#I’m working on creating and animating a movie

[jenosbliss]

When He Builds a Snowman ☃️🦌

pairing. gn!reader x jisung | genre. fluff | wc. 651 | warnings. none

“If you’re trying to make Olaf, you’ll need three snowballs for his body,” you said with a yawn, stepping into the backyard and watching Jisung struggle to stack a giant snowball on top of another.

“Three snowballs? What a weird snowman,” he muttered, sighing as he fished out his phone to double-check the picture of Olaf.

“Exactly! That’s why he’s my favorite—he’s unique.” You smiled, but Jisung was already back to work, so focused you weren’t even sure if he’d heard you.

“I’m going to take a bath,” you announced, but he didn’t so much as glance your way. “Hope you’re done by the time I get back!” You sighed, shaking your head, but you couldn’t help the fond smile that spread across your face. Taking one last look at him huddled over his snowy masterpiece, you mumbled to yourself, “He’s the best,” before heading inside.

A few days ago, you’d both been struggling to pick a movie to watch when Frozen popped up. It wasn’t even a debate—you’d hit play immediately. Somewhere in the middle of the movie, when Olaf made his grand entrance, you’d sighed dreamily and mumbled, “Olaf is the best character ever. I love him so much.”

Jisung, who rarely reacted to your random outbursts, had nearly dropped the popcorn. “You love him?” he blurted, clearly scandalized. “An animated snowman?”

You couldn’t stop laughing at the horror on his face. “Yes! He’s cute, funny, and different from every other character,” you said, still giggling.

Jisung had rolled his eyes dramatically but then muttered, “Should I build him as the snowman for Christmas?”

You’d practically shot upright, excitement written all over your face. “Are you serious?”

He just chuckled, shrugging like it was no big deal. “Very much.”

What you hadn’t expected was for him to actually follow through. Yet here he was, working tirelessly since early morning, determined to bring Olaf to life for you.

When you returned to the backyard, wrapped in a cozy sweater, your jaw dropped. “Oh my God! It looks so real!” you shouted, running up to the snowman with childlike excitement. You circled it, inspecting every detail like it was a priceless sculpture.

Building an Olaf snowman had always been a dream of yours, and now it was standing right in front of you, thanks to him. “It’s perfect! Thank you so much, Jisung!” You practically bounced on your toes, adrenaline coursing through you as you leaned in to kiss the side of Olaf’s snowy face.

The cold hit you instantly, and you recoiled, shivering. “Bad idea,” you muttered, wiping your lips.

Jisung, watching this entire scene, crossed his arms and pouted dramatically. “So, Olaf gets a kiss, but the guy who made him doesn’t?”

You smirked at him. “Olaf’s a snowman, and you’re just… a man.” The words slipped out, and you immediately cringed at how ridiculous you sounded.

But Jisung, ever the drama king, gasped and threw himself onto the snow with a flourish. Rolling around like a lunatic, he popped up moments later covered in snowflakes, grinning like a kid. “Okay, now I’m a snowman too. So?” He spread his arms wide, skipping toward you like a dork.

You rolled your eyes but couldn’t help the laughter bubbling up. “You’re impossible,” you said, grabbing him by the sweater and pulling him close. With a smile, you pressed a soft, lingering kiss to his lips.

When you pulled back, you met his wide-eyed grin. “See? Now that’s how you reward the maker of Olaf,” he teased.

“You’re such an idiot,” you said, shaking your head, though the affection in your tone was unmistakable. “But you’re my idiot.”

“Cringe!” he exclaimed, laughing as he pulled you into another hug.

“Yeah, I know,” you said, groaning with mock embarrassment. “Cringe moment #2.”

But standing there in his arms, snowflakes falling softly around you, you couldn’t imagine a better way to spend Christmas.

tags:: divider created by @cafekitsune 🫶🏻

masterlist. nct dream | nct 127 | wayv

navigation.

[sunflowhamato]

Usagi Yuichi: (Ghost/Ukagaka) ft. Leo Hamato- English/Spanish

Meet Usagi Yuichi, the brave protagonist of Samurai Rabbit: The Usagi Chronicles (also known as Yuichi Usagi: Ghost/Ukagaka), who is now ready to interact with you directly from your computer. The best of all is that in this experience you can also live with Spot and Leonardo Hamato (ROTTMNT).

Includes history from both series, and one completely original, so Spoiler Warning. There will be no updates

Content (Menu): -Questions about him, friends and clan -Interact with you like watching movies, listening to music or reading -Tells interesting facts about the Yokai -Talk about Miyamoto Usagi -You can meditate -Spend time with Spot

-It is also in Spanish

If you like the character, but not the Leosagi/Leoichi ship, that's fine. You can enjoy Ukagaka without needing to include that feature. Simply DO NOT follow the following steps.

How do I get Leonardo? It's very simple. At first, only Usagi will appear on your computer. You will have to spend enough time with it to unlock some functions, mainly in the menu, where you click on “Interact” below, the folders dedicated to Leo and Spot will appear. When you click on this folder to join Leo, you will only need to wait a few minutes, and it will appear. With their arrival, some exclusive functions will be added for them. This step can only be done if you wish.

Usagi functions with Leonardo: Functions to interact with the characters. The system includes several functions for you to spend time with Usagi and Leonardo in some activities. In this part, the Ukagaka will be focused on the relationship between both characters, showing you funny anecdotes or cute gestures between them. You will be able to unlock these animations the moment you get the folder, and you will only need to click on the action you want them to perform. Some animations may only be performed once a day. For his part, Leonardo will only be added as part of the Ukagaka, which means that you will not be able to ask him questions or pet him, since these functions are exclusive to Usagi. It is important to highlight that this experience of adding Leo is inspired by the ship between both characters. Therefore, you should not expect any of them to have flirtatious gestures towards you.

Costume change (with Leo): What excites me most about this Ukagaka is that, after spending time and earning points with Usagi and Leonardo, you will unlock a very special feature: Both characters will change costumes and transform into versions inspired by different popular comics about them. It's an exciting surprise that you're sure to love! I want to thank and give credits to the artists who gave me permission to use their designs as part of the Ukagaka. Now, I'm excited to reveal the comics selected for this feature.

-Big Mama's Child AU- @hitokshellart:

-True Colors AU- @v-albion:

-AU (Yo-ho-ho) A Ninjas Life for me- @triona-tribblescore

-Love Me Dead (Vampire AU)- @x.bluell

I would just like to give a clarification about this, even if they change the costumes, the functions or the questions will not be changed, that will remain the same, because all the stories are concluded for the moment and asking questions or telling something that has not yet been revealed is It makes me wrong for the comic.

To make the ukagaka change costumes you just have to left click and search for “Change Shell”, the different outfits will appear, and you just have to select the one you want and wait for it to load.

How do I get the ukadaka? For this point I would like to give one more thanks to @venelona-turtle-den (Ukagaka by Leo F!) who was the biggest source of inspiration to create this ukagaka.

There are two options, if you have Leo F!'s ukagaka, the only thing you need to do is enter the drive link that I will leave below and download the first file called “SamuraiRabbitBalloon” with that file downloaded, you need the second one that would depend on you In what language do you want it, if it is in English, download only the “Yuichi UsagiENG.nar” file, and if you want it in Spanish, it would only be the “Yuichi Usagi.ESP” file.

If you don't have Leo F!'s ukagaka, you need to go to this page. Download what this. Then you just need to follow the previous step that I put in when you already have the ukagaka (In this case Emily).

From here you have two options to take out Usagi Yuichi, the first is to left click on the ukagaka you have at that moment, and go to where it says “Change Ghost”, you only click on the option of the ukadaka you want to take out. If it doesn't appear and you already have the files downloaded, what you can do is grab the file that ends in “.nar” and drag it to the ukagaka. With this completed you just need to wait for everything to download and update.

Link Drive:

Special thanks: I was not the only one working on this ukagaka, so I thank my great friend @Kyon_uwu, who was the programmer who managed to do all this, so thank you very much for your great work in these weeks <3 He really made a great effort so thank him for everything. If you want to support more for their work, I leave you the link for donations:

Doubts: If you have any questions, send a message to this account, or you can send them to my Twitter, I will be happy to answer them.

[56thingsinaname]

I need a multiple button so bad

Thinking a lot about pursuing artistic endeavors in a professional capacity but not making it your whole life and livelihood forever and ever. If you're already doing one of these things professionally, or working towards that, try to pick something else!

[art]

Creator Spotlight: @themetalhiro

Hi, I’m Metal! I’m a freelance artist from good ol’ New Jersey. My favorite things to work with are a lot of bright colors, exaggerated poses, and candid scenarios. I try to farm sensible chuckles whenever I can, so I’m also big into comics. I love making them about my life, and the media I’m into, and one day I’d like to publish my own series!  Thank you to everyone who has gotten me this far!!

Check out Metal's interview below!

Did you originally have a background in art? If not, how did you start?

I guess so! It’s funny, I don’t remember a single time in my life that I wasn’t drawing as a hobby… somewhere in middle school (a little late, I know.) I put the pieces together that animated movies were made by artists, and that it wasn’t just for fun, they were paid to do it. The moment I discovered people could be paid to make art, I decided I would do that, too. Now I’m here!

How has your style developed over the years?

I think the best way to answer this would be with an example! Over the last few years, I have made more of an effort to draw more intentionally, which sounds silly. Now, I put more thought into my poses and step out of my comfort zone with shape language and composition. I had a phase where I drew everyone with a huge, perfectly circular head and no nose. That definitely did not lend much variety...

Which 3 famous artists (dead or alive) would you invite to your dinner party?

Ack! I’m so terrible at history! I’d love to give a well-thought-out answer about fine artists of old, but I don't think we’d have much in common… Most artists I admire and who have driven me forward creatively are the people behind comics I’ve read. Andrew Hussie, Bryan Lee O’Malley, Eiichiro Oda... these guys have inspired me greatly and had a heavy influence in developing my art style and sense of humor. I’d love to ask them questions about their processes and upcoming projects. I think it would make for an entertaining night!

Over the years as an artist, what were your biggest inspirations behind your creativity?

Outside of pure aesthetics like searing bright colors, layered clothing, and loud noises…. the best and most inspiring moments in my life were those surrounded by friends and loved ones! I cherish the hell out of memories of hanging around in fun locations, trying weird food together, and impromptu midnight walks... so I try my best to capture that atmosphere and my own memories in my work when I can, even if I’m imposing fictional characters on top of them. That’s always the core of it.

What is a medium that you have always been intrigued by but would never use yourself?

I would never permanently refuse a medium, but every time I pick up clay, I’m like a baby using its hands for the first time. Absolutely dreadful. If one day I could make and paint a figurine like the ones I admire in videos, that would be awesome... But for now, I’m not counting on it.

How do you want to evolve as a creator?

I’ve had an absolute blast drawing fanart over the years, and it’s certainly played a massive role in my growth as an artist. But my dream has always been to publish my own stories for y'all to enjoy! I have lots of worlds I want to introduce to you before I’m old and gray. I want to get faster, work harder, and get better at drawing interesting settings so I can get the wheels turning as soon as possible. I also want to stop avoiding the color blue like a coward.

What do you wish you knew when you first started out creating art that you know now?

Pay your taxes quarterly. Tablets will break at the exact moment you need them most, so have a spare. Wear your blue light glasses. You’re going to need to wear a brace on every joint on the right side of your body. It can be lonely sitting at your desk all day. The car on the side of the road that costs $1000 cash….. don’t trust it!!!

Who on Tumblr inspires you and why?

@cranity—They use absolutely beautiful colors and weighty line work. Everything looks so sharp and clean! I wanna put it all up on my wall!

@vewn—Their ability to crank out quality short films and illustrations packed with detail is incredible. The off-kilter perspective they use really sells disorientation and catches your attention like nothing else.

@nelnal—They have absolutely banger character designs again and again, I can’t believe one person’s mind can come up with so many creative ideas!

