#I’m kidding THE WHOLE FILM IS A PIECE OF ABSOLUTE ART!!!

[correlie]

And if I say this is the best shot in the movie? Then what?

[dragonmarquise]

Since devil theory is into anime, what types of genres do they usually watch????

Oh boy, this is gonna be a fun one to talk about :D

Well, for the most part. Also a bit long!

But first, something that’s probably not needed, but just in case: A disclaimer that some of the series mentioned here might not have aged well in terms of like… depictions of minorities or handling certain serious topics in questionable ways. I know a lot of the stuff I loved as a kid had problems like that.

*gestures towards Cardcaptor Sakura which has at least 3 different child/student x adult/teacher relationships, including the protagonist’s own parents for fuck’s sake!!*

Long story short, some of the mentioned series here are ones I have watched myself at some point in my life! I still love some of these for the good parts, but I’m not gonna make excuses for the bad parts (if what I just said about Cardcaptor Sakura doesn’t already make that clear). Again, this kind of thing is probably obvious for most people? But it’s also probably a good idea to state the obvious anyways.

So yeah, now that the disclaimer is established, onto anime talk!! Also a bit of manga talk here and there, since there’s overlap with different series. :u

Reiterating from my big Devil Theory post, all four of them had a little anime-manga club going during their school days (Nunchaku was an honorary member since she still lived in the US during this time). Adding more to this headcanon/idea, they kinda-sorta still have the club going, but it’s really just the four of them hanging out and watching/reading/talking about anime-manga stuff together like friends anyways. Also debates on stuff like power levels, which characters would win in a crossover battle (a la Death Battle), arguments over why a certain manga series does or did not deserve to have an anime adaptation, etc. :P

Also each of them have been bullied for this particular interest to some extent and at some point in their lives. Even with anime and manga being more “acceptable” these days, their first instinct is to still keep quiet about it, and hide any merch they have from anyone who notices. It takes each of them a while to actually open up about the topic to their own partners, let alone any friends outside of their own little circle. They get there eventually!

Moving on to the specific topic of favorite genres, in general they’ll at least check out the popular stuff together. Astro Boy, Cowboy Bebop, Trigun, YuYu Hakusho, One Piece, Bleach, Naruto, Hunter x Hunter, Full Metal Alchemist, Mob Psycho 100, My Hero Academia, Delicious in Dungeon, Odd Taxi, also various anime movies like the Studio Ghibli films, so on and so forth. You probably get the point! Dragon Ball and its sequels is probably the big one they all remember starting off with. Each of them also have preferences for other stuff they’ll watch/read on their own!

Just as a reminder of who’s who, I’ll put in parentheses which OC corresponds to which DT palette, and a little blurb about them.

For specific favorites for Sai (spring palette, guy with anger problems who gets it sorted out eventually), his favorites are pretty straightforward: as long as it has awesome fights, he’ll watch it! He’ll suffer through a show with a crappy plot if it at least has excellent animation for the fight scenes. Like basically “we saved the budget for the fight scenes and cheaped out on everything else” levels of blegh. Same with manga, it better at minimum have cool art and fight scenes or it ain’t worth it in his opinion. Also he was absolutely inspired to get into art because of those fight scenes, and thus he now works as a freelance artist!

For Nunchaku (summer palette, butch lesbian with high gremlin energy), she really likes sports manga. Admittedly I don’t know a whole lot about this genre of anime/manga myself, but from snippets I’ve seen, I know it can get wild sometimes! Because of the period of her life where her parents forced her to do as many sports as possible, she knows a decent amount about a lot of different sports. She likes to see how the series she reads/watches compare to the real thing, and enjoys when things get really ridiculous.

Also a big fan of the early seasons of Pokemon, Digimon, and Yugioh. Those were her big intros to anime besides Dragon Ball. The later seasons of those three, eh, not so much. She doesn’t hate them but doesn’t love them either, y’know?

In addition to that, she also keeps an eye out for good wlw/yuri series. Nunchaku mostly checks out series made by (or at least written by) actual lesbians, bi women etc. But even then she has a very small pool of stuff she particularly loves, and is also frustrated with how little butch x butch stuff there is.

For Bō (winter palette, blond hair and weightlifting tech guy), he will check out anything involving mecha or cool technology, though he doesn’t always like them (Neon Genesis Evangelion is probably a big one that he regrets watching at all). At the least, if he likes the designs of the mecha/robots featured in the series, he’ll still buy figures or kits of them.

With series he’ll check out on his own that he actually likes, it’s mostly gay manga (i.e. stuff that tends to get labeled as "bara" in Western anime fandoms, even though the term itself is not generally seen as a positive in Japan. At least from what I’ve researched, it probably varies). Of course he enjoys them because Gay, but also because they tend to feature characters with similar body types as him who aren’t meant to be jokes in some way. Which, probably says a lot, doesn’t it? :(

So then besides those two genres and the big popular series he’ll check out with his friends, he’s more into gaming. Like, they all play video games and have their favorites, but Bō is the only one who would call himself a gamer. He has suffered through a lot of horrible video game adaptations of various series, lol…

And finally Daishō (autumn palette, leader of Devil Theory and sometimes basically roleplays as an anime villain while in costume lol), with his love of horror movies, he is also of course a big fan of horror anime and manga! Though whether he genuinely loves what he reads or not kinda depends, due to… sorta complicated feelings.

Okay so, the idea is, for a long while (including even into adulthood), he would check out particularly gruesome and gorey series, even if it got to a point of making him feel genuinely ill. Like, I’m talking about stuff with no deep story or themes to them, no cathartic or at least bittersweet endings. They were mostly if not completely just for the shock value of truly horrific things happening to the characters, who never survived in these series.

And a lot of the time, he read them just to laugh at the characters for being stupid, thinking they deserve the suffering. This also applies to non-anime/non-manga series too. He’d check out the stuff even big slasher fans would want to avoid, if that gives a better idea of what he was seeking.

After sorting out some personal issues (a lot of issues actually, including his big guilt about almost getting his friends and himself killed due to the deal with Faux), he comes to realize he only bothered with that particular subset of horror as a form of self-harm. Again, the big guilt about the Faux deal going wrong, though also guilt about feeling like he’s not doing enough for his friends, that his problems aren’t as bad as other people’s, and so on. Made himself suffer through horror content he can’t stand himself as a sort of subconscious punishment.

Once he works through those feelings, he stops reading/watching stuff like that. He even throws out and burns a lot of the books/DVDs/etc that he collected from that horror subset. After that, he still enjoys horror stuff of course! But he actually respects his own limits and doesn’t force himself to watch/read stuff he knows will just make him feel terrible or ill. He’s a big fan of Junji Ito stuff, plus other stuff in the same vein.

And, I think that about covers it! I was expecting to namedrop a few more series than this, but eh. :P

[teememdee]

2023 ART SUMMARY!!!

2023 was uhhhhhhh a year! And I made art! And I’m going to talk for a long time about everything I did month by month! Yippee!!!

original individual posts can be found in my #tanner art tag!

JANUARY

Started off the year with my favorite skrunklies sleepy and snuggling. Then sleeping together while holding one another is so incredibly important to me, they’re so cute and I needed to draw it. Struggled with Kai’Sa’s face but I particularly like the drapery of the pillow behind them.

FEBRUARY

First off, just a simple Kai’Sa piece for the Vibes(TM) and background practice. I was also fairly miserable and when I get miserable I draw Kai’Sa being miserable as well. I love my favorite character of all time <3

Then a quick Valentine’s Day piece, soft gradient map stuff. Love my skrunklies, hopefully this year I can make something for the day that isn’t rushed

MARCH

In March I FINALLY finished my Star Guardian Kahri fic, be the light to carry me, and drew Kiko and Ina being adorable together to go along with it. They’re SO cute and people LOVE that fic. Chapter 3 ended up being a whole 20k words and every time I re-read I’m amazed that I wrote it.

A kiss for Kai’Sa’s birthday! This was actually two sketches mashed together because I had a good Kai’Sa and a good Ahri on separate attempts. Love Kai’Sa’s smile on this one.

NOW. Strong contender for my favorite piece of the year. Captioned “please don’t lose yourself,” my K/DA-verse Kassadin’s very dead wife’s ghost weighs on him, begging him to not get lost in his grief and lose sight of their daughter. Kassadin feels lost and broken without her. I love the emotions in this one, and I think the idea comes across even without knowledge of my headcanons. Love it so much.

APRIL

Full-body piece that took me all month. I just love this one so much. It’s just pure Kahri, pure love, pure joy. Pose inspired by Blake Belladonna from RWBY’s leg pop during the long-awaited Bumblby kiss. This piece just makes me so happy.

MAY

Oops! No art! Was too busy being on a (student) film set every weekend as well as dealing with classes and multiple other stressors. I did START a piece though, but wouldn’t finish it until the middle of June.

JUNE

I actually did the first sketch of the Evelynn piece in February, but I decided to revamp it in May, and then when school finally set me free I finished it, and it turned out exactly how I wanted it to. Her hair was a labor to render but I'm so so pleased with how it looks, as well as the blood. The first time I've finished a fully rendered Evelynn piece!

Naafiri is so fucking cool. Upon her reveal, I was seeing so much incredible fanart and I just needed to get in on it. The shapes and points are just so good. I used to draw dogs all the time as a kid, and my younger self would absolutely flip out at seeing this. I did this piece in one day, and I have no idea how I pulled that background off but hopefully I can do it again some day lol

JULY

Two drastically different vibes here. Realized it had been forever since I had drawn Kahri so I just wanted to make a cute summertime piece. Their hands should be bigger and it bugs me but this is still really cute, I missed my girls dearly.

And then my very very sad man Kassadin being very very sad about his very very dead wife. This is what I call his phase 2 design, when he's at the peak of his grief (spiraling, as emphasized by the background) and feels just so sad and alone. In my head this and the March piece are part of a series that I hope to continue.

AUGUST

Just one piece that took me all month because I was quite busy in August, and Runeterra Kahri pieces take forever, but as I always say, it's always worth it. This pose comes from mellon_soup on instagram, who makes a lot of really great pose references for artists to use, highly recommend checking them out. This piece is just so soft to me. Captioned "'you're beautiful, you know that?'" they're saying it to each other, two people that struggle with their self image finding love and confidence in the other. Also I'm so very happy with the background. I love these two so so so so much, they're my world.

SEPTEMBER

One of my goals for this year was to branch out in the fanart I made. Baldur's Gate 3 came along and I love watching my best friend play it, we love Shadowheart and I just wanted to draw her. This came after a lot of sketches of both her and our favorite Tav that ended up changing how I draw eyes. The rendering of her face here is also something I'm proud of, her nose looks great. And again, the background! This piece didn't get a lot of attention at all but that's okay, I made it for me and I'm very happy with it.

