as he told Young El the reasons he's saving him, asked himself "Do I even believe what I'm saying?" He could be asking this about two different things he said here. A) "Maybe it's not too late for you to learn something, Young El.", or B) "Death's easier for you when it's the other guy. Death's never been easy for me."

For Tim to doubt his belief in either of these statements is very interesting. He could be questioning if Young El is already too far gone for redemption, or he could be questioning if seeing someone die has never been easy for himself. For all we know, it could be both.

Unfortunately, Tim never got to see if his choice to save him would pay off. Tim wasn't strong enough to lift that beam, and Young El drowned.

There's a question on my mind as I read these pages. What makes this murderer's death different from when Tim let King Snake fall to his "death"? Sure, King Snake didn't actually die, but Tim didn't know that until later when the man came looking for revenge in Gotham.

Tim was once able to simply walk away from what he was certain would be a killer's demise. But then he's consumed by guilt over not being able to prevent a different killer's death down the line, to the point of hallucinating.

On top of that, what changed Tim's mind later? Red Robin #26 and Robins 2021 #3-6 still happened in the future. The only significant difference I can tell is that these two comics involved the killer's of Tim's parents, making it personal. But if the Imposter from Robins 2021 got his beliefs from his profile before his mother's killer got involved, then does that still hold up?

Maybe we should put a pin on it for now. There are other things Tim's done that brings the details of his no-kill rule into question.

Such as that one time Tim actually killed someone with his bare hands.

In Robin issues #51-52, Tim accidentally killed Lady Shiva while drugged on amarilla, a plant that enhances the user's speed beyond human limitations.

It may be argued if the amarilla altered Tim's mind enough to excuse him of fault or not. However, I want to focus on what happened after Shiva was revived. Here's another question to go with the first one:

Does Tim believe the kill still counts if the victim was revived afterwards?

From what I've gathered, yes and no. It's kind of complicated.

After Tim killed Shiva, he was understandably distressed about it, about how he can never take it back.

But after Shiva came back to life? Nothing. He didn't dwell on the fact he broke the vow to never kill. For something that devastating to happen in his life, it's odd that Tim didn't bring it up ever again, privately or otherwise. Especially considering what happened later in Robin #123, when Tim thought he killed Johnny Warlock.

Tim was utterly inconsolable. He lost all faith in his abilities as Robin, and in himself as a whole. It also contributed to his decision to quit being Robin after his dad found out. In general, he seriously dwelled on that "kill" for a much longer time than he had after killing Shiva. The difference being that he knew Shiva was resuscitated immediately afterwards, while Tim didn't know Johnny survived until issue #141.

But there's the fact that Shiva really did die. Her heart and breathing both stopped. So are we to believe Tim moved on from that so easily because she's alive now? What happened to never getting that back?

Come to think of it, not long after Tim killed and revived Shiva, there was someone else who landed in that same boat. Dick.

In Joker: The Last Laugh #6, Dick brutally attacked the Joker after believing he killed Tim. Dick ended up accidentally killing Joker instead, before the clown was resuscitated.

Here's the thing. While Tim was trying to comfort Dick, saying that it's ok because Joker's alive now, Dick didn't believe so. He was still distraught that he killed someone. The fact Joker came back to life afterwards didn't matter to him. To Dick, it still counted. So what does that say about Tim?

Before we move on, there's another person Tim knows who also died and came back from the grave. Jason.

Tim openly acknowledged Jason was killed before coming back, too. Multiple times. For example, when they met up in Red Hood and the Outlaws 2011 #8.

Tim hadn't shown any signs that he thinks Jason's murder doesn't count anywhere, except for maybe once.

In Knight Terrors: Robin #2, Tim and Jason had a heart-to-heart, and Tim said something strange.

"You survived."

Except Jason didn't survive. He died. To say Jason survived that night would've meant he never died to begin with. Him being alive now doesn't change that. Was this Tim telling a white lie to make Jason feel better? Or does Tim see being revived after death as "surviving"?

Ok, now we can move onto the next question. Or rather, bear with me as we go back to the first question. It's a broad topic with plenty more to talk about.

What does Tim count as breaking the no-kill rule?

We already asked how Tim feels about bringing villains back from the dead after killing them. And we asked how Tim feels about leaving a villain to die without getting directly involved. However, we still don't know how much involvement Tim needs to have in an enemy's death before he'll take responsibility for it.

We can confirm he won't mercy kill in Red Robin #21, even if it means giving someone a fate worse than death. No exceptions.

Tim also doesn't allow anyone he's actively teaming up with to kill, especially if he's the one in command. He's been amicable with known killers before (Huntress and Pru, for example), but only when they remain non-lethal while working alongside him.

Apart from that, though, it becomes less clear. However, I think this is a good place to expand on when Tim blew up a lot of League of Assassins bases in Red Robin #8.

I'm not going into whether or not those explosions actually killed anyone. I've seen evidence supporting both sides of this debate, so I'm just going to say it's up to interpretation. What I AM talking about is whether or not Tim would've felt responsible if they had killed someone.

Before overloading every generator in the LOA database, Tim gave a warning to the Wanderer. He told her that he couldn't be held responsible for what would happen to her if she didn't leave.

After initiating the explosions, Tim warned the White Ghost that they had fifteen seconds to leave before it was too late.

Fifteen seconds. That explanation on the mistake of letting him in might've taken roughly another fifteen to twenty seconds. Did the other bases even get a full minute head start? The way some of the people were already running away could imply they at least got a warning, but it's possible they might not have.

Even if everyone in every base received a warning, would that be enough for Tim to avoid holding himself accountable if they didn't make it out in time? Tim's the one who rigged the bases to explode, but I guess giving someone a warning means it's now their fault for not heeding it?

We can't be sure he even considered the possibility of those explosions killing anyone. Tim knew they were dangerous enough to bring the whole Cradle down, and the other ones we saw looked pretty powerful (except the ones in Ra's hideout). But Tim also called Ra's a murderer right after that happened, which would've been very hypocritical if Tim himself thought he committed murder.

So, my guess is either A) Tim relied on sheer luck for those explosions not causing any casualties and chose to believe they hadn't, or B) Tim didn't believe the deaths of anyone caught in them would be his fault.

Again, this isn't about whether or not blowing up the LOA bases killed anyone. It's about how willing Tim was to take that risk, and if he would've blamed himself for anyone getting killed from it.

Either way, it's canon that Tim had no guilt for the explosions he caused, or for anything he did before Red Robin #22. Just ask the Sword of Sin.

This is an exerpt I got from the Fandom DC Database on the Sword of Sin:

"The Sword of Sin can be ignited with the mind of the wielder, if the person is powerful enough. The sword has the ability to conjure in the mind its victims all of the sins for which they are guilty or have not atoned for."

When Tim was stabbed with this sword, he was immune. The Sword of Sin decided he was innocent. Although, I have to ask how reliable this sword was in making that judgement. If the sword is judging others based on its own set principles, then something's not right here.

The Sword of Sin was also used on Dick, and he wasn't immune. It dug into Dicks subconscious and unearthed memories he'd long since repressed. Memories of himself watching a boy get beaten to near death, and then doing nothing. He just walked away.

Now, tell me why the sword brought this to light, but not the time Tim left King Snake to die!

It wasn't an accident. Tim deliberately chose to leave instead of trying to save this man from the murderous Lady Shiva. Sure, Tim was no match for Shiva and he might've not been able to stop her, but the same could be said for an eight year old Dick not stopping a group of much older kids. Neither of them tried to stop the attackers.

Tim didn't atone for it, either. When King Snake returned in Batman #469, Bruce told King Snake that it wasn't Tim who left him to die. We know that's a lie, but Tim never corrected this. He let Shiva take all the blame.

We have two instances of a boy choosing not to prevent someone from having a near death experience. One guilty, and one innocent.

Did the Sword of Sin think Tim was justified because King Snake was corrupt? That doesn't sound holy to me.

Was it because Tim didn't feel any guilt over it, while Dick did? Can the sword's judgement be thrown off by the victim not feeling any shred of guilt over their actions, even subconsciously?

That could make sense given what we know Tim did in the past: King Snake falling, the vandalism (explosions), and ALL the lying over the years (Tim reviving Shiva might count as atonement, so I'm not including that). If the sword based its judgement on God's will alone, then odds are high it would've picked up on one of these.

Even so, I'm not going to sit here and say this is definitely the case. I'm not familiar enough with how the sword effects other characters to make that call.

If this is indeed false, then did the DC universe's version of God decide to pardon Tim of his sins when he prayed earlier that same issue, despite him not believing he had any? I mean, who knows, right?

You can probably see why there's more questions than answers. The point is Tim didn't have any guilt for the things he did before Red Robin #22. Tim was canonically convinced he had nothing to atone for.

So then why did he say the opposite later in Knight Terrors: Robin #2?!

In the heart-to-heart between Tim and Jason, Tim tells him this:

"You have a lot to atone for...We all do..."

Tim knows that the words "we all" include him, right? By saying this, Tim admitted to also having things he needs to atone for, right?

Is this another white lie to make Jason feel better? Is it one of those slight changes the New 52 made to the canon? If not, then why did he change his mind? Did his no-kill rule change and make him feel guilty for some past actions? Is it not the no-kill rule, but something else?

What changed?!

Where does Tim draw the line?

I don't know. We've narrowed it down to a general area, but it's kinda hard to see a line when it's so blurred it could be a gradient.

Tim baffles me. He acts as a steady moral compass for others when he can't even seem to stay consistent with his own. You're free to call it poor writing (and honestly, fair), but I find his hypocrisy fascinating.

That's what it is, isn't it? Tim's a hypocrite who's completely oblivious to being one. And it's not like this was never mentioned in the comics before. Damian called him out on it!

In Batman & Robin 2011 #10, Damian confronted Tim about his near-murderous reaction when Fist Point killed Artemis (Teen Titans Vol 4 annual #1). Damian then accused Tim of constantly rejecting him because they have more in common than Tim's willing to admit.

It's debatable how accurate that accusation was, but Tim had a pretty volatile reaction to it.

"I believe in every choice I make!"

Does he? I don't think someone who's so sure of what he believes in would contradict himself to this extent. Especially if he wasn't doing it on purpose.

He wouldn't vehemently push Bruce's no-kill rule onto others and berate them for bending that rule, only to go and bend that same rule himself when the Batclan isn't around. He also wouldn't exploit what he thinks are loopholes, decide later that those loopholes broke the no-kill rule, and then earnestly claim he never broke it.

Why is he like this?! He's had arguably the most normal childhood out of the whole Batclan before becoming Robin! What could've made him so fickle about this?!

Where does he draw the line? And how will he know when he's crossed it?

[ohisms]

↪ 𝑽𝑨𝑵 𝑯𝑬𝑳𝑺𝑰𝑵𝑮 . ( a collection of sentence starters from the 2004 film . adjust phrasing as necessary . mature themes present . )

oh , [ name ] . it's just you .

where are you going to run , [ name ] ?

what are you saying ?

why do you think i brought you here ?

you said you believed in my work .

i would kill myself before helping in such a task .

you've been so kind to me , [ name ] .

you can't kill me , [ name ] .

so , you're the great [ name ] .

we all have our little problems .

let's make it your decision , shall we ?

i wish you a week in hell .

why don't you do something about it ?

this is all a test of faith .

i can curse all i want , dammit .

you . turn around .

strangers don't last long here .

the laws of men mean little to me .

i don't need your help .

you stay here . they're trying to kill me .

nice to see you too , [ name ] .

did i do something to you in a past life ?

i hope you do have a heart , [ name ] . because someday i'd like to drive a stake through it .

your reputation precedes you .

i am hollow ! and i will live ... forever .

please , say you will not try again .

do not fear me ... everybody else fears me .

i was unprepared . it won't happen again .

do you understand forgiveness ?

i would rather die than help you .

don't be boring , everyone who says that always dies .

may he rest in peace .

how long has it been , 300 , 400 years ?

you don't remember , do you ?

what exactly is it i am to be remembering ?

it's no surprise you would know all about me .

we have such history , you and i .

have you ever wondered why you have such horrific nightmares ?

[ name ] , it's alright , i'm taking you home .

what , did you think we haven't tried everything before ?

no one knows how to kill [ name ] .

i could have used that information earlier .

would you like me to refresh your memory a little ?

allow me to ... reintroduce myself .

i think we've overstayed our welcome .

don't give me that look .

you were right . i'm sorry .

monster ? who's the monster here ? i have done nothing wrong !

look , there's still time .

you were right . i'm sorry .

do you have any family , [ name ] ?

if you value your lives , and the lives of your kin , you will kill me .

evil may have created it , may have left its mark on it , but evil does not rule it .

now you know why they call me a murderer .

oh my god ... you've been bitten .

so much trouble ... so much trouble .

now you will become that which you hunted so passionately . may others be as passionate in their hunting of you .

don't worry , god will forgive us .

how many commandments can we break in one day ?

oh my god , you should be terrified .

how does it feel to be a puppet on my string ?

neither of us has ever settled for half .

you make my skin crawl .

i'm not gonna like this , am i ?

one brief moment of pain , and we can be together forever .

you have no heartbeat .

you are nothing but damned bones , and damned souls .

well , that doesn't sound like a good thing .

we don't have a choice . just don't get killed .

you don't understand , it doesn't matter what happens to me .

god is not the only one that can create life .

you can't go until i say you can go , and i say you can go when you're dead !

you're supposed to die .

we are both part of the same great game , [ name ] , we just find ourselves on opposite sides of the board .

you are being used , [ name ] , as was i . but i escaped , so can you .

if you're going to kill someone , kill them . don't stand there talking about it .

all i want is life . the continuation of my kind .

some things are better left forgotten .

