#I’m giving it time but we’re at the end of s2 and it can do better!

[poebrey]

I need snw to do better with diversity just so I can stop seeing the dudebros calling it the not woke star trek

[miedei]

nonexistent rizz

the team is shocked to see that… early seasons!spencer pulls?? and he has pulled????

(aka, the team discovers that early seasons!spence has a girlfriend)

a/n: first cm fic!!! super indulgent, deffo way longer than it had to be but I don’t care, I love love love the dynamic of the s1/s2 team and I NEEDED to write it

cw: alcohol consumption, reader referred to as a woman, reader is around spencer’s age in s1/s2 (23-24), completely inaccurate early 2000s technology i think, cuties being cute, not edited in any way

wc: 2k

part two

(reblogs are the only way to promote fics on tumblr! please reblog if you enjoyed it :) )

mlist

“‘O Keefe’s! My wonderful, wonderful sweethearts, we are going out!” The moment the team steps out of the elevator, Penelope is bombarding them, hands moving wildly as words seem to tumble out of her mouth. “And yes, Hotch, I am sure we have no cases lined up yet, and yes, I’m sure JJ can corroborate that the moment she gets to her office and no, you may not stay behind, tonight is compulsory. That stands for you too, Gideon!”

Hotch hasn’t even opened his mouth, shaking his head in defeat as he takes in Garcia’s determined face. Under the watchful eyes of the team, his shoulders slump, a tired hand scrubbing down his face. “Fine. We all have to finish our reports, but if we’re all done in half an hour, we can go. Gideon?” He turns his face, hoping for Gideon to find a way to bunk off, but there’s a glint of amusement in the older man’s eye. “Sounds like there’s no getting out of it.” With that, he walks off, to his office. 

Penelope whoops excitedly, “Okay! That means we’re all going! That’s the first time since Gideon came back,” but her face sets slightly when she meets Spencer’s eye. “No. No, Baby Genius, you will not do this to me,”

“Garcia, I have pl-” “No! You are coming out with us, and we’re going to have a great time, and whatever Russian indie film you were going to watch will still be there for you tomorrow. Okay? No more complaining, baby, you know I won’t listen.” With a pat on his shoulder, she flounces off. Defeated, he doesn’t move from the elevator area, shrugging helplessly when Elle, JJ and Morgan brush past him to the bullpen. 

With a sigh, he takes out his phone, pressing his newly-programmed speed dial and bringing the phone to his ear. From Derek’s vantage point in the bullpen, he can see Spencer, pacing back and forth in front of the elevator doors, and he can see the moment whoever is on the other side picks up. The younger man’s face lights up, like when he’s on the receiving end of a rare Hotch smile out in the field, but more spirited, buoyant. Only snippets of the conversation float in through the slightly-ajar glass doors, but they’re enough to give him pause, and still his fingers above his keyboard.

“...Garcia’s got this plan for us all, and…”

“Yes, I know, I do like going out with them, but that’s not what I wanted to do…”

“...I took the metro tonight, so I think I’ll just… Really? You want to?”

At that point, Spencer turns, his voice muffling, and keeping Derek from his vested interest in his conversation. But what little he heard is more than enough to pique his interest. He flicks a pencil onto Elle’s desk. “Greenaway. You know if pretty boy’s mom is in town or something?” Elle looks up from her monitor, head tilting, “Not that I know of. Besides, doesn’t she not like flying? I don’t think he’d have her come here. Why do you ask?”

Derek doesn’t reply, simply gesturing to the glass doors, where Spencer is walking inside, his mouth twitching to conceal his smile. His steps are measured, like he’s trying to feign calm. He settles at his desk, hunching his back in a way that can’t be comfortable, typing rapidly as his knee jiggles up and down. Elle turns back to Derek, eyes wide with wonder. 

“That is not how you look getting off the phone with your mother.”

The incident is quickly forgotten, however, when the BAU team are crammed into a booth in the back of the low-lit bar. Penelope has roped Hotch into helping her bring drinks back from the bar, and the rest are speaking a little too loudly, arms flinging and bumping into the empty glasses littering the table. 

All except for Gideon, who, despite having had three glasses of whiskey, is still just as calm and observant as he is fully sober. It is this that causes him to zero in on Spencer, sitting across from him, sandwiched between Morgan and the newly-returned Garcia. 

There’s a pink flush across his high cheekbones, and he’s incredibly giggly, all things that are completely expected for him, a few drinks in. However, what the experienced profiler picks up on, are his darting eyes. Spencer can often be found staring into the middle distance, or, since Gideon taught him the importance of building rapport with victims and officers alike, trained steadily on the space between someone’s eyebrows, but this time it’s different.

His eyes flick to whoever’s talking, feigning interest, but every few seconds, it turns back down to his lap, where something is clutched in the hand he keeps under the table. If it were Hotch, Gideon would know with absolute certainty that he was watching his phone, waiting for a text from Haley.

But this is Spencer. The youngest person he knows. The youngest person he knows whose technological knowledge is somehow worse than Gideon’s own. What on earth would have Spencer acting- 

Oh. Gideon nearly gasps at Spencer’s movements. On his fifteenth peek down at his lap, Spencer stiffens, then draws his hand up from his lap to get closer to his face. It is his phone, and Spencer Reid has somehow learned to text as quickly as Morgan does. His thumbs fly over the buttons on his phone, and he can’t hold back the smile that spreads on his face.

Gideon’s eyes furrow, and he can’t hold back from nudging Hotch’s shoulder, pointing in Spencer’s direction. Hotch pulls himself away from his conversation with JJ, and Gideon can see his expression morph from mild interest, to confusion, to complete bewilderment. After a beat, his face turns to meet Gideon’s and his normally stoic demeanor is shaken, eyes wide. 

Spencer, however, doesn’t even notice his mentors’ faces, still tapping away at his phone and craning his neck to look around the bar. 

It’s a while later, when JJ has pulled the team (minus Hotch and Gideon) onto the dance floor, a few drinks past tipsy at this point. She’s laughing out loud, holding Elle’s hand and twirling her under her arm. Penelope and Derek are mock-waltzing, bursting into laughter every few steps, and Spencer… 

JJ pauses for a moment, before Elle pulls her into moving again. Her head whips around, trying to find Spencer, before giving up. He must be back at the table with Hotch and Gideon, he was never very comfortable dancing anyway. 

The four on the dance floor quickly devolve into a mess, swapping partners until they’re all dizzy and laughing. JJ and Penelope are shimmying back and forth together, when Penelope gasps a little, tapping JJ’s arm without ceasing her movements. “Jayj! Look, see that girl at the bar?” She gestures subtly at a younger woman, probably in her early twenties, wearing a purple wrap top that has JJ sighing wistfully. 

“Pen, I think I’ve seen my soulmate. Would it be weird for me to crawl over there and beg her for her shirt?” Penelope giggles, gripping JJ’s forearms so they can sway to the music dramatically. “Just a little, my sweet. How about we go ask her where it’s from, though? I think that would be a little more…” She goes uncharacteristically silent, and it has JJ twisting to see what shut her up. However, Penelope tightens her grip on her arms, keeping her from moving. 

“JJ. My love, my heart. You’ll always be honest with me, won’t you?” Now she’s worried. JJ nods quickly, deciding to just focus on Penelope. “Yeah, Garcia, of course. What’s wrong?”

“I think I’m seeing things, and you are one of the most qualified people in the world to tell me if I’m going crazy. I’m going to turn us around, and you’re going to look at the woman in that gorgeous top, and you are going to either scream, or send me off to Hotch for a psychological evaluation.” Her tone is serious, hushed, and JJ nods solemnly. 

The intricate plan is conducted, and JJ is now facing the bar, her eyes searching for the girl, when she stiffens, sucking in a breath. “Yes! I’m not crazy, you see it right? What is going on!” Penelope smacks her arm repeatedly, but JJ can’t tear her eyes away from it. It being something she couldn’t possibly have prepared herself for, not in her wildest imaginations.

The girl is sitting on a barstool, sipping at a cocktail, and chatting to… Spencer. Spencer, the BAU’s Spencer, child-prodigy-lovable-dork-awkward-mess Spencer Reid, is stood in between her legs, smiling down at Mystery Girl without a hint of fear. It’s devastatingly sweet, his eyes soft in a way she’s never seen before, as he nods along with whatever she’s saying. Penelope jolts her out of her trance with a tap to the arm, JJ whispering, “He’s so… carefree.” 

That’s the only way to describe it. He’s looking down at her, eyes locked onto hers, and he’s still. His hands aren’t tapping, his leg isn’t shaking. He’s just looking at her. 

JJ can feel Morgan and Elle huddle near her, questioning Penelope about what they’re looking at, before shutting up as they see it. She hears them take twin gasps, and huddle even closer. They stand in silence, surely a hindrance to the people dancing, but they can’t tear themselves away. 

It’s only when Spencer shatters their worlds once more that they finally find themselves able to move. Four pairs of eyes follow him, as he leans even further towards Mystery Girl, and they all bulge at once when he raises a hand, carding his fingers through her hair. Penelope whispers, “oh my god”, Elle grips JJ’s arm in a vice grip, and Derek makes an unseemly noise, before gripping their arms, tugging them back to the booth. 

They collapse in the seats, faces pale as they look at each other, next to a very confused Gideon and Hotch. 

“What? What is it?” Hotch questions them, brow furrowed deeply. None of them speak, however. Only Elle lifts a weak hand to point. She directs their attention to the sight at the bar, and they all turn back to it, gasping once again. They’re… “kissing,” Derek breathes, shocked. Hotch and Gideon stiffen, but still crane their heads until their eyes fall on what has rendered their highly trained team speechless. And their reactions are just as silent.

Mystery Girl has stood up, her arms around Spencer’s neck, and he’s leaned down to meet her lips, hands braced on her hips. It’s honestly not that scandalous, a lazy, casual kiss that they part from with twin smiles, but the FBI agents can’t handle it. They don’t say a word, straining their ears to hear whatever she is saying as he holds her hand (Penelope lets out a squeak at that), and walks with her towards the door, not even noticing that his coworkers have returned to the booth. Her voice is low, but Hotch manages to pick up a few of the words. 

“...go home and watch that movie I was telling you about? Metropolis, I think you’ll really…” And they’re off. Spencer Reid has left a bar, holding hands with a girl (that he’s apparently spoken to multiple times? Who refers to a place as home for both of them?), acting like it’s the most normal thing in the world. 

The group sits in silence, unable to muster a comment, when Penelope’s phone buzzes. She checks it, and silently turns the screen over so they can all read it. 

BOY GENIUS: Hey Garcia. I wasn’t feeling well so I decided to go home. See you Monday :-)

“What?”

[indigovigilance]

A Nightingale Sang in 1941

This is my inaugural meta (yay!) Eventually I will learn how to add gifs and whatnot to make this more interesting but today, I give you a wall of text.

I need to give credit where credit is due to three existing metas that I’m drawing upon heavily here:

A speculative continuation of the 1941 story, which includes an almost-kiss while “A Nightingale Sang in Berkeley Square” plays on the gramophone,

A behavioral analysis of Aziraphale during the S2E6 finale (will find ref later if possible)

A meta-analysis of the way in which “coffee” is used as a symbolic equivalent for liberty and freedom of choice, a running theme of this show (will find ref later if possible)

I’m going to expand upon meta #2 and #3 and explain why I think there is are very compelling reasons to believe that #1 will be canonized.

At the end of S1E6, an instrumental version of “A Nightingale Sang in Berkeley Square” plays diegetically, but the lyrical version plays non-diegetically over the credits (we hear it but the protagonists don’t). So we the audience could plausibly say “that’s their song,” but as of the close of S1, we have no reason to believe that they know that it’s their song. Even Aziraphale’s S1E3 (1967) suggestion that they dine at the Ritz could be a reference that only he gets, or just a fancy restaurant suggestion.

So when I was watching S2E6 and Crowley said “no nightingales,” I was jarred. What does that even mean? We know it has something to do with dining at the Ritz, but what does it mean to them? The reference only works if they know it’s their song. But we’ve only ever seen them hear it together after the averted apocalypse; if this is the direct reference that Crowley is making, it leaves our 1967 reference contextless and twisting in the wind.

If we assume that there was a romantic story beat in 1941, wherein “A Nightingale Sang in Berkeley Square” (which, incidentally, was written in 1939 and saw the height of its popularity at the end of 1940, so timeline-wise it’s spot-on) became their song, then a lot of events get renewed interpretations through this lens, in a way that makes this story much more cohesive and the “no nightingales” comment even more soul-shattering than it already was.

Let’s presume that immediately after this became their song and just as they were discovering their romantic potential, they were forced back into hiding. Forever after, references to the song serve as a macro for “I’d like to pick up where we left off that night.”

The 1967 suggestion of “dining at the Ritz” now becomes a directly romantic suggestion. It also gives better context for “you go too fast for me.”

Actually going to the Ritz in 2019 is not simply a celebration or even a callback to 1967, it’s a callback to their almost-romance of 1941.

When Crowley says “no nightingales” in 2023, this isn’t to say “we’re not going to eat together at the Ritz anymore.” It’s saying that the romance that began that night, the precious, fragile romance, is over.

I’ll give you a moment to dry your eyes before we move on to metas #2 and #3.