@jinx88kc—They have a beautiful and recognizable style, and the way they incorporate animation into their illustrations sometimes is SO cool!

Thanks for stopping by, Metal! For more of Metal’s work, follow their Tumblr, @themetalhiro! If you haven't seen their Meet the Artist piece, be sure to check it out here!

[guardianspirits13]

Ok. I’m still trying to gather my thoughts and settle my hyperfixation after episode 3 of the Percy Jackson show, but one of my conclusions is that this is one of very few adaptations that actually understands the term ‘adaptation’ and furthermore what makes one successful.

On a fundamental level, understanding and respecting the source material is a must. You need to not just know the bullet points of the story, but you need to know the ‘why’s’- why does this story need to be heard, why do people like it, why does it stand out from the others in it’s genre, etc.

Second, you need to deconstruct the source material and piece it back together in a way that makes sense for the new format. Copy-pasting almost never works, since there will inevitably be discrepancies between the readers’ imagination and the adaptation that can distract from immersion.

Third, you need to provide something new. Why does this story deserve to be told in a different format? What can this add to the original themes of a story? What can we change to make the message come across more on screen? Will this dialogue really be as funny when it’s said out loud?

We’ve seen a lot of terrible “adaptations” of animation and books and musicals into movies/tv shows, and I think even among the better ones there is a dissonance between the desire to stay faithful to the source and the desire to make a good adaptation, with whatever changes that may necessitate.

I think while we’ve watched the casting of this series, the hints here and there, and final the premiere with bated breath, they’ve been playing the long game. They cast Walker as Percy before he was in the Adam Project. Many people expressed…unsavory…feelings when Leah was cast as Annabeth, but those of us that trusted the team behind this project- including the author himself- did our best to welcome her and were repaid tenfold with her performance in this episode particularly.

Most of the scenes in this episode were not at all how I imagined them in the book, but I adored it. They took what they were given and expanded on it. They created a mini-arc for the trio learning to trust each other. They gave Medusa a labyrinthine lair. Annabeth is a 12 year old walking into a convenience store for the first time in 6+ years with $200 in her pocket, of course she’s gonna buy as much as she can carry.

The love and care and artistry that went into this single episode brings me so much joy and gives me so much hope. Like I was already excited for a faithful adaptation, but seeing these characters come to life on screen, once you see their chemistry with each other and how they speak and push and pull at each other’s emotions, it has never been more clear to me the amount of care and foresight that went into this show.

Rick said that these kids are the characters he created and for like 2 years I’ve trusted that that was true, but today it was proven beyond the shadow of a doubt.

I am just…in awe.

[purplealmonds]

Finished this just in time for the new trailer drop! This is my Mononoke illustration featuring assorted merch from the anime, movie, and stage play! How many can you recognize? ⚖️���

(Yes, please send answers in the replies! Answers, progress pics, artist commentary will be drafted on a separate post when I'm less tired) ⭐️ UPDATE 04/03/24: Abridged artist commentary is now available under the cut! For the full version, please see the Google Doc linked in the replies.

👁️Overview 

Late last year, I rather belatedly discovered Mononoke’s 15th anniversary came and went, and with it, an entire swath of new content to manically pore over. This is an illustration of the various Mononoke merchandise, props, and set dressing I discovered.

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🔎Scope

Some fun facts regarding the work that went into this illustration!

Not including research time, this project ran for roughly two months, consuming much of my waking hours outside of my full time and freelance jobs.

While the illustration does not depict all of my findings, it does feature over 120 unique props and set dressings!

The majority of the props and set dressing were modeled to varying degrees of detail in SketchUp.

To model prep, I often put together schematics on Photoshop or Illustrators. Some were created from scratch. Others were created with the liberal usage of the Photoshop transform and perspective warp function. 

The master file is 1.5GB. The dimensions are 6400x3600 at 300 dpi, and contains over 2,200 layers. 

Near the end of production, the master file became so unwieldy I created a separate working file. This way, I could create assets lag-free then import the layers into the master file. 

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Past this point is where most of the commentary cuts were made for the sake of brevity. Again, look in the replies for the Google Doc link containing the full version with a table of contents for easier navigation!

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🗳️3D Layout

As you can see, the backbone of this illustration is the 3D model. I spent perhaps 30-40% of my production time on this stage.

And this is the lit version. The lighting ultimately got downplayed in favor of showcasing the vibrant colors. I like how simple it looks though!

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🎬Production-Based Set Dressing

In addition to merchandise, I wanted to insert set dressing and props from the various Mononoke productions. 

🦊Kusuriuri

It’s odd to have a section dedicated just to him, but his unique appearance warrants it. His garb and overall appearance is an amalgam of the anime and movie. The original intent was ambiguity– kind of like the blue/black vs. yellow/white dress phenomena a few years back. But after doing the color flats, I rather liked how the rich, unaltered colored fit with the overall composition so it became more blatant. I’m surprised that nobody has commented on this since I published the illustration. Maybe because I didn’t feature him in a close-up?

🐈 kai ~Ayakashi~Bake Neko (2006)

Finding props iconic to this story arc (outside of the Kusuriuri’s tools of trade, of course) was somewhat difficult. While the environment was richly decorated, it mainly consisted of 2D artwork which I wasn’t keen on retracing. I opted to paint objects that characters interacted with or featured heavily in the show.

Salt Jar

Candlestick

Rat Trap

🦋Mononoke (2007)

The props fall into three distinct categories here: Kusuriuri’s tools and trinkets; things featured in the opening and ending credits; and objects iconic to each of the five story arcs in the series. I tried to keep most of them clustered on the tatami, but as space grew scarce some props trickled up onto the deck as well.

Medicine Box

Exorcism Sword

Tenbin

Paper Talisman

Mirror

Ring

Geta Sandal

Necklace

Paper Umbrella (Zashikiwarashi)

Daruma Dolls ( Zashikiwarashi)

Gunpowder Ball (Umi Bozu)

Smoking Pipe (Nopperabou)

Genjiko Blocks (Nue)

Train Ticket (Bake Neko)

Lantern (Anime OP)

Butterflies (Anime EP)

☂️Mononoke: Karakasa (2024)

Pretty slim pickings for the new movie since I only had the teaser, first trailer, and movie poster to reference from. Kusuriuri’s tools of trade were a given, but finding memorable and narratively significant objects was a tad troublesome.

Thankfully, the set dressing ended up (however subconsciously) strikingly similar to the movie’s environment design, down to the green tatami and multicolor shoji screen. I suppose at this point I was so immersed in Mononoke content that its aesthetics subconsciously informed my design choices! 

Exorcism Sword

Tenbin

Paper Talisman

Comb

Movie Poster

Butterfly (Custom design)

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🪭Official Merchandise

Goods related to canonical narratives and/or productions.

🎊15th Anniversary

Mononoke Shu - A light novel by Hideyui Niki & illustrated by 2964_KO

Whiskey Glass & Box

📖 Key Frame Art Books by Hashimoto Takashi

Ayakashi Key Art Frame Book (2010)

Key Frame Art Book vol.9 (2017)

📚Manga by Yaeko Ninagawa

Kai Ayakashi: Bake Neko Vol. 1-2

Kai Ayakashi: Mononoke Prequel

Mononoke Vol. 1-10

🎭Butai Mononoke

Bakeneko Pamphlet 

Zashikiwarashi Pamphlet

Zashikiwarashi Acrylic Standees

Zashikiwarashi Manegi

💿Physical Media

Official OST CD

DVD Box Set

Yokai Pattern Fabric

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Common Collab Merchandise

This category consists of goods that are generally more affordable and feature graphics from the source material with minimal alterations.

Amnibus

Wall Scrolls

Tenugui Fabric 

Shot Glasses

Minoyaki Bean Plates

ANIGA-TER

Stickers

Can Badges

Canvas Prints

Anique

Diorama Acrylic Stand

Acrylic Blocks

Challenge Kuji

Kusuriuri & Hyper Clocks

eeo Store Online

Folding Fan

Keychains

Can Badges

gj character G

Cushion

Acrylic Charms

Neo Gate

Satchels

Mini Badges

Mini Badges by Mame Shinoda

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High-End Collab Merchandise

Goods which derive motifs from the characters, props, and patterns from the production and transform them in an elevated manner through abstraction or usage of precious materials.

gj character G

Exorcism Sword Ring

Goodsmile

Kusuriuri Nendoroid Figurine

Folding Screen

Kusuriuri & Hyper Plush

Tote Bag

Kaya

Umbrella

Tenbin Kanzashi

Tabi Socks

Dress

Kotobukiya

Figurine

Mayla

Pump Heels

Kusuriuri & Hyper Hairpins

Tenbin Earrings

Hyper Earrings

Noitamina Apparel

Perfume

Tenbin Necklace

Folding Fan

Super Groupies

Purse

Wallet

Watch

Tsumuji Design

Exorcism Sword Necklace

Ofuda Bracelet

Useless Use Lab

Fragrance Set

Air Purifier

Three-Sided Mirror

[gothcsz]

part seven of the neighbors series. oh jeez, we are back at it again with another heart wrenching part to this building series. don't ask me where in the timeline this lands because i don't even know—all i do know is that this one hurt me a little more than the others 🖤 as always, thank you to the beautiful anon who sent in this prompt. i love love love creating this with you all 🖤

javier peña x f!reader. ~2k word count. again, nothing too extreme to tag!

“Guess who won dos entradas al cine?” (two tickets to the movie theatre) you sing-song as you approach Javier, a pair of ticket vouchers held triumphantly in your hand and a wide grin lighting up your face. 

Javier looks up from where he’s seated on the edge of the courtyard fountain, the familiar ember of a cigarette glowing between his lips. He narrows his eyes behind his tinted aviators, giving you that signature blend of teasing skepticism. “Who’d you have to flash to get those?” 

You roll your eyes and drop onto the fountain beside him, the cool stone beneath you a welcome reprieve from the heat of the day. “I am offended that you think I’d flash someone for movie tickets.” You cross your legs as you say it, the move shifting the hem of your work dress just high enough to reveal the soft curve of your thighs beneath sheer stockings.

Javier’s gaze dips immediately, a slow drag of his eyes over your legs before his tongue sweeps across his lower lip.

He knows he should stop. Should keep his admiration of you in check. But he can’t. You’re too pretty to not gawk over.

You’re oblivious, like you always are, as you hold the tickets up again, completely lost in your own excitement. “We had this silly competition in the office, and these bad boys were up for grabs.” Your voice is bright and animated, and it’s all he can do not to focus entirely on how alive you look when you’re happy.  

A plume of smoke curls into the air as he exhales, buying himself time. “So, what movie are you gonna go see?” 

You falter for a moment, your confidence dimming ever so slightly as you hesitate. Your teeth catch your lower lip in a nervous habit he’s seen a dozen times and never fails to find endearing, and you glance at him from under your lashes.

That look alone could kill him.

“I’m not sure… actually,” you admit, your voice softening as you toy with the edge of the tickets. The question sits on the tip of your tongue, uncertain.

Is it a good idea to ask him? It’s been weeks since the two of you had a moment to really do anything outside of these stolen midday chats or rushed exchanges in the hallways.

You miss the ease that used to exist between you, but what if he doesn’t feel the same? 

After Javier’s little episode in your apartment during your date, things seem to have settled into a steady, almost predictable rhythm. You’d thought about asking Mateo to join you for this outing, but he’s away on some business trip for the next two weeks.

Things between you two are fine—casual, a few small dates here and there, nothing to write home about. It’s enough to keep your head above water, to keep romantic daydreams about the handsome DEA agent next door from completely taking over. 

You haven’t heard much from Javier’s side of the wall lately either. No muffled moans or the rhythmic creak of his bed frame emphasizing his nocturnal activities.

Out of sight, out of mind, you tell yourself. If you don’t hear him entertaining half of Bogotá, your feelings for him can stay dormant, tucked neatly into the recesses of your heart.

