#I'd do this if I were Anne
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the most devastatingly straight woman thing my mother has ever said to me was last night when i was talking to my sister about anne (of green gables) and diana's homoerotic friendship and she said "i guess i don't see it"
#mother............................ we watched those vhs tapes so many times when i was a kid#my tiny gay brain couldn't handle it#what do you mean you don't SEE IT#if we were talking about fried green tomatoes i'd be like yeah okay sure i see why that one would pass you by#but ANNE AND DIANA? YOU DON'T SEE IT?????????????#babbles
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Me @ to anyone, please anyone, I am begging you-
#do i think we need an outsiders remake/reboot/etc? no#do i want one? FUCK YES#come we've gotten like over a dozen anne of green gables remakes#just one outsiders remake to reawaken the fandom#it doesn't even need to be good i just need it to become relevant again#in my most delusional fantasies I'd wish for a sort of AU where johnny and dally survive and live together and get out of tulsa)(and marry)#i know their deaths are very important to the story but you know what else would be so important?#showing two boys who were born to die defy their fates and the roles forced upon then by society#and become more than anyone including themselves ever thought for them#but more realistically i think a pre-outsiders tv show would be so so so good#characters like tim two bit and steve can be expanded upon#their home lifes their struggles etc#we can have more dally back story#the soc ans greaser dynamics can be explored more#cherry marcia randy bob can be explored and we can get more insight on the lives of the socs#we can see how darry was before their parents death and how it changes him#johnny before he got jumped#like there is so so so much that can be explored#(and a jally kiss)#the outsiders#bob sheldon#steve randle#cherry valance#jally#ponyboy curtis#darrel curtis#sodapop curtis#dallas winston#johnny cade#two bit mathews
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I have the opportunity to spend a month in Michigan this autumn and that should be an easy decision (go! especially before I have more responsibilities) but it’s not
#I mean. the person I'm dating rn is from there and a big thing is us deciding that we want to try to make this work#and given that we're both very sad at the thought of things changing from how they are now we do want to try#but god Michigan is so far away#and in a car dependent country. and I can't drive. and do not want to be dependent on them or their family#but also this is quite the opportunity.. I'd get to see Detroit and Ann Arbor and Chicago and Toronto.. lakes...#it's a whole other continent that I've never been to like of course that would be exciting#but deciding to go feels so. definite. it's a real commitment to this relationship#a relationship which is making me happy but yeah. of course I still miss my ex we were together for more than half a decade#and I'm still just pained by him never working on himself because things could've been okay I think#hmmmm anyway. much to think about.
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positively despising how my consistent personality is leaving me and how i resort to such strange lies
#random thoughts#i write this on the cold tile floor of a place that has yet to hear my wailing screams. this is a lie. i am in bed#if my writing were anywhere near kafkaesque i don't think i'd be doing very well. but how i do admire his work#i read quite a bit. my bookshelves one day shall be piled with the works of authors such as anne rice. oscar wilde (and franz kafka himself#though this is the 21st century. what of modern fiction ? what of modern nonfiction ? i've made myself into someone#whose vocabulary is strangely extensive. we could argue that i've been this person all along#a sort of “gifted child” perhaps. except. i don't fucking use words like perhaps#as. not as. because this is a mockery of the self#how to put it less concisely ? i sound so old. “so mature for [my] age.”#i'm a very strange sort of person and when i stand alone in the water my screaming takes the form of beautiful song. but#how i long to stop the sound and choke it out into something strangled with my very own fingers. my essence is poetry#and therefore all that i am is poetry. i am so beautiful#my face and my body and everything we are made of#to spill the essence of poetry in the form of something more human. blood or spit or tears or vomit#i am so very interested in human function. what am i saying i'm being strange on purpose? but i like being strange#and this is how you see me now. my eccentric persona(lity) does not make me special at all. i'm not doing very well#i never am to tell the truth. it is getting so hard to prove my humanity and i'm starting to feel rather artificial#i have nothing to show proof of humanity such as blood or spit or tears or vomit#but then again i am simply being dramatic. i'm just being dramatic. that's it#i am just a boy and just a puppet and just how i present to others#i am pleasant. i am charming. i am robotic. i am awkward. i am cultured. i am weird. i am almost a person#my fingers are so thin. i've always been inhuman. they have their blood and spit and tears and vomit#and i have nothing but i think i like those words quite a bit. and i am watching the numbers raise higher. notifications. pretty things#i'm sorry i'm acting like this. acting. acting. actingactingactingidon't know what's brought it on#i speak so strangely. maybe i should try something else. i shall go to sleep and pretend that nothing happened. which it did. let me#bstvlpeooiamotridst . you have the words. i've been purposely alternating every three tags to write blood and spit and tears and vomit#i like patterns very much what else can i say. patterns are. pretty. though pretty isn't a word that fits into my extensive vocabulary#it should be buried at the bottom rather. what's a nicer way. i'm not actually sure#if you've made it this far please kindly say hello. otherwise that's alright#we've arrived to form our pattern again and i don't actually feel very much. bloodspit tearsvomit
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Yesterday I drove around the area I've been considering moving to once I have the money to move and I don't think I fully realized how "extremely predominantly white suburb" would translate into politics, even in the cute, trendy downtown core of the town.
I don't think I can fucking deal with being surrounded by conservatives at work and at home. I think I have to stay where I am or I'll fucking snap
#I'd move to Ferndale to be with the weed smoking gays except I do have a life in Ann Arbor too and Ferndale is FAR#and Ann Arbor is the yuppie weed smoking gays#also this area is just hoMe and I feel like I breathe easier and my heart beats better here#Plymouth is tolerably close but jesus Christ i cannot be surrounded by Trump signs#I so vastly prefer people who are so hyperliberal that they insist policies be enacted based on their unrealistic ideals#to be clear I'm talking about shit like deer population control and the debate about the Library Lot#I'm fairly conservative by Ann Arbor standards and I'd describe myself as a socialist bidyke#i think giving everyone including undocumented immigrants free healthcare housing and food is good and a reasonable goal#if not necessarily attainable#so my “dude. that is unrealistically liberal. we cannot enact policy based on that ideal” is not the general sentiment of such#i just really think anti-deer-cull protesters were very silly#roz says a thing
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fred / evelyn / richard / lily as a new group for me to focus on?? hmm... i am thinking...
