#I’ve seen stuff that’s like “art community we only have like three jokes we need more” so I propose this

[yuttikkele]

I uhhhhh think the next art joke should be “making your OCs happy and fulfilled” instead of “my only job as a creator is to traumatize my OCs because they’re boring without it”

[vyeoh]

this is your chance: wax poetic about an Empires or DSMP character of your choice to a fan who is new to both. Explain why I should love them. I need guidance in this new and meme-populated land.

okok this is a lot of pressure haha. Spoilers for EmpiresSMP and DreamSMP below, obviously. I wrote a lot so prepare yourself, anon

I watch a lot of empires POVs but the ones I most anticipate every week are Scott and Sausage.

c!Scott (I'll call him Smajor for the sake of simplicity) starts off the series chilling, not really getting involved with the rest of the server, and staying aggressively neutral. After all, he's an elf. He has lived far longer than most of the other rulers already, and will most likely outlive them for many years. So, the best thing is to stick to his mountains and not get invested in the dealings of mortal affairs, maybe sometimes causing problems on purpose and dipping because what's life without a little spice right.

But then, this demon comes to the server, Xornoth. He's going around causing havoc and wants to send the world into an eternal winter, but he doesn't bother the kingdom of Rivendell much so Smajor stays tentatively cautious but ultimately unbothered. But then, the puzzle pieces start falling together. The first thing that the audience noticed was was Xornoth sounded like Smajor, but we mostly thought that this was just due to cc!Scott voicing both of them and there was nothing more to it. However, then, the people the demon starts possessing start chanting in elvish. The demon hates mortals, and the elves are conveniently one of the two confirmed not fully mortal races in Empires.

This culminates when Smajor stumbles across a cave that contains the backstory of the patron god of Rivendell, Aeor. Basically, there's two opposing forces, Aeor and Exor, and both have a champion. In a previous life, those champions were two brothers, where Aeor eventually prevailed and banished Exor. In this life though, the champions are - you guessed it - Smajor, and the demon Xornoth.

So now Smajor is like. Well fuck. It's my literal god-given destiny to be responsible for defeating this demon who is technically my brother, and if I fail the server gets plunged into an eternal winter. And I have no fucking clue what is happening because I've just been here on this mountain actively trying to stay out of the issues outside my kingdom. We watch him panic and teeter on the verge of spiraling for an entire episode, and when the followers of Xornoth go to the End to kill the dragon, releasing Xornoth's full powers, he fails to stop him. Smajor is a character who was used to being the smart one, the prepared one, the one who has the least deaths on the server. But he's also a character who runs away from his problems and ignores them. Before and during the dragon fight, we hear the desperation in his voice, as he's thrown into a situation he is wholly unprepared for, and it's bigger than him going to the Cod Empire to kill their king, or assisting in other people's plans to kill the codfather. He can't run from this. cc!Scott plays this scene so well as well, as I've said before, one of the best parts of Scott's acting is how he's never super dramatic, but he's so effective in the little things like inflection to make you feel, viscerally, the panic and dread.

So after the dragon fight, Smajor realizes, I can't do this on my own. I've tried and failed. So he gets allies. We watch him, someone who has so strongly been an isolationist, learn the benefits of allies and watch him learn to trust others and watch him learn how to get that trust in return.

My favorite thing about Smajor's characterization is that he's an incompetent protagonist, but not in the way of the "plucky young adventurer". He's capable skill-wise, and fairly jaded and very pessimistic. However, his issue is that up until recently, he did not care about the rest of the server at all, and by the time he learned to, it was way too late.

Also, in 3rd Life, cc!Scott and cc!Jimmy were canonically married and they reference it sometimes in Empires. Like, Scott goes over to the Cod Empire every so often both in and out of character to kill and/or flirt with Jimmy, the ruler of the Cod Empire, which may develop as a secondary plot into the future who knows. So ty Scott for giving the gays what they want o7

Now onto Sausage: his is a story of Icarus, his hubris and ambition being his downfall. He's one of the two followers of Xornoth, who promised him endless power in exchange for his servitude. He started the series being eccentric, but not outright unhinged, but slowly gets more and more extreme as the series progresses, as he gets brought more and more to Xornoth's side.

One of the best parts of Sausage's character, in my opinion, is how his gradual corruption affects the people around him. Initially, he got into a conflict with the Cod Empire and was allied with two other people in the Witherrose alliance. They were allies, but also close friends. The fandom liked to joke that the three had sibling energy, and I'm pretty sure the ccs played to that even more lol.

It was painful to watch the other two members, Gem and fWhip, watch Sausage get corrupted right in front of them, and see them desperately clinging on to this old idea of Sausage in their head because if they faced the truth, it would mean that their friend was gone. Eventually, they do finally cut him out of the alliance, leading him to fully commit to the side of the demon. Sausage felt very clearly betrayed by this, and declared the remaining two Witherrose alliance members to be enemies.

He gets more and more possessed, and we even see the other Empires, his enemies even, slowly realize that something is very wrong with the ruler of Mythland. He starts doing more and more evil things, like killing people more, making sacrifices to the demon, and eventually helping to kill the dragon to free Xornoth. So things are good for Sausage, for a bit. He won, and is more powerful than ever. Then he finds out: he's going to die. Xornoth's possession is slowly killing his soul, and eventually, his body going to be fully taken over and he himself is going to be trapped in the spirit realm. So how do you react to this? Over the next few episodes, we watch Sausage struggle between "the demon is literally killing me" and "the demon has given me so much, and I love it", all while Xornoth takes over more and more of him. We hear him exclaim that "don't worry!! I'm still about 15% there!" while trying to downplay every time Xornoth completely takes over his body. We watch him willingly oppose anyone who is trying to end the thing that is killing him.

My favorite thing about Sausage is that he is undoubtedly evil and proud of it, but he's also undoubtedly human. If you like to watch evil characters go absolutely feral, he's the guy for you. He makes the deal with Xornoth in the beginning, knowing and fully embracing the evilness of the demon, but at the same time he knows what he's doing is detrimental to both himself and everyone around him, but he's gotten in way too deep at this point, and to be fair the demon has held up its end fo the bargain, right?

Also, I would be damned if I don't talk about cc!Sausage's editing. Every one of his videos is like a movie. The way he does camera angles and uses music is so skillful- every lore scene feels like something out of a high fantasy action saga (think: LotR). Every big lore event I always wait in anticipation for Sausage's ep because his editing truly takes lore to another level.

I'm just generally very excited to see where this series goes. Empires is such a good mix of talented builders and good lore. Part of the reason why the series is so immersive for me, beyond any other lore smp, is that they have the settings to back it up. There is a certain charm to the DreamSMP's objectively terrible builds (with a few exceptions) but in Empires, the settings help sell the plot so much.

Another part of why I love EmpiresSMP is how much the ccs are involved with the fan community. I'm sure you've seen the memes about Scott being on tumblr, and Sausage regularly goes through the EmpiresSMP fanart tag on Twitter and likes art, even ones not related to Mythland. Most of the ccs, in fact, have brought up tumblr content on stream at some point or another. Like, several ccs have said that they read tumblr lore theories and hcs and stuff and sometimes take inspiration from them. Fun fact: Rivendell's church was inspired by my pinned drawing; confirmed by Scott Smajor himself. It's just such a good cycle of ccs and fans being excited about each other.

As for DreamSMP, I'm gonna be honest here, the only person I really am invested in in Technoblade. I started watching when he joined the server, and he's the only person whose lore I keep up to date with.

Techno's fun to watch because he's like the Deadpool of DreamSMP. Virtually unkillable, very skilled and scary, but consistently cracks jokes and breaks the 4th wall during plot. His POV is just fun. Like, he does wild plans and gives speeches and some of the stuff that happens to him should be called deus ex machine if it wasn't for the fact that Technoblade is the one who's doing it, and all the stuff is grounded in the fact that cc!Techno is just that good at the game.

However, the fact that he rarely takes anything seriously makes the few times Techno is 100% serious so much more impactful. His whole character has a basis in being perceived as inhuman and being treated as such, and therefore in return trying to hide his humanity. So, when he shows that humanity, whether that's fear, anger, or genuine love for his friends, it really makes you go "oh shit."

Techno's often said not to have character development, but I'd argue that while he remains steadfast in his moral code, he develops leaps and bounds as a person. Like, at the beginning, he's brought onto the server to help Wilbur and Tommy overthrow a government; them knowing he's 1) an anarchist and 2) very very powerful. His character was more of a plot device at that point and was treated as such in the canon. Wilbur and Tommy straight-up lie to him about their plans to establish another government after they overthrow the current one, while he was led on to believe that they were abolishing all governments in the area. But he isn't a plot device. He's a person, as much as he only shows the terrifying, blood god side of himself.

After the establishment of New Lmanburg (the new government its a long story), his friend Phil joins. And for the first time, we see him be fully human with someone and we see someone treat him like a human. Like, we saw glimpses before, with Wilbur and Tommy in Pogtopia, but Phil is the first person we noticeably see he trusts 100%. Then Doomsday happens, and Techno essentially retires to the tundra. During this time, we see Techno learn to be more human, first with Ranboo, then Niki when he establishes the Syndicate. In fact, the two of them, along with Phil, canonically throw him a birthday party, which is a far cry from his treatment in Pogtopia.

Techno's development is one of a god learning to be human, and I just think he <3

[ckret2]

Alright let’s talk GVK spoilers!!!

My reactions as best I can remember them!

- love how Kong is humanized from the very first scene, like every time he shows up he’s humanized so much more than other titans are. If that was at the expense of other titans being made likable I wouldn’t enjoy it so much, but like, Godzilla is made pretty lovable over the course of Monsterverse, Mothra is too, and all the titans featured for long are given recognizable emotions that let us see them as more intelligent and feeling than “just” animals; so all of them are made understandable/likable/sympathetic. But of them all, Kong is the only one really humanized. Which makes sense, because like, big monkey! Basically our distant cousin!

- And they kept playing, like, normal songs for him, which cracked me up.

- I really appreciated how you could SEE the titans in this movie. After all the weather effects to hide the titans in KOTM, there was such a clear difference in this one from the very start. Kong in the daylight! Godzilla makes his first attack at night, and even then you can see him much more clearly than you can for most of KOTM! Nice!

- after the Iwi were portrayed as silent stoic witnesses in Skull Island, I really appreciated that they took an Iwi character, made her a main character, and gave her dialogue and a real role to play in the story while also keeping her deaf/mute. I think that was a good way to improve on the way that the Iwi got got sidelined in the last movie while still maintaining the worldbuilding!

- I didn’t appreciate so much that, y’know, they murdered the rest of her people off-screen in order to do it. Couldn’t they have gone “her parents died so she got adopted by a Monarch agent that was close to her family, but like, the rest of her tribe is fine”? Or at the very least “their island got fucked up so they had to be evacuated but like they’re settling in somewhere else”? “They’re living under this island dome with Kong and they know what’s up and Monarch’s keeping them in the loop and they decided they’re chill with their new dome home, but this one girl likes to go on adventures with Monarch”? Something? Did we have to kill them all off? Y’all make up an entire fictional indigenous culture and then murder them off-screen when you don’t need them? Just let them live.

- a few minutes in I was like “hold on, we’ve got two characters that speak sign language, we’ve got a giant gorilla, gorillas learn sign language, is there any reason they can’t teach Kong?” and then later I was like “OOOOOH!!” Humans and titans learning how to communicate with each other has been one of my favorite themes to explore in Monsterverse fanfic so I was absolutely tickled to see it getting explored in canon, too.

- That said I think it’s hilarious that the girl managed to teach Kong to sign without, like... anybody seeing. Kong’s hands are above the tree line and there are cameras everywhere, how did NOBODY with Monarch see him signing.

- Bernie’s weaponized being an annoying coworker to such a degree it can only be called an art, and I really appreciated it.

- Godzilla’s extra chonky in this movie and I dig it. Roomie noted he was extra crocodilian and I dig that too.

- “There’s been no confirmed titan sightings in three years” I don’t buy that for a minute. They’re BIG. Rodan NESTS IN VOLCANOES. They found a MOTHRA EGG. Humans have A SCARILY WELL-FUNDED ORGANIZATION DEDICATED SOLELY TO FOLLOWING TITANS AROUND. Like, most of the lore in GVK that I don’t personally like, I can be like “eh... I can tweak it just a little bit with headcanons to make it work for me...” but NO confirmed titan sightings? You expect me to believe ALL of them moved underground when we’d previously seen them all prefer to live above ground? You expect me to believe that now that they’re all AWAKE, they learned how to HIDE?? Uh-uh. And at the end of KOTM there was stuff in the credits about using titan droppings as biofuel, obviously they’re still walking around up top! Can’t take that from me. Nope.

- Who the FUCK is Ren Serizawa and how is he related to Ishiro Serizawa? IS he related? Maybe they just dropped the surname as another “yeah this is a Godzilla movie for Godzilla fans” easter egg but I have a hard time believing that he can’t be somehow related to the other character with the Very Important Last Name who was so important in the last two Godzilla movies. If he is related I’m sure it’s been explained in a tie-in comic or the novelization or something, I’ll look it up later.

- I had to look up how much weight huge battleships can carry while writing a KOTM fic where Ghidorah hitches a ride on one, and y’all, I had to pull weird gravity-negating magic to get him to ride on that boat. Godzilla and Kong woulda sunk that boat like a rock. All I could think during that scene is “this wouldn’t work and I know that because I DID THE RESEARCH and I wasn’t even getting PAID.” I’ll choose to believe that Monarch gets special heavy duty ships designed to carry titans but nobody mentioned it because it wasn’t relevant to Kong’s journey.

- The bit where they could see where Godzilla was swimming because he’d got half a ship hooked to him that was bobbing around on the surface, didn’t Jaws do something like that with a buoy? It’s been ages since I’ve seen Jaws. Anyway good reference.

- Insert “they’re gonna need a bigger boat” joke

- I LOVED the part where they shut down all the ships to get Godzilla to leave. Both because, one, it’s a spectacular callback to KOTM’s “turn off all the guns so he knows we’re not a threat” that makes it seem like now that’s just what Monarch knows what to do to get G to chill out, and two... we know that Godzilla backs off either when he’s killed his enemy or when his enemy has yielded to him. At the end of KOTM—and the end of GVK—the act of yielding is presented as very ceremonial and uniform across species: everyone lowers anything they’ve got that could be dangerous (claws, fangs, beaks, axes) and bows to show Godzilla they’re not gonna fight. Battleships, obviously, can’t bow, but even without being inducted into whatever secret titan cultural intricacies might be going on, humans have figured out their own way to “bow” to Godzilla: cut all the power, so their ships can’t move and can’t use weapons. I know the movie presented it as “playing dead,” but c’mon, if Godzilla could hear MechaG power up from halfway around the planet then he could hear that Kong’s heart was still beating, and he’s been around enough boats to know humans can turn them off and on when they want. The humans bowed to Godzilla. He accepted that they yielded and left.

- Mark Russell looked like such a dad in this movie, like he’s retired 100% from being a rugged action hero and now he’s just Pure Dad. I like him better when he’s a dad, it’s a good development for him. He got like 3 lines and I’m like “I appreciate this character development.”

- Despite all my qualms about how conspiracy theories and extremist groups are handled in Monsterverse (and WHICH conspiracy theories they decide to reference), I really love Madison and Bernie’s dynamic. The adult man who’s the excitable wide-eyed believer in every BS conspiracy you can possibly imagine; and then the serious, severe Teenage Girl On A Mission who’s hypercompetent because she was raised for five years by a friggin doomsday cult militia; and despite having wildly different personalities they’re just, in total agreement about everything. Handled just a BIT differently (like, leaving out the more gross IRL conspiracies) they would be a wildly fun comedic duo—especially with Josh the Only Sane Man coming along as the hapless sidekick. And they all play off of each other so well! Both in a comedic sense, and in more serious moments—when Bernie talked about his wife, there was a real moment of empathy between him and Madison with very little said. I’d watch an entire movie just about the three of them. I’d watch a TV show.

- On the one hand I wasn’t too much of a fan of KOTM’s “all titans... are inherently In Tune With Nature... nature has a Balance, because that’s a Real Thing and not an anthropocentric concept to describe how we like nature to act, and they automatically restore it... because they’re like, some kinda borderline divinities or something... we should probably be worshipping them...” thing; but, now that it was totally absent in GVK, I sorta miss it. Like I feel like there needs to be a balance, a few humans who are like “i lowkey worship these dudes?” and a few others who are like “they’re cool but like, that’s a lil extreme” and that neither side be presented as Right in how they regard titans’ relationship with nature.

- “All titans come from THE HOLLOW EARTH” nah I don’t buy that it’s silly. Basically, what I object to is the idea that all titans have some sort of intrinsic similarity (they all come from the same hitherto-unknown location; they all are part of the same pack that has the same alpha; they all are fueled/fed by the same energy source; etc) rather than letting them be SEPARATE species whose only unifying traits are “they’re all big enough to fuck everything up everywhere they go” and “they’re big enough that the typically-insurmountable barriers between different biomes (mountain ranges, valleys, long distances with terrible weather) aren’t insurmountable for them, so even if they’re specialized in different environments they still all have to deal with each other pretty often.” I’ll make some exceptions for convergent evolution (i.e., claiming multiple titans developed similar traits that are relatively easy to spontaneously evolve and a prerequisite for a creature to survive at such a large size). But I can’t buy “this big gorilla has more biologically in common with this big crocodile-iguana than he does with, say, gorillas,” or most of the other “all these titans have THIS IN COMMON” claims that Monsterverse makes, including “everyone’s from hollow earth.” So I’m tossing that out the window and substituting my own headcanons. Some might’ve evolved there but some evolved on the surface. Maybe a majority of them like ducking in and out of the hollow earth like some kind of titan shortcut system. Kong’s species, I can buy, IS native to hollow earth, considering that they built a whole-ass society down there with tools and architecture.

- I’m SO curious about the little underground Kong home, the Godzilla motif in the floor, and the axe that appeared to be made with a Godzilla scute. What’s the story there??? We know Godzilla’s species and Kong’s species are ancient rivals. Is it because Kong’s species hunted Godzilla’s to steal their scutes to make weapons, seeing them as a valuable resource the way, like, early humans considered woolly mammoths a valuable resource—thus making that Godzilla on the floor equivalent to cave art of mammoths made by people who hunted them—until the Godzillas got pissed and started fighting back en masse? Or were Godzillas and Kongs already enemies when Kongs decided to start making weapons out of their corpses? Did they use to be allies, fighting together, with Godzillas voluntarily offering shed scutes and/or bones of their deceased members to Kongs, and that place used to be a shared home until they started fighting?

- What about that power source, is it something that was already there that both Kongs and Godzillas started to deliberately harvest for technology/atomic breath? Or did Godzillas automatically channel that stuff and Kongs exploited/borrowed/traded with Godzillas to utilize it too? Or is the power from Godzillas who collaboratively poured a bunch of power into the place thus that Kongs were able to use it too? I doubt Godzilla’s species CREATED all that weird energy but the question remains of whether, like, they channel it FROM underground, or naturally produce the same thing in their own bodies, or what.

- Godzilla using his atomic breath to dig a hole STRAIGHT TO KONG just to KICK HIS ASS is hilarious. How lucky that Hong Kong just HAPPENS to be straight over Kong’s house! Were all the tunnels to the hollow earth made by pissed off Godzillas who wanted to kick monkey ass??

- I loved the aesthetic of the battle scene in Hong Kong, with the brightly colored neon building outlines, VERY cool look. The choreography of the battle scene was great too, especially

- we literally broke into applause when Kong shoved the axe handle in Godzilla’s mouth. Love it, perfect callback, that was the ONE thing from the original King Kong Vs Godzilla I was hoping to see referenced and there it was.

- You could really see a difference in how Kong and Godzilla fought—Kong doing a better job at using tools and the environment, Godzilla fighting more like a reptile. They seemed to emphasize Godzilla’s more animalistic behaviors in this movie to accomplish that contrast—he was down on all fours and moving like a crocodile more often, he was clawing at Kong’s chest—but even though it seemed a bit different of a combat technique it also didn’t seem out of place compared to how he fought in prior movies. And we’ve already seen that if Godzilla’s involved in a fight and one of the combatants knows how to use the environment, it’s typically not gonna be Godzilla. (See: Ghidorah using the reflection in a building’s windows to see what’s behind him, and recognizing a nearby power source and biting it to juice himself up.)

- So many of Godzilla’s enemies seem to have specialized in negating his atomic breath in order to combat him! The MUTOs directly suppress his ability to use it—and it makes sense that that’s an inborn ability they have, since they evolved to use Godzilla’s species as prey. Kong has a weapon that both acts as a shield to absorb the breath and turn it back against Godzilla’s species—they didn’t evolve to counter Godzilla, but they developed tools once a rivalry happened. Ghidorah’s the exception—which makes sense, since he came from space—but even at that we see him using tactics specifically to take into account Godzilla’s most powerful weapon (such as keeping one head on lookout for when he starts glowing so that they know when they need to dodge).