[starry-bi-sky]

I saw a post a few months ago (and damn was it really months? In PLURAL?) that was a cracky dpxdc au where the LOS were making Damian clones but the clones kept getting snatched by ghost portals and dropped into Danny’s lap and Danny just goes “ok ig this is my life now” and takes care of each one until he has his own mini army of Damian Clones.

And I remembered it a few days ago, and now I've been thinking about it again. Because I love clone aus (see: clone danny au, the 'danny is thomas wayne' au) because it itches the part of my mind that loves exploring personhood and the exploration of identity and what it means to be clone.

(What do you do when nothing about you is unique? When your face, your eyes, your hands, your hair, your voice, all the way down to your heart, all belong to someone else?)

(When it comes to nature vs nurture what of you came from your environment and your experiences, and what of you was already programmed into you from the DNA that made you?)

(What do you do to make it unique? What do you do to make you unique?)

And if I could remember who made that post I'd @ them right now because it was their original post that inspired this, but I'm just thinking of if the au only had One Singular Damian clone that fell into Danny's life.

(a read more because im apparently incapable of making posts that are less than 1k words...)

One Damian who knew he was a clone and knew that he was to either bring the original back to base or kill him to take his place, who was being trained the same way but kept getting compared to his original over and over again. Like an older sibling who you can never match up to. Who is still a child who craves adult affection and validation and praise, and can't get it because nothing about him is original.

One Damian who, at six years old, in a twist of fate is sucked through a swirling portal and lands in Amity Park, directly on top of, in front of, or in line of sight of one Daniel Fenton, half-ghost extraordinaire and local hero.

What happens next?

Well, for one, Danny recognizes him immediately. He would recognize the face of Damian Wayne anywhere because his best friend was ranting about him all week about Damian Wayne's environmental stuff he does.

And for two, he would recognize that the Damian Wayne in front of him was not Damian Wayne. Because Damian Wayne was a teenager. And the Damian Wayne in front of him is a child. Six years old.

Getting this not-Damian but also-Damian to go along with Danny is not, not an easy task. The tiny Damian is aggressive, regal, and at this point in time, six years old, barely understanding english. He also has a sword.

It takes all day and a google translator to get this Tiny Damian to finally agree to go home with Danny. It's a miracle. Seriously. A tried and true miracle. And its also only when Danny has to fight a ghost does he finally agree, saying something in arabic that Danny doesn't understand.

Danny flies them both home, carrying Tiny Damian like a koala. The ensuing conversation in his room is not any better. It is tiring, long, and exhausting. Tiny Damian is six years old, and every single thing he says when Danny asks where he came from is met with a poorly translated "that's classified".

Danny keeps an eye on the news. There are no reports of Damian Wayne going missing, in fact he's been rather public. Bruce Wayne is not one to lie about his children going missing, and Damian's secretive behavior and young age draws Danny to one conclusion: Damian is a clone.

He doesn't know why Damian Wayne is being cloned. Frankly he doesn't really wanna know, because whatever organization that did it doesn't seem too pure-of-heart if tiny-Damian's immediate attempt of murder when they first met is of any indication. But he's too busy taking care of his city, that he doesn't have time to deal with whatever shady business Tiny-Damian was produced from.

In the end though, he decides that this Tiny-Damian is not going back to whatever place he came from. Tiny Damian disagrees. It is a long, nebulous problem of Damian trying to run away, Danny catching him, and Danny pulling him back home.

In that time, Danny downloads a language app and starts learning Arabic so that they can talk to each other properly. Damian slowly, slowly, starts picking up English.

In that time, Danny also has to inform his friends and his sister about Damian. Tiny Damian is not a fan of this. That is another argument they have. Tiny Damian does not like Sam or Tucker for a long, long while. He only really "listens" to Danny, citing something in arabic that Danny still cannot understand, but has a repeated use of the word "lieazir". It's the only word that Danny can catch in a sentence immediately, because its what little Damian calls Danny.

Tiny Damian, in that front, is very interested in Danny's powers and in his parents work. He finds tubberware of ectoplasm in the fridge once while they're down in the kitchen and calls it something with the word lieazir in it. The other word is something that Danny later learns means water in arabic.

It makes him feel even more uneasy of whatever place little Damian came from.

It takes weeks for little Damian to finally give up on escaping, and then a few weeks more for him to almost entirely lose his spunk. Danny isn't sure what started it. It was as if he'd been flipped with an off-switch.

(Damian had been so confident that the League would go looking for him after his disappearance. He was wrong, and he is crushed. He is still a child, alone, in a country very big and very busy, where nobody understands what he's saying. He feels powerless, helpless.)

(The lazarus boy who calls himself Danyal is nice to him in a way the league has never been, and he's making an effort to learn Damian's language. But he leaves for hours at a time and Damian doesn't have much else to do but wait in this house for him to come back.)

(He tried leaving, many many times, but he doesn't understand the street signs, the roads, the people. He doesn't know where he is, and he feels scared in a way that he's not felt in the League. Danny finds him every single time, hours later when Damian is lost somewhere in Amity Park)

(And he never yells at him. Never. The first time this happens, Damian puffs himself up and prepares himself for this strange lazarus boy to yell at him. Damian feels like he's tripped on the last step of the stairs when Danyal doesn't yell at him.)

(He can tell he's frustrated by the tone of his voice, but when Danyal lays eyes on him he just looks relieved. He gets scolded on the flight home, but Damian doesn't understand any of it other than Danyal just sounds worried. Not angry. He gets a proper scolding once they get back, with Danyal typing into the google translator and playing it for Damian to hear.)

(This happens every single time until Damian finally agrees to stop running away.)

It's with Jazz's help that Danny finally realizes that Damian was depressed. It's with her help again that Danny tries helping with it. It's like trying to get a stray cat to trust him. And with everything else they've done, it takes a long time.

And it is so, so worth it when it all works out.

Tiny Damian doesn't really like Sam, or Tucker, but he likes Danny. And he finally starts calling him his name. His full name, but his name nonetheless. Danny doesn't bother correcting him. He's not looking a gift horse in the mouth. And it's endearing hearing Damian call him Danyal.

Damian in this time, also begins to take more initiative into learning English. And they teach each other words they know. Danny buys flash cards and writes the english alphabet on them, and then finds a book on arabic to teach himself and Damian. Sam and Tucker and Jazz start learning as well.

And then when Danny knows enough arabic and Damian knows enough english, and Damian trusts Danny, Damian tells him he's a clone. It's a quiet moment, late at night when Danny takes Damian up to the ops center to look at what stars they could see through the light pollution.

It'd be very easy for Danny to tell him, "I know. I could tell from the start.". He doesn't, it's not the time nor the place, and Danny's matured enough to know when to open his mouth and when to keep it shut. He lets Damian, almost seven now, tell him that he's a clone of Damian Wayne. Lets him tell him why he was made, what his purpose was.

(Danny will need a minute later to process the fact that Damian Wayne originally came from some kind of... assassin league with an obsession with immortality. But he's focused on Damian.)

In the end, he puts an arm around Damian Wayne's clone and pulls him into his side. Thanks him for trusting him, it must've been hard to tell him, that he's brave for being able to. And if he wants to, they can find a way to get into contact with the Waynes and let Wayne know about him.

Damian hides his face in Danny's ribs and holds him tight, and tells him he doesn't want to. Danny leaves it at that.

Perhaps it would be more morally ethical to alert Damian Wayne that there was a clone of him running around, that his... uh, grandfather was making clones of him. Hell, Danny would have liked it. But little Damian has asked him not to say anything, and little Damian needs someone to rely on; someone he can trust.

And in the end, its not that hard of a decision to make. Danny knows little Damian more than he knows Damian Wayne, and while Danny likes to think he's a good person, he knows he's not a great one. Nor a perfect one. He cares more about someone he knows than someone he doesn't.

If Sam tries to argue with him about it, then Danny will just double down. If Damian doesn't want to tell Wayne about his existence, then it's not their place to say otherwise.

There's a lot more to talk about over Damian's cloning, like what he wants to do moving forward. But that's a long conversation not meant to be one taken late at night. Little Damian is falling asleep at his side, seemingly much more relaxed than he did before, and Danny wasn't gonna ruin that.

And later he's right, it is a long conversation, and a slow one. Talking with Jazz about it helps him figure out what to do moving forward, and their best bet is to let Damian figure out what he wants to do. So he sits Damian down at the dinner table the next morning and tells him before breakfast that he doesn't need to be Damian Wayne.

He doesn't need to learn all the same things Damian Wayne did. He doesn't need to do anything that Damian Wayne does. And little Damian is seven, and he's smart, but Danny still has to word it in a way that's not too complex for him to realize.

And in the end, what he says essentially boils down to "You are not Damian Wayne, you are just you. Don't be anyone else but you." and it'll take more time to drill that into his mind when all he's ever heard and learned from is that he was a copy of Damian Wayne, and he must act like Damian Wayne. But it'll happen.

It's a hard task when Danny's the only person Damian really trusts and he can't be by his side all the time, but he starts to warm up to the rest of Danny's family. The Fenton parents know of him, it's hard to keep a six year old child a secret for as long as Danny did without eventually having to come clean about it. His parents, much to Danny's relief, are very welcoming to Damian.

Damian figures out what he likes. Slowly. He's six years old, almost seven, and nobody expects of him to figure out who he is immediately. No child knows who they are right off the bat. So like any child he begins to explore. His english is better but still rough, and he struggles to read said language, but the Fenton family are happy to help even if Damian learns words that no normal seven year old does. (Many of them scientific.)

Damian realizes he likes stars, even if said interest is influenced by the association to Danny. Danny is all too delighted to tell him all about them, and in the process takes him flying out somewhere where the light pollution doesn't reach and showing him where constellations are.

Damian is six-almost-seven, so he doesn't find all of them, but Danny helps him figure out the easier ones. He tells him the scientific facts behind them, and then tells him about the mythos of the constellations. Later on they make their own constellations and make up stories about what they are.

(Damian adores Danny out of anyone else in the Fenton Family. The name Danyal turns to Dany. If anyone asks, Daniel Fenton is Damian's big brother.)

(He still refers to Jazz as Jazmine, and Danny's parents as Mrs. and Mr. Fenton.)

He realizes that, like his original, he loves animals, and he becomes vegetarian too. Sam is smug and Tucker is disappointed, but Damian doesn't super care about their opinions. ...he's getting better at liking them, even if he thinks Manson is a bit snobby and Foley is too much at times.

Its inevitable that the conversation of school comes into play. Damian can't stay home all day and he needs proper schooling. So after a long talk with Damian, they agree to send him to elementary school.

...And before they can do that the Fenton Family goes through with legally adopting Damian into the family as Damian Fenton. It takes convincing to get the administration to enroll him into the first grade without a proper schooling background.

(On his adoption form, Damian asks to change his birthday to the day he met Danny. Perhaps its not the most responsible thing to agree to, but Danny wants Damian to find himself. And its not like they know when his actual birthday was.)

And despite where he learned it from, Damian quite likes sparring. And he quite likes sparring with Danny in particular. Danny makes it fun, something that was foreign in his old league training, and Danny never hurts him. It's a lot like roughhousing.

Danny tells Damian how he got his powers, and how his parents don't know. Damian wakes up late at night to Danny sneaking out of the room (their house is not big enough to give Damian an individual room, and Danny agreed to share his) to go fight ghosts.

It's upsetting. Damian knows that Danny gets injured in those fights, even if Danny never comes home until after those injuries have been fixed up. He wants to help, and he voices it, and Danny shoots him down.

It becomes an argument, something that has happened less and less over the months.

Damian is experienced.

Damian is a child.

Damian knows how to fight.

Damian is mortal and fragile. He is a tiny, squishy human boy and the people Danny fights are ghosts who are near-indestructible. Who are intimately acquainted with death but also do not remember that humans are capable of it. Especially when they're fighting.

Damian says that Batman's rogues are capable of the same thing, that he lets his Robins help him fight.

And Danny says he is not Batman and he will not allow Damian to fight ghosts with him. Those ghosts will kill him and it will hurt. Dying hurts in a way that is terrifying and unimaginable and he will not risk Damian experiencing it. Not even Sam and Tucker help him in his fights most of the time, they are not able to. Not in the way Danny can.

Damian doesn't talk to him all day the following morning, but Danny does not budge on his decision. Damian tries to follow him out the next night, and Danny catches him and takes him back. Over, and over, and over again.

Until finally he gets intercepted by Skulker while taking Damian back home and is forced to fight him in front of Damian. (If it had been his choice, he would not have let Damian see it at all.)

It's not pretty. Skulker has new weapons, weapons that hurt, a lot. Danny is stuck between trying to take him down and trying to protect Damian from Skulker's attacks at him and from all the debris being created from the fight. It's with Damian's quick thinking and fast feet that finally helps Danny take Skulker out. But Danny is badly injured in the aftermath.

He doesn't have time to take Damian home and get medical attention. So he takes Damian with him to wherever he has his supplies stashed. He doesn't call Sam or Tucker or Jazz, and has to stitch himself up alone, with Damian watching.

Damian is quiet the entire time, he feels awful. Danny's not mad at him -- well, he is. But not because he had to protect him. He's just tired, and a little disappointed in him. Damian doesn't sneak out again. But he still feels helpless.

Danny tells him that that is why he doesn't want Damian to help him. Ghosts, his ghosts, are hard to fight. They are powerful, and his 'rogues' are mean. They will not care that Damian is a mortal child, if he picks a fight with them, they will fight back. And Damian is not immune to certain ghost powers like Danny is.

Damian is silent. He wants to help. But Danny is right: he is a squishy, mortal, living child. There is not much he can do to help Danny. Not without any gear to do it. Not without any powers to do it. He wants to help. He cannot.