So, you figure it’s harmless to ask him to go to the theater with you this weekend. Friends catch movies together all the time, right? Besides, his life is unpredictable—he could get called into some crisis at a moment’s notice. No pressure.

“I was wondering if you wanted to come with me,” you ask, your voice soft but hopeful. “We can pick the movie when we get there.”

The way you ask, with that shy, almost hesitant charm, makes Javier’s heart do a ridiculous flip. He has to school his expression, keep his face neutral so he doesn’t show just how much your offer delights him. His instinct to tease nearly ruins the moment, though—he’s this close to asking about your little banker boyfriend. 

But instead, he soaks in the fact that it’s him you’re asking, not Mateo.

Whatever the reason, the thought of spending an evening with you—even if it’s just watching a movie—makes him feel like a giddy teenager, like the crush he’s been nursing forever has finally acknowledged him.  

“Makin’ time for me in that busy schedule of yours? I’m flattered, cariño. That sounds like a good time. I’m in,” he replies, taking a slow drag of his cigarette to mask the grin tugging at the corners of his mouth.

You light up instantly, a bright smile spreading across your face. “Tú eres el que siempre está ocupado,” (You're the one who is always busy) you tease, testing the waters with your Spanish.

He huffs a quiet laugh, his dark eyes glinting with approval. “Tienes razón,” (You're right) he concedes, tipping his head in acknowledgment. “You’re gettin’ better and better. Pretty soon, you’re gonna be speakin’ better than me.”

Your cheeks heat at the compliment, and you can’t help the nervous giggle that slips out. “Highly doubt that, but thank you. How does Friday night sound? Meet me in the hallway at six?”

Javier tilts his head, feigning confusion as his brows knit together. “Lo siento, no hablo inglés, ¿puedes repetirlo?” (I'm sorry, I don't speak English. Could you repeat that?)

You bite your lip to keep from laughing, playfully narrowing your eyes at him as you pause to get your words right. “Encuéntrame en el pasillo a las seis el viernes,” (Meet me in the hallway at six on Friday) you say carefully, hoping you nailed the grammar.

His lips curve into a proud smile, his mustache twitching as he nods in approval. “Te veré allí. Good job, cariño.” (I'll see you there)

It’s almost eight when you knock on Javier’s door, your fingers fidgeting nervously as you wait.

Maybe he got tied up with work—God knows his job has a way of swallowing him whole.

Or maybe it just slipped his mind, which wouldn’t surprise you either; he does have a lot on his plate these days. 

Still, you’d been looking forward to this little outing, putting a little extra effort into your outfit, remembering all the little things that had happened to you during the week to share with him so he could get a good laugh out of them.

You wait a moment longer, but there’s no answer. A small pout tugs at your lips, disappointment sinking in. You tell yourself you saw this coming. It’s Javier, after all—unpredictable, chaotic Javier. You shouldn’t take it personally. 

But the tiny sting of hurt manages to land on that sore spot in your chest with his name tattooed over it. 

It’s okay, you think, pushing the feeling down. You’ll just reschedule. No big deal. It’s not like you don’t have other things to do—there’s that crossword book you picked up earlier to practice writing your Spanish. A quiet evening in doesn’t sound so bad. You’ll catch him later, maybe tease him for standing you up. 

You’ve barely turned the knob on your apartment door when the sound of laughter fills the air—a warm, familiar chuckle that makes your heart leap.

You freeze, turning toward the sound, your excitement flaring to life at the prospect of your plans not being canceled after all.

But the flicker of hope is short-lived. 

The door to the building swings open, and there he is, an arm wrapped possessively around the waist of a stunning woman. She’s tall, effortlessly beautiful with her curly brown hair, her laughter lilting as his lips graze her neck.

Your stomach drops.  

So he hadn’t forgotten because of work. He’d just… forgotten about you. Or chosen not to remember. The realization sears through you, twisting in your chest.

You feel rooted in place, unable to look away as your mind scrambles to catch up. 

Then his eyes find yours.  

The world seems to grind to a halt. Everything else fades—the woman on his arm, the noise of the building, even the ache in your chest.

All that exists is the intensity of his gaze locked with yours. His flirty, careless smile vanishes, replaced by something you can’t quite name. Guilt? Regret?  

It doesn’t matter.  

You wrench yourself away, slipping into your apartment before he can say anything. The door closes with a soft click, and you sag against it, chest heaving as you fight to steady your breath. Your eyes sting, but you refuse to let the tears fall.  

It’s not just that he stood you up. That’s not what makes the embarrassment swell in your throat. It’s that you’d been excited to spend time with him.

That you put in effort to your appearance, that you saved specific topics to discuss solely with him.

You’d allowed yourself to believe that your friendship mattered as much to him as it does to you.

But now, standing here with your heart feeling scraped raw, you’re starting to see it for what it is: your friendship only exists when it’s convenient for him. When there’s no one else in his bed, when he’s not risking his life in the streets.  

You bite down hard on your lip, willing the tears to stay put. You won’t cry for him. Not tonight. Not again.

Like clockwork, three steady knocks land against the door, each one reverberating through your back as you stay pressed against it. You don’t move, your hands curled into fists at your sides.

Should you answer? Or let him stand out there, forgotten as easily as he forgot you?

Your jaw tightens, anger sparking to life in your chest. It tempts you to yank the door open and unleash every ounce of frustration, to scream at him until your voice gives out, until he feels the intensity of all the feelings he stirs inside you.  

But you don’t.  

Instead, you straighten your posture, brushing away the stubborn tears that slipped past your defenses. You take a steadying breath, clearing your throat before finally opening the door.  

“Hola, Javier,” you greet, your tone clipped and flat.  

There he stands, every bit the picture of remorse. His brown eyes are soft, almost pleading, and his hands are shoved in his pockets like he’s trying to make himself smaller. “Cariño, I’m so sorry,” he starts, his voice low and rushed. “I got hung up at the office, then had to go out and vet some leads we got—”  

“It’s okay,” you cut him off with a tight smile. “It happens.”  

He flinches at your tone, guilt etched across his face. It’s written in the way his shoulders slump, the way his mouth opens and closes as if searching for the right thing to say. He knows he screwed up. Knows he let you down.  

The truth? He had forgotten. At first, it was the chaos of his job pulling him in a dozen directions, then following up on a tip from Helena.

But when they met at their usual spot, the drinks came easily—too easily. Her attention had been familiar, her touch comforting, and one thing led to another, as it always did with her. He hadn’t thought about anything else until he walked into the building and saw you.  

Until your wide, hurt eyes locked onto his and knocked the breath right out of him.  

“I’m free all day tomorrow,” he says now. “We can reschedule. I’ll even take you out to dinner to make it up to you.”  

There’s something so damn sincere in the way he looks at you, the way his tone drips with regret, that for a split second, you almost cave. Almost.  

But then you remember what’ll happen as soon as he leaves. He’ll go back to his apartment and you’ll have to hear him fuck her.

“No, Javier. Don’t worry about it,” you say firmly, each word clear with resolve. “I’ve got a busy weekend.” It’s a lie, but it feels necessary, a barrier to protect what little dignity you have left.

“Have fun vetting your lead.” You let the words hit their mark.

His expression falters, and you see the exact moment the weight of them sinks in, his lips parting as if to respond, to defend himself, to say something. But you don’t give him the chance.

With a steady hand, you close the door in his face.

The soft click of the latch is louder than it should be, final and resolute. You lean against the wood, staring blankly ahead as the quiet settles around you.

Your heart pounds against your ribs, the fiery ache of anger and something sharper—betrayal—coiling in your chest.

started a tag list for my works here, so if you're interested— pls check it out 🖤

🏷️ : @persephone-girl . @magneticecstasy . @thundermartini . @pepperstories . @greenwitchfromthewoods . @maiyart . @pedrohoe04 . @natalieispunk . @thewisesalmon . @bitchesuntitled . @puddles221b . @swankyorange . @bbyanarchist . @thottiewinemom . @heyhihello-4771 . @danaehldy . @sunflowerfive . @libre-sol . @harriedandharassed . @untamedheart81 . @moel-jiller . @honeyedmiller . @alexxavicry . @oldenoughtoknowbettersstuff . @almodovarispunk . @southernbe . @readingiskeepingmegoing . @pedrito-is-punk7 . @mrs-hardy-hunnam-butler . @la-vie-est-une-fleur29 . @lover-of-books-and-tea . @mysterious-moonstruck-musings . @pigeonmama . @piercethevic03 . @marisemonteiroo . @samanthajonees . @yellowbrickyeti . @bambisweethearts . @dontlookatme121 . @cherrysugarx . @half-moon16 . @dinanabuu . @sunshinefive . @angiewatson .

[applebuttercringe]

Asexual Viktor Controversy Explained (By an Asexual)

You may have heard of the new controversy tearing the Arcane community apart. To summarize: Christian Linke (Co-creator of Arcane) was asked in a german interview about Jayvik and responded that it is not canon by explaining that Viktor is intended to be Asexual. He then talked about the importance of Asexual representation.

This has sparked a number of reactions from Arcane fans, and especially Asexual Arcane fans. Most of the reactions are some mixture of the following points.

Reasons people don't like it:

It's just to invalidate Jayvik: A lot of people are angry because Christian Linke is well known for not liking Jayvik, and so some people believe he only said Viktor was Asexual in order to try and get rid of Jayvik. Thus creating the impression that the only purpose of making Viktor Asexual was to invalidate an mlm relationship. Or that Christian Linke only did it because he is homophobic.

It wasn't in the show: The claim that this was always the intention for Viktors character is brought into doubt when you consider that this obscure interview is the only time Viktor has ever been said to be Asexual. Several of the other writers, animators, and artists who worked on Arcane have said Jayvik is canon. Which creates the impression that this was not an intentional choice that was discussed thoroughly in the writers room and interwoven into the story, but rather a last minute addition by Christian Linke after the fact. Kind of like J.K. Rowling making Dumbeldore gay or Hermione black in a tweet, just added for attention and representation points. Asexual people deserve purposeful depictions.

It plays into Asexual stereotypes: A common and very damaging stereotype about Asexual people is that they are emotionless, lonely, or inhuman. With so many people believing romance is what makes us human, or that it is unnatural to not experience sexuality and therefore it is bad. Often lack of romantic or sexual desire is equated to lack of any kind of love or emotional coldness. Viktors story is largely about him being isolated and lonely for most of his life, being abandonned by his only close relationships, and eventually ridding himself of all emotions. He is shown to hate human emotion and actively tries to rid himself of his own humanity. It isn't hard to see how Viktor being the only Asexual representation in the show could reinforce harmful stereotypes about Asexual people. He has a whole monologue where he disavows human passion. This is really what bothers me about Viktor's Asexuality confirmation. If this really was intentional, they were playing into stereotypes. The only asexual character being made into an inhuman villain who's motivation is hatred for emotion and gets their via rejection of love is pretty rough.

It plays into stereotypes about Disabled people: This I know the least about, so I will just summarize what I have seen. Disabled people are often portrayed as sexless as a result of their perceived "undesirableness". This creates a steretype of equating disabledness to uglyness to asexuality. This is damaging as it perpetuated many stereotypes. It is used to infantalize both disabled and asexual people. It also treats asexuality like a symptom of a disorder. Good resources to learn more:

Christian Linke doesn't seem to understand Asexuality: Christian Linke calls Viktor Asexual. But it seems that the terminology he meant to use is Asexual/Aromantic. He seems to say that Jayvik CAN'T be canon becasue Viktor is asexual, but asexual doesn't mean aromantic. He can be Ace and Gay. Thus how him being asexual doesn't invalidate Jayvik. If he really did intend for Asexual Viktor to be canon this whole time, he probably should have done more research about the nature of Asexuality.