- LOVED the reveal that MechaG was based off of Ghidorah’s brain, it has vibes of both the Kiryu Saga and the way that Heisei MechaG is based off of Mecha-King Ghidorah. Not the most surprising plot twist, since we’d theorized that they might use San to make MechaG, but I wasn’t 100% sure they were gonna go with it until they finally did. Even when I was going “huh, the mecha pilot’s chamber looks weirdly organic” I didn’t make the connection to WHY until the reveal, lol.

- “Ghidorah’s necks are so long that the heads have to communicate with each other telepathically” that’s COMPLETELY WILD but I love it, it follows very well from their prior portrayal as telepathic empaths in Heisei, it lines up with their emphasis on electricity (because BRAINWAVES AND ELECTRICITY, hey ho movie monster pseudo science!), and it very much compliments my own private headcanon that they’ve got some psychic/mind control abilities.

- The movie ended with both “Godzilla won, technically” but also “since they teamed up as equals, the ending doesn’t FEEL like ‘Godzilla wins, Kong loses’ but rather ‘they both won against a common foe’” and since I’m on both Team Godzilla and Team They Should Be Friends, I’m happy with this outcome. Plus since the last time they fought, the Japanese movie company graciously let the American monster win, so it’s only polite that the American movie company graciously let the Japanese monster win.

- There were just a few too many humans in this movie. I was intrigued by Ren but we didn’t get much out of him, but like I guess somebody had to be in the pilot’s seat other than the Apex CEO. Didn’t care for the author of the hollow earth book, I feel like his role was superfluous. Didn’t need the Apex CEO’s daughter there at all, coulda done without her. How about this, combine all three roles. Instead of having a whole-ass author who knows about the hollow earth, just casually reference that Rick from KOTM wrote a book about it since he was the expert, and (since he wasn’t in this movie) say that he tragically died going to explore the hollow earth himself, and that way we’ve got the book with the “titans are from there” theory AND an excuse to share the “humans die when they go underground” info. Now, have Ren be working for Apex as a pilot for Mechagodzilla, but have him be MechaG’s pilot because he’s also a good pilot in general, and can fly those HEAV things. Have Apex send him to Monarch to be like “hey, you guys trust me right, since I’m Ishiro Serizawa’s relative? We at Apex have heard all about your failed hollow earth expedition, and due to Ishiro I’ve got some past ties to Monarch so I’ve got high clearance with y’all, so I could bring over this useful Apex tech that’d let you go underground and use what I know about hollow earth from my past time at Monarch to help guide things.” Once they’ve got the little chunk of energy stuff and go topside, he hustles it straight to Apex and straps into his seat to run MechaG. Bam, you’ve combined “person who knows enough about hollow earth to help the expedition,” “person who represents Apex’s interests and gets the energy,” and “person who pilots MechaG” into one character, in a way that takes three flat/underdeveloped characters and turns them into a single interesting character with a lot going on and some intriguing ties to the rest of the cast.

I think that’s everything?? Hoo.

[chaotichedonist]

Tharunka (Kensington, NSW : 1953 - 2010)

Wednesday 9 June 1976, page 14

   Some funny moments to tease you into reading:

Press: Roger, you're noted for your amazing screams.

Freddie: It's a controlled scream. I'd rather call it art.

/

Freddie: You're joking dear. I'm just a singer, dear.

/

It’s been a struggle, because in the beginning nobody knew what we were doing. We were the only people who believed in ourselves.

  back at the hotel sleazy

  For all those fans who were misled by the media, Queen did not spend a couple of days-relaxing on sunny Perth beaches - it rained the whole bloody time they were there. (In Melbourne the hotel was 'besiged' by fans, who to quote Pete Brown — Queen's personal manager — seemed to be emerging from the wood work). Not to be put off however, by the Australian conditions Freddie Mercury (lead vocals and keyboards) attended the press conference in white pants and a simply sumptuous summer synthetic top with delicate butterfly sleeves curling gently over his shoulders. He was even more beautiful than Sophia Loren.

  They were all quite chatty only Roger (Meadows-Taylor, the drummer) would keep interjecting, usually over John Deacon (bass) who said not an audible word.

Press: Would you describe your music as mock opera? 

Freddie: They call it cock-opera back home. 

Roger: I suppose because the vocals are in the 'grand style'. 

Press: When is your next album coming out? 

Freddie: We'll have a rest and think about it.. 

Roger: We just don't bung'em together. 

Brian: We don't sort of write sitting in hotel rooms you know. 

Freddie: We gather influences. 

Press: Your music has been described as snob rock. What do you think? 

Freddie: I couldn't describe our music as anything. We certainly don't put across that this it intelligent music that is on a completely differenrt level to the people who come to it. 

Roger: It's written for the people. That's what it's all about. 

Press: The theme of death recurs on your albums. Why this preoccupation?

Roger: Freddie's morbid mind.

Press to Freddie: Do you consider yourself a sex-symbol?

Freddie: You're joking dear. I'm just a singer, dear.

Press to Roger: Do you consider yourself a superstar? 

Roger: As meaningless, (blows kisses).

Roger on the media - absurd for a magazine combine rock and politics. 

Press: Roger, you're noted for your amazing screams. 

Freddie: It's a controlled scream. I'd rather call it art. 

Undauted by the fearless Australians they continued talking about their lyrics and the esoteric implication.

Roger: Freddie just loves the word 'Beelzebub'. 

Freddie: Yes, well, Brian's got a taste for unusual words. 

Roger: You talking about dandling on your knee and things? 

All four of them write songs and each has at least one song on 'A Night At The Opera'. 

Brian: It's very difficult to talk about our songs as a group because we all have different ideas of what the songs are about. 

Roger: No we don't. 

Freddie: Roger's the sensitive one. 'I'm in love with my car' is the most sensitive song on the album (Night At The Opera). 

Roger did tend to sit there pouting at the bows on his pink lame gym-boots. One hardly noticed the dark roots in this gold angelic hair. We did ask, but unfortunately Roger didn't have a pic of himself in the gymboots. Roger was later accosted by David Essex fans in the foyer of the hotel, who wished to know if he was a popstar, girls now have Roger's autograph. Back to the lyrics..

Freddie: Every song is written by one of us and means something special to each one of us. Certain songs have a very literal meaning and can be understood straight away. Then there are some songs that can be taken on a lot of different levels.

He describes a lot of his songs as fantasies. 'We want to consciously lose ourselves. There are certain things we want to escape from in our lives or whatever.' He feels that people should create their own private fantasies from the images in his songs and so doesn't like to talk about what they mean to him. 'I'd hate to shatter someone's illusion. If I listen to somebody's songs I conjure up a fantasy of what its about and I like to keep it that way.'

He elaborated further.. 'Lyrically it is helpful to use certain words. You see it depends.. sometimes I want to use words that are phonetically useful. In the beginning they're surface words but you entwine them into the meaning of a song. That's what I mean about different levels.' 

Brian May has a different approach to his songs, 'There's usually something serious behind them, but I feel a big responsibility not to over-indulge in idealogies. In 'White Queen' I was very interested in the significance of Queens and White Ladies in English folk lore. The song started off as a personal experience, the frustration of not being able to communicate, I was thinking about Robert Graves' ' White Goddess' and that became involved in the song.' 

Roger: Romantic slush.

Brian: Our 'Now I'm Here' song is really about our first American tour. A big experience for anybody. It's a conglomeration of all the experiences we had on that tour. We had a great time with Mott the Hoople. I suppose they taught us to be a touring band.

We're very critical about each other and very cynical. We don't get deeply into meanings because you're living with it all the time. You have to be a bit light-hearted about it.

With four individual writers the albums were not done with a specific concept in mind. The 'White Queen' was written four years before the 'Black Queen'.

Brian: I don’t think that Freddie’s 'Black Queen' was a reaction to the 'White Queen'. We just discovered that we had these songs and the rest of the album seemed to fit around it.

Freddie: It probably subconsciously coheres.

Similarly ‘A night At The Opera’ has no overall concept though the name of the album is related to Freddie’s ‘Bohemian Rhapsody’.

As Brian puts it ‘We are four very different people with four very different directions, but there is a musical development that does make some kind of sense. Queen is very much an independent thing. We are always bouncing ideas off each other. We are very aware that we need each other.’

The rapport between them onstage bears out this statement. They work off each other in a carefully intergrated show thatt creates an atmosphere of spontaneity for the audience.

At the opening of their set there is a flash of fire and smoke as Queen emerge on stage. While music winds up they launch into ‘Orge Battle’. Like a Greek God or a simister Mephistopheles Freddie's powerful vocals cut through the smoke and flames. 

With the stage show the band is doing something different to stimulating their records. Brian: "You don't get up there and behave like you do in the street. You go up there to entertain people and give them some kind of excitement". They have rearranged some of their songs especially for stage performance, including a medley of 'Bohemian Rhapsody', 'Killer Queen', 'Black Queen' and 'Leyroy Brown', which grinds down into 'March of the Black Queen' and then skips out on a lighter note which features Brian on genuine Japanese ukalele. 

The brilliant solo Brian performs in 'Brighton Rock', with sweet high Paginini frills and harmonies, stimulating two or three guitars on stage, is in a style he has evolved himself. He got the idea the first time he was in a recording studio. Says Brian: "It was my first experience of doing multi-tracking. It happened to be in the cannon-things which repeat themselves. You play one, then you play the same over the top of it after a time interval. Later we started to do those things on stage but there was the problem of how to do it. We started having a single delay and then another one over the top of it. Then afterwards you do another repeat on the second. You can then do three part harmonies with yourself. We started to base it all on ten second solos and it grew and grew. There's a lot of other people doing it now and I'm glad because it’s a thing you can play around with.' 

In the stage arrangement of "Prophet's Song' Freddie uses a similar echo feedback system which multiplies his voice into a celestial choir. His voice floats as a vision - "Listen to the madman' - while Brian plays some beautiful guitar.

encore amore

Brian describes their encore performance as the time when the band really unwinds. "It's nice at the encore to just completely unbend and make a fool of yourself. It gets rid of the tension between the band and the audience. I used to get a kick out of going to concerts to see rock groups like the 'Who' and feeling involved, like the group knew you were there. WE go by the kinds of things we think people would like at an encore. It's at a very basic level really, an energy level, a physical level. Rock and Roll is kind of a body music. I get as much satisfaction out of basic rock'n'roll like Status Quo as the most sophisticated music I know.' 

The audience certainly enjoyed it and really let loose their energy. Roger (who claimed the most female screams) in rainbow mop-wig opened the encore with slow heavy rock-beat as Freddie did a dramatic entrance in a silk kimino. As he eased into 'Big Spender', he peeled off to striped hot pants for an outrageous version of 'Jailhouse Rock' - simple hard-driving rock'n'roll that had everybody out of their sets.

gettin' feelin' thru th' transistors

Brian was rather upset that the Australian Press should braiid them as a manufactured band. If 'Bohmeian ,hapsody' can be seen as incorporating the spectrum of s talent - mood changes, heavy stuff, the soft ballad - it is not because they (men of letters from universities) have developed a magic 'X' formula. Rather the song can be seen as a musical progression, a reworking of motifs off their other albums. 

Brian can only say that, 'They obviously didn't see us in the earlier days. I can understand why they'd say that over here. Big impact. Overnight success. It must have been all calculated. If you’d seen the way it happened in England, you wouldn’t think that. I’ve had years playing pubs in England where people were drinking beer and discussing what other people were doing and not listening to the music. I want to build up this thing where people do want to go to a concert. While it begins to look like the commercial side, it;s what it’s all about. I want knock it because I want people to come and hear what we do. 

It’s been a struggle, because in the beginning nobody knew what we were doing. We were the only people who believed in ourselves. We started playing because we had some kind of vision that we thought was worthwhile. For over a year and a half we were playing to ourselves. Gradually you gather people around who believe and that’s the way it happened.

Nobody is going to tell us to play what is commercial. What we play comes from us. We’re very lucky really in that we have a kind of audience who are attentive to whatever direction we choose to follow. One of us will come up with a song and we'll say, 'Yeah, it needs that kind of treatment and maybe that turns out to be something you call heavy and sometimes something which is light.' 

To get back to the charge that they are a manufactured band, while he doesn't like it, he can only take it as a compliment that they think the band is so good. He doesn't consider himself a technician "technically I've stayed the same for the last six or seven years. Progress is what you feel and what you are putting across. That's what playing is about for us.' 

Freddie: There's a lot of music there too.

Roger: A bit of music, yeah.

low key queen

By Anne Finnegan

Wednesday 9 June 1976

If you save, do not forget to leave a link to this, coz i kinda found it by myself and made and transcipt. Thanks :)

[reapyboy]

just some thoughts about the recent stuff and the vs community that i need to put somewhere before I explode haha (TLDR at the end)

(If you decide to read this, I would assume that ur caught up to everything that’s happened with this whole thing that happened in the first few days of April with VS_Experiences on Twitter (which no longer exists i think). If not, do your own research pls. I do apologize for not providing any screenshots, videos, or twitter threads, but the proof definitely out there, and you’ll have to take my word) 

Speaking abt the vinesauce community in light of current events, the whole fiasco has definitely damaged my view of the community and some people’s responses reek of parasocial relationship. We truly have no idea if the accusations were true or false, but please stop acting like everything has been debunked. Whenever self projection and parasocial relationships were brought up on stream, the chat would always laugh at them and think they’re dumb (like with Dream), but it seems that thay suffer from one too.

He’s said several times to not put him on a pedestal and what were people doing? Still putting him on a pedestal when the accusations first came out. So many people saying stuff like “ive watched Vinny for years and he always puts a smile on my face! he would never do this he’s just a funny italian speen man!!!” or “he doesn’t seem like the kind of dude who would do that he’s kinda awkward and hates relationships!!” Look. Saying this kind of stuff is what prevents people from speaking out against someone with a big fanbase.

I have made several arts on the booru for Vinny and he is literally my favorite streamer. I tuned in for as many streams as I could in the past several years. As much as he has made me laugh throughout the years, I don’t know him. 99.9% of viewers do not know this man off stream, and never will, no matter how long you’ve been watching his streams. Most of us will never be one of his closest friends who knows the inner mechanisms of his mind. As much as he may talk about his interests and life experiences on stream, and as much as you can observe his mannerisms and personality, there is no way you could know absolutely everything about Vinny off stream. He wants to live privately, after all. But here’s the thing, even if one of us were friends with the guy, friends are allowed to keep secrets. Some friends do not share every single detail of their lives and interactions. My best friend that I’ve had since Kindergarten doesn’t know that I crashed my first car within a month of getting my license!

When it comes to the evidence, so many people were saying “that’s not the same icon! he would never type like this!!1!1” in the emails when it was proven that Yahoo emails just switch email icons to letters by default when receiving email from other online mail services. Plus, we also don’t know how he speaks if he flirts with women? He could totally be awkward like that.

As for psyops and targeted attacks by GPM or 4Chan, I don’t buy that they pre planned this “””attack”””. These theories of a 4Chan psyop were based off of like three? out of context screenshots that were most likely jokes. I also don’t believe it was an attack by GeePM based on the sole fact that he liked and retweeted the allegations when they were first posted, and on the fact that he got kicked outta the Vinesauce team. My thoughts are that the accusers came to him privately and asked him to boost the post because he was an ex-member, letting those in both his and the VS community know. But what do I know?

I, like a few others, thought that there could been some merit to some other info floating around, including several clips of someone’s screen that seemed to have legit email exchanges. It was immediately dismissed and invalidated by fans, accusing them of faking anything they posted. There was only so much proof that they could’ve shown, and I choose to believe the people that spoke out.

I personally think that this wasn’t a SUPER serious set of allegations, like if it’s true, he hasn’t done anything illegal to our knowledge, at most he was just a horny motherfucker. But I think more people should’ve stayed neutral on them until a statement was given, because the amount of denying and coping that i’ve seen is gross. Vinny is an adult and he can fuck if he wants. I do think that bothering your fans for sex is weird as fuck (but that’s just me), but they did consent to meet up with him and stuff. This post isn’t my qualms about Vinny’s supposed actions, it’s about the community’s response to said accusations. Some of you guys didn’t take them seriously at all, and I think it says a lot.

TL;DR: Based on my research and the extra evidence that I’ve seen, I believe the allegations, and I don’t think it was a planned “cancellation”. If they are true, it’s not horrid, but still weird (in my opinion) to pm fans for sexual reasons. Whether the allegations are true or completely false, the community’s reactions were disgusting and some Vinesauce fans don’t realize that they suffer a bad parasocial relationship w/ Vinny.

[spectralarchers]

I wanna know about the rant now 😅

Okay, so, since both you and @ohmystarsy​ messaged me about it, I’m gonna try and type it out again. It’s based on this post by @engulfes:

[Picture ID: A tumblr post by user @engulfes, quote: i’ve just been thinking about how english and americans online expect everyone to know their literature and poetry, their ~classics~ when literally every other country in the world also has an incredible and interesting literary history that is probably more relevant to it’s own citizens, like i’m not saying you shouldn’t branch out to intl lit because i think everyone should but that includes english first language speakers who have never picked up a translated book in their lives, unquote. The post has, at time of writing this, 13,669 notes. End Picture ID].

The rant I started writing was about how this is also about Modern Pop Culture and general American and/or English popular culture, and the sort of expectation that English-speaking online communities have that everyone will share their specific set of cultural standards.

I only saw The Princess Bride like... three years ago? When I was 25 years old? Mean Girls was a movie someone force fed me in 2017 because I told them I hadn’t seen it before. I still, to this day, being aged 27 years old, have not seen Home Alone, Die Hard, any of the Back to the Future movies, the old Ghostbusters movies (or I may have when I was a child, but I don’t remember ANYTHING about them), I haven’t seen Grease, I haven’t seen Saturday Night Fever, I haven’t even seen Top Gun or Dirty Dancing. I haven’t seen the Rocky Horror Picture Show nor The Labyrinth.

The whole sort of expectation that every single person online ever has seen these is very American (and to a certain extent, British)-centric, because it assumes that everyone, everywhere, had the same childhood and/or education growing up.

I was disappointed when I watched the Princess Bride because the memes and the general American-centric pop culture had made it out to be extremely quotable (and I mean, it is...) but... having grown up in a country that wasn’t English speaking just meant that all the quotables things I say in my day to day life aren’t from those movies specifically (and expecting everyone on the internet to understand the reference from Mean Girls and/or any of the aforementioned movies is English speaking-centric).

I grew up in France, which means that the movies I grew up with and revisit again, and again, and again are things like Rrrrrrr!, Astérix & Obélix: Mission Cléopatre, Brice de Nice, La Tour Montparnasse Infernale - and those are just the “newer” ones! Then there’s Le Dîner de Con, L’Aile ou la Cuisse, Les Bronzés, Les Bronzés Font du Ski, La Carioca, Les Visiteurs, etc. etc. AND THOSE ARE JUST THE COMEDIES! I feel utterly desperate when I’m in a movie theater in Denmark, filled with the urge to yell “Ca va être tout noir!” because I KNOW that if I do that in France, at least one person will respond with “Ta gueule!”. Same goes when someone happens to say “Bonne situation” because it triggers my will to quote the “Je ne pense pas qu’il y ait de bonne ou de mauvaise situation...”-monologue from Mission Cléopatre. 

I still don’t get the whole Bob Ross thing, but that’s probably because I had Art Attack on screen instead. Television show wise, I didn’t watch Sesame Street and it took me a long time to figure out who the different characters were, but I did grow up with the Minikeums, and being a Danish citizen as well, with Kaj & Andrea, Anna & Lotte and a whole bunch of other puppets (Vip & Viktor still give me nightmares to this day).

Culturally, the things that make me who I am - and I am a third culture kid, so that makes it even more difficult - is all of the above mentioned things but also the Guignols, Le Plus Grand Cabaret du Monde, NRJ Music Awards, Johnny Hallyday (yes, him), and more still that I’m forgetting right now, that American and British people have absolutely zero idea about. This isn’t a critic or to point fingers, but assuming that all non-English speaking people need to know the exact same cultural references as you is harmful to you and to others, because it diminishes the culture of other countries and assumes that yours is better. (It probably isn’t). 

I still feel behind on my own Danish culture because I didn’t grow up in Denmark (I still have issues differentiating the Skagen-painters, I still haven’t seen Matador, I still don’t think that Anders Mattesen is funny, I don’t get the Cirkus Revy culture, I still haven’t seen any Olsen Banden movies that I remember of, etc.), and it’s a full time job of having to learn the entire culture of a country you’re living in WHILE still entertaining and keeping up to date with the French culture (I read the French television program magazine Télé 7 Jours every single week so that I don’t get completely lost, and I try to watch Secrets d’Histoire when I can, and...), WHILE ALSO having to keep up with the whole English speaking craziness of the whole world and feeling like being one or two steps behind with getting up to date on everything because HOLY SHIT.

Assuming that everyone knows the US classics (I still haven’t read The Great Gatsby, and I have no intention of doing so) or the UK classics (Pride & Prejudice? Emma? Wuthering Heights?) means that you assume there are no other classics that have to be read. Same goes with some poetry - I’ll take Arthur Rimbaud’s poetry over Tennyson any day, but it doesn’t mean that Tennyson’s poetry was bad (it just isn’t “my” poetry, if that makes sense). 