In light that this is what has been going on - they know they want a romantic relationship but have gotten so used to hiding and denying it that they are more comfortable keeping the status quo static and quo-y then trying to achieve their ideal - a lot of S2 behavior can get a fresh view.

Crowley’s reaction to Nina isn’t a realization that he’s in love - he knew that already. You can only ask someone to run away with you so many times before you are forced to admit some things to yourself. No, he’s realizing that trying to hide it (which was justified by survival), hasn’t been working, but despite failing at being stealth nothing bad has happened. He’s realizing that it may finally be safe to show it.

Crowley’s confession, then, is not a revelation. It’s making the subtext text. He’s not telling Aziraphale anything he didn’t already know. He’s saying it now because he thinks he’s safe to do so. Pin in that.

Lots of people have lots of theories about Aziraphale’s motivations in the S2 finale, which can more or less be divided into 4 camps: the genuinely held belief, the coffee theory, the lie theory, and the mutual trick theory (some version of the body-switching at the end of S1). Let me start by saying that I love all the fans and all their theories and I find their analyses to be insightful. The genuinely held belief theory, while I believe it to be erroneous, has been incredibly conducive to so many wonderful conversations and I love being in a community that has those conversations. But I’m going to explain why I think the lie theory finds the most support in canon.

Re-watch the finale (when you feel like you can) from 35:18 to 36:19 and then from 40:45 to the end, paying very close attention to Aziraphale’s words and his eyes. Michael Sheen is telling us a LOT with his eyes, and in the back half of the finale scene, with pacing.

For 60 seconds of footage, this setup is doing a lot of work. If Neil Gaiman wasn’t doing enough to beat us over the head with how evil the Metatron is, that glare at Crowley at the end with the non-diegetic ominous horns should convey the message. But again, focusing on Aziraphale. He initially refuses to talk to the Metatron; he’s made his position quite clear. There is no hint of regret or wavering; this is not someone who’s aching to return to the fold. The Metatron ignores his refusal and functionally forces him to accept a “cup of coffee.” The coffee isn’t spiked, but it is a metaphor. It is symbolic of choice. The Metatron is going to force Aziraphale to make a choice. Meta #3 does a great job of exploring the idea that a choice between anything and death is never really a choice. Hang onto that thought.

Notice I had you start up again 3 seconds before “The Conversation.” That’s because it’s important to note where the Metatron is right now. He is across the street, staring straight in through those giant windows to where our protagonists are about to have The Conversation. He is watching.

When Aziraphale returns, Crowley begins his “let me talk” riff. Aziraphale ought to be interested in what Crowley has to say, since the preamble is pretty compelling. You’ll notice that Aziraphale quickly turns to the window and back, through which he (but not we) can see the Metatron standing there, watching them. Aziraphale is then doing his best to get Crowley to STFU without raising the suspicion of the Metatron, eventually having to cut him off.

Because unfortunately, Crowley’s entire impetus for speaking up now is that it’s safe to do so. Only Aziraphale knows that they are in very real danger (or at least, Crowley is, but I’ll come back to that).

You might take something from the fact that he’s shaking his head while talking about “incredibly good news,” and seems to self-censor his criticism of Metatron (or more specifically, he takes ownership of any criticism of the Metatron, censoring out Crowley’s role in that, with the emphasis on I in “I might have misjudged him”).

Notice in the flashback that he begins the conversation reasonably relaxed. The Metatron also says a series of things about him that not only are false, but everyone, including the Metatron and Crowley, know are false: Aziraphale is not a leader, he’s a defector; he’s not honest, he lies all the time, in fact this entire season revolved around his one huge lie of hiding Gabriel. Not only does the justification not make sense coming from Metatron, but it shouldn’t make sense that Aziraphale would accept these reasons and it shouldn’t make sense to Crowley either. So is Aziraphale including these details in his recounting to Crowley so that he will get suspicious and figure out the jig? Maybe. Let’s continue.

Immediately upon being offered the job of Supreme Archangel, Aziraphale says “but I don’t want to go back to Heaven.” This is direct evidence against the genuinely held belief theory. If returning to Heaven and making a difference was a genuine motivation, we would have gotten a different response at this moment. But then we get something more.

“Where would I get my coffee?”

This is a beautiful response for a number of reasons; coffee should be trivial compared to the opportunity to be a Supreme Archangel, so it serves to highlight just how little interest Aziraphale has in returning. Taken at face value, it’s the Aziraphale equivalent of “not even at gunpoint.” But remember that coffee is a metaphor for liberty in this universe and this season. So what Aziraphale just said, in the language of Neil Gaiman metaphors, is:

I don’t want to go back to Heaven, I would rather have free will.

What does the Metatron do next?

He brings up Crowley.

Watch Aziraphale’s eyes before and after the mention of Crowley. He goes from confused to eye-flicking panic in the space of two syllables. Aziraphale already understands that his “no” is not being accepted, and that bringing Crowley into it can only possibly serve as a threat.

So the coffee, the choice, is a false choice. No one ever orders death. The Metatron has forced Aziraphale into a situation that looks an awful lot like a choice (it comes in a blue cup, after all) but it isn’t.

We definitely have some reliable narrator problems here. I’m going to presume for purposes of analysis that these cut-outs are accurate but incomplete, and that a more explicit threat about what would happen to Crowley if Aziraphale did not return to Heaven was made.

If we assume that Aziraphale has been made aware of a threat and is trying to hide that from Crowley, the rest of this scene reads very differently. Aziraphale cannot say, “you are in danger but you will be safe if you swear your allegiance to Heaven” or “I have to go, no matter what, and the only way we can be together is if you come with me,” but nonetheless he now has to convince Crowley to do the one thing he ought to know Crowley definitely doesn’t want to do all through subtext. Which we’ve spent an entire season establishing that they can’t communicate well when they are allowed to use their words. Disastrously, this is not a magic trick that Aziraphale can make work when it counts. Their failure to practice good communication means that, right now, when it counts most, they are not going to pull it off.

We see that Aziraphale is very hopeful that Crowley will pick up on his cues and play along. Obviously, he doesn’t.

If the whole riff about Hell being bad guys and Heaven being the side of truth and light is taken as genuine, it discards a massive amount of character development that we’ve witnessed in Job, Edinburgh, etc. (again, to all the genuine belief subscribers, I think it’s a compelling argument but it simply doesn’t account for the evidence). So if it’s not genuine, why say it? Again, to alert Crowley that something is Off, because Crowley should know that Aziraphale doesn’t actually believe that. They saved humanity from Heaven and Hell. They hid Gabriel from Heaven and Hell. Crowley knows that Aziraphale knows that Heaven and Hell are just two sides of the same coin. Notice again that Aziraphale glances out the window while he’s talking up Heaven; he knows the Metatron is watching, he can’t not defend the position of Heaven. I think it’s also worth noting that Aziraphale forcefully glances and gestures off to Crowley’s left (away from the window) when talking about Hell, and then turns his head to Crowley’s right (towards the window) to try to get him to realize that a representative of Heaven is literally standing right over there, just look out the window please dumbass!

When Crowley is asking Aziraphale if he said no, and we see the back of Aziraphale’s head, again we can see him turn his head to glance out the window. This is also when he changes strategies, and admits that Heaven could use a little reform. Because now there’s a problem almost as big as getting caught, which is that he won’t be able to get Crowley to go with him.

Which unfortunately makes the next part of this so much more heartbreaking. Because when Crowley begins his speech about being a team, Aziraphale wants to hear it. He can’t bring himself to shut down Crowley again, even though it could get them both in massive trouble. Notice that he glances out the window again during this, and the look of panic on his face. He begins to shake his head when Crowley mentions that Heaven and Hell are toxic; this can be taken a lot of ways but I’ll argue for the interpretation that he’s trying to get Crowley to STFU and stop saying shit that could get him destroyed.

After Crowley puts on his sunglasses we are in the “back half” and Sheen is doing a lot with phrasing here, specifically pregnant pauses.

“Come with me… to Heaven!”

“We can be together… as angels!”

Based on the pacing decision I am thoroughly convinced that the first half of each of these statements is intended to be the message to Crowley and the second half is always a qualifying statement to satisfy the Metatron.

Unfortunately, these pregnant pauses are completely backfiring in their effect on Crowley. The sentiment gives him hope and the qualifying statement crushes it again immediately. He is being taken on a horrible emotional rollercoaster with these declarations which are only further amping up his instinct to run away.

The only truly genuine, unaldulterated statement I think we get from Aziraphale is

“I need you!”

When it becomes clear to Aziraphale that there’s been an irreparable breakdown of communication between them and the subtext is not getting across, he says:

“I don’t think you understand what I’m offering you.”

He means this literally. Crowley has not understood that Aziraphale is offering him protection from whatever threat the Metatron has made.

Which makes this part extra-devastating and also absolutely in keeping with a major running theme of this season.

“I understand. I think I understand a whole lot better than you do.”

Your understanding and my understanding are different understandings.

Crowley views the offer to return to Heaven through the lens of his trauma. He understands what life in Heaven would be like. But he doesn’t understand that Aziraphale is offering him protection.

But Aziraphale just heard Crowley say that he understood everything, and he’s still going to leave. There might be a little suspense of disbelief here to believe that Aziraphale really interpreted the statement this way, but we know that Aziraphale isn’t always the brightest battery-operated candle in the drawer. So under the assumption that Crowley did understand him and is still rejecting the offer, rejecting him—

“Well, then there’s nothing more to say.”

Please pay very close attention to Aziraphale’s body language for the next part. He’s active, agitated, turning side to side, arms swinging. This is a very fidgety angel.

“No nightingales.”

Aziraphale is now completely still. He’s feeling that feeling. You know it. The one where your entire body is getting sucked into the pit of your stomach. The aching paralysis.

This is their song, the one that began their romance in 1941, the secret code for all other attempts at flirtation. Crowley has walked out on him before, Aziraphale has been stubborn and obstinate before. But they always came back together, sometimes with an apology dance or other rituals that belonged solely to them.

But now the song is over.

By saying this, Crowley has broken up with Aziraphale. We can see in Aziraphale’s sudden transition from fidgety to paralysis that he has understood it this way.

Then he turns away from the window so that the Metatron won’t see him cry.

The kiss was heart-wrenching already. But we’re not done with this analysis.

During the kiss, Aziraphale has a choice to make between two very compelling bad choices. This is the Job dilemma. But worse.

If he doesn’t kiss Crowley back, he will let Crowley think that he doesn’t love him. He will have missed out on this (maybe/probably their first kiss?) and regret it forever.

If he does kiss Crowley back, in full view of the Metatron, they are in deep trouble.

He seems to do his best to split the difference. I would even go so far to say that the awkward arm waving is Aziraphale acting for the Metatron’s benefit, to try to portray that he doesn’t want this even though he absolutely does (just not like this). The anguish when they break the kiss is absolutely real, and the first thing he does is glance out the window. Through all this he has remained painfully aware of their spectator.

He wants to say I love you. He mouths it. He breathes it.

But the Metatron is watching.

He can’t tell Crowley I love you. So he has to say the only other thing that has always unequivocally meant “I love you” when he said it to Crowley. He has to hope that Crowley understands him now, even though he never has before.

Spoiler alert: Crowley doesn’t.

My forgiveness and your forgiveness are not the same forgiveness.

One more point against the genuine belief fans (I love you): if the offer to let Crowley back in is what changed his mind, then Crowley declining removes that incentive. Aziraphale should/would have consequently retreated to his last stated position of “I don’t want to go back to Heaven, where would I get my Crowley—I mean, coffee?” [post-publication nod to @theonevoice for a great little meta] It simply doesn’t hold up to scrutiny.

I think a lot of fans were already making these assumptions about the use of the nightingale song so this meta may not feel revelatory, however, it isn’t canon (yet), and I’m sure I’ll find company that agree that canonization of this connection would strengthen a lot of these story points, as evidenced by how it is already assumed by many fans.

If you made it to the end - omg thank you! Please leave a note and tell me your thoughts!

Bonus: somebody already made the song connection here

~~~

if you liked this, you may also like:

Book of Life and what it means for Crowley

The Erasure of Human!Metatron

Baraqiel and Azazel

~~~

Recommended related (lie theory) metas by other people:

making the subtext text by @theonevoice

Aziraphale's Decision Matrix by @yowlthinks

Nothing Lasts Forever: META by @phoen1xr0se

[meraki-yao]

This is something I thought of suddenly: So when the Actors-on-Actors roster came out, I didn’t have that much of a problem with Taylor being paired up with Joey King. It was kinda odd to have two close friends who are now doing very different projects put together, but they were happy and watching Joey King fangirl over RWRB was fun.

But now that I think of it, it was such a missed opportunity not to put Taylor with Jonathan Bailey. 

(Gonna preface this by saying I know far less about Mr Bailey than Tay, I skimmed through Fellow Travelers, Bridgerton S2 is on my to-watch list, and as a fan of Wicked the Musical I have complicated feelings about the movie adaptation)

The thing that is so often brought up with RWRB is that it’s a queer rom-com, it’s a queer love story with a happy ending. The relationship itself does not need to be sacrificed. In fact the whole Kensington confrontation is proving exactly that: they are in a position and point in time where they don’t have to give up on their love and relationship for the sake of other aspects of their lives, they can “find a way to love each other on our own terms, no one else’s”. Many people, including the core four of the movie (Matthew, Casey, Taylor, Nick) have said that this is something that made this movie stand out from other queer productions, something that the world needs. 

