#I wish it stayed that way

[sacredthethreadgvf]

I FORGOT THIS PHOTO EXISTED

[mroddmod]

uhhhhh happy halloweiner

[doomedclockworkdotmp3]

his therapist woulda had a field day at their next appointment

[jaxieus]

Dev meets Human!Peri

[Second part]

[deadshadowcreature]

Some more of stormbringer cookie

[vero-niche]

can i just say how much i adore how Nao-chan's gender is treated so casually in skip to loafer

like, as a white cis woman who is also quite tall and havent read the manga i didnt even realize she was trans until this scene in ep2:

and i didnt even have the time to get nervous how they would handle this as they already moved on, ignoring the comments (just like queer people learn to do so) except for Mitsumi's comforting touch (implying she also heard the comments):

and there were no sad words or anything about this either, it was just handled so.... normally. which should not be something worth highlighting, but, well, you know. also on that note, special shoutout to P.A. Works for casting a woman as her voice actor as well.

she's shown being the supportive and lively aunt and like seconds later in this scene she's back to being her usual self again:

in conclusion

[kimtaegis]

friendly herbivore dinosaur 🦕 for @jung-koook

cr. namuspromised

[inkskinned]

for a second, you did the bad thing and bargained about it.

if it meant that you would never be numb like this again, what would you give up?

maybe it's the childhood stuff or the religious trauma or how your dad doesn't believe in medication, but this is how you are, right. you need to have a counterbalance. suffering has to have its own reward. there needs to be a point to it. and if you're happy - if you could just be happy, and the world could actually fill in enough space that the edges of your spirit actually meet the horizon of your body - you would need to pay for it.

your passions? that one seems fair, but how could you actually be happy without them. well, you'd never be numb again, so maybe you'd be able to find joy in the small things like you used to. gleeful, you'd make coffee and breakfast into an artform. you'd find a way to make it make sense, somehow. you'd move on. it'd be different, but it would be doable.

your lover? your friends? this would be hard. you owe so much to your community. still, you could maybe make yourself a small home in the woods. you could live a quiet life, one devoid of friendship - but also without this horrible grey mist. a life like bigfoot, then. you'd figure out how to make the most of it.

your hair. your teeth. all of it.

sometimes you are jealous of mental illness as it appears in media: a big stroke of a meltdown, a firestorm that resolves prettily in therapy. it is flashing lights and thin teenagers. you've absolutely had breakdowns that stole the show - but life after resolved into a pixel art of things you managed to piece together afterwards, not a tapestry of a heart made suddenly-beautiful. that people could pick up blades as if they weigh nothing, that the way it all appears is as a cry for help, not a slow backsliding.

you have to stop the thought: i'd give up everything.

but also - be real. you'd never give up your dog. nor your best friend. nor the way you feel walking while through deep fog. you'd never give up the last bonfire of summer, the reckless laughter of halloween. so you do still love things.

maybe that's the problem: you know it should be easier. you have everything you could possibly want. so how come you are still trapped? still yearning?

[bolithesenate]

Satine Kryze should not be a sympathetic character.

A complex and tragic one? Sure. Every day of the week.

But she did not 'have a point', neither in-universe, not outside of the sw framework. She isn't a hero, neither of her own story, nor of someone else's. There is no way she wasn't a tool. You should not look at her and think 'this woman has done nothing wrong and what ultimately happened to Mandalore was to no part her fault'.

Because guys. Friends. Strangers on the interwebs.

Pacifism doesn't work.

And it certainly wouldn't have worked in motherfucking Star Wars – the 'wars' is literally in the title – for a system or series of systems who wanted to stay neutral.

YOU DON'T STAY NEUTRAL FOR LONG BY JUST SAYING 'YEAH, NO THANKS <3' TO A LARGE-SCALE CONFLICT.

source: I am Swiss, we've looked at this in history class. Extensively.