OCTOBER

STAR WARS TOXIC YURI WENT CRAZY THIS YEAR!!! Wolfwren (Sabine Wren x Shin Hati, from the Ahsoka TV series) had me by the THROAT for a solid two months or so, I haven't been that feral and deranged over a ship in a hot minute. They had me frothing at the mouth every episode even though I did not like the show overall. Anyways. First piece is a redraw of the part in episode 4 where they just have the most charged eye contact of all time, and I decided to take that in stride with inspiration from Horimiya, a favorite anime of mine, during particularly emotionally charged moments, the background changes and there's a particular color silhouette behind them. It really fits that moment of the show and I am SO proud of these faces, especially Sabine's. Drawing from a real human face reference was kinda new to me but it's taught me a lot. The file size also ended up enormous somehow idk lol

Then, my most popular piece of the year, on both tumblr and twitter. I LOVE hand imagery, I love subtle hand touches, I churned this out in I think exactly one day, it's so soft it's so cute and I totally understand the overwhelming positivity it received.

NOVEMBER

I was not doing well at this time in the year. The state of the world just had me in a horrible mental state, I wasn't taking care of myself well at all, I couldn't get myself to make art, especially something happy or cute, it just felt wrong. But then sometimes you feel something so strong and specific there's no other way to process it than to make art. To make a long story short, earlier in the year I thought a girl liked me, I liked her back, but it turned out she did indeed have a boyfriend the whole time. We didn't see or talk to each other for a few months but in November we (and the bf, lol) met up again. When she saw me at the door she smiled at me so sweetly and it was just the worst feeling ever and I just had to hide it behind a smile and a wave. Oversharing aside, this is a style I'd wanted to execute for a while and I'm really pleased with how it turned out, would love to make more like this.

DECEMBER

All of this was done / finished in the first two weeks of the month because then I got sick + was visiting family + jet lag took me out. Kinda sad I didn't get something done for Ahri's birthday or a traditional Kahri Winter piece but that's what January is for. Anyway.

Sometimes you just want to draw girls kissing and sometimes you wanna make it a little suggestive. Not much to say. Proud of the drapery on Kai'Sa's sleeve and you can always tell I love drawing hands.

Now it's time for classwork. Here I just have two pages but I've posted the whole comic on its own, this was for my "Art and Text" class, I have it printed in a booklet and my classmates + friends have responded to it so sweetly I'm really proud, I really really want to make more comics. This project was a culmination of so many inspirations from other artists and I'm really happy with the execution even if it was really rough for me to manage my time well for that class.

Then for my "Fiction and Allegory" class, two of my friends and I made a storyboard film (which I don't want to share publicly, but if I know you you can ask for a link) and during the all-nighter two of us pulled to get it done on time, I decided one scene needed music instead of diegetic sound, so I churned this out on garageband in about an hour. Would definitely love to try my hand at making more music in the future. Wish my classmates / teacher liked / understood the film more but oh well. I learned a lot and for the thousandth time, I'm proud of what I did.

IN CONCLUSION:

I ended up with less full pieces than 2022 but what I did create in 2023 are big, detailed, emotional pieces, and I'm more than satisfied. I think my skills in rendering, backgrounds, and colors really improved and I'm looking forward to how I continue to improve in 2024. This upcoming year has a lot of scary stuff ahead (namely graduating college) but I will come out the other side regardless, hopefully with just as much art I'm proud of.

If you read all of this, thank you!! If you've liked, shared, or commented on any of my art, thank you!!!!!! It means the world, always.

[aceouttatime]

5, 9, 18, 19

Four different asks? Hell yeah!

(5. What’s your favorite size trope?) Oh, this is a difficult question--there are so many that I enjoy to bits! Overcoming adversity/fighting for equality and respect is definitely one of my favorites (ex., anything by @ratcatcher0325). I also love gentle giants, tinies that are far too smart for their own good, and good old hurt/comfort. G/t whump is always a good one, as well as the whole 'stranger in a strange land' trope (foaming at the mouth like a rabid dog over giant aliens). Finally, accidental/forced shrinking is so, so good. I live for angst. Apologies that these are in no order whatsoever XD

(9. What’s your favorite piece of sizey media?) For film, I have to go with Epic--I love the artistic detail and worldbuilding in that movie, especially considering it was geared more toward kids! Great pacing and loveable characters. What else could I ask for (other than a sequel *cough cough*)? I also love Arietty--Studio Ghibli movies are such comfort movies for me! As far as writing goes, I have a few different authors on Tumblr that have really lovely work! I’ll answer that in just a moment!

(18. Any favorite g/t content creators? People you wanna hype up?) HELL YEAH! I apologize in advance for the pings, but please, please, please go check out these awesome creators!  @not-a-space-alien pretty much got me into the g/t community with Thistle’s story! They have beautiful writing skills! I also really enjoy their whump series’ Magnanimous Moonrise and Savage Sunset! @belethlegwen has two of the sweetest characters I have ever had the pleasure of reading about. Henry and Melanie are two folks from very different backgrounds trying to make the best of a situation neither of them could have ever expected. And their flirting is so adorable--AUGH MY HEART! @ratcatcher0325 has written two different g/t pics that have stolen my heart: A Fraction of Justice and Nobody’s Fool! They are two of my absolute favorite works of all time--AFOJ is still ongoing, and I cannot wait to see how things play out for my fellow Alexander! @ayytaro-gt has some amazing content as well! Ugh, her art style is so soft and <3 It fills the void in my heart that longs for fluffy things. @imvenusasaboy is my partner in crime for all things Sylvan and Ari (g/t fic pending), and his art is so skrunkly in the best way possible. He has amazing music taste that I am gobbling up like coffee jelly, and he helps me with all sorts of world building things! (19. What’s your all-time favorite g/t daydream - the one thing you keep going back to?) Oh, boy, this is about to get a little personal, huh? Well, personally, I daydream a lot about being tiny. Sometimes while I’m falling asleep, I imagine being curled up on a giant’s chest and letting them play with my hair or trail a gentle finger down my back. I think that, above anything else, would make me content. I also think about Sylvan and Ari’s world a lot, personally, both for comfort and to help me get some writing down, so I suppose that counts as g/t daydreaming. But, uh, yeah. I just think being circa 3 inches tall would be nice. WHOOP that was a doozy. Thanks for the asks, whumpsday!

[serceleste]

Just watched Tick Tick... Boom! (which I loved btw) and there’s a scene where Jonathan and his friend Michael have an argument and Michael says something like ‘yeah, that’s what the world needs, more art’ and I have to say, that really hit me.

Because you know what? Art is IMPORTANT. I cannot even begin to discuss all the ways art has affected me, and the emotional impact it has. I mean, just imagine if someone like Jonathan Larson had decided ‘fuck it, I give up’, and then there’s no Rent, and all the people who saw Rent and were inspired, they don’t have that, and then we don’t have it, the world doesn’t have it, and it’s just a slide of things we would miss out on.

The past few years have been rough, both in general and for me personally, and you know what happened in the summer of 2020? Hamilton got released in a filmed version, and it absolutely changed my life. Maybe that sounds silly! But that’s what art does. It speaks to you, and it grabs hold of you. I must have watched that movie 15 times by now, and it always cheers me up. I have listened to the OBC recording God only knows how many times, enough that I can sing the whole thing, and it drives me, it motivates me, and it makes me feel good. Even when I’m crying because the emotional bits speak to my soul, it just helps me. I used to listen to it at my shit job that I hated and then I would put it on during study breaks to get me through my return to school so I could leave my shit job I hated. I listen to it in the car, while I run, all the time, and it never fails to boost me. Hamilton even got me to write a little bit, when I’ve been in a creative low. And that’s just one single piece of art.

Yeah, maybe a guy sitting in his apartment writing songs isn’t saving the rainforests, but what he’s doing is a vital part of the human experience. Musicals have certainly saved me in a way I can't articulate. Remembering being a little kid seeing a live performance of Joseph and the Amazing Technicolor Dreamcoat and having my mind absolutely blown. Learning On My Own to perform in a class that I thought was a chorus and was instead a solo class and realizing I could fucking do it, I could sing that beautiful song in front of a room full of people while I was totally terrified and crush it. Sobbing to Nina Rosario singing Breathe because that song understands me and how I feel. Belting out Defying Gravity in the car on the way to a job interview because it makes me feel strong and powerful and in charge of my own destiny. Dancing to Living It Up On Top because the joy is infectious. Laughing along to A Little Priest because somehow it’s impossible not to laugh with crazy weirdos having way too much fun making cannibalism puns.

tl;dr: Art fucking matters, and I don’t want to live in a world without it.

[insertdisc5]

WELCOME. TO THIS YEAR’S. PERSONAL ART REVIEW THAT’S MOSTLY BLACKED OUT BECAUSE THE ONLY ART I MADE WAS FOR MY GAME AND ITS A SECRET

2021, soon to be over. alright, what did I do this year

Oh wait!!! I released START AGAIN: a prologue this year!!! That’s a whole dang game!!!! that i made!!!! and people liked it!!!! oh my god!!! oh my god???? oh my freakin god!!!!!!! that’s genuinely bananas. If you bought the game I’m incredibly grateful thank you so much

I’ve also been working on the next game for the whole dang year!!!! Real Talk i don’t like working on projects for very long. Like if I make a long 10+ pages comic I work on it for a month or two and it feels like eternity. The longest I’ve worked on something was my thesis film back in college and that was a year and a half and i wasn’t even that into it. I’ve now been working on some iteration of siffrin’s adventures for the same amount of time (EIGHTEEN MONTHS?!??!?!?!?!??!?!), and it’s a story that’s super close to my heart, and it’s such a weird feeling!!! to work on something you love for this long!!! aah!!!! anyway I sure hope me and my dear lovely publisher Armor Games Studios will be able to share some news sometime in 2022 wink wink nudge nudge sparkle emoji.

ALSO I STARTED USING CLIP STUDIO PAINT AND YEAH GUYS THIS LITTLE SOFTWARE REALLY HAS IT ALL. HOLY COW. THE AMOUNT OF TIME IM SAVING

ah, august though. the depression month. remember to take breaks, kids. i know we say it all the time. but im gonna tell you something. something you might not have heard before. and the thing is that.... it’s true, you should take breaks. apparently it’s really good for your mental health or some garbage.

Oh My God i only drew like three colored art pieces this year tho. this is the B&W year. i love drawing in black and white so it’s not even a problem this is heaven for me

In not game related stuff this persona 5 comic i drew this year absolutely rules. i don’t often look at my own art but this one. this little baby. is absolutely amazing. hey adrienne from may 2021!!!! this rules!!!!!

2022, clap your hands and believe!!!!