Creating controversy: Considering the all consuming power house that Jayvik has become in the Arcane fandom, it should have been expected that the co-creator rebuffing it would not be taken well. This whole thing has sparked a lot of discourse and caused for both Jayvik shippers to be inundated with comments of people calling them acephobic for shipping Jayvik, and Asexual Viktor enjoyers being shouted down. A lot of asexual fans are annoyed by the communities violently negative response to Asexual Viktor. Overall it feels like this whole thing has just thrown everyone under the bus.

Reasons people did like it:

Asexual Representation!: Asexual people are some of the least represented of the Queer community. They are also some of the most misunderstood by popular culture. A show as popular as Arcane having a canon Asexual charachter is a huge win, especially one as beloved by the community as Viktor. Despite the sometimes stereotypicalness of his story, many Asexual people deeply connect with Viktor and headcanoning him as Aro/Ace has been popular since Season 1.

Reading Jayvik as a deeply loving platonic relationship is very touching for Asexual people especially. One of the most prevalent stereotypes about Aro/Ace people is that their lives are lonely or meaningless because they don't experience sexual/romantic love. This is of course wrong, and deeply Amatonormative. Arcane depicting a deeply close, world endingly loving platonic relationship between two men is great and sorely needed. For this reason many Asexual people love this development as it shows a fulfilling, important, loving relationship that is sex free. Breaking one of the biggest stereotypes about Asexual people and the very nature of love. In this way Platonic Jayvik is just as groundbreaking a story as Romantic Jayvik.

Doesn't invalidate Jayvik: Asexuality is a spectrum, and it is distinct from being Aromantic. Asexual people can experience occasional sexual attraction, or be sex neutral and still have sex for the benefit of a partner. Viktor being Asexual doesn't disqualify him from being gay, or being in a romantic/sexual relationship with Jayce. It doesn't stop Jayvik from existing in the way Christian Linke seems to think it does.

Final Thought: I'm Asexual. I.... like the idea. However the execution leaves a lot to be desired. The foundation is their but this is still a deeply flawed piece of representation (if we even consider it representation at all). It feels like the kind of idea that we will see written so much better on AO3. I look forward to seeing that.

In terms of Jayvik, I don't think it is Acephobic to continue to ship Jayvik/write Jayvik Smut. the canonicity of this is dubious anyways and considering how wide spread and loved Jayvik is it would be ridiculous to demand people stop writing about them, or delete their hundred thousand word fanfictions/fancomics just because of an interview. People are deeply invested in Jayvik, it would suck to take that away. Keep doing what you are doing. I fully stand by the idea that Jayvik is left purposely open to interpretation. I love Platonic and Romantic Jayvik.

Fuck it. Trans/Genderfluid/Asexual/Gay Viktor. Thats what I believe.

(Please don't harass any of the people who's tweets were included)

[fujoshimenacecw]

A conversation between Moto Hagio, Hideaki Anno, and Shimako Sato

In our first ever translation work we share a riveting conversation between Moto Hagio, Hideaki Anno, and Shimako Sato! Read on our wordpress or keep reading on tumblr under the readmore

For the 189th issue of the Magazine House publication Hato yo! published January 1st 2000, movie director and screenwriter Shimako Sato leads a three way conversation between herself and her acquaintances, the anime and live action movie director Hideaki Anno, and manga artist Moto Hagio. Together they discuss their respective admiration for each other’s work, Anno’s past statements on otaku, their takes on parent-child relations, how to escape puberty, and why Anno finds it scary to be around children. 

To Me, There is 5 Ways To End a Story

Hagio: I got really into Neon Genesis Evangelion after it finished airing (laughter). I had been told by an acquaintance that Eva was a work that had “fans who were looking forward to watching the series so enraged by the developments in the final episode that they broke their TVs” (laughter). I wondered what could a work that evokes such strong emotions be like? I was really interested, so I borrowed the VHS tapes from a friend of Shimako-san’s, then I started watching.

Anno: I’m a big fan of Hagio-san’s manga, so when Shimako-san first said she could introduce us and arrange this meeting I was truly happy. The fact that you took an interest in Eva is an honor but… When I first heard “to me, there are five ways to end a story” I thought “as expected; amazing!” So after several twists and turns I finally reached a conclusion

Sato: Anno-san, when did you first encounter Hagio-san’s work?

Anno: The first one I read was They Were 11! during its serialization. In elementary school I read it at the Ear-Nose-Throat Doctor. I generally read manga at the waiting room there or at the barbers, since I didn’t really get any manga to read at home. When I read They Were 11! back then I was blown away. After that I read Hyaku Oku no Hiru to Senoku no Yoru [trans: Ten Billion Days and One Hundred Billion Nights, original story by Ryu Mitsuse]. My favorite work is Half-god [Hanshin]. The fact that such a meaningful story could be told in only 16 pages is amazing. I think Hagio-san is a genius storyteller, but her art is amazing as well. In middle school I thought that if I copied Hagio-san’s art I’d become better at drawing.

Sato: If you had also imitated her storytelling would that perhaps have changed Eva’s final episode? (laughter)

Saving the world, love and hatred

Anno: You know, I don’t have much interest in concluding a story.

Sato: Do you hate wrapping a furoshiki? [trans note: a traditional wrapping cloth]

Anno: No, it’s that I think you can do more with a furoshiki than tie it up pretty. Like break it or tear it to shreds, all kinds of things.

Sato: If we include all that, isn’t that still doing the act of wrapping?

Hagio: In your case Anno-san, I find your way of grasping the world unique.

Sato: For both Anno-san and Hagio-san, even with the differences between manga and anime you’re making a serialized work, right. When you make a long-form work, is the ending something that is already decided? Or is it something that changes?

Anno: For me it’s something like a live performance, and ends up gradually changing as I create the work.

Hagio: I’m a bit too careful, so I can’t draw if I haven’t thought of the ending. An exception is when I made Star Red. Otherworld Barbara which I made later also ended up becoming an exception 

Anno: Star Red’s ending was magnificent. I was also influenced by Star Red. Actually, I’ve written some dialogue similar to the one in Star Red’s ending 

Sato: Which of the characters do you like?

Anno: Well, the protagonist.

Sato: I like Elg. At first I thought he was a rather unreliable person, but he gradually came to play an active role. By the end he revived a dead planet through love.

Hagio: I also like characters like that!

Sato: When I watch Anno’s works like Eva I feel like you are more the kind of person who saves the world through hatred, what do you think?

Anno: I don’t know 

Hagio: That feeling of uncertainty becomes the foundation of your storytelling doesn’t it? I come to think that that feeling is something so overflowing you can’t tie it all together. 

Sato: It seems you have some differences when it comes to making a story, but I think one thing your stories have in common is perhaps parent-child relations?

Anno: That is true, Hagio-san. Your relationship with your mother appears in your work…

Hagio: When I was a child, my older sister was my mother’s favorite, I was always compared to her. It seemed my mother thought that compared to my sister I was unreliable so she always worried about me, even when I was into my thirties she’d tell me to quit making manga.

Sato: And that was during The Poe Clan’s heyday wasn’t it?

Hagio: (laughter) When I was watching Eva, something that really caught my attention was Shinji-kun worrying about whether or not he was useful to his father. Yet there was a distance between them. During that time I was very interested in, to put it into words, “broken relations.” 

Otaku Are Generally Uncool

Sato: Anno-san, in your work I think father-son relations is something that makes an appearance. Are there any real experiences behind that?

Anno: My family was normal. If I have a complex it would be that we were a poor family rather than a just normal one, and my father has only one leg. Regardless, I think stories about parents are the simplest to make, it’s easy. 

Sato: So since Eva is a parent-child story it ended up like that?

Anno: What makes it easy is that we have some preconceived assumptions about [parent-child relations], “have you argued with your parents?” and such.

Sato: What appears in your work isn’t those things, but your own internalized problems don’t you think.

Anno: That appears to be it. As for my family we truly were the archetypical lower middle class household. My father was a good person. A sensible man. When you’re under circumstances like my father was you have to live sensibly or else you’re excluded.

Sato: So in opposition to that, you became an otaku.

Anno: That might be it. Your most important model for what normalcy is is your family. But I have a younger sister and she is exceedingly normal. She doesn’t read manga, there is nothing twisted about her at all.

Sato: And by twisted you mean?

Anno: That she’s not an otaku.

Sato: Anno-san, you’ve said that you hate otaku, haven’t you.

Anno: It’s not hate. It’s just that I think otaku are uncool. To otherwise not notice that you’re uncool or purposefully suppressing that fact makes me feel disgusted.

Sato: What about The Matrix? Isn’t that a cool otaku movie?

Anno: That one is also uncool.

Hagio: Even though Keanu Reeves is cool.

Anno: Keanu is cool. Because he is not an otaku. The otaku are the Wachowskis. They can’t get out of the confinements of their otaku-ism. So for example, even if they make something cool, part of it will for certain be otaku-like Even though I say this I don’t hate it. If I truly did I’d quit being an otaku.

Sato: Hagio-san, would you say your family was normal or was it perhaps affluent?

Joh (Hagio’s manager): Hagio-san and her mother actually have a similar biorhythm. It was perhaps due to that fact that Hagio rebelled by pursuing the path of becoming a manga artist. 

Hagio: I might have been running away by drawing. But, if I had rebelled by becoming a delinquent I think it perhaps might’ve been more enriching to me as a person.

Anno: To become a creator is not something I think is a happy path to go down. In order to not be unhappy you have to work for dear life. At the very least create works as if you’re going back to zero [from the negatives].

Hagio: Is it a negative? Because you are an otaku?

Anno: Being an otaku is a huge negative. You make up for it either by relying on others or by producing creative works. With that said, I think my generation has it easier than yours, Hagio-san. This is an era where even old men read manga. My parents even now have no issues with my line of work. I appear in Asahi Shimbun, I appear on NHK, they have nothing to worry about. That is also why I will try not to ever refuse any coverage from my hometown newspapers.

Hagio: But don’t you think parents don’t truly understand? Even if I become famous, my parents will say; can’t you quit drawing manga? And just appear in the newspaper? (laughter)

Sato: But if you quit drawing manga you won’t appear in the newspaper. (laughter)

Hagio: In that context, a part of me still expects too much affirmation from my parents. Not externally but internally. Even if I appear in Asahi Shimbun I still end up thinking it’s not good enough.

Sato: The fact that you still worry so much about what your parents think at your age Hagio-san, it’s so strange.

Hagio: Yes, I think so too

Anno: Could it be that you have to become a parent to change that part of you that worries so much about what your parents think?

Sato: I don’t worry at all about what my parents think.

Anno: I also don’t care even a little bit. As far as I’m concerned, I’m bored if I get my parents’ approval. When I did Nadia: The Secret Of Blue Water for NHK I felt that feeling.

Sato: Do you have a replacement parent figure?

Anno: Well, a man without imaginary enemies is no good. For me right now, I think I want to make works that have Hayao Miyazaki beat.

Sato: Hagio-san, your worries might also be what gives birth to your works.

Hagio: That might be the case.

Sato: Anno-san, earlier, you said “you have to become a parent to change.” I personally don’t think if you don’t have children you can’t become an adult. I think that being an adult is being independent in everything you do. That’s why I think marriage or having children doesn’t change anything.

Anno: You can become a parent without being an adult. At 17 or 18 you could become a parent. To become a parent without even being an adult, that is the problem I think. 

Sato: Do you consider yourself to be an adult, Anno-san?

Anno: I guess I’m a child. 

Sato: I don’t consider my parents to be adults.

Hagio: I’m very discontent with the fact that my parents aren’t adults.

Anno: I’m not discontent.

Sato: For me realizing that my parents aren’t absolute adults was a relief during my middle school years. Until then I had played the role of an exemplary student, but when I realized that fact I stopped playing that role. 

Hagio: So you’re a child who didn’t fit into your parents’ expectations. I was also a child who didn’t fit into my parents’ expectations, but the fact that they didn’t shrug their shoulders and say “that’s fine,” filled me with anxiety. I thought that if I become an adult I’d lose that anxiety. But I want recognition from people. I continue to request affirmation. 