#ooc#fred and evelyn are a given#the other two... well mike is my next favorite guy survivor but i'd rather have him as a separate group w/ the hullabaloo cast#i REALLY like richard's design so far... (mostly the knight thing tbf lol) but there are other survs i could put here too. like matthias??#but i kind of like the idea of giving evelyn-richard a connection SOLELY because they were introduced together#and then contrasting that with lily-frederick (connected via the racecourse!)#but i'm torn between lily and emma or anne tbh.#actually anne-matthias could pair together nicely as a separate duo...#so where to put emma........ ALSO THERE'S DOLORES + TANG SI TOO HELP#as for why i'm sorting them into groups. it's mostly for like coming up with verse concepts centering specific characters or fic ideas#but obviously they can work outside the groups + in other dynamics too!!#idk what i'm doing tbh i'm losing my mind a little. lmao
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Can I request five x reader (takes place in s2) where reader (five’s partner) gets sent to Dallas around a year before five comes and after he does and reader sees him, she immediately tackles him on the spot and gives him many kisses. Maybe reader manages to work at a casino too
a/n: hi, thank you so much for your request! i haven’t written in a while so i'd love to hear your thoughts, enjoy!!
summary: it's been far too long since you've seen your boyfriend - he learns that the affectionate way.
warnings: reader works at a casino but there’s no actual gambling so🤷♀️
word count: 1.4k
You had to hand it to yourself, for someone who’d known next to nothing about life in the 1960s, you’d adapted pretty well. In no time at all, you’d managed to land yourself a job as a waitress in a casino. A very good one. It seemed in this timeline, Jack Ruby thought a casino would be a better investment than a night club - and for your part, you couldn’t say that he was wrong, nor could you complain.
The hours were long, but the pay was good enough and the other girls had taken you in as one of their own. You quickly began to excel. Strolling between the tables and flashing smiles was easy, second nature even. You developed the wit and charisma to charm the casino’s patrons without second thought, which meant you got more drinks served, more loyal customers and bigger tips to go along with them.
Most nights the new life you’d built for yourself was more than enough but sometimes, no matter how hard you tried, you couldn’t help but yearn for what had come before - who had come before.
There was always a dull ache in your chest whenever you caught a fleeting glimpse of a lone, brown-haired man at one of the tables. In those moments, you could never stop yourself from believing for a slither of a second that Five had made it and he’d come right back to you.
You’d waited for him in that dingy, old alley for two weeks straight, because you knew that Five would never abandon his family like that. That something must’ve gone wrong, but it was okay because he’d come back and everything would be fine. That was what you told yourself. You were so sure he’d show up and solve everything in an instant, because that was what he always did. And when he hadn’t, it had almost destroyed you.
The first few months were gruelling, taking your first steps in the new world had taken a while. Grieving Five had taken longer. The obvious truth was staring you in the face. A year without contact from him or any of the other Hargreeves siblings? The probability was that you were the only one who had survived.
It was a truth that you were reluctant to admit, even now. One that led you to where you are today, starting yet another night shift, beside the casino’s bar, to serve a particularly rowdy Friday night crowd of patrons.
As you begin to set up, Mary-Anne, one of the other waitresses on shift, sidles up to you. Her honey-blonde curls bouncing around her ears as she leans against the bar. Trying to stifle her laugh, in her southern drawl, she says, “Has he tried talking to you yet?”
You raise an eyebrow at her, tilting your head to the side, “Has who tried talking to me yet?”
Her grin grows wider as she gestures to a table on the far corner of the room, laughing, “That little boy. Haven’t I said a million times that we oughta get tighter on the security in this place?”
She sighs, resting her hands on her hips, “I went over to him - trying to tell him that we don’t allow minors in here - and what’d he do?”
Deciding to humour her, you smile, looking down at her, “I’ve got no idea, tell me.”
She scoffs, shaking her head as she smiles, “He told me that he more than knew his way around place a place like this and that I had nothing to worry about with him. Can you imagine having the nerve like that at his age?”
The thought made you laugh. It reminded you of Five. His haggard temper in the body of his younger self always seemed to shock people in the very same way. You paused. It couldn’t be him, couldn’t it? You must be jumping to conclusions. After all this time, it’d make no sense if he was here now and yet…
“He said that?” You ask, eyebrows furrowing as you glance between the table and Mary-Anne. You squint, trying to see if you could recognise him.
A part of you felt silly and girlish for still holding out hope but this kid’s description was just too similar and besides, you were a teenager again, you were allowed to be lovesick and entirely delusional. It was practically your god-given right.
Mary-Anne nodded, loading her tray up with drinks of all shapes and sizes to cover her half of the room, “He did.”
Your eyes were locked onto the distant table, practically pleading for the kid to just turn around and let your hopes down already. Still, all that greeted you was the back of his head and the green fuzz of the poker table in front of him.
When you didn’t tear your eyes away, Mary-Anne looked you up and down, her baby blue eyes swimming with concern, “You alright there?”
Looking back at her, you sigh, already pent up at the possibility of Five being so close, “Yeah, I just… What did he look like?” You ask tentatively, biting your rouge-tinted, bottom lip between your teeth.
Mary-Anne hums in thought as she loads your tray for you, “Gosh, I don’t know - he had dark hair, was wearing a suit. It had the funniest, little emblem on it.” She says, tapping her chest in place of where it would’ve been.
Your eyes widen in shock and excitement as you process her words, “An umbrella! It was an umbrella, wasn’t it?”
Mary-Anne grins, giggling, “It was… how’d you know that?”
You couldn’t even answer her. You were already starting to tremble and hyperventilate, entirely overcome with nerves and joy and pure, unbridled excitement all at once. A year of being apart and now he was no more than a few strides away. Your smile brightens up like no other.
You slip your tray from over your head and place it down on the bar as you say, “Hey, cover for me, would you? I’ll be two seconds.”
Without waiting for her answer, you dash across the room - a flurry of giddiness bubbling up inside of you the closer you get. You tousle your hair and straighten your uniform, anything to keep your anxious fingers busy and to better yourself for something you’ve waited for for far too long.
Hearing heels coming towards him again, Five sighs in frustration and turns around in his chair, “Lady, I already told you-“
The breath feels like it’s been stolen from your throat as he turns to face you. It’s really, truly him. Your boyfriend is right there in front of you and you’ve never felt more relief than in this moment.