Damian, almost-seven-years old, begins to cry. It is the last thing Danny was expecting, and for a moment he is at a loss of what to do.

Damian reaches for him -- in the Fenton family, physical affection is expected. Damian is getting used to it, but Danny is the only one he likes touching him -- and then stops, cringing away like he only just remembered that Danny was hurt.

He only cries harder.

Danny meets him halfway and pulls him into his arms, situating Damian between his knees from where he's sitting. Through his tears, Damian says he wants to help. He wants to help. He doesn't want Danny to get hurt anymore. He doesn't want Danny to fight ghosts alone anymore. He's scared that Danny will stop coming back.

Danny doesn't have anything to say to reassure him. Can't say anything to reassure him. It'll all just be lies. He's not going to stop fighting ghosts, he can't. He's not going to stop getting hurt, he can't. He's not going to bring Damian with him, he can't. He'd never be able to live with himself.

"I'll always come back." He says though, because that is something he can promise. Whether dead or alive, he'll come back.

When the tears finally stop, Damian doesn't say anything again. He sniffles, and presses his ear to Danny's chest, listening to the steady, slow heartbeat. If he puts his ear to his sternum and strains his ear, Damian would almost hear the low hum of Danny's ghost core, like a small dwarf sun.

"If you die, I'll drag you to the Lazarus pools myself." Damian mumbles eventually, his voice sleep-full. It's spoken in arabic, and Danny only understands half of it.

He laughs quietly, and smoothes his hand over Damian's hair. He hasn't had a haircut since he arrived, it's gotten long and there are curls beginning to form. "Okay."

Damian falls asleep shortly after, and with much consideration to his own injuries and Damian's sleeping form, Danny flies them back home.

It's hard to say, but not much changes in routine afterwards. Damian hovers close to Danny, more than usual. Danny still goes out at night, he still stitches himself up before going back, he still goes back home where Damian is waiting worriedly for him. Damian doesn't like falling asleep without knowing Danny is there.

Now the hard question is: when does little Damian finally meet the Waynes for the first time? There's plenty of ways to go about it, both easy and hard. Perhaps we go this way:

The Fenton family are visiting Maddie's sister in Arkansas. And Damian is dragging Danny around through the surrounding forest. It's his first time being in a forest this large since he moved in with the Fentons. Safe to say he is delighted by all of the nature, and he's dragging Danny along with him.

Danny likes the peace and quiet it gives him, he's found that he enjoys the rural area more than he likes the city. He's happy to let Damian point out every plant he recognizes, even if some of it is in arabic.

They walk around all day until Damian gets tired, and then at night when the sky is clear Danny and him go look at the stars. It's peaceful at first.

On the third day of their visit, Damian drags Danny out far from the house. It's slightly worrying, but Danny can always fly them back if it gets too late.

It's in the woods that Danny and Damian stray much too far from Alicia's house, and from there in the early evening that they run into Batman and Red Robin, both of them in rough 'just got out of a fight' shape.

Safe to say, it was the last thing any of them expected to run into. Damian and Danny had stopped at a small crik to rest, and the two vigilantes came through the tree line on the other side.

It was... quite the staring contest.

Damian, now seven years old at this point, forgot to mention that the Waynes were vigilantes when he told Danny he was a clone. But he was told that Batman was his original's father.

Before anyone can say anything, little Damian wraps his arms tight around Danny's middle and stares Batman and Red Robin down. His sharp edges have softened around the Fentons. But he makes no exceptions to anyone else outside of Danny's immediate social circle.

Danny's arm automatically goes around Damian's shoulders, and he looks between both Red and Batman uneasily. If they were here then it meant that there was something unsafe nearby. Danny did not fight the living, and he wasn't going to put Damian in the crosshairs of anything that does.

"Should... should we leave?" He asks, brows knotted together with a frown. He stands. "Is there something going on nearby?"

Batman suddenly grunts, and looks at him. "It's been handled." He says, and his voice is gruffer than Danny imagined it. Lower. Danny is not all that comfortable with that answer.

"Do you guys live nearby?" Red Robin asks, and Danny can't help but notice that he keeps looking at Damian. Warily. In fact, so is Batman.

He pushes Damian behind him slightly, and Damian's grip tightens on him. "Not... exactly." He says, his eyes narrowing slightly. "My family's visiting my Aunt and my brother wanted to explore since it's his first time out of the city, I guess we wandered too far away if we're running into you."

There's no visible indication of whether or not both Bats reacted to him calling Damian his brother. But he can all but feel little Damian preen at the title, it makes Danny's mouth twitch into a smile as his hand finds Damian's hair.

"Would we be able to go back with you?" Red Robin asks, startling both Danny and seemingly Batman, who looks at him instantly.

"Red Robin." He growls out, and Red Robin throws Batman a look of annoyance.

"We are lost, B. They jammed the comms and our trackers back there and it hasn't come back on yet, his aunt may have the signal we need to let the others know where we are."

They end up walking back with Danny and Damian. It's silent, and awkward, and Danny has Damian walking on his opposite side so he's not near the vigilantes. Red Robin is fiddling with a phone but still can't get a signal.

Batman is silently brooding.

Red eventually gives up and shoves the phone into a pocket on his belt, then turns to make conversation with Danny. "I never thanked you for letting us walk with you. Thanks, by the way."

Danny blinks at him, and smiles awkwardly. "No problem, man," he says, "I'm uh, Danny." He glances down at Damian, who looks up at him with big green eyes, and Damian nods quietly.

He looks back at Red Robin, and says, "This is my little brother, Damian." And Damian peers over his side and glares at Red Robin -- and Batman, who looks over when Danny says his name.

"He looks like Damian Wayne," Red Robin notes, head tilting like he's inspecting him.

Danny huffs dryly, "We get that a lot."

Red Robin smiles at him, its a tilted thing. It makes Danny uneasy. "Where did you say you were from?"

"I didn't," Danny says bluntly, and he really doesn't want to tell them where he's from. Not when Red Robin was acting strange, but they're vigilantes and notorious for their detective skills. If he's suspicious, they'll look into him. "But I'm from Amity Park."

Damian in that moment, peers around Danny again and scowls at Red Robin. Full on scowls at him, as if it were the first months when he met Danny. "You're being nosy." He sneers, his hand squeezing Danny's.

"Damian," Danny hisses, suppressing a smile. Damian jumps like he's been startled, and looks up at him with big green eyes. "He's just being curious."

(He lets his smile slip through briefly, just to let Damian know he's not that upset. A tension leaves his little brother's shoulders.)

"But he is." Damian continues, a whine leaking into his voice. Danny jabs him in the ribs with his fingers, and Damian jumps, swatting away his hand with a squeak.

"Would you rather have us walk in dead silence, Dames?" He goes for Damian's ribs again, a grin stretching across his face as Damian jumps back again and swats his hand. "Hm? Hm? We could just walk in awkward silence for the entire trip back, I know you just love awkward silence, little brother."

(It's funny, saying little brother always sounds so uncomfortable when he reads it in books and watches it on tv. But Jazz always makes it sound so natural when she does it, and Danny finds that he sounds the same too.)

Damian continues to bat away his hands, but it's not enough to prevent him from squealing with laughter when Danny gets a good hold on him and starts tickling him. Danny's grin only gets bigger, and he swoops Damian up with his arm and holds him like a football.

"Is that it? Huh? Me, you, and two vigilantes walking back to Aunt Alicia's cabin in complete, utter silence." He says, "You won't get to hear any of my amazing jokes."

Damian's wriggling, trying to pound on Danny's ribs, he's giggling uncontrollably. It's the best sound Danny's ever heard. "Your jokes are awful! Laeazir! Put me down!" He cries, grinning from ear to ear.

(From the side, both Red Robin and Batman tense up.)

Danny chuckles, and through a short series of flips, has Damian sitting on his shoulders. "I will not. You're sitting up in air jail for insulting my hilarious jokes."

Damian tugs on his hair in revenge, harrumphing at him but making no move to get down. Danny squeezes his ankles playfully, and looks back to Batman and Red Robin.

Both vigilantes look at him like he's grown a second head.

....Red Robin looks at him like he's grown a second head. Batman just stares, and then looks away. Danny tilts his head at them, his smile waning. "You guys look like you've seen a ghost or something."

(Damian tugs on his hair again. A silent boo at him.)

Red Robin jerks, "Oh, sorry." He says, not sounding all that sorry. "It's just... I've lost count to how many times I've saved Damian Wayne from the occasional kidnapping and he's always been very... serious. It's just weird seeing a kid that looks like him be... not serious."

From his shoulders he feels Damian hide his smile in his hair, that's another thing they can put on their "Things That Damian Does That Damian Wayne Does Not" list. It started as a joke, but it's been surprisingly helpful for when Damian is questioning himself.

However, Danny is not a fan of the comparison, and he smiles widely, perhaps a tad passive-aggressive. "It's a good thing that my Damian isn't Damian Wayne then." He says, giving him the slight stink eye.

Red Robin picks up on it quickly, and nods.

The rest of the way is spent in idle conversation. It's oddly casual, even if most of the conversation is Danny talking about himself. It's annoying, but he unfortunately understands the reason. Secret identities and all that.

Damian interjects a few times, some parts to talk to Danny, and other parts to throw shade at Batman and Red Robin. Mostly Red Robin, who seems begrudgingly used to it.

("I'm surprised you haven't asked me much about myself." Red Robin says at one point into the conversation. Over his shoulder Batman glares at Red Robin. "A lot of civilians do when they're able."

Danny stares at him. "You're a vigilante." He says, frowning, "Isn't it superhero 101 that you don't ask superheroes for their secret identity?"

"You'd be surprised."

"Huh. Well, no. I'm not gonna ask you about yourself. I quite like talking all about me.")

When they finally reach the cabin, it's late into the night and Danny has moved Damian from his shoulders to his front in a koala-like carry. Damian's fast asleep with his head on Danny's shoulder.

His family was also frantically searching for him, and Jazz sees him first. She immediately turns behind her and yells "I FOUND HIM!". And then sprints over to him, his parents thundering not too far behind.

Both vigilantes are subsequently ignored as Jazz dotes over him and Danny, and soon enough so is his mom and dad. They're all talking all at once, asking him where he was, they were worried sick, did he know how late it was.

He shushes all of them, loudly. And whispers that Damian is sleeping. His family then immediately quiet themselves, and go back to yelling at him in a more appropriate manner.

"Me and Damian walked too far by accident." Danny finally says when he can get a word in, and then he jabs his thumb in Red Robin and Batman's direction. "We also found two superheroes who need assistance."

The speed of which his family all snap their heads over to the direction he's pointing is almost comical. As is all of their expressions of shock.

His mother is the first to regain her senses, and she sighs at him. She sighs! "Only you, Danny." She says, and Jazz snorts into her arm.

[ir-abelas-vhenan]

I've been thinking a lot today about how easily people condemn Solas for making the choices he did or for so regularly refusing the help and love his friends or a romanced Lavellan extended to him and how that's a very easy thing to do from behind a screen in a fictional game where you are able to (with very few exceptions) curate a world in which your allies are loyal and your decisions will go the way you'd like them to.

And yeah, it's a game and that's kind of the point, but if I were to look at it a little more deeply (and who am I kidding, I got back on this website exclusively to process the aftermath of Veilguard) I'd say that there's so much to be found in wondering if the protagonists in any of the other games would have fared better in similar conditions.

Apparently I can't stop making long posts, so buckle in.

What would Morrigan have become in a world where the Warden never stumbled upon her cottage with Flemeth, if she never got the chance to see more of the world and decide what she wanted out of it? With just her mother (who, coincidentally in this Solas-y discussion is also kind of Mythal) and no support, who is to say what she would have unleashed upon the Korcari Wilds one day when the confines of her cage became too much?

What about Leliana? She, too, suffered at the hands of a very controlling abuser who tried to convince her that one lifestyle was all that her future held. What do we think she would have become if not for a chance meeting in Lothering with someone who could help her face down the woman that molded her?

Fenris, a character MANY people are just fine with was incredibly ready to kill a mage on sight if need be, no questions asked. Where do we think his story goes if he doesn't have someone in his corner early on enough in the game? If he doesn't get caught by Danarius, he's almost certainly going to end up on a murder spree, and he doesn't even have Justice whispering in his head to do it.

Cullen. Just all of him. It's an absolute miracle he hasn't snapped by the time you encounter him in Inquistion, and even then you get the benefit of intervening at a critical point in his story several times over.

Almost every other character could face this analysis and I think we'd reach a result that suggests perhaps the only thing keeping them lovable is your playable character's investment in their well-being.

Enter Solas. We don't meet him when he's twenty to thirty something and on the precipice of falling down a dark path. He's been there for literal millennia already, and with the exception of one close friend he's been alone. And not even Felassan is enough because of the years Mythal had prior to that friendship to make Solas exactly who she needed him to be.

I've had shit friends before that aren't just good at isolating people, they're naturals. I barely made it through high school with my mental health in place (in fact, looking back, it almost certainly wasn't). When you think you've got a true friend and they need something of you, it's so easy to blindly follow them because you think your love is enough to mark someone's soul as trustworthy. Solas doesn't learn that lesson until it's too late, and even when he does he can't turn back: the spirit that was once Wisdom has been exposed to several of the worst ancient elves to ever exist and now he has to stand his ground rather than let it all fall, because that is what Pride would dictate. Admitting that the person you gave your love and labor and time to is a monster is hard. And he was alone.

Give me Morrigan after centuries with her mother. Show me Leliana after the years have become a blur and the only voice whispering in her ear is Marjolaine's. Show me the innocent mages that don't make it through if all Fenris has for years and years and years are the scars Danaris left him and the means to make more. Show me Cullen if he stays in a chain of command under a Knight Commander who knows exactly what he fears and holds it over his head for so long he forgets what it was like to be an excited kid begging the templars for training because he just wants to keep people safe.