Satine was a dreamer (thanks Obi-Wan) who was allowed to keep her delusions because they actively benefitted Palpatine's plans. And that's something you can quote me on. There is literally no other reason (apart from supremely bad writing but we'll leave that aside here) for her and her little friends' 'Alliance of Neutral Systems' or whatever to be allowed to exist.

Not that they were neutral in any way, shape or form, by the way.

So yeah sorry to the Satine stans, but you're idolizing a character that was written exclusively and specifically for Obi-Wan's manpain and who, in-universe, was a supremely bad politician. Because the level of mental dissonace needed to factually be a Republic System, have a seat in the fucking Republic Senate, rely upon their military for aid while actively proclaiming that All Violence Is Bad And Barbaric one sentence later AND THEN CLAIM TO BE NEUTRAL IN THE WHOLE CONFLICT – it's just mind-blowing. Even moreso that people actually look at this character and see something aspirational in her.

Again, I'll gladly dissect her character any day of the week. She is fascinating because of all the implications her existence as a head of state carries with it, as well as her deeply complicated family history and her relation to mandalorian culture.

But it just grates on me personally that that all gets ignored in favor of her being some sort of icon of white american saviorism (bc that's literally what she is) and her objectively bad political takes being treated like they are the only correct stance to be taken during the Clone Wars/Mandalorian Civil Wars.

If you think pacifism works and actually lets you stay neutral, I desperately urge you to open a history book. Because those two are mutually exclusive. Especially in the scenario that Star Wars paints.

[guinevereslancelot]

what was with cameron house md she spends 90% of the episode saying she wants their patient to die bc he's a genocidal dictator and her colleague husband says "babe it bothers me for ethical reasons that you want our patient to die :(" and she said "hm maybe you're right :/" but when it comes down to it the genocidal dictator lays a finger on her in an aggressive manner and chase instantly commits medical malpractice to murder the guy and then when he tells her she LEAVES HIM bc boo hoo he's a murderer now like GIRL he killed a man for you!!! he's wracked with catholic guilt!!! he's being crushed beneath the weight of his sins because he chose his devotion to you over his devotion to god!!! he literally could not get any sexier at this moment in time!!!

[romanticatheartt]

You know why I love Feysand? One of the reasons is because there's a balance between them. In a way they complete each other.

Feyre is all forgiveness, love and a pleaser.

But Rhysand on the other hand is all revenge, hate and never forget.

Whenever he's drowning in hatred for himself, for people who wronged his loved ones, she's there to pull him up and shower him with love, respect and reminding him of goodness.

And whenever she is being too forgiving to the point she's forgetting herself or to put herself first, he's there to bring justice and be a shield for her from the injustice of it all.

That's why this is one of my favorite scene of them:

He's saying he can't forgive anyone who wronged her. But she remembers the ones who wronged him and notices he doesn't care about himself, his hatred for himself won't allow it.

She's saying he has to forgive at some point. He's there to remind her that maybe it's okay to admit that some people have made her suffer.

It's this back and forth between them. It balances them.

He's always self sacrificing himself to keep his loved ones safe, to make them comfortable, to be a shield. And Feyre came to his life, saw right throw all of them and let him to burden her with some of those duties he put himself up for them.

Sometimes it's a wrong trait but it's never out of malice.

And she is always too forgiving, putting everyone else first, always backing down when some times she needs to back up for herself and she let herself to forget them. But he won't, he will remember, he'll defend her if it's needed and when someone crosses a line, he's there to remind them to back down.

Sometimes she let people take too much from her and it might hurt her in the process. A wrong trait of her.

They're the definition of "I will give my love for the both of us" and "I will give my hatred for the both of us"... does that make sense?