Fellow Travellers is almost the exact opposite: it is exactly about the periodic queer struggles. It is about the lavender scare when any queer members of the US government were deemed national security risks, and were subsequently dismissed from their stations. It is about the AIDS epidemic that led to the devastation and discrimination of queer communities. It is about a closeted man who chooses to submit himself to a lavender marriage, but who also can’t let go of his one true love. If RWRB is the idealistic future that we’re trying to build, then fellow travellers depict the dirty, gritting, tragic reality of the past. 

And here’s the thing, as Matthew said, both types of queer stories are important, both kinds of queer stories need to be told. We need to acknowledge the bad parts of the past, as a reflection of society, as a reminder of history and the progress made, but we also need to imagine the wonders of a better future, as a target for society, as a vision for the progress to make. 

And it would have been so interesting to hear the conversation on this contrast between the main leads of two very different queer projects. 

Additionally, another thing they can compare is queer intimacy on screen, because again, the intimacy of the two projects are vastly different: RWRB made a deliberate point in creating a more gentle, vulnerable, and quiet intimacy in the Paris scene, with the focus being on the characters’ face; Fellow Travellers’ intimacy is far more explicit and wild, much sexier if you will. Again, both have their place in media and the queer community: sex can be wild and fun, but sex can also be sacred and soft. It would be really interesting to hear the similarities and differences between the two experiences, especially since Taylor has done more explicit stuff in Minx (in a heterosexual on-screen couple) and Jonathan has done more vulnerable intimacy in Bridgerton (also in a heterosexual on-screen couple)

There are just so many parallels and points that the two could have talked about! So although I’m still fairly okay satisfied with the Taylor Actors on Actors we got, this is such a missed opportunity to talk about the importance of different types of stories in the queer community.

[intoxicated-chan]

𝐌𝐀𝐒𝐓𝐄𝐑𝐋𝐈𝐒𝐓 #𝟐

© Intoxicated-Chan 2023, I do not allow my work to be copied, translated, modified, adapted, or put on any other platform without my permission. I only have one other platform and that’s Wattpad (same name).

Spider-Man (Spider-Verse)

Your Sweet Neck (Miguel O’Hara x GN!Reader)

Only You, Darling (Miguel O’Hara x F!Reader)

Come Back to Me, It’s Almost Easy (Miguel O’Hara x F!Reader)

Late Night Moments With Miguel O’Hara (Miguel O’Hara x GN!Reader)

Between Your Thighs (Miguel O’Hara x GN!Reader)

Yandere!Miguel O’Hara Hcs

I Need You to Stay (Miguel O’Hara x F!Reader)

We’re Both Sinners (Miguel O’Hara x F!Reader)

Don’t Think You Can Escape (Yandere!Miguel O’Hara x F!Reader)

Welcome to the Family (Miguel O’Hara & Spider!Teen!F!Reader)

You Set My Soul Alight (Miguel O’Hara x F!Reader)

Give Me Reasons We Should Be Complete (Miguel O’Hara x F!Reader)

Yellow Night Has Had Enough (Miguel O’Hara x F!Reader)

Restless Night (Miguel O’Hara x F!Reader)

Noxious (Miguel O’Hara x F!Reader)

I Want to Destroy Me so I’ll Feel Better (Miguel O’Hara x GN!Reader)

You’re Right By My Side (Miguel O’Hara x GN!Reader)

Tell Me How U Feel (Miguel O’Hara x F!Reader)

Final Fantasy

baby, i’m yours (Biggs x F!Reader)

Dangerous, Tainted and Flawed as You (Biggs x F!Reader)

Game of Thrones

Be With Me (Robb Stark x F!Reader)

Mortal Kombat

When Their S/O Draws a Painting of Them… (Cassandra Cage, Hanzo Hasashi, & Erron Black…)

Hanzo Hasashi Drabbles #1

Tomas Vrvada Drabbles #1 #2

Trigun Stampede

I’mma Haunt Your Dreams (Nicholas D. Wolfwood x F!Reader)

The Hobbit/The Lord of the Rings

Kili Durin Blurbs #1 #2

Thorin Oakenshield Blurbs #1

Thranduil Blurbs #1

Can I Not Think? Will You Love This Part of Me? (Elrond x GN!Reader)

On Vit Dans Cette Love Story (Legolas x F!Reader)

You’re Gonna Wish You Never Had Met Me (Kili Durin x F!Elf!Reader) Ending 1 | Ending 2 , Coming soon!!

It’s Just a Small Cut! (Legolas x GN!Reader)

Practice Makes Perfect (Legolas x F!Hobbit!Reader)

A War of Ice and Fire Preview (Thorin Oakenshield x F!Targaryen!Reader)

The Walking Dead

Daryl Dixon Blurbs #1 #2 #3 #4 #5 #6 #7

Watercolor Eyes (S2 Daryl Dixon x F!Reader)

Baby, You’re No Good For Me (S1-2 Daryl Dixon x F!Walsh!Reader) Part 2 | Part 3

When You Come See Me (S2-3 Daryl Dixon x F!Grimes!Reader)

Payment-In-Kind (Shane Walsh x F!Dixon!Reader)

‘Til I Know You’re Mine (Daryl Dixon x F!Reader)

Don’ Say a Damn Thing (Daryl Dixon x F!Reader)

Darlin’, Don’t Lie, It’s Okay That You Crave Me (Daryl Dixon x F!Virgin!Reader)

I Will Love You ‘Til the End of Time (Daryl Dixon x F!Reader)

Daryl Dixon w/ Lady Gaga Songs (Daryl Dixon x GN!Reader)

Closer (Daryl Dixon x F!Reader)

[solarmorrigan]

(Slight disclaimer: I haven't seen S2 in almost a year and parts of it are hazy, so if some details here seem repetitive/don't quite match up... don't worry about it, I love you <3)

cw: anxiety, mentions of past child abuse

-

Steve had not, for the record, wanted to spend his Saturday tromping around by the stream in the woods searching for tadpoles. He’d wanted to go to the movies, or maybe get lunch, or even just hang out, but Dustin had insisted, and now Steve is slopping through the muddy grass and trying to figure out if there’s any way he can get them home without getting the inside of his car filthy.

(Probably not.)

It’s not that he’s opposed to getting his hands dirty when he needs to, it’s just that hunting for baby frogs doesn’t seem like a need to Steve, no matter what Dustin says. He probably shouldn’t be such a pushover for the kid, but– Steve’s actually a little worried about him.

He’s been in a nasty mood for the last couple of weeks, alternating between snappish and sullen, throwing biting comments at Steve that go beyond his usual know-it-all lilt, or else going silent and only shrugging when Steve tries to ask him questions.

And Steve’s trying not to take it personally; they’d hung out a lot through the winter and on into the new spring, and he knows Dustin isn’t normally like this, and he doesn’t think it’s anything he’s done (Dustin keeps seeking him out, so it’s probably not him), but it’s definitely something. So when Dustin had actually suggested something for them to do, had actually seemed excited about it, Steve had been hard pressed to say no.

Even if it meant mud.

“Hey,” Steve calls as Dustin pulls ahead of him to start climbing down the embankment that pens in the stream. “Watch it, alright? It’s slippery.”

“I know what I’m doing, Steve,” Dustin snaps, and Steve can practically hear him rolling his eyes.

“Fine, sorry for giving a shit if you break your leg or something,” Steve mutters, beginning the precarious trip down the embankment himself. “You don’t have to bite my head off.”

Dustin sighs. “Whatever.”

Steve shakes his head. He really hopes this isn’t just the start of puberty, or something. He doesn’t think he can handle another four or five years of this attitude.

(He doesn’t even question it anymore, the assumption that he’ll be around as Dustin continues growing up; it just seems like kind of a given.)

“So what are we doing here, again?” Steve asks when they reach the stream.

“I told you: we’re looking for tadpoles.” Dustin tosses a glance at Steve. “Baby frogs.”

“Yeah, dude, I know what a tadpole is, I did actually pass second grade science,” Steve snarks back. “Why are we looking for them, though?”

“I need them for school. For a science project,” Dustin says, peeling off to start looking in the shallow edges of the stream.

“Right…” Steve moves off in the opposite direction, looking for the shape of a thing he remembers seeing in a science textbook probably too many years ago.

They search in silence for a little bit, nothing but the sound of the woods and babble of water between them, but Steve keeps half his attention on Dustin even as he looks. If the kid falls in the stream and drowns, Claudia will never forgive him. He twitches a little when he watches Dustin skid over a rocky patch on the bank, but he finds his footing quickly enough, so Steve keeps his mouth shut.

“You’re not gonna, like, experiment on these things, are you?” Steve asks idly, finally tiring of the silence.

“Of course not!” Dustin exclaims. “I’m just gonna study ‘em. I’ll give them a good home and everything!”

“Alright, alright.” Steve holds up his hands in surrender. “Just checking that it’s not going to end up like the last time you brought in something weird from outside.”

Dustin stops walking, going quiet for a long moment, and when he turns around Steve is startled to see that he looks pissed.

“I’m not actually an idiot, Steve!” he barks. “I can tell the difference between a frog and some kind of alien monster!”

“Okay, sorry, I didn’t–”

“It’s not like I saw D’art and thought he was anything from around here!” Dustin goes on, stalking back towards Steve. “I didn’t think he was just some kind of fucked up frog! I knew he was something different, there was scientific merit in wanting to study him, and I’m sick of everyone acting like it was just some stupid mistake!”

“I didn’t mean to– Careful!”

Steve has no time to do much more than shout a warning and throw out a useless hand as Dustin goes skidding back over the slick, rocky patch, then slips and goes down hard, catching himself on his hands and one knee.

“Shit, Henderson, are you okay?” Steve is kneeling in front of Dustin in a blink, already searching for visible injuries; he’s probably fine, it hadn’t looked like he’d hit anything vital on the way down, but it couldn’t hurt to just check.

Dustin doesn’t move, his head still hanging between his shoulders, his back so tense he’s almost trembling, and worry starts to bloom in the pit of Steve’s stomach.

“Henderson?” Steve tries again, and that’s when he hears it – the sniffle.

Shit.

“Hey. Dustin,” Steve says, slipping into the same calm, firm register he uses when he’s lifeguarding, without even realizing he’s done it (honestly, he’d had to deal with a lot more kids with scraped knees than he had potential drowning victims when he’d worked at the public pool); he cups his hand over the back of Dustin’s neck, squeezing gently to get his attention. “I need you to let me see. I need to make sure you’re alright.”

Slowly, Dustin shifts so that he’s sitting with both knees bent in front of him, though he keeps his head bent down – and that’s fine, Steve won’t make him look up just yet. Instead, he does a quick inspection of everything else; both of Dustin’s palms are a little scraped up, and one is bleeding a bit, but it’s his knee that got the worst of it. It looks like it caught and scraped on the sharp edge of a rock, leaving a bleeding strip of skin that curves across the surface of it.

(It probably wouldn’t have been so bad if Dustin hadn’t insisted on wearing shorts in March, but whatever. Now really isn’t the time to argue about practical fashion.)

“Okay, this looks like a pretty shallow scrape. I bet it stings like hell, but it’ll be a million times better once we get it cleaned up,” Steve says, framing the wound with gentle fingers, careful to avoid the drip of blood streaming down Dustin’s shin.

Still, Dustin says nothing. He’s practically trembling now, sniffling again, and Steve frowns.

“Did you hurt yourself anywhere else?” he asks.

Dustin shakes his head.

“Are you sure? Did you hit your head when you went down? You should let me–”

“I’m not hurt, Steve, Jesus fucking Christ!” Dustin snaps, finally looking up; his cheeks are red and his eyes are watery and he’s clearly trying hard to hold everything in, so Steve does his best not to rock the boat too hard.

“Okay,” he says, low and smooth, still stuck halfway in crisis management mode, “then can you tell me what’s wrong?”

“Everything!” Dustin chokes. “Fucking everything is wrong, okay? I keep – I keep having nightmares and I feel like I haven’t slept in weeks and I’m so tired.” He loses the fight with his tears and they finally spill over, running down his face. “And my mom was talking about Mews the other day, like, just stuff he used to do, and she misses him even though we have Tews, and sometimes I feel like I killed the stupid cat, and I just–”

“Shit, dude, I’m sorry.” Steve reaches up and cups his hand right at the juncture of Dustin’s shoulder and neck, giving him another gentle squeeze. “You didn’t kill your cat, okay?”

Dustin gives a congested snort that’s distinctly lacking in his usual derision. “Yeah, I know that about the same as I know there’s nothing coming to get me at night, but I still can’t sleep.” He sniffs again, reaching up and trying to smear his tears away with the back of his hand. “I’m so done with this, I just– I want it to be over. It’s supposed to be over.”

There’s a little tremor in Dustin’s voice, and Steve’s heart breaks a little bit, because he knows exactly what Dustin means – he knows what the nightmares are like, he knows the guilt over things you can’t change, he knows the feeling of jumping at shadows. And fuck, the kid’s still so young.

(Never mind that Steve’s not even scraping nineteen yet. Never mind that.)