“Y/N.”
You’re not sure if you want to cry or scream or simply just take him in for the first time all over again. As you look over him, his piercing gaze, his dark hair and the freckle on his right cheek that you can’t count the number of times you’ve kissed, your eyes can’t help but be drawn to his lips.
God, how you’ve missed the feeling of them. You barely have time to think about what you’re doing before you’re cupping his face and pressing your lips against his once more, savouring every part of him in a way you’d never thought to before.
Your hands trail over every callous in his skin, memorising him with your fingertips, and as you pull back, Five’s gaze softens like nothing else as he smirks, “Hello, you.”
His hands reach out to cup your face, gazing over you as if he’s not entirely sure that you’re real. After all your time apart, you’re not sure either. You smile, nodding, “It’s me. It’s you. You’re here, you’re really here!”
You cup his face in return and you can’t help but press another kiss to his lips. He smiles fondly as you do. And so you kiss him again… and again on his cheek… and on his freckle… his chin… his forehead. Everywhere your lips can reach, you press them.
After a moment, he laughs weakly and reaches up to pull your hands away from his face and intertwines them with his own fingers instead, “Okay, love.” He says chasteningly, “Let’s calm down there, shall we?”
Your smile grows shyer as you right yourself, “Sorry.” You say, brushing your hair away from your face.
He shakes his head, brushing your hair back for you and then guiding you by the waist to the seat beside him, “No, don’t be sorry. Don’t ever be sorry. Believe me, I’m just as happy to see you. Really.”
It’s him who initiates the kiss this time. He’s soft, delicate almost, in the way that he kisses you, as if each movement of his lips is a new way of giving all of his love to you and promising that he won’t ever let you out of his sights again.
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I’ve repeatedly seen you say that you can’t read any Aurora fanfiction “for legal reasons”. I assumed this was a joke and you’d just resolved to yourself not to read any that might change where you take the story (understandable), but the more I see you say it, the more I wonder if there’s actually a legitimate legal reason. So forgive my inability to pick up on humor sometimes— is that a joke? And if it’s not, could you elaborate a bit on those reasons?
I am not a lawyer so I only have a layman's grasp of this, but as I understand it, if I read a fanfic, think "oh that's a cool idea" and consciously or unconsciously integrate it into my future work, that ensnares me and the fanfic author in a terrible tangle of mutual theft.
Technically, fanfiction exists in an extreme legal gray area, and in the early days of the internet, authors were very litigious towards their fans using their work. In the same way that Disney will get on your ass for putting Mickey Mouse in your work, any author has the same legal ownership of their characters, and they can choose to exercise it. Some famously have, like Anne Rice, but most nowadays do not. Fandom is understood to be a beneficial ecosystem for a creator to cultivate. Most creators Pretend They Do Not See It so it can continue to exist.
But suppose you wrote a fanfic about Aurora where something cool happened, and then a few chapters later, your story showed up in Aurora itself. Maybe even with some lines ripped verbatim, for even less plausible deniability. Oh shit - you've been robbed. But your story was fanfiction to begin with, only loosely permitted to exist with the understanding that you didn't own the setting or characters used. In this scenario, I stole your work, but it was work you made out of MY work in the first place. If you got mad and litigious, the legality of fanfiction itself would immediately take center stage in the argument. Do you have a right to your work when you made it out of MY work without permission? Do I have the right to take work that was made out of my work and use it without credit? The fact that I think fanfiction is a great and fun art form has no bearing on the fact that, technically, it is IP theft. And the fact that it IS IP theft has no bearing on the fact that me seeing a cool idea in a fanfic and going "mine now" would still be a shitty thing to do.
But things can get muddier. Suppose you write an Aurora fanfic where events A, B and C happen, and then over the next several chapters of Aurora, A, B and C happen. Did I steal ideas from your fanfiction? Maybe, but it's also possible that I had A, B and C planned out beforehand, and you put them in your fanfiction because you picked up the foreshadowing and prep I was putting down. You could still be mad about it, but there's a very real possibility that in this scenario the only thing I'd be guilty of was Good Foreshadowing.
In this situation, if you got mad and litigious about it, my best defense would be ignorance. I couldn't have stolen your fanfiction because I never read it. There is absolutely no chance that I was influenced by your work; I've never even laid eyes on it.
And that is why I don't read Aurora fanfiction.
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Freddie Mercury was bisexual though
Nope, this is false! 🏳️🌈 Freddie was gay, there’s a lot of misinformation out there about his non-existent affairs with women, and much of it can be chalked up to a shit biographer named Lesley Ann Jones (aka my arch nemesis).
I've been deeply fascinated by Freddie Mercury and studying his personal life for years and years so excuse the following infodump (or jump in for a queer history lesson!)
Contrary to popular belief, Freddie was an out gay man. “Gay as a daffodil, my dear!” He’s clearly stated his sexuality in a handful of interviews; “I’ve done all that but I’m gay. Mary was my last woman.” (This interview was removed from youtube but you can find it mentioned in Freddie Mercury: A Life, in His Own Words which is a compilation of his actual quotes from interviews over the years.) Those statements got buried from the media in favor of promoting his more promiscuous quotes like "Darling, I'm doing everything with everybody." (Journalists LOVE to include this quote when talking about his AIDS...) He did purposely retain an aura of mystique around his sexuality, especially because it was much safer (trendy, even) for musicians to flirt with bisexuality than to be homosexual back then.
Here's a quote from Peter "Phoebe" Freestone, Freddie's personal assistant of twelve years, close friend, and "agony aunt" in his memoir, Freddie Mercury: An Intimate Memoir by the Man Who Knew Him Best:
"When the interview appeared, it was half the length that he imagined it would be. When confronted, Judy Wade said that it would have been impossible to have printed the whole text. She said she was holding back for his benefit, not for hers. Admissions such as, "I'm just going for a line and I'll be back in half-a-minute," would not have done anyone any good. However, she was fully prepared to underline in her second sentence that admission of being a fully 'out' gay man, although this does not lay the later myth which was popular which claimed that Freddie had never admitted his gayness."