✨ 2014 and 2015 and 2016 and 2017 and 2018 and 2019 and 2020✨

[ninacarstairss]

PARABATAI WEEK — day 6, underrated/fanon parabatai @carstairgray

i’m broken, torn apart, shattered and a couple more adjectives because of tftsa and it falls perfectly on the parabatai week so here are some simon x george parabatai headcanon

they place their parabatai runes on the back of their shoulders to symbolize they’ll always have each other’s back.

after the ceremony they go back to the new york institute and the rest of the gang surprises them with a party to celebrate.

simon places a stuffed rat on george’s bed before he shows him his new room, in memory of their days at the academy. the rat also has a tiny collar with “jon cartwright xxxv” engraved on it.

george jumps on the nearest chair when he sees it and his academy nightmares come back to him as simon is doubled over laughing near the door.

once the initial fear of having to deal with rats even at the institute passes, george keeps the stuffed animal and he adores it, it reminds him of their time at the academy, how he and simon met and became the brothers they are now.

they start having training sessions with jace and alec and they always end up on the ground with jace and alec triumphant over them but they put up quite a fight when fighting together.

they also like to train a lot with izzy and clary but that works way less for their skills because izzy and simon end up making out somewhere when one of them pins the other on the floor and clary and george just leave the room and go get a coffee before they can see something they won’t be able to forget. alec still talks about his nightmares regarding the time he walked in on simon and izzy in idris.

george gets to know the gang better and they all love him, but simon is especially happy when he notices him bonding a lot with izzy and clary and when he sees alec starting to trust him fully. jace ends up telling george so many stories about the first time he met simon and how he was when he first entered the shadow world, including the being-turned-into-a-rat part — george’s favorite ever since the academy — and that’s when simon knows jace really likes him too.

simon keeps schooling george in pop culture, movies, comics and the history of his band when he was a mundane and he drags george around the city in all the best places to find comics and the best film. soon enough george is making star wars references on a daily basis. though, he’ll never stop mocking simon about all the names his band went through, especially when he reveals the ones he though about during the academy that had to do with rats and other weird creatures, or grey eggs.

george often leaves to visit his family in scotland and he always takes simon with him. his parents love him and they always welcome him as a son. george couldn’t be happier and simon feels at home. he misses seeing his family every day, but he learned that for every loss there’s something to gain and this new part of a home is his own new piece of happiness.

once, though, the whole gang tagged along. george talked about the green fields and the sheep of scotland so much that they wanted to see for themselves. it’s a wild vacation and, between a hike and a tour of the nearby cities, jace gets not-so-gracefully swept off his feet by a running sheep and it’s a sight they’ll never forget or let him live down.

they have annual dinners with the group for the academy. no matter how far they’re all located from each other, they get a portal and meet in idris at least once a year and visit the muddy fields where scarsbury had them running and doing push-ups for as long as it took to kill them. beatriz and julie have also become a great pair of parabatai and jon manages not to be too obnoxious for one night a year.

simon also schooled george in the art of eating take out every day for basically all meals and told him to gently refuse every single thing that leaves the pan when it’s izzy cooking as soon as he stepped foot into the institute. surprisingly enough izzy and george find in each other some really horrible cooks who get along a lot and think they cook fantastic food while burning half the kitchen every single time they get close to a burner. simon’s desperate and he’s most likely going to loose his eyebrows in a kitchen fire soon enough. or worse, he might actually have to eat the stuff they cook one of these days. (credits to @icycoolslushie for the idea on this one)

when sizzy get married simon chooses george to be his suggenes and george cries his eyes out because his brother is so grown up and he’s getting married

once clary and simon convince the gang to celebrate halloween and they organize a halloween party at the institute for all their friends. george is the first to agree and he’s so excited. he and simon are planning matching costumes and decide to go as avatar characters — but with more covering clothes on, simon is stoic about this and george agrees it’s probably best not to risk finding themselves in the middle of a fight with a halloween night demon wearing only that little cloth around their hips — and they also kick it up a notch by dying their hair blue. except that they buy the wrong kind of dye and when the next day they wash their hair to get the colour off, it doesn’t go away. izzy and clary have to fix their mess with brown dye.

they are those friend that always do the craziest things you see on the internet and end up with the most aesthetic photos, like george in the middle of a parking lot with flashing lights surrounding him, sitting in a shopping cart and laughing, or simon naturally posing with his bow and arrow in front of a fantastic landscape and they become snapchat famous for these pics. izzy, alec and jace are pretty confused by this snapchat famous thing.

when simon moved in at the institute after the academy he installed a playstation in his room and most nights george is there with him, playing at 3am with snacks of all kinds surrounding them. izzy joins too sometimes but she’s not great at those games and has smashed a couple of joysticks after loosing multiple times, while clary kicks both their asses when she pops in for a game.

one night george entered simon’s room for a 3am game and instead found him with izzy, both of them half naked and in the middle of some sort of role play where izzy was calling simon “lord montgomery”. he never lets simon live that down and brings the name up in the most inappropriate moments — such as clave meetings — making simon choke on air every time. after that, though, george is very careful to knock.

simon’s pansexual and he’s a little afraid to come out to george at first, but he soon realizes he knows george and he wouldn’t turn his back on him, he wouldn’t leave. so when he does tell him he’s shaking slightly but he’s also happy and george clearly is too, he scoops simon into a tight hug and tells him he’s incredibly proud of him and reassures him he loves him no matter what, they’re brothers no matter what.

they’re not big on celebrations of birthdays or mundane holidays in general, but they do like to keep the traditions alive. both of them have been raised with no knowledge of the shadow world and they were observant of some religious and mundane holidays that shadowhunter don’t celebrate. so they like getting christmas gifts for everyone or organize parties for new year’s. they celebrate hanukah too and share other little traditions from their childhoods, like george’s family tradition of sheep’s wool-covered sweets and chocolates to find instead of eggs for easter or simon’s family tradition of taking a two day trip around spring to see the changing season and enjoy some free time, even if the trip is to the nearest town. they’re small traditions sometimes, but they like to keep the memories alive.

george becomes really good with max after that first encounter and the offer of raising him in his and simon’s drawer. he and simon often volunteer to babysit him, and rafe too afterwards, and they obviously use as bedtime stories the plot of star wars or comics, which the kids absolutely love.

sometimes when he’s stressed or tired george goes full on scottish and also switches to gaelic at times and simon is just there looking at him, torn between wanting to giggle at his usually contained behavior now unchecked and wanting to hug him and confort him. he always goes with the second, but he does love to hear george speak gaelic.

after the time at the academy when george was leading the mission to go after the faerie fruit vendors where simon got sucked into faerie he’s incredibly protective of simon in battle — or just all the time, actually. he’s thrown himself in front of simon more times than simon can count and he loves this kind of care, because of course he does the same whenever george is in danger, but it also makes him sad a lot because he knows george still feels guilty about that mission, even if nothing bad really happened, and he would do anything to make sure nothing similar ever happened again.

tag list @cordaisya @im-not-ruined-im-ruination @surrounded-by-exquisite-clutter @stxr-thxif @icycoolslushie @writeforjordelia @gabtapia @fair-childd @clarys-heosphoros @shadowhuntingdemigod (let me know if you want to be added or removed)

[jerryb2]

I mean….you all knew this was coming ¯\_(ツ)_/¯ : the Star Wars Art of one Mr. Drew Struzan. 

And look, the man has done so much and has such a diverse portfolio that Star Wars is only one very small part of his career. If you want to explore some of his other works, then might I suggest that you check out his website. 

As for me here, we’ll be sticking strictly to his SW art. Now, with that out of the way, here we go…

*cracks knuckles*

I have to admit that before I really started to dig into this, I didn’t realize just how many Bantam Era (and beyond) Star Wars books this man has illustrated. Nearly 50 titles, ranging from novels to comics, short stories & even an RPG supplement. 🤯 

And so, after much consideration, I decided to just pull all the titles that feature his art off my bookshelf and take a few pics for you guys:

First off, I just want to point out that I don’t have every book he’s ever illustrated. Some of them are just harder than hard to find, are hilariously expensive, or I just don’t have an edition that features his art prominently - you’ll see what I mean. Right off the bat though, you can see that he was really hitting his stride in the mid-90′s, with all but a handful of these coming out between ‘94 & ‘99. One of the highlights from this time for me, is The Callista Trilogy.

I just want to stress that The Callista Trilogy is a highlight for me only because of its gorgeous cover art. 🤣 Other than that, this book series needs to go lay down. 

Anyway, the designs are all really striking and even after all these years, absolutely iconic. And you can really see Struzan’s distinct visual style at play here; not a painting in the same vein as something from Dave Doorman, and not a simple trace. Rather, something that is stylized in a very particular, very subtle way, almost to the point where it appears photo-realistic at first glance. Beautiful.

Next up is this trio of trilogies (good use of words, me), collected in these Science Fiction Book Club (SFBC) hardcovers: 

Once again, these covers are just striking, particularly The Black Fleet Crisis. This is actually what I was referring to when I said that I don’t always have the best editions for a Drew Struzan appreciation post. 😅 

Because these are hardcover collections of paperback books, we actually miss out on a good bit of the art. For these SFBC special editions, the publisher just took all three and basically photoshopped the best bits of each one together. The one that suffers the most here is obviously The Corellian Trilogy, where they didn’t even try to blend everything together, and instead just separated everything into columns. I don’t personally mind it (and I do love having the hardcover editions of these books) but if you want to see the covers as they were originally intended, just pickup those mass market paperbacks. 🙂

There’s a lot more to get through, so I’ll just hit the highlights here; even though he didn’t illustrate The Thrawn Trilogy (that was Tom Jung, who I personally think did an okay-ish job at best), he did an absolutely amazing job with the follow-up, The Hand of Thrawn Duology in ‘98 & ‘99:

I’ve always loved these covers. And narratively speaking, they really do serve as one last hurrah on the Bantam Era. Oh, and also please note, Mara Jade on the cover of Vision of the Future, just as Zahn originally described her. ❤❤❤

If you step back and look at Struzan’s work as a whole, it’s all incredibly unified. I bring this up here because even though some of these are books relatively ‘meh’ worthy, Struzan maintained a level of quality that belied the mediocrity contained within. And also to say that he was definitely busy, particularly in 1994:

That’s right - all of these released in ‘94, within a few months of one another. These covers man… *chef’s kiss*

And look I’m sorry, I just can’t help myself: The Crystal Star was a hilarious joke until we all realized they were serious about it. 😳

Alright, that’s a little on the harsh side; it’s not nearly as bad as most make it out to be, and Waru as a source for unlimited power (citation needed 👀😉) isn’t any more ridiculous than the 50 other post-Palpy, hair-brained Imperial schemes that everybody else cooked up, so I guess it fits. And besides, I really wanna be nice to Vonda McIntyre here, but this book was just so so boring. 😴

*clears throat* Moving on, here we have a couple Barnes & Noble hardcover collections of The Jedi Prince Series:

The same thing applies here; cover art photoshopped from across 6 different YA novels to get these. They don’t look bad, far from it. But rather this series has some things that people would rather forget about, namely a supposed son of Palpatine (spoiler: he wasn’t) named Triclops who had - wait for it - 3 eyes. 