We get companions in these games who are broken by the time they're twenty. Solas has spent thousands of years in servitude to a cause of a woman he believed to be his only friend. He doesn't know who he is without her influence, anymore, only exists physically in the first place because she asked it of him and then asked again and again and again. He doesn't have a witty band of merry fools to pull him out of that cycle. He has Felassan, but he has him during war after war after war in the hopes of freeing others from the very situation that torments him.

Trauma from war affects everyone touched by it, nevermind the fact that Solas is actively responsible for saving the lives of thousands and feels each life like a weight around his neck because maybe he can save them like he cannot save himself. We should always be worried about the people trying to do the most good. Who is looking out for them? Why are they so determined to help others? Could it be that it's something they wish others had done for them?

Solas certainly feels comradery with Felassan from working together to free slaves from the very people he helped put in power because Mythal told him it would be okay only to leave him with the pieces, but even the Solas that Felassan knows has been turned into an attack dog shying away from the touch of the very person it desires to be near above all others by the time their relationship forms.

The fact that Solas is able to try and show the Inquisitor who he is at all is a miracle as far as I'm concerned, a sign of a peaceful spirit of Wisdom who loves knowledge for the sake of it finally sensing that there might be a chance to embrace its nature again.

Yeah, if you give him what he has come to expect from people with power, if you let near-absolute power over the masses corrupt you, he's going to bristle and try to shut your inquisitor down.

But if you show him even the smallest bit of kindness? If you treat him like the starving wolf he talks about and feed him instead of fighting him? God, it shatters his entire existence.

It's called a cycle of abuse for a reason. Finding friendship, finding the love of your long-ass life can be the first step in realizing there's better out there. But the time it takes to learn that? When you're too weary to even reach out for help in the first place and afraid of every kind word or gesture because you've never known such tenderness (on a platonic OR romantic level, both matter so so much) before?

Part of the compelling tragedy of Solas is that it's almost Orpheus-like how he knows what he has been made into and still cannot stop himself from yearning for more, from turning around to see if just this once something has changed. You can't convince me that he hasn't spent years hoping that someone will hear the legend of the Dread Wolf and see it for what it is, a leash the Evanuris created for Mythal's whipping boy to ensure that even if he ever escapes them, the people he fought to save will hate him. And I cannot blame him for the shock and terror that consumes him when he realizes someone finally has.

You give me any of dragon age companions after the amount of time Solas spent under Mythal's thumb without your character's intervention and you tell me how that looks.

You tell me if they're able to change at the first sign of something that feels too good to be true.

And then, I want you to tell me they're any less worthy of trying to save, especially when you know how good their best can be.

Solas might be hard for some fans to love, but it's only because he serves as the perfect representation of the beast we are all capable of becoming when the love that sustains us, assuming we receive any at all, is laced with poison.

The journey out of that place, out of a literal prison of regret, is brutal, and I'm thrilled that even with the many things about Veilguard I'm still struggling with, we have the chance to let Solas try again with the help of those who love him not because he never fell down, but because they believe in the beauty of a future where he gets back up again.

[taintedbenevolence]

YAN! WRIOTHESLEY X FEM! READER

m i n o r s d o n o t i n t e r a c t !

" 𝐍𝐎 𝐎𝐍𝐄 𝐄𝐋𝐒𝐄 𝐈𝐒 𝐀𝐋𝐋𝐎𝐖𝐄𝐃 𝐓𝐎 𝐒𝐄𝐄 𝐘𝐎𝐔 𝐋𝐈𝐊𝐄 𝐓𝐇𝐈𝐒. "

— 𝐖𝐀𝐑𝐍𝐈𝐍𝐆𝐒 — 

do not interact/read if the following triggers you! MENTIONS OF / IMPLIED STALKING, IMPLIED MURDER, MENTIONS OF BLOOD, USE OF APHRODISIACS, ODAXELAGNIA, NON-CONSENSUAL DISPLAY OF AFFECTION, IMPLIED MASTURBATION, UNPROTECTED SEX, BREEDING KINK, ORAL SEX [RECEIVING], AND FINGERING IMPLIED / DESCRIBED.

OVERPROTECTIVE AND TOXIC / OBSESSIVE / POSSESSIVE BEHAVIOR.

        •,¸,.·' '·.,¸,••,¸,.·' '·.,¸,••,¸,.·' '·.,¸,••,¸,.·' '·.,¸,••,¸,.·' '·.,¸,••,¸,.·' '·.,¸,• You should've known better than to blindly follow an order to enter Wriothesley's office that day.

Your morning had started off rather normal, with the exception of Sigewinne visiting you to leave you a letter written by none other than the Duke. At first, you thought it was just a notice for you, one related to business matters, or one about ordeals within the Fortress.

The letter resulted to be nothing at all what you expected it to be.

It was merely a note. "Please pass by my quarters when you have time today. Preferably during evening hours. I'd like to have a chat with you." That was it. Nothing more, nothing less. Simple, direct, and straight to the point. Just like the man himself.

The little Melusine who handed you the letter wore a bright yet small smile on her face as she stood up straight. "It seems you've caught the eye of His Grace," she says, almost teasingly, though you shook your head. "I wouldn't go as far as to say I've caught the attention of someone like him," you reply with a wry smile, though a part of you silently wishes it were otherwise.

But you had caught his eye, and from far early on too. The Lord of the Fortress of Meropide rarely traveled to the surface. It wasn't every once in a million years, naturally, but, it wasn't a common sight. Most cases, he was there strictly on business and other important matters rather than on vacation.

That, however, changed the moment he saw you. You were breathtaking, and better yet, you were not intimidated by his presence alone. Most people would keep their distance, look away, unable to meet his gaze, and lack the ability to keep their composure around him. But you?

You were perfectly fine being near him, wearing small smiles that gave him absolute butterflies, as much as he hated to admit. You were honest and though maybe partly reserved, still willing to share a proper chat when he approached you. He liked that. Sigewinne noticed.

And he wasn't sure whether he liked the little Melusine nosing around whenever he met you, because for all he knew, she could start getting ideas, and that... wouldn't have been ideal, put it lightly.

Nevertheless, it's easy to say that his visits to the surface became more frequent. He made your acquaintance and quickly enough became friends with you. It was smooth riding so far, and he was finding that the situation was going well for him.

Occasionally, the two of you would talk over a cup of tea and you'd chat about how things had been in your lives, whether maybe you'd lost a pendant you liked, or how there was a coffee you tried somewhere that was rather bitter, or how he had less work than usual, so he decided to spare some time to relax on the surface.

It was fine.

That is until he found out you had fallen in love the past days. But oh no, you were not in love with him. You were in love with someone else. That was the issue. So he began to inquire. How did this person act? How did you meet them? Do you think they'd make a great partner?

Simple questions just to see what was your view of them. 

Don't get him wrong — he's glad that you've found someone you love. He's just upset that the person you've fallen for isn't him. So he then decides to find the person for whom you fell for. It doesn't take long for him to find them, and it's not much effort to convince them that he's only visiting on behalf of business matters.

He returns every so often back to the surface to  meet with you and to keep eyes on your interest, making sure there are no "unwanted" advances between the two of you, and when he's at the Fortress, he simply has to hope that nothing occurs. Having someone work for this type of thing would be rather inefficient and would raise unnecessary suspicions.

Sure, people don't really need to understand what the Duke's motives are, but that doesn't refrain them from filing a report to the Chief Justice about unusual behavior. The two are acquainted, after all, and Neuvillette is more than adept at reading the behavior of humans.

So with that in mind, he decided it was best to do things himself. After all, if you want a job done right, you have to do it yourself. One day, whilst you conversed with Wriothesley, you spoke of how you planned to finally confess. He was immediately interested, and he, of course, listened, even if deep in his mind the person whom you treasured was a pool of blood.

If your confession proved to be successful, he'd have to find a way to slowly seed problems into the relationship. He isn't fond of what he'd have to do, but unfortunately enough, the small feeling of jealousy that has wrapped itself around his heart is eating away at him. 

He'd find the little details that bring you and your significant other apart and slowly begin to rip those traits up to the surface. He'd at times advise you that there were things you should watch out for, given this would be your first time in a relationship (or he'd assume so), and most likely, he'll find a way to tear down the relationship bit by bit and make it seem like it wasn't even his fault. It will appear as if it was just that you were mistaken, that this relationship wouldn't really work out.

That being said, if your confession resulted in a rejection, he'd comfort you. He knows how much it'd hurt having your feelings being rejected like that, and he especially doesn't want you crying for someone else who isn't deserving of causing your sorrow. He wouldn't want you tearing up to the one who had the audacity of even making you cry. He'd probably be mad at the person, but not enough to walk back at them and talk to them about it, as much as he'd wish to rip them into two. He exercises self-control, and somehow manages to control himself.

Depending how the person reacted to your confession, would Wriothesley's anger be gauged. Unfortunately enough for you, and much to Wriothesley's pleasure, you were rejected. Now, don't get him wrong; he wants you to have a successful relationship, but he also doesn't want you being with someone that doesn't deserve you.

So the moment that you come to him, your expression more solemn and down than usual, he already knows what's happened. He invites you over to the Fortress inside to cheer you up and for a change in atmosphere. While taking you to a place meant for imprisonment isn't exactly one's definition of "fun," you were rather curious to see what was the place this man called home.

To your surprise, it was well kept, and didn't look like it was rotting as you thought it would be. He also showed you around his quarters, to let you know where he'd be, and of course he introduced you to Sigewinne, who was more than happy to meet you.

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[| "Y/N, this is Sigewinne, our head nurse."[| "Oh, is this the person you've been rambling on about lately, Your Grace?"[| "... Sigewinne."

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You could've sworn that you saw a small smirk on the Melusine's face because she knew that His Grace was head over heels for you. Of course, you didn't know that, but... she did. You were later on dismissed, and for the next weeks, you stayed at the Fortress, given you met several new people in there and wished to get to know them better.

Wriothesley being the busy man he is, doesn't always have time to get out of his quarters, but god, with you around he can't help but give a few more rounds to the Fortress just to watch you as you go about your day. How he remembers your smiles, when you mentioned to some your hobbies, your interests, and so on so forth...

His gaze often falls on your small frame and his mind will wander to how perfectly it will fit against his larger figure when he's deep inside of you and—

Wriothesley thinks this is wrong. He thinks this is twisted in more ways than one, but he can't bring himself to stop it. He's helpless to the thought of you running your hands through the soft tufts of his hair whilst he holds you to himself, the way your lips would feel when matches them with his own, or how beautiful you'd sound when he inserts his digits into you as you struggle to not moan out his name.

He hates that he can't feel you. It's driving him mad.

Sometimes he's filling in and signing the mountain of paperwork he has on his desk and his mind trails off to you, and archons it's not even a minute before he has to stand up and drink some tea to clear his head. On some occasions, he'll feel so utterly pent up that there's nothing left for him to do than to lock his doors and let his hand soothe his frustrations and urges while he wishes his hand were your own or your mouth instead.

His mind is clouded with thoughts he wouldn't speak of in front of the rest and a part of him feels guilty about feeling in such a way towards you, yet he knows he wouldn't have it any other way. He's completely enthralled by you and obsessed by the thought of being able to claim you as his own.

It grows to the point that every day he sees you becomes unbearable. He can't stand how your sweet voice falls on those who don't deserve to hear it, how you smile at the prisoners whenever you get to speak with them and help them out during their shifts, how your hands sometimes barely brush together when you walk amidst crowds and he swears that a single touch of yours is enough to make him want to pick you up right then and there and fuck you raw away from prying eyes.

He is desperate. And he needs you.

So he decides that today is that day. After a few days of spending time with Sigewinne in order to mix in certain herbs with tea, he ends up with a particularly sweet tea. He reserves it for you. He's pacing in his office before he sits down in a relaxed manner, waiting for you to enter.

And the moment he hears the gentle knocking on his door accompanied by your voice asking for permission to enter, he can already feel his heart hammering. Allowing you to enter, you close the doors behind you, and for a man who's obsessed in every sense of the word, he's certainly composed.

He gestures for you to take a seat, to which you comply, and then he goes off to get the tea. After all, what better way to host a small meeting like this than to talk over a cup of tea? You're able to take in its sweet aroma and taste, and to say you liked it may have been an understatement.

"So how have you been finding the Fortress?" he muses, one leg crossed comfortably over the other. You only smile softly as you respond, taking a quick sip of your tea before answering. "Certainly different than what I expected it to be, but it seems to be managed well."

His Grace only smiles in return, and he then clicks tongue. "Say, have you enjoyed your stay here?" he asks, taking a sip as he waits. "It's been great. While some have a sharp tongue, there are a couple of people who have been good company, even if most of the time I'm around Sigewinne," you answer.

"Speaking of, where has she been?" you state, because now that you thought about it, you hadn't seen the little Melusine around the Fortress recently. Wriothesley just blinks as he then slightly mouths an 'oh.' "She's been off gathering herbs for medicine and treatment," he replies, before finishing the rest of the tea in his cup.

You hum in understanding as you stay still, having finished your own cup as well. "I see. Anyways, thank you for the tea," you reply in gratitude. The Duke only nods, as he remains there, seemingly observing you for any changes.

The two of you keep conversing, but throughout the conversation, you start to take note of something. You feel a little... moist. Perhaps you were exerting yourself too much recently?.. No, that couldn't be it — you felt as if you were getting warm all of a sudden. You couldn't exactly place your finger on what the sensation was.

Additionally, you couldn't exactly shake off the feeling no matter how hard you tried to focus on the man in front of you, and as time passed, you began to lose focus on the conversation you held with Wriothesley and your attention shifted to yourself, your gaze falling in between your thighs, the space feeling rather wet, for a lack of better words, the only thing in your mind being how unusually much you wished to be—

"Y/N?"