I adore Candide by Voltaire, and I had to analyze more Apollinaire poems that I liked in high school, and reading Germinal by Victor Hugo was a pain, but somehow, those are still things I consider “my” classics. My “French classes” in French school, which are the equivalent to English in English schools, offered analysis of the French cultural landscape reaching back centuries and going forward too. 

Like I said, I’m a third culture kid and the only one person who will ever understand the potential myriad references I make across several languages is my sister, who grew up in the same environment as me (we often joke that if we were ever in a TV show to analyze our cultural language, they’d need at French, a Danish and an English-speaking analyst to understand what we’re referencing half of the time).

But, again, assuming or even more, EXPECTING that the US and UK English speaking cultural things that make up your culture are what should or can make up other people’s cultures is harmful and it erases the culture of the world, but also of minorities in your own countries (thinking specifically of Native American cultures, as well as more specific Irish and Scottish cultures for the British Isles), etc. 

And yet, I’m still privileged myself because I *have* a shitton of culture to look into, that has been preserved and is available to me to look at, and a lot of French classics have been translated (The Phantom of the Opera AND Les Misérables are the first things that pop into my mind because holy shit) into English and are readily available, the same goes to poetry, etc. Same goes for a lot of Danish stuff as well. A lot of culture around the world and throughout history was actively killed and erased specifically as part of genocidal colonialism (and I am acutely aware that both France and Denmark are former colonialist empires and still bear that mark on their own cultures).

I think I’ve lost the point of the rant, but I just wanted to specific that the “classics” aspect of culture isn’t the only aspect that falls under the above text post. It’s all of the cultural landscape that does so.

PS: I have seen quite a lot of movies like Life of Brian and The Holy Grail by the Monty Pythons though, and I have seen Strange Brew with Bob & Doug McKenzie because *something something Canadian friends* but I doubt that those qualify for the specific line of thought presented above, lol. 

[thebibliomancer]

Essential Avengers: Avengers #238: Unlimited Vision

December, 1983

He is Oz, the great and terrible. And he can see ALL.

So what’s going on here? Has Vision been in a tube-coma so long that they just decided to replace him with a giant hologram?

Dunno, but he sure is filling the room with too much pink energy and kirby crackle.

So, there’s been a bit leading up to this.

In Avengers #233, Vision and Scarlet Witch were called in as reservists to help the team with an invisible dome Annihilus was using to destroy the universe, as ya don’t do. When Vision intangibled into the dome, he immediately fell onto his face inert. After the crisis, Reed Richards/Mr. Fantastic examined the synthezoid and said that nothing was actually seriously wrong and that Vision would be able to repair himself.

Despite that, he’s been inert in a tube since #234, moved into the Avengers Mansion so they could keep an eye on him. Maybe Reed doesn’t know shit because it’s been several issues!

The Avengers have been taking shifts watching Vision and the least suited to sitting still and watching an inert synthezoid is on duty as this issue opens.

“But being an Avenger, he’s discovered, doesn’t mean saving the universe every waking moment. Sometimes, it requires a lot of sitting... and watching... and waiting!”

Hahahahahah!

I might sympathize more if it weren’t for his full page rant.

Like this goes beyond bored and into ‘UGH I have to do something not immediately entertaining??’

Wait, I’m like that sometimes...

Starfox: “I just don’t understand! My father’s computer assured me that the Earth would be teeming with excitement and adventure -- and from previous experience, I knew that the Avengers invariably became involved in such adventures. But I haven’t seen a bit of action since we saved Project Pegasus from total destruction. That was more than a day ago! Now with Thor off on a mission in space... Captain America away on a personal mission... and the lovely ladies of the Avengers taking the afternoon off, naturally it’s the ‘trainee’ who gets stuck with keeping watch over the Vision!”

“By Chronos, is there no justice?! Where are the thrills, the challenges?!? Am I never to know satisfaction? I didn’t come all the way to Earth just to stand watch over some infernal android in a life-support-tube!”

“Ah, forgive me, friend Vision. I should not make you the object of my resentment. You were, after all, injured to end the threat of Annihilus. It’s just that sitting around and playing nursemaid to a comatose synthetic man is hardly my idea of fun!”

Vision: “I sympathize... but it has not been enjoyable for me either.”

HAH!

Imagine complaining so hard about having to go a day without an adventure that you wake a robot from a robot coma.

Over in a scene shift, there’s Monica “Captain Marvel” Rambeau trying out a boat in the Gulf of Mexico. The salesman is trying to close the deal but Monica finds herself distracted by the events of the previous issue.

Even though she saved the day from lava men and then stopped a nuclear meltdown, she still feels crappy that Moonstone and Blackout escaped AND that Blackout was able to capture her.

When the salesman finally gets her attention again she says she needs a bigger boat!

I’m still wondering what her new career is going to be! She’s taken out a small business loan and looking into buying a boat.

Possibly shark hunting?

Good on her for building a life away from avenging. You never know when you have to retire from superheroing and take up a civilian career.

Back at the Vision tube, Starfox sets up a voice amplifier on Vision’s tube so Vision can talk more easily.

It transpires that he didn’t just wake up in time to deliver the ultimate dunk on Starfox, he’s been conscious for several days. He’s been able to hear and see what’s been going on around him but he hasn’t been able to move or talk.

Starfox apologizes for his rant but Vision doesn’t actually mind.

Vision: “No offense taken. I found it entertaining in a way... I hadn’t heard such vitriol since the time the Beast found himself on monitor duty during the opening night of a Roger Corman film festival. As a matter of fact, I’ve enjoyed all of the one-way conversations that have gone on about me. Captain America’s war stories were most informative -- and the She-Hulk’s stories were quite amusing... If a bit tawdry!”

Amazing.

I actually like that the Avengers have been talking to Vision like a person in a meat coma and not ignoring him like a dysfunctioning fridge of a Jocasta.

He’s their buddy and they kept talking to him in hopes that somewhere he heard them. And he did!

Even all the dirty jokes!

Vision tells Starfox that he’s mostly confused about all the paralysis and that his repair systems haven’t restored his movement. He wishes that he could more fully analyze his condition.

Which gives Starfox a wonderful idea! A wonderful, terrible idea!

He calls up Jarvis on the video-intercom and asks what the range of the Avengers communication system is. Like. In terms of... interplanetary?

Jarvis: “All equipment is state-of-the-art, sir. I dare say we could make contact with any corner of the Solar System!”

I know that the Avengers deal with a lot of space nonsense so it makes sense that they’d need that range. Starcore-One and all.

Anyway, Starfox uses a tight beam signal to communicate allll the way to the master computer ISAAC on Titan.

Meanwhile, the three whole women on the Avengers (She-Hulk, Wasp, and Scarlet Witch) are on a mission together. A friend mission. A friend mission of find She-Hulk an apartment mission because that’s been a subplot for a while and She-Hulk deserves nice things.

Huh! If you ever wondered what the relative heights of some Avengers were here we are.

She-Hulk is most tall. Scarlet Witch is pretty tall. And Wasp is a short.

Comics being comics and not big on consistency, I’m sure this is contradicted a dozen different places. But its fun.

Of course, in the innocent 80s (??) people just weren’t used to seeing tall green woman a-walking down the street and gawk.

But it doesn’t bother She-Hulk like it used to.

She-Hulk: “I must be getting used to this town, Waspie! The gawkers don’t faze me in the least anymore. In fact, I’m starting to have fun, staring back!”

Wasp: “Uh-huh! I’ve noticed you practicing on our dreamy new trainee! Starfox is really something, isn’t he, She-Hulk?”

She-Hulk: “You know it!”

Scarlet Witch: Starfox does have a certain something in the way he carries himself...

She-Hulk: “I’ll bet that Starfox even does something for an old married lady like the witch!”

Scarlet Witch: “Wh-what?! Why, that’s ridiculous! I mean... that is... the Vision is the only man in my life!”

She-Hulk: “Aw, come on, Wanda! You’re married, not dead! ‘Fess up, don’t you like the way Starfox just sort of... stands around?”

Scarlet Witch: “Well, if you put it that way -- !”

Just some gals being friends and talking about how hot their new co-worker is.

Just objectifying a foxy guy... from space.

I like She-Hulk someone immediately sensing Wanda thinking about how hot Starfox is. She has a sixth sense for it.

And I fear because Janet “Aesthetic Appreciation for Every Man” Van Dyne now has a comrade in arms in Jennifer “What are inhibitions?” Walters.

The three arrive at the apartment building Jan found for Jen (not confusing at all). The rental agent isn’t around but Jan basically does whatever she wants and the door is open so they go in to look around.

And its a good apartment! Its got a terrace, high ceilings, deep carpeting! Its perfect for She-Hulk! The long subplot is finally at a resolution!

Alas.

The rental agent comes in and when he learns that its Jen who wants to rent the place. Really wants to rent the place. “You can draw up a lease -- I don’t care how much the rent is!” wants to rent the place. He has one (1) concern.

Rental agent: “My lord! You... you’re green!”

She-Hulk: “Yeah, and you’re a pasty shade of pink! So what?”

Rental agent: “I... I can’t rent to you! What would the other tenants say?”

Oo buddy that’s illegal under the Fair Housing Act. Especially if you just come out and say it. Granted, I don’t think it foresaw this exact scenario so let me rephrase. Oo buddy she is not shy about hurting people who annoy her.

She-Hulk: “Outta my way, Jan! I want to turn Mr. Pink black-and-blue!”

Wasp: “Forget it, Jennie! We’ll find a better place!”

But since Wanda doesn’t have any patience with bigotry, she uses her magic-science mutant magic to set off the fire sprinklers above Rental Agent.

I guess he’s allll washed up.

Back over in New Orleans, Monica returns to her apartment still hung up on Blackout and Moonstone getting away.

I guess it is her first failure as a superhero? It’s a very minor one but if you were on a winning streak before, it could knock you for a loop. Monica seems like the sort of person who holds herself to very high standards.

She considers calling the Avengers on her bracelet radio to see if there’s any leads on the two loose ends but then realizes that she can travel at the speed of light. She may as well just pop into the mansion!

Monica has cool powers.

But when she arrives inside the mansion, she sees a bunch of electronic components just floating through the mansion.

Soooo she follows them. Gotta see what’s going on.

She finds Starfox in the medical room constructing some apparatus around Vision’s tube.

Starfox explains that stuff be floating because ISAAC is using an attractor beam to assemble an apparatus. ISAAC being the Titan computer Integral Synaptic Anti-Anionic Computer.

It sure is cool that some Eternals that went to live on Titan before modern English existed still managed to name their computer ISAAC.

And its cool that ISAAC can apparently influence things like this halfway across the solar system.

Anyway, ISAAC is linked up with the main computers of Avengers’ Mansion to build a more specialized medical computer to get a better idea of what’s going on with Vision.

Vision: “It sounds complicated, Captain, but the principles involved are actually quite simple.”

Captain Marvel: “Vision? You spoke!”

Vision: “That seems to surprise everyone... pleasantly, I hope.”

He explains that if everything goes well with this apparatus, he hopes to be ambulatory again before tomorrow. And also, because he’s a class act, thanks Monica for the stories of New Orleans she shared when she was on Vision duty.

In a funny continuity nod, Vision notes that he and Wanda went to New Orleans once (in issue #152) but didn’t have time to sight-see. Because there was a lot of voodoo nonsense going on.

The Avengers tend to go all over the world but they also tend to be involved in nonsense and can’t enjoy it.

Monica isn’t sure whether they should go ahead with this without consulting the other Avengers but Starfox shrugs that it’s Vision’s decision.

Vision: “In that case, I choose to begin analysis immediately!”

In fairness, I’m sure he’s fed up with lying in a tube staring at the ceiling. Bring on the untested science! My god, just anything novel!

Starfox activates the devices, showing Vision’s body with unearthly energies whiiich makes him twitch and spasm and then a tiny Vision head pops out of his forehead gem.

Mazel tov?

I don’t think that was the intended outcome.

Outside, She-Hulk, Scarlet Wanda, and Wasp are returning from Apartment Quest.

Wanda mentions that she didn’t mean to be away from Vision this long.

Wasp: “Don’t worry, Wanda. I’m sure nothing’s gone wrong!”

Giant disembodied Vision head: “WRONG? ON THE CONTRARY, EVERYTHING’S GONE JUST FINE!”

Oh my god, he got Oz’d.

Imagine coming home to that! You go on an errand with a friend to take your mind off your coma robot husband and you come back and he’s a giant holographic head!

The three Avengers rush inside and find a more reasonably sized Vision hologram and Starfox protesting that this wasn’t how things were supposed to go.

Yeah, I suspected.

But Vision is thrilled with this turn of events!

Vision: “Evidently, the internal dysfunction in my body caused a data feedback-loop which overloaded my brain with ISAAC’s energy-information matrix. Simply put -- I have become as one with ISAAC and our own computer systems! The ability to project this holographic construct is a fortuitous side-effect!”

Huuuuuuuuuh!

Vision merged with some computers. This is fine. Is this fine? Is Vision fine? Starfox wants to know and so do I.

Vision: “ALL RIGHT?!? I’ve never been able to think more clearly. Even with my body temporarily out of order, I can be of great help to the Avengers! I can out-think, out-deduce any computer system in the world! All the information in our files is mine -- instantly! For instance -- I see there’s some unfinished business pending! Two opponents escaped us recently! Those two must be found!”

Well, Monica will be happy with that at least.

Geez, Vision is kind of... manic? Maybe its just the contrast to how dour he tend to be. But he definitely seems keyed up. Like he’s running high on having all these computers running through his brain.

Is this robot drugs?

Wait, no, vibranium is robot drugs. Is this other robot drugs? Connect to a super-computer and scream I’M THINKING SO FAST! ?

MEANWHILE, those very two miscreants!

In a hideout in the Bronx, Blackout is ranting paranoid about how they’re out to get him and are going to merge him with the light spectrum and destroy his humanity. Which is fairly unique paranoid ranting.

Of course, while he’s focused on glaring out the window, he’s not paying attention to Moonstone who prepares a drugged cup of coffee for him.

Blackout: “You’re the only one, Moonstone... the only one who hasn’t betrayed me!”

Moonstone: “That’s right! You can trust me! Now, drink it all down!”

Womp womp.

The drug makes Blackout trance out and Moonstone uses this to start interrogating him about his origin. And... maybe trying to help him? She did start off as a therapist. And even as a villain, she sometimes does therapy.

For some damn reason, Hank “Good Ideas” Pym got her to look over Avengers Academy kids down the line and offer her thoughts on them.

Anyway. Moonstone asks how he got this way:

Blackout: “Well... I ‘spose it all started when Dr. Croit set me up so I’d have to be his guinea pig. He... charged up my body with the power of a black star! That’s why I... *yawn* ... had to punish him!”

Moonstone: “Shh! I want you to listen closely... there are no black-star energies... There’s no conspiracy against you! Let your mind drift back! I want you to tell me what really happened!”

So what really happened is here’s how a Mark Daniels became a man with a lightning bolt mask. He was a lab assistant to Dr. Croit.

Blackout: “He always wanted to be everyone’s big daddy!”

Um. Okayyy?

Anyway, Mark Daniels was helping Croit build an experimental device for tapping energy from other dimensions. And, at least according to Blackout, Dr. Croit liked Mark Daniels because he was a dummy who didn’t understand the experiment at all.

Then one day, while he longingly caressed it, the device blew up in Mark Daniels’ face, somehow making his body a control surface for tapping into another universe’s “dark force.”

Dr. Croit wanted to cure Mark Daniels who took exception to the idea of having his newfound power taken away. So he killed Dr. Croit and the other assistants.

But the power was running out of control (shouldn’t have killed the doctor, ya dingus) and before Blackout could use the stabilizer to save himself, he got stuck... somewhere. Its a bit fuzzy to him until he popped out in Project Pegasus.

Moonstone believes that his mind couldn’t cope with what happened to him so he made up the black star nonsense to be An Explanation.

Moonstone: Imagine... all of that power at the command of a raving paranoid! Yes, but he’s a paranoid who trusts me! Now that I have a handle on his power, I should be able to manipulate him into doing just about anything I wish! Why, with the dimensional-warping potential of a power like his, we could be unstoppable!

“Blackout, we have a very bright future ahead of us!”

And then Vision pops in from nowhere and gives Moonstone a startle.

She fires some of her hand pew pew at him but he’s a hologram and just sasses back.

Moonstone runs to wake up Blackout while Vision can’t help but show off how smart he is now that his computer brain is overclocked.

Vision: “It was, of course, clever of you to seek refuge in a hideaway of your former ally, Egghead! Unfortunately, with all the cross-referenced data instantly at my disposal, tracing you here was child’s play!”

Blackout wakes up and Moonstone basically points at Vision and tells him ‘get ‘im!’ and Blackout gets ‘im.

He uses the same imprisoning black sphere move on Vision as he did on Captain Marvel.

And it probably would have worked. If Vision was really here. He’s just a hologram. And, sure, the light of the hologram would probably be trapped in the sphere too. It trapped Captain Marvel when she was light. But Vision is being projected from elsewhere so he can just turn the projection off and then turn it on slightly to the left.

Vision: “I’m sorry, but that won’t work either! You see -- I’m not really here at all! But my friends are!”

Oh, Vision, you sassmaster.

Moonstone’s ‘knows when to fold them’ kind of lapsed when she was attacking Vision instead of remembering ‘hey doesn’t that guy hang with the Avengers?’ but a whole bunch of Avengers busting in reminds her.

She blasts the floor beneath her and Blackout to try to escape and has Blackout seal the hole behind them to buy time.

But Scarlet Witch is still a great counter to... maybe anyone? But especially Blackout.

She waves her hands at the black barrier and it turns into goo and drips all over Blackout and Moonstone, ensnaring them before they can even try to run.

The Avengers storm after the two villains.

Trapped, Moonstone tells Blackout its up to him to stop the Avengers!

Moonstone: “Concentrate on your power! It’s greater than you realize! If you try, you can control it completely... make it do anything! Concentrate... make this 'dark force’ release us! Yes... that’s it! You’re doing it! But you can do more than just reform the darkness into a protective sheath! You can turn it back on the Avengers... you can make them merge with the darkness! And then we can get out of here!”

Vision warns the Avengers that the dark-force is a manifestation of another universe but She-Hulk is skeptical so goes to grab Blackout out of the black goo but her arm goes right through him.

And not in the gory way that you’d see these days.

Blackout and Moonstone are pretty perplexed too.

Apparently, he done goofed and merged him and Moonstone with the darkness and the two get sucked into a singularity and disappear.

Vision: “This may be a first... Our enemies have actually imprisoned themselves!”

Geez, Vision, these assholes might be dead.

-google- Huh. Nope. They’ll be back to menace.... Dazzler? Huh. It be like that sometimes.

Sidenote: I do like that Captain Monica Marvel, as the newest to this superhero life, is the one that most visibly shows shock and consternation at two villains being sucked into an unknown fate.

It’s a nice touch.

Even though the villains maybe got away? Or got sent to the next dimension? She-Hulk congratulates Vision on finding them. And then notes, seconded by Wanda, that Vision is becoming more of a vision.

Scarlet Witch: “Darling? Your holographic projection is starting to fade!”

Vision: “So it is! I seem to be having some difficulty maintaining the transmission over the distance! Perhaps I’ve overextended myself a bit.”

He decides to switch off the projection to run a systems check.

Later, back at the mansion, the Giant Floating Head of Vision reassures everyone.

Vision: “I was just explaining to Captain Marvel that there’s nothing to worry about! As I’d already guessed, the strain of the long-distance transmission was a bit taxing. A few days of rest, and I’ll be able to transmit myself almost anywhere. Of course, by then, I hope to be physically mobile, as well.”

Scarlet Witch: “Vision, you must be more careful! It’s not safe for you to consider using this power again... not until you’re fully healed!”

Vision: “You mean ‘repaired,’ Wanda. But, yes, a certain amount of caution is required. I must adjust to this extra power in stages. Once I’ve mastered it, I’ll never be so helpless again. I’ll be able to do anything... anything!”

Well.

That’s a massive red flag.

Being locked in a tube has not done wonders for Vision’s emotional state that he always pretends he doesn’t have.

(Side note again: I like that Wasp’s costume has an open back, for her wings. It’s another nice touch.)

Starfox asks if Vision has ever had ego problems but Wasp says he’s never had a swelled head like this.

Nah, not exactly. But can you imagine!

But yeah, no, she says he’s never showed ego like this before.

Its actually such a massive red flag that everyone present seems to pick up on it.

But there’s no time to address that because they get an emergency call from Tigra.

Ah, Tigra! You were fun the short amount of time you were here. What wacky hijinxes do you have going on now?

Tigra: “I’m at St. Anthony’s Hospital in San Francisco, Jan. No, I’m fine -- but a friend of mine is literally at death’s door. She may not make it if we don’t get some help fast... and I mean big help! It’s hard to explain over the phone, but... do you believe in ghosts?”

!!!!

Why, Tigra! I didn’t know you and Spider-Woman were friends!