Like Tien. From DBZ. Yep. 🤦‍♂️

Moving further down the list, we have yet another pair of iconic cover designs, being I, Jedi (the only Star Wars novel written in the first person, and an appropriate riff on Isaac Asimov’s I, Robot - yes ladies & gentlemen, that is as clever as Star Wars gets) and The New Rebellion.

Classics, no doubt….but for reals, did anybody else ever wonder why the X-Wing on the cover of I, Jedi is missing an S-Foil? Or how that one slipped through??? 👀

Ah, at last we arrive at what is arguably Struzan’s most famous work; the covers for Shadows of the Empire & The Star Wars Trilogy: Special Edition.

It’s hard to overstate just how important Shadows of the Empire really was for Star Wars as a brand. In an era where SW books were already extremely popular, the Shadows of the Empire Multimedia Project basically served as a breakout hit and reignited interest in SW media across the board. This was in no small part due to the striking imagery captured on its cover - are you seeing a pattern here?

This success actually renewed Lucas’ interest in a theatrical re-release of the OT in 1997….which of course, feature more beautiful art from Drew Struzan:

These are my OG Special Edition VHS tapes from back in the day. I watched these so damn much as a kid. In fact, they’re basically the whole reason that I’m here, annoying the shit out of everybody today. 😁

After the Bantam Era concluded & the Star Wars publishing license went to Del Rey, Struzan did progressively fewer pieces for SW media. Here we see his contribution for the latter half of the Last of the Jedi YA series, and his kick-ass cover art for the Darth Maul comic: 

And when I say that Struzan did progressively fewer pieces for Star Wars, I am of course omitting his turn as the poster artist for the freaking Prequel Trilogy: 

Say what you will about the films, but these poster designs are nothing short of genius. 

Look guys, it would be pretty easy for me to downplay Struzan’s Star Wars portfolio as just one small part of his incredible career. But my dudes, this is literally just the tip of the iceberg. The man has been a professional illustrator for over 50 years, and his art has delighted and inspired generations. From Star Wars to Indian Jones, and from Back to the Future to Blade Runner - Drew Struzan has played an integral part in shaping popular culture. 

Here’s to you, sir. 🍻

[sanstropfremir]

I’d love your thoughts on BTS and their current image and music if you have them and aren’t afraid of the mindless internet hoards.

Personally, I liked a lot of their older stuff, but haven’t liked anything since I think the Fake Love promotions 3+ years ago. They’d started losing their personality and soul before that album cycle, but it feels like the sanitization of their image and artistry really kicked into hyperdrive after that. Now most of what they do seems like a sterile money grab driven by the Hybe hive mind which is a shame.

ok alrighty (cracks knuckles) let's get into it.

now that i've fully given myself a headache watching the majority of the bts videography, here are three points i'm going to cover:

performative character and the lack thereof

interesting aesthetics and the lack thereof, and

the inevitable cracking of perfection

ready, set, let's begin.

1.

idol music is very clearly definited by spectacle based aesthetics. and it's had that structure for its entire existence. so i gotta hand it to hybe for this one, because they managed to revolutionize being utterly fucking average. the triumph of bts is that they're just some guys and they look like just some guys. hybe found a niche in the system and then gamed that system to the tune of one of the largest musical acts in the world. they're not marketing bts as a romantic parasocial relationship, they're marketing them as your friends. and that is just as insidious to lonely kids as a run of the mill romantic fantasy. but that's not what i'm here to talk about today.

there's a pattern i find very interesting with bts mvs and that is that i don't remember anything about them. specifically, i don't remember the stuff that's happening IN the video; not the styling, not the setpieces, if i didn't know the members i doubt i would remember them either. what i DO remember, is how expensive the production is, and specific shots. i couldn't tell you what a single member was wearing, but i sure as hell remember that first upward angle shot of jungkook and the rusted park ride in spring day. or every single time they do that birdseye shot of jin in like every video. honestly as far as i'm aware jin has only ever worn a loose fitting beige longsleeve shirt.

it took bts a long time to establish any kind of consistent visual character. and the character they did establish.... i don't know if you can call a family-friendly-style clean aesthetic 'character'. they debuted as a hip hop group to little (comparative) success, and then made a switch to doing an early version of where they're currently at right now. if you've seen any of the mvs, you know that this is a pretty significant visual change. i don't think it is inherently a bad change, since the visual branding for hiphop based groups always tips over into iffy terrritory, but it is dramatic enough and early enough that it doesn't strike me as a natural evolution. concept switch ups are common, but they usually work because the members have established a bit of character for themselves, used their performance abilities and presence to fit into a niche in the group. the idol mould is perfect for showcasing the performers; that's its function. the groups that are the most fun to watch are the ones with stage presence, the ones who know how to perform, who can act all the parts they need to play. and bts? 4/7 actual performers on a good day. in my personal opinion it's 2/7.

i'm gonna expand on what i said about jimin here (this is technically the first part of this series), because it does apply to the rest of the group on the whole:

and i think here is where we see the main crux of the difference between taemin and jimin as performers: taemin has both an artistic and an idol persona. we know and understand him to do solo work that has a separate artistic meaning to just him being an idol. even though this performance was pre-move, i would still say this applies, because he's hot off press your number, where he's acting in a story based mv. jimin on the other hand just has his idol persona. he's not known for creating the same kind of storytelling that taemin is.

bts has been very insistent on the image of the group as a single unit. despite having the size of fanbase and the revenue that would make any official solo debut a massive success, none of them have done any substantial solo work. this isn't artistically a problem, and i think it's very admirable of them to be so dedicated to the image and the legacy of the group, when that can be an uncommon trait in the industry. i do however, think it starts to become an issue when we want to discuss what the artistic visions and images of groups are. shinee taemin and solo taemin have two distinct artistic representations, and taemin himself will attest to that. it's the same with all the shinee members that have solo careers, and the same with other groups. jackson, bambam, yugyeom, and jaebeom's solo work is all very different from got7. yixing's solo work is very different from exo's. even the subunits within exo all have their own character (cbx and sc). kpop groups all ostensibly are trained under the same system, so why the disparity with bts? mostly, it's their brand of "authenticity." it's impossible to perform authentically, by the nature of performance as a medium it is unnatural, and tragically, not everyone is naturally interesting, or suited to performing: that's why the performing arts even exist in the first place. it required painstaking training to be good at performing; it is a complex set of skills and those skills are not learnt by "being authentic." being an idol is not just the singing, dancing, rapping; that's only half the work. you need to be able to act to be a compelling performer. pulling your true self and emotions out on stage every night is a fast track to burnout and psychological issues, there's plenty of evidence. the only member of bts of whom i can say for some certainty has a persona and a stage presence is jhope/hoseok, a) because he's kept up a very specific brand in the solo work that he has done, and b) he has actual dance training, not just kpop dance training. the rest of them may have the kpop dance and the kpop vocal training, but what they do not have is the ability to market themselves as compelling performers on stage. taehyung is the only other member i would hesitantly give a semblance of persona and ability to, but i think he stumbled onto that mostly by accident. and if all the pieces don't each have a distinctive colour, how can the whole machine be visually interesting?

2.

bts may never have been able to establish an aesthetic brand, but what they did establish is an intellectual one. if you talk to a fan, the schtick they give is that "it's about the lyrics." as noble as having an intellectual or cerebral message is, what does that look like? how do you portray intellectual on stage, on film? what about intellectual is interesting to watch? cerebral, by it's literal nature as a descriptor, is very difficult to communicate in visual language because it is internal. to successfully communicate cerebrality and intellect in a short form medium like music videos requires a deft hand with metaphor that can elude even an experienced designer. and honestly? i don't know whether to applaud hybe's visual team for being the most successful subtle contemporary designers i've every seen, or to decry them as worst kpop designers i've ever seen. maybe both. regardless, i don't think they're able to cross the gap.

there are exactly four mvs where i actually remember the content of the mv and not the frame it sits in, and those are dna, idol, the singularity comeback trailer with taehyung, and war of hormone. and of an eight year career......that's not very many. these four mvs have at least an inkling of interesting spectacle and character, but even then, it's still a stretch. there is absolutely nothing to write home about in the styling for dna, other than it's well colour matched. I don't even know if I should include singularity because it involves none of the other members. idol is probably their most interesting mv because it actually has alternative styling and varies (at least a little bit) from the standard hybe boom crane shot-that-shows-off-how-we-can-afford-big-studio-spaces-and-locations. the company and the group would be loathe to admit it, but war of hormone is a well designed and interesting mv for the time it was made, with a well crafted gimmick and some actual showing of character from the members. it was the start of a potential that they squashed quite quickly because it wasn't picking up in the hiphop-group-saturated market of 2014. but the rest of their mvs? remarkably uninspired styling. like it's truly impressive how boring the styling is. and like i've said, that is the triumph in their aesthetics: they all look like normal dudes (if you had professional skin + makeup techs looking after them for the last 8 years).

all of this is a carefully crafted image that's tailored to hooking an audience, especially an international one. the mvs are boring in the relative scale of kpop, but they're just different enough from a western pop mv to catch attention. and once you do sink a hook, there's a direct clickfunnel of content that bills itself on these men being "authentic" and "self-producing," which is a huge draw to international fans, because people are racist and believe that the kpop industry is a factory that produces idols like clones, where none of them know how to do anything other than sing and dance and all the music is just handed to them by companies. and they have SO much content that there's no way a new fan can get to it all in a timely manner, so they'll never have to engage with any other kpop artists' work if they don't actively seek it out. but that's another essay for another time.

3.

that brings us to current day, in which at least the last five bts releases have been in the same aesthetic vein of positive, sanitized, and pristine. i said it in one of my txt responses and i will say it again here: money scrubs the humanity from the aesthetic of living. minimalism is for rich white people. hybe and bts may have pivoted their style and brand directly into the lane of mass appeal, but when you pair that with the amount of money funding them, there's a cognitive dissonance between the message and the aesthetics in which it's portrayed. some people do like the clean cut looks, and i won't say that they don't work, but as you've likely gleaned from this response, it isn't my style and if you've been around and reading my writing for longer you'll know that my tastes runs much closer to the messy and the weird, so very little about any of bts' visuals have appeal to me. i do find the contradiction of applying the appeal of radical relatability with the aesthetics of expansive (and expensive) minimalism interesting; it's an extremely fine line that hybe is walking and eventually they are going to tip over, the porcelain mask will not hold forever. maintaining the all ages aesthetic is going to be difficult now that all of them are grown ass men. with other groups of this member age and generation there's very obviously been a shift to a more adult tone, and not necessarily explicitly. got7, mx, nu'est, btob, shinee, 2pm, and groups that have older members like a.c.e and sf9 have all made slow shifts in tone that are undeniably aimed at a maturing audience: they know their core fanbases are aging with them and they (the fans) are not as interested in the 'boy' in boy group. and most of them have telltale visual styles, enough so that i can distinguish a specific group's mv. the last year and change of mx mvs have a very distinctive character; got7 too, since easily as far back as if you do. i can always tell an a.c.e mv by its impeccable fashion and formic styling, and although shinee has always had a more experimental aesthetic edge, their sound and voices are unmistakable.

honestly, i can't predict what bts is going to do in the future, but i personally don't believe they can keep up their clean aesthetic indefinitely without some fallout. part of the fun of following bands is watching them grow musically, and the last couple of years of bts haven't felt like growth. there are fans that have already started realizing it, and there's likely to be more soon.