[tianhai03]

oh hey look it's april 1st again. happy trans day of visibility 💙💗🤍

[scarringstars]

bellarke → 1.02: earth skills

[coolnonsenseworld]

More Calendar Lore

November is a downer in Lance's dictionary. He decides to do something crazy - buy a house, sell the car, start a business, enroll in a course, something along the lines. He ends up dragging Keith out to dance in the rain. ”It's gonna be a house,” Lance declares. “Hmmm, I think we’d need that business first and it better be good,” Keith corrects. They look up options for all of these, dreaming and planning through the shitty weather and shittier economics, and after calling a few friends and making sure they can make it - they decide to adopt a kitty instead.

[jemmo]

Making sense of love for love's sake: the game

Despite all the things i absolutely adore about how the plot unravels and expands in love by love's sake, upon first watch, there's some things i couldn't piece together, which @lurkingshan echoes in their post:

'The way the author was messing with Myungha and forcing cruel choices on him really does not track with a desire to help him find happiness.'

And to preface, this is not something i fully get yet either. I think i'll need a good month and a sizeable reading list of relevant resources to understand just what/who this author/sunbae is and what his role is and how he is associated with myungha. But as always with the best shows for meta (aka bad buddy), as a plot unfolds, you can always find a better understanding by looking backwards and re-contextualising what you've already seen. so i watched ep 1, specifically the scene between myungha and his sunbae at the bar. And i will talk about how everything said in this scene has a whole new meaning now we know the full story, but for now i wanna focus on that question that they keep coming back to; "Then... will you change it for him?".

When you watch the show for the first time, your brain follows the simplest, most obvious version of the story you're being told, one where myungha has been pulled into the world of his sunbae's novel that's being turned into a game and given the opportunity to fix the thing he didn't like about it; making yeowoon happy, and thus you just think the rules of the game are imposed by the author, and so when these cruel choices first come up, you see them as the difficult roadblocks that are nevertheless necessary to any kind of game, forcing the player to make an impossible choice so that the game can continue in a certain direction and its only after that you learn whether it was the right choice or not, or there is no right choice, it simply changes the game you are playing.

And when its revealed what this game actually is, at first i tried to interpret these cruel choices, namely the choice between yeonwoon and myungha's grandma, and at best i could come up with the concept of this being a choice between staying stuck to the past aka choosing his grandma, even though he knows that choice doesn't mean she's safe bc he knows the future where he loses here, its an inevitability, but thats the small happiness he knew before it was taken away and thus that happiness is known and safe, theres no risk, versus choosing to pursue a new happiness, a love of yeowoon and thus himself, which he doesn't know, he hasn't experienced yet, and could be risky. Its a happiness that isn't guaranteed like his grandma, but its a happiness that looks to the future and has hope in it that he can find a new happiness to pursue despite what has happened in his past.

And that fits nice, okayish. But then i watched ep 1 and heard that question "Then... will you change it for him?" And watching through the rest of the eps, we come back to this scene at the bar and each time we get a new run up to the author asking this question, either new dialogue is added or we hear a different piece of the conversation entirely. It starts at the beginning of ep 1 as:

"Because Cha Yeowoon is the only one who's miserable." "It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile."

Then a bit later in ep 1 we go back and its expanded.

"It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile." "Why? Do you think you'd write it differently?" "Yes, definately. Someone like Cha Yeowoon, or someone like me with an awful life, can also be happy."

And then all the way on in ep 6, we get this new dialogue.

"I don't like talking about destiny." "Why?" "Because it means everything is predestined." "Then do you not believe in fate?" "Fate and destiny are the same. My grandma likes to say that. She said life is like a written book, and how you'll live and die are written in it. (...)I don't like things like this. Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." "Really? Then Myungha..."