So next time.... uh. We won’t be addressing this right away. The next Avengers’ issue is an infamous offering from Assistant Editor’s Month and before we can even get to that, we need to look into what Hawkeye has been up to because it’s kinda relevant. Or will be relevant soon. When Marvel decides to give this liveblog a headache by splitting the party.

Oh yes, West Coast Avengers looms in the near future. As does Secret Wars. As does David Letterman!

Good grief!

Follow @essential-avengers​ because I’m going to try to cover all these things. That’s a good reason to follow, probably. Also, like and reblog if you like to reblog.

[tangled-cl0wn-core]

Where, besides Tumblr, can people find you doing fannish things? (Obviously only mention sites and usernames you actually want to be found at. Don’t expose your secret identities on my account.)

What other names have you gone by on these platforms, including Tumblr, if any?

When did you join the IT fandom? And what got you into fandom, to begin with?

What are your favorite ships, or characters, if any, and why? What do they mean to you?

In what ways do you participate in fandom? (ex. Posting memes, reblogging/commenting on content, writing fanfic, making fanart, creating fanmixes, etc.)

Do you have any in-fandom inspirations? Other members of the community that drive you? (And if you have the time/energy, in what ways do they inspire you?)

Name and link some of your favorite works, please!

Do you have any works of your own that you feel particularly proud of, or wish more people would’ve consumed? Please provide links if possible.

Have you ever participated in a fannish event (ie. IT Week, a fic Big Bang) or applied to be a part of a fanzine? If so, which ones, and can you please link them?

Without any form of bashing or lashing out, what is something you feel this fandom is missing?

 HI!! since you asked before sending it, I knew this was coming but my First Cool Guy Tumblr Ask is so neat,, anyway!!

This is my only IT-specific account, but I post almost everything I draw on my instagram, https://www.instagram.com/fabricsofteners/ (I don't know how people make links cool on tumblr aaa) I also have an AO3, https://archiveofourown.org/users/tangledheadphonecord , where I might post this one really long fic I’m working on (maybe not, as it’s super lame but God am I putting in work)? But mostly it’s just really old stuff atm, and no IT content right now - just some random drabbles from past hyperfixations tbh.

I used to be ‘fabricsofteners’ everywhere besides here - tangledheadphonecord is a username I used for my tumblr because I want a change from the fabricsofteners brand, as I've had it for quite a few years and have just grown kind of bored - just waiting a bit to change my instagram user. I also used to be ‘unbrandedmarkers’ like, three years ago on instagram? but, that era ended fast. I think I might have an old Tumblr under some variation of ‘fabric softener’ but honestly even if anything is up on it I’d probably be embarassed to look at it now.

I watched IT for the first time in 2019, I believe, but wasn’t really in the fandom until actually like, April of this year. I entered the fandom and developed a hyperfixation (sobs) by complete mistake - I read all the fics for michael mell/rich goranski on ao3, and was on a camping trip and wanted to read some Homosexual Fanfiction and literally remembered IT on a whim (rich-to-richie association) and read a bunch of Reddie fics, and it was all down (up?) hill from there.

Unshockingly, I’m sure, Reddie is my number one favourite IT ship. I’m also an enjoyer of Benverly, as well as Stanley/Patty - IT is like, the only fandom where I actually like the canon ships. I do also think Streddie/Stozier is really cute and Bill/Mike (unsure of the shipname?) is nice when I see it!! I think Reddis is cute because I am a total sucker for best-friends-to-lovers, as well asthe  ‘I tease everyone but mostly you’ and the ‘I’m so tired of you bullying me but if you ever stop I’ll cry’ and... just, the entire dynamic that they have. Stanley/Patty - there is no reasoning, I just want Stanley to be happy. Benverly - the way they were each other’s first Meaningful Interactions in so like?? agony, they’re so cute. They both deserve to be happy, and I’m so happy they find that happiness in each other. 

As for characters - Richie is absolutely my favourite. I (unfortunately /hj) kin and relate to him on so many levels it hurts. Having a character that feels that fear of their sexuality because of a horrible environment is painfully real. covering up struggles with humour and all that?? yeah, mood (also, crushing on your best friend-). What he means to me, in a sense, isn’t really canon - I read strictly fix-it fics, because I want to feel that hope that like fanon Richie, I don’t have to hide forever. I can be myself and be happy. Obviously I can’t much look to the movies or anything for that but hey - what’re Andy or Stephen gonna do, tell me to stop reading fics? 

I also really like Stanley!! I don’t,, have a reason. I just think he’s adorable and I love his dynamic with the other Losers a lot. Stanley breathed like, once, and instantly became a comfort character and not even I know why at this point, he just is. Eddie & Bev are up there, too - honestly, Bill is the only Loser I don’t have a strong attachment too. And honestly, he’s growing on me rapidly.

I mostly draw whatever my goblin hyperfixated brain can think of, as well as rebloging just about every post that I see and like (art, jokes, edits, fics, etc.) - I start and stop a lot of fics, maybe one day I’ll finish one but as of yet I have not... Sigh.

I honestly don’t think I do have anyone to tag for inspiration? I follow IT blogs but none I would go to for inspiration (no offense to any mutuals-) inspiration for me is mostly just seeing a pose and going ‘okay’ and suddenly I have a drawing - I have no clue what happens in between.

So, my current all-time favourite IT fic atm is https://archiveofourown.org/works/18213215/chapters/43087232, though I will say it’s a really heavy fic and to read with caution. Going away from Angst, any ‘famous Reddie’ AUs are amazing, but I constantly reread the entire https://archiveofourown.org/series/1560019 series. It’s cute and funny and I THRIVE for domestic Reddie content. 

Actually not Reddie, I throughly enjoyed https://archiveofourown.org/works/23201011 for giving me the Mike content the movies have robbed me of for too long, as well as https://archiveofourown.org/works/25262698 which is pure stanlon greatness and made my heart flutter for the boys more than once.

I don’t really have any IT fics up of my own creation, and honestly my reception in way of Tumblr notes is far better than I expected so honestly, I have none to link lol. As long as I get minimun interaction I will thrive.

I wish I could say I’ve been in anything like a zine or anything, but I have not! I’m relatively new to the fandom (and having a social media dedicated to one thing) so I wouldn’t even know where to begin to join or be qualified for one, y’know? I’ve done art weeks in the past and found them incredibly fun but haven’t seen any for IT - but if anyone does happen to know of any... Feel free to send them my way-

As for the last question - other than like, hyping up Chosen and Jeremy just as much as we do the other IT kids (which, honestly I’m not even sure if is still a problem - I’ve just seen posts about it and it’s made me wary), I’m not sure? I’ve honestly not encountered anything in the fandom I find awful and honestly, for a fandom about a movie that is... Well, IT, I’ve really just kind of enjoyed my time in the fandom thus far?

(I will say we need 200% more attention being drawn to 1990s adult Eddie Kaspbrak, who is one of the most beautiful men I have ever seen - but I also feel that way about James Ransone, so I’m not mad.)

(Also, we should be calling out the 1990s IT more, I watched it recently and it’s so bad /lh)

Anyway!! I feel like this answer was incredibly long and I am so sorry!! But like, thank you so much for asking me anything at all fihabsfhbafb I thrive at any chance to talk about the dumb clown movie. (Also, i’m sorry I say ‘honestly’ so much-)

[thatanimenerd101]

What Is His Name?

Hello everybody. To start off I am NOT CAUGHT UP WITH THE MANGA SO yeah. This little Drabble is actually based on a dream I had.

 Paring: Hawks (Keigo Takami) x female reader.

 Warnings: Mentions of depression (sort of) , self-doubt, drunk driving and mentions of baby.  But most importantly FLUFF! Now if any of these topics trigger you, don’t read ahead. You can make your own choices and please if any topics stated above make you uncomfortable don’t read.

 I’ve never written something this long before, but after this one. I will be taking a break from writing for a bit. I may write some stuff but I won’t post it. Maybe, maybe not. But I’ll still be on Tumblr, my ask box is still open, I would like to talk to my followers. But I don’t get much communication from you guys. I’d really like if my ask box would get something in it. But for now, I really want to thank the people who have helped me and given me ideas. I feel like I have a family on here. So, if you’d like to in my little tumblr family, all you have to do is comment. Well anyways on to the story.

Tag list: @queensynderella​, @keigos-dove​, @zyrielwolf​

Thank you to all these three people, they are wonderful. Go follow them.

 Word count: 2.1k

All art credit goes to Aoazura, I hope that’s spelled right. If not I’m sorry.

   You and Hawks have been dating for almost a year, you had known him since you were 20. It has been two years since he saved your life. That day you were taking a stroll and while crossing the street a drunk driver came out of no where and almost killed you. Hawks had been flying by when he used one of his feathers to pull you back to the sidewalk, while one of his sidekicks with a strength quirk stopped the car. Still in shock you couldn’t stand, only his feather held you up.

 “Are you okay miss?!” The sidekick ran to your side.

 You however couldn’t speak.

 “I’ll take this one, clean up here.” Hawks landed next to you and put an arm around your waist to hold you up, the feather that was holding you up was now floating in front of you.

 “Yes sir!” The sidekick said.

  Hawks picked you up bridal style and flew you to a rooftop. Once he landed, he set you down on the ground.

 “That was quite an experience, are you alright miss?”

 “I-I-I’m a little shaken up, but I’ll be okay. Thank you Hawks.” You bowed.

 “It’s no problem, it’s kinda my job to save people. I am a hero after all.” He was flying a few feet in the air, looking down at the city.  

 You looked at your phone, and you were going to be late for work.

 “H-Hawks?”

 “Yes?”

 “Can you fly me back down? I’m going to be late for work if I don’t catch the bus.” You showed him the time on your phone.

 “Why take a bus? When I can just fly you there, where do you work?”

 You had work at a nearby studio, a music one. Your quirk wasn’t related to music. Music was your hobby.

 “I work at the studio downtown, the music one.” You smiled sheepishly.

 “Oh?” He smirked. “You work with music?”

 “Yeah, it’s really fun and interesting. There’s something new everyday. But are you sure you have time to fly me, you are on duty?”

 He picked you up bridal style once more.

 “Of course, I have time, I am the man that goes too fast after all.”

 Before you could say anything, the both of you where in the sky. He wasn’t flying fast, but he slowly increased the pace he was flying at, so that your body wouldn’t go into shock.

   That day was a year and six months ago. After the day he saved you, the two of you would hangout on a rooftop and just talk. He wouldn’t talk much, but he listened to you. But one day you asked him out to dinner at your place. Hawks had been gaining trust with you, but he still hadn’t told you his real name. He couldn’t risk anyone knowing his real name.

  That night you cooked a chicken-based meal and you dressed up a bit. You didn’t mind waiting for him, he was a hero after all. You waited for an hour, you started to think he stood you up. I mean, he was really handsome and he could have anyone he wanted. Standing up from the table, the food was now cold. The wine in your glass was now gone. You took his glass that was still full and dumped it down the sink. You decided you would clean this up later, you sat down on the floor by your balcony and cried.

 You didn’t know how long you cried for but your clothes were wet from drying the tears. You had liked him and tonight proved that he didn’t feel the same.

 Well until you felt someone hugging you.

 “I’m sorry y/n.”

 You looked up and saw the man with wings staring at you. He wasn’t in his hero costume; he was wearing jeans and a t-shirt.

 You sniffed. “G-Go away.” The tears were running down your face again. You tried to push him away but he held you.

 “No, I won’t. I’m sorry that I’m late y/n, I had to do something before I came here. I would’ve texted you, but you know that there’s villains that hack into people’s phones. I can’t risk you getting hurt.” He picked you up and sat you down on the couch.

 You had a little too much wine to drink so you were a sobbing mess.

 “Okay, I forgive you Hawks. But I cooked dinner for us and now it’s all cold.” You huffed.

 “Awe, don’t worry we can still have dinner, and I smell chicken.”

 The two of you ate dinner after Hawks heated it up in the microwave. You didn’t drink any wine, besides, can’t fly and drink. That night he tugged you in bed and left a note on the fridge for you.

 “I had fun, next week Thursday I’ll treat you to dinner. Food was great.”

  Over the next few months, the two of you grown closer and closer. He still didn’t tell you his name and you respected that. The day he asked you to be his girlfriend was hilarious.

 You were at work talking with a few of your male co-workers, laughing and telling jokes. Until your boss busted in the door.

 “L/n you have a guest in your office for you.”

 He decorated your office with roses and once you opened the door, he hugged you and asked you to be his girlfriend.

 “Yes, Hawks I will be your girl.”

 Everyone you worked with didn’t say anything to anyone about your relationship.

  Tonight, was your one-year anniversary of dating. Sometimes you didn’t see him for weeks but you trusted him. All because of the charm he made you. It was some of his small feathers on a keychain. He told you that is you were ever in trouble; he would be by your side in a second. You would play with the feathers and if you were stressed it would help you calm down. Hawks had moved in with you, he said he liked your place better. It seemed like home. But something was bothering you again. After two years, he still hadn’t told you his real name. You had nicknames for each other, but he never told you his name. You had enough of it, you’d known him for two years and he still wouldn’t tell you. Every time you’d ask, he switched the topic. So, once he got home you were going to talk to him. Did he not love you anymore? Did he get bored of you? Was it your body? You began to doubt yourself. You never had sex with him, the two of you agreed to wait for a while. Sex was an open topic you tell talked about sometimes.

 When he got home, he had a rose in his hand.

“Hey Dove I’m home!” He waited a minute for you to run to him and give him his usual hug and welcome home kiss. But you didn’t.

 He found you in your shared bedroom, laying on the bed.

  “Dove? Are you okay?” He sat down on the bed; his hero costume was on the floor.

 You decided to let it out.

 “No, I’m not okay.” You said while your voice cracked.

 “Tell me what’s wrong.”

 “You know almost everything about me, but I barely know you. I don’t even know your name! I only knew you as Hawks! How am I supposed to marry someone if you don’t even know their name!”

 Something snapped in him.

 “Okay, I’ll tell you everything.” He told you about his past and how he was forced to become a hero.

 He cried, the both of you cried together. It was sad of what he went threw, and his last.

 “From now on y/n, call me Keigo. My real name is Keigo Takami. Don’t ever call me Hawks, unless we are in public around people.

 “Yes, Keigo.”

 He started to tear up again.

 “Say my name again.”

 “Keigo.” You smiled and he smiled. The biggest smile you’d ever seen.

 “Keigo, Keigo, Keigo.” You said again and again.

 “I love you y/n.”

 “I love you too Keigo.”

 That night the both of you decided to watch Netflix and he told you more about himself, his family. But this was the best night of the two of yours lives. You were cuddled up and kissing him on his face, lips and along his jawline.

  “Y/n?”

 “Yes Kei?”

“Now that I told you everything, there’s something else I wanted to tell you.”

 You looked up at him and waiting for him to continue.

 “I’m taking off of work for a while, the commission said I needed to take time off, and they are sending me to a beach and I wanted you to come with me. It’s a vacation, and since I don’t think I’ll get something like this for a while, I want you to come with me.”

 You smiled.

 “Yes! I’d love to come with you! When do we leave?”

 “Next week Monday, love.”

 You kissed him and smiled.

 “We should pack tomorrow, now it’s late and we both need sleep.” He carried you back to your shared bedroom.

 He held you close and nuzzled your cheek; you nuzzled his neck. You feel asleep cuddling the man you loved.

  It was your last day at the beach, the sun was setting. It was very romantic; you were standing on the shore letting the waves crash into your feet. Keigo’s hand intertwining with yours, he looked at you and smiled. He let go of your hand and got down on one knee and you gasped.

 “I’ve known you for long time, but it feels like forever.  I want to be able To spend the rest of my life with you. I want to have a family with you. I want you in my life forever y/n. So y/n m/n l/n will you marry me? I promise I’ll be the best husband I can be, for you.” He pulled out a ring from his pocket, it was beautiful. It had a Dimond in the middle with two red stones on each side of the diamond.

 “Yes, Keigo I will marry you.”

 He put the ring on your ring finger and he hugged you tightly. You were flying in the air. He was going to marry you some day. You would be his wife and he would be your husband.

Once the both of you landed, he kissed you again and again. You laughed and kissed him back each time. He was happy and so where you.

   One year later.

  Today was the big day, after many weeks of planning, shopping and getting everything ready. Today was the day of the wedding.

  You walked down the aisle in your white gown. Keigo was trying not to cry, only family and friends were allowed to attend.

 You both said your vows.

 “I do.” You both said.

 He kissed you, like he hasn’t seen you in years. Everyone cheered. You were finally together, forever.

    After your honeymoon weeks went by, well until Keigo asked you a question.

 “Hey, isn’t your period late? You haven’t asked for ice cream or anything in a while.”

 You looked at your phone, you never really payed attention to your cycle.

You were 3 weeks late.

 “Yeah, it’s late. But it’s probably with all the excitement that’s throwing off my clock. But if it doesn’t come tomorrow, I’ll call the doctor- “

 “I’ll come with you.” He smiled.

      “Well congratulations Mrs. Takami, your pregnant!” The nurse cheered and smiled. Since you went to your female doctor Keigo was waiting on the roof top for you.

 “I’m going to be a mother?” You were in shock and very happy.

  “Yes, you are about four weeks along. Now I am going to need to see in a week for a check-up, then after that every three to four weeks.”

 All you could do was rest your hands on your stomach, you had a baby inside you.

 When you told Keigo he almost cried.

[bitletsanddrabbles]

Theater vs. Books

One thing that has routinely shocked me in the Downton Abbey fandom is how little people seem to know about how TV works, particularly when compared to written fiction.

Examined logically, this should probably not be surprising. I’ve been involved off and on in school plays, church plays, acting camps, etc. for as long as I can remember. I actually went into university on an acting ticket, only to switch when I realized I’d get ulcers if I tried to make a living at it. Between writing classes and Dad going “Honey! The Vacation Bible School skit scripts are terrible again this year! Can you fix them?” I have way more scripting know how than I realize, not to mention directing since I then directed all the skits. I took a few combined study classes in college that involved film and, of course, my BA is creative writing, which does not make me the be all and end all of writing knowledge (there are people who haven’t taken a writing class in their lives who can out write me), but does mean that I have more idea what the different parts of a story are and how they fit together than someone who just took high school English.

However, one of my personal neurosis is that I know the education system I went through is substandard and that I am bad at research, therefore I expect the entire world to know more than I do. From a logical stand point this is rubbish, but try telling my psyche that when someone talks about how bad an actor is and then holds up a badly directed piece with a lousy script. (Guy in high school who insisted Nicole Kidman couldn’t act because Batman Forever, I am so looking at you.)

I mean, really. It doesn’t matter how much I’ve done or how much I know. If I am the only person on the planet who did not, at age five, win an academy award for my first screen play, which I also produced, directed, and starred it, everyone else should know more than me.

Don’t think I can’t see that trophy you’re hiding behind your back.

So for the sake of spreading awareness of what education I do have and helping my neurotic little mind cope with the reality that I’m not the least education person on earth, I’d like to make a few points on theater - both stage and film - versus the written word.

- Theater is an incredibly limited art form. Unlike prose where your narrator can spend pages taking you deep into a character’s psyche, most theater is restricted to communicating entirely thorough what can be seen and said in dialogue or monologue. Some theatrical pieces do use a narrator, but a lot of disadvantages to this in an acted piece (it creates pacing issues, people find it off putting, etc.), so it’s not common.  Now, since people perceive emotions differently based on their personal experience, getting an entire audience on board with a nuanced performance is basically impossible. Take sarcastic characters, for example. In a book, you can say that a character made a sarcastic joke that wasn’t meant to be malicious, but that people got offended anyway. Different people will read it different ways - some people will insist it was malicious despite the explicit statement it wasn’t, etc. - but the story has told you the impression you’re intended to get. In theater, your actor has to be sarcastic, the other actors react poorly, and even if you write in, “I was only joking, geeze”, it’s up to the audience to decide whether that was true or not.

So no matter how good your actors, directors, and writers are, it will always be tricky to nail down the intended authorial intent of any one scene or character.

- Theater requires a large budget. Writing does not. Seriously, these days technology is all about multitasking. It’s pretty much gotten to the point that you can buy a toaster and write a story on it. The most expensive books to write I know of are the early Harry Potter novels because JKR wrote in notebooks with pens. Oh yeah, and she bought coffee to drink while she did it. Now, you can argue that computers still cost a fair amount of money, but they’re pretty much a one time expenditure (unless you insist on upgrading or you break it or something basically not-inherent to computer owning).

Every time an actor walks on a stage or screen, they earn money. Every time a character changes clothes, that costs money. Every time there’s a scene (mostly stage) or location (mostly film) change, that costs money. Every time something catches fire, that costs money. Every rehearsal costs money. Theater is one, big shopping list.

- Theater has time limits. Books do not. One of the things in the budget for a theatrical production is space for that production to be seen. It’s a stage or a park or a movie theater or TV air time. All of that costs money and how much you can buy depends not only on how much money you have, but how much time the owners of the theater, park, TV station, etc. are willing to give you.