Wriothesley's voice snapped you back to the present as you felt blood rush to your face. No, that wasn't right, why were you feeling like this...? This was wrong... The man in front of you could only pretend for so long that he didn't know what was happening, but he wasn't in a far too different situation. The seemingly faint bulge in his pants grew ever slightly, and he was already starting to feel a little trapped and tight in his coat. He knew that you were starting to receive the effects already, so it was only a matter of time.

"Are you feeling well?" He murmurs, placing a hand on your shoulder before giving it a light squeeze, and you can swear that for a split moment you almost shiver. "... I.. it's.. sorry," you manage to murmur as you sigh quietly as you shook your head. "Is it just me, or.. is it getting rather hot in here..?"

Oh, how he wants to laugh.

You almost feel stupid having asked something of the like, and Wriothesley's barely holding himself together as he breathes quietly and calmly. He's on the verge of taking you right here and then, but he decides against it just to see what you'll do. "I feel it too," he replies relaxed, and your eyes seem to slightly light up. "Oh, so it's not just me..? That's at least a bit reassuring..."

He's so fucking desperate. Can't you tell?

And then he asks the magical question. "Why do you think I asked you to come in here?"

You blink, thinking through the question, before answering, a bit perplexed. "Because you wanted to talk...?" you reply. The man chuckles softly, though he shakes his head. "More than that, there was... something else." Confusion begins to run through your mind as you try to inquire as to what he means but before you can say another word, he picks you up, and carries you away as if you were nothing but a feather.

He locks the door to his office, and he walks up the stairs with you in his arms. "Wriothesley, what're you doing?—" you can barely say, your face pressed up against his clothed chest, but he silences you as he lays you flat on his desk.

His firm hands are quick to undo your clothing in your lower body, as he he carefully but easily slides off your undergarments. You can only feel the heat rush through you as your heart pounds. "Wriothesley, what are you—"

And your voice leaves you as you feel him spread apart your legs with his cold fingers, a bitter chill running through your spine as his tongue only starts to tease you by dampening furthermore your already wet folds. You can only bite your tongue to hold in a moan, though it proves futile when he begins to work on your clit, teasing and tracing faint circles with his tongue, causing a few whines to escape your mouth.

You can't tell whether to feel pleasured or scared. Wriothesley gives you no time to think.

He makes no effort to stop whilst you can only grasp and tug his hair, while you nervously and shakily run your hands down his smooth, black locks that glisten beneath the amber lights of his office. It doesn't take much longer for him to reach your entrance, and you clasp your mouth with your hand as you inevitably moan involuntarily. You feel your eyes practically roll back as you try to maintain your gaze focused on the raven-haired male, feeling the wet muscle continuously slipping in and out of your tightened entrance and you're certainly grateful the walls of his office are soundproof.

"Wriothesley, I can't— f-fuck!"

You can't help but squirm, your heart racing as your chest heaves up and down. Your vision is somewhat hazed, your attempts to shift comfortably failing as a new wave of pleasure surges through you as your entrance and clit are endlessly teased and caressed, a pressure building up inside you.

He's eating you out, and you're not even exactly sure if your mind would agree that you enjoy it, but your body sure as hell is, because your senses are getting stimulated beyond possibility. Your breathing is definitely evident and no longer quiet, and you can barely muffle how vocal you're growing until at a moment, you feel him retract at last.

Yet before you're able to question it, he repositions himself above you, and he's pinning your wrists above your head, his knees at either side of you as his imposing figure looms over your body, casting a slight shadow on you. "You sure are — hah — quite loud," he whispers with a teasing smirk edging on his face, his tone of voice growing a bit rasped as he reaches for an item that dangles on his hips — one you're quite familiar with.

Handcuffs.

And before you know it he's clipped them onto you and bound your wrists to his desk above your head, not allowing you to move them, their silver hue glister, glimmering in the dark shadows. "You're fucking mine," he snarls before he kisses you on the lips with fervor, almost as if he might just devour you on the spot if you don't do anything about it.

He's rough and passionate, not giving you a chance to breathe. The sudden ferocity and intensity in his act is more than enough to leave you breathless whilst you try to get used to it, to which he responds with a low growl. It's as if he's been starved for ages and his hunger is to never be sated. He bites down softly on your lower lip, effectively causing you to part your lips, giving him a chance to slide his tongue within.

The rush it gave you was almost feverish, even if it was wrong at its core. He tastes sweet, you think, as your tongues mingle together, the sweetness flooding your palates. Your train of thought was interrupted once more when he finally separated, and you breathed heavily. He was catching his breath, his mouth slightly hung open, giving you a view of the sharp canines he possesses. A small, barely noticeable trail of saliva connected your lips to his own, and he stared down at you, licking his lips to rid the saliva before his gaze landed on your neck. His hands, even with wraps and binds, were cold to the touch as he caressed your soft skin.

You're still catching your breath, blood rushing to your face when you feel him bite into your flesh, a quiet cry akin to a whine leaving you, only fueling his desire. He quietly growls, and he almost seems feral as he licks over the wound, moving quickly to other uncovered areas in your neck as he litters kisses around it. He bites hard and deep, sucking on the skin just enough to leave a couple of hickeys on you.

"You're all mine."

No words are required to be exchanged as he pauses, just leaning back. Seeing your taken-aback expression, he just chuckles softly, his icy gaze combined with the ever earnest smirk he wears already enough to keep you still beneath his iron grip. "I could just eat you up and you'd beg for more, wouldn't you, huh?" He states, his voice sounding like music to your ears.

"Bet you'd want me to fuck you dumb too."

He tugs on his tie, letting it fall loose untied with ease as his coat soon follows, allowing you to gain an exposed view of his scarred body. There's nothing more you'd like than to run your hands through his chest but the handcuffs don't allow you to move your arms in the slightest. He's depriving you of one pleasure, and he relishes in that.

"My eyes are up here, sweetheart."

And god does he love it when you try to avert your gaze in embarrassment, knowing that your eyes had solely been focused on his body. He takes his hand and tilts your chin so you're forced to meet his gaze, and he delights in the way you shudder at his mere touch — he has you at the mercy of his fingertips, he'd bet.

You're being driven mad, something he enjoys — he's no sadist, but he definitely likes seeing you having to put up with the building pressure and urges he held back on this entire time. He decides to toy furthermore with you, as he slowly begins to unclasp the belt around his waist as his pants come off loose.

You know what the man wants.

It doesn't take much time for the rest to come off, and it's very clear to you where this is going. The back of your mind is screaming at you to run, to move, anything, but your body just lies and stays still without making a sound. His hips are pressed into yours, and he has zero hesitation as he begins to slide himself inside you, positioning himself as you whimper, tears beginning to prick at the corners of your eyes as you feel your walls stretching to accommodate to the sudden, large length that was pushed inside of you. It's too much for you, but he hushes you, caressing your face softly and wiping your tears.

"You're going to take all of it in for me, aren't you? Hah, so fuckin' tight..."

It hurts, and his gentle caresses are a sharp contrast to how he continuously pushes inside you until he finally reaches that place that would make you scream out in pleasure. And he knows it. He's impatient, and won't waste another second, and in just a few more seconds, he's already ramming his hips against yours, bulging cock sliding in and out at a pace you can no longer register.

"God — you're so good for me — no one else is allowed to see you like this, understood?"

The both of you are lost in lust, and your heart hammers in you whilst fear and pleasure courses right through your veins. You get the feeling he's not just pleasuring you — he's marking you, through and through, making sure that by the time you're walking out, people will only perceive his scent on you wherever you go. He wants you and you alone. 

Anyone who wishes to debate his posture is more than welcome to have a word with him in the ring.

You're barely able to choke out his name as he fucks you senseless, giving you no space to plead or speak at all, for that matter. The only noise you get out are your helpless moans as you shudder from each thrust. He's feral, hungry and starved for your love, and he wants to consume every bit of it.

"Wriothesley — fuck — I-"

If it weren't for the fact he's fucking you to oblivion on his desk, he'd probably find it amusing how helpless you've become in the span of a few minutes. He loves it. Your eyes are half-lidded and brimming with tears, your moans resounding through the entirety of his office, to which thankfully, there is no one else within except the two of you. You might've not registered it but you're sure he's already torn through all the clothes covering your chest too, leaving you now entirely exposed and vulnerable to his touch.

You start to feel the building pressure you had before, and your breathing is labored, heavy. You don't think you can take this for much longer, your folds wet and walls tightening around his cock. You really weren't sure how in hell you were going to fit all of it in, but you seemed to be taking it rather well.

Your synchronized moans and his groans paired together combine, slowing into a perfectioned, rhythmic catharsis as you finally reach your climax, your fluids coating him and staining the firm material beneath you, to which you can't help but wonder how exactly does he plan to clean.

Yet as you finally release, he still doesn't stop. He's not stopping, not yet, not when he's finally got you fucked over and whimpering, helplessly begging him to cum inside of you. All of your senses and inhibitions have been tossed aside, leaving you a forlorn, flustered mess. He craves you, he might just devour you, he's unable to contain himself.

"You look so adorable when you beg, yeah? So wet and tight for me, 'M just gonna have to keep going for you..."

He is relentless. By the time he cums, you're already left breathless, voice broken and unable to say a thing other than a quiet whine. He's breathing heavily, letting his seed settle within you as his residual flows leak through your thighs, painting you as his own.

"Hah... that look in your eyes.. you wanna be rewarded, don't you? 'M just gonna have to stuff you full, hm?"

He nuzzles his head in your neck, letting the soft tufts of his hair caress your skin softly. He's still inside you, his cum still leaking through your thighs and out of your worn-out, throbbing pussy. Slowly, he slides out of you, earning a faint, muffled hum akin to that of a moan as you catch your breath. "Wrio..." you mumble out, and he presses a light kiss to your neck, right on a mark he left by earlier.

"'M gonna fill you up and make you cum 'till you can't think..." he murmured, one of his hands soothingly caressing your neck as he runs his hand through your back, his other, free hand reaching down towards your wet folds, his fingertips tracing lazy circles on your clit as he teases you gently, causing a few moans and whimpers to escape you. "'M gonna breed you.. make you all mine, darlin'."

He inserts two of his digits inside you fervently, fingering you, keeping you wet and tight as you squirm from his touch. He pulls in and out, unending and denying your pleads to stop. "P-please, Wrio — fuck — I can't-" He ignores your cries. Instead, he presses kisses across your jawline until meeting your lips, keeping you encased, trapped in a passionate kiss whilst being pleasured to no end.

"You can take it. Easy there, love."

You only respond with a whine as you feel yourself slowly reach your climax again, fluids seeping through your body and covering his digits, that slowly pull out with a wet sound. Your mouth is slightly hung open, your face with faint tints of red hidden by your disheveled hair, your body numb and almost limp.

The black-haired man simply held you tight, holding you close, never letting go, his voice whispering to you sweet nothings. His grip was tight, and unbeknownst to you, tears slowly smeared, falling across your face. You felt filthy. You felt violated. Anything but loved. And you knew more than ever, that from this day forth, you'd only ever be his.

His to love. His to hold.

For a night and forevermore, you were solely his to behold.

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A/N - I am utterly in love with this man. This prompt was also meant for yesterday bc Halloween n all, but I didn't make it- so- here you are- a little belated but still here! Same applies to the Imbibitor Lunae prompt that is soon to come! Love you all, remember to stay safe.

[rjthirsty]

"I'm Pregnant" with IkePri

We've seen how dating, their first time, and engagement proposals pan out, but what Cybird will never deliver to us is that pivotal moment that MC tells one of the LIs that she's expecting.

This is just my idea of how it will work out with each suitor. MC is AFAB, and all suitors are AMAB. Obvious mentions of pregnancy lie ahead. Just a fun little exercise to test out drabbles. 

[7/21] Jin, Chevalier, and Gilbert done

Jin

Jin is the king of pulling out, but somewhere along the line, he slipped up and it resulted in nothing so he started to get lax. Somewhere along the line, you two stopped worrying about it. More times than not he still denies you the creampie that it turns out he enjoys seeing seep out of you. But now you're late, and maybe you two should have been more vigilant.

It's hard to find the words. You confirmed it with a physician, and you know you need to tell him, but having a baby with a commoner churns up trauma for Jin, and you're afraid he'll turn you out.

He's worried. You have never looked so ashen. When you said you needed to talk, he dropped everything to give you time. His large hand palms your cheek. He dips down to look into your eyes. And in a voice that has helped you through countless times he says “Whatever it is, it'll be okay.”

“I'm pregnant.” You finally manage. 

Shock leaves him wide-eyed in surprise. It takes him a moment to zip through the thoughts that spring into his mind - a million possibilities, questions, and outcomes on what he'd do if this day had ever come. Then a grin lights up his face and you almost miss it as he wraps his arms around you and lifts you off the ground to hug tightly to him, spinning around from the sheer joy of having a child with you.

He's better than his father. And you're not his mother. And the world is a different place with the two of you together. He's more excited than you thought he'd be. He talks to your stomach even before the child can hear him. He wants to princess carry you everywhere. And he introduces you as the mother of his children.

Chevalier

The way Chev looked at you after you told him the news was chilling - not because it was his icy stare that had silenced rooms and struck fear in children, but because you had never seen him… scared. He was scared. The news was not happily recieved as you thought it would be.

As the two of you prepared for bed and you talked of your day, you broke the news with excitement and turned to see him stunned and staring. “Chevalier?” You called to him. His eyes cut from your belly to your face.

“It's okay. You're not a beast, and I'm not afraid of you.” Attempting to soothe his worries, you moved closer and slowly snuggled into his chest. “I'd be lucky to have a child just like you, because you're an amazing man.”