And while we don't hear the author ask the same question, I feel like him getting cut off like that insinuates that the conversation leads to that same ending point. All that is to say, every time we hear this question being asked, its like we learn more and more about what this whole thing is, what the game is, what myungha is saying he will do by agreeing to do what the author asks. And every time, we see myungha being more defiant against the idea of yeowoon being resigned to his miserable ending. He starts off thinking that kind of life is destined, and while it's miserable, its not something he can fight. Then he says he'd want to write the story differently, bc yeowoon, or even him, could be happy. He challenges the idea that yeowoon, and thus himself, is fated to be miserable, and opens up the possibility for happiness for them both, but doesn't yet have the means or resolve to do it, its like he knows its possible on a fundamental level, but doesn't see it as something he can actually achieve. But then we circle back to the idea of destiny and books, both of which came up in the previous quote, and seems incredibly pertinent seen as this whole thing is about a novel this author has written. Myungha talks about how he hates the idea that life is a book where everything written is predestined to happen, from the moment you live to the moment you die. He says "Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." That vile way of life he described before that he said was destined, he is now saying it can be changed, and that possibility is now something he's holding onto, its what he sees hope in so that he can keep trying, bc now he finally is trying, he has the resolve, he's trying to realise this thing, this impossibility of rewriting the life he thought was destined through the way he loves yeowoon.

And coming back to those cruel choices, given this fresh context, it made me think. bc this isn't actually a game that myungha has been put into where the rules are dictated by an author completely separate from him. He said himself, he'd rewrite it, he'd change things for yeowoon. And when you start to think of it less as him fighting against a rigid, removed system and more like him being a character in a story he is trying to rewrite himself, that has both the author and his own limitations, or just his own if you're in the school of thought that the author is some figment or part of myungha himself or his conciousness, then you can start to see where these cruel choices might come from. They could be myungha, the author making edits to this new story, imposing his own doubts and limitations on himself. When he says he has to pick between Yeowoon and his grandma, what if that's the new author myungha seeing this story unfold and thinking no this isn't right, he can't have it all, i'm not deserving of this much happiness.

And what makes me like this idea even more is that when we get that second choice between ending after 14 days or getting 100 days back at the cost of resetting Yeowoon's affection to 0, that whole conversation happens in what I think the bar actually is which is this frozen moment in time where myungha is in the water with this extension of a voice in his head that is talking through these things. That conversation in itself needs its own post, but when you look at it both as a decision to break up or not or a decision to hold onto life or not, you can see how the author is just this soundboard relaying the decisions myungha is going through in his head. The author's voice is his own, weighing up his decisions. And if he is the author here, it only reinforces that the person making the rules of this game is him. You can even extend it further to the idea of the debuffs, where he puts in place this thing that makes it so he causes harm to yeowoon when he's around, and its only by garnering affection that he can prevent it. He gives himself a reason from the get go to stay away from yeowoon and reason it as him doing it for yeowoon's safety, when in fact the only way to make yeowoon safe is to increase his affection, which he can only do by being near him. Its a system that at first gives myungha a reason to stay away aka not like himself, but ultimately says the only way you're going to make yeowoon like you, or the only way you can like yourself, is if you accept risk. And that in itself screams to me of a myungha writing in these game systems that are trying to encourage his own-self love while falling at the hurdle of his own lack of self-worth.

The idea is still messy in my head even for me, but i just really like the idea that myungha could be trying to fix this thing both as a character and game master, and that both these versions of him have these flaws that manifest in their different ways to cause the events we see. It kinda is the definition of being your own worst enemy, the idea that in order to work towards loving yourself, the biggest obstacle you have to encounter is yourself, bc we are the ones holding ourselves back, making all these rules that make it harder to like ourselves and pursue our own happiness. The voices in our head telling us that we aren't good enough and aren't deserving are our own, and while the things that happen to us can inform what they say, we're the one's reinforcing those words. And what this show teaches us is that, if we're the one holding that pen all along, we can choose to change what those words are. If we make the rules, you don't have to create a game with concrete ultimatums, you can create a game where rules don't control you. Instead, you make the decisions, and you can make the ones that make you happy.

[getvalentined]

Vincent chaperoning his son and his son's hall monitor classmate to a Halloween party.