---

the third part is here, which is a short followup about some of bts' industry influence.

[noel-fielding-web-page]

'Making TV during Covid is like being a hostage'

Noel Fielding on the return of Never Mind The Buzzcocks

As Never Mind The Buzzcocks is rebooted for Sky, returning team captain Noel Fielding reflects on how it – and he – has changed over the years.

What did you think when you heard that they were bringing the show back and wanted you to return as a team captain?

Well, usually I’d be like, ‘Never go backwards. Never go back,’ but I did it for five years and I became really good friends with Phill Jupitus. I love Phill, and we just got on really, really well. So I was half thinking, ‘Should I do this without him?’ I knew he wasn’t doing it. He’s gone back to art school, he’s in Scotland now living his best life.

But the reason I said yes is because I’m such a big fan of Greg Davies and Daisy May Cooper. They’re two of my favourite comedians, they’re two people that really make me laugh. So, I just thought, ‘Well, I know this show and I can’t not do it if those two are doing it, because they’re so good.’

I did Taskmaster, and literally I laughed all the way through it. Greg was cracking me up all the time. I just thought, ‘This is going to be really good. It’s a deadly combination.’

Did you feel any nerves at all sitting back in the captain’s seat?

Not really, but I had to slightly reposition myself mentally, because I suppose when I did it originally, I was much younger. I still feel like I’m 32, even though I’m not. I’m looking forward to the John Cooper Clarke years, where you’re still dressing ridiculously, you’ve got your ski suit on, and your crazy boots, and people go, ‘Oh yeah, it’s him.’

John Cooper Clarke is my hero, he’s still rock and roll, he manages to pull it off. And I saw him on Antiques Road Trip, and I just thought, ‘Well, if you can make Antiques Road Trip cool, that is the coolest thing ever.’

You must miss the social element of the show then?

Yeah, I would love if there was a bit more of a social aspect to it, because I feel like bonding-wise, it’s great if you can all go out and get smashed occasionally, because it just helps.

But I just feel lucky that we can still do television, because of the pandemic, not everyone can do the job they were doing.

You’re up against Daisy, how competitive does it get between  you?

Well, I’ve realised I’m getting thrashed, which is killing me! I think Daisy has a really weird knowledge of Britney type pop music, that I don’t have.

That’s slightly my weak point, is that I’m not big on that kind of pop stuff. I know it, but I just don’t know as much of it.

Daisy seems to know every lyric to every pop act. She knows Bieber lyrics, and stuff like that, which I’m hopeless at. I know Bieber exists, but I know it’s not for me! I think Daisy, so far, has been quite lucky with the guests. She’s had Lauren Laverne, who’s just like an encyclopaedia of music.

But I’ve never been that bothered about winning. I’m always trying to be funny, instead of giving the right answer, or I just have a laugh with my team.

Jamali Maddix floats between both teams, what’s it like having him on the show?

Jamali’s amazing, actually. I’d seen his stand-up and I thought he was really good, but he’s been brilliant on this. He’s quite a good counterpoint to Greg, because he’s coming from such a different angle, of youth, because Greg is always playing the old man card! Jamali is the person that’s going, ‘Right Greg, this is what’s cool. This is what’s happening’, but Greg’s like, ‘I’ve got no fucking clue,’ which is hilarious.

Some people might say that the music scene is not as wild now as it was back in the day. What do you think to that?

I think it’s different. I think that there have been a few guests on who are definitely rock and roll, but in a different way to what was classified as rock and roll, I suppose,. What was quite funny is, there’s a rapper called Aitch, and I don’t know how young he is. He’s very young, 21, 22 maybe. And he was saying that his guilty pleasure was Razorlight, and I was laughing, ‘I used to knock around with Razorlight, wow, my generation are being described as a sort of guilty pleasure!’ It was cracking me up.

The kids are always doing something different, and as you get older, you think, ‘Oh, it’s not as good as my generation,’ but, it probably is, it’s just different. I’m sure I used to say that to my mum and dad. They were very rock and roll, so it was very hard to out-rock and roll my parents. They used to go to see David Bowie, and Led Zeppelin. When I was growing up, the only way I could really rebel was by listening to Adam Ant, and stuff like Duran Duran, which they thought was just pop stuff, because they were the real deal rock and roll.

What’s the vibe of the show this time around?

Well, I feel like because Greg’s in control, it’s a little bit out of control to begin with, and I feel like Daisy’s energy is quite mad as well. And then I’m quite weird! The young pop stars that are coming on, and rappers are going, ‘I was a bit nervous, I thought I was going to get torn to pieces, but actually I really enjoyed that.’

The great thing about Buzzcocks is it’s a place where you can see your favourite bands, or singers, or rappers, or whatever, and you can get to know what they’re like. There are not many programmes where that happens any more.

I feel like we’re giving them space to shine a bit as well. I feel like Greg’s really warm and giggly, but he’s also so funny. Daisy’s a sort of wild card, and I’m quite surreal. And Jamali’s got a whole different thing going on, so I feel like we’re coming at it from loads of different angles.

I feel like the vibe is quite mad tea party. It’s nice, it’s a little bit out of control. I feel like if there were fewer restrictions because of the pandemic, we’d probably be all rolling about together,   where Daisy would be jumping on you, and Greg would be rolling about. I feel like it would be quite a tactile show. One of my big memories of doing Buzzcocks before was being chased around the set by Lorraine Kelly.

I feel like another series would just descend into absolute carnage, definitely. It’s just TV gold, right there.

What have the guests been like?

There’s been some great guests. Obviously, we had Bez and Shaun Ryder, which was fantastic, they’re such a brilliant double-act and such funny characters. There’s been a lot of stuff that we’ve been laughing at, that I’m not sure will make the show. Daisy said to me she really hopes there’s just an extra episode of bloopers and outtakes.

One of the games looks at pre-show rituals, do you have one?

It’s quite difficult now because you’re not allowed to come out of your dressing room until the last minute, so it is like a hostage situation. Then, you do the show, you get bundled into the taxi, and you’re gone. It’s a bit like a dream, it’s like you’ve been kidnapped, and then put in front of a TV audience, done some stuff, shown off for a bit, and then you’re back in the car. You go, ‘Did that happen?’

Apparently, Daisy revealed her obsession with ghosts during filming?

Daisy’s the weirdest person I’ve ever met… She’s so hilarious. I think her cleaner, who came to the show, is a medium as well. You couldn’t really write that, could you?  And, oh my God, she literally loves dancing. She’s always out of her chair, busting moves. I think she’d probably win Strictly if she was ever invited on it. She should definitely do it!

• Never Mind The Buzzcocks returns to Sky Max at 9pm next Tuesday, September 21.

Published: 14 Sep 2021

[x]

[whentheynameyoujoy]

So the ATLA Movie Is... Good, Actually?

Just kidding, of course it’s not, it’s so bad it sucked the paint off my walls. But after ten years of people pointing out its glaring flaws, why would anyone bother talking about this garbage heap if not to go the other direction? So here’s a very brief and very superficial list of things the movie does get kinda... not atrociously wrong.

And they won’t be fake hipster pokes, like “It’s fun to laugh at”, “The Rifftrax for this is OK”, or “Kudos to the actress for managing to say we believe in our beliefs as much as they believe in theirs with a straight face”.

(though now that I mentioned it, it is fun to laugh at, the Rifftrax for this is OK, and massive props indeed.)

Rasta Iroh

Yes, I know it’s not exactly the aesthetic of the real Iroh or that it makes no cultural sense for him to sport this do when no one else in the racebended Indian “OMFG what were you thinking Shyamalan” Nation does but goddamn, long-haired dudes are my one mortal weakness and I will ogle the hell out of him.

Jesus is that a man bun I see that’s it mum I’ve been deaded

Yue’s hair

No.

Now we’re talking. Yue’s hair turned white when the Moon spirit gave her life, so it makes sense for it to go black again when she sacrifices herself to revive the koi fish. It’s a neat detail I find myself expecting whenever I rewatch the scene in the show. Yes, I realize it’d be a pointless hassle to animate since she, unlike in the movie, immediately goes on to become the Moon herself but still. I like.

The Blue Spirit’s mop

Zuko, hun, what’s with the dance-off?

First of all, I want to imagine that Zuko the Theatre Nerd was about to leave his ship with just the mask like in the show but then stuck his head into the cleaning cupboard and went, “Yeah, more coverage might be good, even though it do seem mighty fried to shit”.

Which makes me giggle. I like to giggle.

And secondly, the hair’s movement is what makes the static mess of the Blue Spirit’s solo fight scene appear at least bit more dynamic because God knows the cinematography isn’t doing it.

Any particular reason why it’s at the edge of the action, shot all boring-like?

Now, I get why circular shots would be reserved for Aang while he’s in the practice area and then used once the two join forces. What I don’t get is why Aang’s part of the action scene has a defined visual style while Zuko’s delegated to a few stationary wide shots from afar as though he’s a tertiary goon, meaning that when the time comes to combine the respective pieces of cinema language and visually convey collaboration, there’s not really much to combine.

But as long as Zuko is stuck in this static mess, it’s that awesome disaster on his head flopping about that draws the eye, helping me understand that something even is going on over there.

It also prevents me from paying much attention to how the extras are mostly just staying put and a lot of the hits don’t land, so that’s good.

The music slaps

James Newton Howard is too good for this.

Pls ignore that the word “gods” is used in the ATLA universe

I can’t be the only one who constantly uses this piece to daydream about writing specific fanfic scenes instead of, you know, actually sitting down and writing them. It’s just so good at communicating a sense of sorrow while speaking of rebirth that I find myself getting misty-eyed whenever I listen to it. Unfailingly, the soundtrack as a whole manages to break through the mile-thick crust of horrible acting, confusing writing, and uninspired cinematography and make me feel things. And considering how everything on screen is working against it, that’s no small feat.

Imagine what a powerful experience it would be if the score was used in service of an actual movie.

Dev Patel

No wonder since he’s the only one in the film occupying that crucial intersection between “is a good actor” and “was given something to work with”. It also doesn’t hurt that he breaks with the trend of actors starring in martial arts flicks despite never having done any martial art.

And all EIP-jokes about “stiff and humorless” aside, he’s a pretty decent Zuko considering how abridged this version of the character is. A while ago, I remember hearing a reviewer say that with his comedic chops, Patel should have been cast as Sokka. And on one hand, yes, god, absolutely, I need to see that asap. But on the other? He captures all layers of Book 1!Zuko, the desperate obsession, rage, and self-loathing, and at the same time gives you a peek at the soft momma’s boy dork that’s buried underneath. For Christ sakes, he exudes intensity and ambivalence even when acting against an emotionless hunk of wood that’s giving him nothing in return.