Freddie's close friend Thor Arnold, a gay man and member of the "New York Daughters" (Freddie's gay friend group in NYC, of course Freddie was "mother!") corrected misinformation when fans on the Queenzone forum argued that Freddie was bi:
"Freddie NEVER tried to hide to his friends that he was TOTALLY gay. In his industry, he had to hide it to some extent although as I have said before, he certainly gave clues. This is the same man who came up with the name QUEEN for his band. This is the man who dressed very sexually, ambiguously 'glam' up until 1980. This is the man who threw an Easter bonnet party and had us all create Easter hats. This is the man who used the term darling (or Dahling) more than he used proper names, and renamed his friends with old actresses names. These things are doubtful for a straight or bi man. Many gays don't even act like this... I've never seen Freddie look twice at a woman but I have seen him look 3 or 4 times at an attractive man and say, 'Thor, Thor... Oh just look at him... Just gorgeous. I'd love some of THAT' We were genuine friends of Freddie and he would never hide that he was really bi. FREDDIE WAS A GAY MAN through and through...everyone...please get used to it."
LAJ, the biographer I previously mentioned, worked VERY hard to straight-wash Freddie in her book by erasing his gay relationships. She was obsessed with his relationship with Mary Austin and is the main reason modern journalists consider Freddie to have been in profound, romantic love with her his whole life. In reality, they dated for a few years in the 70s and remained close friends after they split up (because Freddie was having affairs with his boyfriend). However, he did rely on her as his "beard" to keep up with appearances for the press.
LAJ completely skipped over Freddie's first official boyfriend, saying it was "a covert fling with a young theatre." His name was David Minns. Freddie loved him so much he left Mary to be with him. They were in a serious relationship for three years.
If you're a Freddie fan, you're familiar with Mary's story of him coming out to her, saying "I think I'm bisexual," and her response, "I think you're gay." This story is probably not the truth. Mary has been very inconsistent with her story of how Freddie came out to her.
Another version she told for BBC Radio:
"I don’t know what sparked the conversation. But I remember standing in the kitchen and he was trying desperately to articulate how he was feeling, and his lifestyle and I just said, 'so you are telling me you're gay?' And he just smiled and 'we'll take it as a yes, you know, we'll leave it at that.' And that was it, it has been a long road getting to that point."
Honestly, I am a bit mistrustful of Mary Austin's intentions in general. If you're curious as to why, this post is a good primer on the ways she might have betrayed Freddie's wishes, namely being cruel to his chosen family after his passing.
Freddie only had one other girlfriend before Mary in college, Rosemary Pearson. When asked about Freddie on ITV's This Morning show, she said that he was more interested in her male friends than in her, and she suspected then that he was gay. This was in the 60s.
LAJ refers to his relationships with women throughout her book, but she doesn't list any names. That's because they don't exist. I could name at least seven of Freddie's boyfriends off of the top of my head. Minnsy. Joe Fanelli. Tony Bastin. Vince the Barman. Bill Reid. Winnie Kirchberger. And of course, his husband Jim Hutton, whom he spent the last six years of his life with.
There is one name that LAJ has chosen to platform and exaggerate her importance, and that's German pornstar Barbara Valentin. If you've heard of her, you might think she had a relationship with Freddie in the 80s, you might have heard the story where he had wild threesomes with her, that they lived together, that he even proposed to her. Not one word of it is true. Freddie hung around Barbara during his time in Munich because she was his 'in' to gay clubs and cocaine dealers. She also served as his English translator and conveniently, another beard for the press.
Not a single person in Freddie’s life has ever corroborated that Freddie and Barbara were anything but friends. As for the claim they lived together, according to Peter Freestone:
In the event, Freddie never actually lived there although Barbara fulfilled a huge role in Freddie’s life at that time… Freddie became very disillusioned when with more and more frequency articles were appearing in the German press’s gossip columns… about the relationship between him and Barbara… After one article claiming to have knowledge of him and Barbara getting married, Freddie concluded that it could only be Barbara who was providing the information.
(He was actually living with his Bavarian boyfriend of the time, Winnie Kirchberger.) Freddie stopped seeing Barbara after he found out she was gossiping about being his lover and these stories started appearing in the newspapers. Barbara continued these lies after Freddie's death, making up ludicrous lies like how Freddie tried to kill her by smothering her with a pillow?? She also claimed that he put her at risk of contracting AIDS by having sex with her after his diagnosis in 1987, which is the lie that burns the most. Freddie stopped having sex altogether before his diagnosis because he was terrified of contracting it. Before there was any information of how it was transferred, he showered compulsively. There is such a fucked up narrative that Freddie threw caution to the wind and wasn't careful during the epidemic, that it somehow fits this twisted narrative that his death was a result of his immoral lifestyle. That's the pervasive homophobia that stained the Bohemian Rhapsody biopic.
LAJ is one of those biographers who publishes their books after the celebrity has died, so they wouldn’t be able to deny the information being written in the book. So if there's anything to learn here, is that you can't always trust a biography!
Anyway, Freddie was gay as a daffodil my dears, and he deserved better.
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okay so it's been a bit... sorry about that??? ^-^; here's a quick doodle dump to make up for it with a brief (for me) explanation of where i've been at the end <3
some things that were meant as ask responses but i never felt like posting
scattered bits from a lore headcanon comic i have no plans of finishing... set when jax first joined and ragatha was still new, before shit happens (queenie abstracts) and things got worse for them...
idk i like thinking about the possibilities and i like it when characters start out hopeful and get it beaten out of them so i'm giving jax and ragatha that treatment in my head :)
here's the "behind the scenes" stuff i mentioned in the second of my raggedy ann tadc crossover posts
and here's me giving pomni varying levels of a hard time
old aggie board stuff
one of my first ragatha and pomni drawings on the left (nov 2023) and a lil redraw on the right.... (mar 2024) pls... don't mind my old ragatha design i didn't know what i was doing
and for those who like my sona, doodles inspired by the mafia roleplay/au(?) that's been around... not actually part of it, but i was part of a mafia roleplay myself back in 2020 so idk, consider it an acknowledgement of my roots :D
OKAY so where i've been... well at first it was a normal break, but then i figured i'd extend it until finals were over so i wouldn't get distracted! probably should've given some warning but ehhh i got busy fast and getting to go off grid for a bit was relaxing :)
anyway i'm all done so i'm back more or less??? still fatigued from studying for weeks straight so idk when i'll pick up the pen again but that'll be soon i hope... and bc i drafted this before it was posted YES i've seen the episode 2 trailer!!! very cool i'm very excited!! gonna try and get ep 2 hype art out before it drops!! :D
#missed you silly people in my computer i hope you are well :)#the amazing digital circus#tadc#pomni#jax#queenie#kinger#ragatha#sona art#my art#chompni#checkmates
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Early 18th (and late 17th) century fashions are so under-utilized in vampire media and I think it's a damn shame.