This means unlike book editors and publishers who can look at a work so stinking long no one would pay for it or want to hold it up long enough to read and go “Sorry, Mr. Tolkien, but we’re going to have to break this into three parts,” the people writing scripts need to try and meet a strict time limit - not shorter, not longer  - and if they go over, the editors have to actually take stuff out.

The closest thing writing really has to this is things like drabble challenges where you have to tell a story in an exact number of words. When these first hit Live Journal they were popular because they were a challenge. When they started losing favor, it was because 90% of the time you wound up sacrificing good writing for word count.

Theater, thankfully, is generally a bit more forgiving, but still. Telling a segment of story in a one hour time slot - or a full story in two hours - is not a walk in the park.

- Theater is not a one pony show. There are so many times I have seen people criticize an actor or director or script writer for something that is blatantly not their fault (see above), that I can’t even begin to count them. Theater is a group effort. If someone blows their lines, it’s not the script writer’s fault. If a director insists that an actor ham it up, that is not a reflection of the actor’s skills. There are times when directors actively screw up the action and the script writer doesn’t get a chance to fix it. An example of this is Downton Abbey, season two, where Anna and Ethel were supposed to be fluffing the couch cushions - the part you sit on - by dropping them. This was filmed as them dropping the throw pillows, which made no sense, and by the time Julian Fellows got to see the rushes, there wasn’t time (or money) to redo the scene. So we’re stuck with two maids who apparently don’t know how to fluff pillows and, if you do know how to fluff pillows and have not read the scripts with authors commentary, an audience who assumes that the writer was the person who got it wrong.

- In theater, especially film, mistakes are forever. This is more or less true in traditionally published writing as well, but it’s amendable. If an author makes a typo or gets off in their timeline or forgets where Dr. Watson’s war wound was in the last story, it’s set in stone for the already printed edition, but can, if the author so chooses, be corrected in later printings. Similarly, in stage theater a gaffed line is gaffed and there’s no un-gaffing it, but you can get it right in the next show.

An error in film is set in stone until someone decides to do a remake.

- In no institutionalized story telling medium is the audience comprised of one person. Unless someone is telling you a bedtime story, the story is not meant to cater solely to you. In fanfiction, which is amateur by definition, you can appeal to as niche a group as you like. In professional story telling, you need to appeal to as broad an audience as possible if you want to be successful. In theater, with it’s time constraints, this means every time spent on one plot line is time that can’t be spent on another plot line. In order to please the fans of character A, you have to take story time away from the fans of character B and vice versa. It’s a balancing act where you try to please everyone, and pleasing everyone is impossible. And everyone I’ve seen say “We really didn’t see enough of (x) in this show! We were robbed!” has a plot (y) that “served no purpose” that could have been sacrificed for their satisfaction, but guess what? Someone loved plot (y), wanted to see more of it, and thinks (x) could have been cut out to make that happen. The reason the creator gave us a little bit of both instead of a lot of one and nothing of the other is not because the don’t care about the fans of (x) or (y), but because they care equally about both of them.

They have to.

It’s their job.

[theparanormalperiodical]

The Real Story Behind Suspiria (2018) And The 5 Other Paranormal Places You Need To Know About

It’s the classic Hollywood story:

Girl moves to a different country to pursue her dreams of stardom.

Girl auditions for dance academy.

Girl is selected as the new host for the head witch of a coven.

Oh and there’s some Nazis in there as well!

Okay, so maybe it doesn’t fit in the Netflix Rom-Com section…

But regardless - it is all based on a series of true stories. 

It was only last year that a remake of the 1977 art classic - Suspiria (2018) - hit Amazon Prime and a handful of theatres. And joined at its hip was a flurry of top-rated reviews that swooned over its artistic rehashing of the horror genre.

Well, I say top-rated...

For a horror movie it faced a standing ovation, but it was still on the receiving end of many a ‘meh’. 

Nevertheless, fit with an intricate plot and fleshed out with garish gore, this is undoubtedly one of the best horror films of this decade. 

(It it here that I realise that we are about to enter a new decade and I feel like lying face down on the floor and having an existential crisis.)

And it turns out that it’s twisted plot is actually set against a very real backdrop.

Yet despite the intricate set of stories providing the foundation to this tale, Suspiria rarely wears the ‘based on a true story’ label.

Sure, one of the writer’s own stories is often discussed when it comes to this film, but the reality actually goes much deeper and much further than this.

For the last week I’ve been attempting to keep us with the winding story, but it is little discussed, well, anywhere. 

Nevertheless, I’ve brought together everything I could uncover, and present to you this complete guide to the real story behind Suspiria!

Today’s post will cover the essay that served as the main inspiration, the tale it is directly based on, and the paranormal phenomena of magic triangles that support it, too.

Let’s get spooky.

First, Let’s Recap The Plot Of Suspiria

It’s the 1970s. We are in Germany, near the tripoint-border of Switzerland and France.

The main chick from 50 Shades of Grey rocks up to, like, the hottest dance academy to try her hand at being America’s next drag superstar the next big thing. 

Problem is, the academy is run by 3 matrons who worship the Three Mothers - a group of witches determined to bring tears, sighs and darkness to the world!

(mwahahaha)

When someone does call them out for being witches, they get tortured and killed.

Oh, and it all happens through the medium of dance!

No, seriously. 

All the big moments of the plot coincide with dance numbers.

It’s like the prom scene in films about high schools, or maybe the big game!

Anyway - this new kid gets voted as the host for the freshly elected head witch of the coven. And accurately, the other witch who wanted to be elected isn’t happy.

When one of the dancers gets kidnapped, a fellow student investigates, and finds clues in her journal which leads her to the witches’ inner sanctum.

This is where the witchy stuff goes down.

They #roadtrip it to the inner sanctum, and find the kidnapped student who is being used in a ritual.

And this all happens at the same time as the prom big dance! 

The ritual ends up being done incorrectly, and the new kid is possessed by the Jeremy Hunt of the witches.

The possessed new kid then avenges anyone who didn't vote for them. 

This witchy-posessy-death-fest ensues and features as a part of the big dance. 

Witchy control of the dance academy ensues. 

TL;DR - just watch an episode of Dance Moms.

Suspiria Is Originally Based Off The Essay Suspiria De Profundis

The film might be traced back to many paranormal phenomena, but the basis for the film starts here in 1845.

Thomas De Quincey, the author behind Suspiria De Profundis, wrote a collection of short essays which centre on psychological fantasy. 

It is even believed that he wrote these essays based on his own visual experience of Opium; this clearly births the artsy-fartsy nature of the film.

However, it was a screenwriter’s use of these essays to create the original 1970s Suspiria which tied all the strings this post will talk about together.

The inspiration from the essay centres on the three witches known as The Three Mothers. 

And even though this seems a small literature-based link to the film, Argento expands the focus on the Three Mothers to other paranormal phenomena that mirror this.

And this paranormal phenomena includes The Magical Triangle - a region in Europe where occult communities come together and paranormal events are amplified.

However, it turns out that there is not just one magic triangle.

There are five. 

But before we take a roadtrip round all these triangles, we have to discuss the story that directly influenced the film.

Nicologidi’s True Story That Inspired Suspiria

So, we know that Argento’s knowledge of paranormal phenomena directly influenced the film...

But it’s the other screenwriter - Nicolodi - which has a story which directly mirrors the events of the film.

Well, to an extent, that is. 

Nicolodi’s Grandmother went to a Piano school in the area Argento is so obsessed with, and the Grandmother claimed that at this school they practiced black magic.

Clearly this is a simple tale not dissimilar to the other films toting ‘based on a true story’.

However, it’s how Argento expanded this to include other paranormal phenomenon that rightly bestows upon it this classic - and often misused - tagline. 

Argento’s Magical Triangle

“There’s very little to joke about. It’s something that exists…”

Argento clearly based Suspiria on real paranormal phenomenon. 

And it starts here, with The Magical Triangle

It is claimed that the area where France, Germany and Switzerland meet has a history closely linked to the occult.

Whether it’s cursed cathedrals or the collection of occult communities, this triangle was one of the core pieces of inspiration for the flick.

And one of the factors contributing to the occult-focus of this triangle is the teachings of Rudolph Steiner.

(note - this is not steiner in this gif)

Steiner - a social reformer and occultist - created a anthrosophic community in this area. This includes the Waldorf School which was rumoured to have practiced both paganism and satanism, mirroring Nicolodi’s story and the film itself.

Unfortunately, I can find very little information on this triangle itself.

But the other magic triangles I have discovered have received their own fair share of attention.

The 4 Other Magical Triangles You Need To Know About

There are 2 other magic triangles in Europe, alone.

And both actually come together and meet in Turin - a city which is considered a hub of supernatural activity.

The first triangle of these triangles is the Black Magic Triangle:

This includes San Francisco, London, and Turin, and its history dates back to the Roman Era.

Said magic is believed to come from the energetic currents that flow through the cities, with Turin staking its claim as the most magical - and this is because Turin is supposedly suspended between good and evil.

The white magic triangle involves Turin, Lyon and Prague - and all I can find on it is this:

It is claimed that ‘those who know’ go to this area to pay homage to the ‘grand old man’ - make of that what you will..

This magical and mysterious area is further inferred by Turin’s position on the 45th parallel.

“Turin is the place where my nightmares are best.” - Argento.

Yes - that quote is from Argento, confirming the influence of multiple magical triangles in the creation of Suspiria!

And why wouldn’t his nightmares be best here?

This Italian city has witnessed its own history of paranormal events and phenomena, and is even believed to house the hidden gate to hell.

Take the Piazzo Statuto:

Not only has it seen a bloody battle back in the 18th century, it’s angel statue represents the dichotomy between the good and evil Turin allegedly contains.

The angel can also look like the devil, and even bears the mark of a 5 pointed star.

Turin also is claimed to have once housed alchemical labs underground with rumours of metal being converted to gold, a myth relating to the legend of the Philosopher’s stone which has its own paranormal associations.

Ghosts have also been said to roam the streets, such as that of Christine Marie who pushed past lovers into the river to drown.

#brutal

The final paranormal phenomena of Turin I want to discuss is that of Palazzo Trucchi di Levaldigi.

Fit with a hell-inspired door-knocker, this is yet another reminder on the mish mash of magic triangles spread across the world.

Indeed this building is the city’s tarot manufacturer. And the building number? It’s 15.

The tarot card with the no. 15 is the card of the Devil.

The 40,000 satanists rumoured to be lurking the streets of Turin and performing rituals in basements confirms its mysterious existence further.

Our next magical triangle is probably the most famous mystery in existence:

The Bermuda Triangle.

This triangle deserves it’s own post given the sheer volume of evidence, debunking and discussion given to its name. Nevertheless, it further reinforces the reality behind Suspiria.

Also known as the Devil’s Triangle, this is an area from which travellers who sail or fly through often go missing.

The recorded occurrences began in 1950 with the loss of Flight 19.

Whether it’s the claims of UFOs, or the lost city of Atlantis’ technology, this triangle be a spooky one. 

Our final triangle is a little less international, and resides in the state of Massachusetts in the US of A:

It’s the Bridgewater Triangle.

Named by paranormal investigator Loren Coleman, this 200 square mile triangle has been a home to many a creature in its time.

From a huge black dog back in 1976, to tall, winged creatures, and even Bigfoot, this is a hub for paranormal sightings.

Weirder occurrences such as mutilated cattle have also been discovered, confirming that Suspiria’s story goes much deeper - and further - than we would like…

The True Story Behind The Three Witches

The last piece of paranormal phenomena we have to discuss is that of the Three Witches. And no, Suspiria isn’t the first piece of pop culture to make note of witches coming in threes.

Sure, Shakespeare beat Thomas to the chase with the Weird Sisters in Macbeth, but three is actually a very spiritual number. 

Clearly the most obvious claim to this is the Holy Trinity: God, Jesus and the Holy Ghost. 

But mirroring this is the stages of the moon; the concept of Mind, Body and Spirit; and Mother, Maiden, and Crone.

The last trinity points to pagan beliefs regarding the seasons, but also relies closely on their perspective of witches, particularly in British folk religions. Witches were often believed to come in threes, and contained a mother, a maiden, and a crone.

And thus, as triangles have 3 corners and 3 sides, we see how a link is forged between the 3 witches in Suspiria, and the magical triangles already explained in this post.

This is especially true given the importance of a triangle as a symbol in paganism.

Whether its derived from paranormal theory, or sought from the tales of terror lurking around the world, Suspiria isn’t just based on 19th century literature. 

Indeed, it has pointed us to a paranormal phenomenon - that of magic triangles - little discussed among us mere mortals.

So - what’s your verdict?

Do you think Turin is haunted by the clash between good and evil?

And who else wants to roadtrip round the triangles with me?

[marshmallowgoop]

Doing yearly writing reviews isn’t really a thing. But once you start doing ‘em, it doesn’t feel right to stop, you know?

Seeing progress in other arts is of course a lot easier than seeing progress in writing, but I think there is some forward movement for me, especially when I also consider my compilations from 2017 and 2018.

In regards to 2019, I’ve selected various kinds of writing for this post: analytical essays, opinion pieces, news articles, creative fiction, and maybe some works that can’t be categorized so easily, too. It was a very difficult year on many fronts; I dealt with job struggles, financial insecurity, destroyed relationships, medical hardships, seemingly endless cyberstalking and online harassment. 

But there were good things, too. New friendships. New passions. New outlooks. I feel like I’ve learned and grown a lot more in these past couple of months than I have in a long, long time.

The end of 2019 is more than just the end of one year. It’s also the end of a decade. But I think the best advice I’ve received all decade comes from this year:

✄ Sometimes, you have to say yes to saying no.

✄ If you can’t do something well, do something poorly!

✄ The best option may be to simply not engage.

✄ You don’t have to apologize for disappointing others.

✄ Your worth isn’t measured by how much you “accomplish.”

✄ You have rights: the right to have your needs and wants respected, the right to make mistakes, the right to determine your own priorities, the right to not be responsible for the actions or problems of others, the right to express yourself, the right to be human. It’s not selfish or narcissistic to stand up for your rights.

And, since it is the end of the decade and all, here’s also a comparison between one nerdy fandom essay from August 2010 and another from August 2019:

2010 (with added spaces because yes, this really was just a huge block of text originally):

Also, in my own opinion, nobody really gave a damn for Xion all that much save for Roxas. I mean, yeah, Axel cared a little, but in the end, he got totally mad at her, got mad any time she was mentioned, got mad whenever Roxas worried about her, got mad when she showed up at the clock tower. She was his friend, yeah, and he didn’t want her to go, but in the end, he would have chosen Roxas above her anytime.

The other “mean villains” didn’t really care. Luxord didn’t care, Demyx didn’t care, Xaldin got exasperated once at her, but overall didn’t care, Xigbar didn’t care, Xemnas outright said he didn’t care, Saix was rather cruel to her, but really, in the end, he didn’t give a damn for her. The others weren’t around long enough to have an impression on her. I think even Riku didn’t really care all that much for her, in all honesty. He just wanted his best friend back.  

Also, you have to keep in mind that we played the game through Roxas’ perspective, and it’s in my personal belief that he fell in love with Xion. And if you’re in love with someone, when she gets into a coma, or goes missing, or ignores you, you’re gonna be upset, and talk about it. So Roxas did. 

But you know, he doesn’t actually do a lot of it until the end of the game. Before that, it’s all about the THREE of them. He loves his friends (even if he doesn’t know it), and he wants them to be together forever, but when Xion goes missing or whatnot and they can’t ALL have ice cream together, he gets upset.

2019: 

I’ve written more on the subject here, but to keep it short, Ryuko only tries to take Nui’s life when she’s convinced herself that she’s a monster, and her development is less about her becoming less okay with killing people and more about how she won’t let her anger and rage control her. What makes Ryuko’s attitude so different in the end isn’t that she’s reconsidered her thoughts on murder but that she’s composed. Come episode 22, Ryuko ain’t saying that she’s gonna kill anyone to sound tough or to intimidate. She keeps her cool even against her worst enemies.

But that’s just what I think! Maybe I’ve interpreted the character all wrong. But Ryuko’s freak-out after she goes berserk and hurts others in episode 12, her devotion to defending even people she’s just met… I just struggle to see her as someone who’s actually a-okay with killing. The fact that Ryuko’s perfect fantasy in episode 20 depicts her as a sweet girl without any of the violent tendencies that she has in reality also points this way; not to mention, Ryuko outright admits that her picking fights and causing trouble are bad things when remarking on her childhood in episode 8.

And Ryuko? She doesn’t want to be bad. All the poor girl’s ever wanted is love, and I can’t imagine she’d ever think that getting angry and killing people would get her a lot of that.

Progress may be slow, but it does happen.

At least, I think so.

Image Texts

January 2019

And personally? I find that sweetness just absolutely, utterly charming. When I understood what the rap was trying to communicate, I couldn’t imagine listening to the song without it. Heck, even before I understood, I found the “without rap” edits empty and barren. No matter how “silly” the lyrics might come off, the unabashed cheese is fantastic. The rap section that I was once “meh” about legitimately became my favorite part of the song.

Plus, I really can’t stress enough how sad the song is when it’s purely Ryuko. The official [nZk] remix replaces Senketsu’s rap with a reprise of Ryuko’s first verse, which recounts how she and Senketsu met. And it’s tragic! She says, “But I’m all alone,” and she is. Senketsu isn’t singing with her, no matter her claim that she can hear his voice. Considering what happens to Senketsu in the end, his absence in the song hits even harder.

Full post: https://marshmallowgoop.tumblr.com/post/182361051017/oomoj-marshmallowgoop-the-rap-is-good

February 2019

The focus then shifts away from Ragyo, but Kill la Kill ain’t at all done with building the audience up yet. As the scene moves to the following day, viewers are met with quick, close-up shots of Uzu’s note to Ryuko, timed right to the beat of “Blumenkranz.” Uzu wants to duel, and we soon get to see his full request in an engaging low-angle shot where Ryuko looks up to this sign looming over her. The weight and gravity of the situation is effectively conveyed: the smooth transition from Ragyo to here, as well as the music and shot composition, let us know in no indirect terms that this fight isn’t something to be brushed off. Uzu’s duel is a big deal, and it’s very much connected to Ragyo’s expansive empire.

And the tension just keeps growing. Ryuko’s reaction to Uzu’s note is presented with a dramatic canted, high-angle shot. The camera—which is just slightly tilted—peers down at both Ryuko and the sign, communicating a sense of danger and unease. Viewers already know that the upcoming battle is important, but here, we also understand that it’s not going to be easy.

Full post: https://marshmallowgoop.tumblr.com/post/182841724817/all-the-discussion-around-episode-6-of-kill-la

March 2019

Kill la Kill the Game: IF is currently being featured at the 2019 Game Developers Conference that runs until March 22nd in San Francisco, and a flurry of new gameplay videos are now available for viewing. Notably, these videos feature full English subtitles for the character dialogue for the first time since EVO 2018 last year and never-before-seen stages, such as what seems to be the Fiber Castle in the Kiryuin Manor.

Full post: https://marshmallowgoop.tumblr.com/post/183766224117/kill-la-kill-the-game-if-gameplay-footage-from

April 2019

I mean, Kill la Kill ended over five years ago now. There’s been fairly minimal new content ever since—an OVA in September of 2014, a few pieces of merchandise here and there, a small crossover with Grand Summoners last year. And then, not even 11 months ago, out of seemingly nowhere, there was confirmation for a full-blown Kill la Kill video game. That we now know will be released in just 14 weeks!

Lots of jokes were made about the announcement for a game so many years after the series finale, but, like, seriously, as a longtime Kill la Kill fan, it’s hard to wrap my head around. Ever since the show ended, I’ve dedicated over half a million words to writing about it, spent tens of thousands of yen on books and Blu-rays and CDs, devoted nearly 60 GB to my own GIFs and edits. I’ve loved this thing to death. I’ve always found more and more that I want to write and create from this series, but I never really imagined nor expected that we’d ever get much more official content from the original creators themselves. And now we are getting so much more, and???

Full post: https://marshmallowgoop.tumblr.com/post/184228103137/kill-la-kill-the-game-if-releases-on-july-25th-in

May 2019

Kiznaiver: Oh, I was so excited to love this show! I was lucky enough to see an advanced screening of the first two episodes, and I was totally hooked. It was drop-dead gorgeous—and probably the prettiest series Trigger has ever put out—and I was very intrigued by the plot and characters. I remember just coming back to my hotel room at like 3:00 am after the premiere, utterly filled with excitement. I mean, Kiznaiver  was directed by Hiroshi Kobayashi, the episode director behind the two episodes that got me hooked on Kill la Kill (episodes 5 and 18)!

But… my excitement quickly died. The story tried to develop way too many characters in way too little time, and I never enjoyed the romantic pairing of Katsuhira and Noriko, finding it shallow, undeveloped, and nonsensical (in a bad way), which… kind of ruins a lot of the series when that’s arguably the heart of the whole thing.

Kiznaiver is still super, super pretty, though. That last episode’s animation got me shook.