Oh, and I guess there’s a tree in the frame.

Ba dum tss

What can I say, the guy’s good.

Showing vs telling

OK, so this movie is all tell and no show, except for one single moment. And it’s the exact moment where the original goes in the other direction in terms of how information is conveyed.

See, I never liked this. The revelation is preceded by Iroh giving advice to Zuko who scolds him for nagging. Iroh then apologizes, moves in to say the line above, and is interrupted by Zuko who seems rather uncomfortable with Iroh laying his feelings out like this. And once they’re out, Zuko verbally confirms that he knew already and Iroh didn’t need to bother.

All this extraneous information and pussyfooting ends up weakening what should be a profound scene that reveals to us, the viewers, how deep the relationship between these two in fact runs.

Compare to the movie where Dadroh acts like a parent by fussing and worrying, with Sonion needing a single look to tell him and us that he understands what it’s all really about.

It’s genuinely efficient and just good.

No Cataang

Fine, a bit mean-girl bitchy from me since I only start minding the ship in Book 3. And probably unintentional on the part of the creators since there are moments where I think they’re trying to set the romance up? There’s a, well, an attempt to recreate the famous introductory shot of fateful meaningful destiny of meaningness, there’s some slight note of saving each other’s bacon going on, I’m pretty sure they’re the only ones in the film who smile, and oh, right, Katara’s shoved into her post-canon useless role where she doesn’t ever do anything, and is all about Aang right from the get go.

Yes, I will blame the “executive producers” because a) I’m incredibly petty, and b) it’s perfectly in line with their vision of the character so why the hell not.

Hilariously, none of it reads on screen because the actors are just... yeah. These poor kids are struggling so much with delivering their own lines and portraying their own characters they don’t seem to have any strength left to create something between them. To be fair, the bare-bones shot-reverse shot style of their scenes doesn’t exactly lend itself to the idea they occupy the same universe, let alone are friends or each other’s crushes.

And I enjoy this immensely because it allows me to forget the depressing horror show Katara’s life turns into post ATLA.

Yes Zutara

I need to delve into this because it’s fucking hilarious. So in a movie which fails to establish the original’s central romance so spectacularly that if Aang got lost in a crowd I don’t believe Katara would notice, SomEOnE thought it’d be a good idea to add an utterly unnecessary non-canon moment where Zuko for some reason feels the need to pause his character-defining hunt for the Avatar which otherwise has him ignore everything and snap at everyone, and explain his central conflict to an unconscious peasant he doesn’t know, complete with gently pushing the hair from the pretty girl’s the soulmate’s the Water Tribe Ambassador’s the Fire Lady’s the love of his life’s her face away, AFTER his uncle nagged him twice to find a girl and settle down.

I just wanted to make sure we’re all on the same page and this is what we really saw.

Celibate Avatars

I have no idea why the decision was made, if TPTB thought expecting viewers to understand the story through the lens of Buddhism would be too much, or if the “executive producers” already worked their retconny magic. What I do know, however, is that there’s a big shift in worldbuilding and Aang’s struggle with his role as the Avatar stops being a personal conflict defined by a) his grief for Air Nomads, b) his notion of being robbed of the loved ones in his life, and c) the selfish attachment to Katara he confuses with true love. Instead, what he has a difficulty to accept is apparently a general notion of who Avatars are supposed to be, i.e. a fantasy version of Catholic monks, no family and worldly relations, period.

I guess either someone understood the original’s portrayal of de/attachment as “hermit no freaky”, or thought the audience would so why not go there outright.

Now, do I like this on its own? No, God no, it makes the world infinitely poorer and changes the story from an exploration of ideas which aren’t all that ingrained in the West, to a cliché tropester about a Catholic priest going Protestant so that he could be with a girl.

At least I assume that’s where they were going to take this eventually.

I mean, I think the direction was “look conflicted, this isn’t the final stage of your journey”?

But consider this—the show went there, it built on the concepts of Eastern philosophy and touched upon the ideas of spiritual awakening, only to swerve in the end and strongly imply they’re bullshit and Aang should have never wasted his time with them.

So honestly, I much prefer scanty worldbuilding to an insulting retcon by a damn rock.

Multiracial Air Nomads

Probably the most substantial “no hint of irony” point on this list and a genuinely good addition to the universe’s worldbuilding.

See, the notion of the elemental nations being perfectly separate and never mingling before Sozin has always been sketchy but it’s especially ridiculous in the case of airbenders. It never made sense to me for all airbenders to be Air Nomads and for all Air Nomads to be monks and for all monks to be chilling at the temples all the time to facilitate a quick everyone-dies genocide should an imperialistic warlord ever decide to commit one.

Because committing everyone to a single way of life at a handful of places kinda goes against the central philosophy behind airbending. Like the freedom and nomadism part.

Instead, there should be more variety to the airbending culture, with some staying at the temples as monks, hermits, and teachers while others live as nomads, travelling the world and creating more airbenders, with the resulting children in turn being influenced by the non-airbending cultures they grew up in.

And thus, not only should airbenders not be modeled after a single culture to create a one-size-fits-all lifestyle, but they should have the most diverse and dynamic culture out of the four nations.

And it’d be precisely this diversity which would pave way for an eventual reveal that some of them survived, that their complete extermination is impossible.

Because they’re everywhere.

You know.

Like air.

[ot3]

hey, i know you've talked about how part of the unique way QM is constructed comes from you not liking comics much but seeing it as a way to convey stories through illustration before, but as someone who relates to that, i'd like to ask if there's any piece of media (in comic form or any other medium, really) that breaks up the standard format of its respective art medium you enjoy/draw inspiration from when designing visual elements/composition? (its cool if there are none/you just don't feel like answering it btw i don't wanna bother)

i'm an animation enthusiast first and a human being second, and i was actually studying to eventually go into animation before i got too sick to stay in school, so most of my inspiration comes from there. probably only a couple surprises in this list but nonetheless ill go over my main inspirations

obviously into the spiderverse is the first and immediate thing i'd list for stuff i find inspiringly format-breaking of it's medium. in a way, what they're doing there is the exact opposite of what i'm doing - they wanted to make a movie that invokes reading a comic book, but i'm trying to draw a comic that feels like my favorite animated media.

the compositions and color design in spiderverse is the best in the game with almost no competition but i like the way they invoke paneling at key moments to show multiple things concurrently on the same larger frame and that's definitely part of what i've invoked

ethe revues in revue starlight are also some of my favorite bits of compositional work. they have these fantastic setpieces that they user to frame the fights and theyre all chock full of meaning and characterization, with the bonus being that since fight scenes happen rather fast the comps all have to have a very strong initial read.

like wow!!! just look at these!!! such beautiful stuff! i'll never get sick of watching them

and even if the show itself has no interest to you i really think everyone should watch the revues theyre sick as hell.

stole these screenshots from a medium article because i could so easily get distracted combing mob psycho for screenshots right now but mob psycho has a ton of fantastic compositions, a really fun blending of art styles, and a willingness to warp physical space for more interesting shots that make it one of the best looking animes of all time. 

cartoon saloon’s films (secret of kells, song of the sea, etc) are also a master class in shape language and geometric compositions. they’re unparalleled when it comes to heavy shape language over realistic perspective in animation. also the most effective use of intentional tangents in character design i’ve ever seen.

samurai jack was also DEEPLY formative for me in childhood. most of the screencaps i can easily find are from the newest season which i never actually saw, but the show has always had strong shapes, strong colors, and strong comps.

there’s also books my parents read to us as really young children that ABSOLUTELY left an imprint on my psyche

graeme base’s eleventh hour was one of my favorites because the whole book was this mystery about who ruined this fancy animal party and there were coded clues hidden in the book in the illustrations or their decorative frames. just really fun, whimsical, and detailed drawings

jan brett’s childrens books were always really cool as well, with their decorative borders that had other story elements happening in them alongside the main illustration. 

i spent a lot of time poring over these as a kid

then something i’m realizing now as i write this post is that my love of just drawing a ton of objects cluttering a drawing as a means of storytelling definitely stems from the i spy books. 

like these are all just DELIGHTFUL! theyre so much fun to look at and theyre literally designed to have you pore over everything. they’re devoid of life and motion, completely static, but still so alive and vibrant and dreamlike despite that. they absolutely beg your imagination to run wild thinking of where these objects might be and what they might be doing together and what it says about the imaginary person who owns them. i really just think theyre fantastic. maybe i should go buy some i spy books... im honestly kind of feeling it rn... id hang these up as prints i love them so much.

this one’s a bit of a pull but i really enjoy the illustrations from the card game dixit for similar reason. dixit is one of my favorite games, and the way it plays is you have to describe, narrate, or caption these abstract illustrations in a way that gets some, but not all of your fellows players to accurately guess what card you’ve played. all of the illustrations are rather simple with only a couple of main visual elements happening every time but once again, the elements are whimsical and dreamlike and offer a ton of depth in the story you can imagine around them. 

overall i think all of these things combined do a decent job of building up the underlying philosophy that dictates the way i draw, which is that everything should read very clearly immediately, but have enough detail, intrigue, or elements less grounded in reality that it invites a lot of speculation about the supposed narrative you’re being presented, or the artist’s intent. all of the stuff i’ve linked here you can tell what’s generally going on very quickly because the visuals are very well constructed and pleasing, but then there’s a ton to unpack in these clean visuals once you get down into the detail or concepts.

this definitely got long and self indulgent but i hope it gave you something to think about!

[literaticat]

What do you feel makes for a really excellent picture book?

I mean - I could probs give a semester-long class about this? Uh... in a nutshell? In MY opinion?

A really excellent picture book is a perfect balance of text and art, each enhancing the other and bringing extra to the table.

THE ART

The art is NOT just a straight-ahead visual representation of whatever the text says*, but is rather giving subtext, telling its own jokes, putting a spin on the text, etc. Maybe the art is literally showing the OPPOSITE of what the text says to hilarious effect -- or is invoking emotion in the reader in much more subtle ways, by use of a well-chosen color palette, and the angles, perspective, light and shadow that the illustrator utilizes.

In illustration, just as in film, the placement of the "camera" and the way you light and shoot the scene changes everything. Think about the way Francis Ford Coppola would light and shoot a scene of a woman sitting on a bed in The Godfather. (Probably sepia toned, a muted room that evokes luxury but no detail, a medium shot of her face with a focus that allows us to catch every play of emotion, framed in such a way that she looks boxed in and claustrophobic) - Now think of how whoever at Disney would shoot a scene of a girl sitting on a bed in a Disney Channel Comedy. (A wide shot of a bedroom with lots of fun details, bright colors, light streaming in, a smiling red-haired kid playing on her bed while a golden retriever bounds around the room.) Now think of that same room and same girl, but she just found out her mom died. (The colors bleed out of the room, the light coming in is muted and cold as in twilight or a rainstorm. We are close-up on the girl in the foreground, who is burying her face in a pillow - background details are not visible but maybe the dog is trying to comfort her)

In all these instances, the elements are the same: female human. bed. bedroom. seated. Could you mistake one for the other though? NO! Do they evoke totally different emotions? YES!