I don't actually think I've ever seen a single image of a vampire character in an early 18th century suit. Hardly any movies set in that era either, and hardly any historical costumers who do it. (Even my beloved gay pirate show set in 1717 takes nearly all of its 18th century looks from the second half of the century. Not enough appreciation for baroque fashion!!)
Yes I love late 18th century fashion as much as anyone, and 19th century formal suits are all very well and good, but if you want something that says old, dead, wealthy, and slightly dishevelled, then the 1690's-1730's are where it's at.
(Retrato del Virrey Alencastre Noroña y Silva, Duque de Linares, ca. 1711-1723.)
There was so much dark velvet, and so many little metallic buttons & buttonholes. Blood red linings were VERY fashionable in this era, no matter what the colour of the rest of the suit was.
(Johann Christoph Freiherr von Bartenstein by Martin van Meytens the Younger, 1730's.)
The slits on the front of the shirts are super low, they button only at the collar, and it's fashionable to leave most of the waistcoat unbuttoned so the shirt sticks out, as seen in the above portraits.
(Portrait of Anne Louis Goislard de Montsabert, Comte de Richbourg-le-Toureil, 1734.)
Waistcoats are very long, coats are very full, and the cuffs are huge. But the sleeves are on the shorter side to show off more of that shirt, and the ruffles if it has them! Creepy undead hands with long nails would sit so nicely under those ruffles.
(1720's-30's, LACMA)
Embroidery designs are huge and chunky and often full of metallic threads, and the brocade designs even bigger.
(1730's, V&A, metal and silk embroidery on silk satin.)
Sometimes they did this fun thing where the coat would have contrasting cuffs made from the same fabric as the waistcoat.
(Niklaus Sigmund Steiger by Johann Rudolf Huber, 1724.)
Tell me this look isn't positively made for vampires!
(Portrait of Jean-Baptiste de Roll-Montpellier, 1713.)
(Yeah I am cherry-picking mostly red and black examples for this post, and there are plenty of non-vampire-y looking images from this time, but you get the idea!)
And the wrappers (at-home robes) were also cut very large, and, if you could afford it, made with incredible brocades.
(Portrait of a nobleman by Giovanni Maria delle Piane, no date given but I'd guess maybe 1680's or 90's.)
(Circle of Giovanni Maria delle Piane, no date given but I'd guess very late 17th or very early 18th century.)
Now that looks like a child who's been stuck at the same age for a hundred years if I ever saw one!
I don't know as much about the women's fashion from this era, but they had many equally large and elabourate things.
(1730's, Museo del Traje.)
(Don't believe The Met's shitty dating, this is a robe volante from probably the 1720's.)
(Mantua, c. 1708, The Met. No idea why they had to be that specific when they get other things wrong by entire decades but ok.)
(Portrait of Duchess Colavit Piccolomini, 1690's.)
(Maria van Buttinga-van Berghuys by Hermannus Collenius, 1717.)
Sometimes they also had these cute little devil horn hair curls that came down on either side of the forehead.
(Viago in drag Portrait of a lady, Italian School, c. 1690.)
Enough suave Victorian vampires, I want to see Baroque ones! With huge wigs and brocade coat cuffs so big they go past the elbow!
#long post#vampires#fashion#history#18th century#17th century#someday. SOMEDAY I will make a black/red/dark orange/metallic gold 1720's suit#I've got nearly all the materials I just need to:#1. Learn how to make early 18th century metallic thread buttons‚ preferably without having to buy the super expensive kind of thread#2. get a wig and style it appropriately
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ANNE DONT MIND ME PLS you write so good and reading these drabbles made me want to request one of my own !!
imagine professor!dazai giving u an extra lesson after class 🤭 it's 12 from the list btw <3
CHIYO MY DEAR♡ i'm so happy you requested this one. hope you like it. I made Dazai a literature professor👀♡
12 — Professor!char giving you an extra lesson after class
ღೀ๋࣭ ⭑𝒄𝒘: lowkey unethical, sex toys, semi-public space, creampie
"Keep reading, bella, you're halfway there."
Your professor's voice carried a hint of mockery as he soothed your thigh with a hand, pushing the silicone toy deeper inside you. You winced at the sensation, shooting Dazai a desperate glance over your shoulder.
Osamu Dazai was the new literature professor at your college– some prodigy kid who finished his PHD by the age of 25 and whose novels sold like hot cakes and now everyone was singing him praise. Frankly, you weren't too impressed by his accomplishments, but he was the only professor in the whole faculty who actually encouraged you to write something different, out of the norm; so you did anything to stay on his good side.
Even if it meant helping him around the office and fucking him from time to time. Not that you'd complain, Dazai was incredibly good looking and knew how to please a woman.
So naturally, when your professor asked you to come to his office after class you expected a quick fuck, as usual.
But the smug bastard had you bent over his desk with your panties lowered mid-thigh and a vibrator shoved up your pussy, making you read the assignments your colleagues turned in while he made snide comments on the side.
"Was that supposed to be a metaphor? 'The mist of the summer evening' what's that supposed to mean? God, I swear these texts are getting worse and worse..."
"Ngh– 'samu please" you whined, shifting your hips "Can't we just do this later?" The ache between your legs was almost unbearable, you needed him inside you, not that stupid toy.
"Sorry, bella, I have to grade this paper by 6. The kid's coming to discuss it" he mused, watching your walls clench around the toy with keen eyes. God, your pussy was divine– his pants were tightening just by looking at you.
Reaching a hand towards you, Dazai touched your folds, gathering your slick and smearing it all over the inner part of your thighs. "My, my, you're dripping, dear. Better hurry up and finish reading if you want me to fuck you properly" His deft digits found your bundle of nerves and gave it teasing flicks.