He should probably talk to an actual professional, or something—get some real help—but Steve isn’t sure there’s anyone out there that Dustin can talk to about government coverups and literal monsters from a hell dimension beneath their town. He’s not sure if there’s anyone even qualified. And while Steve sure as hell doesn’t feel qualified to do anything, either, he’d been there with Dustin when it happened, and he’s here with Dustin now, so he’s going to do his best.

“Okay, c’mere,” Steve says, giving one of Dustin’s arms a tug.

Dustin doesn’t argue, doesn’t even question him, and that’s almost more alarming than anything else; he follows Steve a few feet over to a grassy patch at the foot of the embankment and leans heavily into Steve’s side when they sit down again. The grass is a little wet, but Steve doesn’t even feel it as he wraps an arm around Dustin’s back and pulls him closer.

They spend a minute with Dustin’s face half buried in Steve’s shoulder before Dustin gives a muffled grunt of annoyance and tries to pull away. “This is bullshit,” he mutters.

Steve quashes the way he wants to flinch at the declaration and looks down at Dustin instead. “What?”

“Sitting here crying my ass off. It’s stupid. I’m being a baby,” Dustin says, trying to wipe his face clean even as more tears replace the ones he’s just dried away.

“It’s not stupid. Crying is normal,” Steve says.

Dustin scoffs, still trying to pull out of Steve’s hold, but Steve keeps a hand in the middle of his back, unwilling to let him go far.

“I’m serious,” Steve insists. “It’s, like, a normal body reaction, or something. It happens. People cry.”

“You don’t,” Dustin shoots back, and Steve can’t help the instinctive huff of this-isn’t-actually-funny-at-all laughter.

“Yeah, man, because I’m kinda fucked up.”

It’s clearly not the reaction Dustin is expecting, and he stares up at Steve with furrowed brows. “What?”

And– well, fair’s fair, isn’t it? Dustin told Steve what’s bothering him, so Steve can open up a little bit in return, can’t he?

Besides, he can’t really think of any other way to convince Dustin that he’s not just pulling some cool, tough guy shit.

No, he doesn’t stop to cry, but it’s hardly even a choice anymore.

“I used to cry really easily, actually,” Steve says, looking away from Dustin and staring out at the stream instead. “Like, over everything. Literally cried over a glass of milk I spilled once.”

Dustin gives a wet huff of laughter, and Steve allows himself the tug of a quick smile.

“My dad fucking hated it. He was always telling me to stop whining, stop crying, stop acting like–” –a little bitch, Steven. Alright, maybe Dustin didn’t need to hear everything his dad had said to him. “He said I needed to toughen up, be a man. The last time I really cried, I was, like, nine, I think? I don’t even remember what it was over, I just remember that it pissed my dad off. And he said he’d give me something to cry about, and, uh–”

Steve can feel Dustin going tense under his palm, as if he’s afraid of what comes next, and that’s fine. Steve has no problem stopping there; it’s not a story he’d relish retelling in its entirety.

“Anyway, after that, I just kinda… made myself stop. Just like he wanted. And honestly?” Steve blows out a breath, still staring hard at the stream. “It just makes everything worse, holding that shit in. Makes you feel like shit.”

Makes you want to make other people feel like shit, too, because at least it’s an outlet.

“So, whatever. ‘Be a man.’ That’s bullshit.” Steve has known for years that his dad is an asshole, that the things he says are shit, and maybe he’s never known what to do in the face of it, maybe he’s never reacted in a way that’s healthy or even safe, but that doesn’t mean he has to spread the disease around. “Don’t be like me, man, be like you. Cry if you have to.”

Slowly, Dustin wilts back into Steve’s side, curling up under his arm and burying his face half in Steve’s shoulder again.

“You’re actually really smart sometimes,” Dustin mumbles against Steve’s shirt, and Steve snorts.

“Yeah, once in a while I might have some shit worth listening to.”

Dustin’s shoulders start shaking again, so Steve slings his arm more tightly around his back, and Dustin wraps an arm around his middle and clutches at Steve’s sweatshirt. At this point, it’s probably beyond stained with mud and snot and the blood from Dustin’s palms, but Steve can’t really bring himself to care. It’s not like it’s his favorite.

It isn’t the most comfortable place for a breakdown; March in Indiana is still chilly, and the grass is still damp, and the ground is hard, and Dustin’s cap keeps jabbing Steve in the collarbone, but Steve isn’t going to move until Dustin is ready. So they stay a while.

(Steve does end up knocking Dustin’s cap off, because it really is annoying, but he can’t help the little trill of fondness that goes through his chest when he realizes that he can faintly smell the shampoo he’d recommended to him.)

Finally, Dustin pulls away with a heavy sigh, snatching his hat back up and placing it firmly on his head, and Steve takes that to mean that it’s time to go.

“Alright, I’ve got a first aid kit in the car, and I think we can at least tape you together long enough to get back to my house,” Steve says, heaving himself up off the ground.

“We didn’t find any tadpoles, though,” Dustin says, looking back at the stream. “I seriously do need some for my project.”

“We can come back tomorrow,” Steve says, even though he really doesn’t want to spend his Sunday tromping around by the stream in the woods searching for tadpoles.

“Yeah?” Dustin aims a hopeful little smile up at him. “Can I stay over?”

Steve shrugs. “If your mom says it’s fine, yeah.”

(They both know she will.)

“Awesome.” Dustin grins, but it’s a pale shadow of its usual intensity; the kid looks wrung out.

Steve glances up the embankment and then looks back at Dustin.

“Hey,” he says. “You want a lift?”

Dustin, who had been preparing to start the climb back up, looks over at him in confusion. “What?”

“Up the hill.” Steve jerks his head towards the incline.

“How?”

“Piggyback ride. One-time offer.”

“Dude, it’s steep as shit. And I just had a growth spurt,” Dustin scoffs. “There’s no way you can carry me up that thing.”

Steve smirks. “Wanna bet?”

“What do I win?” Dustin asks.

“You get to pick the movie when we get back to my house,” Steve offers.

Dustin chews it over for a moment, then nods. “Deal.”

“Deal.” Steve kneels down. “Hop on. And try not to choke me.”

When Steve stands up again, Dustin settled against his back, he realizes he may have slightly overestimated his own abilities; light, Dustin is not (the kid’s almost fourteen now, Jesus H. Christ), but Steve isn’t one to back down from a challenge.

He starts up the embankment.

“When I win, after you drop us both back down the hill,” Dustin says, “I’m gonna pick Ghostbusters.”

Steve groans. They’ve watched that movie a hundred times now, and he has his limits. “When we get to the top, and I win, I’m going to pick anything but Ghostbusters.”

“Dream on, Steve,” Dustin pats his chest, and Steve keeps climbing.

They’re about halfway up when Dustin laughs in his ear, clutching more tightly around Steve’s neck as the incline gets steeper. “Holy shit, you’re actually doing it!”

“Told you,” Steve says, proudly sounding only a little strained.

He does have to drop Dustin’s legs and use his hands to make sure he doesn’t lose his balance when they get near the top, which does result in Dustin choking him, but Steve gets his revenge by wiping the excess mud on his palms off on the front of Dustin’s shorts once they get over the edge of the embankment.

(“Dude, what the hell!”

“You were already muddy!”)

Still, Dustin laughs and chatters all the way back to the car, still a little more quietly than usual, but Steve doesn’t think he’s seen him smile this much in weeks, so the strain he can already feel setting up in his legs and back is probably worth it.

And they will not be watching Ghostbusters (again) when they get back to his house, but maybe he’ll pick one of the Star Wars movies instead.

He can’t fix everything for Dustin, but he can at least make sure they have a good night – and sometimes, that’s good enough.

[Prompt: Piggyback rides]

[dandylovesturtles]

I should be asleep lol

Immediately post-S2

———

Donnie grew up in the sewers, so maybe he has no room to judge, but Draxum’s apartment is pretty terrible.

The first night - after they defeated Shredder, with their home so destroyed they couldn’t return, Draxum had (only a little begrudgingly) offered them a place to stay - Donnie had been so tired he hadn’t given it a second thought. He’d collapsed in the nest of blankets and sleeping bags they’d made and slept blissfully through the night. He learned the next morning that Raph had not gotten much sleep at all, too keyed up and full of adrenaline, but the rest of them had conked out immediately.

The second night, Raph had joined them in sawing logs. And they’d all slept soundly through the third night, too. But now it’s night four, and Donnie’s finally well-rested enough to realize that everything is very wrong.

The sheets are a different texture. The thermostat is set too low. The ambient sounds of the apartment building are not the ambient sounds of the sewer.

His dad’s snores from the couch and Raph’s deep rumble are familiar, at least. Both of them are out, Splinter the first to fall asleep that evening in front of Draxum’s crummy TV. Even Leo is asleep again, his insomnia yet to rear its ugly head, and Donnie can’t help but be a little jealous.

And of course, Mikey can sleep anywhere and anytime, so Donnie knows without even looking that he’s asleep. It’s just Donnie awake, then, staring at the ceiling and trying to will away the persistent itch of incorrectness.

At least, that’s what Donnie was thinking, until he hears a distinct sniffling noise from the pile of sheets that is his little brother.

Donnie goes as still and quiet as he can, listening closely. Maybe he just misheard? No, but that was definitely another sniffle… and the mound of sheets is quivering, now.

Mikey is crying. Donnie’s little brother is crying, and he may not be the one who usually handles these things, but Donnie is still a big brother, and more importantly he is the big brother who is awake.

He sits up, blanket draped around his shoulders, and carefully scoots himself around Leo’s tangle of limbs. Then he flops down next to Mikey’s mound, reaching out to lay a hand on top.

“Mikey?” he whispers.

There’s some shuffling, and then Mikey’s face peeks out from under his sheets. His eyes are wet, visible even in the dim light of the room, and he keeps snorting. Donnie makes a gallant effort not to flinch at the sound.

“Dee?” Another sniffle. “Did I wake you up?”

“No, I was already awake.” He rubs at the mound, for all the good it will do. “Are you okay?”

Mikey snorts hard, then blinks furiously to banish his tears. It doesn’t work. “I’m fine,” he insists, but it comes out hoarse and stuffy.

Donnie holds up a finger, then pushes himself to his feet. He pads across the apartment to the coffee table they’d shoved aside to make room and retrieves a box of tissues that he brings back, setting it pointedly in front of Mikey.

Finally, Mikey sits up, letting the sheets pool around him. He pulls out two tissues and blows his nose as quietly as he can - it’s still pretty loud, but Splinter’s snoring covers it up.

“Thanks,” he whispers once he’s done, tossing the balled up tissues to the side. Donnie pointedly ignores them (no matter how gross) and focuses on the matter at hand.

“What’s wrong?” he asks, not giving Mikey an out this time.

Mikey chews his lip. “It’s just… hitting me finally, I guess.”

Donnie tilts his head. “What is?”

“That… that the lair’s really gone. That we’re not going back.” New tears spring to his eyes, and Mikey grabs another tissue. “It’s just… I mean, we saw it yesterday, but… I don’t know. It’s l-like I didn’t really g-get it until right now.”

His voice is wobbling hard by the end. He chokes off a sob, rubbing his nose furiously with the tissue. Donnie knows that there’s definitely snot on Mikey’s fingers and probably his arms, too, but he can’t watch this anymore. He offers Mikey a hug, his arms barely open a second before Mikey is throwing himself into it.

As Mikey holds onto him and cries, Donnie thinks about the day before (well, really the day before the day before - it’s after three AM, now). They’d gone to the lair, to see what they could salvage. Everyone had been subdued; even Leo wasn’t managing to joke like he normally would. Only Mikey was still upbeat, able to see the silver lining in every cloud, cheering over every item they found that was still intact enough to bring with them, encouraging them to come back later and look for more.

Maybe they’d been a little too complacent that Mikey was going to be okay, after all that. But of course he isn’t; he loves their home as much as the rest. Sewers and all.

“We’re homeless, aren’t we?” asks Mikey after a minute or two. Donnie hasn’t really thought of it like that, but now that Mikey has said it, he knows he can’t refute it.

“In the technical sense, yes,” he says, and regrets it when Mikey bursts into a fresh round of tears. For the first time in his life, he abhors technical correctness.

But while it may be correct in the technical sense, what about other senses?

Donnie pulls Mikey down onto the sleeping bag, then works the sheets and his blanket over the both of them. Finally, he snakes a hand around to grab another fistful of tissues for Mikey, passing them over without dislodging Mikey from his hug.

“Do you know what I think Dr. Feelings would say, if he were here?” Donnie asks, once they’re both settled.

Mikey blows his nose again, then peers up at Donnie. “What?”

“I think he would say that home is where the heart is. As long as you’re with me, and Leo and Raph and Dad, you can’t be homeless.”

He delivers this with a great amount of conviction, so he can’t help but be a smidge irritated when Mikey laughs.

“Hey! I’m trying to help!”

“I know!” Mikey giggles, burying his face against Donnie’s plastron and lightly head butting into his chin. “That was a really great Dr. Feelings, Dee. Thank you.”

“…Hm, well, I was just passing along his recommendation.”

Mikey hums. There’s still a bit of a wheeze from breathing through a stuffy nose, but he sounds like he’s stopped crying.

“Hey, Donnie?”