Sato: Anno-san, in Eva you portrayed children like this, but are you like this yourself?

Anno: The affirmation? Hmmm. That kind of thing changes with the project.

Hagio & Sato: ?

Anno: I don’t believe in the supremacy of the director of a work, but rather the work itself. What would be best for the work, I only base my judgment on the total. Although I won’t hand over the executive decisions.

Hagio: Manga is a one-man job, but with a movie there’s the director, the scriptwriter, the actors, etc. Each of them sees themselves as a leading part. Furthermore as living beings the things we do will sometimes diverge from the plan we made in our heads. The fun of living is discovering what those differences will be.

Is Eva The Rite of Passage That Will Get Us Through Puberty?

Sato: The movie Love & Pop that you directed Anno-san, the original creator Ryuu Murakami-san and yourself are both men, yet the story is about high school girls. I found that interesting.

Hagio: I thought that both of you wanted to be very similar to an archetypical girl. You said you wanted to see a part of puberty, and girlhood that you couldn’t control. After all, men aren’t just made up of boys. I believe that femininity and masculinity is something we have combined within us. Sort of androgynous.

Sato: The boys you create not having that vivid true-to-life quality to them I think is a representation of that. Anno-san, as a man, what do you think of the boys in Hagio-san’s manga? 

Anno: I think they have empathy. I think what I like the most is that all the characters are smart. Because they have such a high intelligence it feels good to read.

Hagio: Like a washing machine right at the peak of its cycle, I want to leave my characters on the verge of that kind of critical point [of merger]. To be honest, the idea that once you’re past 30 you’ve become an old lady, that sense is something we’ve left behind.

Sato: I’ve found that when men become old they lose their ability to be nihilistic in their work, is it the same as that?

Anno: In the case of men, as you age, the world view [of your fiction] rather than your characters come to reflect your nihilism. You don’t aspire to be nihilistic, you yourself are becoming nihilistic. Your world view is what gradually utilizes nihilism. Isao Takahata, for example, is a nihilistic person. Nothing is born from being nihilistic. As nihilism is Plus-Minus-Zero, eventually your heart can’t be moved.

Hagio: A world that doesn’t change, isn’t that comfortable? 

Sato: Even though in order to grow you have to fight. By asking like this, Anno-san, did you not experience puberty?

Anno: That might be it.

Hagio: I thought you were right in the middle of puberty.

Anno: I thought I’m losing it, but it might be puberty. Generally speaking, otaku don’t go through puberty.

Hagio: I thought otaku went through a prolonged chronic puberty.

Anno: It’s not what society ordinarily calls puberty.

Hagio: A never ending puberty, in this age, could it perhaps be because there are no more rites of passage? 

Anno: Sure enough, you have to bungee jump. (laughter)

Hagio: A ritual to let your childhood die and then replay it, such a thing doesn’t exist now. Taking entrance exams may be the closest to [a rite of passage].

Sato: Don’t you feel like lately that around age 30 is when the coming of age ceremony actually happens?

Hagio: For that part, that’s when the stories takes on that role I think.

Sato: As a ritual?

Hagio: It’s not a ritual, but perhaps more intuitive? A trial run on a mock life. By that definition, I noticed Eva is just like that. I had an acquaintance who is a teacher from the Kyoto Steiner school. They saw the Eva movie in theaters. At that time they found the reactions of the people watching to be more interesting than the story. They had thought, isn’t it like we’ve all come to see the rite of passage which we all failed? I thought so as well “that’s right, that is interesting.” The rite of passage to become an adult after entering puberty, be it Gundam or Eva those stories put people in a position where they are observing the world, observing themselves, experiencing war and such.

Sato: Anno-san, were you considering all this…

Anno: I didn’t make it like that. But when I was making the movie I was thinking of this a little. 

Hagio: When I watched Eva it ended up overlapping with the book Childhood [by Jan Myrdal]. It’s a book about a mother who can’t love her child. She thinks “I have to take care of this child”, but even so she can’t love him. I wonder what happens to children raised like this. Children learn from their parents. In truth there will be consequences for the parent, but the question on my mind was children who can’t find their place with the parent, where can they find their place instead? Although I thought you were such a person when you were making Eva, Anno-san. (laughter) 

Sato: Speaking of, the other day you were on a TV show teaching grade schoolers about anime, Anno-san. What do you think of children?

Anno: I was scared of being in contact with children. I don’t understand the appropriate distance to take. I believe even the most casual thing an adult says mustn’t traumatize them, I end up becoming oversensitive. In grade school during still drawing class, I’d draw roof tiles and other detailed things, but humans moved around and I found it annoying, so I never drew people. Because of that my teacher said “this isn’t a child’s drawing,” which deeply hurt me. In the end, from that experience I think it was a part of the reason why I decided on working with drawing. Even though I opposed standardized education, I really felt the difficulty of dealing with not having a basic manual.

By the way, how much longer until Zankoku na Kami ga Shihai Suru [trans: A Cruel God Reigns] ends? I made a mistake. I wanted to read it all at once, right, so I refrained from buying it but… when volume 6 came out I ended up buying all of them. 

Hagio: Oh yes, right. July next year I think. 

Anno: Understood. Then the final collected volume will be out in the fall of next year. Hmm well that means I can enjoy it for another year. Understood. 

Sato: Isn’t that great.

------------------------------

Translated by mod Juli, with assistance from two financially compensated native speakers.

A scan of the full interview raws has now been added to the wordpress version!

[perfectlyoongi]

HUSBAND!HOSEOK who makes you a bracelet as a marriage proposal. it was common for Hoseok to give you gifts made by him, he just to create and liked you, it was only logical that you would receive all of his work; so, you weren't suspicious when he gave you a small white bracelet, but it was when you noticed the small golden letters that your heart quickened a little, your wide smile appeasing a rather nervous Hoseok. “i promise i will give you a ring. i just found it more special this way. so… what do you say?”

HUSBAND!HOSEOK who takes you to a fast food restaurant in the middle of your wedding just because you said you wanted a burger. you mentioned it by chance, without really caring about your words, but that was enough for Hoseok to tell you that it was only a few minutes and that it was quick, he swore to you that no one would notice you were missing; Hoseok just wanted to make sure that day was going to be perfect for you, and if that involved leaving your party to buy a simple burger, he didn't mind leaving for a few minutes — he just wanted to see you happy. “from this moment onward, whatever you need or want, i will make sure you have it. you will be the happiest person in the world. that is my mission.”

HUSBAND!HOSEOK who makes a collage album of your memories to give you on your first anniversary. it wasn't just the photographs from Hoseok's gallery that portrayed your times as friends and partners, there were also movie tickets, cards of flower bouquets, small dried leaves and stuffed animal tags, various tiny items that sculpted your relationship into the epitome of love; so, Hoseok worked whole nights on a small album, choosing each photograph and item in detail, ensuring that that gift made you as happy and emotional as it made him. “i also have dinner planned at the first restaurant we went to and a boat trip afterwards. but for now, i think our memories are enough.”

HUSBAND!HOSEOK who makes tiktok couples trends with you. he didn't publish anything, sometimes he didn't even record, but Hoseok liked to see couples trends on the app, dance challenges or something else that excited him; they were moments of fun, joy infecting your room between so many attempts and failures, a few minutes of pure abstention, where nothing existed other than you, Hoseok and the music that sounded muffled from his cell phone. “there’s a new trend we have to do! it’s a dance, but i know we’ll get it right the first time!”

HUSBAND!HOSEOK who will exchange shoes with you if yours are hurting you. whether it was winter or summer, whether it was sunny or snowy, it didn't matter, Hoseok was always ready to help you and ease the pain you were feeling; he insisted, almost demanding, that you wear his sneakers or shoes, yours finding shelter in Hoseok's gentle hands. “i’d rather walk barefoot and get cold than see you suffer. give me your shoes and shut up.”

HUSBAND!HOSEOK who dances in the rain with you, no matter how much time passes. whether it was your first week of marriage or ten years later, it was indifferent — Hoseok only wanted you with him while mother nature toasted you with the heavenly water of eternity; there was no need for music or invitation, it already seemed to be a tradition of yours: whenever the rain started to fall when you were together on the street, it was almost guaranteed that he would hold you and make you spin among the most delicate drops of nature, creating eternal smiles on your lips. “it makes me feel like i'm falling in love with you for the first time. my love will never grow old.”

HUSBAND!HOSEOK who will never let the flame of your relationship go out. he would do anything not to lose you. infinite time could pass between you, but Hoseok would always make sure that something fiery and genuine shined in you, because he couldn't afford to lose you, to lose the only person he truly loved and dreamed of his entire life. “i’m not going to lose you. i didn't spend so much time loving you to let you go so easily. i will love you forever and i will make you love me back.”

[bibliophilesince2003]

Transformers One In-Depth Review

Transformers One is a must watch.

I’m tired of seeing a bad review go towards a movie that is actually extremely well done, especially if the reviewer hadn’t taken the time to watch it or considered the trailers enough content to draw a review from.

Seriously, it was so refreshing to see a new take on a franchise that has been around for years. In my personal opinion, it’s better than re-makes that offer even less room for creativity.

I am a huge Transformers fan. I grew up with Transformers Prime, and when I was older, I watched the movies. I’ve watched other shows here and there, and while I may not be a complete expert, I know the lore well enough to have been heavily, emotionally impacted by Transformers One.

I’ll start with the "non-spoiler take" followed by the "spoiler take” which will be “hidden” for those who do not want to be spoiled.

"Non-spoiler" take...

Peter Cullen’s voice is legendary. Chris Hemsworth himself acknowledged this in an interview, mentioning that the goal was to “re-create” and “do something new.” He intended to represent a “youthful, brash, and cocky version” of Orion Pax before he was known as Optimus Prime. This is a realistic representation. In Transformers Prime, Ratchet states that Optimus Prime was more like Jack in his youth. For those of you who don’t know, Jack is a strong-willed, selfless, but slightly impulsive teenager, as all teenagers should be. It is clear that Hemsworth has evaluated “hints” that other movies and shows have provided. Hemsworth wanted to “lean into” a more serious voice towards the end of Transformers One. He insisted “he wouldn’t dare mimic Peter Cullen.” I highly respect his choices, and he does not deserve the amount of hate thrown at him. Now, Orion Pax also comes across as a humble, soft-spoken character in other movies and shows. However, I can see why they would lean into his impulsiveness to better highlight and contrast the relationship between Orion Pax and D-16, especially as D-16’s true colors show. More about that in the “spoiler” section, though!

No, it would not have made sense for Orion Pax to have a deep, majestic voice. That comes with experience; that comes with hard decisions. Quite honestly, Hemsworth is pretty close to what I had imagined Orion Pax to sound like. It’s still slightly deep, and very soothing.

The character development in this movie? Oh. My. Word. Guys, as a writer, I can say that subtle character development – the best kind – is not easy to do. In Transformers One, it flowed naturally. It made me smile. It broke my heart. If you’ve seen other Transformers movies and shows, brace yourself. If you haven’t, still brace yourself. Again, more about that in the “spoiler” section.

The humor in the trailers has been re-posted so heavily I think it’s beginning to lose its effect and people, not knowing the context, are quick to judge. Yes, Bee is funny. It’s Bee. He’s supposed to be lovable, humorous, loyal, and powerful. I found no issue with most of the humor coming from him. There is more humor that is not mentioned in the trailers that is really worth chuckling over.

Finally, the fight scenes were clean, the animation was captivating, and the incredible Brian Tyler produced musical masterpieces for most every scene, some of it connecting to other movies and shows.

"Spoiler" take, now!

I expected to dislike Elita. Really, I did. I knew she was the “love interest” for Optimus Prime beforehand and expected big things from her, because Optimus Prime never struck me as having a “love interest” in the past. Not only that, but I expected her to be the female character I seem to find everywhere these days who strives to be better than everyone else without a lick of experience, complaining about the male figures in her life.