THE TEXT

Meanwhile, the text gives the illustrator room to breath and play. Ideally it is charming on its own (either just-plain funny, or emotional/lyrical, or clear and informative -- whatever the case may be). But also, the author must use care not to spend time describing things that there are already going to be pictures of, because there is NO room for extra verbiage in a picture book.

I'm sure I have said this before on the podcast or something, but basically - think of a picture book as a very small, VERY brightly lit stage. Some amazing miniaturist has decorated it to perfection, each and every tiny curlicue or piece of molding has been especially chosen, it's gleaming like in a museum - but wait, somebody leaves a random balled up paper in the corner. THERE'S NO PLACE FOR THAT. It may be a small ball, but it just ruined the effect. And now I can see that there's a cobweb over there. Ugh. That ball of paper? That cobweb? Those are each words that don't belong in the book. The smallest word can really mess up the whole thing.

It's very hard to write a picture book! I know lots of absolutely brilliant writers who cannot do it. And MANY (most? all?) people who ARE good at writing them - still work incredibly hard to make them just right. It makes my blood boil when people either look down on picture books or think that "anyone" could whip them out because "it's so easy" -- like, no. If it is really good -- it isn't easy. If it was easy -- it's probably not good enough.

(* Obviously for things like "concept books" that might be the case, but I don't consider baby board books to be true picture books in the sense I'm talking about.)

[masqueradeball]

How about number 3? Like, tell us all about it if you want :)

Oh my gosh 🥺 thank you so much for giving me my first ask! 💖 I'm eternally grateful I get to spill all my pheels out.

3. What is my favorite Phantom tv/film adaptation?

My absolute favorite Phantom is the 1925 Lon Chaney silent film. He just embodies everything that I like about Gaston Leroux's Erik for me and he is both horrifying and pitiable. I dislike the ending but I can live with it given it's what test audiences wanted at the time. I truly love his Red Death costume. You can find it on Youtube and the Tubi app for free.

My first runner up would be Claude Raines in the 1943 because his Erique so soft and tragic in that film I cannot help but love him. This was one was my grandma's favorite 'classic monster' movies that she loved, so I have a special place in my heart for this one. I love his hair and appreciate that he was one fine silver fox before the revenge and jealousy issues set in. The opera parts are a little boring, but the costumes and the sassy diva rival to Christine are worth the watch. We get 2 handsome Raouls who end up going to dinner together at the end of the movie and a Christine who gets to bask in the limelight of her career while not choosing any suitor, which is the best possible outcome for her. Double play for the win in my book! You can watch it for free on the Peacock app.

My next runner up is a 3 way tie between Robert Englund, Gerard Butler, and Charles Dance.

I honestly enjoy all their performances because they each bring something unique to the role.

I cannot stress enough how violent the Robert Englund version is if you want to give it a go, but Erik Destler is insane, twisted, and fabulously murdertastic in this. I love the creepy, evil vibes the man gives off. Think of this film as a time travel AU of the original novel. I feel like he nailed Leroux Erik's darker, snarky personality that some people tend to forget he had and the gothic horror parts of the original novel are there. Bonus: they keep the Faust parallels like in the novel!

I'm gonna say it: I love the Charles Dance miniseries. I know it's not the best, but damn, he is so dry and sarcastic I cannot help but enjoy his performance. I want to pinch his cheeks and smother Cherik with the love his father never gave him everytime I see him. Again, this one focuses on the operas a lot, and for me it's a bit boring. But the backgrounds, settings, and props in this thing are fantastic and the costumes are wonderful too.

That leaves Gerard Butler in the 2004 movie. No he is not the world's greatest singing Phantom, but I don't care. I absolutely love his facial expressions and body language. The Phantom is an emotional, expressive dude and the Red Death costume scene is pretty good. I love how kind and sincere Emmy feels in this film and I appreciate she's not overracting and doesn't feel fake compared to some other Christines *coughSierracough* Being the film version of the ALW musical, this Phantom story focuses on the romance and Gerard excels at that. When he and Christine are singing Past the Point of no Return, I FEEL THEIR PASSION! And that's what counts more so than hitting the same notes we've all heard a million times before.

Now for the versions in the 'I will eternally like this' category 😊 :

The Phantom of the Paradise from 1974. This is also a very violent and dark film so fair warning if you haven't seen it. It's a bizarre rock musical, but if you're weird like me and enjoy Rock & Rule or the Rocky Horror Picture Show, this might be a film you'd like too. I don't want to spoil it too much but the Faust/devil parallels are here too, as is various pop culture references. His teeth and mask are terrifyingly cool, and so is the electronic voice box he uses. It makes sense Daft Punk was inspired by this film. Maybe G1 Soundwave was inspired by this film too, but that's a debate for another day 😉

Next is the animated 1988 film. This one features animation on par with other 80s tv cartoons of the time. I love that they kept the Persian and the torture chamber from the novel. The Phantom's death scene is pretty damn epic. Christine is kind of a flake, but animated Leroux Erik is hilariously insane and terribly charming, especially when he calls himself a Don Juan. It's worth watching just for his antics and his dialouge.

You might not expect a Goosebumps episode to do a Phantom story any justice, but here we are: 1995, The Phantom of the Auditorium is a spooky fun take on the story and honestly, I'd like to see the full play the kids at that school are putting on cause it looks better than some of the live Phantom stage scenes I've seen. Both young boys playing the Phantom are fantastic actors and the plot twist at the end is great.

I absolutely have to give a shout out to Wishbone's Pantin at the Opera. He is the best, cutest, most adorable Raoul de Chagney ever and I will fight you if you dare talk smack about this version. I'm not even a Raoul stan by any means but like, this dog is precious and I enjoy this episode so much.

Also in the animated category and cute dog category is Scooby Doo Stage Fright made back in 2013. This movie is one of my fave Scooby Doo films (yes I own almost all of them on dvd) and there are multiple Phantoms, a reality tv show contest, and Fred and Daphne finally kiss each other! Lots and lots of hidden Phantom references in the background and lots of voice acting talent for those of us who appreciate that.

Now for the versions I intensely dislike 😏

The 1962 Herbert Lom version. UGH where to start. The sets are so small and everything looks dirty and of the wrong time period. The color in the film looks washed out. The clothes look too modern somehow (maybe it's their hairstyles?) and it bothers me. It feels low budget in a bad way and it shows. This phantom is not likeable or pitiable even though his backstory is similar to the Claude Raines version. He has no romantic interest in Christine, so it feels off. This guy is such an old a$$ piece of sh*t, he literally slaps Christine as she's singing for him for no damn reason. His paper mache mask looks like a Kindergartener's botched art class project. His personality is like somebody locked up cranky grandpa in the basement and he's PMS-ing because y'all forgot to give him his daily prune juice. This squatter's lair lacks creepiness, and his bizarre sidekick is annoying and yet somehow more interesting than the Phantom. The pervert manager trying to bang Christine aggravated me and simultaneously made me want to vomit. Raoul is the only likeable character in the whole damn movie. The Joan of Arc opera scene makes up for some of the film, but it's still terrible.

Next on my meh list is the 1983 made for tv movie starring Micheal York and Jane Seymour. Now, this one has some likeable and applaudable scenes: the various murders and general creepiness of the Phantom, and the lair scene when she wakes up in his bed and the Phantom gets all up in her face is so intense and so Leroux I absolutely love it. The rest of the film is a jumbled hot mess at best, but Jane Seymour is 🔥 and she gets some damn good sex, so hell yeah to that!

And lastly, I do not like the Royal Albert Hall 25th anniversary recording. I should preface this by saying it is Sierra I don't like. I like Ramin, I love Hadley, everyone else is wonderful but I cannot stand Sierra. She tries too hard to make Christine a Disney Princess- and that doesn't fly with me. It comes off as insincere or mocking the source material at best, and at worst it makes Christine look like an airheaded ditz. Apparently Sierra played Ariel at one point which is hilarious because of all the Disney princesses, I dislike her the most. But that's a different rant for another day.

And finally, the one I hate most of all:

The 1998 Argento film. This is the worst Phantom adaptation I've ever seen. It is a whole lotta nope for me. Between the rats, the unecessary and pointless telepathy, the r*pe scene, and the unfunny weird vibe from the murder going on in this film it's a disaster from start to finish. Honestly, it's the rats and his hair that bother me from a visual standpoint alone and it's beyond disgusting the way this a$$🤡 treats Christine. I don't like any of the characters in here and for good reason. It's not worth watching and if you do, be ready to bleach your brain afterwards.

💖 Sorry if this was a long read! Thanks again for giving me an ask and I will cherish it forver!!!! 💖

[officialwittek]

pt. 4

*gif is not mine* 

word count: 2,101

Ever since my little conversation with the girls I haven’t been able to really be myself around Jeff. Now I notice the side glances, the lingering touches on my thigh, the way his breath hitches when I get pushed a little too close to him at parties, and everything else I haven’t noticed before. My friends were adamant that he liked me back but I couldn’t see it. Slowly I distanced myself from them, for one my manager thought it would be a good idea to release some new music soon so I was extra busy and I can’t really be around my friends without feeling like my heart is going to explode. Of course they started noticing and not a day went by where I didn’t get texts from at least three of them asking where I was and why I stopped coming around. Even Jason and Josh dropped my apartment to make sure I was still alive.

Three weeks have gone by since my sleepover with Jeff. We still talk but not as much as before. Carly and Natalie were constantly calling and texting and I truly felt bad, but it would seem like such a bullshit excuse to say it’s because of my crush on Jeff.

“Sage, this is... this is real good work. I’m thinking we finish it up, and be set to release it in two weeks” James, my manager, said listening to to the final of three of the songs

“Thanks dad, I think today we’re recording the last song. I’ll email you our final version by the end of the day” I reply, he ruffles my hair and nods, leaving for another meeting while the producer and I talk about the last track

We record for about four hours, fine tuning every last detail. After the two of us finally felt good about it we sent the file to James who also gave the approval. We sent it in the the higher ups who also gave us the ok. All the promotional pictures were finished, we had an album cover chosen, now to put it all together and make this my first serious piece of art. After the long morning I decided to head straight to my apartment. I wasn’t particularly hungry anyways. I parked my car and took the elevator up to my apartment.  

I noticed shushing and brushed it off, thinking it was just Carly and Erin messing around. I unlock the door and see all of my friends crammed into this fairly small apartment. No one had their cameras out and they all had their arms crossed I sighed and put my things down before shutting the door.

