#I’m serving the vibes :)

[oobbbear]

Water angel wip for the end of Halloween goodnight

[theflashesoflove]

i’m convinced that whenever gwen does a photoshoot she’s very aware of the fact that there will be like 367382828 lesbians glued to their screens looking at her pics

[akkivee]

there was a bbbat rhyme anima talk event today~ it was as chill of a time as it could be with kimura in the room lol but we got to hear some fun stuff from them!!!!

when asked what were their favourite scenes from the anime, kimura answered the place bbbat’s fight scene episode stood out to him bc it looked like a dungeon

ishiya-san really liked how this time around, they got to rap by groups in addition to teams!!!! it was really neat to sing with his fellow 2gumi lol

amasaki-san loves that one scene from bbbat’s episode where 2️⃣3️⃣🌙⚖️ were attacked by enemies while trying to hit the time switch. that whole it’s a shark!!!! no it’s actually humans!!!! scene is really funny lol

hayama-san really loved seeing everyone’s ending song animations!!!! like you could tell they were made with love and care for each division and their fans

sakakihara-san loved just seeing jyushi’s bandmates make an appearance and seeing them interact within the plot!!!

takeuchi-san really liked the visuals in sanity!!!!! especially that kaleidoscope visual they gave bat!!!!

they also asked for general impression in the anime and starting with bat:

hayama-san was really impressed with the artstyle lol. it’s the first time they got to see bat move and on top of that, the style pays a lot of respect to kazui-sensei’s art!!!!!

sakakihara-san liked how they managed to show jyushi’s growth as a person, have his still push him forward as he takes a step forward to help someone else

takeuchi-san got to see hitoya’s office for himself in the anime and was really impressed with how big his office is actually lmao

on bb side, kimura prefaced with how ordinary bb’s character setting is compared to like, mtc’s yakuza, policeman, soldier set up since they’re just a trio of bros. but that in itself is their power and it’s nice to see in the anime too

ishiya-san liked how they portrayed bonds in the anime and the strength those bonds brought!!! he gave an example of jiro feeling a little pressured but ready to step up to the challenge after hearing saburo’s contributions in the 3gumi episode

amasaki-san really liked how the anime showed a sense of each division protecting their hoods!!! kinda got hoodstar vibes lol

next they had to come up with a word or phrase that encompasses bbbat’s dynamic/vibes. for whatever reason kimura was really having a hard time understanding this as a concept (and it lowkey killed ishiya-san and amasaki-san’s braincells lol) but since bat were on it and ready they went up

hayama-san wrote ‘love’, sakakihara-san wrote ‘shounen manga’ and takeuchi-san wrote ‘one big family’

hayama-san said bbbat share similar expressions of love, bat shows their familial like love, bb has their love as siblings and ichiro and kuukou have carried on their love as partners from their naughty busters days (at which hayama-san and sakakihara-san started giggling like the fudanshi they are LMAO)

their energy and action kinda gives shounen manga to sakakihara-san!!!!

it was at this time bb finished their answers and revealed they all so happened like woah crazy coincidence bruh wrote the same stupid pun that doubled as them saying ‘they’ve got some kick ass ball busting energy!!!’ and them flexing their bonds lol

bc of this takeuchi-san didn’t get to explain lol and after kimura poked fun at him for it, hayama-san managed to tie all their response together since they were still similar in vibe. amasaki-san said hayama-san was being too nice to them LOL 😭😭😭

the last segment was them playing a quiz game where they had to watch a scene from the anime and answer a weirdly specific question about it lol. bat won 30-29 (LETS GOOOOOOOOOOOOOOOO) and it was very entertaining lol but there were two moments that made me really laugh lmao

at the start of it, ishiya-san and amasaki-san all of a sudden stood up and started jeering and shit talking like actual six year olds lol. not a single bat seiyuu had the thought to rise to the provocation LOL but takeuchi-san protectively blocked them with his arm and told them they didn’t to need to stoop to their level lmao

for the first question, they needed to answer what was ichiro’s phone battery at in the scene. kimura loudly stated this was his hour (he knew the answer lol) and as takeuchi-san stepped up to rep bat’s answer, hayama-san coyly leaned over to look directly at kimura to ask, ‘was it in the 70s? 🙂or the 60s? 🙂maybe 50s? 🙂’ and the way kimura just froze LOL

kimura: that was really scary!!! like yikes!!!! yikes!!!! i thought i was being puppeted for a second!!!!! 😭😭😭😭😭

[dragonsareawesome123]

Pyramid Game is TRULY serving with the lesbian subtext.