Elita, however, is ambitious. She leads. She doesn’t have to prove anything; she’s simply willing to work hard and do her job. Understandably, she gets upset with Orion Pax and the others when they interrupt her progress, though I can’t help but be amused by Orion Pax’s shy attempt to get her attention and adored his subtle acts of kindness. Sure, she’s a tad bit aggressive – she did punch Orion Pax, after all – but I really enjoyed seeing her adapt. When Orion Pax was feeling hopeless, she was there to encourage him. If she had stopped talking immediately after saying “I’m better” I would have been frustrated. Orion Pax and D-16 are the main characters in Transformers One, after all. She didn’t stop there, though. She highlighted the most important aspects of Orion Pax; his good heart, selflessness, and bravery. She told Shockwave and the others to shut up and listen to Orion Pax when they doubted his plan. She encouraged him to speak louder when others couldn’t hear him. She leaned towards the pit when Orion Pax fell.

Not only that, but Orion Pax was incredibly patient with her. He woke her up when she was unconscious and immediately took a punch to the face like a champ. He gently, subtlety smiled at her when they traveled to the surface and Elita announced "it's beautiful." He cried out her name and pushed her out of the way to save her during a battle. He listened to her. He told her to beat Arachnid “gently” when Elita managed to detain her, proving he fully understood Elita’s personality.

I’m sorry, but this kind of relationship takes the cake. If they’re meant to be a couple, I can see the signs. I love how well they work together and build each other up.

Bee is an icon. One of my favorite scenes is him eagerly saying to Orion Pax “I’m going to go cut these guys up, watch! C’MERE!” It’s like a proud kid trying to get their parent to watch. I love how loyal he is to Orion Pax right off the bat.

While they changed some lore in Transformers One, they included everything that was important. Orion Pax and D-16 are miners, but it seems Orion Pax may have been a clerk beforehand. When he broke into the archives, he seemed to know where he was going. When he ran, I can’t remember exactly, but I believe he was muttering numbers? I don’t mind the small twists and can see how they were necessary for the story; key details are kept.

Jazz and Ratchet mention! I was so excited to hear their names. Kind of wish they had shown Ratchet, maybe shouting “I needed that!” to a fumbling worker. Sorry, Transformers Prime reference.

Arachnid had an incredible design.

Sentinel is a well-written, hate-worthy villain. I… did not expect D-16 to rip him in half, though.

Also… can I just mention how epic that particular scene was? The switch from D-16 reaching his peak character development – showing no mercy – while Orion Pax reached his – making the ultimate sacrifice to preserve life and do things the right way; receiving the Matrix of Leadership. The music, the animation, the slow-motion… everything was incredibly cinematic.

Obviously, D-16 took things too far. I appreciated the fact that he didn’t just wake up one day and decide to be evil. It took time. It took motivation. Obviously, any sane person would stand with Optimus Prime, though he does make mistakes from time to time, but it was incredibly neat to actually appreciate D-16’s insight in the beginning, then notice the shift and feel every bit of emotion Orion Pax felt.

People say the ending is rushed, or that D-16’s change came too abruptly without any good motivation. Sure, the ending may be a little rushed, but movies are typically structured this way. Falling action does not have a set speed; it just needs to be well done. Bad things happen in a rush, and this leaves ample opportunity for the “good guys” to react a little too slowly. As for D-16’s motivation… even a person can take their worship of an item or figure too far. Megatronus was someone to look up to in D-16’s eyes. He agreed to Orion Pax’s plans, or at least tolerated them, but his admiration for Megatronus was his own interest. Orion Pax threatened that vision. D-16 wanted to kill Sentinel to satisfy his own needs and desires, not to liberate others. Sentinel deserved death after committing murder, yes. He didn’t, however, deserve a public execution, especially as he tried to get away and was relatively defenseless. Remember, Sentinel told D-16 and Bee that he would execute them in front of everyone. We can acknowledge his promise as brutal, so shouldn't D-16's actions be considered brutal, too? No "reason" could ever justify it.

When D-16 let Orion Pax drop, he proved he no longer cared about loyalty. The least he could do was hoist Orion Pax’s body up or break down after losing what he once called his best friend, but he didn’t.

It’s ironic… D-16 said “I’m done saving you” when in reality, Orion Pax was trying to save D-16 from doing something he knew D-16 should have regretted doing. Normally, yes, D-16 is the voice of reason, but not in this case. For once, this is where Orion Pax’s true personality shines through. His spark – the spark of a Prime – is in the right place. Orion Pax puts joking aside when serious matters arise. It seems D-16 didn’t really know his friend after all. The actions D-16 committed, my friends, are not actions you want to celebrate.

I really, really hope Transformers One gains more attention. We need the sequel! Transformers fans, tell your friends. Give an honest review, which are of more value than the reviews given by those who didn’t take the time to watch it. Hype it up and roll out!

[eurothug4000]

PIGLET'S BIG GAME - INTERVIEW WITH PASCAL CAMMISOTTO

Earlier this week I interviewed Pascal (game designer on Piglet's Big Game 2003) about the making of the title that has received a whirlwind of attention online recently. You can find more information in my video that's going up today on my channel: https://www.youtube.com/@eurothug4000/videos

How did the project come into existence?

At that time, Doki Denki studio was already working with Disney. 

We had released three PlayStation 1 games with them. Disney was working on the film Piglet's Big Movie and was looking for a studio to develop the video game alongside it. 

I don’t want to say anything inaccurate, but I believe it was, officially, our first PlayStation 2 game released on the market.

If the information I found online is correct, Piglet's Big Movie was released after Piglet's Big Game came out! Were you given any direction by Disney on what the game should be like and if it should be similar to the movie in any way? Or did you have complete freedom in designing the game (story, gameplay etc.) as you wish?

I’m not too sure anymore how everything came together, but I believe Disney didn’t give us access to the film's content. 

They were very secretive (and I think that was quite common at the time). They just wanted a ‘product’ to accompany the movie release. 

All we knew was that it revolved around Piglet. So the game’s story was developed by us (the game design team), as narrative designers didn’t exist back then. 

We had a lot of freedom, both in writing and game design, and I think that was partly thanks to Disney's producer, Risa Cohen. She really supported our decisions in the interest of quality.

What do you specifically remember working on for the game? (Certain levels, overall gameplay loop etc.?)

I remember several things: the horror gameplay, which was completely new for this target audience; the hour of real-time cinematics that I directed with the animation team; the cameras in each room that I placed as best as I could to follow the action; and finally, the overly difficult combat (which I wanted to tone down, but wasn’t allowed to. ^^). 

The atmosphere in the studio was fantastic, and I genuinely recall a sense of pride in what we were doing. 

Yes, it was a kids’ game, and yes, sometimes it was cheesy, but we still had so much fun making it, as if we were making it for ourselves. It was truly a great project.

Do you remember what the reception was to the game at the time of its release?

Yes, the game was very well received. It was considered by reviewers to be a very good children’s game. At that time, many licensed games (especially those for kids) were rushed and uninspired. 

That wasn’t our philosophy at the studio. We wanted to make a good game, even if the target audience was very young. 

I think that’s why the game surprised people with its strong approach and quality.

Have you seen some of the posts about Piglet's Big Game recently? What was your reaction to seeing them if so?

Absolutely not. I just found out, and of course, I’m thrilled that it’s being talked about again!

People online are talking about the "horror" aspects of the game, were these intentional? Was the aim to have a game that had elements of the horror genre?

When Disney spoke with the studio about this game, Marc Albinet (the head of game design, my boss) immediately wanted to make ‘a Resident Evil for kids.’ 

I believe he even went to Disney to pitch the idea, and he must have been convincing because they said yes. 

Since we didn’t have access to the movie’s script, we created a story centered around Piglet. It focused on his lack of self-confidence and the courage he would need to help his friends, who were asleep and trapped in a nightmare. 

The horror element was tied to these nightmares that the player would need to resolve.

Are there any links or anything that you'd like me to mention so people can find you online, or any projects you're working on?

You can find me on X (@KaMiZoTo), but I rarely tweet. Since my time at Doki Denki, I've gained quite a bit of experience, and now I have my own studio: 

http://drawmeapixel.com

We released in 2020 "There Is No Game: Wrong Dimension", which I recommend everyone try without watching any let’s plays to avoid spoilers! (The experience relies on surprise.)

We’re also working on a new secret project with the same meta spirit!

A big thank you to Pascal for taking the time to talk about the game!

[ntonlvr]

can't help myself falling endlessly

synopsis: an innocent movie night takes a turn word count: 3k status: 1/? (trying to update 2 times a week) genre: non idol au, fem reader, mutual pining, friends to lovers content warning: drinking, making out, heated making out

“Why do you have to work tonight? You know I’ve been dying to watch this movie,” you pout at Sohee as he gets ready for work.

“It’s not my fault they called me in. The overnight closer called in sick, and I opted to be on call. Besides, they’re paying me time and half for last-minute shifts. I can’t say no to that,” he shrugs, grabbing his keys and heading out. There you stood left with the project you decided to start.

With Sohee gone, you decide to text Anton. He’s always been your go-to for spontaneous plans. You can almost guarantee that he will come over on such short notice. 

Texting:

y/n: heyyyy question for youu

anton: hey! answer for youu

y/n: sohee has to work tonight :( wanna come over and watch that new scary movie with me? (u can’t say no)

anton: Scary movie? You know I’m terrible with horror, haha, but I guess I can be brave

y/n: YAYYA okay, come over as soon as you can then

anton: I’ll be there in 10

Anton has been friends with Sohee for almost his entire life. He’s always been soft spoken, quiet, and well-mannered. All completely different from your brother. It’s always been a surprise to you how they became such close friends. Over the years, Anton has also become one of your best friends, which is why you feel so comfortable inviting him over without Sohee there as the connecting friend. 

Ten minutes later, the doorbell rings. Despite coming over practically daily for the past decade, Anton still rings the doorbell and waits patiently outside. You peek through the window and see him standing there awkwardly with his hands in his pockets. Opening the door, you greet each other with a smile. 

“I tell you this every time, Anton. You can just walk  in or use the spare key we have hidden just for you,” you tease lightly. 

“I know; but it just doesn’t feel right. Even if this is my second home,” he laughs quietly as he takes off his shoes. 

“Well, I’ve created the perfect setup for us. I might have gone a bit overboard this time,” you say with a grin. Leading him downstairs where movie nights are typically held, Anton can see what you meant by ‘a bit overboard’. Y/N had made a pillow fort with the couch and a few of the kitchen chairs. Inside it was filled with an assortment of pillows, blankets, and stuffed animals. In a small basket there was a variety of snacks and what looked like a bottle of soju. 

“Did you do all of this in the ten minute span it took me to get here?” Anton asks in surprise. 

“Noo. But that would be really impressive. I started it before I texted you and just finished a few things when you agreed to come over because I knew you wouldn’t say no,” you tease. 

“What if I did say no?” Anton laughs, hanging his jacket on the couch and crouching to inspect the fort further. 

“Ah, I knew you would say yes because you love hanging out with me. Admit it,” you tease further. 

“Alright, I admit it, but don’t tell Sohee. He’ll never let me hear the end of it, that cry baby,” you both laugh at that statement. 

You pat Anton on the shoulder, encouraging him to make himself comfortable in the fort. The pat on his shoulder as you run upstairs to change catches Anton’s attention, lingering in his mind as he reflects on how special you made this hangout. It’s unlike him to feel this way around you, and he’s caught off guard by his own thoughts, having harbored feelings for you over the past few years. He’s always pushed them aside due to your close friendship and his bond with Sohee. 