“Yeah?”

“Love ya.”

“I love you, too.”

Sleep doesn’t find Donnie that night. But it finds Mikey, and he considers that a win.

[kiirotoao]

Navigating Concessions: The Case Against and For Byler

Alright, so this sounds insane coming from a Byler, I know. But just to really tease out all of the reasons why I like/ship Byler, I want to try something. (I’ve also been receiving a small influx of questions arguing against Byler, so that’s where this idea came from.)

I’m going to try to examine some moments that raise questions amidst Mike and Will’s relationship and try to explain them as if there’s nothing romantic going on. Nothing. After that, I’m going to go into why I do see things as potentially romantic.

1. “It was a seven.” (s1)

Well, obviously nothing’s going on, here. It’s the first 8 minutes of the show, and we’re just establishing the characters. The purpose of this scene was to show that Will is honest, and it’s nothing new to Mike. Showing Mike’s reaction is to emphasize just that - this is a normal occurrence, and he has no idea what’s going to happen next.

The thing about this scene that I love is that it’s simple and to-the-point. It’s true! Nothing is happening here, not yet, and that’s the point. Even in normalcy, Will trusts Mike. Even though this is a setup of what’s about to happen to Will, this ends up being the defining point of Will’s character that allows us to root for him. I can agree that nothing romantic is necessarily happening here, but it’s really sweet that the show decided to start here with the two of them over anyone else in The Party.

2. “Crazy together.” (s2)

In this scene, they’re literally talking about the Mind Flayer and El. It’s not about themselves. To say that this is a true heart-to-heart is not genuine. They’re confiding in each other after Will went through a bad episode and Mike is simply empathizing with him. To say that entrusting in someone with your deepest secrets is romantic is untrue, because friends do it all the time. This was probably included just to show how Mike and Will dealt with their traumatic experiences.

This is already getting painful and I regret everything. So the biggest counter point I know for this scene is that indeed, Mike brings up El. Therefore, his mind is on her, right? Well, it’s actually a lot more fleeting than that. He brings her up, but he immediately drops it and focuses on Will right after. Subject matter is often used as a point of contention for Byler/Mleven because the topic is always Mleven, but this time, it’s just plainly untrue. Mike and Will are talking about this encounter with the Mind Flayer, and Mike is empathizing with Will by bringing up a situation similar to his through El. He thinks of her as a claim to his main point, being there for Will. Mike is sweetly giving his time and his comfort to Will, and they’re both being vulnerable about their fears. You simply cannot deny their vulnerability to each other that’s uniquely theirs. This exploration and presentation of intimate traumas is so sweet of them to confide in each other.

3. The shed scene (s2)

This scene is heartbreaking. Will is possessed, here. We don’t know if he can fully hear Mike, evidently because he’s struggling to express himself. Everyone is fighting to get Will back from the Mind Flayer. This moment is sweet as it sheds (haha) light on Mike and Will’s origin story as best friends for years, which doesn’t include anything romantic of the sort. It’s just a retelling of them meeting on a swingset and choosing to be best friends. It’s cute, but it’s nothing much more than that. Plus, Mike is speaking alongside Will’s family, so he’s directly parallel to family in this sequence.

First and foremost to counter this - guess who isn’t here? Dustin and Lucas, who definitely have memories of Will in their lives, right? But no, neither of them are there. They’re needed to transcribe the Morse code that Will taps while Mike is there, in the fray, giving his all to fight for Will. And Mike is in tears. This scene tugs at the heart because it remains one of the most vulnerable moments Mike has ever shown onscreen. And yes, Will may not fully hear him, but Will is trying. Mike is the third person he’s hearing from, and it’s clear that Will is in a state of struggle. He’s not given up, not succumbed to the power of the Mind Flayer just yet. Will almost cries, too. We only see his face fully harden again when Joyce speaks to him after this scene with Mike. I love this scene because of how emotional it is. Mike is doing everything he can to keep Will present, loving him alive alongside the two people who’ve raised him. To me, this isn’t simply a display of Mike being like family, it’s a display of Mike’s intimacy with Will that’s just as strong as the other people who’ve loved him his entire life.

4. The rain scene (s3)

This one seems obvious and plain enough, Mike and Will don’t get each other. They’re arguing, disagreeing about what teenage-hood is, and they both very clearly define it differently. Mike comes to Will trying to understand him, arguing that he’s just prioritizing his girlfriend at this point in life and that he can’t pay attention to everything that he once did. In contrast, Will says that he just wants thing to stay the same with The Party together, playing D&D, having fun like they used to. He and Mike are no longer on level ground. When Mike says, “it’s not my fault you don’t like girls,” it’s the final indication that he knows that he himself likes girls and that they cannot be on the same field since Will doesn’t appear to want the same things that he does and can’t relate to Mike because he doesn’t have a girlfriend. Mike also continues to talk about El and how he clearly prioritizes her. Will just isn’t growing up the same as Mike and Mike clearly isn’t into Will. He hasn’t been all season. He’s just spelling that out here since Will prompted him to.

On the surface, they’re separating. At the core, they’re not on the same level. But underneath, they’re just trying to learn what the other wants. Once again, if this was meant to highlight the separation of the friend group, where are Dustin and Lucas? Dustin’s far away, but Lucas could have come in. He’s right there at the Wheeler’s house. But no, he’s not there. This is a scene between Mike and Will alone as they defeatedly explain why they’re upset as a final plea to each other. Will starts it, Mike carries it. Just like the “crazy together” scene, this is an exclusive moment between them as they share what’s on their hearts, and El is on Mike’s mind as an added point to his perspective compared to Will’s. I’m always so fascinated by Mike’s wording because by saying “it’s not my fault you don’t like girls,” he emphasizes Will’s lack of attraction rather than lack of a romantic relationship which raises a question to me of why Mike would peel back that layer in the first place. It’s not answered fully here, but it raises the question nonetheless, and to ignore that and say it’s just Mike merely drawing a line of differentiation between them is shallow. All in all, yes, they don’t get each other. But that’s why we have this scene, because they’re trying to find out, and based on the way their breaks in conversation leaven them both rather stunned, maybe they know each other more than meets the eye.

5. “Not possible.” (s3)

This scene lasts, like, ten seconds long. It’s far too insignificant to analyze, and anyone who does is looking way too deeply into the subtext. This scene highlights that Mike and Will are still friends and still can very much miss each other like anyone would when a close friend is moving away. It’s a sealant to their once broken relationship to set up their friendship continuing on and that the both of them still like D&D and that the game as well as The Party as a whole will continue to be relevant to the story. If anything, this moment sets up that Will is in love with Mike as only he makes the promise to not join another party, showing his loyalty to Mike that Mike does not explicitly reciprocate. This entire thing was included in the show to give the audience a breath of closure for them this season and show that they still are close. This one hurt to write, too. Holy shit.

The show very well could have shown us that Mike and Will’s relationship was still intact through the hug sequences during Hopper’s letter, but nope, we get another exclusive Mike and Will moment. Once again, Dustin and Lucas are pointedly not here, making this not about The Party but them in it. And this time, it’s through the thing they argued about and both still clearly wanted to commit to, further disproving the idea that Mike has grown up way faster than Will and was truly ready to ditch D&D. Mike even brings up joining another party first. Will simply replies to him. And the smiles that they give each other are so sweet. Comparing how Mike is left confused and frowning when El leaves him to this little glowing smirk when Will leaves him is insane. Will makes Mike smile; it’s a tiny flirt that can go unnoticed, but the brevity helps not to call out too much unneeded attention to it, otherwise, would them flirting for minutes on end seem appropriate after the reality that they’re parting ways and helping the Byers move out? I don’t think so. Still, it’s rather key to me that they filmed this exchange between the sadness. It’s a breath of closure alright, one that looks up on their relationship.

6. The airport scene (s4)

This scene is so undeniably awkward. There’s literally nothing romantic about two friends reuniting like this. It’s strained, Will’s lying here about the painting being “nothing,” and Mike makes terse and disinterested remarks. He’s clearly not focused on Will. Just before this, by contrast, he was able to kiss El, hug her, and he gave her flowers. This puts a gap between Mike and Will to set up how they become “best friends” again later on, setting them apart on a journey of growth that stays platonic. It’s pretty obvious that Mike doesn’t really care about Will right then.

This scene is undeniably awkward. But y’know who Mike isn’t awkward around? Literally everyone else in his life. He can hug everyone he loves except for Will. And yes, he kissed El, but it’s been established that they kissed a lot the summer before and can do that instinctively, and yet Mike cannot write that “love, Mike.” Will then responds with doubt upon seeing Mike so closed off to him, not wanting to give away something that Mike may not accept or treat well even after so much hard work has been put into it. It’s a moment of testing the waters, and yeah, Mike doesn’t pass the vibe check, but it helps to set up how differently Mike actually thinks very exclusively regarding Will: “Hawkins, it’s not the same without you.” If Mike simply didn’t care and they started from the bottom, why is he talking about home and being a team literally two days after this with Will alone? This scene sets up not just a growth of friendship but of the bond these two have that not even awkwardness or ignoring it can deny.

7. The apology scene (s4)

So now we get to the days after the awkwardness. Being back together, Mike is able to see how rude he was and how much he still values Will. These two are unstoppable when it comes to overcoming dangers, and Mike knows that. He simply misses his friend who’s been through so much together with him. He brings up platonic terms like “team” and “best friends,” clearly wanting Will back in his life as just that, a best friend by his side. Best friends reconcile after bad arguments all the time. This was finally making up for not seeing their forgiveness after last season’s fight. This scene highlights their maturity to understand wrongs and overcome self-doubt, establishing their working together for the rest of the season to come.

Alright, I couldn’t even pretend to deny their togetherness in the concession. Because seriously, no one can tell me that this scene wasn’t romantic. Mike, completely and admittedly unprompted (re: “oh, I didn’t say it” “you didn’t have to”), comes into Will’s room, shuts the door and establishes privacy before he lays down his heart not only at the Rink-O-Mania but for the “year” before it and how Hawkins isn’t the same without Will. Yes, he mentions platonic terms, and yes, he never says “god, I needed you” or “I love you,” but did he have to? The intimacy and visually private moment is so very clearly written between these two alone. You don’t get these types of moments often between mere platonic characters. This type of outpouring is written and framed with a closeness that’s almost uncomfortable for the audience. Just look at how they react to each other. They’re on the verge of tears, happy, relieved, and excited to be back together as a unit. It’s a sure sign of Mike’s maturity as he doesn’t just brush this off or play it down in a merely friendly way. This is focused, this is only for Will. It’s a reconciliation as well as a promise. Again, no, it’s not openly romantic, but it sure as hell serves as an example that Mike can be vulnerable and tenderhearted to Will just as Will gives grace to him.

So, I mean, I don’t know. Are there any arguments I missed? Because I remain pretty unshaken. Byler’s endgame and all the setup is there despite the concessions.

[mvltisstuff]

hi omg thought of this while rewatching s2 ep3 with the earthquake but okay so there’s the little montage of everyone being happy and eddie running to christopher - but what if there’s something similar for buck? instead of him being with abby he’s dating reader and reader has a lowkey job (maybe librarian at an elementary school?) so when he gets home the first thing he does is yell for reader and then holds them and they both shed a few happy tears just talking about how happy they are that the other is okay.

you’re honestly the bestest and i am saying this in advance that this is gonna be fabulous, as always. PLEASE AND THANK YOU!! <333

something in the orange - e.b

summary: request

evan buckley x reader

gif

a/n: the end of this ask was literally so sweet, i appreciate this so so much and i’m so happy you enjoy my works, that’s why i do them <33

buck was so sick and tired of watching everyone else have someone to run to. he hated having to see everyone in each others arms, watching a warm embrace ensue in front of him, just wanting it to be him instead. it was years on end of him watching kids with their parents, husbands with their wives, friends with their own friends. he always had the quick breakfast with a lay in bed, but he never had the long run of love that was supposed to come with it.

he thought his parents would be able to supply that love for him, but he must’ve been mistaken. they had no issue jumping out on every little thing in his life, nonetheless missing out on it. there was only so much love maddie could give, and he needed every drop of it. he thought maybe, someone mature like abby would come with the cherishing attitude to stay, but it left as fast as she did.

the earthquake had given a huge jumble to bucks brain, being able to save a bunch of people, but just wanted to go home at the same time. it felt selfish, and he hated himself for it, but how could he wish for anything else but just to be with y/n at home? he’s seen calamity and chaos the entire day, a constant strain of it into his shift. he’s seen death, broken bones, sobs, blood, anything that one doesn’t want to see. it took incredible pursuing to make bobby let buck take a break, but he could see he needed it.

he held his phone shakily in his hand, squinting over y/n’s name on the screen being darkened by the sunlight. he was nervous to even press the call button, not knowing if she’d be the one to pick it up, or an emergency responder who had her phone.

“hi, baby,” her sweet voice rang through the phone, leading him to sigh out and he couldn’t contain the light smile that formed on his lips. “are you ok?”

“i’m fine, i just wanted to hear your voice, make sure you’re ok.”

“we’re alright over here, there’s still kids here that need to get picked up, but they’re going pretty well with the evacuations.”