[thatgirl4815]

I just wanna know how we’re transitioning from this—

—to this

(Or vice versa)

[fruityfroggy]

Hot take: The lack of Lilya in a suit action…is not right

There I said it

Cry about it, cuz I’m also going to cry with you, but it’s because I’ve never seen a single piece of fanart like this so far

[daincrediblegg]

Not gonna lie I do think tv peaked with stargate sg1

[quietwingsinthesky]

i must say. mr simm obviously makes every scene he’s in very fun and delightful. but. idk. this does not feel quite like my cat from end of time. there’s a weird sorta disconnect here. i guess to emphasize how different missy is from him?

[buttonhouseparty]

Captain comedy connections

I’ve always said that the way I feel about the Captain, and the reason he was my instant favourite, is this: it’s like walking into a party and seeing someone you know. The ‘blustering but ineffectual authority figure’ is a really recognisable comedy staple. Just him being there positions Ghosts in a long line of classic British sitcoms. And then they flipped that archetype by giving him a relatable inner conflict and all his funny little idiosyncrasies, all those hints at the real person buried beneath the persona ♡ Anyway, none of these characters are identical to Captain, but I think he certainly shares some of their DNA and I just felt like gathering them together

[ripleyfilms]

# dominate me mami

[sableeira]

okay but ada dazai is so pretty princess vibe and prison dazai is so cat vibe. pre-dark era dazai is also cat vibe but not in the silly way but in the haunted way. dark era and beast dazai are both bastard vibe but in a tragic way and in the most affectionate way possible. the peak of dazai’s pretty princess vibe was during dead apple.

[brightwoods]

Does anyone else feel like almost all of the conflicts that had to do with the various character dynamics in Chain of Thorns didn’t actually get resolved, they just unexplainably ceased to exist after two books of building them up because CC didn’t feel like writing them anymore and she didn’t know how to resolve it naturally after how she’d built the issues up so much?

Like how none of the characters but Cordelia and Thomas had any clue about the Alastair and Charles situation and then suddenly in CoT it was like who doesn’t know? Of course Matthew knew and didn’t say anything before and then randomly brought it up to Cordelia in Paris while assuming she knew too

Or how Alastair and Thomas went from how things were at the end of CoI with Alastair thinking it could never work because Thomas’s friends hate him to oh look everyone suddenly is friends with Alastair with no grudge with no development of that in this book at all, just an abrupt shift

Especially the Alastair and Matthew dynamic where Matthew hated Alastair and wanted him to have nothing to do with any of their friends and he spent CoI ranting about him to Cordelia. And then suddenly in CoT it’s like of course Matthew is supportive of Thomas and Alastair and oh look Matthew and Alastair are suddenly not just tolerating each other for Thomas’s sake but friends despite barely interacting and no development actually showing and never getting any mention of the other in their own POVs, just having Cordelia be like Alastair stop being dumb, you’re literally friends with him now

Or like everyone other than Christopher and Grace where it was like oh we don’t like her for how she’s treated us and her friends straight to anyway she’s one of us. Like yes Grace was useful and yes Tatiana manipulated her whole life, but none of that was why anyone changed their minds or opinions? It was just suddenly the flip of a switch when it was convenient for CC

Or Anna and Ariadne where it didn’t so much develop as Anna just acted mean to Ariadne on and off throughout the series and at the end of CoI she wanted nothing to do with a relationship and then in CoT she was just suddenly like sure I guess I do. Also, slightly different note, but I did not like that Anna barely interacted with anyone else for the entire book and she was just off in the corner being an irrelevant romantic subplot for almost all of the book except when she showed up to barely even be shown in the background being sad about her brother being dead

(Although Anna still got more of a reaction than everyone else and his death was poorly executed all around in the sense of how did you write this so predictably and poorly that no one even knows when he died and it’s so background and 99% of the characters don’t care at all and we don’t see his parents finding out or much of Thomas’s reaction or anything and it’s just as if he wasn’t a character anymore 2 seconds later which is a different genre of issue with CoT but similar problem in the sense that both issues made the book feel a lot more emotionless to read)

And how the issues of Thomas and Alastair being together as two men and Anna and Ariadne being together as two women in this time and the issues of what would happen if the fact that Charles and Alastair were gay got out to the entire Clave just disappeared and never got addressed at all. We know how the ClVe reacted to Alec Lightwood YEARS later. We know society was homophobic at the time TLH is set and that it seems like shadowhunter society was a lot less open-minded than mundanes a century later