In your room, you pause, catching yourself in the mirror. Thoughts of Anton flood your mind–his smile, how he admired your efforts. His warm tone stirred up the feelings you’ve kept hidden for him. You stand there contemplating what to wear, because no matter what time of year it is, the basement always tends to be colder. You opt for shorts because at least if you get cold, you can snuggle under one of the many blankets. Before heading down to the basement, you stop at the kitchen grabbing two shot glasses for the soju that sits down there. Coming down to the fort you announce to Anton that you brought shot glasses. You hand them to him as you kneel down to crawl to the open space next to him. You notice his eyes briefly wandering to your legs, causing a strange flutter in your stomach. Anton can’t help but realize how good your legs look in those gray shorts. And how you somehow looked even better with the two-sizes-too-big sweatshirt you paired them with. Almost mesmerized by the view, his breath hitches in the back of his throat as you brush past his body. Anton clears his throat awkwardly when you ask if he’s alright, nodding quickly with a sheepish smile. You continue your path and settle down next to him. But Anton’s mind keeps thinking back to how soft your legs look and how badly he wanted to feel them. 

“Helloo, Earth to Anton?” you joke, waving your hand playfully in front of him. Snapping out of the haze he didn’t realize he had slipped into, Anton looks over to you with an embarrassed smile. “Did you even hear the question I asked you, or were you too busy staring at my legs, you weirdo?” you joke, hitting his arm. 

“N-no, sorry,” Anton stammers slightly, feeling a bit flustered. “I was just lost in my thoughts for a second, didn’t even realize.”

“I was just wondering if you wanted to join me for a shot or two before we start this movie,” you ask once again.

“Oh yeah, yeah, I would love one,” Anton agrees eagerly. You pour each other a shot and clink the glasses together before downing the drink. Anton signals for another shot, and you oblige, repeating the same gestures as before. The second shot goes down a lot smoother than the first, leaving a pleasant warmth that lingers a little longer. 

“I think we should take a shot after the first major jump scare,” you suggest with a giggle, already feeling the effects of the alcohol. 

“I agree, but only because it will make me less afraid of the movie.” You press play on the movie and grab the bowl of popcorn, making yourself comfortable. Placing the bowl between you and Anton, you absentmindedly reach for popcorn as you watch the film. Occasionally, your hand brushes against his, and you offer a silent apology. 

During an intense scene, you notice Anton fidgeting beside you. You know he isn’t the best with horror, so you place your hand on his thigh to hopefully offer some comfort after the ineffectiveness of the shots. Without turning to look at him, you feel his eyes widen at the unexpected touch. The alcohol seems to heighten his senses, making the contact more pronounced. For a moment, his attention shifts away from the movie, his thoughts consumed by the sensation of your hand on his thigh. 

Shaking his head to refocus, Anton comes back to reality. Just as he regains his composure, a sudden jump scare on the screen startles him, causing him to jolt in his spot.

“God, I didn't think that was gonna happen. It caught me completely off guard,” Anton says with a sigh, “Guess we better pour that third shot,” hopefully covering up the fact that he was not paying full attention. 

“What do you mean you didn’t see that coming? It was so obvious it was going to happen,” you tease, exaggerating your surprise. 

“Not to me I guess,” Anton chuckled nervously, still trying to cover up for his lapse in attention. 

“Uh-huh, are you sure” you ask, giving Anton a side eye. 

“I am positive. Cheers,” Anton replies with a wry smile. You clink your glasses together and settle back in to continue the movie. A few moments pass, and you start to feel a bit chilly and uncomfortable in your current position. You pull the soft blue blanket, your favorite, over the both of you and snuggle closer to Anton. Your head rests on his shoulder, and one of your legs is bent slightly over his. It feels natural and comfortable, and that’s all that matters to you.

Anton immediately notices the warmth of your thigh against his. As a lightweight, he can’t tell if the alcohol is making him dizzy or just the proximity. ‘Where do I put my hands now?’ he wonders, overthinking despite knowing where they would eventually rest. For the next ten seconds, his mind is a blur as he tries to ignore the gentle movement of your leg. 

Deciding to play it cool, he casually places one hand on your leg and other around your shoulder. A quick glance to the right shows you are undisturbed, completely engrossed in the film.

Anton’s heart was pounding, the kind of intense thumping that resonated through his entire body. With your leg on his, he couldn’t help but wonder if you could feel it too. His fingers, slightly trembling, rested against your legs, the throbbing more pronounced where they touched your thighs. 

In your mind, you began to see the subtle game you had initiated with Anton. You noticed he seemed a bit tense once again. You brought your arm over and let it rest across your body, landing gently on his upper leg. The touch, to his surprise, seemed to ground Anton. Feeling him relax into the feeling. 

Time passes and the movie carries on. You can tell Anton had become lost in the movie as he began to mindlessly move his hand up and down your thigh, the motion calm and unbothered. You shift into his touch, bringing your legs closer to your chest to give him better access to explore as he wished. The gentle caress of Anton’s soft hands sent a burning sensation through your stomach; the touch was euphoric.

His hand slid up, just grazing the hem of your shorts, and you found yourself aching for him to touch you more. You longed to feel his hands trace your body, to explore every curve and contour. Lost in your thoughts and the intensity of the subtle moment, you let out a small, involuntary moan. A testament to the desire that was building inside you. 

“Y/N, are you okay?” Anton asks, looking down at you with concern.

“Yeah, I-I just got to thinking for a second there,” you reply nervously. 

“Oh, what were you thinking about?” he inquires, his curiosity piqued.

“Uh, that we should take another shot. It’s been at least a half hour since we took the last one. I could use another one, what about you?” you respond quickly, almost in one breath.

“Sure, I could do another shot; I’m feeling a little wild,” he chuckles, sitting up to pour another round for both of you. You take the glass from him and down the shot immediately, barely pausing to clink glasses. Anton shakes his head, laughing before taking his own. 

Before he even sets his glass down, you move in front of him, positioning yourself on your knees with your hands resting on his legs. 

“What are you–” Anton was cut off mid-sentence as you closed the gap between your bodies. He could barely process what was happening. Feeling your soft lips on his, he closed his eyes, tasting the sweetness of the peach soju you had been drinking. Just as quickly as you kissed him, you pulled back. 

Anton blinked his eyes wide open, still in shock and struggling to fully process what had just happened. A million thoughts raced through his mind, but the overwhelming urge to tell you how sweet your lips tasted and how soft they felt was at the forefront. 

You watched as Anton’s natural blush from the shots deepened after the kiss. A moment passed in silence, and Anton still didn’t say anything. You began to worry that maybe you had misinterpreted the signals, and your heart raced with uncertainty. 

Anton pulls you back in for another kiss, interrupting your thoughts. This time, he relaxes into you, drawing you closer by grabbing your sweater. You adjust your position onto his lap and place your hand on the nape of his neck, deepening the kiss. His tongue swipes across your lip, a bold move you never expected from him, but you respond immediately. He probes his tongue into your mouth, making the kisses more desperate and sloppy. 

His hands rest on your waist under the sweatshirt you’re wearing, and he starts to slide them up, creating goosebumps all over. He breaks away from the kiss to catch his breath and taking in the sight of you. Seeing your face flush from the heat and intensity. When he leans in again, he aims for the crook of your neck, kissing the skin repeatedly, each kiss wetter than the last. 

As he takes in the skin on your neck and gently sucks on it, a small gasp escapes your lips. Tilting your head back, you allow his lips to roam freely over the exposed skin. Feeling the constriction of your sweatshirt, he tugs at the hem, silently prompting you to remove it. Without hesitation, you swiftly discard the article of clothing. 

Beneath the hoodie, there is nothing, revealing a breathtaking view of your plump breasts to Anton. His eyes widened at the sight, momentarily captivated by the unexpected reveal. Quickly refocusing, he darts to the newly exposed skin, using his teeth to graze the skin gently, eliciting a soft moan from you this time.

“I love how you sound,” he murmurs, his hands moving up to caress your breasts gently. The words, coupled with his actions, draw out another soft moan. Any shyness he had felt earlier dissipates as he shamelessly flirts with you now. 

His hands move with deliberate precision, drawing involuntary arches from your body as you press closer to him. You begin to grind in his lap, silently urging for more of his touch. With a bold move, you bring your hand down to his zipper, feeling the growing bulge in his jeans. 

“You feel so hard,” you whisper, adding a bit more pressure to your touch. A low groan leaves Anton’s lips in response, sending a shiver of anticipation through you. That sound makes your core tense; you crave hearing it again and again. 

Anton has always been quiet, but you have a feeling he would become so vocal for you if you continued down this path. Just as you start to pull his t-shirt over his head, the front door slams shut, startling you both. 

“Fuck! Fuck! Fuck!” you both whisper to each other. Sohee’s unexpected appearance shattered the intimate moment that enveloped you and Anton. Both of you scramble to compose yourselves, hastily getting dressed and tying your hair into a bun,trying to cover up any evidence. Returning to your original seats, now slightly more distant from each other, you steal a glance at Anton and notice his bulge is still visible through his sweats. 

“Hey, you might want to cover up,” you whisper urgently. Anton grabs the blanket and hastily conceals himself, pulling his legs up to his chest. Just then, Sohee sticks his head into the fort.

“Hey, guys, how’s the movie?” he asks cheerfully, squeezing in between you and Anton, oblivious to the charged atmosphere.

“It was pretty good,” you managed to say, exchanging a quick, almost guilty glance with Anton, who nodded in agreement. Anton, still visibly flustered, shifted uncomfortably, adjusting the blanket over his lap discreetly hoping Sohee wouldn’t notice the lingering flush on his cheeks or the tension that hung in the air. You stole a glance at him, sensing his attempt to appear nonchalant despite the lingering desire and uncertainty. 

“Yeah, it was intense,” Anton added quietly, his voice betraying a hint of nervousness. Sohee, unaware of the mood, began playing the next movie. Wanting to join you both in your hangout session. 

“Why are you back so early?” you ask him, silently hating him for interrupting your moment with Anton.

“They ended up not needing me for the whole night, but they are going to pay me for the whole shift.” he replies, grabbing a handful of popcorn. You and Anton exchange nervous smiles, each other struggling to maintain composure while internally grappling the change in dynamics. 

Finally, as the movie drew to a close, Sohee stretched out, breaking the tension. “Well, that was something,” he said with a wide yawn. You both watch Sohee gather his belongings and head up the stairs. Standing still, you both wait to hear Sohee’s door shut, and when it does you and Anton begin taking care of the fort. Despite everything that just unfolded, it didn’t feel awkward being alone with him. It felt almost natural. 

Once everything was taken care of, Anton stood up, brushing his pants nervously. “Well, thank you for inviting me over. Even if I have no idea what movie we just watched, or what happened in it,” he says with a slight chuckle to reassure you that he enjoyed what happened. Secretly hoping it would occur again, or even progress further. 

You smiled back at him, feeling a sense of closeness and tension lingering between you. “Yeah, definitely more eventful than expected,” you admitted, your voice tinged with nerves and lingering desire. Anton nodded once more, offering you a small wave before heading upstairs to leave. You watched him leave, but something told you to catch him before he left. You sprint up the stairs and see him at the front door. You walk towards him to say something, but you are quickly interrupted with a swift kiss. He pulls away, you smile at each other and part ways for the evening. 

[heartfullofleeches]

ITS MY BIRTHDAY TODAY🎉🎉🎉🎉 I was wondering how my favorites would wish me a happy birthday, Tobi, the cafe, host, static, the supernatural harem and the fast food, if that’s too many you can shorten it but I really wanted to have some of my favorite characters from my favorite writer congratulate me on my special day! BTW I’m the one who sent the Prince leash ask, I don’t know if you got it but I accidentally did it anonymously

(The Cafe was a bit too much for me to get this out to you the same day, but I hope you like this regardless! On the bright side, I did get your Prince ask and am working on that too. Happy birthday, chief!)

Tobi:

Has never had a birthday himself, but they know what they are and their significance to humans other regular people. Tobi's the kind of guy to surprise you with presents year round, but as your birthday rolls around they keep items you've had your eye on in their back pocket to gift you on your big day.