“Before you even say anything. No I’m not on drugs, I don’t hate anyone, and I actually have been working on my music. My first EP is coming out in a few weeks” I explain, their faces relax and Carly walks up to me

“Don’t you ever try to ghost us like that again. We hated it” She said, wrapping her slender arms around my shoulders and I nodded, our friends came around and we all had a sweet group hug

“Well a congratulations are in order. I think we should celebrate tonight” David says, laughing loudly

“Fine, I’m stealing a Red Bull from your fridge though” I say, we all go downstairs and I finally notice some of their cars parked there

We all head to David’s house and I grab a Red Bull. We all sit in the living room. Filming dumb bits and getting ready for tonight. David wanted to throw it at his house since he wanted to keep it relatively small. Natalie, Carly, and Erin went to stock up for the night, asking me about all my favorite things. It took about an hour and a half for them to come back. Everyone helped get things from Nat‘s car and set up. We were finally ready and decided to start drinking before everyone got here.

“May Ilya and Zane stay away from the hospital. Amen” I yell, all of them cheering in response as we take our shots

After a few rounds of shots I was already pretty tipsy. I sat down at the couch, answering a few congratulatory texts from others. I talked to a few of our friends here and there. Jeff was nowhere to be found. I frowned a bit, but who can blame him? After all, I’m the one who made the decision to not talk to him.

“Do you think we could get a sneak peak?” Jason asks, taking a set next to me but I shake my head

“I want to keep it a complete surprise. Plus I’ve been thinking about having a release party and showing everyone there” I said, Jason actually thought that was a much better idea than just playing it

We made small talk here and there, apparently Wyatt has been dying to see my new studio. I loved Jason’s kids like they were my own family, especially since Wyatt and I have such a love for music.

“I’d love to have Wyatt at the studio. He can even record some things if he wants to. I know how to produce as well” I said, Jason damn near cried at the suggestion and we set a date

“Someone looks a little sober” Zane yells from behind us, I laugh and allow him to take me to the kitchen where the others were taking shots or making their best interpretations of different cocktails

After sampling everyone’s horrible attempt at a blackberry mojito it’s safe to say I was one shot away from exiting the physical realm. Especially since Zane decided it was appropriate to just dump nearly an entire bottle of rum in the drink. After a few minutes Todd headed to the door and let someone in. I heard the familiar accent and my heart dropped to my stomach. Jeff is here.

To be fair, I’m probably the only one who really cares that much, especially since I’m drunk as hell and I have a crush on the dude. I try to run and hide in a corner but there’s a lot more people now. I finally see an opening and head straight for the backyard. Thankfully no one noticed because Zane was too busy doing something extremely dangerous. I sit in one of the chairs we reserve for smoking, hitting my puff and scrolling mindlessly through TikTok, trying to get the thoughts out of my head. I hear the sliding door open and look up to see David.

“Alright what’s wrong? You look like we threw a party because we killed your dog” David jokes, my lips spread into a light smile

“Nothing, I’ve just been so exhausted lately with everything going on.. that’s all” I lie, I mean I’m not really lying, just not telling him the whole truth

“So it has nothing to do with Jeff showing up and you’re definitely overthinking and avoiding him even more. C’mon I’ve known you for forever, you can’t lie to me” He replies, his tone suddenly being serious

And it’s true, I’ve known David since I moved out here. He was my first real L.A friend. He’s seen me at my absolute lowest moments, and someone I could always go to whenever something was wrong. I hated that he could read me like a book.

“Fine, the Jeff thing is a contributing factor. But I’m being honest about the exhaustion” I say, crossing my arms like a child

We sit and talk, something we haven’t done in forever. It felt nice to have someone listen to me. After about half an hour of just talking we decide to head back inside. I felt too sober again and took some shots with Natalie and Toddy. I could feel Jeff’s eyes glaring a hole into the side of my head, but I was too sober to deal with anything right now.

At around 1:00 am. I got hungry and ordered DoorDash for everyone. All the other guests had left so it was just our main group scattered around the house. Jeff was surprisingly still here. Todd had whispered to me earlier that the only reason he was sticking around this late was to make sure I got home alright. I smiled at the sentiment, he was always making sure my drunk ass was safe.

Our DoorDash arrived and we all ate while watching some movie David found on Netflix. Jeff took a seat next to me, the look in his eyes was telling me he was going to ask for my permission so I simply nodded and scooted over so he could be comfortable. After we ate David wanted to get some last minute bits before we left for his vlog tomorrow.

“Jeff are you attracted to Sage?” David asks, my breath hitches in my throat, making me choke on my water

“No, I’ve blocked her out. Since she’s part of the friend group I don’t want to make anything weird” He replies, I can tell the answer even made David a little upset

Jason makes a joke to lighten the mood before there’s any tension which I greatly appreciate. Although Jeff’s words struck a cord, while I sit there repeating what he said it hits me. He’s right, I can’t guarantee that if Jeff and I were together that it would be for life and I can’t lose my second family. He’s right, it would never happen. Before I know it I feel my eyes watering and Natalie gently grabs my hand before leading me to her room with the rest of the girls in tow. When she closes the door I finally let it all out

“It’s ok princess, let it out” Mariah says, the girls wrapping me in a group hug

“It’s so stupid, we’re best friends before I let this stupid ass crush ruin everything but just hearing him say that out loud made it so much more concrete that we will never be together” I cry, resting my head on her shoulder

We have a little talk and I clean myself up before we all go back outside. At that point  David was done filming and was looking through the footage on his camera to pick out some clips. Jeff was waiting patiently on the couch before Corinna spoke up.

“Hey Jeff, I’m gonna take Sage home. We have some plans tomorrow and it would just be easier if I stay over” She says, it’s sort of true, Corinna has some meetings in the morning and they’re closer to my place but she isn’t staying over

“Oh ok, I should head out then. I’ll see you guys later” Jeff says, saying his goodbyes and leaving

“So was anyone else uncomfortable with Jeff’s answer or was it just me?” David asks, the group agrees, it’s definitely in his right to say that I mean no is mad

“Yea, I wasn’t mad cause it’s his own opinion and Jeff is a big boy, but he seems to sort of lead you on for him to turn around and say that he doesn’t even see you like when we ask him about Natalie and Corinna” Heath replies, everyone nods in agreement and I just sigh

“I’m not mad, I mean I have been sort of ghosting everyone these past few weeks, maybe he’s just upset” I explain, Heath and Todd give me the look

“Baby that’s bullshit and you know it” Heath laughs, Todd agrees with him and taps my leg

“To be honest, he was very stressed out while you were gone” He says, I know he’s trying to make me feel better but it doesn’t really help

Corinna and I leave shortly after we have our little group talk. We caught up during the car ride and before I know it we’re at my apartment. We say goodbye and plan to meet for lunch tomorrow before I head up to my apartment. I knew Carly was probably fast asleep so I tried to be as quiet as possible.

I get ready for bed and climb into my warm blanket, wrapping myself like a burrito. I browse TikTok on my phone for a few minutes before setting my alarm. Just before I let sleep take over my phone buzzes on my nightstand.

Jeff: I missed you.. I’m sorry for being an asshole tonight. I had no idea that I was leading you on, but I didn’t know you had a crush on me..

Fuck.

[thesschesthair]

Time and space: Actor Colin O’Donoghue

The star of hit television show Once Upon a Time on living between Ireland and Canada, his pizza oven and the importance of having a sharp knife

Home will always be Ireland. When I was filming on Once Upon a Time, the television series in which I played the character of Hook, for six years, I spent about nine months of each year in Vancouver. My house in Ireland [where he lives with his wife, Helen, and two children] is in the countryside, not far from the Irish Sea. It used to be the postmaster’s house and is like two houses connected by a glass box. So, there’s the older side of the house and the newer one.

How did you find the house? My dad used to be an estate agent and, when we were trying to find a place, he advised us to take a look at a lot of properties. He said: “The house will let you know if it’s the right one for you.” As soon as we came in here we pictured ourselves having coffee and breakfast and all that kind of stuff. We loved everything about it.

Sometimes an older house needs a lot of work, but we bought it as-is from the previous owner, who worked in interior design or architecture and had renovated and extended. I like to do DIY but, because I was filming in Canada at the time, we just didn’t have the time to think about renovating a place or even building our own. We are lucky that we came across this, and absolutely adore it.

How would you describe your decorative style? It’s sort of mismatch. I like antiques, so we have a lot of older things. I’m a sucker for limited-edition things and I’m crazy about guitars — I used to play in a band and love the look and shape of them — so there are guitars around the house.

I really love art, too — I was going to go to art college at one stage. I buy pieces that speak to me. I don’t like one specific style, it depends on what I’m getting from the piece when I see it. I appreciate that somebody has taken time and effort, really thought about and put their emotions into a work. If I see something I like, I’ll pick it up from wherever we are filming. I just had an original piece of native art I bought in Vancouver framed.

Where do you spend most of your time? In the kitchen to be honest, pretty much the same as every Irish family. We have a back room that’s slightly bigger, so we spend a lot of time in there, too, and light the fire on cold days. It can be very cosy.

What was your worst house experience? I never had one. I moved in with my brother, when I moved from Drogheda to Dublin to go to college in the 1990s. He is older than me, was working and was sharing a house with a couple of his friends. They were between four and eight years older than me, they all had jobs and it was a nice house. I was lucky in that respect. I’m quite clean, not obsessively so, but I don’t think that I’d be able to stand being an absolute squatter. I’d have to tidy up.

Do you garden? We’ve been growing some vegetables with the kids in the garden since the start of lockdown which has been great. They get to see it grow and water them each day. It is a really nice thing to do.

What kind of gadgets do you have? My favourite gadget at the minute is an outdoor pizza oven. I don’t know if technically it’s a gadget, but I pretty much use it every week. I’ll make my own pizza dough and pizza sauce. It is wood-fired, so you have to do the whole ritual of lighting the fire and waiting for the pizza stone to heat up. I just got a wood smoker, as well, for smoking large chunks of meat.

What items would you take with you if you had to move overnight? It probably would be the pizza oven because I absolutely love making pizzas. There’s one painting that I would definitely take. Anthony Hopkins painted it and gave it to me when we filmed The Rite, my first film, in 2010.

Is there anything you travel with that makes you feel centred? I always take a photograph of my family. If they’re not travelling with me, I put it beside the bed, just to feel like they’re there. The last couple of places I’ve rented while on location — we filmed my latest television series The Right Stuff, in which I play American test pilot Gordon Cooper, over five months in Florida — have had terrible knives. It’s important to have a really sharp knife in the kitchen. How do you cook with blunt knives? If I’m going to be there for a long time, I’ll probably buy a sharp knife.

O’Donoghue stars in The Right Stuff, a television series based on the Tom Wolfe book of the same name which charts the early days of the American space race, available on Disney Plus

Link: https://www.thetimes.co.uk/article/time-and-space-actor-colin-odonoghue-5nnd3m2zm