He relaxed in your arms, his own arms surrounded you as he dropped his chin to put his lips on your head. “I'd rather have a child like you who can love someone like me. You may never understand him if he's like me.”

“But I don't need to to love him.”

From that day forward, Chevalier dove into reading about medical studies and other literature on pregnancy, labor, and delivery. He stated checking up on you more often and bringing you all sorts of items said to help with pregnancy issues. He would have delivered your child himself except thankfully Clavis helped you talk him out of it. There are some things you'd rather he not be in the middle of.

Gilbert

“Do you want me to tell him?” Walter asked, a serious note in his voice.

“No. I want him to hear it from me.”

You knew the news of family was not a joyous thing in Obsidian. Especially for Gilbert. The land of deceit and decay, where families had murdered families for generations. Where the Emperor carried the sins of the Obsidian line that had wrought death and bloodshed countless times across this kingdom and others.

Gil had wanted to end it. To stop his line from continuing. And here you were, pregnant with his child. He wouldn't hurt you you were certain, but he might actually lock you up this time in order to prevent anybody else from hurting you. He could if he wanted. But living like that would leave everyone unhappy.

In order to prevent another bed-chaining, you visit him in his study. Before you made it two steps inside the room, he stood from his chair and moved towards you, worry clouding his face. He felt your anxiety. Something was not right with you, and he knew it.

“I'm fine,” you assured him as he quickly looked you over. “I just… have something to tell you.”

Gil's perfect smile covered up his momentary worry. “Surely, no one has bothered my little rabbit. Yet your heart is racing like the day we met.”

“No, no one has bothered me.” You step closer to him and wrap your arms around him, trapping him in place. With a lean of your back, you lock onto his single red eye to show how serious you are, and plainly explain, “I'm pregnant.”

His hands fly out, snatching you close to him as he squeezed you against his chest, holding onto you like you might somehow slip away if he were to let go. This is not the first time he has done this. You brace against him, giving him at least a few seconds of his desperate hugging before it begins to feel like he'll crush you. It always goes like this. 

“Gil! Gilbert, please. I can't breathe.”

He relinquished you, and as you gasped lungfuls of air, he scooped you up and strode out the door. “Wait! Gil! Where are we going?”

You were used to the palace by now that you knew he was headed towards his bedroom. Even if he didn't answer, you could already see how this was going to go. “Put me down! I am not going to be locked up and hidden away. That is not how you treat people you love.”

“Do you presume you can order me around?”

“No, but if you do this, I will never forgive you.”

Gilbert slowed his steps and came to a stop. In his eye you could see emotion wavering, and while you hadn't learned how to read him as well as he knew how to read you, you had learned to see the different sides of him that he only shared with you. 

“Now,” you began calmly, “I'll make some tea, and we can talk about this. At a table. With no shackles or rope.”

“I’m so weak to your requests. At least let me lock the doors so no one can bother us.”

“You can lock the doors if I get the key to them during our talk.”

Gilbert's biggest fear is losing someone he loves. He recognizes he has desires to control and cage MC to keep her safe from others, but he also knows those desires are not acceptable. He's at the mercy of his emotions, and despite being a genius, he often acts on whims, especially relating to MC. I'd love to explore this further. See how far we can push him.

[fairuzfan]

For Liefer to pull up a Camus quote like this is quite laughable because of how the dynamics mirror each other. In the modern day, we have a status quo where Palestinians continue to be imprisoned and murdered and raped and segregated, denied basic medical care for years on end, all on their own land — while Jewish Israelis (to make distinction from Palestinians with Israeli citizenship, as many liberal zionists love to point out) suffer no consequences for anything, even if they play a direct role in the continued erasure and genocide of Palestinians. So if given a choice between suffering no consequences while benefiting from the status quo (that will not change unless the oppressed take it upon themselves to change their circumstance) and suffering consequences in the form of direct personal loss (with the strategy of forcing things to change by ennacting the same type of violence that the occupied experience on a daily basis onto the occupiers), of course someone who stands to lose nothing from the continuation of the status quo would rather the status quo continue if he has something to lose otherwise. Camus, when he said this quote, was not being righteous or overly sensitive. If anything, it shows how little he understood at the time of saying this quote. Because he didn't understand that an Algerian will suffer in both scenarios even if he (Camus) is safe, and for him to say something like this when people lived generations worth of violence for his and his family's (social) benefit is annoying and just plain offensive. Who is he, as a Frenchman born in occupied Algeria, to say what is worth justice when he only stands to lose anything in one scenario but not the other? He did not experience life as an Algerian native in French occupation. He might have observed it, growing up poor, yes, but he never LIVED it. Liefer might have observed the horror of settler colonialism, but that's nothing like experiencing it firsthand. To be the object of hatred to people who have higher status and more rights than you. It's just not his place as a person with nothing to lose if the status quo continues to comment on anything like this. What's the underlying meaning of this quote? "I'd rather others continue to suffer than myself experiencing suffering once."

I'm not saying Liefer doesn't have a right to mourn whoever. Im not even saying he has a duty to accept the consequences he experiences. But to say something so heartless as "I prefer the safety of my own rather than justice" within the larger, nearly century worth of context, is just insensitive and really belies his true opinions of the liberation of Palestine if he's so comfortable saying this outloud with moral authority in the middle of what is an outright bloodbath of Palestinians across Palestine. It's the timing of saying something like this because to say it now of all times when the entire world ignores or even encourages the violence in Gaza but mourns the death of Israelis? An Algerian born Frenchman and Israeli are going to be mourned on an international scale... but Palestinian and Algerian natives? Their deaths are regarded as facts of life by the rest of the world.

This makes it seem like I hate Camus, but I honestly don't, but I think the way Leifer is holding this quote up at face value and as the height of reason really is annoying. People like to mention Camus' "if" in this case as proof that he's actually saying "this is not real justice so therefore I do not have to accept it," but who is he to say what is or is not justice? The point I'm getting at is the people who benefit from occupation, in this case, Camus and Liefer have no right to determine what is or is not justice, despite their personal beliefs. The occupier has no right to tell the occupied what they should do to get freed. That alone is an arrogance in assertion that is so offending — the assertion that the occupier knows how to free the occupied in what *he* considers justice and the occupied just need to do whatever the occupier tells them to do. Because whether they both like it or not, they still benefit from and are part of the occupying force, and therefore have no real reason to fight the occupation at their own expense — the occupation is a violence that they are alright with inflicting if it means they cannot lose anything or anyone.

Also the idea that liefer indirectly compares himself to Camus is a little funny to me.

[tossawary]

I do like time travel fics for a variety of reasons. It can be fun to see a "perfect run" fix-it fic running through the canon storyline again. There is a little suspension of disbelief required for some of them, because at some point, the little changes for the better or big tragedies averted should start to mess with the world. Very good time travel fics take this Butterfly Effect into account.

It is VERY fun to think about time-traveling characters who immediately break the plot, because they fail to or don't even try to keep things on a certain track. I love seeing authors use this jumping point to explore entirely new directions for canon. It's off-roading time!!!

Some characters are happy to work within the systems of their worlds. They'll put up with the little indignities of having do to things again and are able to act their way through a redo. (And apparently have incredibly good memories, like, damn.) The cost of keeping things roughly the same is something that they're willing to pay in order to reap specific benefits at the end of the journey.

Other characters would prefer to break the systems of their worlds. They have no patience to play by someone else's rules if they have the power to do otherwise. They may think that the world is broken as it is and needs to be changed. They may be unable to let certain injustices happen again no matter the cost to their ability to predict the future. (I admit, I have a preference for this, because I think it's more interesting, and if the protagonist is a heroic figure, I like the idea that every single life is worth trying to save if you can try.)

Anyway, this is all to say that I just read the last 100 chapters of "Naruto" and apparently Naruto was the only person keeping Sasuke from following through on his unhinged and vague supervillain plans at the end there. If you sent Sasuke back into the past, let's say from a battle with Kaguya going poorly back to the Uchiha massacre or something, and he retains his adult body or any of his abilities (full Sharingan + Rinnegan)? I cannot see that Sasuke trying to give Konoha a shot again. I don't think he trusts like that anymore.

I think he would immediately 1) kill Itachi if Itachi forces him to do it and he can't convince Itachi to join his side, 2) kill Danzo and any ROOT agents who get in his way, (2.5) kill Zetsu and Madara if he can find and catch them, and also Obito if Obito forces him,) 3) kill or try to kill the Third Hokage, and potentially 4) try to declare himself the new Fifth Hokage. Winning a lot of these fights just by taking eeeeeverybody by surprise. Or something like that, you know? I think he'd at least try to immediately do some reckless revenge murder.

If time-traveling Sasuke is stuck in his child body for a redo, and can't set himself up as the new dictator of Konoha or the new shared enemy of the shinobi world or whatever, then I think that he might just run off and join Orochimaru again. I think he would make early deals with Orochimaru for the relative freedom that offers.

Like, Sasuke just does not strike me as a particularly stable person who gives a shit about maintaining a comfortable life for everyone around him. He does not care about Konoha's image. He does not want to settle complacently into a comfortable life within this corrupt state. I think he'd rather drag out the rot and set everything on fire than sit through the frustrating false civility of politics or go to school again, if he had any choice in the matter.

A time-traveling Sasuke would not behave like a time-traveling Naruto or Sakura! So, if I had to do a time-traveling Sasuke, I'd probably reach for the "break-it" rather than the "fix-it". Konoha struggles to deal with this new, mysterious, Rinnegan-wielding Uchiha who appeared out of the middle of an incomplete massacre, just killed the Hokage, and declared himself the new one, completing the Uchiha coup at the eleventh hour. (People are saying he looks like Uchiha Izuna come back to life, apparently???) Oh, shit, someone secretly go get Tsunade and Jiraiya right now, fuck.

[wafflexdguy]

Murder Drones | Cuddle Headcanons

x Reader for context.

-----------------------------------------------------------------------

Uzi

She probably not the best person to cuddle with, definitely not the worst.

Cuddle time with you might as well be a mental stress reliever for her, basically her equivalent of heaven. She'll basically melt in your embrace if she had an extremely exhausting day of either having to deal with Cyn's tail antics or just having to deal with the fact she turned herself into God. 

She'll go out of her way to ask for affection. Typically, by (depending on who you want to be) using her solver to pick you up and bringing you over to her. Basically semi-possessive in some senses. 

Her 'cuddles' however consists of her wrapping her -smoll- arms around you and squeezing way harder than what's necessary. She probably won't notice she was being way too rough until you legitimately start yelling at her, only then will she realize that she bent some metal on your body. 

She still has that rejectful attitude, meaning that she'll pretend that she doesn't like it and only did it to make you 'shut up.' Ignoring the fact that more than likely she's the one who initiated it. 

------------------------------------------------------------------------

N

When the only company you have was two people who basically abused you to some extent, it can be pretty hard to know how to cuddle. Especially depending on who you are, because then it could get awkward. Not that he's against it or anything, just that awkward situations lead to awkward outcomes. 

He may need a book for this.

To be more clear, he is absolutely open to cuddles! I'd imagine that there are long days for N that are stressful, sure. The little cinnamon roll (Fandoms words not mine) would absolutely need some of that.

After reading the same book about a few hundred times about how to cuddle -assuming there is even a book for that and that he's not just winging it- he can assume he finally figured it out. 

All while having the stupid sunglasses on his visor, trying to act cool and calm he'll slowly wrap his tail around you (more out of safety) and put his arm around you all while he's trying not to panic that if you even wanted to cuddle. 

-----------------------------------------------------------------------------

V

She's... Someone! To cuddle with!

She's previously murdered drones before, brutally. The murder part was in the job description, the brutal part does. Occasionally she would be flirty to the drones she was killing to bring their guard down, only to kill them minutes after. 

My point with all of this? Depending on how early you met her, you may have been witness to one of these sessions, which could make trusting her cuddles hard. That doesn't stop you from trying for whatever reason!

I say you because she'll almost never initiate any of it unless she was feeling really icky. But when she does have one of those icky days, she's basically the same as with N, only softer with it and more prone to shutting off (sleeping) during it. Again, she does it when she's icky. It takes some effort to actually do it when she isn't feeling vulnerable to some extent. 

When that kind of thing happens, she's rougher with how she goes about it, usually reluctantly wrapping her arm around you if she's annoyed by you for some reason, or unnecessarily flirty with you, basically hugging you like a teddy bear. 

--------------------------------------------------------------------------------------------------------------------------------

J

As heartless as she may be regarding some previous employees, she isn't a complete asshole when it comes to your two's relationship. By that, I mean she'll actually at least put some effort into it. 

More than likely, like V you're probably the one who forced her to cuddle. I do mean forced, because unlike V, J won't go out of her way to cuddle with you if she's feeling Icky or depressed, rather trying to handle it on her own. But she won't lie that having physical contact with someone she lo- 

Respects is nice once in a while.

The way she goes about the whole cuddling thing is just kind of... not? If that makes sense. She'll barely hug you, and even then, it's more of a side-hug than an actual hug. She's not repulsed by the idea of cuddling you, but she's still on the hinges about it.

To make up for this, she'll usually compliment you on your looks, effort you put into work, existing at all. 

"Good job on surviving against us for so long."

"...Is that meant as a compliment or...?"

"Did it not come off as a compliment?"

I will say outright that she's less prone for physical contact with you than any other drone purely because she's a more 'married to her work' kind of gal. But dammit, she values you barely more than her distraction- work. And she'll put some effort into cuddling you.

[enemywasp]

Alright so someone on tiktok sent me a link to a compiled list of arguments against proshippers and so I wanted to put a sort of brief response of my own thoughts of each point.

Long post warning!