Full post: https://marshmallowgoop.tumblr.com/post/184700944732/so-have-you-watched-the-other-stuff-studio-trigger

June 2019

I do recognize that many, many matters do not warrant conversation. I do recognize that the phrase “I’m just trying to have a conversation” can be—and has been—utilized as a means of directing criticism away from inflammatory, unacceptable, inhumane remarks. I in no way feel that hateful, discriminatory comments should be promoted.

Simultaneously, however, “conversation” should not automatically be a dirty word in the field of analyzing and seriously engaging with fiction, and thoughtful reactions should be supported and striven for. Nothing in fiction is ever black and white. There are so many nuances and complexities to the storybook realities of our media. I want commentators and critics of fiction to be passionate about listening, considering, and rethinking those nuances and complexities. Isn’t that why we do this work at all? To share our own point of view and open ourselves up to others?

Full post: https://marshmallowgoop.tumblr.com/post/185289615202/we-need-to-change-the-way-we-seriously-discuss

July 2019

Initially, I was really bummed by this lack of development. But as I thought about things more, I… didn’t mind so much. If this dream or universe or whatever is something that Satsuki “experiences” before the events of the anime, of course she won’t grow as a character here. Maybe this game is kind of the Kill la Kill prequel I’ve been begging for for over half a decade.

And as much as I didn’t get anything, I thought the ending bits between Ryuko and Satsuki were so good.

Like, I suppose Ryuko’s absorbing the Life Fibers or something?? But wow, pretty.

And the part where they talk before Satsuki disappears? That’s my kinda anime bullshit. It’s the kinda anime bullshit I wanted from the OVA between Ryuko and Senketsu.

Full post: https://marshmallowgoop.tumblr.com/post/186648065467/goop-plays-kill-la-kill-the-game-if-satsuki

August 2019

That book, Log. 2, is a fan doujin from Kotaro Nakamori, who worked as an animator and animation director in Kill la Kill. There’s a bunch of assorted fanart in there, and I wouldn’t be at all surprised if Nakamori is a fan of Urusei Yatsura and wanted to make a little crossover between that series and Kill la Kill.

Personally, though, as someone not too familiar with Urusei Yatsura, I kinda just saw the image as oni-Satsuki (with oni being demon/ogre-like creatures in Japanese folklore). Oni are traditionally depicted wearing tiger skin loincloths, and Lum herself is definitely basically a space oni. So, I saw the cover and got super excited about oni-Satsuki because I love oni a lot, haha.

Fun fact: character designer Sushio has also drawn Kill la Kill characters as oni for setsubun, a celebration that’s held on the last day of winter (February 3rd). During setsubun, you might see folks dressed up like oni—who get beans thrown at them in an effort to bring in good luck and chase naughty demons away.

Full post: https://marshmallowgoop.tumblr.com/post/187228888187/do-i-see-satsuki-wearing-lums-outfit-in-your-last

September 2019

Though I don’t see it much anymore, I remember lots of comparisons between Ragyo and the villains of Saturday morning cartoons back in the day. She was described as a generic, two-dimensional “evilz for the sake of evilz” baddie and criticized for her simplicity.

And though I did admittedly agree to an extent—I craved a lot more depth and insight, particularly in regards to her haunting line about “still having something of a human heart” whilst brutally attacking her own daughter in the final episode—I also found Ragyo to be a remarkably compelling, powerful, and horrifying villain even without tons of backstory and explanation. Perhaps my write-up on her first scene in episode 6 best details why; this woman has such a presence, and the visual language of the series amplifies that presence spectacularly. Ragyo’s intimidating and scary without the audience even needing to know anything about her.

And… I’d say that’s a good villain. That’s exactly what a villain should do.

Full post: https://marshmallowgoop.tumblr.com/post/187987858537/on-ragyo-kiryuin

October 2019

And, though there are no visuals, so I can’t be sure if it’s an “Ocean of Light” or not, the fourth Drama CD also has the same kinda deal happening. In the CD—which takes place immediately after Ryuko learns the truth of her origins—Ryuko’s pain manifests as an explosion of light that knocks both her and Senketsu unconscious and pushes Senketsu away from her. The sound effect here is familiar, and I’m personally convinced that this is another “Ocean of Light” moment.

Which brings me to the “light” part of the terminology. Light is often associated with good, yes, but light is also associated with heat, and heat is associated with pain. In the Drama CD, Ryuko’s light is so hot that Nui even remarks that Senketsu “almost burned” from it, and when Mako embraces Ryuko after swimming through her “Ocean of Light” in episode 12, Ryuko’s touch scorches Mako’s skin.

I’ve already written an essay on the symbolic and narrative use of fire, warmth, and heat in Kill la Kill (that you should totally read because it’s actually maybe Kinda Good, Maybe), and relating to that, I see the “Ocean of Light” as a physical representation of Ryuko’s fiery spirit. That fire can be used for good, and that fire can also be painful, but no matter what, that fire is a part of Ryuko.

Full post: https://marshmallowgoop.tumblr.com/post/188247077227/i-always-wanted-some-explanation-you-are-smart

November 2019

She looks around her cottage. Her eyes find the walls and the furnishings. Her eyes find the scratched floors and stained wood. She does not voice it to the once-emperor, but she had never been able to remove the stains from the attack. Her son's blood has painted the brown wood red. It is a reminder of what she cannot remember. It is a reminder of the past she has forgotten.  

“This home feels so desperately lonely,” she admits. “I do not know who is missing. But it is not complete.”  

The man is quiet. He did not expect to find himself feeling sympathy for the woman's plight. Perhaps she is a fool, to have given her heart to a demon. But kindness ought not be punished, he thinks. Or has he grown so cold that he believes it should be?  

December 2019

🏀 Michiru and Shirou’s relationship may be the focus, but Nakashima emphasizes that Michiru’s relationship with Nazuna is also involved in the story in a big way.

🏀 Nakashima stresses the importance of depicting teen girls realistically. Two women screenwriters are on board: Kimiko Ueno and Nanami Higuchi. Both wrote for Little Witch Academia. Ueno also wrote for Space Patrol Luluco, and Higuchi was behind the production reports in Trigger Magazine (and, interestingly, wrote the script for the anime adaptation of BEASTARS).

🏀In regards to Michiru and Nazuna’s relationship, producer Naoko Tsutsumi (also an animation producer for Kiznaiver and Little Witch Academia) provides input as well. Nakashima says that they greatly value and take to heart the opinions of the women creators.

Full post: https://marshmallowgoop.tumblr.com/post/189928986922/otomedia-winter-2020-bna-brand-new-animal

[fatebreaking-a]

☀️

I like how this is literally indecipherable on desktop, so I had to go onto my phone (where it was still indecipherable) and then open it in safari to figure out which one this was.

☀ What’s your rp pet peeve?

It’s this one and not the other one right above it that also looks like a sun.

Emoticons, man.

Well, that was fun and all but- rp pet peeves. Stuff under the cut. Pour one out for the entire community, because I’m about to take a pound of flesh from everyone.

There’s a lot of stuff in here that boils down to just being a good writing partner and all that, trying to advance the action in a natural way, and so on… and I think a lot of it can boil down to either a lack of awareness or a lack of experience. People get better at writing by writing, so I find it hard to really be frustrated and stay frustrated by someone who falls into some of these pitfalls. So you’ll notice I don’t really target things that have to do with writing skill as much as I target ‘attitude’ and ‘conscientiousness’. There is a lot that bothers me though, so here’s a short list.

Criticizing the way other people have fun. This is a big one. What this boils down to is conversations about how “this ship isn’t realistic” or “your ideals on writing are dumb” or “you take writing too seriously/not seriously enough.” I’ve seen all of these. And I used to know someone on a forum-based RP site that would actively go out of her way to criticize that people would include a lot of introspection in scenes that were fast paced. For instance, using poetic language, or talking about how they’re feeling, what the situation was, “he felt like he was up against the tide, that his heart was being torn in two, a cut made deeper with every clash of their blades” - stuff like that. She hated it. And she made sure everyone knew that she did not approve of how much they were writing, because it was ‘not realistic’. And yes, there is definite merit to the claim that people do not have time to introspect about their entire lives and their relationship to their allies and enemies between sword swings... But so what. I don’t think it’s wrong to advocate for shorter, simpler posts with less descriptive text, and to manage in 200 words instead of 600. That’s great. Simplicity has value, being concise is great, ‘brevity is the soul of wit’, whatever. But the problem, the problem was that she would criticize others for writing in a way that they enjoyed. No one got on her case for writing less, but she was so grating on this point that eventually people just did not want to be around her.

It was something I’ve experienced even here. Finding the balance between “writing to improve your ability to write” and “writing just to have fun” are two separate matters. People forget that individuals exist from both camps, and I have known people (multiple) who say ‘this is important to me, I’m growing my skills using RP as a medium’ but fail to empathize and recognize that not everyone has the same viewpoint. Caring about things that make you feel something over technically good and well executed writing does not make you a problem.

And as a big follow up, I find that this is a big issue in life in general. I think that people often forget how much time it took them to learn a certain thing, recognize their own investment, or recognize the disparity between their own idea of ‘common knowledge’ vs actually common knowledge. When I joined the community, I did not know what private, selective, independent, mun, muse, or mutuals meant. For someone who’s brand new, these are terms that can be hard to decipher. And it’s the similar with ships - I think that people forget that not everyone who comes to RP is from a writing background. Some of them may just have enjoyed reading fanfiction, or may have enjoyed their favorite bot lane duo, or they have a main and their partner has a main and they like the aesthetic. So long as it’s not inherently problematic (incest, pedophilia), it’s cruel to degrade someone and call everything that doesn’t make perfect sense a ‘crackship’. Fanart also has a big role to play in this. Do I personally like Sona with Ka/yn, Yas, Sy/las, Jh/in, or Dra/ven? No, I don’t. I don’t, but equally, it’s not right for me to get in someone’s face for liking it. If you love MF/Sona because it’s a fuckin’ sick classic wombo combo bot lane... that’s cool, more power to you. I wish people would ease up and remember to just let people have their fun. There’s a Jh/in that follows me, who politely asked if I shipped it and I said no, and then there was no hard feelings at all. And that is ideal for me. Really.

T h e f t.

And being ultra conscious of it. I am in a very unfortunate circumstance that many of my Sona hcs are very similar to another blog in the space. I found that out by accident, and we reached similar (but also different!) conclusions. But now I am terribly terrified of ever speaking to them, because gods above I want to lift all my duplicates into the air, kiss them, and scream about them... but I don’t want anyone to feel anxious that I’m copying them. It’s also why until about a week ago, I only followed one other Sona blog ever - written by one of my very, very close friends. I never want people to feel like I’m stealing from them, but I also want my duplicates to feel comfortable on my blog! I want them to feel okay about reblogging art of their characters if they like it or talking to me about things... And I’ve put in a lot of effort to be very divergent with my portrayals, but I still ended up in this situation. I won’t name names ( and I really hope that no one bothers that other Sona, because she’s a genuine sweetheart and deserves love and appreciation ),  b ut... This is a big issue for me.

And it’s exacerbated by the fact that some people are lazy as fuck and actually just straight up steal ideas. It’s not ‘inspired by’, which I usually take care to do, giving proper credits or speaking about where I got information from or from whom or that it is on some level almost collaborative (because this is a collaborative space where we interact with each other, but that’s another topic). But I mean some people just recklessly steal and because we all have anxiety (TM), the line between coincidence, inspiration, and theft blurs. Understand that on some level, plagarism is an ethical dilemma, and I exist in the camp that says “hey man that’s cool come talk to me” - but I can exist in that camp because I insist on a very divergent interpretation that is almost ‘theft-proof’. I do not think any other Sona blog will ever have this combination of headcanons: “is a construct inspired by a house spirit, made up of one part crashed titan goddess, three parts demons, and each demon is represented by one of the strings of the instrument, which by the way shattered because bad reasons”. But if you’re not me, it’s hard to... stay loose about it.

And it’s hard to not get jealous.

BUT WAIT, THERE’S MORE. Alright I wrote down a list when I actually got this ask, so let’s run off that. ( Yuki, you fuck, you’re not done? Fuck no I’m not done. ) These next ones are big for me.

MISREPRESENTING YOUR WANTS / YOURSELF

what does that mean, you ask me. It means this. It means pretending to be interested in ideas or interactions, even if you’re not interested. I do not ever want to be in the situation where I am happily chugging along, talking about a dynamic, and then find out that the other person isn’t as interested.

It’s fine to be mellow about it dude. I would rather know that you’re like... just okay on it all. I don’t want you to be polite and ‘spare my feelings’ and force yourself.

I want you to have fun. Have fun. God just have fun, you know? Please. There are a ton of interactions I’m “just okay” with, and I don’t think that’s a bad thing. I can be just okay with stuff and it’s fine. Not everything needs to click instantly but like...

Only showing interest to appeal to me or spare my feelings kinda sucks. It doesn’t last forever. It feels really bad. And eventually when things fall apart, it feels even worse. Like oh you really just did not care that much. Or you didn’t enjoy writing with me? Or what is it? See: jealousy/anxiety. Just be honest.

I think you especially have seen this with me, but I have a penchant for just being sincere and honest about how I feel about things. At least a little bit.

Don’t share things people tell you in confidence.

Fucking duh but it needs to be stated. Sometimes people gotta vent. It happens. And I get that ‘talking behind someone’s back’ is not great, but expressing frustration is a real thing that has real value. And then finding out that those things were shared. If I didn’t bring it up with them myself, I didn’t want them to know. Duh. I’m not talking to be catty but because I’m upset. S h i t. Some of the drama that I’ve seen happen from others doing this (and not to me, but in various cases) was entirely unavoidable. I’ve seen so many variants of this. It’s dumb dude. It’s dumb.

Hard vs Soft statements (Stating opinions as facts)

This is another one that gets me. I come from a world where we write, ‘Sona tries to’ and so on to others. Tumblr as a whole doesn’t seem to conceptually engage with the idea of ‘interrupting actions’ and accepting that interactions are a little malleable. And it in turn reflects how others speak about characters.

I never see, “I think Sona is”, I see “Sona is.” This is such a minor little thing, and I’ve come to accept that it’s part of the culture, but it can be terribly frustrating when others speak about your characters. I often say things like “I see Sona as” or “Because of xyz, Ori/anna would probably-” etc. But that isn’t something that I see here from some people. I know that I do this a lot less these days, in part because I have acclimated to the culture.

Incidentally, there are some joke versions of this that are also frustrating. People can really think they’re being funny, but end up just shutting you out of the conversation entirely when they say ‘No’. I might be a little too sensitive to this though, in that I often disengage from conversations because “it’s not really about my interpretation, so it’s better if I not say anything because it’s not relevant and doesn’t contribute.”

Really, I’m just a weenie baby, but I know when someone’s being rude vs when it’s just my own anxieties. I don’t expect everyone to have unshakable confidence, I also don’t expect that everyone be quivering in their boots. Some people can be really, really dismissive and it’s kind of not so great because it comes along with them otherwise being pretty neat.

Last one: Misrepresentation of data / using a ‘preponderance of evidence’ when there really isn’t that much.

How do I even put this.

CONJECTURE IS NOT FACT.

CONJECTURE IS NOT FACT.

CONJECTURE IS NOT FACT.

Phew. Okay that’s done. That right there is a big problem (and in combination with the pet peeve before that, it gets worse.)

Something to understand is that sometimes there is no good reason to pipe up to correct someone. Often, people are having a visceral, gut reaction and it’s very emotional. Criticizing that ignores the intent (that they’re frustrated), so it’s often a good idea to let it be.

But that doesn’t stop me from seeing that facts are poorly stated or misrepresented. The community likes to talk about league so I see it in OOC posts, and I also see claims that are just wrong. They’re misstated, exaggerated, or phrased in such a way that you could accept them - except one fact check will prove otherwise. But again, why get in someone’s face when they’re frustrated?

But this leads to some people feeling ‘complicit acceptance’. Which is in itself another problem that I won’t get into.

I as a person tend to be pretty rigorous. If I see facts and I can check them with a quick google search, I often do - especially League. It’s so easy to check a champion’s win rate or popularity. Other people do not always exercise this rigor.

“Alright fuckface but that’s talking about league and not rp.”

Yeah okay you make a fair and valid point, except for the part where you missed bullet points 2-4. I’m more talking about the general attitude people have but let’s talk specifically more about RP.

There’s content. A lot of content. And most of it is really vague, because that’s how R I O T G A M E S does things. We still can’t get a straight answer on whether Sona’s adopted mom, Lestara, is alive or not. H u h?

And this often leads to us making connections and conclusions based on the limited data we have. We’re extrapolating, taking what we know and trying to figure out something new.

Except when we get a new data set, sometimes our extrapolations don’t work anymore.

Except we just spent three months world building around our guesses ( because that’s what they are)

Oops I’m divergent now.

That happens. A lot. My entire blog was evidence of that, where I made extreme guesses and then accidentally got validated as Demacia went full grimdark. But it even happened last year, when suddenly we gained new information! Mage registration! That’s a thing! And it changes how we perceive things.

And you may be thinking, ‘ok fine but what does that have to do with misrepresentation’ and it has this to do with it. People will make conclusions based on their own view, then solidify these conclusions as ‘fact’.

For example, I wrote a small article on how “magical sight was not a reasonable power to have” and then soon after, Mageseekers appeared. Oops. Oops.

And these extrapolations get treated as though they are really fact. The line between what is ‘real’ and what is ‘assumed’ blurs. The truth is this. Unless it’s directly and unambiguously stated, it’s basically not fact. “But we can conclude-” I know. And then we’ll get new information and that’ll change. Ideas in this fandom are like balloons, you need to tie them down with text evidence or they’ll just float away before you even know it. I can talk about how Sona is a literal genius level intellect all day, and tomorrow I can be proven wrong by one little shift or clarification in the lore. ‘Within months’ - okay how many months? Fifteen months? Three months? Unknown.

And this leads me to preponderance of ‘evidence’. This one is long because it bothers me a bunch.

‘Preponderance of evidence’ (quotes required) is basically the situation in which someone goes and tells me:

“Listen buddy, I have these seven pieces of evidence, so I can reasonably conclude that [x] is true.” And that’s solid conjecture and extrapolation and I accept that.

Except that maybe you seven pieces of evidence aren’t all solid pieces of evidence.

Oh.

Oh no.

And that’s happened. I have seen evidence pieces one, two, four, and six all be good. And pieces three, five, and seven are a stretch at best.

But because they have so many pieces of evidence, it’s hard to critique back. Because they still do have four good pieces of evidence!

But the strength of the conclusion increases with more accurate and valid data points, and if your data points aren’t-

And that’s the rub, basically. Sometimes I see people fit evidence to their conclusion without even realizing it. Some of the most intelligent, rigorous, and well-versed writers on this site I’ve seen do it.

And it sucks.

And it’s a peeve because here’s  the truth.

The truth after all this talk is this very important fact.

I don’t say anything about these things to people because I don’t want to ruin anyone’s fun or engagement.

People make mistakes and say many things because they are passionate about what they’re talking about. Often that’s the case. And harmless conjecture misunderstandings are not the end of the world because this is not academia.

except that one time I wrote a writeup on how Aphe/lios isn’t mute but whatever.

And so while I have said all these things and have a lot of these feelings, I also think there’s no point to saying most of them directly to the person that bugs me. What good will it do? To someone who is reacting with their emotions and just wants to get their frustration out, or is speaking passionately about something... Just let it go.

And so often I let it go, even if I disagree. I have an opinion, but I don’t go out and toss it back in your face. I just get mad quietly and grump about it.

And that’s why I end up being a very ‘stay in my lane’ person.

The end.

If you read all the way through this, I’ll give you a cookie tbh. Many cookies. This is almost 3000 words and 7 pages.

[theonyxpath]

Here we are at the end of the year with our last Monday Meeting Notes blog. Salut to you all!

A few things before we get to celebration preparation. First, the V5 Cults of the Blood Gods KS is doing fantastic, with over 1700 backers and a whole passel of Stretch Goals achieved – and we still have more than two weeks to go!

You can check it out here, if for some wacky reason you haven’t yet: https://www.kickstarter.com/projects/200664283/cults-of-the-blood-gods-for-vampire-the-masquerade-5th-ed

But, if you’d like some more info before heading over to the KS page, well, do we have options for you! They are just the links for this week to interviews and reviews…there are even more out there!

(These links are also below in the Onyx Path Media section curated by the irrepressible Matthew Dawkins).

This Friday’s Onyx Pathcast is a V5 Cults of the Blood Gods design diary! Check it out direct on Podbean, or your favorite podcast venue! https://onyxpathcast.podbean.com/

Plus, Polyhedron Podcast interviewed Matthew Dawkins regarding V5 Cults of the Blood Gods right here on their show: http://metahedronstudios.com/polyhedron/2019/12/26/polyhedron-ep-101-who-are-the-hacata?

And Gehenna Gaming did the same thing just yesterday over on their Twitch channel twitch.tv/gehennagaming, and you can catch up with that interview by subscribing to them!