Your mind was starting to get foggy, the sentences melting into a jumble of letters as you struggled to read the last paragraph out loud. It was painfully embarrassing, the way your body jolted up as he drew slow circles on your clit with his thumb, how desperate you were to have him inside you. All the while, Dazai was toying with you, playing with your pussy like it was his favourite toy.
The second you were done with your paper you let it fall on the desk next to you. "Done, I'm done." you huffed out, looking over your shoulder to see Dazai's teasing smile.
"Good job, bella. I think it's worth at least 60 points. I mean, it's a progress from the last assignment he turned in. What do you think?"
I think you should stop messing around and fuck me already– you wanted to say back but all that came out of your mouth was a breathy yes, sir. i'd say so too.
The man got up from his chair and slowly ran a hand through your hair. You could hear him unbuckle his belt and lower the zipper of his suit pants, your hips swaying in anticipation. "You're such a pretty girl" he hummed, removing the toy from your pussy with a wet pop and alligning himself at your entrance "And obedient too. I think you deserve a reward ah shiit—"
A broken whine slipped from his lips as he slammed himself inside you, the grip he had on your hips growing fiercer. Fuck, your cunt was basically sucking him in. You were so damn perfect he swore he could spend all day fucking you and it wouldn't be enough.
Your moans filled the tiny office, the smell of your arousal lingering in the air, fueling the man's need. His hips snapped against yours, the tip of his cock hitting your sweet spot with each thrust. "Y-you're so tight bella think 'm gonna– fuck i'm gonna cum soon"
"Me too me too 'samu" you mewled as the tight knot in the pit of your stomach snapped and you came around his cock, soaking it in your juices.
It wasn't a surprise you came so fast, he'd been edging you for hours and you were so sensitive. Even now as your walls pulsed around him, Dazai's fingers found your puffy clit and your body jolted up. "W-wait 'samu you can't I just–"
"Want you to cum again with me, donna. Can you do that for me?" he huffed out and your pussy fluttered at the sound of his breathy, whiny moans, pressure building up in your core again.
When the two of you reached your high again, his hips halted flush against yours, his milky cum shooting deep inside you. The man's breath was ragged and he hissed when he slightly pulled out, watching the sticky substance form a ring at the base of his cock as it dribbled out of your hole.
Something sparked inside him at that moment and he quickly flipped you over, caging you between his arms as he leaned over your frame. Droplets of sweat clung to the tips of his hair as he pressed his forehead against yours "Can we do it again?"
"But Dazai we just–" you wanted to protest but he cut you off with a deep thrust, making you choke out a moan.
"Don't care bella you don't understand what you do to me I can't get enough of you" he sighed, slowly, almost lovingly, rocking his hips against yours, his lips ghosting over your cheeks, jaw and down the expanse of your neck, making you shudder. You'd lie if you said that his confession didn't stir something inside you too.
Before you could answer, a knock on the door snapped both of you out of the intimate moment you were sharing. "Um... professor? You said I could come by at 6 so we can discuss my paper"
𐙚prompts closed
#𝐫𝐞𝐪𝐮𝐞𝐬𝐭𝐞𝐝ღೀ๋࣭ ⭑#bsd#bungou stray dogs#bsd x reader#bsd smut#dazai bsd#bsd dazai#dazai osamu#dazai x reader#dazai smut#bungou stray dogs dazai
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I'd like to discuss the elephant in the room. Why did we get zero Loumand sex scenes? We got hints and implications, but season 1 was pretty explicit. Do we think that that's a creative choice or something else is happening?
I'm glad I ended up ruminating on this for about a week because episode 7 & 8 really solidified my opinion on it.
I do wanna start by saying that it's very clear to me that there was supposed to be more explicit scenes between them. There has been some thoughts tossed around that censorship happened with the 9 pm timeslot (as opposed to the 10 pm timeslot of S1). I believed this hearing Assad and Jacob talk about the BDSM dynamic between Louis and Armand, but what really sold me on this was Production Designer Mara LePere-Schloop talking about the bedroom set and more specifically about their beautifully carved custom headboard. (If you're a production nerd like me or just want to know more about the design philosophy of IWTV I recommend giving the entire thing a listen!).
I think there are several reasons I think as to why they decided to leave any more explicit scenes on the cutting room floor but above them all is: you cannot separate Armand's sexuality from his abuse. I am really against pulling a "well if you read the books" card but reading just the first couple chapters of "The Vampire Armand" makes me understand so much about not only Armand as a character, but the care being taken to his adaptation. It's clear to me that alongside Rolin & Co.'s commitment to not watering him down to a one-dimensional villain they are also trying to not fall into Anne Rice's tendency to romanticize his trauma.
Sex and sexuality is not the same pillar of Louis and Armand's relationship it was in Louis and Lestat's and so I don't believe their story suffers from the lack of on-screen sex. But I also firmly believe that maybe we don't need to be slutting out the character who we literally just watched talk about how he doesn't remember his life before being sex trafficked. And even when he was "freed" he was still being repeatedly assaulted at the hands of, and under the eye Marius de Romanus. Like it is extremely important to remember that Armand's craving for dominion in his relationships is a manifestation of trauma that deserves the same level of care and depth given to every other trauma portrayed in this show.
I think people have gotten too comfortable calling IWTV a romance when it has always been Gothic Horror. Romance and sex are pivotal to the story but I have found the demands for sex scenes this season a bit absurd and also? unfounded? Loustat share more kisses on screen but there are two sex scenes and both are very plot relevant. I truly figured we were all in agreement that the eroticism of this show is found in the various displays of power, and the dynamics it creates and not the actual clapping of ass-cheeks...which also wasn't happening in S1 either. S2 does not suffer because of the lack of sex-scenes, but the likelihood if it suffering trying to make one work is
#char.txt#interview with the vampire#iwtv#iwtv meta#loumand#the vampire armand#armand#answered#I didnt bring it up here just because this is really an opinion peice#but jacob makes a good point about because this is an interview with them yk still as a couple its also about privacy#its also just not the part they are trying to sell them on Daniel knows they are fucking we all know they are fucking#theyre trying to show that this isnt the stepford wives (it is)#ive written this response like 3 times trying to remove my disgust at the fandom from it LOL#but the way people have talked about this with armand has...really rubbed me the wrong way#like the more i learned about him the more sinister it kind of felt to be like ''well why arent the fucking on every surface''#IDK if you want the extremely personal and petty take too i will gladly give that
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“If I die, I’m going to haunt your ass.” with Jack Hughes please!