"Proshippers are non-offending minor attracted people in a fresh paint of coat"

What a start, am I right? Okay so first off this is a huge generalisation, not every proshipper engages with or is even comfortable with anything that sexualises fictional children, or ships them with adults. And of those that do ship adult/minor ships, it doesn't always mean they're attracted to the character themselves or gains any sexual pleasure from that.

They then went on to say that although they might be non-offending, they still fantasise about and romanticise children- in the case of proshippers by creating art and stories. And I am not personally educated enough on how people's minds works to go in depth here, but I do know a lot of pedophilic thoughts can be intrusive and unwanted. And I would much rather people engage in this and deal with their thoughts through fiction where no actual children are harmed, than actually go touch a real child or engage is any form of CSEM.

“People can draw and ship whatever they want!”

Here they went on to say that surely to ship and create content you must justify these things in some capacity regardless of them being fictional. And immediately I'd argue, the justification it that they're fictional. And that sometimes you want to read about things you'd never approve of in real life, it's a natural curiosity. And again, regardless of what the dark content is I would take someone engaging in fiction over harming a real person any day.

They compared this to alt-right groups and dark humour justifying racism and transphobia, etc. And whilst I think something we should always be aware of in fiction is stereotypes and how we may be representing people. Youtube videos like this are usually a type of propaganda that AIM to change people's mindsets and turn them against groups. Whereas fiction tells a story, some may have meanings and connections to real life, be a political piece, etc. Not everything is that serious and has a clear distinction from reality.

Think for example, reading/watching about murder and gore. More on that in a second.

"Fiction doesn't affect reality!"

I'm going to be honest I rolled my eyes at this as their main example was slenderman. If you don't know about that, those girls were schizophrenic. Anything could of set off and caused delusions, it just so happened to be fiction. Those girls needed help- not to just read purer content. They also basically brought up propaganda again, which is again deliberate and designed to warp peoples perceptions. Its based of lying and spreading misinformation and passing it as facts. The only thing I strongly believe can be directly harmful is stereotypes if not handled with care. But I think that's something for anyone who writes and consumes content should be aware of regardless of their stances.

Again here they implied that all proshippers are peodophiles. And that they normalise abuse of children. I'd also like to point out that most proshippers I've interacted with online have age boundaries to avoid interacting with minors depending on how graphic or sexual their content is.

"What do you think all stories about murder should stop existing?"

Here they basically argued that killing in media isn't the same as its not romanticised or condoned. YA Novels disagree- mafia stories being the most immediate example to spring to mind. Furthermore, morally grey villains. One of my favourite films is Mr Right. It's about a hitman killing people. Anna kendrick falls in love with him and its framed as a romantic comedy. Funny how its only fanfiction that's criticised like this? I actually have more thoughts on this if anyones interested.

Again they bring up kids not knowing adults pursuing children is wrong, and I'm questioning why children this young are unsupervised on the Internet. How young were you when you were allowed to watch anything with graphic blood or violence? This content isn't made for kids! Especially not anyone so young they can't seperate fiction from reality as most sites have a specific age you have to be to join. And I'm sorry to say it, but on websites and social media where adults can interact with kids, anything can be used to groom kids. (The real thing you should be mad about here is how there's no websites aimed just for children and safe spaces on the Internet anymore cause it can't be monetised as easily)

"Artists are allowed to draw and write about dark people"

They basically said, yes but it's not the same as promoting. Writing something under a romantic light and not saying "Don't do at home!" Isn't promoting. No ones encouraging these things in real life. Or rather, if they are its not because they're a proshipper but rather who they are as a person and their intentions.

The trans example they used is very extreme and honestly something I agree with a little more, fiction can definitely be used as an excuse to say and act out hateful and discriminatory things. Whilst I do think it's something we should discuss and unpack more, I'm not certain of my view on how I would fix this without risking silencing people talking about their experiences.

"Its not my responsibility to look after other people, just block me and the tags"

Here they threw all kinds of accusations. And says that we're making traumatised people jump through hoops to avoid getting retraumatised. I hate this argument, you know people have actual triggers they may not be able to avoid in real life? The world can't bend around you. And I am very sorry if any content online is traumatising to you, but someone could also be traumatised by a certain breed of dog and not want to see it. Should no one post dogs online ever again? A bald man reminds you of an abusive ex? Bald men get off the Internet! You see how this thing can just keep escalating? The tags and warnings are important because they're the best you can get. You can't control the world to protect everyone from everything ever. No ones forcing you to interact, and if you're on any algorithm based content that will encourage that content on your for your page more.

The only thing I think we should take from this is the reminder that warnings and tags are always important.

"You only care about censoring creativity"

Here they defend themselves that oh wouldn't you want freaks out the community! Which again immediately makes me lose respect for you, if you're just going to brand us all as freaks as an argument and generalize us.

No comment on that first line when you can easily argue antishipper do the same.

"Proshippers are not remotely innocent of targeted harrasement" Neither are antis. There's people who take things too far both sides and I'm not going to defend either for that.

"Real kids get assaulted and all you care about is censoring people online!"

Here they shout "oh I can care about both!" But what I don't think they realise is censorship can make it difficult for kids and to learn about how to speak up and to look for signs, or to speak up about their experiences. How do you plan on removing the topic from the Internet whilst also letting victims speak up? And people may want to write fiction based off their experiences. Who are you to go through it and proclaim what is too far, what romanticises it too much? More on this later.

"Antis are reducing my trauma"

They compared this to saying "date rape victims are reducing my trauma because they weren't taken advantage of in the same way as me" which is a disgusting parallel?? Date rape is still rape. Someone writing about something isn't the same as it happening. Although it can be used as harrasment, grooming, etc if directly addressed to you or being constantly sent to you, written about you. But the content existing in general? No.

"I'm coping"

Compared it to self harm, and such. Poetry and diaries are also used to write about your experiences and unpack trauma. Some of which may write it in an unrealistically positive light cause that's how they want to unpack it or explain those thoughts. And yes these things get posted online.

I can't imagine a single therapist or professional psychiatrist of any kind disapproving of creative writing because, again, it's much better than any alternatives of doing real harm to yourself or people around you. Although I do agree that if something is traumatising for you to read about and just upsets you further, be aware of your own boundaries but not everyone is the same so how are you going to police people's own thoughts and emotions.

Also I can't remember who or where as it was years ago now, but I have heard of people who actually realised they were being groomed or abused and just how bad it was through reading about it in a fanfic and seeing it in an outside perspective.

They also say to do it in private, but doesn't everyone on the Internet now have an understanding of finding a community and looking out for eachother and sharing experiences?

"There's more nuance here than just calling proshippers peodophiles"

Here they say no matter what it still comes down to whether it's ever okay to sexualise minors in certain contexts. And again, not every proshipper does this or is even comfortable with engaging in this kind of content. And further, no one is sexualising real minors in this context.

"I'm a proshipper and a minor tho!"

I'd agree minors should be wary of the spaces they're in but proship spaces aren't always necessarily sexual, graphic or 18+. Saying they're being groomed feels like you're watering down that term. I was a proshipper at age 13, I didn't interact with anyone online about it though, I didn't even know that was the term. I just came to the conclusion that it's just fiction all on my own. Minors aren't idiots.

At then end they talk about their own experience being groomed and I'm obviously not going to nitpick or criticise their experiences. I will point out that one person being bad and taking advantage of you and using content to do so doesn't mean everyone is like that. I am sorry to anyone who has been taken advantage of by someone who claims they're a proshipper though. There are people who have turned out to be horrible on both sides.

I am ill and it's late but I want to get this up sooner rather than later so please ask for clarification on anything. I'm always up for a discussion on this topic as I do believe some of these points do have merits at times and that this whole topic is not black and white

[demodraws0606]

My thoughts on the latest episode (aka HU IS THE CULPRIT I WILL DIE ON THIS HILL)

Warning : My sassy attitude is not directed towards anyone else, I'm simply amusing myself and also I've only gotten barely 5 hours of sleep god save me.

This is gonna be very long and messy so strap in folks

It's so obviously not Eden or Ace it's painful (idc 'i'll die for my hubris). Not even just because Eden lying and being the culprit after all of that would be both underwelming and just...miserable. But also because of how the way we're getting the reveal in advance that it could only be Ace and Eden. The fact the cast was already on Eden's throat as well just makes this point even more clear to me.

This isn't like fucking Korekiyo in chapter 3 of DRV3, this isn't how a culprit reveal happens. Especially not when there's so much we don't know yet.

So who is the culprit ?

...

It's Hu, it's literally Hu.... and like 1 pourcent chance it's Nico but I think both of them are accomplices here.

The thing is, I don't buy any of the shit Nico is saying, their admission of guilt is strangely quick and detached. They also seem to go along with anything people say about them (like them framing Hu) which makes it even more suspicious, they could've just said they used Hu's weapon out of conveniance ? The only thing this episode has proved me is that Nico is an Active accomplice rather than a Passive one like I thought. For what reason ? I honestly don't know fully yet but again we don't know a lot about Nico anyways.

Hu's behavior really makes me think she did it and is acting out, mostly out of guilt. She seems really stressed this trial which while makes sense for character reasons, it also makes sense if she's the culprit and feeling guilty. It would explain her defending Eden and Nico mainly I think despite her probably being the culprit she doesn't want the perception that Eden/Nico has to be broken (especially not bc of her). I've already explained how Hu being the culprit makes sense from a character perspective so I'm not gonna get more into it.

By the way any arguments in this post being like "it would be out of character for Nico or Hu to do that" should honestly review their own hypocrisy if they think Eden did it, or even Ace for that matter.

Another thing that makes me even more convinced that it can't be Ace or Eden is that...you can't fucking prove any of them did it with 100 pourcent certainty. David fucking threw the BDA rule out of the window, so we can't be sure Eden didn't do it but like what decisive evidence would make it clear between the two of them.

The only pieces of evidence we have left is :

-The sticky ball of clothes (most likely turpentine because the soil of the relexation room would cause the ball to have stains on it)

-The alibi for the relaxation room water

-The missing glove (which I think i've changed my opinion on what it could mean here)

Eden did know about the ball of clothes (but that piece of fucking evidence has strings attached so we'll get to that) and Ace doesn't have an alibi against taking the water like Eden does.

The missing glove is the only evidence left untouched here and honestly I actually don't think it had anything to do with the glove having someone's hair or anything, mainly because first of all the culprit could've technically just removed any hair on the glove even if it was sticky.

And also there's something else that makes more sense.

I think they probably had to use the glove to avoid rope burn while trying to set up the mechanism to kill Arei. Especially with how high the playground's ceilling is, it wouldn't be child's play. I'm not really good at deciphering what could've possibly happenened directly in the murder but I'd argue it's just more likely that the culprit would be put in a situation were rope burn could happen. This murder set up would require a lot of physical effort, and if the culprit even slipped for a second their hands would end up being damaged from rope burn making them obviously look guilty (also ouchie), which I think is what happened.

It would also explain the scuffs on the floor, maybe the culprit was struggling to hold onto the rope leading to them causing marks with their feet while trying to pull on the rope.

The reason why I think the glove is missing is probably because it's damaged and the culprit wanted to avoid the cast knowing they used Arei's glove during the murder. In fact it's the only piece of evidence that is completely missing

But why ?

Has anyone realised something about, I argue, the three other main suspects here ?

Nico, Eden, Ace ?

They all have gloves.

"But a huge portion of the cast has gloves this doesn't mean anything, it's just a stylistic choice !!" Yeah, the majority of the cast has gloves.

I think now you can understand why the culprit wouldn't want the cast to know that the glove was used. Because if the cast did see the glove that was probably damaged, they would assume the culprit wore it and it would narrow down the suspect list to an extremely narrow pool. This forces them to basically take the glove and hope to fucking god the cast doesn't catch on which they clearly haven't yet.

You know who doesn't fucking wear gloves.

HU JING

My girl got no gloves on !!!!

So yeah, with the glove being untouched evidence yet I think it will be the main decisive thing to point out who the culprit truly is, and I just don't think it's just gonna be like "oh let's just search everyone to see which one has the glove !". For all we know the culprit could've fucking eaten the glove, I don't think we're getting another Min in trying to search shit on people's person.

Anyways I'm gonna transition to other stuff to explain how the Nico and Hu theory makes sense from a logical standpoint here.

Let's get on to the sticky ball of clothes.

First I want to get it out there that I do not think the ball being sticky is due to the soil of the relaxation room. Mono-TV's talk about the "special formula" was mostly to foreshadow the floor of the playground's properties, also the fucking ball would have stains on it.

For me this means the ball of clothes has to have been covered in turpentine especially now that we have confirmation from Ace directly.

This is extremely huge and I'm flabbergasted has no one has mentioned this. Pray tell where the fuck did that piece of cloth go, did it get isekai'd into another world ?

This question actually has multiple meaning here because that fucking ball of clothing actually has massive implications. It confirms a lot of things and also puts a lot of doubt in things that seemed to be confirmed.

Before that I also want to say that Arei 100 pourcent got knocked out with turpentine. I don't want to argue over and over again that it was used because I've done this before but I have to since there are multiple reasons why she had to have been knocked out.

The floor is extremely prone to scuffs, if Arei was struggling then we definitely would've seen more than just a few marks in one area.

The method of murder would have been extremely difficult if she was struggling, like to a ridiculous point. Especially with someone like Arei who has been shown to have been sneaky and very prone to attacking people in their weak spots.

The tape binding Arei's hand in hindsight actually probably wasn't to avoid her struggling, it was most likely due to how the mechanism of the murder work. Keep in mind how the murder had to have worked and imagine if Arei's hands were just loose and flopping around. There could have been possible injuries with her arms that would ruin the culprit's obvious plan to make it look like a suicide. It also just makes sense for weight reasons, again Arei having her arms flopping around would make moving her body even more difficult.