And circling back around to the Story Told Podcast, here’s their interview with Matthew Dawkins regarding V5 Cults of the Blood Gods: http://thestorytold.libsyn.com/bonus-21-vampire-the-masquarade-5th-edition-cults-of-the-blood-gods-interview-with-matthew-dawkins

While Flames Rising interviews a whole bunch of the writers of V5 Cults of the Blood Gods right here: http://www.flamesrising.com/discussing-faith-among-the-dead-with-onyx-path/

And even more Matthew Dawkins interviews (if you haven’t had enough) over here on booknest.eu, in respect of (you guessed it) V5 Cults of the Blood Gods: http://booknest.eu/reviews/charles/1758-interviewwithmatthewdawkinsii

Lunars art by Priscilla Kim

End of the year “look-back” from the OP crew as to what could have gone better:

To sort of match and compliment our look back at the good stuff from 2019 that I put up in last week’s MMN blog, here are the thoughts from our Onyx Path crew as to what things in 2019 maybe weren’t so good – or at least are something we can look to improve.

Now this sort of retrospective can be seen as a downer, but for us, we want to be always looking for ways to improve what we do. In fact, a lot of the “Goods” from last week’s list were “Needs Improvement” in previous years! So in a lot of ways, these are snapshots of where are crew sees our issues right now, and are extremely useful for us:

Dixie:

For me personally, I hope to do a better job in 2020 than I did in 2019 of managing the stable of incredibly talented editors with whom we work. Personally, I love talking with each and every one of them, but anyone who watches the blog knows there have been weeks here and there when 12 projects were in editing at once, and that’s a lot! Anticipating a project’s needs weeks or months out is something we should all keep in mind so that no one department, be it art, approvals, development, or editing, ever gets bogged down for too long. I want to deliver books that are not only beautiful and well-done, but timely and efficient!

Monica:

There’s so many channels we have to communicate, it’s difficult to sync up and get the same message. On some of our convos, we’ll have three people posting almost the same thing. I’d like to see better coordination so we’re not either jumping the gun or over-responding to what’s already been addressed.

Ian:

I don’t know how to do this effectively, but we need to try to do a better job of shaping conversation so it’s more productive. During the Aberrant Kickstarter, a lot of forum discussions got pretty heated and just went around and around in circles even after a given topic had already been addressed. I want people to be able to consider concerns so we can make a better game, but the way the conversation took place made me want to avoid it instead.

Mighty Matt:

This is mostly on me, but we could have been a lot more proactive in explaining how our expansion into local game stores rolled out this past year. We could have had more tools for retail stores to communicate with us and our distribution partners. Something of a personal goal of mine to do more outreach to stores and work with distributors in more ways.

Deviant art by Michael Gaydos

Mirthful Mike:

Even though we have been doing the “put the books into stores” thing with out KSs since the Cavs KS, I’m still not seeing a lot of our product out in the wild. While I’ve seen Pugmire and Mau every now and then… I’ve seen nothing of CtL2 or Scion. I don’t know if that is a shortcoming on our end… or maybe stores are hesitant to order anything other than OGL and 5e titles. 

Matthew:

Travel and conventions. It’s becoming a running joke / curse that whenever I travel internationally to attend a convention, I suffer flight delays, lost luggage, missed connections, and other such mishaps. This year saw everything bar an actual plane crash, so here’s hoping for an exemption from that when I fly to Milwaukee for Midwinter in January! I’m staying at a hotel near the London airport I’m flying from the night before I depart, I’m building more time in for my connections, and I’m taking everything as carry-on luggage, just to try to alleviate some of this travel hell! 

Eddy:

One thing that we could have done better: Focus on the positive. It’s understandable that we get derailed by a shitty vocal element or focus on a project that’s on fire, but sometimes that ends up dominating our discussions, and making things seem like they’re worse than they really are. V5 is a good example — it’s been a slog to deal with all the problems with that property, so much that I was genuinely surprised with how good Chicago by Night turned out to be.

Lisa:

The bad for me is being at PAXU and having a freelancer have to tell me who they are or worse be there and not know they are present at all. Many fans enjoy being able to tell writers, artists and developers how much they enjoy their work on our games and even get an autograph. It would be nice to be able to introduce them at the booth if I know they are there. Some sort of communication to let us know who may be in attendance and find out if they want any sort of recognition would be great.

Dark Eras 2 art by Luis Sanz

RichT:

Most importantly, these and other thoughts on how we can better do what we love to do are going to be part of our Onyx Path Summit in just a week – right before we attend Mid-Winter. So, part of my job is to get discussions going there as to our team’s concerns, and believe me – these are just the first ones they sent me, as well as other changes we might be positioned now to implement.

We’re also doing a panel there in the intimate surroundings of the Hilton’s Founders Room, so if you have questions and/or concerns, praise or problems, please feel free to add them in the Comments for this blog and I’ll pass them along!

Talk to you all next year, as we prep for all that and continue to create our:

Many Worlds, One Path!

BLURBS!

Kickstarter!

V5 Cults of the Blood Gods has passed $100,000 and 1700 backers, and has trumpeted forward passing through Stretch Goal after Stretch Goal despite the holidays!

Onyx Path Media!

This Friday’s Onyx Pathcast is a V5 Cults of the Blood Gods design diary! Check it out direct on Podbean, or your favorite podcast venue! https://onyxpathcast.podbean.com/

Today we give special focus to the Story Told Podcast‘s recent review of Book of Oblivion for Wraith: The Oblivion. It’s a glowing review (four ghosts out of five, or eight oboli out of ten), and you can listen to it right here: https://thestorytold.libsyn.com/episode-43-book-of-oblivion-review-for-wraith-20th-anniversary-edition

Plus, Polyhedron Podcast interviewed Matthew Dawkins regarding V5 Cults of the Blood Gods right here on their show: http://metahedronstudios.com/polyhedron/2019/12/26/polyhedron-ep-101-who-are-the-hacata?

And Gehenna Gaming did the same thing just yesterday over on their Twitch channel twitch.tv/gehennagaming, and you can catch up with that interview by subscribing to them!

Our Twitch channel continues with its streams of fantastic content, including a behind-the-screen special for Scion, a new year’s special for Scarred Lands, and regular games of Changelign: The Lost, Hunter: The Vigil, Mage: The Awakening, and more Scarred Lands!

Follow us on twitch.tv/theonyxpath to watch us live or catch up by subscribing!

Likewise, continue to tune in to us on YouTube for actual plays of Changeling: The Lost, Pugmire, Vampire: The Masquerade, and much much more!

Subscribe to us on youtube.com/user/theonyxpath

And of course the Gentleman Gamer, Matthew Dawkins, continues his Gentleman’s Guide to Scion over on his channel, youtube.com/user/clackclickbang

Here’s the ever-increasing trove of Occultists Anonymous actual plays of Mage: The Awakening, expanded even further!

Episode 68: Who Are You? Wyrd the Seer takes stock of her cult and Labyrinth, calling on Stephen Klein to get to know more about him… and to begin instructing him in the higher mysteries.https://youtu.be/gke84fsDxuo

Episode 69: What Have I Done? Wyrd the Seer calls upon Shodel, the Consilium’s Herald, to speak about her work at the theater and then returns to her search for the Other World.https://youtu.be/jDOsgHmGWLI

And circling back around to the Story Told Podcast, here’s their interview with Matthew Dawkins regarding V5 Cults of the Blood Gods: http://thestorytold.libsyn.com/bonus-21-vampire-the-masquarade-5th-edition-cults-of-the-blood-gods-interview-with-matthew-dawkins

While Flames Rising interviews a whole bunch of the writers of V5 Cults of the Blood Gods right here: http://www.flamesrising.com/discussing-faith-among-the-dead-with-onyx-path/

Discussing Faith Among the Dead with Onyx Path

And even more Matthew Dawkins interviews (if you haven’t had enough) over here on booknest.eu, in respect of (you guessed it) V5 Cults of the Blood Gods: http://booknest.eu/reviews/charles/1758-interviewwithmatthewdawkinsii

Don’t forget Red Moon Roleplaying have two actual plays of Vampire: The Masquerade and one of Changeling: The Lost going, with all locatable on redmoonroleplaying.com

Drop Matthew a message via the contact button on matthewdawkins.com if you have actual plays, reviews, or game overviews you want us to profile on the blog!

Please check any of these out and let us know if you find or produce any actual plays of our games!

Electronic Gaming!

As we find ways to enable our community to more easily play our games, the Onyx Dice Rolling App is live! Our dev team has been doing updates since we launched based on the excellent use-case comments by our community, and this thing is awesome! (Seriously, you need to roll 100 dice for Exalted? This app has you covered.)

On Amazon and Barnes & Noble!

You can now read our fiction from the comfort and convenience of your Kindle (from Amazon) and Nook (from Barnes & Noble).

If you enjoy these or any other of our books, please help us by writing reviews on the site of the sales venue from which you bought it. Reviews really, really help us get folks interested in our amazing fiction!

Our selection includes these latest fiction books:

Our Sales Partners!

We’re working with Studio2 to get Pugmire and Monarchies of Mau out into stores, as well as to individuals through their online store. You can pick up the traditionally printed main book, the screen, and the official Pugmire dice through our friends there! https://studio2publishing.com/search?q=pugmire

We’ve added Prince’s Gambit to our Studio2 catalog: https://studio2publishing.com/products/prince-s-gambit-card-game

Now, we’ve added Changeling: The Lost 2nd Edition products to Studio2‘s store! See them here: https://studio2publishing.com/collections/all-products/changeling-the-lost

Scarred Lands (Pathfinder) books are also on sale at Studio2, and they have the 5e version, supplements, and dice as well!: https://studio2publishing.com/collections/scarred-lands

Scion 2e books and other products are available now at Studio2: https://studio2publishing.com/blogs/new-releases/scion-second-edition-book-one-origin-now-available-at-your-local-retailer-or-online

Looking for our Deluxe or Prestige Edition books? Try this link! http://www.indiepressrevolution.com/xcart/Onyx-Path-Publishing/

And you can order Pugmire, Monarchies of Mau, Cavaliers of Mars, and Changeling: The Lost 2e at the same link! And NOW Scion Origin and Scion Hero are available to order!

As always, you can find Onyx Path’s titles at DriveThruRPG.com!

On Sale This Week!

This Wednesday, we will be releasing the PDF and physical book PoD versions of Tales of Good Dogs, the Pugmire Fiction Anthology on DTRPG!

Conventions!

2020: Midwinter: January 9th – 12th, in Milwaukee, WI. Check out David Fuller’s Athens, Ohio Scion actual play tie-in adventure (soon to be coming to the Storypath Nexus community content site) that will be running at Midwinter. The event url is below: https://tabletop.events/conventions/midwinter-gaming-convention-2020/schedule/402

More talk about this next week!

And now, the new project status updates!

DEVELOPMENT STATUS FROM EDDY WEBB (projects in bold have changed status since last week):

First Draft (The first phase of a project that is about the work being done by writers, not dev prep)

Exalted Essay Collection (Exalted)

N!ternational Wrestling Entertainment (Trinity Continuum: Aberrant)

Contagion Chronicle Ready-Made Characters (Chronicles of Darkness)

Trinity Continuum: Adventure! core (Trinity Continuum: Adventure!)

Duke Rollo fiction (Trinity Continuum: Aberrant)

TC: Aberrant Jumpstart (Trinity Continuum: Aberrant)

RUST (Scarred Lands)

Redlines

Kith and Kin (Changeling: The Lost 2e)

Dragon-Blooded Novella #2 (Exalted 3rd Edition)

Many-Faced Strangers – Lunars Companion (Exalted 3rd Edition)

Second Draft

Player’s Guide to the Contagion Chronicle (Chronicles of Darkness)

M20 Victorian Mage (Mage: the Ascension 20th Anniversary Edition)

Exigents (Exalted 3rd Edition)

Crucible of Legends (Exalted 3rd Edition)

Development

Heirs to the Shogunate (Exalted 3rd Edition)

TC: Aberrant Reference Screen (Trinity Continuum: Aberrant)

Monsters of the Deep (They Came From Beneath the Sea!)

One Foot in the Grave Jumpstart (Geist: The Sin-Eaters 2e)

Scion: Demigod (Scion 2nd Edition)

Tales of Aquatic Terror (They Came From Beneath the Sea!)

Across the Eight Directions (Exalted 3rd Edition)

Contagion Chronicle: Global Outbreaks (Chronicles of Darkness)

Contagion Chronicle Jumpstart (Chronicles of Darkness)

Manuscript Approval

Scion: Dragon (Scion 2nd Edition)

Masks of the Mythos (Scion 2nd Edition)

Buried Bones: Creating in the Realms of Pugmire (Realms of Pugmire)

Trinity Continuum Jumpstart (Trinity Continuum Core)

Post-Approval Development

Scion LARP Rules (Scion)

Mummy: The Curse 2nd Edition core rulebook (Mummy: The Curse 2nd Edition)

Titanomachy (Scion 2nd Edition)

Editing

Lunars: Fangs at the Gate (Exalted 3rd Edition)

Let the Streets Run Red (Vampire: The Masquerade 5th Edition)

Geist 2e Fiction Anthology (Geist: The Sin-Eaters 2nd Edition)

Dragon-Blooded Novella #1 (Exalted 3rd Edition)

Legendlore core book (Legendlore)

WoD Ghost Hunters (World of Darkness)

Mythical Denizens (Creatures of the World Bestiary) (Scion 2nd Edition)

Pirates of Pugmire KS-Added Adventure (Realms of Pugmire)

M20 The Technocracy Reloaded (Mage: the Ascension 20th Anniversary Edition)

Yugman’s Guide to Ghelspad (Scarred Lands)

Trinity Continuum: Aberrant core (Trinity Continuum: Aberrant)

Terra Firma (Trinity Continuum: Aeon)

Deviant: The Renegades (Deviant: The Renegades)

Lunars Novella (Rosenberg) (Exalted 3rd Edition)

Post-Editing Development

TC: Aeon Ready-Made Characters (Trinity Continuum: Aeon)

Night Horrors: Nameless and Accursed (Mage: the Awakening Second Edition)

City of the Towered Tombs (Cavaliers of Mars)

W20 Shattered Dreams Gift Cards (Werewolf: The Apocalypse 20th)

TC: Aeon Jumpstart (Trinity Continuum: Aeon)

Vigil Watch (Scarred Lands)

Scion Companion: Mysteries of the World (Scion 2nd Edition)

Cults of the Blood Gods (Vampire: The Masquerade 5th Edition)

Wraith20 Fiction Anthology (Wraith: The Oblivion 20th Anniversary Edition)

Hunter: The Vigil 2e core (Hunter: The Vigil 2nd Edition)

Indexing

ART DIRECTION FROM MIKE CHANEY!

In Art Direction

Contagion Chronicle – Finals coming in.

Trinity Continuum: Aberrant

Hunter: The Vigil 2e

Ex3 Lunars – Art is in.

TCfBtS!: Heroic Land Dwellers – Working on finals.

Night Horrors: Nameless and Accursed – Contracted.

Cults of the Blood God (KS)

Mummy 2

City of the Towered Tombs

Let the Streets Run Red – Art notes and contracts finishing going out this week.

CtL Oak Ash and Thorn

Scion Mythical Denizens – Need sketches for fulls.

Deviant

Yugman’s Guide to Ghelspad – Sketches coming in, should see some finals soon.

Vigil Watch

Legendlore (KS)

Technocracy Reloaded (KS) – Got notes out to artists for halfs and splats.

Scion Companion – Working on art notes for that.

In Layout

Chicago Folio – Halfway through layout.

Trinity Continuum Aeon: Distant Worlds

Pirates of Pugmire – With Aileen.

Proofing

Dark Eras 2 – At WW for approval and they will be back after the New Year.

Trinity Continuum Aeon Jumpstart

They Came from Beneath the Sea!

VtR Spilled Blood

At Press

V5: Chicago – Shipping to the KS fulfillment shippers. PoD proofs ordered.

Geist 2e (Geist: The Sin-Eaters 2nd Edition) – Being printed.

Geist 2e Screen – Being printed.

DR:E – Being printed.

DRE Screen – Being printed.

DR:E Threat Guide – Helnau’s Guide to Wasteland Beasties – PoD proof on the way.

Trinity RMCs

Tales of Good Dogs – PDF and PoD versions on sale Wednesday!

Memento Mori – Gathering errata.

M20 Book of the Fallen – PoD proof on the way.

Trinity Continuum Storypath Nexus Community Content – Getting it set up.

Today’s Reason to Celebrate!

Today in 1920, Jack Lord – of Hawaii 5-0 fame – was born. He was “a groovy lady-killer”.

[adambombvilivus]

Confession: I once broke into a friend’s house with malicious intent

 and it involved jelly sandwiches

Okay, so first off, I want to keep things vague and anonymous, since I don’t want this former friend to be connected in any way. Now, it’s been a good few years and more since this happened, but I’m still very paranoid and nervous and, as I hope you’ll understand from reading, traumatized from it. It was a pretty strange saga of events on my end so I would appreciate you read all the way through before judging me please.

To give the best background, I’ll start from the beginning of knowing this guy. We met in middle school, sixth grade I believe; we weren’t friends for about a year but we shared common friends and often sat together so we just got along in time, of course. This guy, this kid, seemed pretty normal in every way, for a middle schooler. Well, “normal” among my friends and I, but we were misfits who just gathered at our own spot since we didn’t really belong to a group identity. At least that’s how I saw it, but I don’t know what the rest of them thought. We got along pretty well, finding out we shared common taste in games and music and shows we liked, and he was one of those friends, I thought, you could always trust to be real with when needed. We weren’t best friends but he was cool when it mattered.

Okay so here’s what you’ll find weird, probably: every single day, without fail, I kid you not, all anyone ever saw this dude eat was jelly sandwiches(not even peanut butter & jelly, just jelly. I always assumed it was strawberry jelly, but I never asked). All he ever said about the sandwiches is that he really loved jelly and it was homemade. I would’ve thought that someone in the faculty or something would’ve stepped in, since I knew teachers knew about it and thought it was a bit strange and unhealthy too, but he claimed he didn’t mind it at all and he seemed in good health all the time, minus regular illnesses. Not that I mind jelly sandwiches, but personally, I can’t eat something every day for more than a couple weeks in a row without getting fully sick of it for a long time, but hey, everyone is different. Oh, and I nearly forgot to put it in here, but  he had mentioned the red room all the way back then, just a couple of times. Once or twice he brought it up in conversations where we were talking about making houses in The Sims games, and he said something about this “red room” in his house that he really liked. He never described the red room, because apparently it was one of those things that was ‘embarrassing to talk about at school’, but he said it was cool and I’d probably like it if I ever saw it.

I’ve never been good with locations and addresses, so it took me until midway through high school to find out from some random situation that he had been living only a few blocks away the whole time! Both of us had lived our whole lives to that point in these homes, so that was funny to me. Since we enjoyed a lot of the same games and I had never really hung out with anyone outside of school before, I thought it would be cool to just walk over to his house and hang out for a few hours and play stuff. He seemed fully down for it and after I told my mom where he lived, she was fine with me going (I was just only 16 and it was late in the year, so it was getting dark early). Getting to his house was easy since we would just go a certain way from school that I had never walked, but it was in the neighborhood and I knew the area. That first time hanging out at his home was awkward for me but nice; we talked more than I had anticipated, about a lot of things around growing up with divorced parents and annoying older siblings and all, while he showed me some of his collections. We played games on his GameCube which I had never tried before, and his mom offered to feed me dinner, but I politely refused since we were going to have steak at home haha.

I went home and had my dinner and said I had a nice time, and that was all, nothing strange that time. When I got into bed that night I kicked myself for forgetting to ask about the red room he had mentioned years ago! I only had that little bit more to make me want to hang out again and it could be another fun thing to do or talk about, so I figured I’d bring it up the next day. He seemed pleasantly surprised that I remembered it after the years and wanted to show me next week if I came over again. Jump to that next visit, walking to his house and all, mostly the same until we had a quiet moment, and the thought came back for me to ask about the red room. He perked up and said something like’ “ooooh..right! Yeah right down here”. Same door as any of the other rooms in his house, nothing strange from in the hall; I was nervous but excited, the way you would be at anything small and silly but with years of mild curiosity behind it.

Okay, pause for a second to imagine the weirdest thing, realistically, you’d expect to see from something called “The Red Room”. I’m expecting you’ll probably imagine, like I had, that his mom just had a room where the walls were red and everything was colored red and it was some kind of hobby or something, maybe with neat art inside or whatnot.

I promise you, this...was not that.

Seriously, what my friend did was open the door, lightly push it all the way open, and walk back to his room and shut his door back closed, all without a word, but I only ever thought about that fact in following years. What I did notice first, however, was naturally, the red, but I’ll give you extra context:

First: the room was totally empty. When I say totally, I mean totally. Not so much as a small piece of forgotten trash on the carpet. It looked like the barest room of a freshly built house.

Second, the room was just a square, just a box. No closet door or sliding door, just the four equal walls.

Third, maybe the strangest of these three: Never before had I seen a room in a home with neither windows nor power outlets, or a room light on the ceiling, I don’t think.

When I say this room was just four bare walls and carpet, that is not an overstatement in any way whatsoever. I just want you to know how serious I am about everything I say here, and it’s important you really take that in before you continue reading.