“i’m sorry i didn’t get over there, i got sent in the opposite direction.” y/n was working at the school on the other side of the city. buck was, of course, sent to work on the east side. he wanted to be able to save her, even if she wasn’t in trouble. he wanted to touch her so he knew she was breathing and alright, but he’d have to wait.

“don’t apologize, you’re doing amazing, buck,” she reassures him, letting his mind relax for a moment as she speaks to him. “go do your job, i’ll see you tonight, i promise.”

“i just want to see you.”

“i know, but you can in a few hours. do it for me, ok?”

“i love you, so much.”

“i love you, too, buck.”

the moment his fingers connected with the cold metal of the door, he instantly twisted it open to reveal the dim, yellowish lighting in his home. he felt like the introduction to his apartment felt like the ground stopped shaking. he was so excited to be able to rest, lay in his bed with y/n in his arms.

the thick soles of his shoes thumped against the ground as he threw his bags onto the floor. his shoulders instantly slumped and his feet automatically led to the stairs.

“hey,” y/n spoke, drying her hair with a towel to the side as it rested on her shoulder.

“hi.” he replied, slowly blinking his eyes.

“baby, you’re exhausted.” y/n steps forward down a few steps, standing a few inches taller than buck for once. her hands run over his shoulder blades, wandering over his skin and magically lifting the tension and stress from the earthquake.

“i know,” he says. “i just wanted you so bad today. there wasn’t a minute where you weren’t on my mind.”

“i’m here for good, buck. i’m not going anywhere, and i want you to get some rest.” she grabs his hand, pulling him up the steps and leading him to sit on the bed. he strips down to his boxers, leaving him shirtless as he puts on a warm hoodie that y/n handed him. he stops by the bathroom, washing his face as y/n prepares the bed for the two of them.

“i got you ice water, i left it on the nightstand.” y/n smiles softly up at him as he walks back in. “i turned the AC up, since you like it cold and i turned on the mattress heater.”

“you treat me too well, honey.”

“you did amazing work today, you deserve the treatment of a saint. come lay with me, please?”

“don’t have to ask twice.”

he crawls back into the bed as y/n dims the lights and turns their TV on. the white lights brighten their faces as he leans into her chest. his cheek rests right against the middle of her breasts, over her heart.

her arm is wrapped warmly around under his arm, the other hand rubbing his short hair. one of his legs lay between hers, his hands running against her sides. he breathes softly matching the rhythm of her, letting the noises of her gentle words and quiet noises from the TV lull him to sleep, allowing his deserving body to rest against the person he calls home.

[eddiediazismyhusband]

just a caual reminder that eddie does not need to kiss, date, or sleep with anyone other than buck to make his queerness any more valid

queer characters don’t need to hookup a bunch of times and date around before settling down because queer people irl don’t have to do that either

there are other ways a character can “let loose” and blow off steam than just throwing them into a hookup plotline, and doing so with eddie would just rehash the buck 1.0 plotline and would be lazy writing

not to mention it being yet another roadblock for buddie canon

like ik it can be frustrating to see the writers refusing to give eddie any care within the story and giving him some sort of happy arc, but that doesn’t mean that the only way he can be happy is by simply dating a man… just like how bt isnt narratively satisfying, eddie dating a random man isn’t going to be narratively satisfying either… i want queer eddie as much as the next person and honestly, if it had been a few seasons ago maybe i wouldn’t be as apprehensive to this kind of arc, but this show isn’t going to last forever… i don’t want them to keep dragging buddie out convoluting the plot by bringing in more li’s for both of them just because the fans are “okay with stepping stone relationships”

we’re entering season 8. we’re entering the 7th year of buddie being a ship. we don’t have time nor need for stepping stone relationships anymore. i know that jealousy and mutual pining arcs are enjoyable, but atp anything prolonging them getting together is just risking us never getting buddie… i don’t want a repeat of s6 where they wind up with shit engame li’s bc they wasted too much damn time dragging their feet and giving them these rando love interests

we also run the risk of fans jumping ship again if eddie were to get a male li that isn’t buck because there are so many people out there who (like w bt) just wanna see eddie kiss a man and once they get that, they’ll ditch the buddie ship, and we’ll once again find ourselves struggling to stay afloat

yes ik this show is a drama, ik slowburns thrive off drama, but this slowburn has been building since s3 (arguably s2 for some of us) it has been beyond enough time for them to keep it a slowburn; they need to actually go through with it now rather than continuing to bait us bc Ryan and Oliver both deserve better storylines to play than that.

i am obviously trying to remain cautious and will not trust the writers to handle things well until they do, but it doesn’t help our cause to be suggesting storylines this late in the game that will only serve to convolute the plot even more than it already is at this point. these tropes are amazing in fics that have no set end date, but 9-1-1 as a show is not going to run forever— we don’t even know if we are even going to get a 9th season yet. This could very well be our last opportunity to get buddie canon, and cheering on plotlines that would push buddie canon even further back on the roster is only going to dilute our chances even more.

i say this with love, not with spite, but i have seen a lot of people wishing for/posting about how they hope to see these storylines play out and i’m here to say we are not in a position for any of these anymore, and that’s just the unfortunate reality of a show entering its 8th season in a television environment where shows are lucky to get past 2 or 3 seasons.

[luv-byers]

I think some ppl forget that byler not being endgame would be the greatest waste of time EVER, specially for Will’s arc. Now let me explain.

Ofc Will is one of the most (if not the most) complex character of the show, his connection to the upside down is essential for the plot and in s5 we’ll discover many more things. His character is not defined by his sexuality only, ofc, but it is an important thing, specifically if we’re talking about the 80’s. Which leads us to the main point of this post: his love interest.

Him being the only character who hasn’t had any love interest/crush, or that actually avoids talking about love is something that they remind us every season.

S1: didn’t care that the pretty girl (don’t remember her name srry) was crying at his funeral.

- also, foreshadowing that he might be gay (lonnie called him slurs, the bullies at school doing the same…)

S2: he didn’t want to dance with the girl at the SB

S3: “it’s not my fault you don’t like girls” “i’m not gonna fall in love…”

S4: “i think there’s someone he likes”

But we never get an actual answer. What we expect at the end of the show is seeing him with someone, to be in love, to show that he can also find someone to love just like everyone.

Him being gay adds more depth to his character, bc now we know why he wasn’t interested in girls at all, and also why he’s so scared to fall in love: bc it would be with a man, and he knows he wouldn’t be accepted.

The Duffers choosing Mike to be not only his love interest, but THE ONLY ONE, is a wild take. It’s not a simple crush.. it’s pure LOVE, he’s been in love for years. They could’ve chosen anyone, ANYONE, but they wanted Mike to play that part. Now tell me, why would they do that if it would be a simple “no, i dont like u back lmao, i care ab my gf” at the end? Why would they choose to waste 1 out of the 2 queer characters’ love story?

“It’s so vecna has something to torment him with” that’s one of the most stupid shit i’ve ever heard.

Vecna has plenty of things to torment him with: his ab*siv3 dad, the bullying he’s dealt with since he was a kid, everything he went through in the UD, him being gay, etc etc

They could’ve kept it platonic: will doesn’t want vecna to “tell” mike he’s gay bc that’s his best friend and he doesn’t want him to hate him for that. Or simply ANYONE ELSE. Mike didn’t have to be part of that trauma yk.

They could’ve added a character to be his love interest, maybe in s3, then a little scene with him in s4 to remind us that he’ll be present in s5 and then that’s it, happy ending.

Why did they choose to write mileven in such a poor way compared to other canon ships in the show, and on the other hand give us emotional, tender and intimate moments with byler if they didn’t intend to make them endgame?

When you make scenes be so easily misinterpreted you are not being clear. If mileven was clearly endgame there would be no “ship war”, bc it would be obvious. The reason why there are plenty of analysis and byler proof is bc they wanted us to notice those things. Bc guess what: if we have proof is bc there is something to prove.

They would’ve avoided any type of hint that could lead us to believe that Mike could be in love with him as well, or that he’s very queer coded.

Things like “the closet” (official soundtrack), the one way sign, him looking at will’s lips constantly, and other things, all that would be GONE.

Plus, they would wanna promote mileven and make us believe that they are THE main couple. For example, that final take? Why tf are will and mike together, alongside with other two canon couples, and then El at the front? Why isn’t Mike with her? They will defeat the evil with the power of love, right? They’ll be the powerful couple of the show… right? Doesn’t seem like it.

If Will gets rejected, not only everything they’ve been building since the beginning will be for absolutely NOTHING, but also things will be even WORSE than before.

Will, after getting rejected by Mike, will not be able to even look at him in the eyes. Not only he got rejected, not only Mike is his best friend, but also he’s a BOY. So, not only he confessed his feelings which “are not mutual” but also he just came out of the closet. How great is that? Even if they tried to play it cool afterwards I know that Will would be way too embarrassed to ignore it, so they would end up not talking to each other.

So not only they wasted a great part of Will’s character but also one of the main friendships of the show. All for what? To keep on going with mileven? To use a queer character’s feelings for their own good? After making so many people get bored of it or losing hope after season 4? After letting us see that she works better on herself without mike? What kind of shitty promo is this?

To sum up, byler/mike’s internalized homophobia would make Mike’s character even deeper and would explain some things that he’s done/said. If it wasn’t that and he was just being an idiot, then wow, they definitely nailed it……..

[undertheorangetree]

How to Improve HOTD S2

This is truly just me feeling frustrated with the second season and screaming into the void. Feel free to ignore it I wrote it at 10pm in a hater spiral and probably have some information wrong

1. Shift away from the Alicent vs Rhaenyra thing and highlight Aegon vs Rhaenyra. It would be hard when zero relationship had been established in season 1 but after Jaehaerys’s murder it would have been SOOO easy to shift the focus of Team Green on to Aegon and make him really want to take Nyra down.

2. Speaking of Nyra I’m begging them to give her some agency. Her son was MURDERED. She spent TEN DAYS SEARCHING FOR HIS BODY. She should’ve been ready and raring to go to war at the end of episode one!! She should be doing everything she can to destroy those who took her baby boy from her!! Instead they had her crying about going to war and no one taking her seriously for 5 episodes. Let her be morally grey I’m begging you she is not a saint nor should she be

3. Introduce Ulf and Hugh WHEN they claimed their dragons. No one cares about their lives yet. Regular viewers don’t know who they are. They can talk backstory once you’ve shown why they’re important

4. While we’re introducing characters GIVE US SOME TIME WITH DAERON. Non book readers have no idea who he is. Establishing his place in Oldtown, the fact that he has a dragon, the dichotomy between himself and his brothers all would have been GREAT to see before they started throwing his name around.

5. More screentime for the younger generation! Helaena lost so much of her arc due to them removing her fall into madness (which I’m not mad at btw) but showing her grief would’ve still been nice. Baela is ride or die for house targaryen and that’s about all we’ve seen from her, plz give my girl some agency. Rhaena is angry about being cast aside and that’s got so much meat for character motivations but EVEN THE WRITERS ARE IGNORING HER AND GIVING HER ONE 30 SECOND SCENE EVERY OTHER EPISODE. Jace is also being done dirty, they should be establishing reasons why we should care about him and why he’s such a good heir before the battle of the gullet (which in an ideal world would’ve been where we ended season 2 but).

6. ENOUGH WITH THE HARRENHAL ARC!! The first few scenes were fine but now it’s just repetitive. Daemon wanting to be king in his own right came out of nowhere and will have zero consequences when we all know Nyra is just going to take him back when he’s done pouting. He’s literally just wandering around Harrenhal like a freak. That arc needed 3 episodes at the absolute max to establish the castle and Alys and the river lords and then he should’ve come back. I hate him but they’re wasting his character.

7. Aemond turning into a super villain?? After we established he regretted what he did to Luke?? Trying to take out his own brother for power is fine and I support you if that’s what you want king but maybe give us some more context other than “brother bullies you in front of his friends”?? Maybe my sister was just mean but that’s an average sibling experience as far as I’m concerned. It would have made more sense with the characterization they had already given him if Aemond had been given no choice but to burn Aegon in order to save him and take out Rhaneys and Meleys. The 180 into anime villain felt way too abrupt (like dany going mad sorry)

8. Alicent and Cole………… as much as I fly the Alicent is gay flag it could’ve made sense if they didn’t just immediately beat us over the head with it. We were immediately thrown in the deep end of them having a sexual relationship with zero context other than “everything you feel for me… as your queen” PERHAPS GIVE US SOMETHING MORE. I actually would have loved Alicent reclaiming her sexuality after 20+ years of having to fuck her rotting old husband but they went about it the wrong way.

9. Speaking of Alicent, I feel like they truly do not know what to do with Alicent. They took away every ounce of agency she could have had in order to make her a victim and now they don’t have anything for her to do. They just keep taking everything from her in a way that just shoves her character in a box while also trying to maintain her as one of the main characters?? It’s just all very odd to me

10. In that same vein, I feel like they don’t really know what to do with ANYONE honestly. Game of Thrones also had a big cast following multiple locations but somehow juggling between them all felt much cleaner than it does here. It’s as if they lose track of their characters and forget about them so they throw in a quick 30 second scene to be like “btw they’re still here!!”