And even if you want disagree with all of that, the culprit could've just binded her tape to avoid the same mistake that happened with Ace with him waking up from the turpentine.

Now that I've made my case about Arei being knocked out, let's get on the actual new arguments I want to make.

First, we know for a fact that a piece of cloth was used to knock out Ace meaning it has to have gone somewhere, if you say "well they could've just thrown it away" I will personally come into your home and shit in your shoes. And you're also wrong because I've already proven that Arei had to have been knocked out.

This means the only piece of cloth available to us would be the sticky ball of clothes.

But...like let me just explain everything that's mind boggling about all of this.

-This ball of clothes had to have been made for Ace's murder to knock him out

-The only people who knew about the old clothes were Hu, Teruko and Whit. Eden only knowing later on, way after Ace's murder was planned probably, because Hu told her about it.

-The culprit used this ball of clothing against both Arei and Ace

-The cloth is suspiciously absent from the murder scene, which makes no sense considering Nico's account rely on them not having left the gym while trying to murder Ace. Them leaving to chuck the cloth aside only to come back to the gym doesn't make sense with the timeline in how we discover things.

Yep, I'm making the claim that Nico didn't actually kill Ace here, I still think it's Hu. Again you can try and complain all you want about how it's out of character for Nico but the reality is...shit is not adding up.

It's really suspicious how silent Hu becomes when her weapon is brought up, immediatly clamming up and not defending Nico anymore. When Teruko makes assumption that Nico lied to Hu to get her weapon, she doesn't reply with a betrayed "Nico is that true ?" or even a sentence she responds with "That's...". The amout of ellpises both Nico and Hu give are extremely suspicious and just make me side eye both of them extremely hard.

I'm gonna go on another tangent here, on the subject of Hu being suspicious. Mainly because I do wanna point out a moment that both makes Eden seem a lot more innocent and makes Hu a lot more guilty.

The subject of Arei potentially committing suicide.

Now, it's very clear that the way Arei was hung was meant to make it look like Arei killed herself, this was very much meant to be the culprit's intention. Both to hide the true murder mechanism and probably to mislead the cast. The fact that it's only an incidental red mark of Arei's wrist that proves she didn't kill herself, proves that the culprit intended for it to look like a suicide.

However guess who argues against this...Eden, which, if she is the culprit I don't see why she would do something like that (and if you say "well why is Hu defending Nico and Eden" I already explained it). Clearly the Eden!Culprit theory relies on her being capable of manipulation so there's no reason why she would be so caught up in her own feelings to just ruin her own plan like that.

You know who seems to really be into the idea of Arei killing herself though, Hu.

That's all I have to say on that, now let's get onto how I think Nico actually helped Hu.

I do think there's still a 50/50 on them working directly together or just Nico catching onto Hu's plans and deciding on their own to help her.

I do think Nico directly helped her though in two major ways

First, the water, it's the obvious one. Nico probably ended up giving the water the Hu here weither they did so with/without knowing Hu's intention doesn't really matter since they're deciding to keep quiet about it now.

I also want to quickly mention how Hu getting water from the relaxation room makes a lot of sense. Hu was busy with Eden in the kitchen and Teruko had taken all the drinks from the gym, so it's likely Hu was forced to take the water from the relaxation room.

Second, the note

Oooo baby let's get into my favorite realisation in watching this episode.

One piece of dialogue has made me realize something

This made me puzzled too, because yeah, who would be listening in and how did Arei not notice when she went into the room ?

Let me take you all back to Chapter 2 Episode 5

Rose and Teruko have a conversation about Rose's secret and that conversation lasts a good while, until...

Nico was actually shown to have been there the entire time, Teruko and Rose were talking without noticing they were there.

Nico then explains themselves like this, pretty much proving this is something they just like doing casually sometimes.

This actually would explain everything on how the eavesdropping happened, Nico was on the literal fucking floor of the infirmary leading to them listening to everyone's conversation. Which tmeans they could have had the information to write the note.

This would explain the inconcistencies as to why would the culprit know to eavesdrop and how they didn't get caught by Arei when she was barging into the room (if they were outside by the door).

Now this leads to two possibilities with Nico and their relation to Hu.

Either they worked together with Hu and they both came up with the murder together. Which means either of them could've written the note.

Or Nico helped Hu without her knowledge, making the note to help her (edit : just realised this doesn't make a lot of sense ignore this).

I believe this is all I have so far and I'm very tired so you won't get a conclusion

Oh wait I hear something in the background...

"WHAT ABOUT THE TAAAAAAAAPE"

First of all, y'all gaslit me into thinking Ace couldn't have taken the tape so I'm already sick of this tape bullshit being used as decisive unshakeable evidence.

You know what I think probably happened ? Ace took the tape, after all it disappeared when he woke up and it's possible that he just then threw it away in the trash.

I mean Ace did say he was gonna "commit a murder of his own", it would be in line with him taking the tape.

Why isn't he talking about it then ? Because he'd be seen as the fucking culprit and also Ace is not really the most honest bitch out need i mention Ace witholding info about David and Arei's conversation.

[dufferpuffer]

All I’m trying to say is that you don’t even have to be a pinnacle of morality, goodness, and intelligence to challenge bias, even when it’s posed to you in education.

They’re taught how to identify and kill werewolves by Snape, who clearly went out of his way to curate and deliver this particular lecture.

Ah yes... how unreasonable for Severus to teach the class the textbook curriculum for their subject. Which they are behind in - partially due to having shitty teachers, Remus falling behind on his work due to his illness and/or being a new teacher (he is disorganized too, and gets some facts wrong) - and perhaps partially due to him intentionally avoiding the topic.

After all: he didn't shorten the essay they were given on werewolves, or give them more time to do it - or do anything to make Severus' lesson with them worthwhile for their education. He instantly cancelled it - and was pleased everyone was so upset.

And I don't really blame Remus for that. He was scared. Students had worked him out twice in the past. But I don't blame Severus for focusing on it, either.

On Wolfsbane Remus seems to only takes 2 or so days off a month. The likelihood of it landing on their class twice in a year is slim. Severus has one chance to really drill this werewolf lesson home. Teaching them how to defend themselves against a werewolf is a HIGH priority, especially for Potters class:

Because he believes Remus is working with Sirius Black - the man who got Lily killed. And for good reason: all year Remus has been antagonizing and gaslighting him, spending time with Potter and blatantly lying about things he didn't need to lie about.

Severus believes Remus to be a dangerous man, beyond even a dangerous werewolf. Him doing all that he can to educate students to potentially defend themselves from someone working alongside a murderer, a known betrayer of his friends, is responsible.

You say you 'don't need to be a pinnacle of morality, goodness, and intelligence to challenge bias' - that's true. But typically you need at least something to prove what you have been taught from infancy to be true is actually false. What has Remus ever done that might make Severus consider he might be more than what society says werewovles are? Bully him? Gaslight him? Intentionally antagonize him? Bystand with a position of power? Sneak around? Lie? Undermine him? The BEST thing on Remus' record, as far as Severus is concerned, is that he doesn't seem to have killed or bitten anyone yet. YET.

+ Severus keeps his secret for 18 years. + He makes his Wolfsbane potion (highly difficult) PERFECTLY every month so, as Remus says, he 'didn't suffer as much'. Severus could have damaged him or exposed him if he tampered with the potion, but he didn't. He kept him healthy. Remus is thankful. + When confronted Remus and Sirius TOGETHER in the shack - he didn't hurt or kill Remus. He tied him up to have him face justice. Same with Sirius: he treats Sirius' unconscious body gently, carrying it up to the castle in a stretcher, when neither Remus or Sirius has EVER been gentle with him.

Very few Wizards would treat a werewolf with this much faith, care and justice. He tentatively trusts Remus despite his bias and fears, which are well reasoned but without solid evidence. I'd say that's challenging bias - and being rather moral, good and intelligent.

[txttletale]

I care about what happens to me and the people I have in my life. None of them have weapons and largely feel the same as you. Still, when our apartment building got ran through by some people, spamming all the intercoms to get someone to let them in and checking all the doors and windows before running off with god knows what: They were happy, after the fact, that I had a gun pointed at the only entrance to our locked apartment. Nothing happened, thankfully, and if it did it wouldn't have been any of us that were victimized. The short answer to your blanket 'murder is bad' is that myself and those I care about are more valuable than some random people that want to break into our small space and potentially hurt us. Capitalism is Making Things Worse and we're already a marginalized group that culture largely doesn't care about doing harm to (Nex Benedict is the most recent one that comes to mind). We're exceptionally poor and take care of the things we have. Getting murdered over nothing is on the table in the US and I'd feel like a failure were I to do nothing to try to mitigate that risk. It's not likely but it's definitely possible that someone would 'murder us over a TV'. Truthfully, it's not a major risk in our daily lives, we just can't trust the institutions to protect us from harm here. We're on our own. I understand what you're saying but I don't really care. I'd rather myself and my loved ones have a better chance at surviving.

your gun served the exact same purpose in the situation you described as a baby blanket lmao. you own a $500 pacifier

[olderthannetfic]

The reason behaviours about porn that are classified as "addiction" aren't classified as addiction in different contexts is because society is incapable of being normal about sex. Right and left both. The left just pathologises sex rather than demonises it (and in turn demonises it, because the reason sex is pathologised is because it's viewed as a unique harm. If you interrogate any line of reasoning about "sex/masturbation/porn/smut addiction" you will eventually find that the core of the reasoning is "sex is bad," even if the reasoner denies it). If I said "I couldn't live without listening to music, I'd genuinely just kill myself if I could never listen to music again" people might find it extremist but probably would not accuse me of a "music addiction." If I said "I can't focus on tasks without music" no one would accuse me of a music addiction. But if someone says "I couldn't live without masturbating" all of a sudden it's an addiction. If someone says "I can't masturbate without porn" all of a sudden it's an addiction. Stimuli aids in focus and arousal. Not a difficult concept. "B-b-but dopamine release-" lots of activities result in dopamine releases and yes, you can become dependent on dopamine, but that's not the same as an addiction, nor is it a moral failing (nor is an addiction). Listening to music also releases dopamine. Listening to music is stimuli that aids in focus. "This activity is a frequent and important part of my life" does not constitute an addiction. "I can't imagine life without this activity" does not constitute an addiction. Being normal about sex also means being normal about people who have sex frequently, masturbate frequently, fantasise about sex frequently, use porn frequently, and people for whom sex is an important part of their lives and their identities. Coming from an ace who fantasises about sex frequently, masturbates frequently, and basically only reads smut (and murder mysteries, and again, no one is accusing me of being addicted to murder mysteries even though they're the only genre that engages me enough to sustain my attention)

--

[thefandomenchantress]

I know I predicted radio silence from me...But I had what I think is a cool idea and wanted to share it before anything gets disproven in the next episode (Brief, singular mention of the Eden!Culprit theory).

So, I saw a lot of people talking about the Arei-Eden parallels, and the Ace-Arei parallels (and differences), and the Min-Eden parallels in the hug scene...Because of that, I started thinking about how Eden and Ace relate to all the others. And then I remembered the very obvious Teruko-Ace parallels.

Ace and Teruko both trusted someone who betrayed them in one way or another. Teruko with...Well, everyone, and especially Min, and Ace with Levi. In chapter two, they're both pretty similar, being closed-off and trying to not care about others with varying degrees of success. And, of course, Ace almost dies just like Teruko did, in an attempted murder.

All those things are fairly obvious, especially them being the only participants to be almost-victims. And I'd always noticed that, but it got me thinking...

In chapter one, Teruko was the victim of an attempted murder, surviving on the pure luck of the knife just-so-happening to miss anything vital in her abdomen. Then, instead of sympathy for her life almost being taken, people are upset with/suspicious of her because they think she was the one who killed Xander. And that fact is no fault of Teruko's, she just had the misfortune of being at the scene of the crime (and Min moving the evidence to further incriminate her). Barely anyone asks if she's okay or shows much concern other than Min, who betrays her, and Eden. She is then forced to defend herself in the trial almost completely alone until finally some others start to come to her defense.

In chapter two, Ace has been put in the position of being the victim of a murder attempt but surviving through the pure luck of Eden and Teruko just-so-happening to come to the second floor late at night. If Teruko hadn't happened to forget her clothes on the second floor, chances are that Ace would be dead. No one feels sorry for what Ace went through, because he was a total asshole to Nico and along with no one taking him seriously to begin with, they think he, in a way, had it coming, trauma and injuries be damned. Now, he is forced to defend himself, presumably alone unless Levi decides he wants to help and be the Eden equivalent. And Ace has been blamed for Arei's death not through any fault of his own, but because he had the misfortune of being at the scene of the crime, where someone else tried to murder him.

I guess what I'm trying to say is that it would honestly be pretty cool if Ace finished this chapter going through rather similar events to the ones Teruko experienced last chapter. Some people say that Ace being her parallel will show her during this chapter that distrusting isn't the right way to go, but he doesn't have to die to show her that at this very moment. Hell, it might hit even harder if he manages to go through everything she did, since it would make them even more similar.

Plus, if Eden is the Min parallel, and Ace is the Teruko parallel, that's pretty dang cool! Of course, if Ace does all the Teruko stuff during the trial, it makes sense for Eden to have done all the Min stuff...And I mean, the episode seems to be saying that's depressingly possible, so maybe.

So yeah, I just thought Ace and Teruko's similarities continuing into the trial would be fun. After all, he's been pretty consistent about following in her footsteps so far, so you never know. Like imagine if he says a protag line or something it'd be hilarious. Especially if all his points during his defense are like Teruko's, but with an Ace-y twist that makes them more funny or stupid or whatever. Fun!

Or who knows, maybe Ace will just hire David as his defense attorney, since he's the only one to have successfully defended Ace so far. /j