I understand that Charles being blackmailed and making shitty decisions was annoying but it was like suddenly everyone finding out wouldn’t have consequences and all the other queer men characters were like how could you possibly be worried about this :/ as if they haven’t spent the whole series knowing they have to be careful about who they tell. And then suddenly it was just of course it’s totally fine and safe to have everyone find out and why wouldn’t you be fine with that. And it was really written in a way that had other queer characters like oh Charles is such a coward for not being ready to publicly tell a bunch of homophobic people his sexuality and it just wasn’t it??? And super weird after Thomas was terrified of telling even Anna and Matthew for years. And also, I did not care for the fact that when Charles did go risk getting outed to finally do the right thing, we didn’t even get to see it through any character’s perspective or how that important meeting went, we just got one line of dialogue from somebody else saying that it happened with no details at all. And I can’t think of other examples right now but there were quite a few moments like that where we got one line saying that something had happened that was important to the plot and to characters’ development that seemed like it would have been more interesting than some of what we did get to see where it was just totally breezed over and way too easy and totally background to less important stuff

And then there was the whole no one reacting to Ariadne and Anna dancing together publicly thing was like yeah that’s nice I guess but not realistic and it doesn’t go with the way things have been presented up to that point, it also just feels like a situation where CC was like well this would be easier for me so there just won’t be consequences and then they can easily end up happily together

And then there was the whole Thomas and Alastair thinking they couldn’t realistically be together thing and knowing they couldn’t get married or be known to be together by anyone they’re not close to and then at the end it’s still not really addressed how they’re going to be together? Like there was the laziest write off of the family tree being wrong and then we still are just left to assume that eventually they move in together and suddenly it’s not a problem and everyone’s fine with it? And then I also feel like we don’t actually know if everyone found out about Alastair and Charles’ sexualities after the blackmail or if people are going to assume about Thomas and Alastair or if that’ll cause issues or if no one knows outside of who they’ve told and they have to be careful or what. Which like wouldn’t necessarily need to be addressed if it wasn’t for the logistics of being together as two men in that time being part of the obstacle that they were struggling with being in their way and then it felt like it was totally forgotten to even be one at the end by CC

Idk like I’d love to think they just lived in a world where homophobia didn’t exist but it felt like homophobia was a plot point when CC wanted it to be an inconvenience and then suddenly disappeared just to make her writing easier the moment she didn’t want it there anymore instead of actually addressing the plots she raised with it if that makes sense?

And sorry, I really did not mean to go on a rant this long. And maybe everyone else had a very different reading experience than I did and other people don’t agree with some or all of this. I personally am just very confused about how the book was almost 800 pages long and it felt like so much of the development in it was us abruptly being told that development had happened rather than actually getting to see it and how so many of the issues were abruptly solved in an I don’t want to write this issue anymore kind of way rather than anything actually needing to be worked at outside of the Belial situation

Edit: You know what, I mentioned it in my tags but I feel like it’s annoying enough to put in the body of the post and make it even longer. What the fuck was with everyone outing or potentially outing everyone else just so that characters could openly talk about the queer characters and tell them to do what they want them to? Why did Matthew out his brother multiple times? Like yes, the people he said it to coincidentally already knew, but he didn’t know that. And why was Thomas outing Alastair? The straights got to keep their secrets as long as they wanted and fix their problems more naturally. Why did I have to sit through queer characters constantly having their sexualities and romantic histories to everyone else when they clearly had not okayed it? Why were the queer characters doing so much of the outing? Why were people who cared about them and knew what it felt like to be afraid of the wrong person finding out just broadcasting their sexualities to make it easier for CC to breeze past development to have their things get resolved fast? Why did no character have an issue with it at all?

[brzatto]

​i have some Thoughts about the claire plotline obviously and i actually genuinely like her as a person but i dislike her character wherein i don’t like the fact that they introduced her with the sole purpose of being carmy’s love interest and posing as a conflict for the restaurant? considering she’s supposed to be a childhood friend of carmy’s and grew up with the rest of the berzatto family i wish she had gotten the chance to be developed and fleshed out as her own character instead of just being used as a plot device. the buildup of her and carmy’s relationship was definitely very abrupt but in a show that revolves around (found) family it just felt very out of place for us to be introduced to a character with explicit romantic intent like that

[deus-ex-mona]

winter 2k24, huh~~~~~~ _(:3 」∠)_

[renee-mariposa]

So I’m at work, standing at my desk in my department down in the moldy basement of the hospital, and the doorbell rings. I go to answer it.

The man at the door is our head Cardiothoracic surgeon. This is the second time I’ve ever seen him in person. He looks really tired as he stildedly introduces himself.

“I haven’t been feeling well,” he tells me awkwardly. “Do you know where I can get a urinalysis, to see if I have a UTI?”

I look at the sign next to my department’s door that clearly says what department I work for, then look back at him. “You could probably go to an urgent care….?” I offer.

“Look, can’t you just run a culture for me really quick?!” He says, losing his temper slightly.

“Sir, you want the lab,” I tell him. “It’s the next window down the hall.”

[xx-justsomeguy-xx]

some sketches from last night