Its too embarrassing for them to give you in person, but Tobi creates a collage of all their favorite pictures of you to put up somewhere in your bedroom. Tobi loves baking and cooking so a homemade breakfast, dinner, and your treat of choice would be on the top of their list of surprises for you.

Host:

"Looks like it's a special someone's birthday- Those only come around once a year, you know? If - that's how you want it, anyway."

That time already? Time is a tricky thing for Host to wrap his head around. He could've sworn the last one was just yesterday. It hardly matters. Everyday could be your birthday- Contenstants come and go, but you'll always be his star.

That would, of course, wear the novelty of it all thin. Host is more than happy saving the pinnacle of his gratitude for you as his co-host for that one day. That day's contestants better be too if they want to leave with all the parts they came with intact.

Which is his funny way of saying they won't get any cake.

Static:

"Happy birthday to you.... Happy birthday to you...."

Hunts for every variety of birthday song they can find to serenade you with the second daylight bleeds into your room. Static's disappears predating your birthday can swiftly be explained by the trinkets they bring you, majority centered around the shows and movies you've watched together it knows you adore most.

They'd attempt to rope you into another movie night with you in full control of the remote since it's their favorite way to bond with you - and it's optimal cuddle time.

Supernatural Harem:

"Baron, must you make everything a challenge?"

"Piss off! I left enough room for you two to put your names on the cake.... Maddox more importantly than you, but still."

"We appreciate the consideration, but... Where are we supposed to write "happy birthday"?"

Nothing like waking up on your big day to your Demon husband roommate swearing today will be the day he slaughters your Angel husband roommate. Luckily, your Grim Reaper spouse roommate has the expertise to ķeep you soothed until things cool over long enough for all of them to prepare breakfast for you.

Baron stalks you around to shower you with mandatory birthday kisses- only to get pouty when he's done before noon and continues well past the age you're turning. You'll be older than all three of them by the time he's through.

Maddox, as usual, fills their journal with sketches of you to unveil at the end of the day. Their art skills is the only thing they're proud of in themselves and monetary possessions don't hit quite the mark they're trying to reach when it comes to presents they like to give. If you're a gamer/a fan of stuffed animals they'll pick up a couple so they can use them when you're away and they miss you.

The first birthday you celebrate with Alasdair has to be one to remember. He's watched you from the sidelines for years and now it's finally his chance to do what he's always wanted. It may be a tad selfish of him in hindsight, but he'll pull you aside the day before or after to enjoy a relaxing evening with just the two of you.

Fast Food:

"Code C! I repeat, Coqde C - The clown is loose!"

Birthday? Well you can't expect to have a celebration without the designated party planner, can you? As everyone closes up the restaurant early to commemorate your big day, Twister hoovers over the crew to insure everything goes swimming. The Janitor follows behind it with their trusty spray bottle to keep the clown in check - its the only excuse they have not to give their present to you by hand because they're too embarrassed.

The bathroom Succubus would insist on you opening her gifts to you first - if a certain goat wouldn't pout over it all day as a result. The ballpit hands shower you with all the shiny items lost in their depths. The Storyteller reads you the tale of someone who's birthday happens to fall on the same day - where nothing bad occurs and the universe smiles kindly in their favor.

The ice cream machine ghost whispers in the ears of customers they'd better wish you a happy birthday or be prepared to have dairy filled nightmares

[art]

Meet the Artist: @erindrawsstuff

Hi, I’m Erin, and I draw stuff! I’m an illustrator and 2D animator based in Austin, Texas (yee-haw). I’ve been in and out of the animation/entertainment industry for about 3 years, working many different roles like character designer for Rooster Teeth, animator for The Daytripper (a Texas-based PBS special), and character and prop designer for Lowbrow Studios (Adam Ruins Everything, etc.). Most of my work is now in personal projects like my webcomic “SUBSIX” (I promise I’m coming back to it!) and working with friends and colleagues within indie spaces, all while working my day job and returning to school for a degree in 3D animation! Most of my inspiration can likely be traced back to my cringe anime roots and the more obscure 2D animated movies from Disney while looking to new inspirations like Into the Spider-verse and Delicious in Dungeon. I think my main goal has been to create compelling stories with enticing characters while trying to navigate the complexities of life and the people in it (both in the media I create and irl). In the meantime, I explore this through reading works like The Locked Tomb, listening to Philosophy Tube, playing disaster lesbians in our DnD campaign of nearly 4 years, playing video games that make me cry and question things, and challenging myself to grow and improve in all aspects. I hope someday I’m able to return to being a full-time artist, but for now, I’m rediscovering why I create and how to maintain a reasonable work/life balance. I’m truly grateful that people enjoy my work, regardless of how big or small my following is or becomes in the future. I hope one day I’m able to be an inspiration to someone as many have for me! Thank you for this opportunity to introduce myself!

Nice to meet you, Erin! Below are some pieces they have shared with you all.

Check out more of Erin's work over at their Tumblr, @erindrawsstuff!

[genderfluid-insomniac]

little regressor reader with wukong and macaque oneshot

You occasionally forgot that sometimes both of your boyfriends stop by without telling you and of course, it had to be the one night you were regressed. Your favorite soft blankets are on the floor with one of them hanging over you like a canopy and one of your favorite plushes in your hand while you watch your favorite movie you watched during your childhood. Your mind is preoccupied with the colorful pictures flashing across the screen on your laptop. When you felt your mind start falling into that fuzzy place you quickly got changed out of your professional work clothes.

The soft and fuzzy fabric clothes eliminate any overstimulation and the yummy snack in the big bowl in front of you with a bag of candy you’d gotten as a reward for all the overtime you had worked this week on the side. When you’re regressed you’re usually non-verbal and have around a 6-year-old mindset but the only ones who even knew were Mei and MK who accidentally found out. The only reason they even found out was that you weren’t answering their texts and burst into your apartment only to see you in your living room watching Bluey happily.

The happy mood quickly changed when you started tearing up and ran into your room hoping that both of you could forget the last couple minutes, it only took a couple of minutes though for them to convince you it was okay and remember you were still regressed. For the next hour, Mei played puppy videos for you while she stopped MK from eating all of your snacks and eventually bingeing a whole season of Monkey King the Animated Series which was mostly MK’s idea. Usually, whenever you felt like you were slipping you would call those two but both of them were busy so you decided to set yourself up with a movie and such for the night.

You ate another piece of candy and were more focused on the movie you were watching when you heard a knock on your window, turned to it with your soft plushie in hand, and locked eyes with both of your boyfriends. Panic shot through you and in an instant, you grabbed your phone, ran into your closet, and shutting it. Wukong and Macaque came over to hang out with you since this week had been busy for all of you but they hadn’t expected this.

Of course, both of their first thoughts were that you were adorable in that outfit and it only made them want to cuddle you even more. “Sunshine, what’s the matter? It’s just us.” the king asked in a concerned tone. However, when they saw you cry in shock at you seeing them Wukong climbed through the window while Macaque portaled in and crouched next to the closet. “What’s wrong, lotus? Is everything okay?” he asked softly and knocked gently on the door. You couldn’t help the whimpers that came out and shakily found Mei’s contact, slowly typing the situation and wiping the tears falling down your cheeks.

Wukong had crouched next to Macaque outside the closet and looked around your room, noticing all the comfy blankets and pillows that created a safe and cozy vibe. It was endearing and frankly adorable to them both but you were in distress and that took priority over anything. You hiccuped but called Mei and put her on speaker as instructed. “It’s alright, Name. I promise that they both won’t judge you and if they do I’ll test if they really are immortal.” Mei said and growled through the phone. Both monkeys stilled when they heard Mei’s threat and Wukong started sputtering out that he’d never judge you only to be hit in the head by the warrior beside him.

He pinched the bridge of his nose and sighed tiredly. “Let the dragon girl explain before we go jumping to conclusions.” he groaned and sat down a foot away from the closet, Wukong following him and watching you crack the door open just a bit. You could make out both of them through your tears and slide the phone to them, holding on tight to your plushie and hoping Mei would take care of everything despite not being there. “First off, Name I’m sorry MK and I couldn’t be there and could you pretty please open the door enough to let them see you? Could you also knock when you’ve done it?” she asked and waited till you knocked after opening the door enough, still curling in on yourself and flicking your eyes back and forth.

”Good job, Name! Such a good job!” she praised and you smiled a bit, rubbing your cheek with one hand and sniffling. “Secondly, this is for you both, this is a healthy coping mechanism called age regression that’s used by people who suffer from different kinds of trauma and people mentally and emotionally return to a younger age. It’s not often seen as “normal” by society because people are jerks but the age ranges from person to person. Name is usually around the age of 6 or 7 and normally non-verbal when they regress.” she explained and you teared up again when Mei mentioned how trauma is often a cause, tightly hugging your plushie and staring at the phone when you felt both pairs of eyes on you.

Both simians’ hearts sank when she explained it as a coping mechanism for trauma and how it must have been weighing on you if either of them found out. Macaque got the general idea of it and now understood why you hadn’t spoken at all, interacting wouldn’t be an issue since he was already good at reading micro-expressions and smiling softly at you from across the phone. “Okay, I think I get it now. It should be easy hopefully to pick up from where they left off before we got here and I’m guessing that they’ll be more emotionally sensitive,” he asked and nodded when Mei confirmed as Wukong looked at you with pity.

It must have been nerve-racking keeping this big of a secret from them both and he couldn’t be mad at you for something this safe to you. His tail lay limp on the floor as you tentatively looked up with tears sometimes falling down your cheeks and he reached out a hand before stopping since you still looked a bit scared. The tough chest armor he was wearing didn’t help him seem cuddly and he took it off before leaving in a random corner of your room, standing up much to his partner’s chagrin and walking over to snatch a couple of candies from the bowl you had. “What you doing? Were you listening to anything of what Mei said?” the shadow monkey asked annoyed.

The king carefully sat back down next to him and gave him one of the pieces of candy he had. By now Mei had hung up and given you the phone back. “I was listening and I’m going to help them calm down!” he retorted and popped one of them in his mouth. As expected it tasted tasty and he looked toward Macaque who also copied him, humming when he ate it and shifting his gaze toward you. You pouted when your boyfriend stole three pieces of your favorite candy and narrowed your eyes when Wukong offered the third piece to you.

“Why don’t you have some? It’s yummy!” he said and further stretched out his hand to you, “Also sorry I technically stole it.” You carefully to the candy from his hand and popped it into his mouth while both monkeys bickered with one another. “Wow, THE Great Sage apologized for stealing?” Macaque sassed him and dramatically put a hand on his chest while you unwrapped the candy, smiling at them both and slowly shuffling over to Wukong. You climbed onto his lap and left your plushie on the floor so you could squish his face with both hands. “Wu Wu” you murmured and cooed which got the attention of both lovers.

They both looked at you as they talked to one another while you stayed confused but happily played with the loose bits of clothing. “Didn’t Mei say they didn’t speak when they regressed?” Wukong asked with a raised brow and briefly glanced at you who didn’t seem to have a care in the world at the moment. “No she said they’re normally non-verbal but seeing as we’re their lovers I’m guessing this is going to be usually as it goes. Your nickname is cute though.” he teased him and you then sat on Macaque’s lap, ignoring the eye roll he got. You got distracted by the very soft fabric of his scarf and nuzzled your face into it. “Mac.” you murmured and decided that it was better than most of your blankets.

Wukong started laughing richly and quickly moved to the nearby laptop and unpaused to the movie when Macaque portaled you both over to the blanket-like nest, moving you to face forward and letting you have his scarf while you were regressed. “Someone’s soft aren’t they?” Wukong teased back and wrapped his tail around your waist, ruffling your hair and passing the snacks to you. He then remembered you had dropped your plushie on the ground when you went to hug him and went to get it however you whined when he got up. Both of them found it adorably cute and you gripped his shirt, looking at him and tugging him back to you. They would look forward to this every time you regressed.