Drabble Challenge. Drabble Masterlist.
"If I die, I'm going to haunt your ass."
Jack and you were the definition of the "boy next door." Neither of you could tell anyone a time where they didn't remember the other being there for them. Even through all of Jack's travel hockey from a young age, USA development team, living in New York during Covid due to hockey, getting drafted to the Devils at 18 all while you stayed home in Ann Arbor to attend Michigan State. Jack now years later doesn't like talking about the pressure he felt when he was first drafted or how bad his rookie year was. But when he does, he always thanks you because even states away having you in his corner when the world was telling him he was a piece of shit meant the world to him.
Now years later, you are graduated from college living with Jack in New Jersey. No one is sure what exactly happened not even you or Jack, one really wine drunk night and you have both been happily been together for almost an entire year now. Now in one of your last nights in Michigan you both are laying on your hammack outside looking at the stars. It's quiet, neither of you need to talk in each other's present, sometimes you both just enjoy the silence. You were lost looking at the stars in the sky, watching the fireflies around you all light up the darkness around you.
"What would you do if I die?" Jack asks out of no where, suddenly your body stiffens with a fear you have never felt before.
"Wh- what?" you choke out looking at him he can see the fear in your eyes and instantly he regrets bringing it up this way.
"I'm okay baby. It was just a question. I'm sorry for scaring you." immidately pulling you to lay on top of him trying to comfort you.
"okay. uh I don't know why would you ask." you question your boyfriend.
"Just cause I can't remember anything without you being there. And I feel like I wouldn't know what to do without you."
"aww Jacky. I'd be lost without you too." you say, moving your head slightly on his chest so you can see his face.
"Oh don't worry." he says in a light tone, your eyebrows crease in confusion. "If I die, I'm gonna haunt your ass. Cause I'm gonna be bored without you so might as well haunt you." he admits and all you can do is laugh at him.
"okay Jacky."
"wait you're not gonna haunt me?" In a grumpy joking tone, pretending to be sad.
"oooh baby." pinching his cheek to stop him frowning. "If that's what you want."
"of course that's what I want!" he exclaims.
"okay J, I promise if I die I'll haunt your ass too." laying your head on his chest agian.
"good."
#nhl fic#nhl fanfiction#hughes imagine#jack hughes x reader#jack hughes fluff#jack hughes imagine#jack hughes fic#jack hughes blurb#hughes fanfiction#hughes fanfic#jack hughes x y/n#new jersey devils fic
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let the plot bunnies run wild babes
"Eat, guys," you tell them. "I'm just going to change real quick."
"You don't have to-" Vanessa started to protest but you wave off her concerns.
"I like this shirt and I wanna get it in cold water anyway." You answer shrugging. "Eat," you press, "Christ I'm not dying and I refuse to have people go hungry after I cooked all day." You start towards the bedroom and call over your shoulder, "Logan, help yourself to the beer in the fridge. I'd tell Wade to get it but he's shit with bottle openers."
"I have delicate hands," Wade protested.
Logan rolled his eyes but took you up on the offer. It felt weird eating food you cooked while you weren't sitting there. Even if you clearly didn't mind. And it gave him a chance to see more of your space without being weird.
Younger than Wade but more mature somehow. Wade wasn't a slob exactly. But it was clear you were more settled. You wanted stability. Your kitchen wasn't large but you made do and made the most of the space. Photos on the fridge. You with friends. With your brother. Some pretty old. Wade had you on his shoulders in one. You would have been maybe 6 or 7 and you look sick. But at least for then you're beaming. Another is a birthday, Logan assumes. Wade's. You're on one side and Vanessa is on the other kissing his cheeks. You're older. Grown. The childish roundness is gone from your features but there's still puppy fat- you haven't quite grown into yourself yet.
Friends. Parents. Trigger. Wade. All there. But no boyfriends? He heard Vanessa ask about a date but Wade's yammering drowned out your answer. Weird that there wasn't one. You're a cute kid.
He shook his head and grabbed a beer popping the top and putting it in the cup marked "tops only" on the counter that had pop tabs and bottle caps in it. And went back to his seat, relieved when you walked out of the bedroom.
"Much better now that I don't feel like a horror movie extra," you declare, taking a seat.
"Extra?" Wade scoffed. "Butterbean, you're final girl material."
"If I didn't trip and bleed out on a curb first," you muse. "Also I'm not funny and I don't think my boobs are big enough to-"
"Jamie Lee Curtis made it work," Vanessa pointed out.
"Who?" Logan asked.
"You're not the worst Logan, you're just from the worst timeline," you tell him. "Who was in your Halloween movies?"
"In what?"
You blink at him, "Logan, I- I'm stunned. Halloween is only one of the BEST horror movies of all time."
"Bullshit," Wade said.
"Fuck you," you snort, "You think the Warrens actually fought a Ragedy Ann doll."
Logan caught Vanessa's eye when she raised her glass in mock toast with a wink and dug into her own plate and snorted. Taking advantage of the bickering to eat. And he thought, for just a second, that it might kill him. It took actual effort to stifle a moan.
How Wade could talk between bites was baffling. Logan could tell everything was made from scratch- even the noodles. And he couldn't remember the last time he'd had something like that.
Even more impressive was how you managed to argue with your brother and keep plates and glasses full- and keep him from feeling excluded. Even if he never spoke. Your body was never fully angled away and you glanced towards him, unobtrusively fussing. Hostessing properly, he supposed.
"I guess," he said, clearing his throat as he helped you clear plates to make room for the dessert and coffee, "I can stop stabbing Wade in the head."
"I appreciate it," you tell him, smiling a little as you take the plates from his hands.
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so here's the thing
i've seen a bunch of people say on twitter and stuff how... ed's behavior is very abusive and his anger is dangerous and he isn't romantic lead material because of it
and i get where they're coming from
but to me the main issue isn't putting ed in the position of a romantic lead, but not crafting the narrative around his characterization so that it allows for a spicy romantic pirates-in-love narrative instead of...whatever this is.
i'm going to try and explain this. idk if i'll do well but i'll try
the way she show presents stede is as an innocent baby who isn't really equipped for pirate life. he goes into a fugue/disassociative state whenever there's any real violence, apparently, and needs protecting by other characters when things get too rough - for example when ed is telling ned lowe not to take the poker to stede.
that's fine! it's honestly adorable to see a masc character being so soft around the edges and being protected by other characters this way.