11. I need more character interactions. Aegon/Helaena. Daemon with his children. Just people you expect to have some kind of relationship. I don’t think any of those characters have ever actually had a significant interaction with each other which feels absolutely WILD to me but

12. STOP WITH THE TEAMS!!! STOP IT!!! There is no good guy and bad guy here and there shouldn’t be. It’s a monarchy, a whole ass empire that has its roots in an even worse empire. None of the Targaryens are good. They aren’t gods. Rhaenyra has been completely screwed over due to the patriarchy but being a victim doesn’t make you a good person. She’s still sacrificing the country for her birthright. Let her be evil, morally grey, ANYTHING is better than her pushing against common sense in order to seem like a good guy. Aegon and co as well shouldn’t be portrayed entirely of super villains and victims. They’ve also done a shitty thing but at the very least give us some nuance no one is entirely good or bad.

13. This is nitpicky so it’s at the end but it’s called house of the DRAGON. I wanna see more rider/dragon interaction. I shouldn’t be introduced to a dragon the same episode it’s maimed (Sunfyre). You shouldn’t be telling me one of the main characters has a dragon when we haven’t so much as heard her speak about it (Dreamfyre). If a bond is so important between a dragon and it’s rider I want to see that bond

• IN THAY SAME VEIN why was vermithor letting nyra and daemon get all up in his grill?? They’re bonded dragonriders they’ve got their bestie, he doesn’t. Shouldn’t he have lit them up for that?? What makes them so special?? He’s barbecuing Targaryen bastards left and right but these two get a pass?? Why??

And now for some general overall complaints🫶🏼

1. Fix your pacing I’m begging you. They could have made 8 episodes work if they had let us move through the plots faster but instead there’s so much dead air. After Jaehaerys was killed we should’ve been FLYING through plot points. Two child murders are enough to declare a war started, but we still hadn’t seen any battle until episode 4 and then it stalled out again. Harrenhal doesn’t need this much screentime. You don’t need to hint at Rhaena claiming Sheepstealer for 3+ episodes. We don’t need to hum and ha about going to war for 4 episodes. There should be fewer long shots of the actors faces simply reacting and more SPEAKING. More PLOT. MORE OF ANYTHING TO MOVE THE STORY FORWARD

2. Stop repeating information. Characters constantly beat you over the head with the same information over and over again. One character will tell a person something then a second character tells that same person almost the exact same thing an episode later it’s like no one proofread the script.

3. Why are you having your actors use giant words in order to sound more period accurate?? You don’t need to repeat lickspittle every five seconds. You don’t need to use gainsay or comportment. I promise your audience knows it’s a medieval setting, put the thesaurus down you sound like an idiot

4. It’s almost totally inaccessible for non book readers. I watch with my mom and sister, neither of whom have done any research about ASOIAF but have seen GOT, and I’m constantly explaining shit to them. The showrunners rely too much on people having read them that they don’t explain anything. I know Helaena has a dragon, but they don’t because NO ONE HAS MENTIONED IT BEFORE!! BY THE SECOND SEASON!!

5. This is just a me thing but I would’ve LOVED more regional costuming. We got a hint of it with Sabitha Frey wearing a headpiece when treating with Jace and I love the idea of each region having their own specific fashion trends. The costumes are fine, some are even great, but most are lacklustre and feel too fantasy to me. I’m a history girly I want to see more hoods and headpieces and different shapes in the dresses etc etc.

Despite all this there are still some great scenes!! Aspects of this season were awesome and I think the first two episodes in particular were really strong, there is just so much lost potential this season and it has been really disappointing. I’m still gonna be sat for the finale this week but I hope that they really up their game in season three

[jaynovz]

Expanded Info for Black Sails Kink Meme 2024

Hi there!

Since there has been a sufficient amount of interest for this idea, let me explain a little further how I think this will work and general guidelines–

I’m encouraging as informal and low stress/pressure of an atmosphere as possible here. Back in The Day when LiveJournal Kink Memes were common, it was very typical to see a prompt put up and filled within an hour. It doesn’t have to be polished, it doesn’t have to make logistical sense, it just has to fill the prompt as best as you can, sexily! It’s supposed to be fun. A bunch of fun, raunchy kink and smut to roll around in as a fandom. 🥳 🥳

So yeah, first thing to expect, it’s basically ALL PWP (porn without plot). Not to say that someone can’t write a full plot epic if they like, do whatever you like, but in my experience, a 4am fugue state smut fill written in a sweaty haze is kind of, the spirit of the thing. We’re creating ficlets, snapshots, tasty treats of smut with as little pressure to make it in any way polished as possible. Please think of this as, hmmm, a little fun writing exercise you do before you go back to your Big Serious Work, if that helps. We are letting loose, we are having fun, we are being deliciously, joyously, unrepentantly filthy with it! The tagline for the event is: “Get High, Jerk Off Three Times, and Write Me a Warmup :DD”

A prompt might say, for example– “MaxAnne, s2, would love to see the girls get slippery wet with some period sex, bonus if one or both eats the other out while she’s menstruating.” 

Pretty standard stuff, nothing that off the wall from my perspective, however, some folks might feel shy about asking for it for whatever reasons and so the anonymous format frees ppl up to ask for anything from: “Midshipman James McGraw getting caned in pre-canon by his superiors” to, idk, “full tentacle-y type oviposition porn where someone is being forced to come over and over again while being implanted with eggs by some giant plant beast on Skeleton Island (probably Silver).”

Literally ask for whatever smut you want~~ This is your chance, toss it into the pot! It will be tagged accordingly when posted if it’s filled, so live your truth, chase your bliss, know no shame, no one can see you~~

It is helpful when submitting a prompt to give details that are important to you, and the prompt filler will do their best with it. <3 So, I suggest giving a ship specification up front, maybe a vague timeline (season 1, season 2, etc), and then the kinks you want to see with a short description. Sort of like the MaxAnne period sex I gave an example of above.

Logistics and Structure of Submissions–

I have created a sideblog called @blacksailskmeme through which, once submissions are live (it will be open to accept prompts hopefully in March 2024), you may submit ANON ASK PROMPTS. I will publish them with a number and a link to the collection. If you like one of the prompts, simply post it through the collection with its corresponding number and then that AO3 link to your fill will be reblogged underneath the original ask prompt.

Simple as that! 

Follow the Event Blog, or the tag #2024BSKMemeFills in order to keep tabs on when prompts are filled. 

This makes it very easy for me and yall both, as there is no claiming process to trouble ourselves with. As many fills as are written are allowed for each prompt, simply write whatever speaks to you and I’ll be able to track the fills by the notifs on the collection. :DD

As of now, I’m planning to open prompts in March 2024 and keep the collection and blog running for prompts and fills both up through the end of Summer 2024. To respect the spirit of the event, all fills and prompts MUST be anonymous. Edit for clarification: The entire collection is marked Anonymous, which means any work submitted to it will be posted Anon. There is no option you need to worry about checking to guarantee this. I apologize for the initial confusing language, I have been learning as I go.

It still stands that if, after the event is closed, you want to then de-anon your work, that is your prerogative. However, it will mean you must remove the work from the collection, as the collection itself will forever and always remain anonymous.

Rules–

–This is an 18 plus event, please, as all of the content will be Explicit. 

–It is also a Black Sails Only Event, please no crossover prompts or fills. However, AU of all types are encouraged with our favorite pirates.

–All ships, all kinks, are welcome for submission, and the fill will then be tagged appropriately. If you have any questions on how to tag something, or just want another pair of eyes to confirm, you can always DM me <3

–Fills must be 500 words minimum of fic. There is no maximum and the fill is allowed to be WIP if you intend to write more chapters later. I would encourage that the content of the prompt be IN the first chapter at least before submission to the collection.

–We’re Gonna Be Nice and Civil!! No ship bashing, no kink shaming, we’re all mature adults here. If you don’t like something, then don’t fill it, don’t reblog it, don’t read it, pretend you do not see it. If you don’t like it, it’s not for you! 

If I haven’t covered everything here, or if you’re unsure about something, feel free to reach out to me either through the event blog or through @jaynovz <3 Also, if you’d like to help me out with the event, hit me up as well.

Thank you!

[trashnotfound]

Time for my usual run down of the season , didn’t do it how I usually do because honestly I had not very nice things to say about the first 5 episodes 💀

Dr s2 pt2 spoielrs ahead

- jay? Jay!?! JAY!? Hello what was THAT- IT Was a COP out honestly, all the hype and build up for a shit ass reveal and a boring fight between him and nya, only for him to LEAVE 5 minutes later. I wanted more of him being evil, it was so rushed and just usless. Like they could have just made nya find him or something, he didn’t have to be evil, Because they did literally NOTHING with it. I know they probably realise they need a whole season to build up to jay but maybe if they didn’t focus on Lloyd all the time they could??

-It was nice to see some old characters again, like tox and Mr pale! Finally some old rep 😭 I just wish they we’re actually utilised properly. I didn’t want just cameos I wanted actual character arcs or something. I know I’m asking for a lot and “should be greatful to even get to see them” but s4 showed all the old elemental master so well, and they all at least got a little moment to shine even if just for one fight, then they added to that with season 9. It just felt like a *here’s your old characters now shut up*

-People may think I’m being too picky with this, but the random panning to Geo and other characters with jayas fight TOOK ME OUT!? Like we just had this super emotional revels and now jay and nya gotta fight, oh okay we’re just gonna show a purple goblin mid scene ?? Like it just took me out the moment and was also so random. Like he doesn’t even know nya that well, why are we seeing his reaction more then the ninjas. Same for the audience. Like they don’t know these people WHY ARE THEY HERE

- wyldfyre and Roby! What can’t I say about them. Saved the season for me honestly. I like how wyldfyre actually got a break this season and got to be goofy and silly. We really saw more of her personality shine! Her being the comic relief was really refreshing to see. Plus her and Roby instantly hitting it off, just like Kailor did was such a cute nod to them. The fact that their just so sweet and full of puppy love, they couldn’t be more different then eachother but that isn’t mentioned ONCE (I like that) wyldfyre takes on all of Roby words, and him roaring for her to show he loves her too. I just adore how they take on eachother characteristics and embrace how their different. Plus the blatant flirting 😭🤚🏻 made giggle

- ERIN LOW KEY TURNING EVIL HELLO!? I was kinda expecting someone to turn on the ninja, honestly shocked it was Erin. Him and sora fighting broke my heart :( I can 100% understand his point of view, it’s been over a year since he met Lloyd and he’s still no closer to his parents. It does suck and I wish it was prioritised too, but Lloyd can’t help that all the danger they have been facing is world ending. Someone just needs to give him and hug. But I also think he needs to learn he can’t have everything in life. He wanted to be a ninja and he got that! I know he lots his parents but so did sora. I just think he needs a good hug and some support

- cole and zane we so pushed aside this season. I know they aren’t the main focus anymore, but for cole especially just doesn’t feel like a character anymore? He hasn’t since 13 honestly. I don’t think it helps that I’m still getting used to Andrew voicing him ( no fault of his own the writers won’t give him enough material to work with) so it genuinely feels like a new character to me. Plus his lack of interest in the ninja. Zane could have been used so much this season to analyse their opponents and help train sora, but they just cast him aside. Like hello he had an entire episode DEDICATED TO HIM BEING A DETECTIVE? Why didn’t they let him help Erin figure out the murders ( yes it was to do those flashbacks of his parents but that didn’t really add much)

- Kai coming back was so underwhelming, I honestly would have liked if they waited till next season to do that. We didn’t get a proper reunion of him and wyldfyre or nya :(

- ep 11-20 did not feel like a part 2, they felt like an entire different season. The separate parts really don’t merge well on my opinion. We’re following 2 completely different story lines and fighting 2 different villains. Their isn’t really an over arching storyline aside from Ras and his gang. Who don’t even turn out to be the main villains 💀 this part just felt like a re do of seaosn 4 but a lot more boring. I really couldn’t get into the story until at least episode 5. It was just way to repetitive with no real danger being shown.