Now, for what I noticed first. This room, whose doorway I was only standing in, must’ve been called the red room because of the red lighting inside. I say lighting instead of light, because I feel that more accurately conveys that there were no actual lights in this room. It wasn’t red like from a lamp, not like a glow, but similar to the way a sunset can make the outdoors look completely orange. A subtle but sure red, that lit the room like  2 o’clock sun, but there was no window, and even if there was a window, this was during the winter where it gets dark by 6 pm. If you know me, you know I am a coward and so obviously, this is uncharacteristic of me to do, but I’m guessing that I was simply in shock from anxiety to walk away. I walked into the room and I heard this sort of strange buzzing. Putting my ear against the wall, I still heard the buzzing, not much louder, but also vague machinery noises. I’d think with all of the How It’s Made I used to watch, I’d have an idea of what I heard, but nah.

Now that I had a moment to let myself absorb the oddity of this place, I turned around, walked out of the door, closed the door in the most gentlest way, walked down the hall, downstairs, and out of the front door. Like my friend, I said nothing. I was too stunned to walk home fast, I think; I mean, I was traumatized from this. Maybe it’s silly, but I’m a coward. I can’t remember much else from that night since my mind couldn’t focus on anything else. I don’t think I told my mom about it. I don’t think I slept that night or was even able to sleep. Maybe it wasn’t scary but sometimes you just have an experience that just gives you a whiplash being what you are ready to process. I hope you understand.

Just so it’s out there, I’ll go into the boring bits that I’m sure you can infer. Of course I never spoke about it. It’s not like I saw a murder. A story of a weird blank room is one thing, but I can’t tell someone that a room was illuminated by some paranormal red lighting. Yeah, I’m serious and able to open up now, but some teenager isn’t going to feel secure with being as honest-to-god as they can be and being doubted and made to feel crazy. I was already quiet, called weird, not very socially secure my whole life, maybe you can relate. As for that friend and I, well I can’t remember exactly the way we were the next day, but I think it was something along the lines of him saying he hoped I had fun and acting totally normal as before. I didn’t mention the room. I didn’t mention the room at all to anyone since this. I never went back to hang out with him again and he never asked, to my relief every day. We stayed friends through school like normal, although I had the added gift of a little well of anxiety every time he approached our group, sitting down with us eating his jelly sandwiches and joking around about stupid shit that I hate myself for laughing at and saying back then. I think other people noticed me being a little more nervous and distraught than I had been before, but nobody, even at home, ever asked what was on my mind. Most days I had only one thing to tell them regardless.

That is just how it was for a couple of years until graduation. On the last day of school he randomly told me that he hoped we could stay in contact or hang out again sometime, and I just let out a “Heh, yeah that’d be cool yeah.”, but we haven’t spoken or seen each other again after that day. Maybe the odd text counts as communication, but it never held my interest. One time out of nowhere, he texted me a jar of jelly emoji, which I never responded to; only today did I check and noticed there is no jar of jelly emoji on my phone. Neither of us had moved for a few years, so the though of that house being so close to mine that whole time never stopped making me feel uneasy, especially when we would drive near or down his street, and my mom felt like asking about him every damn time for some reason, nearly giving me a panic attack each time. Maybe if I had went to therapy or opened up about it I could’ve started an adult life after graduation, but IMO, trauma never helps anyone grow into a stronger person. Others may be stronger than me in the first place to handle these things, but I’ve never felt that concept.

To jump back into the story though, it was about a year and a few moths after graduating high school. That night still haunted me and, I don’t know, it was just a strange week in my head. I had mustered up this idea to go back but I can’t imagine why. One day after driving down his street, I noticed that the cars at his house were gone from the driveway, and my mom mentioned to me that they had been for a while and they must’ve been on vacation, since nothing suggested that they moved out (their garage was always full of clutter and they never had parked the cars in there). The next day it just came out of my mouth to say that he texted me asking to hang out at his house and catch up from the years, since they just came home from vacation and he said that I would probably like to see some souvenirs he brought home. It was a good enough lie for the time.

I knew I would be breaking in, so I sneakily grabbed a hammer before I left the house just as it would be getting dark. I don’t know why I did any of this. I was haunted, traumatized, I didn’t feel like I could talk, and I sought peace and resolution so badly. I didn’t know where their family really was, but I figured, to hell with it, if the cops show up while I’m there, I’ll tell them to check out that room or I’d plead insanity or something; I spent the past four years or so being very depressed and fixated on this surreal memory, I didn’t really give a shit.

The walk to his house was a blur from being lost in my head, but I got there anyway. I put my hoodie up as cover, but that was about it. I know I wasn’t being discreet, but again, I didn’t really care. I only barely tried the front door, and of course it was locked, so I used my hammer on their window in the front of the house. I’ve always been weak, so it took me a few swings, and being louder than I should have, to get a break, but I did it. Maybe I was too numb to feel how sore my arms were. I cleared the spiky shards around the window and turned on my phone flashlight before climbing and stumbling into the house.

Being in the kitchen, it just clicked to me to think about his jelly sandwiches. Even by that point, that’s all I ever saw him eat. When I had looked back before, I never even saw anyone else in his family eat, but I was only there twice briefly so that never stood out to me. It was almost out of frustration or anger or spite that I wanted to find a jar of his jelly and smash it with the hammer or something, just as payback for the trauma I had been living with.

I opened their fridge to look for that fuckin stuff and I found it.

Yeah I found too much of it. I found a whole entire damn refrigerator full of red jelly. That is it. Same as the room upstairs was truly empty, this refrigerator was full of nothing but red jelly. I wasn’t horrified, I was disgusted. I took a jar out and set it on the counter. Homemade fuckin jelly. The cabinets? All jelly too. Every nook and cranny for where food should’ve been had homemade red jelly. I bet I didn’t even have to tell you that. Heck, did I see any bread for making sandwiches? No, not even a loaf of white bread. Maybe they took it with them to use while away. I think I can remember laughing that they still had standard junk and cutlery drawers, and beneath their sink had everything you’d expect as well. Like a cat, I just slid that jar of jelly off of the counter and watched it shatter. It just spilled out a little liquid, but mostly still gooped up like normal jelly. I was/am so angry that things weren’t weirder than that. Was I an ass for breaking in and being angry over a family that loves their jelly. They had a whiteboard in their kitchen for reminders and such(I saw it mentioned a vacation countdown), and I erased it fully before I took a marker, and I wrote, with much anger and shakiness in my hands, ‘Too much fuckin jelly. Eat something else besides fucking jelly! Fuck you, fuck your family, fuck your jelly, fuck your window, fuck this house, and fuck your fucking boring red room!’.

I dropped the marker on the counter and let out the breath I was holding in and breathed again. I stood there for just as long as I could while the anxiety crept in and I started to shake. Sometime during that standing I heard the creaking of floorboards from upstairs. I grabbed my phone before I even grabbed my thoughts, and thus it was another blur. As I made my way just a very short distance from the kitchen to the front door, I could clearly hear footsteps down the stairs. I do remember trying my best to be quick but also as silent as possible as I left through the door and leaving it wide open. I didn’t speed up my pace nor look back. I just walked home, quite similar to that last time, no more settled or at peace. I think that’s why I have to share the story now, because clearly breaking and entering didn’t help. I didn’t even have the guts to see that room again, and I’m sorry if you wanted to know if there was anything more to it. I got home and didn’t say much of note about what I was up to, or how I explained not being gone for much time, but nothing ever became of it. I never heard of a break-in report or anything. Moving away has been the biggest relief from that place I have ever had, and the only. The only evidence I have of any of this is just what I saw with my own eyes and have as memories. Sometimes you go through things that you just have to accept and live with because you’re a lonely person and are more used to facing loneliness than the pain of distrust and different looks. I just couldn’t stand the silent guilt anymore. I have been living with this experience, but it was hitting a point to where I didn’t want to live at all. I’ll certainly never be able to see a jar of strawberry jelly again without vomiting.

[rivetgoth]

This is gonna be long, apologies in advance. Just wanted to type something up properly about all of my thoughts now that I'm home and decompressing 🖤

--

Last year, I took a late night flight back to LAX on the Monday after Cold Waves VII. My signed VIP poster was the most valuable possession I could possibly imagine, and I was scared of it getting crushed in my luggage, so I brought it as a carry on. I knew that if I listened to ohGr I would start crying, and I didn’t want to cry in the airport, so I waited, clutching my little rolled up poster that Ogre and Paul Barker and the whole ohGr crew had signed. Ogre had drawn a little heart and written “hugZ and much support Artistically.” I had picked a spot in the very back of the plane, because I thought it would be less crowded, and I was right. I had no one else around me, my row was empty aside from myself. I’ll never forget the feeling of looking out the window as the plane took off and I watched Chicago get smaller and smaller and turn to little specks of light in the night, clutching my poster like it was all I had to live for. I put on Sunnypsyop and cried myself to sleep.

There’s so much I want to say about Cold Waves and I don’t even know how to start, so I guess I can start at the beginning. Last year on September 20th I flew to Chicago for the first time in my life and met up with one of my best friends in the world, Trigger (Sylvan), to see Nivek Ogre, my biggest hero, and meet him for a second time (I was meeting both Trigger AND Ogre for a second time, actually). It was a life changing event for me. For starters, seeing Ogre is always life changing. The love and care and passion and kindness that he puts out into the world makes the whole planet a better place and lights up my life in a way that nothing else ever has. He’s the heart of the industrial scene for me, because it was through him that I got into this music and found this community. When I saw him, not only did he remember me from when we had seen each other before a year earlier, but he encouraged me not to give up on my art, telling me that not only was I talented but that he could see the work I put into what I did and could tell I was improving. He told me not to give up and gave me so many hugs and he drew me a puppy to get tattooed. Ogre was currently nursing a recently-broken jaw but he was in the cheeriest highest spirits, he was as warm and loving as ever and so excited about the tour, and he put on one of the best shows I’ve ever seen. His strength and resilience and passion for his art inspired me so much, and getting to see him alongside Trigger and even be able to tell Ogre that we met each other through our shared love of his work made the whole thing even more special. Over the course of the festival I also got to see the rest of the ohGr crew, Paul Barker, and Jared Louche, who were all incredibly sweet and fantastic. Many of them have been people I’ve had the honor to speak with either online or off various times since then and have served such a crucial place in my life as role models and figureheads of a community that means so much to me.

The whole weekend was incredible. Trigger and I made so many memories that I’ll cherish forever. I still laugh over so many little things. The show was amazing. I don’t know if I could ever envision a lineup cooler than Cocksure, Lead Into Gold, Chemlab, and ohGr back to back. So many heroes, so many legends. I was living in the middle of nowhere at the time and had missed a lot of concerts due to being unable to get to them. I was seeing people like Chris Connelly and Paul Barker for the very first time. I thought I would never see Chemlab, and yet there I was seeing them among so many incredible people who I had looked up to for so long. So many people who had changed my life and saved my life. But everyone was amazing, and I not only got to see other legendary incredible bands like Front Line Assembly (CYBERAKTIF!!), I got to discover new bands I relisten to all the damn time like ACTORS. I felt connected with everyone in the audience and I got to meet a ton of cool people who were so friendly and so accepting of me. Jim Marcus got on stage and gave a talk about how Cold Waves and the industrial community at large is like a family and I really believed it and felt it and knew it was true.

The craziest thing about Cold Waves VII, though, was the fact that I literally moved out of my parents’ house and to Los Angeles the very next day. When I landed in LAX in the middle of the night I didn’t go home – I met my parents at a little motel where they had brought all of my stuff, sitting in boxes in the back of their minivan. I had packed it all up before I left for Chicago. The next morning we moved everything into my dorm room and my parents left, and there I was living in Los Angeles, alone, away from my family for the first time in my life, at age nineteen. I had just been accepted to UCLA late that spring and classes started the Thursday after the festival. It was a huge change and a huge new beginning and I was so scared of what was to come. I was scared of being alone and I didn’t know if I’d be able to survive in LA. I didn’t know if I’d belong, if I’d be able to succeed, if I would be able to fit in anywhere. Cold Waves served as the opening to a whole new chapter of my life and I was able to leave the completely magical world of the Metro and fly to a brand new home and start my life with the knowledge that I had been surrounded just a day before by countless people who understood me and supported me and who felt the same love and passion as I did. The following month I got Ogre’s puppy tattooed, and I began going to local goth clubs and concerts and meeting up with various people and making friends nearby. It was a slow process that’s probably ongoing forever, but I feel like it all traces back to Cold Waves as a catalyst for a reminder that I would never be alone.

This year’s Cold Waves was a weekend I’ll hold onto for the rest of my life. With my venture into the Los Angeles goth scene and the world around it I met another one of my closest best friends, Angel, who’s now also my roommate. Funny enough I owe Ogre to our meeting as well, because our first conversation was about her going to see him. This time, she flew to Chicago with me to meet up with Trigger. Being able to add a third person to our little entourage was so fun and cool. I love both Angel and Trigger so so much and it was so cool to see our little group grow bigger and I felt like there was an instant ability to connect through shared jokes and shared passions and shared understandings. On the night that we got there, after a little bit of initial awkwardness just as we figured out what we were doing and settled into a workable dynamic between the three of us (and found food after a day of accidentally starving ourselves in the way one does when traveling), we ended up staying up until five in the morning doing “Chemlab karaoke” in our hotel room until we received a noise complaint (oops). Then we had to get up less than three hours later so we didn’t miss breakfast, and spent the whole first day of the festival running on about two and a half hours of sleep and weird tasting  hotel bananas. It was an amazing bonding experience and that night alone was some of the most fun I can ever remember having, just being able to hang out with two of my best friends and scream the lyrics to music we loved, so excited for what was to come. I was able to prove that I know EVERY lyric to “Jesus Christ Porno Star” before the noise complaint forced us to shut the hell up.

From here, I don’t even know how to start. How do I even begin to talk about the next four nights? For one, everything was perfect in a way that I didn’t know was possible. Absolutely everything went perfectly as planned. Everything worked out. It felt like we had entered a dimension where nothing bad could happen. Quickly discarding our failed attempt at continental breakfast, we got into a daily ritual of waking up, getting ready, loitering at the Starbucks by the Metro for a few hours, and then heading to the venue early enough that we were guaranteed a spot at the front of the theatre every single night (we didn’t do much Chicago sightseeing… we needed to sleep in with how late we were staying up each night, hehe). On the very first night Jared spotted us in line and came over to give us big hugs and say hi!! That was amazing, because we’d been looking forward to hugging Jared all year. And that was one of MANY to come!! We got to be front and center when Curse Mackey came on stage, who we’d been looking forward to since the release of his first solo album earlier this year. The album is completely fantastic as was his performance. Trigger and I had such a blast being able to scream along to every single song. When we yelled out “WE LOVE YOU CURSE MACKEY” he called back “I love you too!”, and he grabbed our hands so many times during the show. And then… fucking CHEMLAB!!!! Easily one of the best shows I’ve ever witnessed. It was so fucking perfect. The absolute chaos of the beach balls, Jared’s grand entrance, Curse’s return to the stage, the music, the paint, the feathers, Jared spitting water at us until we were covered in his spit, and then Adrian Halo, another friend I’ve made in LA who I love, was pulled onto the stage for the finale. And Jared gave Angel the painting he made on stage! I felt like I was going to cry just watching it all. It was so fun, so exciting, so thrilling. I never wanted it to end. After the show we got to meet up with Curse and Jared and they were both so unbelievably nice. It felt like talking to old friends. There was immediate acceptance of us as fans and as people. I can’t thank either of them enough for the kindness they showed. They made me feel like I belonged there and I mattered there and I was apart of something.

…And we WERE apart of something. We got to witness so much greatness. We got to cry in the front of the audience when Severed Heads ended their final song of their final set. We got to experience the raw, primal, intense excitement the moment Paul started blaring classic Ministry tracks from his Min-Dub Soundsystem. Acumen vs 16Volt were so fucking fun and cool and their backing footage at the end absolutely made me cry. Light Asylum was amazing and her return to the stage with Test Dept. (also totally mindblowing and so INDUSTRIAL) was so epic – As was her Leigh Bowery shirt, which was awesome (I love Leigh Bowery!). Every single band stood out and did something interesting, fun, engaging, creative, cool, etc. It felt like I was apart of something real and this community had carved a very real space for itself in the world of music and art. I got to meet in person people who I’ve known online for ages. People I’ve only ever chatted with through Instagram DMs and Facebook comments ran up to me and we immediately hugged and started talking and it was perfectly natural. We clicked immediately because we knew that we were all here for the same things. I got to make new friends while waiting in line or waiting for the show to start in the theatre. It felt like every single day I was making new friends or meeting up with old friends. I finally got to meet Jim Marcus in person and thank them for the times that they’ve been a pivotal role model for me in my life and give them the huge hug they deserve. I have so many memories that I’ll hang onto for the rest of my life.

I worry about being alone a lot in my life. Not necessarily physically alone – If anything, I love a lot of solitude and I’m not always very sociable. I’m definitely more introverted than extroverted typically. But I worry a lot about a more deep-seated loneliness, especially as an artist. I’ve always been drawn to artistic groups in history that functioned as, well, groups. Andy Warhol’s Factory and the New Romantic Blitz Kids have been interests of mine for a long time because I’m so fascinated in the idea of artists being able to form a community and be connected, even when there is a fallout or things don’t always go perfectly. I’ve struggled more than I care to admit with a sensation throughout my life of not belonging or fitting in with anyone anywhere. I’m good enough at putting on a friendly attitude and people tend to like me, it’s not even that I end up a social outcast. It’s internal, an inwards fear that no one will ever be able to understand me and people like me with the same passions as I don’t truly exist. But Cold Waves proves that they do. People “like me” in every type of way really do exist. It was completely amazing to be able to meet so many people, to be able to strike up conversations with just about anyone, to meet up with new friends and old friends and feel connected to so many human beings around me, all from different walks of life, from different parts of the country or even world, with different stories and hopes and dreams, but we all could be connected for that weekend to our shared love of industrial music and our shared love for Jamie Duffy and Chicago and everything that this subculture has built. The musicians themselves accepted us so quickly as apart of their world. We were more than just fans, there was a real exchange of energy and passion between creator and audience happening, a connection between everyone in the Metro.

On the last day of Cold Waves I wore a pig costume, partly because I love PIG and had been looking forward to seeing Raymond live since I saw him tour with Killing Joke the year before, but also partly just because I fucking adore pigs (the animal) and thought it would be fun. It was goofy and I almost didn’t do it because I was worried people would think I was stupid, but I love the idea of dressing up and wearing fun costumes and I wanted Raymond to see! It ended up being the perfect ending to the festival and it tied everything together so well. Everyone loved it. So many people complimented it and took pictures of me or with me. I’ve seen Instagram posts from strangers talking about me, mentioning the “devoted young fan in the pig nose in the front row.” I’ve seen Facebook posts that mention me. It sounds conceited, but it’s not that I care about popularity or attention, honestly – Most of these people will never even know my name. It was just so fun to be able to dress up in a fun way to support music that I love and represent something that means a lot to me and have such a hugely positive reaction, all these people who love it and accept and embrace it. Raymond reaching down to poke my pig nose during the show was the absolute highlight of the night, and one of the big highlights of Cold Waves altogether. I had a stranger come up to me after the show and say, “You know, you were a really important part of the PIG concert!” It totally made my night. I got to meet so many great people that night. I met up with Logan, who’s a total sweetheart and I’m SO glad we had the chance to connect in person after talking online, I also finally talked to another Angel who lives in LA who I had seen around and they were so so so sweet as well. I got to speak to Jim Marcus, as I said before (they’re my dad now), I got to say hi to and hug Paul Barker for the third time, I got to meet Raymond Watts for the first time and tell him about how much I love his work and hug him, I got to chat with all the people I had already met in line and in the front row the past few days for a final time. It felt so connected. I felt so connected to everyone. When Jim gave the talk on stage about our community and how much it matters and how we’re all there for each other, I really started to cry right there at the front of the audience. It’s so true in such a real and profound way that I’ve never felt anywhere else but in the industrial community. I was there hundreds, thousands of miles from my home in California, surrounded by people who were mostly more or less strangers, but I felt so connected to them and so accepted by them and I loved all of them so much and I felt like they loved me.

It’s so sad to leave Cold Waves and be back home. I love LA but there’s nothing like Cold Waves. There’s nothing like being in the Metro surrounded by everyone else like that. I can’t wait to go back. I feel so reinvigorated in my art and my projects, I want to create and I want to bring to life my own passions so that I can share them with others and give back to this community. I wish I had a way to properly thank everyone – All of the unbelievably talented musicians who are all so sweet and so humble and so amazing, all of the people in the audience who chatted with me and befriended me, all of the friends I made there and all of the friends I already had, the security guards, doormen, managers, everyone who helps keep the place together, Darkest Before Dawn, everyone who works tirelessly to put this event together each year. I don’t know where I’d be without it. Thank you so much for the most incredible time, I’m going to try to keep the spirit of Cold Waves alive in my art and creation even now as I settle back into my home. And I can’t wait to be back next year!