(i'm not going to touch on stede's... eh... not great characterization this season rn)
then there's izzy, who is shown as a bit violent, a bit rough around the edges. he's more likely to draw a sword or throw a punch or hit someone with a chair or take a punch like a champ. violence is just part of life for him and that's okay, it just Is, from small things like smacking stede on the ass to bigger things like being wall slammed, it's not all that big or bad for violence to happen around and with him, he tends to give as good as he gets (there's some nuance here but i'm talking the macro themes not the micro of what izzy does vs is done to him)
and finally there's ed
ed is presented as violent (stabbing knives at guys, telling fang to use the snail fork etc) and used to a life of violence, and then in season 2 he's presented as really violent, his anger coming out in dangerous and terrifying ways
and frankly, i'd be super into it if he and izzy were the main ship and that twisted dynamic from the first two episodes of s2 was explored and fleshed out into something deeper
friends to enemies to lovers who fight and fuck. angry pirates who lay hands on each other, who break the whole ship with each other in the heat of passion.
except instead, s2 gives us... abuse. it gives us izzy cringing and lowering his head and trying to protect the kids crew from ed's angry outbursts.
so when stede comes back and he's still soft around the edges and ed headbutts him and it's deliberate, it's... not a great look, and the vibes are a bit skewed
if stede fought back, if when ed struck out at him he struck back, if they fought rather than it being one-sided, if it was friends to enemies to lovers and not presented as healthy, but maybe they can work their way there, who knows, maybe even more like anne bonnie and mary read because hey, they were doing something very similar?
except they were both into it. they were both enjoying the fighting and the fucking and the burning down the house.
stede's not enjoying it.
i cannot describe how much i hate this sequence just because of the way stede flinches
anne and mary don't!! mary jumps at the unexpected bang but she doesnt flinch, she doesn't cover her face like she thinks the vase will be coming for her not the wall and anne? looks so into it
and the thing is that in real life, no, you don't want to date someone who throws shit around, or headbutts you
but in fiction when it's two fucked up people doing this shit together like anne and mary?
that can be fun.
but instead what we've been given is stede flinching and apologizing to ed and then all of ed's...what, semi-redemption???? is done away from the other collection of people he abused, and then he spends some time on a fishing boat wearing a dog collar and everything is fine because he's good now and won't be doing anything bad ever again
and it's just... poor writing. the vibes are rancid.
i spent a really big chunk of time between s1 and s2 defending ed. i kept saying how what he did to izzy by making him eat his toe wasn't abuse, it was a one-off and abuse isn't a one-off thing it's a pattern, and then s2 made it a pattern.
explicitly. explicitly a pattern.
not just one toe but three.
jim saying "you're in an unhealthy relationship with blackbeard"
and all ed offered izzy was a "sorry about your leg" which might've been fine if izzy survived and they could work on this more, but instead that's all the apology and closure izzy will ever get
ed threw a chair and a vase and made stede flinch in fear and stede was right to do that. what part of any of this implies this will never happen again? that stede won't press the wrong button at some point and be on the receiving end? none of it
and if we'd been presented with a s2 stede bonnet who could handle himself and stand up for himself and fight back, then maybe i could imagine that turning into a weird sexy fucked up anne/mary like thing and maybe that could be why they put that episode in, but instead it feels like that episode was going, "look, see, ed's violence is fine because these two are fine with it with each other"
but stede isn't
ed and izzy or ed and stede in an unhealthy battle of a relationship could be such a fun, interesting and downright sexy thing to watch unfold on tv, and could honestly end somewhere far more down the chill end of the spectrum, but that's not what we've been given here
i cannot argue that ed isn't an abuser anymore, and not just of izzy but of the whole crew. he terrified frenchie.
it's not good writing to try and lean into the idea that ed and the pirates are violent and live a life of violence, so it's okay that ed's been violent, while simultaneously presenting his violence as traumatic and abusive, and then less than three episodes later saying oh it's fine now, he's just a little meow meow who can do no wrong, see?
especially considering they had him murdering people at the end of the season. and sure, you can say the english are just cannon fodder and they dont 'count', but they did before. ed explicitly did not kill before, and that included the english, or the spanish, or anyone else. so either they count or they don't, but flipping him on a dime makes no sense.
ALSO
having ed be the son of an abusive man who threw plates at his mother and made her cringe and then having ed kill his father to protect his mother and then a season later having ed become the kind of man who throws chairs and vases and makes his love interest cringe is, again, not bloody optimal
i want to say again i dont CARE about tv always presenting healthy relationships or tv always giving us aspirational goals. i want messy fucked up dynamics and terrible people making terrible choices, and still, to this day, i fucking love ed teach. i would honestly love to have seen them continue with ed's darkness and bring stede into it and see where they went with that, to have stede kill ned lowe and not just bury his feelings in ed but get off on it, enjoy the violence, and see where that led, but no
and so instead all we end up with is a protagonist who is being set up for a lifetime of abuse from an intimate partner, and a romantic lead who abuses his love interests (and yes. izzy is a love interest, he is set up like one and positioned like one and treated like one), frightens his love interests with his violence, is erratic and most of all inconsistently written. he was so sorry about scaring fang as though he hadn't been deliberately terrifying the whole crew for fuck knows how long? what?!
the whole fandom has spent so long saying, "no no, i know stede bonnet irl was a slave owner, but ofmd is using the names and not any real piracy, it's more disney piracy, you know? so that kind of stuff doesnt exist!" and then they flipped around and went "blackbeard is blackbeard and so he is evil and does all these horrible things" and i dont know how to rationalize the two sides of that because it feels so out of place
i'm getting rambly, this isnt a particularly well constructed thought process, i just feel like we were robbed both of a toxic, violent relationship that could be fun to see explored on tv and a soft and sweet love story between two middle aged men exploring their first loves in one fell swoop and there's no way for s3 to bring either of those things back because they got utterly torpedoed by making ed a horrible person
ugh
#ofmd critical#i hate that i'm using this tag now :c#edward teach#ed teach#ofmd s2#ofmd season 2#our flag means death#ofmd spoilers#ofmd meta#i guess#izzy hands#stede bonnet
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