I think that’s everything I wanna talk about for now, there’s others but they more small critiques or details I liked. Not my favourite season ( you can probably tell lol) definitely the worst of all 4 parts so far in my opinion. But I’m hoping season 3 is better since we hopefully have an actual evil ninja ( Erin) and jaya to look forward too

[hobgoblinns]

you can put the word fuck once in every season of nuwho. Where is it going?

what a great question!

s1: i wanted to choose something funny, but i think nine screaming FUCKING KILL YOURSELF at that dalek would go hard af. but also…… nine and rose have the kind of relationship where i’m sure she’d jokingly say “oh fuck you” every time the doctor takes a cheap shot at humans

s2: i already posted tonight about wanting ten to be allowed to say “fuck you, mickey” (specifically in rise of the cybermen when mickey gets mad at him for favouring rose). but right now i kind of love the image of rose in doomsday throwing herself at that wall and screaming FUCK!!!!!!

s3: the tensimm fan in me wants to replace “are you asking me out on a date?” with “are you trying to fuck?”. but i think it would be more gratifying if, in the same episode, we got to see martha say “fuck you, i’ll do what i like” to the doctor when he tells her not to call home

s4: this is DONNA we’re talking about. you expect me to choose just one? well. alright. “i was asleep, in my clothes, like a fucking kid!”. imagine how much it would hurt if all this time she’s been censoring herself and then, with her memory wiped, she’s suddenly back to cussing the hell out of everyone she meets

2009/2010 specials (yes im cheating shhh): in the end of time: “i had fucking estates”.

s5: river: ooh, i’m going to be a professor someday? doctor: (softly) fuuuuuuuck….

s6: instead of that amazing “the doctor is very dear to me. but you know what else he is? not here” speech that amy gives, she should just say “fuck you madame kovarian” and murder her in cold blood. genuinely like, amy was exhibiting insane restraint for a mother who’d had her child taken from her.

s7: “i didn’t know when i was well off. all fucking twelve of them.” “no sir — all fucking thirteen!”

s8: again, this is TWELVE. almost every line feels like a pg malcolm tucker. but i’m going to go with dark water’s “can you hurry up please or i’m going to hit you with my fucking shoe”

s9: easiest one yet: “get up, off your fucking arse, and win”.

s10: missy and the master: “hold me” “fuck me” “make me” (this scene made me queasy but those two are horribly fucked up and would 100% say this)

s11: i have only seen this season in snippets but i think someone in ‘rosa’ has got to tell a racist to go fuck themselves

s12: during the master’s whole pathetic “wahhh kneel call me master” spiel i think the doctor should have just told him to fuck off. when i saw that scene i was yelling at the screen for him to fuck off so i think she should be allowed to tell him to as well. or maybe spray him with a water pistol like a bad cat

s13: for some reason the first thing that comes to mind is evil dan but tbh he doesn’t need to say fuck. he’s already powerful enough. instead in that opening scene when thirteen is trying to get the voice activated handcuffs to open: “RELEASE!!! oh, maybe i was scottish when i set them up…….. fucking RRRRRELEASE!!!!!!!!”

s13 specials (cheating again shh): tegan: and yes, i WOULD like to go in the fucking tardis!!! (alternatively: “i know these teeth… what… WHAT… WHAT THE FUCK????”)

[ochrearia]

"Some Fuckin' Specimen"

I think I have a limit on how many BFs I can handle writing in 1 drabble before all of their characterizations start bleeding together in my head. It's bad. Please don't feel bad if I don't write your BF it's probably just because I don't know enough about them to feel comfortable not to get it wrong :diesbadly:

BFs in this drabble: PoPr!BF (Biff, mine), cs!BF (Beefer, mine), wyd!BF (Beef, Karl's), fc!BF (Boyf, Keyy's), sfa!BF (Peacock, Shed's), S2!BF (Bee, Isaac's), Yourself (YS)

Random days where you planned to be spontaneous were arguably the funniest days. A busy group chat when most of the collective partners were busy was already fun, but then Biff suggested they all invade Yourself’s apartment for the hell of it. Hanging out was an incentive too, but mainly to be obnoxious for fun.

Well, that was the idea until Biff got there first and realized they all had to be quiet. One by one they all showed up, enamored by the idea of being mischievous, only to find that their target of annoyance was incapacitated. Asleep, all curled up and buried so deep under his blanket that only the top half of his face was even visible.

“So much for that plan.” Beef sighed with a shrug. “We probably shouldn’t wake him up, I swear I’ve only seen that guy sleep one time and it was because we forced him with the indignancy pile.”

“He could’ve moved even with a bunch of us on him, I just think he didn’t want to.” Boyf responded using his text-to-speech.

“Anyone else not really wanting to leave either?” Peacock asked. “We’re already here…”

“Oooh, getting sentimental in here. Dumb band of BFs want to keep the sleeping lonely man company?” Biff teased. “Yeah, me too. Let’s stay.”

“Bro??? What the hell are you doing?” Beefer hissed, watching Biff climb onto the bed and also completely on top of the sleeping counterpart. “You’re gonna wake him up you idiot!”

“Nah, I got this, trust me.” Biff whispered back with a grin. “He’s only a light sleeper when he has a goal in mind. Or if you try to draw on his face with a fucking sharpie.”

“That was one time and I’m still pissed I didn’t even get to do anything.” Beef grumbled, folding his arms over his chest.

“My point, he’s not gonna wake up from this. He’s in a very serious and committed relationship with this weighted blanket. I know he loves this thing. You know what else he loves? Being warm. Contact. How do I know this? It gets obvious when anyone with a brain would still choose to give our dumbasses hugs when we don’t deserve them. That’s probably why he gives good hugs. Because he wants them just as much as he wants to offer comfort.” Biff said matter-of-factly, carefully shifting around and settling on top of YS. “Look. I’m just an extra weighted blanket for him!”

“I really hope he shifts and sends you flying.” Boyf typed, grinning at the mock offense it drew from him.

“You seem to know a lot about YS.” Started Peacock, also keeping his voice low. “More than the rest of us combined it seems.”

“Known him longest.” Biff shrugged. “Fought him. Didn’t really want to but when some freaky, tall as fuck copy of yourself shows up out of a mirror by smacking you in the face with a microphone, your first thought isn’t going to be ‘maybe this guy just wants to talk’. Glad we did end up talking instead after. I mean… I wasn’t very nice to him at the beginning either. We just get along so well now sometimes I forget I was kinda a dick at the start. Guess we’re all kinda prone to that.”

“Doesn’t look like he gives a shit about that now.” Beef waved a hand between them. “You apparently know him so well to be comfortable risking waking him up while the rest of us are sitting here all awkward and shit.”

“Are you guys afraid of trying to be close, or are you just not sure how to convey that? Or both?” Biff wondered aloud. “Do you think he’d like… reject you trying or something? Guys. YS literally sought you all out. He did. He came to us. Well, originally to me, I’m not entirely sure what made him decide to start reaching out to more but I’m glad he did! I like knowing more mes, it’s fun. But he wouldn’t have reached out if he didn’t want connections. It’s all in the similarities!”

“We haven’t known him as long as you have.” Bee mumbled. “It’s one thing to put up a front and be confident and outgoing when we have to, but vulnerability with someone we’ve more or less just met? I’m not sure we can just skip over to your level when Peacock and I’ve had a week at best, and those three having a few weeks or a month where you’ve had multiple months.”

“You have an advantage man.” Beefer complained, tail swishing back and forth. “It’s weird, meeting him was like having an identity crisis but now that I know he’s not a threat I’m jealous I’m clearly not as close as you.”

Biff frowned, eyes sweeping over the other five. He was right, they really were all kind of awkwardly standing around. He recognized that body language, it was nervous and hesitant like they didn’t deserve to reach out in the way they wanted to. Usually showing up when he personally had a fight with Cherry or Pico. Did they feel guilty? Or just out of place?

“Why don’t we all try something, then?” Biff said instead, deciding a deeper conversation was probably better to have when the subject of it was awake. “He’s asleep. He’s gonna stay asleep, probably for a while. It doesn’t take a rocket scientist to know he doesn’t sleep a lot so when he does he’s gonna be a while. That, and we’re all heavy sleepers. I think. Similarities thing, it can be wrong but usually we’re all similar. How about you all take turns offering this big ol’ idiot some comfort? Practice affection while he’s not able to tease you for it.”

The group exchanged looks, seemingly only half convinced. Biff rolled his eyes, the stubbornness of five of his selves all at once proving to be a nightmare. How YS put up with all six of them was a miracle. “Guys, come on. He’s not gonna kill you. Fuck it, Beef, come here, you can go first. Just offer him something, doesn’t have to be a big ass grand gesture or something. Think, what would you like the most when you want to be comforted?”

“Me?!” Beef hissed. “Why me first?!”

“Oh my god, fine, someone else then? You’re all overreacting, this is the same guy we are and we’re nothing but sweethearts really.”

“I’ll go first.” Bee volunteered, stepping closer with a tilted head to assess his move. “I can’t lie, I am really curious about him. It’s also kinda really funny to see this tall, lanky motherfucker curl up like a pillbug.” He snorted, reaching his hand out and burying it gently in the sleeping one’s exposed hair.

Somewhere along the line YS’s hat had slid off, falling behind his back. They noticed his phone left abandoned near his pillow, like he’d been doing something and had fallen asleep before putting it away. It was subtle, but his head shifted up slightly, moving to push unconsciously closer to Bee’s hand as he petted through his hair softly.

“Did he just-?” Tone full of disbelief, Bee stared between YS and Biff, who was grinning.

“Told you.”

“What just happened? Did I miss something?” Confused, Peacock crowded a little closer, followed by Beef, and then the rest.

“He moved into my hand. He’s asleep but he can still feel that?”

“Holy shit this is so funny. Everyone’s crowding him like he’s some fuckin’ specimen.” Biff snickered. “Well, I mean, he is. It’s still funny though. See? He likes affection. He’s just emotionally constipated and won’t say that out loud. Remind any of you of someone?”

“Is he just a Pico-fied BF?” Beefer asked. “I mean, I guess there would have to be one in the face of what, infinite universes?”

“Maybe.” Seemed likely to the others.

“Maybe he’s all three. Said himself once, to prove a point.” Biff pointed out. “Though he won’t tell me much of anything about the magic side of him. Aside from having magic like a GF. Maybe that’s why he calls himself ‘Yourself’. Because he’s a pretentious prick.”

“I think I’m getting whiplash from how sweet you talk about him one second and call him swears the next.”

“It’s funny!”

“Can I go next?” Beefer asked. “I don’t really have much to offer but, you know. I just… want to.”

No one made any protest, so the Dinaurian crept ahead. Thinking about what he would want in comfort, he managed to maneuver over Biff and the sleeping YS to get himself in a corner near the both of them.  The way YS’s bed was placed relative to the room was a bit odd, off center but not in a corner, meaning that whichever side he slept on meant his back was turned and exposed somewhere. That’s where Beefer planted himself- Guarding the exposed side. Comfort from protection.

“Don’t know about you guys, but sometimes it makes me uncomfortable when I can’t keep an eye out on every side. There’s no danger here, and it might just be because of my new instincts. But I like the idea of being protective.” Beefer explained quietly.

“Nothing wrong with that. That’s a nice idea.” Bee supplied helpfully.

“Man, I don’t think I can do the thing I want to do.” Peacock grumbled, putting a hand on YS’s shoulder- or where it probably was under the blanket. “You all keep talking about hugs. I like hugs, I’d probably say that would be my first choice. But I can’t hug the big guy like this.”

“Could just be nearby instead. Indignancy pile part two?”

“Yeah, good enough.”

Biff didn’t move from his ‘blanket activities’ while the rest started piling around the bed wherever they could manage. Being nearby, random little bits of contact that they could derive even though there was a thick blanket already covering the guy. And how was he not burning up with heat at this point? Guess he wasn’t joking about liking being warm.

“We should do this more.” Beef said, rubbing comforting patterns against YS’s back. “I mean, maybe not every time he’s sleeping, fuck- I meant like, hang out, I made it weird-” He paused suddenly, and the others just thought it was out of embarrassment.

In reality, the boy was incredibly confused at the weird bumps on YS’s back his hand grazed over.

He didn’t get to linger on that thought though, because the longer that he gave his comfort, the more YS unconsciously shifted. Going to bed alone, only to be given warmth and affection while he slept. No waking inhibitions to keep himself composed, which was probably why his body was moving without his brain to uncurl and straighten out. Back pressing just a little into where Beef was rubbing, head continuing to tilt slightly into Bee’s hand. If there was comfort, he was chasing it.

“He’s gonna kill us when he wakes up isn’t he?” Peacock asked with a snicker, keeping his hand on his shoulder. “The big guy is rather insistent to pretend he’s mysterious and scary and now we’re here seeing him absolutely vulnerable. He’s going to get mad.”

“He can bitch and complain all he wants, not going to fool anyone.” Biff rolled his eyes. “That’s what we all do. We’re softies that don’t want to admit we’re softies. He is so insistent to believe he’s not allowed to be comforted and I don’t know why. But I can tell he’s the only person in this room that believes that.”

They all quieted when YS seemed to stir, stretching considerably for a few moments. Biff bit his lip, not wanting him to wake up yet. “Bee, quick, pet him more.”

Ah yes, because if there was ever going to be a similarity they all shared, it was the placating power of having their hair played with. Bee did as he was told, and YS quickly fell still again. The shift caused his blanket to have moved, no longer completely obscuring the bottom half of his face. The rest were rewarded with the sight of a small smile gracing his lips.

“Aww, look, that’s not a forced smile either.” Boyf typed gleefully, having situated himself between Beef and Beefer, leaning gently against YS’s lower back. “Oh he’s absolutely going to kill us later.”

“Well if he really is so keen to not be cared for then he should consider not being so loveable.” Beefer huffed.

“You know, when I said I wanted you guys to practice self-love this was not exactly what I had in mind.”

Everyone froze when YS’s gruff voice cut into the quiet atmosphere, tone even more raspy with sleep. None of them had noticed that his shadowed eyes were cracked slightly open, sleepy, but also like he’d just caught them all with a collective hand in the cookie jar.

“Told you he was gonna wake up.” Beefer snarked at Biff, who stuck out his tongue in response.

“Party’s over! Everyone scatter!” Peacock joked, not no one really made any attempts to move.

“Not sure when the hell you idiots got here but I’m not really surprised. Though I do have one thing to say. Debating on if I should say it.” YS yawned, a slight frown on his face now.

“Are we in trouble?”

“Nah.” Yourself said, though his eyes trailed over to look at Bee, who’d pulled his hand away out of nervousness. “Just one thing. I didn’t… say to stop.”